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ystrike1 · 7 months

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Taming a Corrupted Slave Man - By Purple Village (8.5/10)

Love is off the table. Everything is a lie. Constant mind games. It's exhausting. Our protagonist is kind of a sociopath but I get it. Being the only woman with healing powers in the country is crazy stressful. The problem is everybody is crazy, and all of the love stories here end in blood. There's a surprise twist yandere too.

Aren is the only daughter of a very special family. Literally only the current king knows she has healing powers. It's a rare thing. Her family gets tons of royal cash because her existence is so convenient. She's VERY sheltered and her father loves her VERY much. He refuses to have more kids, because he loved his wife who died in childbirth. He spoiled his special daughter too much.

She dies at the hands of her fiance, Duke Daiman. He's a strong, brilliant Knight...with a heart condition. She cured his heart, because she fell for his good looks at first sight. Daimen took advantage of her. He is a genius with royal blood. He uses her family money to attempt to usurp the throne. He also brings in a lover named Lillian, because he thinks she's that stupid. He thinks she will let him have a lover, because she's so lonely and she loves him so blindly.

Her father died in war. Her fiance is all she has.

She stands up for herself.

She says she will not let another woman in.

She attempts to break off their engagement, and he stabs her in the back.

Why?

Well, he doesn't want her to marry into another family. She's too useful. Her healing powers are too valuable. If he can't use her no one can.

His lover smirks while she dies.

Aren basically wakes up evil it's wild. She values her servants. She adores her father utterly. She will not let him die in war. The law dictates that a man from every family must go to war, so she decides to adopt a "brother" into the family. A meat bag to be used so her beloved father may live. There's not even a whiff of romance.

Aren knows who the most talented swordsman is.

She goes out to pick him up.

It's a slave named Cassadim. He became a royal servant under the Crown Prince in her past life. He was known for his unreal beauty and his savagery in battle.

Aren feels a little guilty for like a second, but she uses the royal money she has to buy him. From then on there is zero remorse. Her father knows, by the way. She literally tells her father he should adopt a fake son to use, if he's still not willing to remarry. Aren and her father are both actually interesting because they're "nice" on the surface, but if you annoy them...well...bye? Aren is against(?) traditional slavery. Kinda. She doesn't like torture. She intends to let Cassadim live well as her brother. As a noble. If he doesn’t die in battle he will lead a charmed life...but omg buying him to take her dad's place is soooo messy. Evil ice princess dang.

(Also Cassadim was used for "night services" as a slave, so she does save him from that. She NEVER does anything sexual to him. She also uses her powers to fix his scars, and health issues that piled up when he was an arena fighter. He's getting a pretty good deal. A healthy body. The possibility to survive as a noble son. Yeahhhh. Slight problem though. SHE NEVER TELLS HIM. HE DOESN'T KNOW HE'S A WAR HORSE UNTIL IT HAPPENS. AH! but by then he is willing to die for the family so I guess...the plan worked...)

By the way nobody knows Aren is a healer. She of course steps in to save the prince.

Cassadim doesn't know EVERYTHING, but he knows. He doesn't trust Aren. He's totally right to be suspicious. He also uses her. He mistakenly thinks the King is the one who destroyed his home country. So he uses knowledge he gets from Aren's medical book collection to create poison. He goes to the ball with her.

He poisons the prince, Leon.

And now he's in love....not really. Leon thinks Aren is the most perfect and convenient wife. She says no and he gets pushy. Cassadim finally gets jealous. He likes living with Aren and being her brother on paper, but he doesn't know how to feel about her getting married. He starts to act immature for the first time. He has been spoiled, on purpose, by Aren. This is the way she wants him to be. Clingy. Protective. Willing to die for her.

She tells him she knows everything. She knows he poisoned the Prince. He did it because HE used to be a prince, but his country was burned to ash.

The King didn’t do it.

Duke Daiman's father did.

How convenient.

Aren jumps on the chance. She convinces Cassadim to go against the Duke with her. She pins the blame for the poison on the Duke too. Her revenge is perfect...Cassadim snaps for the first time. He accuses her of being a seductress. A liar. Someone who will never care about him as much as he cares about her.

He's sort of right. They fall in love later, but Aren is totally obsessed with revenge for half the story.

He actually attacks her.

Things get tense.

Then we get the classic yandere ramblings. Yes, after years of "love" Cassadim loses. He is putty in her hands. Unable to stand the thought of her getting married or even sleeping next to someone else. He starts begging her to use him when she has "urges", because he doesn't want another man to do it. The Prince, and actually lots of people, start to comment about how weird he is. His worshipful love is an open secret.

Aren grabs her last puzzle piece. Tol. A slave that was tortured by Daiman and his butler. Aren does a great favor for Tol. His tongue was cut out. She grows it back for him. Tol is grateful and he agrees to lie for her. Someone must be blamed for the poison incident.

The plan is:

Aren pretends to be a foolish girl in love with the Duke, who visits him in prison.

She will then claim the Duke encouraged her to commit treason and hide signs of his crime.

Tol will pretend to be a witness, as he has been a slave in the ducal house for a while.

She unleashes the plan when Daiman thinks he is safe. When he's out of prison with an alibi, at the Prince's royal birthday.

It goes off without a hitch. Daiman freaks out and has a seizure in front of everyone. Then, all of his enemies know about his secret weakness. If he doesn’t go to jail that's fine. One of his many enemies will take advantage of that weak heart of his.

Aren gleefully laughs about how she easily could have been his savior. He had the LITERAL ONLY MAGICAL HEALER in his grasp, and he chose to abuse her.

He falls from grace, and even the prince acknowledges how scary Aren is.

Plot twist.

Daiman was obsessed with Aren in their shared past life. He cut her off from the world. He kept her his secret and he coveted her power and he was madly in love...but he was a bad yandere. He was not openly affectionate. He enjoyed controlling every step of her day. He knew she loved him unconditionally, so he made her chase him and beg for his love when she was lonely.

He brought in Lillian, a random woman, purely to make Aren jealous.

When Aren lashes out for the first time ever Daiman stabs her because he sucks, and he doesn’t want her to leave him. He didn’t want Aren to hate him. He just wanted her to be lonely whenever he wasn't around. He stabs her the second she falls out of love with him.

Lillian desperately tries to seduce him to save her own life, but Daiman cruelly torments her before he kills her too. He blames Lillian for ruining his perfect Aren.

Cassadim is a little less crazy. He gets the right to wed Aren after he does well in the war.

The audacity.

#Taming a Corrupted Slave Man #yandere #male yandere #yandere male #yandere boy #recommendations #recs #rec #recommended #webtoon #otome isekai #otome games

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marimbles · 6 months

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ok since i’ve really only whined but not actually explained my reasoning lol, here is my take on the s5 finale. (this is long, sorry)

I think we’re all on the same page about the idea that gabriel being seen as a hero, by all of paris but especially adrien, is icky. and on top of that it does not feel good that marinette is supporting that lie, even if it’s out of love for adrien. most people are assuming this issue will be resolved somehow in 6, probably by lila exposing the truth. cool. that’s my hope as well. but even if that’s the case, i still dislike the framing of his wish and what the surrounding context seems to imply about it.

it is not my assumption that gabriel’s wish included green initiatives and a reformation of the parisian school system lol. I assume that his wish was to exchange his own life for nathalie’s. but as we know, wishes literally rewrite reality. the fact is that paris improved after his wish, so it is still related. he remade the world, and the new world ended up better. It all supports the idea that his wish was a good thing—a noble sacrifice that redeemed him in some sense. my impression is that even if (hopefully) he is exposed as hawkmoth, the actual wish he made will still be framed as admirable. obviously marinette found it noble enough to agree to lie to everyone about gabriel’s identity as hawkmoth.

which brings me to another pain point: the fact that gabriel essentially won the long battle against ladybug and chat noir. i’ve heard arguments that he didn’t win because he died and how is that winning? he got what he deserved in the end. but imo, he just put himself out of his own misery, because he was on the brink of death anyway because of his cataclysm wound, and he basically escaped having to face any emotional consequences from his literal terrorism and child abuse. and even if you don’t consider that a win, you also can’t consider marinette’s end of the deal a win either. her goal was to prevent hawkmoth from unifying the miraculous and making a reality-altering wish. which is exactly what happened. so she failed her mission. ladybug lost. and to me it’s sort of bizarre that the narrative seems to be framing that as a good thing? ladybug lost, but the new reality that resulted from it is so much better than the old one, and she is actively choosing to lie in order to protect the seeming goodness of that reality.

marinette is lying, of course, to protect adrien, which does not feel out of character. we’ve seen her do this before. but it is frustrating to me for precisely that reason. the final battle was meant to highlight how much marinette has grown over the past five seasons, but her choice here highlights the ways she has not grown. starting with syren in season 2, she has witnessed how much it hurts chat noir to be left in the dark and how it weakens their partnership. in that case, she convinced master fu to let him be in the know, and trust was restored. but then she continued a habit of keeping things from him, putting more and more distance between them, till it culminated with kuro neko in s4—a total breakdown of the ladynoir partnership, where chat noir renounced his miraculous. i would have thought that marinette would learn from that experience and realize that keeping people in the dark is harmful and that even if the truth hurts, adrien has a right to know it. but she once again made the decision for him, and when he finally finds out, it will be all the more painful to know that the person he loves and trusts most in the world lied to him. i actually really appreciate that marinette as a protagonist has such a good heart but is still such an imperfect character, so i want to respect this choice as a manifestation of her flawed but good intentions. i just can’t help but be really disappointed that after 5 seasons of making the same mistakes again and again, she has apparently not learned from them, which makes me feel she has not grown the way the writers say she has.

her facing hawkmoth alone for the final battle is supposed to be a sign of that growth—and yes, I can see how she has grown a lot in confidence and capability since her shaky debut as ladybug. but i also feel that her flying solo defies one of the central themes of miraculous: that in the fight against evil, good people need to stand together. just think of the difference between the s4 and the s5 finale. in strike back, ladybug is broken and sobbing because she has lost the miraculous and feels like a failure who is all alone. but then she is buoyed up by her faithful partner and all of paris, who express unbreakable faith in her and vow to stand by her side. that was so powerful! showing that she doesn’t have to be alone, and she’s not supposed to be alone, and that part of being a hero means accepting help and working with others to achieve good goals. this message was a major part of marinette’s character arc in s4 and it’s something that was introduced from the very beginning and has been supported over and over in the show. but then in “re-creation,” she has no team, and she doesn’t need one. which … good for her, I guess? But then why did we have 5 seasons of “you and me against the world” if in the end it was always going to culminate with “I'm sure we can figure out a solution if we work together. You … and me”—referring to Marinette and Gabriel, while Adrien is literally locked in a blank white prison hundreds of miles away?

it just really kills me that in kuro neko, adrien gave up his ring under the assumption that chat noir was not needed—that he was entirely useless to ladybug. and then the narrative proved him right. ladybug did not need chat noir to defeat monarch. she just needed his ring. the writers confirmed in their recent commentary that they had planned a bug noire fusion from the beginning, and they intentionally sidelined adrien so that could happen—they even had to figure out an excuse for why he wouldn’t be there. so they traumatized him with nightmares of destruction and fear of akumatization to ensure that he would once again give up his ring and conveniently remained locked away while bug noire faced down monarch alone.

you could argue that it’s better for adrien to have missed the final battle anyway, since facing his own father would just be even more traumatizing for him. i understand that. (that’s the reason i liked that in the owl house, it ended up being just luz vs belos, and hunter did not have to face him again.) but at the same time it feels so narratively unjust that chat noir—who has been fighting against hawkmoth by ladybug’s side since day 1—has zero part in seeing his mission through to the end. even though it’s all about him. because while marinette is the protagonist, adrien is the connecting piece of the whole story. it’s always been ladybug vs hawkmoth, and adrien is in the middle of them, because he’s both ladybug’s partner and gabriel’s son.

you’d think, logically, that as the connecting piece, Adrien’s decisions would be vital to the plot. That he’d have the power to tip it either way. but instead he is completely stripped of his autonomy—literally, because he’s a senti, and also symbolically in the narrative, because he’s simply removed from the equation. Like, he’s still central to the equation but he has no say in it. It’s all about him but he’s not even present. Everyone is fighting for him but he can’t fight for himself. Everyone is speaking for him but he doesn’t even have a voice.

the finale kind of sets up marinette and gabriel as narrative foils of each other, showing how they have the same motivation—to make adrien happy. and they make the same decision to protect that goal. which is interesting, sure, but also kind of effed up to me? i’m not sure what to take from the idea of the protagonist mirroring the antagonist in this way. that’s been done loads of times, but in this context, for a child audience, i don’t know what to make of it. what kind of message that is supposed to send to the children who are the primary audience of this show? ladybug is a good guy, and in the end, she’s just like the villain because they both love adrien and want to protect him. so that’s why she agrees to tell everyone the bad guy was a hero. ????

that gabriel/marinette parallel leaves adrien to parallel emilie, which makes sense and is fitting but also just sort of … depressing and again, lowkey effed up. that adrien ends up with the same narrative role as a corpse in a coffin. almost, like, macguffin-esque—a thing that motivates the agents of the story but has no agency itself. despite him being so central to both sides of the main conflict, his decisions don’t affect the outcome. because he doesn’t have the option to make any. because he’s not even present. both gabriel and marinette made a life-altering decision for adrien, thinking it was best for him, without considering that what’s best for him is to know his own story and make his own choices. him getting the rings was somewhat relieving, but it also felt like kind of a slap in the face. because it’s like, “look, adrien’s free! he has his amok and no one can control him anymore!” but, like, how free is a person who is living a lie? will he ever experience true autonomy, or will his life continue to be dictated by the decisions others make for him? will the narrative give him decision-making power or will his role continue to be symbolic?

one thing that makes this all extra dissatisfying is that Adrien literally does not have the option of getting closure with his father, because he’s dead. maybe a dramatic reveal in the middle of the final battle would not be the best way to go about it, but now he can’t have any sort of closure. in the owl house, it didn’t feel necessary for hunter to be present in the belos takedown because he already had his confrontation with belos in graveyard possession scene. belos tried to physically control him, and hunter broke free, and spoke his mind, and as traumatizing at is all was, it was good for him to be able to do that. it would’ve been so nice if adrien also had that opportunity. if he did break free from his father’s control, either by overcoming akumatization or the control of his amok somehow. or if not that, if he were just able to have one honest conversation with his father about emilie. like he did with his alt self in the paris special. it was so significant for the writers that bug noire detransformed and spoke to gabriel as marinette. why couldn’t adrien have done that? Marinette is the one to tell Gabriel that Adrien wouldn’t want him to make the wish and hurt someone else, that Adrien has made peace with his grief, that he has learned to cherish his mother’s memory without living in the past. wouldn’t that be even more powerful coming from adrien himself? if adrien was part of that final confrontation just as himself, we could even still have bug noire play a primary role.

i get that adrien being part of the battle is a risk, since we saw in chat blanc one option of how it could play out. but we also saw in the collector another potential way adrien might respond to learning that his father is hawkmoth—charging into battle by ladybug’s side. especially if he was given time to process the idea beforehand. it’s not impossible. you’d just have to compose the scene and its buildup a different way. so honestly it feels sort of lazy to just remove him for the sake of ease? and also sort of a waste of narrative potential? the villain being the father of one of the main characters is such an interesting plot element. imagine if luke skywalker did not ever face darth vader. if he never even learned that vader was his father. or if he learned that fact after vader’s death, which was the result of a confrontation he was not present for.

of course, i know adrien is not the protagonist. marinette is. and of course i want her to be empowered by the story. but i’m getting a little tired of what i see as kind of cheap feminism in ML. like, girl power for the sake of visibility so the writers can pat themselves on the back about it, if that makes sense? this show does have so much good feminist power with a strong female lead who has realistic flaws and a big heart, who overcomes self-doubt and other struggles, and who has proven time and again to be a smart, capable leader who has earned the trust of everyone on her team. but all of that sometimes feels undercut by the narrative treatment of adrien—like he has to be put down somehow to elevate marinette. ML has subverted gender roles in a lot of ways by having ladybug lead with her brain while chat noir follows with his heart. and adrien has a lot of other strong feminine associations—the focus on his physical appearance, the expectation of perfection and obedience, his soft and gentle nature, his romanticism, etc. And one of the biggest ones is all the ways he is trapped, all the ways he is pushed down and made to be submissive. they even depict him as a princess locked in a tower, with marinette as the knight in shining armor to save him from the evil dragon (his father). with adrien in that traditionally feminine role, it would have been empowering to see him to take a leading part in his own liberation. instead, he was locked away both literally and symbolically in favor of a solo bug noire confrontation, so marinette could look like a girlboss in her cool new outfit, taking on the bad guy all by herself, even when it would (imo) fit better with the themes of the show and her own character arc for her to fight alongside her partner. but as Thomas Astruc said, “She's Barbie, he's Ken. You don't like it. I get it. It won't change. Anything else?” (X) it just makes me feel that the writers cared more about the cinematic value and feminist brownie points of that battle than its narrative significance—which i feel could only be increased by adrien’s participation. “all that is necessary for the triumph of evil is that good people do nothing” … and that is all adrien was allowed to do.

i think a lot of fans at this point are just assuming that whatever feels dissatisfying/off will be fixed in s6. they’re trusting that the writers have a brilliant master plan that we just have to be patient and wait to see come together. idk, maybe i’m just tired. or a little jaded. i think there will be a lot to enjoy in s6, but i’m also prepared for disappointment. i honestly did not love many elements of s4 as well as s5, and i had expectations that weren’t fulfilled there either. i’ve felt let down by the writers many times now, so i expect that many of their future choices will not resonate with me. but i still love ML, and I am eager to see how everything will unfold. i’ve also read a lot of other analyses of the s5 finale, and there are great points being made on many sides. this is just my personal interpretation and opinion. i did not like the finale when i first watched it, and after sitting on it for months and trying to evaluate my feelings and look at it logically, i still do not like it lol. if you do, great! this isn’t intended as a personal attack on anyone—just me expressing my two cents, which ended up being more like $20. thanks for bearing with me if you read all this ✌️

#ml #mine #ml meta #ml re-creation #ml s5

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lurkingshan · 3 months

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Love for Love's Sake Episodes 7 & 8

Well holy shit, that went in some directions I never imagined, and it was very dark indeed. I can't believe this intriguing little show is already over. So let's unpack what happened here.

My interpretation of everything we learned in these final episodes is that Myungha already died by suicide in the real world after a series of hardships, including the death of his grandmother, a long-term struggle with depression, and rejection from his ex and his mother, and the author gave him a chance to live again in the game world. The ending suggests he will now stay in the game world with Yeowoon and get another chance at life where his core objective is to make himself happy, and any expectation we had that he would have to return to the real world is out the window, because his life there has already ended.

But what exactly is this game world? I don't think we'll ever fully know for sure. Certainly, the show did not explain the how of it, or tie together all the vignettes we saw of Myungha and the author discussing their philosophy on life in a clear throughline to how we got to the game. The game world was purportedly based on the author's fictional novel, but all along it has taken on the features of Myungha's real life, including all the significant people we saw in his first life flashbacks. His grandma is here, his mother is here, his ex is even here in the guise of Yeowoon's agent. Myungha's memories and consciousness seem to inform the way this world was built, even as he did not create it. The author is given the role of Creator, somehow designing this world for Myungha to try to find happiness via seeking to make someone with very similar experiences to his happy.

Now, on this point, I don't think everything that happened in the original iteration of the game totally holds up. The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness, and the point where Yeowoon seems to discover the game and somehow intervene to pull Myungha back in was lacking some clarity. And I wish the show had grounded us in Myungha's experiences earlier on rather than holding everything back for the sake of mystery--I do think that choice got in the way of a more coherent emotional arc for our protagonist.

But despite those quibbles, I still was able to connect with Myungha's struggles. This is a boy who has been so mired in his own misery that he doesn't know how to let anyone else in. He is too afraid to trust and let someone care for him in the way he cares for others. I wanted to reach through the screen and strangle him when his own emotional paralysis caused him to destroy the game--Yeowoon was telling him exactly what he needed, but he couldn't find the strength within himself to give it to him. And this is why knowing Yeowoon is exactly what he needed to see a different path for himself, because Yeowoon has experienced many of the same hurts but still finds within himself the ability to trust and rely on Myungha. Yeowoon is the stronger of the two of them, and Myungha needed to learn from him to overcome his own cowardice. Their happy reunion in the game world felt earned, and I believe in Myungha's ability to try again at both life and this relationship without holding back this time.

This show definitely wasn't perfect, but it really did some interesting things and left us with a lot to think about. I am looking forward to reading everyone else's interpretations of these final episodes, and Myungha and Yeowoon will be staying with me for a long time.

#love for love's sake #korean bl #kdrama #shan shouts into the void

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frogboy0 · 11 days

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THE HEAVEN CAST!!!!! WHOOOOOOO!!!!!

So first off, we got a redesign for the Exorcist Angel armor. I wanted to keep the colors light so they stand out when in Hell. I was also hugely inspired by Crusades armor, since the Crusades fought for religious territory, I thought taking inspo from there made sense.

Then we have Lute, Emily, Sera and Adam's designs. I'll explain it all under the cut if you're interested!!!

LUTE!!!!!!!!!! Sorry guys but she's basically a different character with the same name at this point

So I think that Lute was like a mentor figure to Vaggie, she was the closest thing Vaggie had to a (sorta) mom but it's defiantly like a student-master relationship.

I think that Vaggie trusted and cared for Lute deeply, she devoted all her time and energy into training in order to make not only Heaven better, but to make Lute proud. Lute was a HUGE driving force Vaggie's martyr complex.

But they were close!!!! The care wasn't just once sided, I think Lute did love Vaggie. I think they both care for each other SO much, that's why it will hurt SO MUCH when it's LUTE as the one to de-wing and banish Vaggie. She LOVED her, she TRUSTED HER!!!!!

Trust that I will be delving deeper into this in the future ✊✊✊

So Emily and Sera's designs and roles in the story are pretty much the same, I liked them in canon! They were fun and offered an interesting addition to the show!!!!

The main thing I chose to change was basically their hair and skin color tbh. I understand what the show was TRYING to do, w the fact that they're supposed to be black (and apparently those are supposed to be dreads in Sera????) but.......... It wasn't good.

With their canon skin color, I know a lot of angels have gray skin but to me, it looked like the designers didn't know whether to make Sera and Emily (especially Sera) gray or flesh colored, which then resulted in them trying to meet it in the middle and left us with this,,,, really ashy looking black skin in some shots which I didn't like.

I decided to just make them a darker gray so they can both be seen as black and also keep consistent with angels having gray skin :)

ALSO THAT ONE DOODLE WITH EMILY LOOKING AT CHAGGIE, I PROMISEEEEEE THAT SHE DOESN'T LIKE EITHER OF THEM LIKE THAT, I JUST DID IT TO BE FUNNY!!!!!!!!!!!!

(I think the ship is cute but personally, it's not for me ^^)

And finally..... ADAM!!!!!!!!!!!

So like Lute, Adam is basically a completely different character with that same name just slapped on.

I REALLY didn't like him in the show to be honest. I think we was an enjoyable character at times but he's totally like my second to last fav character (with my LEAST favorite being Lucifer LOL). I think it was an interesting take on Adam definitely!! To see him so cocky and full of himself bc of his title but....... It was just very...... Viziepop with the whole "original dick" thing......

Adam is the literal FATHER of humanity!!!? He is EVERYONE'S FATHER!!!!!! I don't understand the point of making him mean aside from the fact that he's supposed to be an opposing force in the show, but even then, just because he's the opposing force, doesn't mean he's gotta be a huge jerk!!!!!

I think it could be more interesting and add more nuisance to the story is Adam WAS this sweet, caring guy who, like the protagonists, is only doing what he thinks is right!

I'll delve more into Adam in my next post BUT everything he does is out of his trust in God and the Seraphims, he trusts them wholeheartedly and despite the fact that the Sinners of Hell were once his children too, he does what he must because his flaw isn't that he's egotistical or an asshole, it's that he cares and trusts with his entire being.

He's also best friends with Kris Kringle

#my art #hazbin hotel #lute hazbin hotel #hazbin hotel redesigns #hazbin hotel sera #hazbin hotel emily #hazbin hotel adam #tw hazbin hotel #hazbin hotel exorcists #hazbin hotel rewrite

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skemford · 7 months

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Decided to refresh my knowledge of bendy protagonists personalities/quirks and i can say that i forget how distant canon Audrey is from fanon one sometimes

Here's relatively short list with Audrey character analysis+random tibbits (environmental/gameplay/voice lines)

(I'll appreciate if someone will interact+most of it is under the cut!)

1. Her workplace is an unorganized mess

On the right side: a couple of empty teacups, empty paper sheets, unopened envelope, books/notebooks, a toy ball and keys in the middle of the desk, storyboards that are UNRELATED to what she was working on;

On the left side: donut that she kept close to her elbow & storyboards while she was drawing + to-do list for a day

There's no WAY she'll be able to keep anything tidy. If you hc her and Bendy to have a familiar bond post game, she'll be as messy if not messier. Her home might be a wreck.

2. She easily distracts

- Audrey is working overtime and claims that she has "only eight hundred more frames to go" until the next deadline

But was she actually *actively* working?

She has unrelated items on her desk (listed above) and jumps on the first opportunity to get a coffee.

If she really did wanted to have a drink, she literally has a soda machine close to her office doors.

Some brands of soda do have caffeine in them, right? Getting a coffee looks more like an excuse for a walk.

Bonus point: if you'll stay in her office without getting up (for 15 minutes), she'll acknowledge that she has no time to waste and will return to work instead.

- "Well, the coffee's good and all. But this work's gotta get done"

Worth to acknowledge: this girl has "employee of the month" award and some kind of animation award (boris statue) in her office .

Does she stays overtime everyday to finish something? Or other Archgate employees are even worse at their jobs, somehow?

3. She uses dry sarcasm or makes jokes a lot

Honestly, it happens really often and should be brought up in fan content more imo.

Due to the images limit i can't put a lot of examples with screnshoots but I'll quote some of them.

- "i think you and i have very different definitions of alright" (toward Allison)

- "Looks like he's having a bad day" (about dead lost one with the gent pipe)

- "Ok! Yeah! And that totally makes sense" (reaction to an easter egg)

- "That's one leap of faith i definitely won't make" (about the pit in animation alley)

4. Audrey gets defensive when someone starts to talk over her or when she feels overwhelmed

Audrey either will deny what was said or will acknowledge it by being sarcastic

Prominent example of this is her reaction to Memory!Joey at the hotel:

- "Oh,now you knew my father. Well, newsflash! I didn't even knew my father...or my mother. Or anyone else in my family" (after Joey says that she has "adventurous spirit of her father")

- "What? Are you crazy?... Who do you think you are?" (after the reveal of her being created by the ink machine)

+ Similar behaviour can be seen in her short interaction with Twisted Alice (Susie).

Audrey prefers to keep conversation equal between both sides and when it fails to work, she'll either stay silent or will express frustration (which can be seen with her replying "no" to Twisted Alice and not saying anything afterwards)

5. She seems to trust Allison enough to be vulnerable around her

After leaving the spider lair, she'll try to reach to Allison through the speakers

- "Alice? Are... you there?... Alice!"

She'll acknowledge that she feels scared and after Allison won't sound reassuring enough, Audrey's hand will be visibly shaking.

Allison is the only character Audrey has opened to; you'll never see her being that vulnerable with anyone else

(She is honest with Henry but not on this level)

It makes me wish they had more interactions; Allison for sure was really important in early development of the game.

6. She's blunt

Through the game Audrey is a type of person who says whatever is on her mind without hiding her intentions too much.

She's emotional and rarely thinks twice (most of her decisions are impulsive or sometimes irrational) which reflects on the way she talks.

It's often slips out through sarcasm when she gets defensive/tries to cope but it's also happens in relatively safe environment (for example, when she talks with Betty):

- "Are you...very old?" (Wilson's mansion, bedroom)

This one liner is the most random question you can say to a stranger; I doubt it was very well thought out from her side

7. Audrey easily trusts people which makes her easy to manipulate

I couldn't skip this one.

When Wilson has created a story about his "poor lost father" as a bait and Audrey did believed in this, there are multiple reasons for "why"

This either could come from her being "goodhearted" or the circumstances being used against her

- She went through whole "father trauma" in one day without being able to process anything & get proper answers:

An idea of "saving" another father (Nathan Arch) who she could've knew more than her own father (Nathan says in one tape that he meet young animators at least once) could've hit her really close to home

- Audrey never actually got a real answer on how to leave the cycle, teaming up with Wilson (who was able to enter and leave) could've looked like the only one way back

(I do acknowledge that writing in DR could've been better at places but if you do think about it in this way,it makes sense)

7.1. She is empathetic

I think that this part says everything for itself and it doesn't need to be explained. Thought, she's the one who decide if someone deserves it.

- She felt bad for hurting Bendy on accident & apologized when she was able to

- When she met Allison for the last time, she "gave" her this name, remembering that she doesn't like to be called 'Alice'

- At the end of the game she wants to try to make the cycle better for everyone.

Twisted Alice (Susie) was included which means that Audrey doesn't hold grudges against her (even with the latest one wanting to kill her previously)

8. Audrey puts her arm through an ink container without hesitation or any side thoughts

IT IS a game mechanic and lore wise you can relate it to her being an ink creature

But honestly? It's in character for Audrey.

We're talking about someone who decided to go to great lengths to catch an aquarium fish (that's kept as a pet) and wanted to use it...for a recipe.

8.1. She doesn't mind eating out of trashcans

If you think that wanting to use someone's pet for a recipe is too weird, you're actually wrong. But eating out of trashcan (when you have other options) may be.

Thought, she drives a line on a food that has flies or other insects on it (like "chocolate cake")...i guess in other cases, it's fine to her.

~~~~~~~

Trivial things:

- Bendy seems to be her favourite cartoon character.

She calls him "little guy" in prologue and keeps close to her storyboards where he's the main character:

In the cycle, she acts joyful when she first stumbles upon the real deal.

- She loves chocolate donuts

- Audrey uses dark eyeshadows (can be seen only in prologue custscene. It's hard to notice at first)

- Her breakfast from to-do list are toasts

- She has abstract Bendy painting in her office

- It can be speculated that she's uncomfortable with being touched (or with someone being physically close), unless, she's the one who initiates it

~~~~~~~~~

#bendy and the dark revival #batdr #bendy #audrey drew #audrey batdr #joey drew #(mentioned)#allison angel #(mentioned too)#my post

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lurking-latinist · 1 year

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I just saw this awesome post about including mobility aids in fantasy writing, and I do not want to create a tangent but I *do* want to share some things I learned about disability in ancient Greece when I was researching that paper I wrote on the Philoctetes, so I am making my own post.

Philoctetes is a mythical figure who was one of the Greek heroes going to the Trojan war. Before they got there, he suffered a wound in the foot which would not heal. The other Greek leaders were unwilling to have the noise of his screams and the stench of the infected wound in their camp, so they abandoned him on a deserted island with only his famous weapon, the Bow of Heracles. He survived there for ten years. Now the war is almost over, Troy has almost fallen, but the Greeks have heard a prophecy: they cannot win until they have the Bow of Heracles. So wily Odysseus and young Neoptolemus (the son of the recently dead Achilles) go to the island where Philoctetes is still living, still dealing with his injury. Philoctetes is eager to escape the island, but can he trust the community that abandoned him ten years ago? Can they ever make right what they did to him?

Now that’s the type of story that someone might very well point to who was arguing that disabled people have to be neglected and excluded in a “historically accurate” story. And it’s definitely not an example of casual inclusion. But what that person would be missing is that Philoctetes’ abandonment and isolation in this play was intended to be shocking to its Athenian audience. The audience is invited to identify with Philoctetes and to be horrified at how he does not receive the support from his community that real-world people with similar disabilities did receive, as we can tell from both textual and archaeological evidence.

Martha L. Rose’s book The Staff of Oedipus: Transforming Disability in Ancient Greece emphasizes this. Look, here’s what I wrote in my paper, why should I rewrite it:

Rose approaches her material “though the lens of disability studies, which approaches the phenomenon of disability by assuming that there is nothing inherently wrong with the disabled body and that the reaction of a society to the disabled body is neither predictable nor immutable” (1). In other words, it is necessary to see what attitudes and assumptions about disabilities are actually recorded, rather than projecting any of our own assumptions. ...

Also unlike today, Greek concepts of disability were not medicalized. “Permanent physical disability,” writes Rose, “was not the concern of doctors in antiquity beyond recognition of incurability” (11). This does not mean that disabled people had no resources or were simply left to perish, of course. Rather, they were often cared for within their households and their communities (28), which means that both Philoctetes’ abandonment and isolation form a shocking exception to the norm. The importance of community support suggests that Philoctetes’ joy at being reunited with humanity comes from practical as well as emotional needs. At the same time, the wide range of tasks and trades in the Greek economy meant that many disabled people were far from economically dependent (think of [the god] Hephaestus the lame smith), so that “[a] physically handicapped person earning a living would not have been a remarkable sight” (39). People unable to walk at all rode donkeys or were carried in litters, while those who walked with difficulty used a staff or a crutch (24-26).

So for writers: the ancient Greeks didn’t invent the wheelchair--but they had the wheel technology (I suspect the issue may have been with roads and pavements instead), so your Greek-inspired fantasy world totally can (which was the point of that earlier post). Or maybe your protagonist goes on their adventures with a faithful donkey sidekick that helps them get around. Maybe they are respected for their skill in a craft, making their home and workshop a lively meeting-place for customers. If you’re writing fantasy, you could be inspired by one of the myths of Hephaestus, in which he creates metal automatons--basically, magic robots--that not only support him as he walks, they also act as assistants in his workshop!

Anyway, the point of this post is basically just that I agree with the other post about including mobility aids in fantasy and I had some relevant knowledge in the back of my head. And also that you should read the Philoctetes. Look, here’s a recent free modern English verse translation: https://johnstoniatexts.x10host.com/sophocles/philocteteshtml.html

Oh, and if you would like to see my term paper or the relevant section from The Staff of Oedipus, message me, I will share them.

#philoctetes #writing #I should add that Rose also has information about things like blindness and deafness in her book #I just happened to be writing a paper about mobility

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viviennevermillion · 2 months

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Mortals and Fools — First Look #1 (Coming Soon)

Want to read a SFW coming-of-age fantasy novel with evil gods, two adult aspec protagonists and magic? Consider supporting this project!

Author's Note: After a total of 8 years of posting fanfiction on this account, I am excited to announce that I am finally starting my first long-term original work as an author! Goal is to get this series published as an actual novel but until then, I will be uploading chapters online as I write them, hopefully building an audience in the process! Mortals and Fools will be available on Wattpad and potentially other platforms. The first 4 chapters will be uploaded to Tumblr as well. Over the next few weeks I will keep uploading promo posts with new characters and more info! Thank you so much to everyone who has supported me as a writer over the years and welcome to everyone who's new here!

Summary: In the land of Elsthess, brilliant but arrogant Dr. Immanuel Faust is doing his best to follow the teachings of the Goddess of Wisdom, live up to his late grandmother's expectations and hide the fact that he has been seeing strange, mystical apparitions all his life. When his pupil becomes afflicted with an ancient curse and the things he has seen turn out to be more than just hallucinations, Immanuel must forge a contract with Morgan, a being from another realm who's ready to humble him at every turn, and learn his religion's most despised art: magic. As he steps outside of the simple world he has grown up in, he slowly comes to realize that there is much more to learn for him still.

Themes:

The Meaning of Wisdom & Growth

Unlearning harmful narratives and prejudices

Religious Trauma

Healing from Abuse

Rebuilding trust in others

Learning to understand others

Navigating radical changes during adulthood

Elitism and class inequality

The problems with the ideal of meritocracy

Queerplatonic & Alterous Attraction

Addiction

Gender Dysphoria

What this story contains:

A variety of fun magical powers!

Evil Gods & Forces from other Realms!

Queer rep! (demisexual & aroace protagonists, a trans man and a wlw couple)

Mysteries to unravel

The coming-of-age fantasy adventures you're used to from YA novels but with characters in their 20s and struggles of adulthood

Humor

My blood, sweat and tears as an author

The Cast: Introducing 3 Characters

Here's some info on the three characters in the header, from left to right!

#1 — Dr. Immanuel Icarus Faust

❝ It wasn't supposed to be like this... I've failed... as both a doctor and a man of faith. I wanted to follow your teachings, dear Goddess, and guide those who seek wisdom and knowledge, as grandmother did... but I couldn't even save one innocent girl. Have I become godless? ❝

Raised by his grandmother, the High Priestess of Solbrynn's temple, Immanuel was taught from an early age on to aspire to be the best in everything he attempted to do and dedicate his life to wisdom, in order to make the Goddess Adira proud. Having become a renowned physician at the age of 28, Immanuel understands himself as his kingdom's ideal of a self-made man: a scholar who can achieve everything he puts his mind to, no matter the circumstances. As a result, he has put himself on a pedestal, believing that those who achieved less than him had all the chances and merely didn't use them. Fearing nothing more than failure and becoming anything like his absent, alcoholic father; Immanuel is bound for a rude awakening.

#2 — Morgan Miralaith

❝ While you were having your existential crisis in the mad scientist laboratory you call your bedroom, I took the liberty to read your grandmother's diary. The good news is, I finally understand where all the hubris comes from. ❝

Morgan, belonging to a long-lived species from the realm of Calliah, is the second-in-command for the Elsthess Resistance against the Plague Avatars. While the Resistance on Mhorunn regards her as a capable leader and a skilled fighter; using fire magic to blaze her way to victory; it is clear to most that she has many secrets and ulterior motives. She cares about others in her own way, yet hardly lets anyone close to her. With her mischievous demeanor and cynical nature, Morgan has made it her new mission to recruit Immanuel for the Resistance and, while at it, shatter his very distorted self-image and worldview. Upon forging a contract with her, Immanuel believes that he has sold his soul to a demon. It is only upon meeting others of her kind that he realizes that really is just her personality.

#3 — Mortis Grimm

❞ People reject that which is foreign to them. You of all people should know this. Still, my personal aspirations and origins are of no concern to you. Remember that. ❝

While there are several people from the Realm of Calliah in Elsthess, the realm that Mortis Grimm originated from is unknown. He seems to be the only one of his kind and there is something sinister about him. Wielding powerful magic that matches no other in recorded nature, Mortis, despite being the leader of the Resistance, is a big mystery to all of its members. Usually donning a Plague Doctor mask, Morgan is among the few to have seen his face. He is Mhorunn's greatest ally, but hardly a trusted one. Most understand that he could just as well become its greatest enemy one day.

Interested in reading more and receiving updates as they're posted? Comment on this post and tell me if you'd like to be added to the taglist! Reblogs are appreciated to spread the word! 💞

Taglist — @gwaaaaar @silveryloneliness @noxochicoztliv @justletmeon12 @averytirednerd @letsallsleepoverwork @styrofauxm @non-pressurizeddiamond @mangoinacan13 @amateurmasksmith @kenobiblue @soru-dee @pictures-of-the-stars @elf-osamu @animusicnerd @jaytherat-hometothereblog @watcherofeternalflame

#fantasy novel #aroace #ace representation #aroace representation #demisexual #indie author #webnovel #wattpad #author #writing #authorblr #writers of tumblr #writers on tumblr #indie fantasy #novel promo

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birdmitosis · 5 months

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Since a minor theme for today's posts seems to be Voice of the Opportunist thoughts... You know, I actually quite like the guy. He's nowhere near the top of my list of fave Voices -- in fact, he'd probably be in my bottom three -- but I've grown to sincerely love all of them in their own ways.

Paranoid

Cold

Contrarian

Hunted

Hero

Cheated

Skeptic

Broken

Opportunist

Stubborn

Smitten

Like, that's probably my rough order of Voices? But I really love Stubborn and Smitten too at this point, like a lot. And Opportunist... really interests me. I don't feel as bad about him as I think a lot of people do. (Thoughts under the cut!)

I think what gets me about Opportunist is that, while he can come across very badly for sure, I think there are two main things he wants that drive all of his (very bad) ideas: He very badly wants to be liked, but that's secondary to the fact that he wants to survive. He's just geared strongly towards survival in a way that's more... social than physical. He wants to side with the people he thinks are the most powerful without actually upsetting anyone, until he gets to a point where he feels like we have enough power to be able to wield it. And as one of the Voices, he is actually very "we"-focused -- he talks about looking out for number one, yes, but you're all kind of a collective "number one" and he maybe makes that most clear in The Wraith chapter, where he never wavers from vocally trying to make the situation better for himself and Hero and Paranoid. He never threatens any of the other Voices either -- and not even, iirc, the Narrator, though he does turn his back on the Narrator when it becomes clear he's something of a paper tiger -- just the Princess, in situations where she has proven how dangerous she is, and not even always then. (Again, in The Wraith, he's not even pleased to have overpowered her if you decide to toss her into a bottomless pit.) He does want to be liked, too, that much is clear and seems to be completely sincere. He likes traveling (or at least the idea of it) because he thinks it makes him "relatable." He totally unnecessarily tries to smooth everything over with you and the other Voices in a way that doesn't always, to me, feel like him just being mealy-mouthed in a self-serving way; the example of this that stands out to me is in The Moment of Clarity, when Stubborn and Contrarian are tired of Skeptic's philosophizing and he jumps in to reassure, "They're good questions. Great questions, even. But they don't have any answers," and there's something oddly... gentle/reassuring about the delivery. The way you get him usually shows how he's geared to your (collective) survival and why he doesn't trust the Princess: In the first chapter, if you don't take the blade but then use it to kill her, that's your only chance to get him. But you get him in one of two ways: Go back upstairs for the blade after talking to her, in which case the Protagonist has probably legitimately decided that things aren't adding up and she's actually secretly more dangerous than she's letting on (and because she is "a creature of perception" she then reveals that to be true!), or trying to kill her after the Narrator possesses you, in which case there's that clear "hierarchy" of "the Narrator is too powerful if he can just choose to control us" (and also makes his trying to appease the Narrator in the later chapters make sense). And he is like the Witch, and honestly, in some ways I think it's understandable that he's resistant to changing even when she does. She is the one who changes based on our perception, and if I'm at all right that the Voices are the pieces that break off of us because we can't change like that but they represent her perception of us, well. The Protagonist and the Witch can choose to change and break the cycle in a way the Opportunist has a harder time with. But he is much like her: "This dangerous person killed me last time, we need to maneuver this situation in a way where we can kill her without her killing us again." And a big problem with him is that he is 100% wired into that survival instinct even when it's not necessary! He wants to betray the Thorn even after she hands us the blade back! But he also just came from a chapter in which we handed her the blade trustingly and she immediately stabbed us, which doesn't excuse it but does I think explain why when he talks about slaying her right then and there he says something along the lines of "we have power right now and we may never get this chance again" -- he's still expecting this to go very badly for us.

The other ways you get him in the various Chapter IIIs also back this up, I think: In The Razor, you try to "appeal to her better nature" after she's already killed you twice (and maybe a lot more!), which is again just him trying to survive long enough to turn the tables on a threat. To get him in The Wild, the Beast first has to eat you alive, but then you stab her to death instead of letting her escape or just killing yourself, taking advantage of being close to vulnerable organs to take her down with you. (And I will say, while I adore Contrarian, I find him much more obnoxious to have in The Wild chapter.) To get him in The Wraith, you have to take the blade in The Nightmare chapter but agree to free her, then slay her either at the door when the Narrator locks it on you (again, the Narrator showing he's more powerful than he should be) or after Paranoid straight-up says "if I absolutely had to choose I slightly prefer that we kill her" -- and then, oddly, he does spend the entire Wraith chapter trying to soothe her and get her to forgive and hire/protect not just himself but the Protagonist, Hero, and Paranoid (and is actually like "this was a bad decision, there's going to be no way to smooth this over" if you do choose to toss yourself into the void with her). And in The Moment of Clarity, he is oddly gentle with the other Voices for the most part and also advises just letting her out because it'll all be okay for them if they do. All of this is just to say that, like... Yeah, he can be mealy-mouthed and backstabbing and obnoxious. But I also don't think he's a backstabber for fun. He wants to be either at the top when it comes to "who's the most powerful," or at the right hand of whoever is at the top, but at the same time I think that stems from him just wanting to feel safe -- and what's safer than no one else having power over you? Especially when that power's been used to steal your autonomy or kill you so, so many times? In some ways he's low-key like Hunted and Paranoid: "What will keep us alive?" and "I don't trust anyone but us (unless I feel like I have to)" are kind of an undercurrent to everything he says and does. ...That also means that if he got his own body I think he'd be in an interesting position. He might have some issues at first with being more "look out for number one now means me and not us," or at least having some instinctive feelings in that direction -- but at the same time he might feel more at ease having complete control over his own body, since the Protagonist losing that control seemed to low-key freak him out more than once in the Construct and his smooth-talking might have had a lot to do with how he felt his words were the only power he had since he wasn't in control of the body. So there's a chance he'd struggle with staying quite as group-oriented at first, but there's also a chance that he might be able to relax at least a bit.

#slay the princess #slay the princess spoilers #voice of the opportunist #headcanons #this counts as that right?#i do really like this guy #there's a reason i think he'd work especially well with hunted #and i'm kind of sad for him that he seems to really want to be liked but none of the other voices seem to like him particularly much

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inklessletter · 1 year

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I don’t know if this makes any sense to you, but I’ve been having thoughts about Steve and Eddie, as characters, (I mean who am I kidding, they live rent free in my mind now) and I’ve noticed a conceptual parallel between both of them that I can’t unsee now.

I’ve read several analyses and opinions about how Eddie was created and inserted in the story as some sort of substitute for Steve because they needed his death for Dustin’s arch, but they didn’t really want to kill Steve because he’s one of the series’ icons now. This has been used in the show several times now, with Barb’s death, and Bob’s, and Billy’s, so I buy it (if I think that it’s a lazy resource to make your characters evolve or if it’s lacking originality when you do it four times now, is something I won’t approach here, ahem). It fucked me up because I rewatched the last season a couple times now and I see it. I can’t not see it anymore. I can see the conceptual similarities (the age, the fact that he’s some sort of outsider to the group, the reputation, Dustin’s undeniable affection and respect…) but there is a particular feature that I noticed recently that has broken me, because it’s so fucking meta.

Speaking in general terms of course, most people I know that have watched the show like Steve, but they didn’t like him in S1, which, understandable; the writing in S1 didn’t make it easy for the audience to stand by him. Steve’s got several characters against him (Barb is the sweet victim, Mike is a clear protagonist, Jonathan is the direct rival as a love interest for Nancy), and if those characters, that are written and shown to be reliable, you instantly believe them, that he’s King Steve, that he’s a jerk. He goes with Carol and Tommy that are straight up bullies, he makes questionable decisions about how to face certain situations (such as breaking Jonathan’s camera [that I know it’s controversial, but personally, I totally, totally get why he did it], the slut thing in the cinema board, the fist fight…) so yeah, it’s easy that you go along with the thinking that he’s sort of not worth it. But here’s the thing, Steve spends the whole season trying to make up for his mistakes, trying to fix what he broke. He buys Jonathan a brand new camera, he confronts and ditches his so-called friends and actually goes to apologize to Jonathan, and then to Nancy. So what we have here is what it is said about Steve vs. what Steve really does. Even at last, when he had the chance to run for his life, he came back to the house to do the right thing. Steve is a great guy, but he’s written for the audience not to think so.

They changed their minds in S2, apparently, when the writers made him more layered, more likable, and the audience lost their minds. He was absolutely loved now, a favorite. A sweetheart. A romantic tragedy. And they kept all those features in S3, but giving him tons of lines and screen time, and an iconic outfit, and making him the biggest ally in the whole show, and now you’re trapped because you love him.

But you see, loving him was a journey. The audience went from finding him kind of annoying, or straight not liking him to fall head over heels for Steve.

And the writers, bless their souls/fuck all of them, mimicked that affection journey in S4 with Eddie Munson, using Steve Harrington as a catalyst.

You see, Eddie has this very same dichotomy of what people think of him vs what he really does, the only difference here, the major one, is that the people who speak ill of him are not protected by the writing. So you, as a member of an audience, embrace the fact that what the whole town says about him is not true, and that he’s a good guy. They fast forward the whole process by setting Mike and Dustin by their side, that the whole Eddie tragedy is a simple wrong time, wrong place. I mean, there’s no way you can go wrong about judging Eddie’s character.

And here’s where it gets interesting.

Steve rejects the blind trust.

Steve doesn’t like him.

Steve listens to the rumors.

Steve calls him the freak.

But the season goes on and bless his soul he starts paying attention to what Eddie does, to who Eddie is, and ends up pretty easily rejecting what the whole town feels towards him. Because he sees him now.

Because he’s been there.

It is such a wholesome phenomenon when you realize that Steve, who at first was reluctant to find him, gets protective of him, out of mere empathy. He never gets angry at him, or mistreats him in any way; if so, he brings him beer and cigarettes, he worries about him leaving Skull Rock since all Hawkins is after his ass now.

He cares.

And god, he even thanks him at the Upside Down woods. He doesn’t thank Nancy, or Robin. He thanks Eddie, because he knew that back in the boat, Eddie didn’t have to jump into the water for him, the same way he didn’t have to go back to the Byers’ house once he saw the Christmas lights violently flickering, because in any way that was his business.

So he thanks Eddie, probably because Steve thinks that it would have been nice that someone actually thanked him to save Nancy and Jonathan’s asses instead of getting a relationship out of pity that ended up with him dumped a year later and a bunch of issues.

The season goes on and they talk it out, they both admit having believed what people said of them, but now that they know each other, they can actually see how wrong they were. They make a fresh start, and the story seems to get to the right point, the way it should have been between them if it weren’t for the absurd jealousy pretext.

Now they both align with how the audience is feeling.

So, you see the parallelism here. Steve’s behavior towards Eddie was a straight up reflection of the emotional journey the audience had towards Steve.

And this probably wasn’t intentional, since the writers didn’t know for sure how much love and admiration Eddie was gonna get before s4 was released, but the fun part here is that it is quite difficult to find someone who loves Eddie Munson that hasn’t loved Steve Harrington before. The process of falling for those two is exactly the same, and most fans probably are not aware that they have gone through the same emotional journey twice. And it makes sense, because it is familiar. But whether or not you are aware of this, after they enter the Upside Down, Eddie and Steve are linked together, and that you know, even if you really don’t know why. They are impossible to untangle.

So yeah, absolutely, beyond the screen time together and the undeniably flirty behaviors, their chemistry, their journey and their young history, steddie makes sense.

So, when they make Steve a vulnerable mess, expressing that his only wish as a character is to love and be loved in return, and have a future, they go and kill Eddie. And it’s heartbreaking, because he’s a character with orphan needs and desires, and he didn’t even get the chance to fight for himself, and no, I don’t mean the demobats.

And in a deep part of our brains we fear for Steve, because they’re in an unfinished war, and Eddie’s fate could easily be Steve’s in s5.

But you see, what is absolutely mindblowing about this fandom is the fact that here is where they picked up and made something incredible. For months we have been rewriting, consuming and creating thousands of universes in which Eddie gets what he deserves, that is, a happy ending, not only that he lives, but that he ends up being happy.

If this is too much of a projection about the fear of Steve getting killed in s5, that I don’t know; what I know is that I’m not at all worried.

I know we can make it better.

#stranger things #steddie #steve harrington #eddie munson #headcanon #st headcanons #steve harrington headcanon #steve x eddie #eddie x steve #the writing is great and bad and i don't know how i feel #headcanons #i'm sorry #steve harrinton analysis #eddie munson analysis

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silversed0 · 4 months

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One of the things I think really sets apart how Larian writes their companion characters compared to other RPGs is that they don't typically start off liking or even trusting you very much at all. In like, Dragon Age, Pillars, or the other Baldur's Gates, most characters like you by default and are invested in helping you out, or at the very least, like you in addition to having a specific reason they need to accompany you. Even the more hostile characters tend to readily open up when you ask about their backstories and their interests, because that's how you as the player need to learn more about them, which to be clear, makes sense and is totally normal!

But it does hit different in a really interesting way in both DOS2 and BG3 where you have all these people forced to group up, not because they like each other, not because they even have any unified greater goals, but because they need each others' help to solve an immediate problem. In DOS2, nobody wants to be trapped in Fort Joy, so all the characters team up, all the while you'll see some IMMEDIATE friction. In BG3, nobody wants to have a tadpole cuddling their hindbrain, so everyone sticks together in this wilderness as they desperately search for a cure. There's no real camaraderie at first, it's about survival, and accordingly, these characters often don't WANT to tell you about themselves if they don't have to (though I think this part is more true for BG3, everyone in DOS2 tends to spill their initial deal pretty fast). Gale and Shadowheart actively dislike when you prod them for information, and appreciate when you let them talk in their own time. Lae'zel has no intention of even being on this plane longer than is necessary and sees basically everyone as being beneath her initially, while Astarion's lived lifetimes of abuse and deceit that've made him this naturally distrustful, closed off person. Wyll and Karlach are exceptions to this, being these happier, more heroic characters, but even Wyll wouldn't tell you about Mizora if she didn't pop up in camp herself, because he wouldn't nearly trust you with that secret yet. They're people who don't see a reason to open up to this stranger they just met just because they're the nosy protagonist, and it contributes to making them feel super textured, I feel.

And this isn't something totally unique to Larian or anything—there's Sten in DAO, or like all of the companions in Tyranny, or a third example I couldn't immediately think of that I'm sure exists and you'll pretend is here, but I think Larian making this how most of their companions work IS more unique to them and rocks combined with just the general quality of their character writing. It doesn't and shouldn't need to be how all companions in these kinds of games are written, don't get me wrong, I just think it works super well and serves to make the world feel a bit less like it revolves totally around the player.

#baldur's gate 3 #bg3 #divinity original sin 2 #dos2 #i talked way more about bg3 than divinity despite saying this was a thing i liked about larian writing in general #this is because i am silly #i only mentioned tyranny offhandedly but tyranny also rocks

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ystrike1 · 3 months

Text

To You Who Swallowed A Star - By ARI (8.5/10)

Being beautiful and special is great, but it's not enough. You need to work hard too, and establishing healthy boundaries is extra hard when you have to deal with controlling relatives. Our underdog protagonist is actually a modern princess, and the actual underdog is some random scruffy boy she takes in out of pity. It's toxic. It's wrong. The main couple only gets their happy end after alot of pain, gain and growth.

***Immediate warning here. Do not read this series if grooming is an issue for you at all. There is a five year age gap with the main couple. It is unavoidable. It is pretty bad. The older party takes responsibility, and she distances herself when she notices the relationship in question is getting toxic. "I didn’t groom him on purpose!!!!" is not an excuse in any way, and nothing remotely sensual happens in this webtoon between characters that are not legal adults.***

It begins with a messy divorce. A rich mommas boy starts to abuse his aging wife, even though there's a young daughter in the mix. The wife decides to step up and be a mom. She grows a backbone, and she leaves her sparkling mansion behind in the middle of the night with her only child. She vows to forgot all frivolity. She'll never marry again. She will support herself and her daughter will learn to do the same.

Romance and money are not to be trusted.

Jiu learns this lesson very early in life.

Her mother (left) reached out to a wealthy friend after she ran from her husband. Said friend is a CEO (right), who agreed to support her downtrodden friend and her daughter until they had enough money to live. This led to a strange cohabitation situation. Two women living together with their two children, who were automatically raised like siblings.

Rin is Jiu's best and only friend, and her first crush. Frankly, she's doomed. He's handsome, nice and he cares for her.

His jealous streak is his only issue.

He steals her things when she shows interest in hobbies that aren't him. Jiu kind of becomes a doormat. Her mother is a strict force in her life. Her mother wants her to be a career woman first. Everything else is secondary. Rin is her only solace, and he really doesn't seem all that bad.

He just gets jealous sometimes.

Jiu meets Hajun and Hayul after she moves out of Rin's mansion. Her mother makes her live in a tiny studio apartment, while she runs an unsuccessful restaurant business day and night. Jiu thinks it's a little unfair. Auntie and Rin are totally willing to take care of them!!!Auntie doesn't have a lot of real friends as a female CEO, and Rin misses her! He was used to seeing her every day!!! Boohoo!

Rin starts to resort to childish tactics, to force Jiu to pay attention to him. Now that he doesn't have access to her all the time he's frustrated. He does weird things to make her come when called.

Like a dog.

Jiu doesn't notice how weird Rin is.

You see, she meets two children. Yes, Hayul and Hajun are children. She is sixteen. They're not in high school. Hayul, the girl, gets extremely attached to her when she is shown a single scrap of kindness. Jiu gets suspicious and sadly she is right. The twins are both horribly neglected...and they live right near her apartment. Jiu makes rice for them, because nobody ever helped her when her father was beating her mother in that awful mansion. Hayul is 10 and Hajun is 11. It's a very tense situation. Jiu is actually injured by their abuser at one point. The grandmother in charge of caring for the twins is absent-minded, and she refuses to see that her son is a piece of trash.

Jiu....gets dragged in. It's too similar. It hurts. Her rich and powerful grandmother enabled her father. He was never punished for beating her mother, or neglecting his child.

Her.

Jiu continues to step in, until she's basically their mother at 16.

She even attends Hajun's high school entrance ceremony. She wants to give them what she didn’t have.

Things seem to be going great. Bomi the bully character becomes Jiu's first real female best friend. Bomi is realistic and grounded. She thinks Jiu's kind heart comes from a dark past. It's weird to watch a teenager care for a pair of preteens (especially when they're not related). As soon as Jiu turns eighteen Bomi tries to set boundaries. She starts calling Hayul amd Hajun "the high school students". She's not trying to be cruel. She just needs Jiu to focus, because they're business partners. Jiu and Bomi both want to be fashion designers. It's a crazy competitive field and nepotism is nuts in Korea. Jiu can't baby two teenagers at the same time.

Bomi really respects her and her kindness, but then Hayul and Hajun start demanding more of her time.

Time she should be spending on her portfolio, because she needs to get into a good college.

Oh yeah Rin is in the background too plotting to make her a happy stay at home housewife.

She's in love with him.

They start dating.

Bomi was a gentle warning.

Rin is a real reality check. He's not a friend. He's a boyfriend. He expects more of her time and love. He tells her to choose. The clingy twins or him? Her handsome and rich childhood crush. The choice seems so obvious.

Jiu throws herself into her "Newtube" fashion video hobby to distract herself from that hard choice.

Rin is the perfect boyfriend. He supports her career decision (as long as it ends in marriage with him). He likes her friends (as long as they're not male). He calls her beautiful and perfect and he doesn't think of her as lesser. Actually he thinks she's special. Not Like Other Girls, in fact. He treats her as such. He stops playing around with women as soon as she says yes, and he doesn’t falter.

(Would you really be comfortable dating a guy that treats women like greedy s****? Even if he treats you "differently"? It's a very hard question, and this webtoon asks it. Jiu even befriends a women who likes Rin, because she doesn't actually like Rin. Just his money. The woman warns Jiu. If she's looking for real love Rin's not the right guy, because he's just another demanding rich boy under his looks. Jiu doesn't listen.)

They stay a couple for a while, while Hajun learns what jealousy feels like.

Hajun puts on some makeup, and suddenly he's got the chance to be somebody. Jiu does his makeup for her channel, and it blows up. A company emails him.

They want him to appear on a rookie idol show.

Hajun initially isn't interested. Jiu pushes him. She wants him to be more independent. He has to find a dream. He can't just eat her rice forever. She's got a boyfriend. He can't be her priority forever. Jiu even gets a part time job so she can secretly pay for his singing lessons. She lies and says the studio is doing it.

She paves the path to his success. It kinda feels like she's trying to get rid of him sometimes. She wants to fix the damage she caused by spoiling him.

Hajun starts at rock bottom. He's got NO chance with his crush. First things first he's a teenager and she's in her twenties at this point.....but also....

Hajun has nothing but his pretty face.

He offers to work for Jiu's fashion company when it opens up, but that's just an excuse to cling to her, so she rejects him.

She's setting boundaries, because Bomi and her boyfriend are influencing her.

Hajun, at least, wants to become someone she is proud of. He can't sing. He can't dance, but he goes to every single lesson. He becomes a star because he never stops. He hates Rin. He hates himself for comparing himself to Rin. A rich boy with everything he wasn't born with...

He works himself to the bone, to escape from those feelings.

He gets there.

He wins the rookie idol talent show. He wins a huge cash prize. He can buy an apartment for his little sister, and that's only the beginning.

The spell breaks for Jiu.

She breaks up with Rin, when a concerned friend sends her a message. You see, Fashion College is expensive. Rin's mom was going to pay for it. Rin went behind her back to convince his mom to rescind her generous offer, so Rin could easily coerce Jiu into marriage.

Jiu completely snaps, and she notices how wrong her relationship with Hayul and Hajun is too. Especially when it comes to Hajun. Hayul is just obsessed because she never had a mom. Hajun....loves her. Or he admires her to an unhealthy extent. She notices that the boy she's been coddling like a princess is actually about to become a grown man.

She crushes his heart.

She berates him.

She insults him, and she runs away.

All because she wants him to pursue his own success. That's 100000x more important than clinging to her.

She knows it's the right thing to do.

The truth has so many awful layers.

Hajun ruined her relationship with Rin. He was always there. He interrupted their dates. He showed up at her house constantly during the idol show shooting. He actually got caught in a scandal, when he visited her in the middle of the night just to eat chicken. He was a negative force in her life, and she didn’t even notice because they get along so well. A good relationship can be a bad one if it ruins other parts of your life.

Hajun has been texting her daily for years. That made Rin uncomfortable, and it's partly why Rin became more demanding about marriage. He used Hajun's strange behavior to manipulate her.

It's all a mess!!!!

She decides to go to her grandmother.

Her grandmother says she can have a tuition loan, as long as she agrees to give it back. Also she must date a man the family approves of.

Jiu agrees. She was a princess all along. There's no use denying it because of the abuse she experienced. She accepts the terms to escape from both Rin and Hajun.

They both come back with a vengeance.

There's a five year time skip.

Jiu successfully cut Hajun out of her life....but not Hayul. Hayul is just needy. Her feelings were never romantic, so Jiu stayed in contact with her.

That was a huge mistake.

Hayul uses Jiu's precarious financial situation against her. Yup. Hajun is a rich idol now. Hayul says they have sooooo many extra rooms. Jiu has to pay her grandmother back. Her other choice is living in a moldy slum, so she says yes.

Hajun hides his love for her, so she won't leave him again.

They start living together, like a family, again.

Rin uses his status as a Rich Boy to get on the Eligible Bachelor list Jiu's horrible grandmother is cooking up. He makes said hag believe he's already dating Jiu, and then an arc of horror begins. Jiu is just trying to open her clothing store, but everywhere she turns there is yet another toxic relationship.

Hajun becomes bearable.

Rin does not.

Remember the grooming thing?????? Yeah. That.

Rin tries to use that to force her to marry him.

Yeah.

Jiu funded the beginning of Hajun's idol career, and he even lived with her for a while. I'm not kidding Rin actually considered releasing grooming accusation articles with pictures to the press.

Jiu tells him she will never love him.

He gives up finally because Jiu doesn't care if her life is ruined. She will never trust the man who tried to tear her career away from her.

Hajun wins her heart by being reasonably nice through all the weirdness. He is jealous of other men, but he never tells Jiu to shut up and stay in the kitchen.

Hajun lightens up a little, but you never forget that he's a bit loopy. Only loving one woman is rare enough...but the woman that was also your mom and financial backer????? Yikes. I'm very glad they waited 3 more years to get married, after they became a more normal couple.

#yandere #male yandere #yandere male #yandere boy #recommendations #recs #rec #recommended #webtoon #To You Who Swallowed A Star

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least-carpet · 9 months

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For the shipping ask game, Xicheng and Chengxian?

Hello, anon! This got wildly out of hand, so it's all going under a cut.

Xicheng: Could Ship It

Borrowing this additional option I saw floating around!

I'm not strongly opposed to it, but it's hard for me to see them making it work in a canon universe. The fanart is very cute, though! And I've read some AUs that I thought made a good case, but they involved some thoughtful interventions.

What potential do you see in the ship?

Honestly, like, I just want them to both have something nice, they've had such a hard time. They both understand the hard work and sacrifices involved in sect leadership. I think the argument for it goes something like Jiang Cheng gets a person on his side who is kind to him, and Lan Xichen gets someone who's very reliable and also pretty direct, to heal his presumed post-canon trust issues.

What aspect makes you hesitant?

It just doesn't seem to me that they really enjoy each other? Like I believe they get along just fine and have a comfortable working relationship. I don't think they dislike each other, even. But they don't seem particularly close, even though they're of a rank and have been working with each other for years and years. I want my blorbo (Jiang Cheng) to be loved for his bad personality, not in spite of it!

I also think they would really struggle to communicate—Lan Xichen prefers to smooth things over, but Jiang Cheng reads too much reserve or politeness as rejection and, uh, gets reactive (thank you Jiang Fengmian for giving him the MOST deranged daddy issues, for real). Actually, I think Lan Xichen has a lot of potential to push a lot of Jiang Cheng's dad-related buttons just because of his temperament. (Maybe that's a plus? CRUNCHY.)

It also has the potential to cause some new and exciting political problems for them, which they both prefer to avoid.

Chengxian: Ship It

[lies face-down on the floor and starts hollering]

These two make me fuckin' insane!

What made you ship it?

Two things:

Their mutually happy childhood relationship, their initially compatible dysfunctions (Jiang Cheng is easily embarrassed but secretly wants affection, Wei Wuxian is bad at boundaries and WILL die if you don't pay attention to him -> Wei Wuxian touching Jiang Cheng all the time and receiving his attention, making both of them happy). Their enjoyment of each other. I love a badly-boundaried and devoted teenage relationship, it's delightful. Even before chengxian completely rotted my brain out, there was something specifically appealing about the Lan summer camp era.

The double golden core reveal took me out. I found Wei Wuxian's decision completely appalling to begin with, like viscerally disgusting. (I find it interesting when antis accuse Jiang Cheng of pretending to be upset when he finds out, or of not caring where the new core came from, because I, reader who did not get nonconsensual magic surgery, profoundly Did Not Like It. If it was my own body, I would freak out.) It's a fascinating combination of obsessive devotion and total denial of agency. Wei Wuxian is just like, "Don't worry, I will invent new and unheard of methods of violation for your own good because I can't cope with your despair." That's deranged, my dude. That is Not Normal. And then you find out that Jiang Cheng lost the core saving Wei Wuxian, and he plans to NEVER TELL HIM ABOUT IT. God damn it.

I don't even really care if they kiss, although it's fun when they do. Just reconcile! Reconcile!

What are your favourite things about the ship?

In no particular order:

In a text that is largely pro-Wei Wuxian—not in the sense that everything he does is moral, but in the sense that he's the cool protagonist, and he gets to kick ass and solve mysteries and have a happy ending—this relationship is one that highlights his weaknesses and failures in a very humanizing way. And in order to reconcile, he would actually really have to challenge himself and grow as a person, which I love for him. (I also think Jiang Cheng would have to struggle for it, but, like, dude has demonstrated the capacity to do hard and terrible things even when confronted with his own weaknesses. He's not gonna be cool about it, and he's going to cry and bitch the whole time, but if he thinks it needs to be done and it can be done, he'll do it.)

The lack of boundaries within the relationship, which is a product of the lack of clarity of the type of relation to each other. Are they friends? Are they martial brothers or real brothers? If Wei Wuxian is Jiang Cheng's shixiong, but Jiang Cheng is also Wei Wuxian's sect leader, which takes precedence? (It's clear what should take precedence, but Wei Wuxian just straight-up does not Respect His Authority, even though—by all available evidence—Jiang Cheng is a really good leader. But that lack of respect is also a form of intimacy.) It's super, super messy.

Is there an unpopular opinion you have on your ship?

By lying to him so extensively, and then by failing to show up for any of his commitments without any explanation, Wei Wuxian really did betray Jiang Cheng a whole bunch of times, and Jiang Cheng's resulting betrayal trauma really is his fault.

You break it, you bought it, coward! Stop running away! (For legal purposes, this is a joke.)

#anon asks #ask game #shipping ask game #jiang cheng #lan xichen #wei wuxian #xicheng #chengxian #mdzs +#least-carpet thoughts

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