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#i thought the movie was okay
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#selfie bee#good evening friends!! how are you doing! C:#I'm very very sleepy I got a new ikea office chair and I build it all myself#I think it went okay! I don't think I pulled the back screw tight enough and now the back is a bit loose#I can probably fix it but I can also ignore it for the next 18 years#thats how long the old chair held up!! in germany it could now drink vodka and drive a car!!#not at the same time that is illegal! not at the same time!! (❁´▽`❁)*✲゚*#but the day is not over yet my uncle asked me for a big art quest and I do not want to disappoint#he wants a muppet tattoo and asked me to draw it#my uncle has started to get tattoos a few months ago#as far as I know he has now gotten 3 note clefs 3 stars a flower and multiple birds#he also started getting piercings but so far I managed not to know exactly where#I think tattoos are super cool (´。・v・。`) I wish I had a good idea for a tattoo but the last time I was very sure about getting a tattoo#it was heath ledgers face as the joker#at that point I was 12 and would not see the actual movie for two more years#a muppet tattoo is a way better idea!! he asked for the count van count! that is also one of my top 3 muppets ₍՞◌′ᵕ‵ू◌₎♡#I always thought I knew a lot about muppet lore but since I started looking up muppet pictures I think there are still a lot of secrets#can the muppets from the Sesame Street actually leave the Sesame Street?#I think Kermit is both on the Muppet Show and on Sesame Street but he is also like the boss muppet#he might have special abilities#I hope you're having a good day friends!! C:#I think I'll post a Sherlock comic later this week#miss you!! ♥♥♥
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linddzz · 9 months
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Thinking about Weird Barbie and how she's the very obviously queer outsider of the Barbie world, she straddles the lines between Barbie and the Real World. She's the most aware of the performative nature of it all. She supports Barbie while also gently mocking her panic at losing the hyperfeminine perfection. Her weird house is also home to the discontinued reject weird Barbies, the outcasts (including very gay earring Ken) who never fell into either the original matriarchy or the Kentriarchy brainwashing.
The other more classically heteronormative and beautiful Barbies both pity and fear her, and at first the narrative pities her as well. She's the vessel of girls going weird and crazy and feral on their dolls and that's amazing. Weird Barbie is aware of who she is and how the world sees her and she loves it. She's Weird Barbie and She Owns It.
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puppetmaster13u · 3 months
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Prompt 168
So. Apparently halfas are like phoenixes or something, which Danny would’ve really liked to know. 
See, usually with ghosts if they’re forced to retreat to their cores they reform as was, but apparently, since they’re still partially living, schrodinger's people and all that, halfas have to regrow their body from scratch. At least that’s what he’s understanding from Frostbite. 
But how come he has to deal with it? It’s Dan’s fault for trying to pull such a stunt! Oh, it’s either him or Vlad? Well fuck, he might have calmed down and is going to therapy in both the living realm and the Zone, but he’s waaay not equipped to raise a child except for like, monetarily wise. 
Well dammit, how long will this core incubation thing last, he has his new job in… let him check which offer he accepted again… He has his new job in Coast City that he needs to finish packing for and then all the rest of the stuff to do. 
What do you mean it’ll take months?! He doesn’t have months?! Urgh, fine. At least being a mortician isn’t that exciting, nor dangerous. Just hand him Dan’s core and he’ll figure things out for the living side of things. He’s sure Tucker and Sam wouldn’t be against helping, if only to try and claim favorite aunt or uncle spots. 
#dcxdp#dpxdc#prompts#Coast City is where Hal Jordan lives hilarious enough#I just chose a random city but honestly a green lantern city is hilariously on brand for where Danny would choose to move#He’s just a cheerful space core dude who is glaring down several ghosts & helping others move on while he’s working#He’s also slightly uncanny valley to people outside of Amity & doesn’t realize it#He runs into a reporter Wes at some point & okay the fact he looks like the lady doing math meme when seeing Dan?#Utterly hilarious#Danny holding a newborn with matching slightly pointy ears and claws :)#Wes who is *pretty sure* Danny is cis but is second guessing everything now:#Danny is going to do his best to avoid any hero BS#He’s trying to do his JOB#Who cares if he brings his baby to work he needs to eat and he isn’t going to hire a babysitter#Bby Jordan tried to set the house on fire during his last tantrum do you THINK anyone else can deal with him? That��s what he thought now ou#Ellie visits as well & straight up melts out of the wall sometimes like a horror movie#She has weaponized her goo powers and is also excited to show her dad her new gravity ones#Space Core Danny + Fire Core Vlad = Sun Core Dan#Ellie has a Moon core (something something phases of the moon & travelling across the night sky)#Danny is encountering so many rogues and heroes and just doesn’t acknowledge it because he has a literal BABY who can destroy the entire JL#He’s very tired and would like a nap now
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turtleblogatlast · 4 months
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[ cw: risk taking behavior / circumstantial self harm kinda / ignoring of injuries / self-depreciation / slight ooc-ness but for a reason! / ]
Post invasion, Leo is fine.
More than fine! He’s better than before, even. That is, if you don’t count the slightly cracked shell and still healing bones, but those are only a problem when the weather wants them to be!
Leo really is better in the ways that matter.
He’s not as cocky, not as self-centered, and overall just more heroic in general if he does say so himself.
Raph even said he was proud of Leo!
So obviously things are going well.
But.
It’s not enough.
Leo’s better, sure, but he’s still got work to do.
So - and here’s something that will probably make his brothers faint on the spot - he needs to train.
_____
His brothers do not faint, but it’s a near thing for Raph. Mikey has to fan the snapper’s face and Donnie almost brings out the smelling salts before Raph shoots back to his feet with an excited grin.
Leo’s big brother gets teary eyed soon after and envelops him in a bear hug, saying once again how proud he is that Leo is growing up.
Leo lets himself be hugged, even hugs back as fiercely as he can, because unbeknownst to Raph, this marks the end of Leo’s childhood.
He lets himself be hugged like a kid one last time, looking through the hole in Raph’s shell all the while.
_____
Leo only trains the regular way with his brothers and occasionally April and the Caseys, but most especially Raph.
But of course that’s not enough, it was never going to be.
So he goes through the motions of the stretches, the spars, the meditation, and then he leaves.
He makes sure to have his excuses ready, usually defaulting to Hueso as his go to since his brothers are easily bought off with the promise of pizza. Leo hasn’t yet found the tracker Donnie installed in him, but when he does that’ll be dealt with too! But for now, this should be good.
See, the invasion made him realize something.
It’s not about him, but it was his shortcomings that led to everything going to hell.
So he just…needs to get rid of those shortcomings.
He’s working on it, gaining fighting skill in training, but there’s more he needs to do, more skills he needs to train.
Leo watches intently as Repo Mantis swindles someone, he memorizes the sleight of hand that Hypno performs, he sneaks back into the Mystic Library and is so quiet the hush bats forget he’s there, he talks Big Mama into honing his manipulation, and he even sneaks into human hospitals and reptile veterinary clinics to get a clue on more serious injuries.
And after any of these, he heads to Run of the Mill to compete in the Maze of Death.
_____
This is his twelfth time going through the (newly remodeled and even more deadly) Maze of Death, and would be his fifth time winning. The first three times had him waking up in Hueso’s office, and each time he wakes his old persona shines through.
He always waves off Hueso’s annoyance and questions and insists on trying again next time before he steals some pizza and bails.
The skeleton actively tries to stop him from entering the Maze after the first time, but hey- mystics are allowed before you enter.
It’s easy enough to teleport on by.
Harder to meet Hueso’s - and later his brothers’ - eyes when he fails again.
When he first actually won, Hueso congratulates him in that typical deadpan tone of his.
“Ah, felicidades, Pepino. Now you can move on, sí?”
“Hm? Nah, boneman! That run was sloppy!”
And then Leo runs off before Hueso can stop him.
He doesn’t even look at his picture on the champion wall when he next comes around. It’s not much to look at anyway.
_____
His second win is much like the first, and only his third win is actually acceptable.
But he knows the field too much now. He needs a challenge.
When he attempts to go through it blindfolded, he’s quickly shown how much he doesn’t know the Maze. So, obviously, he loses again.
He got a bit more banged up that time around.
“Pepino, basta ya, you’ve already won. Where are your brothers?”
“I can’t stop yet, señor! This is for my brothers - no les digas, please.”
Even if Hueso wanted to tell Leo’s brothers, they haven’t been in enough for him to get to, and it’s not like Hueso has their number since Leo’s the one Hueso usually contacts. For now, Leo’s safe to continue as is.
Though his injuries are getting harder to hide, and there’s only so much his shell in particular can take.
So to speed things up, he incorporates the blindfold into his regular training.
His brothers question it, of course, but hey, he initially got the idea from seeing Lou Jitsu do it in the third best Lou Jitsu movie, so it comes as a great excuse now.
He’s only a little put off by how fast Mikey adapts to it when the others try.
“I dunno-“ Mikey shrugs when asked, “You guys shine so brightly anyway, a mask doesn’t do much.”
Seeing their mystic energies is pretty cool, Leo can admit.
He just wishes he could grasp that himself - and that it was useful for a death maze.
_____
Leo’s training pulls off eventually, and soon, after a few more losses, he wins a forth time. But it’s a near loss, and a near loss is the difference between someone living and dying.
He’s gotta go again.
Hueso’s more insistent than ever, though.
“You must stop, Pepino.”
“But I can do better-“
“You don’t have to! Your shell is bleeding - ¡por tu propio bien, poner fin a esto!”
“I told you, this is for their own good! For everyone’s own good!”
He forgets the pizzas when he leaves. He claims sickness when he hides under his covers.
He ignores how childish the act makes him feel.
_____
Leo’s getting better, and his reflexes and tact in training shows this. His other training of his subterfuge and medical skills also prove to be useful.
He’s pretty good at hiding injuries, now! Though not so good at hiding a pained shell. Even Donnie looks at him with blatant concern (and understanding) when Leo can’t help but take a sharp breath whenever he lands on his back.
It’s hard not to go right back into waving everything off with jokes like he used to. Deflections are easier when they’re annoying!
But- this is just another reason that he needs to get better, right? So his brothers won’t worry. He doesn’t need the spotlight anymore - he’s over that, thanks.
He squashes down the part of him that perks up when Splinter says he’s growing up. He actively kills the part of himself that cries at the same phrase.
_____
So. Yeah. This’ll be his twelfth time running the Maze. And, hopefully, his fifth win. Maybe he really will move on after this.
The Hidden City is pretty big! There’s probably a bigger challenge somewhere.
Maybe Big Mama has a more secret Nexus hidden away, out of the public eye.
Well, whatever. That’s a future problem for him to figure out, yeah? For now, he carries on like usual, teleporting to the entrance of the Maze and diving right in.
Even blindfolded, he works his way through, dodging and weaving and feeling as he goes. He even tries to evoke his inner Mikey and calls on his mystic energy. Not enough to cheat, but enough to feel.
Usually, when Leo teleports, he swears he feels every part of himself disperse into particles. Now, with energy thrumming under his scales, he can feel particles everywhere.
It’s not refined enough to tell him everything, and he gets a fun new burn and a nice whack to the back by getting distracted. Still, it gives him more than he had before. It makes him more aware of everything, like he licked a finger and held it in the air to feel the direction of wind, but every direction blew wind, all in different ways.
He makes it to the end with minimal injuries after that, and sure, his shell is screaming at him now, but he thinks he did a shell of a good job.
…Ah, he needs to cut that out, huh? Man. Maybe Donnie’s collar idea was a good call after all.
Leo needs to be a hero. Not a face man. Not a failure.
Not a kid.
_____
Leo doesn’t smile when the Minotaur takes his picture again for the champion wall, and he doesn’t listen when she tells him to “go home and never come back.”
He doesn’t plan to, anyway, yeesh.
He’s tired as he trudges out of the exit, and Hueso catches him when he stumbles.
Hueso doesn’t say anything. Leo doesn’t either.
Or, he doesn’t, until he feels a familiar large hand helping him up as well.
Leo’s face whips up as he flinches back, eyes wide as they meet with a worried (so, so worried) Raph’s.
“You told them?” Leo asks Hueso in betrayal, heart thudding wildly in his chest.
“Pepino…”
“Told us what?” Mikey pipes up from behind Raph, coming closer to get a better look at Leo, “Leo, what’s going on?”
“Your shell has been having pretty big setbacks on its healing, is this why?” Donnie demands, glaring fiercely as he motions toward the Maze.
Leo feels unmoored. “I-“
“Leo.” Raph interrupts, and no Leo doesn’t want to hear it- “Are you okay?”
And Leo wants to say “it’s not about me”. He wants to say anything that proved he learned his lesson, that he’s not a liability or worse, an active danger to his own family.
He wants Raph to continue being proud of him. He wants his brothers to trust him.
Instead, he passes out.
_____
The next time his eyes open, Leo’s on his side, staring at his blue lava lamp.
He knows without looking that his shell is re-bandaged. He knows his other injuries have been dealt with too.
And unless Leo learned how to do some pretty impressive medical sleepwalking, he knows he’s not getting away this time.
All three of his brothers being in his room prove that.
“What’s been going on, Leo?” Mikey asks, and his voice cracks partway through.
He’s looking at Leo like he’s searching for something, but Leo doesn’t have anything to show. Nothing’s hidden, he just did some light spring cleaning is all, throwing out all the parts he didn’t need.
All the parts they didn’t need.
And yet despite everything, he can feel himself falling back into old ways, a grin tugging at his beak and lackadaisical deflection on the tip of his tongue.
Maybe he should let that part of him show, just for once. It wouldn’t seem like too much of a setback would it? And he could really use a fun pun right about now-
No.
No it’s not about him. He needs to remember why he did all this in the first place.
“Okay- sorry, guys.” He smiles, softly, quietly, “I guess I got too caught up in training. I’ll work at it some more, don’t worry.”
“Oh, I see. Training. That’s all it was, huh? Training.” Donnie hisses more than says, nearly vibrating in anger.
“…yeah?” Leo nods slowly, because, uh, that’s literally the most honest thing he said. It was training.
“If it’s just “training” then why the secrecy, hm? Why in Curie’s good name did you prefer to sneak around rather than, oh, I don’t know, tell your family?”
Leo feels his shoulders rise at Donnie’s aggression, defensiveness welling up in him, “It was my training! Nothing went wrong, I’m getting better!”
“Better?” Raph asks incredulously, “Leo, you’re wasting away. A tap to the shell stuns you for minutes, you lost weight, and your dark circles are worse than Raph’s ever seen them! You aren’t getting better-!”
“YES I AM!”
The words rip out of Leo before he can stop them.
The room is silent as his brother look at him, all wearing expressions of hurt that Leo put there again.
“Yes I am.” Leo reiterates, shaking, “Because- if I’m not-“ He squeezes his eyes shut. “If I’m not-“
Then what was all this for?
Arms slowly wrap around him, and he knows now from the feel of the mystic that it’s Mikey.
“You’ve gotten faster, and sneakier.” Mikey says quietly. “When I accidentally cut my hand, you knew exactly how to take care of it.” His voice grows firm, and he backs out of the hug, “But those are your skills. You, though, you’ve been…you’ve been…”
“You’ve been dilapidating before our very eyes, and trying to hide it.” Donnie finishes, jaw tight. “You think we wouldn’t notice? After everything?” To Leo’s horror, Donnie’s voice is hoarse with tears, “You absolute dumb dumb.”
“I- but I need to train. The Maze is-“
“Leo, we don’t care that you ran through the Maze. We care you did it alone.” Raph says quietly. “We could have joined you, any time.”
“But- but I’m doing this for you-“
“Listen to your brothers, Blue.” They jump as a new voice joins the fray, heads turning to see Splinter make his way into the - frankly crowded - room.
“Dad, I-“ Leo begins, but trails off, suddenly more unsure than ever in the face of his father.
“It’s good you’re finally picking up training! Especially for your brothers’ sakes! But there’s such a thing as going overboard, you know.” Splinter pokes a sharp claw into Leo’s plastron, “Just because you’re dragging it out this time, doesn’t make this any less of a sacrifice. My son, you’ve taken after Karai an awful lot, haven’t you?”
Leo just looks at his father. At his brothers. Then, he looks down at his calloused hands, bandaged and scarred from overuse.
He swallows dryly. “Is that a bad thing?”
He feels his family crowd in around him, feels his father’s hand on his shoulder.
“It’s not wrong to want to be better, Leonardo.” Splinter says, softly and with so much grief and guilt that Leo can never begin to understand, “But you were never bad to begin with.”
Leo’s breath hitches.
“And-” Splinter’s hands rise up to frame Leo’s face. “You are much too young to ever consider sacrifice the best answer.”
“You got me to relax, Leo. So I’ll do the same for you.” Raph grins, eyes wet, “We’re still kids, right?”
And-
Leo smiles, watery but genuine. “Yeah, Raph. We are.”
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r0b0t1me · 1 year
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You are not supposed to be here. You don’t belong here. Get out get out get out GET OUT-
fanart for chapter 4 of take little bites by @bigdvmnhero​
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bonus. because i couldnt pick a single scene to draw out LMAO
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braisedhoney · 10 months
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we’re supposed to be the good guys.
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aweina · 5 months
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mike who’s completely pussy drunk and sloppily rearranging your guts from behind, whimpering and whining in your shoulder. it’s then his hazy eyes towards crimson pupils and blue ears — a bonnie plushie staring back at him. mike is immediately alert, stiffened in terror and all the arousal drained from his bare body. slowly scanning your soft sheets, he realized you have the whole set of animatronic plushies splayed on your bed. they’re all staring at him with huge, unnerving fabric eyes, cinched into a seating posture like they were watching a show. mike couldn’t continue that night, not even when you sweetly recommended turning their cotton faces towards the blank wall to salvage his fear. all he desperately needed was a swig of dizzying alcohol and a hot shower.
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domi091 · 29 days
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Back at it with my Brother Bear au shit...
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JAVIER PEÑA GIRLIES, RISE UP!!!! OUR TIME HAS COME ONCE AGAIN!!!!! 🫡🫡🫡🫡🫡🫡
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looking-for-orion · 8 months
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I went to the screening.
(No spoilers I pinky promise)
Remember when Alex says: "...Alex thinks his heart’s going to break trying to hold the size of this entire moment, the completeness of it, a thousand years of history swelling inside his rib cage."?
Yeah. That pretty much sums it up.
Taylor Zakhar Perez is the PERFECT Alex. There is no debate. He absolutely freaking nailed it.
And Nick, oh my god. I completely agree with Matthew when he said that Nick took care of Henry, and brought so much dignity and vulnerability to him.
It was absolutely brilliant. Different vibe? Yes. Of course. It's a different art medium. But it was so beautiful
Eternally grateful ❤️🤍💙
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bucatinibucatini · 2 years
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nope spoilers:
I cannot stop thinking about Gordy and Jupe’s storyline, how the movie starts with showing this gruesome, chilling example of a wild creature in a thoroughly domesticated environment snapping and going on a bloodthirsty rampage.
then the movie goes on, we meet adult jupe, he half casually, half uncomfortably talks about the experience with all the bravado of a tv star. OJ and Emerald have to have their meeting with him, because they will soon have their meetings with the alien. Jupe and his past have a direct line to the siblings’ future, and their fight against a wild creature in a thoroughly domesticated environment.
When we realize why this started, we realize Jupe has been luring this wild thing from the sky to his property, feeding it, and using it to entertain his audience. He’s been using the Hayward’s horses (we know how important those horses are to their identities and their family) to convince an alien to come and eat at his ranch over and over.
Why? I think because he was traumatized by his relation to Gordy on the day of the rampage. After all this chaos has already started with the alien, we learn that Jupe and Gordy were face to face, about to connect in a friendly way (their iconic fist bump), before Gordy was shot in the head four inches from Jupe’s face. Jupe never saw the conclusion of Gordy choosing to come over to the last person he saw still moving. Maybe he would’ve just sat down and relaxed? Jupe made him so comfortable, maybe Jupe could have been the thing to calm him down? Jupe knew Gordy so well, he was probably just scared and confused. Who knows what was going on in that child’s head when something this fucked up was going on in front of him.
Jupe is mentally stuck in the immense trauma of that day, we see him frozen in memory, reliving it again, right before his last performance, almost as though he’s remembering because he knows what’s going to happen. The parallel between gordy and the alien is fucking insane, and it’s impossible to stop thinking about.
The exact thing that didn’t kill that scared little kid all those years ago never left his side, it stayed with him until he grew up and made his own Gordy to finish the story the only way he knew how. The alien was never going to spare him, but did Jupe know that? Did his realization really only come when he was staring into it’s eye/mouth/vacuum? Or did he go out there every week, putting on his little cowboy hat and microphone, bringing his family out to watch, with the small itching feeling in this back of his mind that asked, “Was Gordy going to kill me? Will this thing kill me too?”
(And how OJ and Emerald got involved, their dad was killed, just for having these horses, the alien was seeing it’s meals wandering around and went to catch it’s own dinner. Did Mr. “Feed my Neighbor’s Horses to an Alien” think that through at all?)
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tumatawa · 6 months
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My old Tezuka phase is crawling back to me...
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grxceful-ly · 11 months
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peter bringing mayday with him to do spider stuff because yeah, he had things to live for before--but now he has a child and he is going to raise this child and be there for her and maybe if she’s there, strapped to his chest, he’ll be more careful. he’ll consider his life almost as precious as hers. maybe bringing mayday to work is a precaution. 
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Kung Fu Panda 4 - The Movie
The last really, really long discussion post (for now).
Major spoilers ahead!
This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.
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Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.
I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.
I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.
With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.
I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.
Here are my main points:
The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.
Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.
Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.
The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.
The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.
I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.
The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.
With my main points established, I do believe it's ranting time. Strap in, folks.
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Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.
The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.
The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.
Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.
I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.
For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.
That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.
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Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!
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The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.
As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.
Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.
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I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.
As I stated in my first discussion post:
Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.
When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.
While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.
We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.
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A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.
The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.
Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.
The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.
Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.
Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.
Now, onto the Chameleon!
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The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.
Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.
Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.
An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:
I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.
While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.
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The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.
It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.
Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.
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I have to talk about the pacing. I have to. I'm sorry, bear with me.
To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.
KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.
A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.
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As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.
In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.
"If you only do what you can do, you will never be more than you are now."
"I don't want to be anything more, I like who I am!"
In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.
Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.
With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.
Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.
In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.
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I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.
The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.
Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.
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Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.
I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.
As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).
Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.
Until next time!
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A Woman Painting a Man – Artemisia Gentileschi // Vision – Jacek Malczewski // Barbie (2023) – Directed by Greta Gerwig
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anna-scribbles · 17 days
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h-how do you ever finish any of your work? genuine question because you seem to be productive despite your agreste syndrome and I need to learn your ways. but also how do you ever finish any of your work
unclear. last night i stayed up and finished a report worth 25% of my grade at about 5am, arrived on time for my 9am lecture, and spent about half of it zoned out while thinking about seventeen year old emilie agreste. and i was one of the most active participants in the class discussion
#in some ways it IS the move to go to grad school right out of undergrad#because your body can still sort of operate like a college kid#i’m on about 3ish hours of sleep rn and this morning it felt SO over but now i’ve eaten something and we’re so back#i also don’t really do caffeine. except sometimes i’ll go get one of those panera death lemonades#i might be able to snag a short nap before work#but anyway about seventeen year old emilie. i was thinking abt how she was in that movie solitude and adrien said she was seventeen#WAIT. NO. HE SAID SHE WAS SEVENTEEN IN THAT PHOTO ON HIS DESKTOP NOT IN THE MOVIE#well. okay whatever i’m gonna tell you what i was thinking about anyway#OKAY i’m back i just checked the wikipedia page and then i watched the end of gorizilla. to make sure i’m not lying. because i’m normal.#anyway i was thinking about the solitude film and how it’s super rare and old and obscure and whatever. and how apparently#emilie wrote it herself and andre produced it#and i’m thinking about how gabe was discovered by audrey and that’s how he got his start in the fashion industry#so now i’m like?? did gabe and emilie first meet on the set of solitude? because gabe was designing costumes or whatever?#and that’s how audrey found him? have people already thought about this??#also i just checked and it doesn’t say emilie’s last name in the credits and also it’s ‘graham films’ with the twin rings logo m#so i’m assuming she’s still emilie graham de vanily at that point#anyway it comes back to seventeen year old emilie because i started imagining seventeen year old runaway emilie having her new life in pari#after escaping her british nobility life#and the first thing she does is write and star in an original movie. of course.#and she meets this repressed bisexual punk upstart costume designer who is so the opposite of everyone she’s ever known#and he’s immediately so unhealthily obsessed with her. which she appreciates.#and then they proceed to have the most toxic doomed evil relationship of all time#also she gets cheated because once gabe gets money he represses himself SO hard that he is now exactly like all the people emilie grew up w#but at least he’s still obsessed with her#this is what i was thinking about during class today. i don’t know how i get anything done either.#ml#anna rambles#asks
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