Tumgik
#i understand wanting more people to see your work but. if a ship isn't even in the fic. Don't tag it as such!!!!!
if dorian didn't show up, do you think louis would have shot minnie?
I do. I know some people think either he wouldn't have or he would've missed so that's why the writers had him shoot Dorian instead, but mmmmmm no, I don't personally think so. I like to think that if he had taken the shot, his shaky hands would've caused him to shoot her fatally.
Mostly because I'm already so normal about the fact that of the Ericson crew, Marlon and Louis are the only ones with a body count. Well, that we know of, but shown to us in the game, at least. Plus, we know it's Louis' first kill.
Like yeah, Clementine and AJ become part of the crew and they have bigger body counts, and if we're counting indirect kills caused by actions, then Tenn has a count... and I guess everyone has blood on their hands for blowing up the boat... but I'm talking about killed directly with a weapon like....... I lied, I'm not normal about that at all, Louis and Marlon are the ones who have killed someone in Louis' route. I'm also not normal about the fact that Louis kills Dorian and then even as he's clearly in shock, he tries to go with Clementine to get AJ, and then later on when they talk about it, he says it feels like bile but not quite and he's glad he has it in him to do it.... listen, listen, listen... I'm obsessed with that.
Anyway, so if Louis shot Minerva, I think he would've accidentally killed her and can you imagine? He's already enough of a mess after killing the woman who pinned him down and tried to cut his finger off [or succeeded] but he knew Minerva, they were friends before the twins were taken. Even Violet couldn't kill her even though that would've been the smarter thing to do, and we know thanks to meta knowledge that killing her would've saved lives, but Violet couldn't, and I don't think Louis would intentionally either.
Speaking of Violet, if Louis killed Minerva, I hate to think about what that would've done to Vi. I think she might've actually left at that point, like what was planned before it got changed to her being burned. I don't think she would've attacked Louis over it, though, like yeah she attacked Clementine in the cell but Louis? I don't know, but I don't think so just because it's Louis and he'd be a mess about it anyway.
Though if he did kill her, it would be a neat parallel to draw... y'know, because Louis forgave AJ for killing Marlon even though he was pissed and heartbroken, and Violet was annoyed with him the entire time... but could she ever forgive Louis for killing Minerva? Y'know? We already have a similar parallel with AJ shooting Tenn, but still.
If Clementine killed Minerva in that moment, though, then I could see Violet attacking her since in her eyes, Clem proved her right.
So yeah, I get why they added the Dorian kill to his route. It adds another compelling element to Louis as a character, but we also need Minerva alive for episode 4; Louis can't kill her, he can't miss, and he's not going to stay with her because we need Violet to stay on the boat and him to be on shore for all routes.
#asks#twdg louis#twdg minerva#twdg clementine#twdg violet#twdg marlon#twdg tenn#honestly whenever i see someone say louis is the boring option i'm just like '.......that's your opinion but also how can you say that??'#then again i'm sure other people look at me saying violentine just isn't for me and they say the same thing so y'know... i can't talk haha#also time is such a weird thing because i look at the entire cell scene in louis' route and like... i'm not even mad about violet anymore#like yeah i still don't believe she was brainwashed like i'm sorry y'all only believe that because kent said something about it#not because there's all this evidence toward it in game like vi being pissed at clementine makes sense she doesn't need to be brainwashed#for it to work like her being vulnerable and easily manipulated into submission makes perfect sense especially with minerva there#it's like everyone was pissed that she attacked clementine and people needed a way to excuse it so it's not violet's fault when like...#that's literally what makes it interesting like calm down it's okay if violet is pissed and scared and behaves accordingly#also my controversial opinion of the day that i'll hide here in the tags so maybe people won't find it sksksk but#I personally find the concept of vinerva and the doomed tragedy of it more compelling than anything violentine did#like i'll defend violentine and i do believe it's an important and good ship it's just not my personal favorite#anyway but then the whole thing with lilly and minerva is so good and louis screaming FUCK YOU at minerva?? amazing love it so good#i love when the soft character who never chooses violence is so pissed off that all that anger they have boils to the surface and it's raw#like... he's SO mad he's SO furious he's SOOO UPSET like he wasn't even like this when marlon died or anything like he hit his limit#and then shooting dorian through the mouth while an accident is just well done i love it and i love his reaction of mortification#and apologizing and YET he still tries to go with clementine he's trembling and can barely string together a sentence but he wants to go#he wants to help her he wants to save aj THAT is the gut reaction he has after everything that just went down#'louis isn't loyal or good for clem because of the vote' babe tell me you don't understand any nuance of louis' character without telling m#it's fine IT'S FINE you don't have to agree and i just have to remind myself that it's fine not everyone likes louis we're okay#this drives me crazy in the best way like y'know what? i love the cells scene in louis' route all of it even the stuff i used to rant about#even the stuff that used to piss me off now i'm just like 'no wait past cj was dumb she wasn't looking at it this way aaaaaaaa' sksksks#that was my tag ted talk about the cell scene thank you
20 notes · View notes
morningmarionette · 3 days
Text
im currently writing an atsugawa (I hate the name shin soukoku or whatever I'm sorry but I'm actually not. also I cannot pronounce soukoku {this is the real reason I don't use soukoku}) and I don't even ship it lmaoo
#maris bsd 🗞️#like its not a bad ship for my personal tastes#I like them alot more in trios tho I've realized#absolutely adore anytime atsu aku and kyouka are together#two disaters and a teenage girl going through the inexplicable horrors#my favorite#I also desparately wish more people saw the atsulucygawa vision.....#anyways the fic is actually more like before an establish relationship but you can read it as romantic if you want#you'd have to work extra hard though because their bickering isn't like#romantic bickering they're actually kinda getting on each others nerves#but then they have a cute moment talking about their respective agency co workers and realize they do have common ground and that's how muc#they love their lil found dysfunctional families#actually its mostly akutagawa talking Abt port mafia (IM SICK OF PPL SAYING HE DOESNT CARE ABT THEM IDC I wRITE CANON NOW TY) and atsu#realizing that akus never rlly been in a position where he could safely and openly show his affection for anyone#and the one time he did they left (dazai) (this is how the conversation starts)#(aku says smth Abt gin and atsus like “awhh you care alot :3” and akus like “no I don't” and then atsus like “ykw its okay to care Abt ppl”#and akus like “:(( but what if they leave again” and atsus like “but what if they stay?” and basically lists all the reasons why they'd sta#and then akus gets all soft and has a nice moment of caring about everyone he works with#(except maybe chuuya I cant rmb any times they've interacted and i cant think of anything fun or like core memory things they'd do together#and then aku is like “what Abt you and your family? how are they?” and then it's atsus turn to be all sappy about their family#and so then they end up having a way better day than expected AND they walked away from it with a new friend and an even better#understanding of each other and stuff#yeah#reminder I don't even ship atsugawa but wow I feel deeply abt them both.#maybe Id like them as like QPR??#I can see that alot better#but man atsulucygawa....#even they'd probably be QPR though imo#anyways pushing my “aku doesn't feel like he can allow himself to share his affection for people because he doesn't want them to leave”#agenda ty for coming to my Ted talk
1 note · View note
conarcoin · 1 year
Text
So Elon bought Twitter. I'm honestly not gonna push away Twitter newcomers, but if you're in the MCYT fandom you need to understand that the social etiquette and expectations and culture here are very different than over on Twitter. So as someone who's been an active part of mcytblr for two years now, I'd like to offer some thoughts and advice!
One: Shipping. MCYT communities on Tumblr have always tended to lean more tolerant towards shipping of roleplay characters due to the idea that this is a space for fans primarily. The creators who visit or actively use Tumblr like Eret and Martyn understand that this is a fan space primarily, and don't bother us for the content we make, and we don't bother them with it.
The number one worst thing you could do is share shipping content with creators who have not asked for it. This is a huge social faux pas here. Secondly, on the other end — writing callout posts for shippers here isn't gonna fly. Even for RPF shippers and people who may ship boundary-breaking pairings, our default is usually to not engage with these people rather than publicly call them out. It makes the space a healthier place for everyone and makes it much less likely that CCs may come across content they are uncomfortable with. It's also considered a social faux pas to ask CCs their opinions and boundaries on shipping, since that's bringing it up when they didn't ask!
Speaking of shipping, people typically don't mind you maintagging ship content so long as you also tag it as shipping so people can filter it. For Hermitcraft the tag is hermitshipping, Life Series has trafficshipping, and the lesser known DSMP tag is dsmpshipping.
Two: Reblogging. This is something a lot of newer users tend to struggle with. There is no algorithm on Tumblr, at least not one that works, so content creators rely on you reblogging their work in order for it to spread. If you see a fic or piece of art you enjoy, please reblog it! I often reblog art for MCYT fandoms I'm not even personally in.
Three: Tagging (again). There are a wide variety of tags you can use for your content! The most common tags you'll want to use are "mcyt" and "mcytblr", and any relevant series, pairing/group or character/CC names. However, please don't use the tag "minecraft"! Minecraft has an entirely separate fanbase on Tumblr that we co-exist with and have some overlap with, but don't necessarily appreciate seeing MCYT content in their tags. Any tag with "minecraft" in it is also a no-no, such as "minecraft youtubers" or "minecraft championships". Please use shorthands!
Four: Opinions on MCYT drama tend to be very different here than they are on Twitter. For instance, you should assume by default that most bloggers here either like or are completely neutral towards "problematic CCs" like Schlatt. But also, we tend to be very against spreading anything originating from leakers, and we also tend to not be fond of making posts "holding CCs accountable" for things they did years ago. Generally, mcytblr prefers to be a more drama-free community, and if you do engage in discourse, many would appreciate you tagging it as such!
Five: CCs do not need you to babysit them.
Generally speaking you will see a lot of jokes and memes on mcytblr that wouldn't fly on Twitter, and it is generally looked down upon to try to speak on behalf of CCs personal boundaries — they are grown adults, and you are a stranger! Calling out or harassing people for "breaking boundaries" is mostly just going to get you looked at strangely, especially if you don't have a source for your claims. Most of us will stop doing something if asked, but we don't need stans to tell us to! CCs can speak for themselves when uncomfortable.
Six: Most mcytblr blogs don't want CC notices. There are quite a few CCs who are active here, but the community is chill with them as they don't tend to talk about us elsewhere and allow us to do our own thing. We do not, however, like encouraging CCs to join Tumblr or to follow us or reblog our posts — many people here actually prefer being out of sight of CCs and many of us consider it rude to seek out attention from CCs outside of sending the occasional ask.
Please treat CCs kindly and don't gawk at them like you just saw a celebrity on the street — the ones who are active here are just Tumblr users like the rest of you! Seeing Eret reblog fanart or respond to an ask isn't something to point out.
While we joke about Twitter users joining, we don't actually have anything against you guys, it's just that we've built a very different community here and ask that you respect it and the etiquette we've come to establish! Thank you, and I hope you enjoy your stay on mcytblr ^_^
7K notes · View notes
fandangotales · 1 year
Note
Head empty just
Sagau but readers cellphone now has infinite battery for some reason and theyre on tiktok and watching genshin edits until one of the acolytes sees and gets curious so reader shows everyone the edits made for then
Zhongli: why am i........geo grandpa
Xiao: morax isn't my father
Yae: what is an........Eiussy and why do these humans want it so bad
Venti: (trying to force scara to have anemo vision after seeing the sad scaramouche edits) BUT THE EDITS, YOUR BACKSTORY IS SCREAMING AIR BOY!!!
Scara: GET THE FUCK OFF ME!!!!
WHOOO MY FIRST REQUEST ASK!!!
anyways-
When I tell you that a phone in TEYVAT would be absolute chaos… I mean it.
I can 99% guarantee you that Albedo has asked to experiment on what he refers to as Their Grace���s “strange device.”
(Please keep your phone away from him, as it will not make it out of his lab intact.)
Other acolytes who aren’t as curious about HOW and WHY it works may find interest on seeing you use your device to watch videos.
The people of Teyvat aren’t familiar with advanced technology, so I’d assume it’s fair to say that they would treat your phone as a Divine Object, comparable to the Anemo Archon’s Holy Lyre.
Since you are The Creator, it would be valued a lot more.
Nobody, not even one of the Archons, is allowed to touch such a holy object. Such a thing would be viewed as incredibly disrespectful. How could any of them, lowly acolytes, have the audacity to come into contact with your beloved “phone”?
Now, assuming that the reader can still watch Tik Toks, of course they would like to share some of them with certain characters, because why not?
Also, why wouldn’t you let them in on some of the jokes that are popular in the Genshin Fandom?
If Zhongli knew that he was referred to as “Geo Grandpa” I think his reaction would be one of initial shock.
“What does the title ‘Geo Grandpa’ indicate, Divine One?”
After a little explanation from you, I think he’d catch on. He is aware of his age, after all.
Others may think that the title “Grandpa” is offensive towards a former archon of all things, but he doesn’t mind as long as you are the one saying it. The term “Grandpa” is often used between mortals in a family, so does this mean that you considered him as family?
Whenever you call him by that name, you can expect to see a soft smile across his features.
When Xiao discovered that the fandom considers his relationship with Morax to be one of father and son, he was speechless for a good minute.
You gave him a look, trying to suppress your laughter.
“So…? You’re not denying it.”
He huffed, crossing his arms. “Morax is not my father.”
You wheezed, clearly amused by his flustered expression. Xiao was avoiding your gaze, clearly trying his best to convince you that he did not see the older man as a father figure.
The term “Eiussy” was completely unknown to the Lady Guuji… until she joined you in watching the short films know as “Tik Toks” on the magical screen of the divine “phone”
Now, Yae Miko is quite clever, so it was only natural that she would grasp the concept of what “Eiussy” meant.
She watched a few videos which featured similar titles, such as “Tartussy”, “Scarussy”, and “Kokussy”. All of them played a key role in her eventual understanding of just what exactly “Eiussy” meant.
The very moment she learns the true meaning, I can guarantee you that she will casually bring it up in conversation.
“Your Grace, you would be welcome at Watatsumi Island anytime!” Gorou beams, waving goodbye to you from the docks of Ritou.
The Watatsumi ship had finally arrived, after a lengthy delay following your business meeting with the Inazuman Officials.
“Thank you, Gorou.” You started to say… but the ever famed doggy general had already boarded the ship, and was out of your sight.
“Hmm…” a recognizable voice trailed, as her hand lightly touched your shoulder. Miko gave you a knowing look. “I guess he wanted to get some of that Divineussy”
Your expression remained blank.
“Perfect use of that title.” You praised, staring after the ship, as it departed into the sunset.
If and when Venti saw all of the sad Scaramouche edits… let’s just say that you’d have to physically restrain him.
Restrain him from making his way over to the Balladeer as soon as possible, that is.
Scaramouche would just be doing Fatui work, maybe trying to convince the recruits that the stars are indeed a lie…
And… bam.
A random ass bard pops up out of nowhere.
“Good day! Would you be interested in gaining an anemo vision?”
“What the fuck.”
4K notes · View notes
ao3commentoftheday · 3 months
Note
Hey, I'm glad you're back. I love your posts and always wait for them. Your opinions and all the knowledge you share here has been extremely helpful for me personally who new to AO3. So wanted to thank you for that.
I wanted to say that I write for a relatively huge fandom with many ships and characters and nearly all of them are popular. Even rare ships will have their own fanbase. But my own fics are not about ships. I love the dynamic of 2-3 characters and write mostly about them in the 'Gen' category because I don't see the potential of sexual relationships in them. Also because it'll be incestuous. I have no problem with that but I'm not thrilled about writing or reading it.
Fics on these characters as ships get more engagement and more readers than General ones do. I read somewhere that Gen fics always get less engagement than the ship-y ones which made me realize that no matter how hard I work on my stories and no matter how much effort I put into writing them it'll never get readers. The only regular reader I have is a friend who isn't in the fandom but reads my stuff because she understands how hard it is to write and not get even miniscule amount of response. It's disheartening at best to put your heart and soul into something and be met with cold silence on the other side like you've done something wrong. :(
*hugs* first of all, please know that you haven't done anything at all wrong 💗
While it's certainly true that Gen fics often get less attention than fics that focus on relationships, it's also true that there are people out there who are desperate for them and so grateful for the few that they see posted.
I think it also varies from fandom to fandom, and even from trope to trope.
I don't know if this is the case for you, but I've seen Gen fics on AO3 before that didn't have any relationships tagged. If you're someone who posts like that, I recommend adding in some & relationships. A&B indicates a friendship or a mentor/student relationship or colleagues etc as opposed to romance or sex. For people who like the dynamic between character A and character B, they might be quite happy to read a fic focusing on their friendship too.
It's always important to remember that popular fics are just that: popular. They might or might not be objectively "good". They might or might not be creative or well-written or even coherent. There's just something about them that strikes a chord with a group of people in that moment.
Gen readers and writers: have you got some thoughts to share with anon? Let them know they're not alone.
315 notes · View notes
doughliciousfrosting · 9 months
Note
Your tmnt au meeting Monkey kid and the gang?
Tumblr media Tumblr media Tumblr media Tumblr media
I think you're talking about my 2012 TMNT designs? Which I understand, theyre really far from canon HELPP but they're not really an au 😭 or they were never really meant to be. Anyways I have a lot of thoughts and I could explain why I picked each character and paired them up with each other and if I can I'll definitely draw the rest of them!!
I'll explain right now why I paired Mei with Donnie and Tang with April
First and foremost though,
⚠️ NONE OF THESE ARE SHIPS ⚠️
With that out of the way I'll start with why I paired Mei and Donnie. I like to think that Mei is a super good builder and tbh, this is actually pretty canon. We see her rebuild her bike in S1 Ep 3 and in S1 Ep1 she's also the one who builds their secret fortress which is INCREDIBLY made. With this information in mind it can be quick to assume Mei is a pretty good mechanic! In S3 of 2012 TMNT we know that Casey and Donnie spend a lot of time in the small barn out back working on stuff both seperately and at times together! While I do think Casey can understand some of the tech jargon Donnie talks about (as long as it relates to car parts) I don't think Casey can really understand the technical stuff. I think Casey's knowledge probably comes from self taught experience, as a result he can identify each part and what they do but not the technical terms for them and professional blueprints for things and stuff. Which is why I think Donnie would be absolutely ecstatic to have someone able to read his work!! And like I said earlier Mei is really good with tech as we see a lot in the earlier seasons before they delved hard into mystic magic and stuff. I would have paired Mei with Casey but I have other ideas grrr!!! If people are interested I'll explain more.
Moving on to why I paired Tang with April! I kinda rewrote April a lot HELP I think her writing had a lot of problems so I just changed stuff lol. I like to think that the reason April tried so hard to prove herself and stuff was because she doesn't want to be useless. I feel like she gets sorta babies a lot (mainly by her father) and it makes her want to overachieve to prove a point, prove that she's grown and that she's perfectly capable of handling herself. The problem though is the years of fighting experience she lacks. In a normal situation April can 100% take care of herself but in ones where she faces opponents with a lifetime's experience in combat versus her measily 1 and a half years the difference is huge. And on top of this April has to figure out her psychic powers, which in S4 literally blew up in her face. I just think she struggles with feeling inadequate, when she does something she wants to be the best and it's hard for her to feel like she has a place in the team when everyone else seems not to struggle the way she does in battle. She just tends to forget the difference in fighting experience even though they're all the same age. Anyways, being unsure of ur worth on the team and struggling with your powers seems like it would be right up Tang's alley!! Tang in S3 Ep8 has a huge tipping point where we see he struggles with self doubt and feeling like he isn't needed. Then later when he discovers he has powers he struggles to control them and get them to do what he wants. I think Tang reassuring April is just a really nice gesture!! Especially since Tang and April are like the most human out of the rest of the group (excluding Casey but he struggles in a different way). I think in a group full of spectacular talents, it's easy to feel ordinary which is a thought I think plagues Tang and April's minds while their characters develop. I tried to keep this short so I hope it makes sense ahhh if you're still reading you're totally awesome and cool!!!
494 notes · View notes
waffle-gal · 3 days
Text
A..... A.... A- CHOOOOOOOOOOO!!!
TADC - ADVENTURE AU MASTERPOST & BOUNDARIES
Tumblr media
Big thanks to @burrotello for letting me use your digital circus logo 💜
Summary:
When a virus sneaks into Caine's "Amazing Digital Expansion (Beta)" his powers end up disappearing! It's up to him and Pomni to journey outside of the circus into the expansion itself to find his powers, stop the virus and save their world!
In this slow-burn romance adventure, Caine tries to understand what it's like to be human, while Pomni just wants to live at the end of the day.
They both get into more trouble than they bargained for, as danger, peril and love await in The Amazing Digital Adventure!
Tumblr media Tumblr media
Info Cards:
Tumblr media Tumblr media Tumblr media
Q&A and BOUNDARIES
Can I draw fan art and write fanfics for this AU?
Absolutely go for it!! I would love to see what you make! 💕
Can I make NSFW for this AU?
Yes! I am an adult, but I am also aware I have a following of people who are minors. So, if you do make content, please spoiler it and use the appropriate tags. Maybe I’ll make another blog for that
Can I dub/voice your comics?
Please credit me if you do!
Is the rest of the digital circus cast going to be in this AU?
The story is primarily Caine and Pomni, but I'm not opposed to having the rest of the cast making appearances in the future!
Waffle, isn't this just canon Pomni and Caine?
But hear me out-- Hear me out... What if I told you...
Showtime? 👀
Waffle why aren't you answering my ask?
My inbox is not exactly working at the moment. There's a chance I will see your ask, and other times it might not even go through. I already contacted Tumblr support about this, but while this is happening, please keep trying to send me things! If I don't reply back, please make a post on your blog tagging me with your ask! I definitely want to hear from you!
I don’t ship Showtime, is this an AU for me?
Probably not, but I think it’s still good to be open to the pairing if you’re interested! If you’re still not then no biggie, but don’t attack others for what they like please. Thank you.
More will be added in the future. This master post took a lot of time and energy to make, so I might be slow. However I’m super proud of how this turned out! I'm so excited to make more content.
121 notes · View notes
scarefox · 11 months
Text
The way some people straight up deny soft criticism of the BL industry (stuff that isn't even a secret if you don't close your eyes and ears!!!) Criticism by literally LGBTq people working in said BL industry in Thailand..... basically one of the only ones who's voice are most valid here in this discourse. That's not hypocrism of people working in the industry to open their mouth! That's called self-awareness and using this genre to convey a message and trying to fix issues. This is about Step by Step and Lovely Writer atm. But those are not the only dramas who brought up some critic but somehow people get salty now about that little poke from SbS? Did you sleep the past 3 years?? And it's not a coincident that it's always the same topics certain BL dramas brought up!
I feel like some people here don't get that you can criticize your own work place, your own industry, your own country WITHOUT hating, shaming or demonizing it completely! Yall need stop this black & white thinking and the constant urge to feel personally attacked by something like this...
Especially the message of LW (the same people who make SbS now) was that there is nothing wrong about loving BL stories and they do like producing them. BUT that there are some things in the industry that are bad and harmful NOT ALL OF IT, SOME THINGS! Like the treatment of actors and certain topics by companies and producers. And the main theme of LW: the toxic overstepping and overcontrolling shipping culture that can (and did) destroy real life relationships / friendships under the weight of the pretend relationship (pretend as in they are not dating for real (everyone knows that! or should know that! this is also not even a secret if you watch interviews outside of the fun and couple game shows) at least in most of the cases.... in some rare ones yes, in some very rare cases some actors actually date but they are too afraid to come out due to homophobia and the way the industry & fandom treats those cases (source Dr. Thomas Baudinette who studies the industry as a form of queer asian media and interviewed companies and actors since years... somewhere in this he talks about actor relationships, I can't find the time stamp atm))
ALSO the point about exploiting the LGBTq community is NOT about the fans or LGBTq audience who love these dramas. But about businesses and literal Thailand itself. For using those stories and actors / couples for advertising, for marketing, for tourism even. BUT at the same time some don't care for real life LGBTq issues and rights or the fact that Thailand is still not agreeing on equal marriage (which is not just about them not being able to marry but they get denied a lot of things married couples get. alone the fact that they can't see their partner in the case of an emergency in the hospital because 'they are not family'). In the said SbS scene they were literally discussing which pretend couple has the most fans and how they could use their fandom and fan clubs to gain profit. Don't you guys get how fucking frustrating this is for the LGBTq people and allies who work in the BL industry, to get paraded in front of the camera for money and image but still don't get treated equally??? THAT is what they mean with exploiting.... And it's a lot of producers, writers and some actors who voice those points, not just these few self-aware BL dramas. But doing it through the medium they adress is the best way to reach the right people, to make the right people aware and ask for their support. Since they can't say such things directly (even though they should) unless they want to lose their job, they still like to a degree.
And I am sorry but the opinion of actual thai people who are inside that industry is more valid than some random fan who just doesn't want to understand those things in order to enjoy their shows without feeling bad.... What if I tell you that you can do both and that this is not about shaming you or making you feel guilty (unless you participate in toxic overstepping behavior or are actually LGBTq-phobic, then yes feel guilty)! Acknowledging issues, supporting to fix those issues and still have fun with these dramas and actors.... Those things can and do coexist and nobody said otherwise!!
496 notes · View notes
lillified · 4 months
Note
Just curious, why do you ship Megastar?
[long post incoming, apologies, you activated my sleeper phrase]
Short answer: I like these characters and their potential. I like the idea of them, and I made up new versions because I want to see their dynamic and subtext taken seriously, and not flanderized/made into a meanspirited joke by media that is supposed to be "mature"
Long answer:
when i was watching transformers as a kid i was really interested in the dynamic of two characters who are mean and jaded and instinctively push eachother away, but work extremely well together. i didn't really understand coding yet, but in my interest in the decepticons as an entity with an ideological identity that wasn't just "bad guy" (transformers was like. the first time i really started thinking about deeper meanings and propaganda in media, which probably explains why i am as obnoxious as I am) I was always sad with how megatron and starscream never really got the chance to have their dynamic approached in a different way. in a lot of ways those two are the heart and soul of the decepticons, and I've always thought that putting more care and attention into their relationship and not just writing it off as a cruel plot device would be the first step in having a more compassionate view of the Decepticons as a whole
personally I believe that, in a similar way to batman and the joker, those two have always had a dynamic that kind of blurs the lines, and at times is outright suggested. unfortunately though, like batman and the joker, over time an unwillingness to engage with the reality of that uncomfortable, sort of meanspirited coding just led to the near-sighted stereotyping becoming crueler and more abusive. acknowledging that it exists at all means acknowledging there was that bias, so the "joke" was just repeated until it became the only thing their interactions were really known for. it's an act of flanderization, and that makes me sad
i guess my case in point is--they have a lot of potential that just isn't realized. even in places where their relationship is given depth there's still almost always this really tonally dissonant violence to their interactions that's never unpacked, not really, because how are you going to sell toys of that? moreover, how are you going to make megatron "redeemable" after that? what could be considered strange, poorly executed slapstick in its origin became aesthetically worse and worse, but was never given serious thought--and I think that makes the story, overall, worse! "maturing" the brand didn't make it smarter, it just made an elephant in the room, and now Transformers is so locked in to its decided status quo that we haven't had a different perspective on any of these characters since Animated.
I apologize for the rant, but it's something I think about alot and your question is somewhat related to that. I'm frustrated by how dismissively these characters are written in versions of Transformers that are supposed to "smart" and "mature", I'm frustrated by how that negatively impacts the story, and I'm frustrated by how the people who like these characters can be dismissive of it. I think there's a lot of story potential and thematic insight into the decepticons that can be gained by looking at these two as characters with a history, and not just a bad joke! I think that you can have all the best parts--the sabotage, betrayal, bitterness, and the irony of someone you refuse to trust who still manages to know you better than anyone else, and have that shown through actions and character development, and actually written instead of having to be overscored by unintelligible violence for the sake of being "dark" and reaffirming, in the cheapest way possible, that you're looking at characters who are evil! I want to see that in a story!
my work is honestly not really about what I think transformers IS, or HAS to be, but what I think it has the potential to be, and what my interpretation of the themes means to me. I want to see all of the Decepticons viewed with a different lens, and these two are probably the most important Decepticons, both on a story/thematic level and a cultural one. transformers was the first piece of media I was really consciously critically thinking about, entirely by chance, and in the interest of art and human expression I want to make something different that is interested in being more thoughtful
anyway, sorry again for rambling. I might delete this later to keep my page clean, but I appreciate the question! I'd give more specific examples of why I like the stuff I made up but those would be spoilers.
158 notes · View notes
nightmareworks · 7 months
Text
hi i have been Cooking lancer fic
Once again, we meet Union Auxiliary Pilot, (28th Voidcombat Division, Mercenary Wing Bravo,) ["Kingfishers",] Callsign- VI The Lovers. We meet Miss Allison Wax (she/her) [Her Body, a borrowed face]
Tumblr media
And her Loverboy (he/him) [Stone Butch Death Machine]
Tumblr media
(both art gotten from @skycrimedraws who NAILS IT EVERY TIME BABY)
"Hey boss man," The words fell out of her lips, halfway through (the next words were a question) when her CO interrupts with "I told you not to call me that." She stops. (She doesn't flinch, its not flinching.) [She kind of just needs to run through some maybes.] For just that moment, there's no one in the body in front of the CO. And then she starts again, words coming back out. "Alright, alright. CO, what's the job you got lined up for me and my Loverboy?" The CO gestured to the spare chair with a file, and Allison picked her way across the floor. (She walked on the tips of her toes, even in the sneakers.) [She walked with a gait to big for her body, like her legs were blades.] {She's En Pointe} She pulled out the chair and sat, crossing a leg across her lap and looking at the CO through her bangs. "The next mission shouldn't be for a while yet, Miss Wax." The CO's voice was always even, collected. That's why they were the CO. That's why they wore Union Grays and Allison wore what she always did. (Just put clothes on Her body) [What kind of clothes did She wear before Allison?] A thought dismissed with the disappointment of nearlight engines. "Really now, CO? How long are you gonna keep me up? More time in medbay?" The CO shakes their head, opening files, going through them. The work seems endless, running a Merc Lance. (But what's Alllison gotta worry about work?) [Gets to wound up, being in a ship conapt too long without her Loverboy.]
"So is it more time with the headmeds?" The CO looks up from the papers and gives that kind of pained smile as Allison snatches a file off the table to read. (One of the ones with the Mission Seal on it.) [Can't read Unionite Legalese for shit.] "No, Miss Wax, you're scheduled for wind-down, but you don't need to go see one of the after-action therapists- unless you feel the need of course." So she started paging through the mission file, going over the after action reports compiled from her Loverboy (From his eye, from his soul.) [The stars are beautiful at 2,000 kmph.] "So there's really no jobs, CO? Not even basic patrols? I get bored when I'm stuck down too long." The CO holds out their hand, and she returns the file. (She likes to feel like she earns her keep.) [That's just polite, for all the things Union offers.] "Miss Wax," the CO begins "I understand that talented pilots get odd without flight." That's the thing about Grays- they're willing to work with you more than they aren't. (Its not that Allison thought they were pushovers.) [Just the most reasonable kind of people, mostly.] I can organize testflights for you, if you see that there isn't more work for the technicians." There's what she wants to hear (But not quite).
"Work's good for me, CO. You wouldn't let a butterfly starve in a jar, would you?" The CO folds the file closed. (Her file.) [The one that says "Obvious signs of long-term Chronos exposure."] Doctors let you read files out this way. Its nice to know they care, at least. CO gives their answer. "Miss Wax, war's a failure and you're a contingency. Glory only comes with time. Take your mech out, call it a patrol if that helps, but my job is to make sure the mercenaries stay healthy and stay flying." There's more, Allison knows there's more, and she stops a moment. For that split second, she's not in Her body. Allison is watching Her sit there, in the chair, in Allison's clothes, across from the CO. (The look on their face is kind of worried.) [People still caught in their meat don't like being reminded of it's hold on them.] Allison picks a maybe, a series of words that seem right, and then the moment is over, and she's back in Her body. "So where are we headed, CO? You can at least let me prepare for the future."
"We're headed to Dawnline, Miss Wax. There'll be work aplenty for you in the Long Rim and beyond."
======
The cavalry technician looked up at the frame he was gonna work on. It was a custom job, one of the Lancers that the Aux had brought onboard when coming out of the Range. Long haul ships for Union do that sometimes, guard presence in exchange for amnesty and escape. Good people get trapped places. He just wasn't sure whoever flew this thing was the best kinda people. "Beautiful damn monster you are." The mechtech murmured under his breath, looking through a sheaf of printouts. Specs for the machine in front of him, an IPS-N Frame the pilot apparently fit together herself. He didn't, really trust the speed listed under its maximum output. That kind of speed would make someone grayout (The speed at which the blood of a human body begins to pool in the limbs, causing the pilot to lose consciousness). Redout even. [The point of g-force at which the brain is starved of blood, and dies.]
He looked up again at the machine and saw it was staring back at him, great singular eye tracking along its axis, to cast its baleful red upon him. He noted it, and looked back to his notes. Looking for if this thing had a casket it in, a C/C programmed to play tricks. The normal shit pilots pull on their technicians. He came up around the great black thing in its bay, and stared it in the eye from the gantry. It stared back, body making the clittering hiss of a mech at rest. (Mechanized Cavalry frames that are in regular usage are rarely quite things.) Coolant pumped through the entire frame, keeping the coldcore under wraps until it really needed to go. Fusion engines, power-reroutes designed along the Albatross style… where the verniers and thrusters aren't shaped for an RPV. (Remote Pilot Vehicles aren't uncommonly retrofitted for pilot use, he notes under his breath) [Under that red eye.] He eyes them again, as the giant thing keeps staring. There isn't any record of a computer smart enough to do anything of worth on this machine.
It was strictly Turning-Compliant, according to the CO's paperwork. That left the damages to repair. Bits of slagged armor along the leg-blades and shoulder plating. Nothing a few hours work with the rigs wouldn't fix. The mechtech flicked a few switches and brought the frame up to the light, to the arms that pulled and printed in smooth motions as his fingers danced across the keys. It was slower going than he thought. And the mech was making a noise. It was keening, a clatter-chatter at once both rumbling low and piercingly high. Something was wrong with the feedback from the mech-harness, reporting simple and blunt legionspace attacks. Best the cavalry technician could manage was to remove the offending plates before the assembly limbs gave up and stalled. That's when a hand touched his shoulder, and a voice rang in his ear. "My Loverboy doesn't know you, mechtech, but I do. Gimmie a minute to settle him down and you can get back to work."
The girl walks past him then, almost teeter-tottering as she glides across the floor on the tips of her shoes. She moves her legs wrong, picking her way as much as stepping. The cavalry tech looks at the mech's legs and puts together the kind of pilot he's dealing with. The kind that have gone in a direction past human, hunting for something else. (He'd never really known someone in full body prosthesis) [Was rare, in his neck of the galaxy.] She moves like her mech even as she steps off the gantry and onto its chest, placing hands against the grinning skull. Ever since she came in, the eye's been locked onto her alone. He worries and wonders what kind of monster he's got to work on now.
===
He screams for her, against the void, he tears away from the cling-gravity of the UNS-CV Paris (Like the commune, she offers) [Like lights, the therapist offers back.] But the past doesn't matter when the future is laid out in the bleeding world of 2000 kmph. She was safe from everything, safe from Gravity itself as she lay coiled in her Loverboy's guts, aching through Chronos haze and picking his flight path for him as a beautiful dance. She wanted him to run through his paces, and he was eager to please. To show her what he could do. How he was built for her. Like a butterfly flitting across a windless sky, like a shark dancing through a school of fish- Loverboy puts on a show for his girl.
She's spinning him a dance, putting the engine to its test. Her Loverboy screams for his girl as he dances, frame keening against the speed and void. (Allison watches Her legs twist against the seat.) [That's how she knew the engine was art] {State-of-the-art affection} She doesn't like to think about home. Not home anymore, and not worth thinking about. More Gravity shorn free from her under the speed. So what's it worth if its pulled away so easily? Home wasn't ever home, no matter how much anyone told Allison it was. What's where you're born compared to where you'll be? (What's the flesh you were born in but another place to be trapped in?) Allison feels her brain reel as Loverboy spins in a piroutte ascending. It doesn't spin in place, but it recognizes the forces working upon it as her Loverboy pulls into a rise. (The snap from horizontal to vertical would snap necks.) [But when you don't have Gravity, moving is easier.]
Verniers howl with force as Allison considers Her. (And the changes Allison had made to Her.) [Would She mind? Would She understand?] There are protective tendons, built from the same kind of whipcord steel that run through Loverboy. There are stabilization systems built into her braincase, that absorb and disperse the shock of sudden shifts of g-force. There's a dozen, a hundred little aftermarket touches to Her body that Allison has made. (But is it really that bad, when the body is aftermarket?) [When the body wasn't built for you.] Allison still watches Her, curled as Allison left Her. (Back curved gentle. Arms on knees, resting eyes against forearm.) [The clunky implants hooking Her to Loverboy peek their tubes from beneath Her shirt] She was still perfect. Still beautiful. Everything Allison had wanted to be back then. There She was, with Allison's brain in Her body, Allison's Loverboy hooked through feeds to Her back.
Allison reached in the stopped little flaring moments between directing Loverboy through his dance. They were all the same moment. Allison reached out, and cradled Her face, and said Her name. Something Allison couldn't ever know. (How was she supposed find Her? Long way from Ketherese.) [From everything from that life.] Everything but her Loverboy. He counts the micromovements of her eyes. His own whirrs and focuses, keening as the scopes hone in on a target and his body twists with his girl's desire. He counts the times she stops existing as a presence registered at the controls. He rolls over and considers in his clicking thoughts the ways he loves her. His adoration burns in him as retros flare and he lands blades first, touching against an asteroid with the grace of a butterfly upon a blossom. His thoughts turn and his computers chitter and churn. His whitewash tanks purge into rawmat resivors and a new batch is rapidly encoded, new chains of acids and code written by mute-drive, a silent organ buried deep in his frame, coiled round and through his girl.
The Hyperkinesis Module develops a novel admixture of nanites and adrenaline and feeds through the connection to Allison, filling her endocrine system with a soothing electricity synchronized to readouts and full reports of engine efficiencies, micrometeor grazes, and heat venting. (His body hisses for her, waste gas for heat disperial in null atmosphere environments) [He bares his heart to her, reactor dropping as he stretches against the asteroid.] Allison leans forward, the Chronos uptake stretching from her back and into the cockpit's back wall. (Little tubes running up to her spine and kidneys) [One of the other aftermarket touches to Her body.] Allison's face reaches through the holoscreen outputs of Loverboy's eye. She kisses the armored outer hull of her cockpit. (She stands to her toes.) And her Loverboy gently touches off the asteroid, into the void, gently floating in the empty place beyond Gravity.
Allison lowers her oxygen uptake, and rides the Chronos her Loverboy made for her. (She dreams like an editor.) [Looking at scenes and picking them.] A wash along the nervous system, stuttering climbing up her spinal column and into the brainstem. She dreams of Ketherese, and what was left behind. Consider the Gravity that's been shed. (In the embrace of her Loverboy.) [Memories are the only thing you can't shed.] Her grandfather's dirt is far from everything she'll ever see again. No one will see the frontiers she sees. (Allison will see things even She'll never see.) [Or maybe they'll see the same stars some day.] {Face-to-borrowed-face.}
No one she had ever known would see what she sees, know what she knows. (She'd shed them, like her old body.) [Like Gravity.]
213 notes · View notes
utilitycaster · 7 days
Note
Do you think that Laura and Marisha are deliberately making their relationship somewhat toxic and unsustainable or do you think they see the relationship as healthy? It is just so different from all of the other relationships they have been a part of and not really in a good way. Would love to get your perspective on it if you have one
I am honestly unsure. I would like to say it's deliberate. Prior to it becoming canon, in fact, I, and a lot of other people who were less than enthused by Imogen and Laudna's romance and weren't entirely sold from the start, made the case that we expected they would be talking to each other and would put together a compelling story, not the dull fluff so common in fanon. While whether it's compelling is a subjective judgment, we know for a fact they didn't talk to each other. We know for a fact Marisha was surprised by the question of "Can I kiss you," and Laura was surprised by the answer. We know from a 4SD not long after (4SD #16, Kiss and Tell) that several episodes later they still hadn't talked. We know that Marisha perceives Laudna as holding Imogen back (and that Laudna perceives herself as doing so) from the Rose City Q&A. We know that from 4SD #20 (Episode Twenty) that Laura doesn't like conflict in narrative and Marisha does, and that Laura was thrown by Laudna's regression following Ashton's attempt to absorb the shard (4SD #19, Shard Candy).
I don't know if it's deliberate or not; I don't have any extra insight that isn't public knowledge any fan can easily access. But man, it doesn't feel like these are two actors on the same page about what's going on.
I've touched on this before but mostly in tags or whisper posts but I've always felt ill at ease with a number of for lack of a better term "fandom-approved opinions" and one of the ones that has baffled me the most is this idea that Marisha and Laura have exceptional chemistry. I watched Campaign 1 knowing the endgame ships but deliberately avoiding the fandom, and Vex and Keyleth did not even once occur to me as a thing. I watched the first year of Campaign 2 without a ton of fandom interaction because I was avoiding additional C1 spoilers and it seemed crystal clear that the obvious ship was Beau and Yasha; it felt like Beau and Jester only even had enough potential for me to multiship it as my general "whomever Jester picks" for like, 30 episodes. And yet people - people who didn't even ship either of the above ships and in some cases disliked them- would just say "oh man I can't wait until we get to a campaign where we can finally explore Marisha and Laura's incredible chemistry!" and it's like. I feel like I'm the kid in the Emperor's New Clothes on this! I understand that chemistry is to an extent a matter of taste and subjectivity, but it just increasingly feels like people looked at two campaigns of tables where Ashley was frequently absent and said "well, if I want an F/F ship that's between two of the women in the cast, I guess this is what I have to work with" and repeated to themselves that a flat pamplemousse La Croix was a Piña Colada until they started to believe it. I mean if someone wants to explain it to me in good faith I suppose be my guest and I will try to take it in, but it feels like people just treat this as incontrovertible fact and if you doubt it they're like "don't you have eyes" and it's like, well, pretend I don't. Explain like I'm eyeless and five because I have never understood this. They both have more chemistry with every single other cast member; it's not all romantic but man, I didn't even buy Laudna and Imogen as platonic best friends of two years. I have never had this problem with any other pre-existing character relationships Marisha and Laura have played, platonic or otherwise. It's literally just them. I just never feel like they're quite on the same page.
Back to the relationship between Imogen and Laudna onscreen, this was easily the best conversation since the start of the gnarlrock fight, and it is my hope it doesn't fizzle out the way that did. You can't keep kissing Laudna whenever she fears she's lost forever to Delilah, Imogen. Or you can, but that won't fix the problem. Again: are you disgusted? Do you feel betrayed? If you're not, why did you say that? If you are, how will you move past it? Do you want to be with someone who never feels like they're good enough for you? Laudna, do you want to be with someone who, no matter what they say, you feel you're holding back?
Early in the campaign, my feeling was that of our current situation, switched - Imogen felt her powers were a burden and a curse and Laudna kept referring to them and to her glowingly. It's just...ships passing in the night, no pun intended here. I hope it's on purpose and whatever comes from it is a good story - and either a tragedy or a happy story could be a good one. But I have a nagging sensation that Laudna wants out but is afraid to say no, and Imogen is afraid to let go, and I honestly don't know if the actors have realized this impasse and how the characters might resolve it, one way or another, besides the insufficient bandaid of a kiss whenever the conversation gets too uncomfortable.
91 notes · View notes
eventide100 · 22 days
Text
An Important Notice
Almost every time I read a fanfic or see what people say on Tumblr and Pinterest, Inej is mostly perceived as this perfect angel with no flaws and Kaz is the one who needs fixing.
This is really annoying.
Listen, people, Inej is amazing, don't get me wrong. She's one of the best characters in all of literature and I look up to her as a role model, but she's not perfect. She is not a saint or an angel, she's a human. Even she can be stubborn and arrogant from time to time. Let's not forget how she doubted Wylan's demo ability at the beginning of SOC. Her line, "I will have you without your armor, Kaz Brekker, or I will not have you at all," is iconic and I understand the meaning, but it's still a bit hypocritical when you think about it. She's telling Kaz to make himself vulnerable but it's not like she's that open about her own vulnerabilities either.
As for Kaz, the poor baby is almost always painted in the wrong light. He's the one with all the flaws, he's the one who doesn't deserve anything but misery, and he's the one who needs fixing. Even if he's just a character, I feel bad and think perhaps sometimes the Grishaverse fandom isn't fair to him. In the books, Kaz told Wylan how he shouldn't feel ashamed of his disability, VERBALLY said that he wanted to give himself up for the Crows, and didn't allow Jesper to use Parem even though it was a very efficient way to gain the victory. He even gave Nina Matthias's share of the kruge despite having the option to take it for himself.
And for Inej, the sweetheart did as much as he could. 😭
He was dead set on saving her at the beginning of CK and stopped at nothing until she was with him again. And his line, "I would have come for you, and if I couldn't walk, I'd crawl to you." He said he would crawl, CRAWL!! Fucking crawl to her, and knowing Kaz, he so would if he had to. And then he liquidated all, not some, all of his assets, every single cent, he gave it all up for her. To fully free her from the Menagerie. In the end, he bought her a ship, found her parents, and even went as far as taking off his gloves and holding her hand for a long time IN PUBLIC!!!! At the harbour where anyone could see. In fact, he's the reason why she's where she is in the first place. He got her out, gave her a knife, and made her dangerous. He gave her the freedom to grace the rooftops in the dead of night and haunt the streets. He gave her the option to leave if she wanted. HE LOVED HER TO THE POINT WHERE HE LET HER GO BECAUSE HER HAPPINESS AND DESIRES MATTER MORE TO HIM THAN HIS OWN!!!
He's not that bad okay. I know he's very flawed and traumatized, but he's got a very big heart, he just doesn't show it. He gave Jesper a place to go, provided Wylan with protection, and allowed Nina and Matthias to reunite. He formed the plans for the Ice Court and ended Van Eck and Pekka Rollins while doing his best to ensure that the Crows would stay alive. But still, he's the only one who has to fix himself. Some fans still think that he isn't worthy of Inej. Meanwhile, Inej is the perfect, flawless angel. I thought people didn't like a Mary Sue. And Inej isn't a Mary Sue, she has flaws, she has weak points, and she has things that she needs to work through as well.
For those of you who read all this, thank you for sparing some time.
75 notes · View notes
cassimothwin · 1 year
Text
So you're looking for a system other than D&D...
Have you tried solo RPGs? Because it's not just "how can I play D&D alone" there's a whole world of cool stuff out there….And I want to tell you about it.
(I'm quite sick today so please forgive any incoherence or typos.)
First off, it's totally fine if you're more of a party person over a solo person. I just know a lot of people aren't aware of solo games, how they work, or the breadth of diversity you find among them.
If you ask about solo games, the first one mentioned is almost always Ironsworn. It's freeeee and comes with a lot of resources. The PDF is over 200 pages, so I understand if you don't want to dive in with Ironsworn quite yet.
Ironsworn has a large community, including support for Foundry and Roll20, along with many derivative works. It offers a gritty default fantasy setting, but encourages you to ignore that if you prefer another world… maybe one from another RPG you enjoy the lore from…?
Tumblr media
BUT maybe you want something that isn't as much of a commitment (and maybe a little sad)?
Many Wretched and Alone games use a tumbling block tower to simulate a random ticking clock. It might represent your failing mental health, the barricade crumbling, the ship sinking…
Tumblr media
One of the creators of the system has a great thread highlighting their favorite games. Just search Wretched an Alone on Itch.io to find even more.
Tumblr media
And if you don't want to go buy a Jenga tower, there are some great random simulators out there. I've been able to play W&A games on road trips, using a deck simulator, a dice simulator, and a tumbling tower simulator. Here's tower replacement I like. It replicates the odds of a tumbling tower falling without being too complicated.
Carta is another cool system where you use a standard deck of playing cards to create a map that you explore. As you explore, you usually have to manage resourses to avoid something bad, but not always.
Here's a collection of several games made using Carta.
Dead Belt takes this concept and RUNS with it. You have a few things to track as you explore abandoned randomized ship decks, searching for a good payload. Upgrade your gear and do it again.
Does the thought of managing your character sound exciting? Do you enjoy soulslike games, like Elden Ring and Bloodborne?
Rune is a fresh release with a lot of third-party support already. It's pretty easy to pick up and play too.
Tumblr media
Apothecaria and Apawthecaria have you making potions for the local village. Go out exploring, collect ingredients, and see if you can solve the greater mysteries of the land.
Tumblr media
Interested in horror, but want a more narrative-driven experience? In Dwelling, you'll spend the night sleepless and alone in a haunted house. This is a very neat game.
Songs of the City is a delightful tarot game that you play once a day for a week. It's another narrative-driven game where you draw cards and cast magic to see small neat changes in the city you reside in.
Anamnesis, Anamnesis, Anamnesis. I talk about this game a lot because it's magical in its simplicity. There's nothing to track and it's an incredible way to generate character ideas or tell a story.
And now there are more Anamnesis games coming out (including mine) You don't need the original games to play any of the games you see here.
There are so many more games I want to talk about, but alas, this cold is making me stop there.
If you've written a solo game, streamed one, reviewed one, or have one you really like, I invite you to share it!
655 notes · View notes
jackietaylorsversion · 7 months
Text
Soulmates.
I was in a discord server earlier, and we got to talking about the Yellowjackets as soulmates, and I thought I'd share those thoughts here, just a nice little put together catalogue of all those thoughts put together. I might add to this, too, as more pairings and relationships come to me.
For the record, I want to point out that I think that all of these characters are soulmates, far beyond ship dynamics, far beyond romance. What makes up the insides of one makes up the insides of the others because they are all the same: teenage girls trapped in either growing or decaying bodies. Their souls are all mated to the others in some way or another.
Tai and Van are a pair. Two separate souls that are a part of a matched set, like socks. They can be worn mismatched, certainly, but they really are at their best together. Tai gives Van a purpose. Van calms Tai's "demons." They can exist without each other, live without each other, love without each other, but they just are at their best together.
Lottie and Nat are that sort of star-crossed soulmates, doomed soulmates. There's a red string of fate but its severed somewhere in the middle. They can be good for each other, laugh and smile and hold each other close. They can be the worst of each other, holding knives to each other's throats, laughing in the face of it. They're the epitome of a missed chance. What kind of missed chance? That's up for you to decide.
Misty and Nat are the kind of soulmates that don't seem like they'd match, but they work so good together. The believer and the skeptic (though who is who changes with the circumstance, the belief, the skepticism). Orange and blue. Salt and sweet. Chaotic good and lawful evil. They're diametrically opposed but in a way that makes sense, in a way that works together. They each feed off of what makes the other their opposite. One is running, the other is chasing. Of course one would die at the hand of the other.
Lottie and Laura Lee are the kind of soulmates where each thinks they are the worshipper while the other is the god. A prophet, a believer, a worship under the sun. Souls that just burn brighter around each other (and that pun was unintentional the first time but very intentional with the emphasis). Both want to help the other. Both want to hold the other. They are belief without boundaries personified. Each is Icarus. Each is the sun.
Tai and Shauna are soulmates in a way that recognizes "That is my person." Two people that have so much in common, who understand each other, who both recognize the want in the other. They have an understanding and a care for each other that's fierce. I see you, you see me, ad it might not be pretty, but we will be honest with each other. Especially as the two of them have aged; time has not erased their understanding of one another.
Jackie and Nat are soulmates in a way that isn't explored a lot in the show but has been discussed, from what I've seen, really well. Foils. Two sides of the same coin. Opposites. Rich girl, poor girl. Prude, slut. There are certain stereotypes around both of them that, from a glance, seem to play out. One only needs to look deeper to really see it. Unfortunately, from the show, we never really see the two of them see past their expectations of each other.
Jackie and Shauna. Two heads, one heart. I don't know where you end and I begin and all that. We've been there, we've done that. We know it by heart. They're not a pair because a pair implies separation, and there is none. You can cut out your heart, and you can even replace it, but it's never the same. They're two shattered halves of the same fucked up whole. When one piece is gone, the hole cannot be filled properly ever again. There are some species of worms that, when worm cut in half, can keep living as two separate entities. That does not negate the fact that it was once one whole creature. They're unhealthy together. They're unnatural apart. One did not live long enough to remedy either of these facts.
(If Jackie's heart was still beating, I know it would beat in time with Shauna's. I hope Shauna ate it to feel it beat with hers one last time.)
204 notes · View notes
ot3 · 7 months
Note
can i please hear your thoughts about franema. blease. i know they have something going on between them
oh yes yes.... franema happy to talk about it. for starters just everything about how ema behaves herself in aa4 makes me believe that would be some excellent yuri because bitch4bitch femslash is always so important.
in general though i think they're two people whose lives are very centered around their work (as much of the main ace attorney cast is) but they center their work extremely differently in a way i think would cause the other person to question a lot about their own perspective. I think a situation where two characters can really ruffle each others feathers just by existing in proximity has a lot of good ship fodder.
i think in many ways franziska is what ema wanted to be. she's a child prodigy, competent and excelling in her field and earning respect from a very young age. meanwhile when she's several years older than fran was passing the bar ema is still just a high school student just dipping her nose into forensic science for the first time. by the time she's in her mid 20s ema still isn't at the level of career success fran reached in her teen years, being stuck as a detective after failures to pass the forensics exams. and i think it's really worth paying attention to the fact that Detective was specifically the job that lead to her sister's life turning to shit, so i think the longer and longer she stays trapped in that position the more she's gonna start feeling like the walls of her life are closing in on her. i know we don't know where fran is at career wise during this point in the timeline but my personal headcanon is that she ends up doing a lot of work with interprol and primarily specializing in prosecuting cases that take place across various countries' jurisdictions, and has had good success doing so.
Then on the flipside I think Fran see's ema's fully self-motivated passion for forensics as something enviable and admirable. Fran is i think someone who has spent her entire life running through a treadmill of carrots and sticks that dictated what her life was going to be like since she was born. Obviously prosecuting is the family trade and she was started extremely young, then pitted against someone much older for the majority of her childhood. I think the ebb and flow of validation or disinterest from her peers and family was such an overwhelming motivator that she never had the chance to even consider whether or not there's anything she's passionate about. As an adult, i think she does come to find an honest passion in her career but it's nothing like what ema has, it can't be decoupled from external validation, and that's something she's come to understand as a bit of a weakness.
Then interpersonally i feel like since ema is much more personable and socially adjusted than fran, i could feel that being something she instinctively kind of leverages against fran to try and level their playing field. like, okay, franziska may be this bigshot famous prosecutor (just like edgeworth, who ema wants sooo bad to impress) but ema can find ways to embarrass, frustrate, or otherwise fluster her in social settings so that's totally the same as being intellectual equals right. right. right. (<- thoughts of a girl who is definitely being normal about the situation). but i feel like fran could kind of learn to be grateful for the lack of deference ema treats her with and it could be a real first step to them actually getting to know each other better.
i feel like they'd have a lot of similar opinions on the broader aspects of life. i think they'd both be fine with a more casual relationship that involves a lot of traveling for work and isn't particularly romantic by a lot of people's standards. and i think it would be fun for them to fuck each other. overall it just works imo. thank you for coming to my ted talk.
213 notes · View notes
antimony-medusa · 7 months
Note
I read your post on boundaries and the MCYT community recently and have been thinking about as posts that contradict it cross my dash, and I’ve been reflecting on how a lot of what we call “boundaries” are more just like. Community rules? Like take “no sexualization,” for instance. If I’m talking to someone at my workplace, I am not comfortable with them making sexual remarks about me. If someone did, I would tell them so, and not engage in that conversation with them. That’s an actual boundary — something governing how people interact with ME that I am in charge of enforcing. I don’t say “no one is allowed to think anything sexual about me at work ever or tell their friends I’m hot” bc that’s just insane and none of my business, quite frankly. Streamers are well within their rights to say they aren’t comfortable seeing people sexualizing them in their chat or like very publicly on Twitter, but saying no one can sexualize them ever is actually just a community rule, not a personal boundary. Based on how I understand what a boundary is, it can’t be boundary breaking to do something that a creator definitely will not see, because the creator isn’t interacting with the content, and boundaries are about governing comfort in interactions. And saying “I don’t want there to be sexualization or sexual content about me in the main tags bc my main audience is children who browse those tags and they shouldn’t be exposed to that” is a reasonable enough rule to ask your community to follow, but it’s just straight up not a boundary? Like am I misunderstanding what a boundary is? I’m confused bc I’m seeing all this stuff about boundary breaking content and how it’s disgusting even if the creator will never see it and I just don’t get it?
Yeah, I think this is a situation where we're using words to mean something they don't technically mean (see also, "lore"), and then this leads to us also having community arguments about what is acceptable, and it's all totally unnecessary.
Cause the workplace comparison is a good one! If I was telling fellow coworkers how hot they were when they'd said they didn't want to hear that, or walking up to the barista and saying that I wanted them to weigh in on the porn I'd written about them, that would be workplace sexual harrasment and, depending on the severity of the situation, literally a crime I could be charged with. Absolutely inappropriate to do, and I can't express how extremely fair it is that streamers get to say no to that. I am FULLY in support of CCs setting those limits for their spaces and think it's healthy and we all need to respect that.
But "boundaries", as a term, is technically about controlling your own behaviour and people's access to you. You set a boundary and say to your parents "if you bring up grandkids at the christmas meal I will be leaving", or "if you mention [latest discourse] on my blog I will block you". It's about controlling your experiences via your own behaviour and the stuff that you actually see. CC equivalent is saying that any sexualization or shipping in their chats or replies will lead to a block or a ban. That's them controlling their own experience and that's A-ok. Asking a CC to weigh in on what sort of fan work they're comfortable being shown, that's also about them controlling their own experience and is totally fair.
Asking a CC to weigh in on what sort of fan work exists in general— that's not boundaries any more, that's something else entirely. The closest equivilent is companies trying to control what sort of materiel their image or trademarked material show up in, I think? Which is a thing you can do when you're licensing your image, but isn't actually a thing you can do with fan works. Celebrities get to say no they're not going to appear in a commercial advertising an oil company, because they have a moral disagreement with oil companies, but that's because the interaction there is a company offering to pay them money for their image and them declining the money. That's not how fan works operate. The celebrity isn't in a position to decline the money for their "image" being used, because no money is being offered, because the fan isn't making money. It's not a copyright/licensing situation, it's fan works. The celebrity shouldn't be part of the conversation at all, because they should never see that.
And like, there's issues of impersonation or endorsement where it's bad form to do something that looks like it comes from the celebrity, as though they approve of what is being depicted, which is why AI voice lines and deepfakes are being increasingly spoken out against. But man, someone writing Captain Puffy's and PearlescentMoon's cubitos kissing each other on Ao3 and keeping it on Ao3 is not a situation where celebrity endorsement or licensing or impersonation comes in at all. That's a conversation totally within the fandom, without the creators involved. And I really disagree with asking the creator to treat all of fandom like their community, which they should moderate and like, control their image and make kids-and-advertiser-friendly, because that's not how fandom works and also that is unfair to ask of them.
Can one or both of the creators say they don't want to see that? Totally fair. That's a boundary. Can they say that it shouldn't exist in their main tag that kids check? I'm on the side of tagging things to keep them away from minors and people who don't want to see it anyways, rock on. That's a community rule. Can they say that it should never exist ever, anywhere on the internet? That's just not how this works. A) that's not how fan works have ever worked, fan works are for transforming and celebrating existing canon, not for creator approval, and we should stop shoving all of them in creators' faces or asking them to weigh in, B) "boundaries" is entirely the wrong word for what's going on there, like you said. Cause is the mere existence of a thing in a seperate space infriging on the creator's experience and reasonable for them to control? That's what a boundary is, this isn't. C) This isn't even community rules that it makes sense for them to moderate! When you are talking about an entirely different space, cut off from the CCs, doing their own thing to the characters, with age barriers and trigger warnings built in, "boundaries" isn't the right term, but also this doesn't make sense as a space that we're inviting creators into to moderate. This is a seperate space, and stories or art in it aren't hurting people, even if the cc's wouldn't want to see that or even want them in their main community tabs. So yeah when it comes to us enforcing our own community rules, keeping creator boundaries and community rules in mind, the mere existence of a thing does not seem to me like the end of the world. A lot of people have come out and said that all our work needs to be sqeaky clean and able to be shown in the creator's chat, as though the creator is moderating the space and their personal boundaries are involved. And (listing things yet again, this is a post of lists), first of all there's a real focus on sexualization in that case and never on things like family dynamic or kidfic or gore or whump that could also make creators uncomfortable if it was shoved in their faces. (But somehow when anyone brings up those "boundaries" everyone comes to the conclusion that something entirely off on the internet somewhere and never shown to the creators is not going to harm them. Curious.) And second of all, I just disagree that that's a good way to run a fandom community. This is a space for fans, not for the creators, bringing up the "weird stuff" publically to creators is incredibly cruel to people who shouldn't have to see that, AND it's a bad atmosphere for creativity to always want the creators to approve things, fandom is for saying "fuck the man" and doing your own thing. Just tag it to keep it away from people who don't want to see it, and filter the tags for your own experience. Keep everything in its own space and you're good. There's tons of stuff in the fandom that isn't to my taste, ranging from characters that just don't do it for me to tropes that are active turn offs to people writing and undertagging things in ways that is concerning to me. We have got to learn to say "that's not for me" and "that's not for the cc" and put it away (block if you have to) and move on.
206 notes · View notes