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#i rambled a lot but i hope this make sense
blended-ice · 2 days
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Hi! I’m a huge fan of your art. I was wondering, do you have any advice for approving on anatomy or color? Those are parts of your art that really inspire me! ^^
thanks so much!
For Anatomy, I’d suggest familiarizing yourself with general muscle groups via actual anatomical diagrams, which I’ll include. Once you know how the meaty bits all go together it’s a lot easier modifying/stylizing them!!
here:
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Then come figure drawing anatomy studies, these help with figuring out how things fit together and move:
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(Pinterest is a shitty cesspool of art stealing and reposting, but it’s a really great place to find and organize lots of references like these!)
Btw cool website:
One last note on… sort of anatomy, but this is more pertinent for composition: work from broad to specific! Block out the general flow of the poses, get a good silhouette before you start going in with details.
I’m using one of my artworks and hoping this helps visualize what I mean:
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Color:
When I’m laying down my base colors what tends to be at the forefront of my mind is the value scale.
what i mean by this is, if you look at your piece in grayscale, can you tell that different parts of it are different colors, that some are lighter and darker? Does it still make sense to your eyes if it’s all grayscale? Or is everything the same sort of gray and it all muddled together?
Color can greatly impact the overall mood of your piece, so it’s generally good practice to have a loose idea on the general atmosphere you want to convey and then decide how color relationships play with that.
a general rule of practice for me is to keep the amount of colors I use to a minimum, reusing them in different places (someone’s hair color will also be another persons pants color or something!)
Also when coloring I generally avoid white backgrounds, I feel like it tends to make my colors rather flat and uninteresting. You can see here:
Ive found designating a base that is not white naturally influences the palette to give my end product a more unified appearance.
I think I’ve rambled FAR too long at this point, uhm, hope this was helpful? aha
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somnimagus · 5 months
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My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.
[id in alt text]
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angelcasendgame · 4 months
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This post by beloved @angelsdean is making me think a lot abt Dean + vulnerability, and how I'm reconsidering John's opinions on being openly emotional. And I used to think John would berate Dean for not being tough enough but these days, I think it comes from Dean not wanting to add to John's distress
This isn't to say John's never told Dean to put his emotions away, I'm sure he did at some point, esp with masculinity from the 80s to 2000s + the hunting community as a whole, but by in large, I don't think it's as cut and dry as John strictly telling Dean to "man up" or not show any emotions
In 1x09 Home, Dean calls John crying on the phone saying he's scared and he thinks the thing Mary killed is at the house, and I think if John outwardly berated Dean for being emotional, he would have rerecorded it to sound stoic/serious. I think what's more likely since John was so wrapped up in his own grief/distress, Dean's emotions were brushed past overtime and he stopped turning to John for for comfort/reassurance. And we see Dean and John both switch between father-son and drill sergeant-soldier mode, which doens't help
Growing up, Dean sees John struggling often with grief over losing Mary and the horrors of hunting, and not only has Dean comforted John about it, John has openly accepted the comfort!! And with Dean being forced to place himself between John and Sam constantly bickering, there wasn't enough space for him to show or priortize his own emotions so he simply remains as the Emotionally Supportive One while he (and John) neglect Dean's emotional needs
This isn't to say it's not neglect and abuse, it absolutely is!!! John never should have put Dean in this position where he's continuously comforting John because he doesn't have any adult friends to turn to for emotional support and makes his CHILD feel like he has to be the one to do it
And this is where Dean's facade comes from where he's reluctant to talk about his own stuff. When Dean says "no chick flick moments" in 1x01, it's because Sam is apologizing to Dean for how he spoke about Mary. And throughout the show, Dean shuts people down (mostly Sam lol, he does very easily open up to others) about wanting to talk about his own emotions but he doesn't express discomfort with listening, validating, and being there for others or making them feel uncomfortable for showing their own emotions, and that comes from years of experiences of supporting a super outwardly emotional John who isn't afraid to be vulnerable
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takami-takami · 1 year
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My headcanon about Hawks is that the same duality that exists in his personality exists in bed.
Like we all know Keigo is a good person, a good boy. We know he feels strongly, we know he's empathetic and kind and observant. But we also know he's willing to do things most people would be unwilling to do, that his actions are painted shades of moral grey.
We know he's sweet and a bit of a tease, he's passionate and optimistic. But he's also incredibly, terrifyingly serious at his core.
He's indulgent and gluttonous with his little allowances like food and sweets, yet selfless and self sacrificing to a fault. He claims to not have self control when it comes to what he wants, yet continuously denies himself the slowness and domestic life he admits to craving.
So. He loves his partner dearly, holds you like glass and treats your feelings with an innocent reverence twice as so. He wants it slow, wants it sweet, wants to cement every ounce of love he has in it.
But those wants aren't going to stop him from devouring you.
It won't stop the carnal desires from welling up, won't make his instincts to take and toy and play with you go away.
Yeah, you're his darling partner for life, his cherished love.
But you're still his chewtoy.
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alienssstufff · 1 year
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q!dapduo parallels in how they handle grief so INTERESTING I LOVE IT (I hate it. I wish they were still alive).
We got q!Slime who while yes he did threaten the lives of others, ultimately and interestingly he never blamed anyone else except himself (and his wife). Slime destroys because he is upset at himself.
Then we got q!Quackity who even if he doesn’t physically lash out or go on a rampage like q!Slime did, he pins the blame on everyone else and to this day is plotting to kill the dude for revenge - Quackity destroys because he’s upset at the world (and even more himself too, but he has not comes to terms with that yet)
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solargeist · 2 months
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wait wait please elaborate the storyline for if he agreed to become a watcher, PLEASE!! I actually kinda want to dive into that idea.. i hadnt heard of the theory before, why did he agree? when did he? what was it like after? did he know anything about the watchers?
ok but doesnt this also kind of fit his personality more?
oh man, I'll try my best, its been awhile since i've watched Evo, and words are not my friends !
Grian knows about the Watchers, they were a common occurrence in Evo, the portals, the pranks, the traps, and the symbols were normal in his day-to-day.
He was their favourite even, gifting him a diamond, in a chest full of coal, a diamond in the rough, in their many eyes. I'm not sure if he knew this though.
I do think at his core, he has a Watcher's personality. He pranks people, he sets traps, he leaves symbols even of his own face, he makes secret bases under other's bases so he can watch them, he likes spying. They must've taken notice of this.
Its not actual lore, but Taurtis makes fun of Grian multiple times for talking to the Audience, which, fourth wall, is us! But I like the idea of it being story, its the Watchers, already leading him down this path from the beginning, hes so promising ! Taurtis calls them the voices in his head, Grian doesn't argue, "Are the voices in your head telling you that?" "Hm..... No, the voices don't even know, its a secret!" The voices, the audience, the watchers, all the same thing. Grian says he's meant to be the hero of the story.
Anyway, Grian meets the Watchers after the server all teams up and slays the dragon, they reach the End. He is 25 years old.
The portal leads him somewhere different than everyone else, everyone else goes home. He goes beyond the credits, who knows where it spawns him, but it doesn't matter, he's being offered a deal, a chance to ascend.... I don't know the exact reason he'd agree, but I'm leaning towards a selfish reason, he's gotten bored with his limitations, he wants to be better, do better, those updates.. They're enticing and he's envious, in the beginning he was punished for being greedy, but now he's being rewarded.
After ? I guess he just lives with the Watchers, in an End city somewhere ? Learning how to craft portals by hand, update ideas, watching players, pranks, traps, symbols, fun ! its fun ! hes having fun !
He starts growing wings ! Its not really fun anymore !! That was the one thing they didn't tell him about, not directly, he agreed to be a Watcher, he clicked his heels and said I wanna be a watcher, but he didn't understand it meant really becoming one physically, yknow, it could've been a title! a role he's meant to play !
I write two paths from this point. 1) He runs away from the Watchers and ends up in Hermitcraft, still with those brilliant white wings.
2) He just sticks with it, creature mode, he grows wings, it sucks, but things can be fun again, back to it, he grows talons, it hurts, but still, he spends his time digging through servers and player lists, he grows two more eyes and feathers peek through his skin. He's 25 years old, he likes pranks, and traps, and symbols. This is more the bad end friends version LOL that I use for fanart fun.
Thats, all the storyline ? That I draw ? Its nothing crazy, just a tinyyyy bit more than canon . My version, my theory, my boy !!
But at the end of the day, regardless, I do think the Watchers genuinely love him, maybe in the way you love a puppy and give them treats when they sit and be quiet, but they're extremely fond of him.
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I am currently thinking about how House regularly uses himself as a scapegoat so he can help other people. Like with Foreman and his brother, House purposefully brought up their mother because he knew that it would spark outrage. He knew they would be mad at him. He wanted them to be mad at him so they could reconcile. House is so used to upsetting people. He's so used to being yelled at, hit, and insulted. He regularly seeks out those responses, so doing something that causes people to treat him that way is easy. He has created this persona that doesn't care about anything and will do anything to upset people without provocation or reason.
If he didn't care about Foreman enough to want to help him reconcile with his brother, I do not believe he would have ever brought up their mother. He understood how personal that was, and there would have been no reason. I don't think House likes having people hate him, I don't think he likes being yelled at or upsetting people. I think he just doesn't know how to be any other way. Hurting people, at his own expense, comes naturally. He will play the bad guy over and over again to help the people he cares about. But because he puts himself in that position to be their scapegoat, people don't recognize what he's doing. He's being kind, in his own fucked up way. And I don't think anyone except for Wilson and sometimes Cuddy recognize it.
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siliconforbrains · 3 months
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Okay, it's like 10pm on a work night and I haven't had any coffee today so my thoughts are a little scrambled BUT. I WAS THINKING.
(About In Stars and Time of course I'm always thinking about that game)
A couple of years ago, at the height of Steddie -my sister was big into it and recced me some fics okay- I read this fic about Steve dealing with time loops ("The one in which a time loop is fucking exhausting" by badpancake) and there was this specific detail about the epilogue that stuck with me.
It was the idea that, once the time loops were done and over with, people would slowly start to remember bits and pieces of what happened in earlier loops. After being fractured for so long across dozens of timelines and experiences and outcomes, time was finally healing, and broken shards of lost memories would find their way back into people's minds.
And that got me thinking about a post-game what-if scenario where the same happens to the gang as they travel through Vaugarde.
Like they still don't remember everything -just bits and pieces. Experiences so emotionally charged that they found a way to cross the sands of time and reach them again.
The question is, what would those memories be? The first answer that comes to mind is some of Siffrin's deaths, of course. I can't imagine watching your friend get pancake-d by a boulder would be pleasant, nor witnessing them turning their own dagger to themselves. Or offering him a slice of your favorite snack only for him to go into anaphylactic shock in front of your very eyes, for that matter!
But there would be other instances too, wouldn't they? Death is not the only thing that shook them to their core. What about their first death to the King? Or Bonnie's fate at the end of Act 3? What about basking in the blissful feeling of victory against the tormentor of your land only to turn to look at your friend and know something is very, very wrong?
What about fighting through the House with a party of 4 instead of 5, bloodied, confused, staring in the face of the King knowing you're about to die and wondering why your friend left you all when you needed them most?
I honestly have no idea where I'm going with this, but I've been rotating this concept in my head since this morning and thought I'd get it out on here so y'all can suffer with me tehee
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camels-pen · 3 months
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the difference between zosopp and sanuso (romantic OR platonic) is that Usopp is Zoro's specialest little guy and Zoro is someone Usopp hangs out with and looks up to and hides behind when things get scary, but Sanji and Usopp are best friends. They horse around, they beat each other up, they confide their worst fears trying to one up each other. Usopp hides behind Sanji sometimes, sure, but idk, Sanji's weaknesses are more obvious (bugs, fighting women, etc) so there are times when Usopp has to stand in front of Sanji too, yknow?
Like, how do I say this, all the crewmates are equal- Usopp and Zoro are equals- but with Sanji it feels like more... comradery? Zoro's a rock in a terrible storm- even rocks tend to get weathered and chipped and worn down, but they overall stay strong and steady. He has trouble being vulnerable and there are times when the burden he's placed on himself to keep the crew safe is crushing his chest. Usopp would help with that and be very understanding, but the point I'm trying to get with that is that those moments are few and far between. So I feel like Usopp, especially after Water 7, would take Zoro's lead on something like that, and keep most of his worries to himself or only talk about them sparingly unless they're really bad and/or he can't hide them.
Sanji is like a tree in a storm; he can be strong, yes, but it feels like he bends and sways with the storm, and has more obvious breaking points. He can relate more to Usopp's struggles rather than resorting to blunt honesty that might border on callous like Zoro. And while, with Zosopp, I tend to think of scenarios with Zoro being blunt like that as a good thing- because sometimes when you're spiraling, it's nice to have someone say exactly what's great about you and shoot down all your worries with straight facts that you can't argue with- I can also see this as being a bad thing. Anxiety can really twist up your brain sometimes, you know? And despite the words, the tone could still mess someone up if they're already feeling like a burden on others in some way.
With Sanuso it's a lot more understanding and thoughtful words. It's distractions and comfort food and patience- the kind reserved for Usopp- until Usopp talks about whatever's troubling him. Compared to Zosopp, it doesn't take as long for Usopp to open up, since he's done the same thing to Sanji at times and it's more familiar to him to talk and commiserate with Sanji about his worries and doubts and such. However, there are times stuff like this has absolutely no effect and Sanji will end up at a loss, no idea what to do or how to help over the course of several days with Usopp being quiet and keeping his distance, and he'll end up working himself up about it which will only serve to make Usopp feel worse and. yeah. bit of a vicious cycle with them.
So it's like. Usopp can be weak with both of them, but since I see Sanji as the type of guy who'd be more open with his worries (at least compared to Zoro), there's less of a need to 'perform' and be his best self around him. He's comfortable around Zoro, yes, but he is constantly wanting to show that he won't be a problem to him. On the other hand, while he's more open with Sanji, and Sanji with him, they tend to relate a bit too much with each other and they both have issues with causing trouble for others and being 'deserving of love' so failed attempts at consoling one hurts the other and creates an unpleasant cycle of misery and avoidance before some other crewmate (Zoro) tells them to quit being stupid and just fucking talk to each other.
#one piece#sanuso#zosopp#long post#nemotime#does this make sense or is this the ramblings of a person who's only got 3 hrs sleep#bc thats me. 3 hrs sleep. ugh#listen okay its like. zosopp has their own growing pains to get through yknow? zoro will eventually get the whole#'oh usopp isnt as open with me bc he wants to seem tough and is also kind of doing the same thing i do. thats bad for him'#and it'll be a whole thing about making a promise between the two of them to try and be more honest with their fears and seeking help#when they need it#the sanuso thing is like. i hope i didnt mean to make it seem like sanuso is 'better' or w/e bc its just a different thing#sanuso got their own problems to sort out. 1. Sanji's everything 2. boundaries on special treatment-#i'm not gonna go seriously into this but both relationships start out not the best and get better over time yknow#also i know usopp's afraid and freaking out a lot but for this post i meant his deeper fears and insecurities#not 'i've got can't-go-on-this-island disease' lmao#the tl;dr of this post is: Usopp is more closed off with Zosopp. Usopp and Sanji have similar issues that cause problems with Sanuso.#also the way i see these ships will probably change at some point. who knows#there was a post i saw recently that was like 'hey sanuso bc romance trio were already chill with each other so sanuso became chill with#each other in an 'alone together' type of way and also they have the same issues' and i thought 'wow so true bestie' and here we are#also. man. usopp taking on / copying the behaviours of his loved ones regardless of his age is just. my jam. in a positive or negative way#maybe i'll make a post about that explaining it more. maybe
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aceghosts · 29 days
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Rooney Shepard (They/Them): RELIC AU
There are stranger things I've learned on the outside Separated by an open door I find it hard to reach the end of my timeline Salivating 'cause I wanted more Is this the end or is this the beginning? -Too Close/Too Late by Spiritbox
[Template Credit]
Tagging (Opt In/Out): @bbrocklesnar, @marivenah, @alexxmason, @captmactavish, @carlosoliveiraa, @socially-awkward-skeleton, @nightbloodbix, @voidika, @strangefable, @captastra, @amalkavian, @katsigian, @cassietrn, @g0dspeeed, @clicheantagonist, @cloudofbutterflies92, @direwombat, @onehornedbeast, @thedeadthree.
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Any tips possibly, for drawing Barnaby’s ears and making them floppy? I find that with how fluffy I like to draw them (similarly to you) it’s hard to show gravity laying them down on his shoulders and such. (Also if you see this I REALLY REALLY LOVE YOUR ART, YOUR HUMOR AND YOUR WAY OF TEXTING AND SUCH AND YOU ARE SUCH A BIG INSPIRATION TO ME IN MANY WAYS!! 💙💚)
i can sure as hell try!!! my scribbling process is very much a Subconscious thing so let me know if all of this is too vague / doesn't make Any sense, cause trying to translate it is Tough
okay so
the first Important thing is to visualize Barnaby's ears as physical objects. they have weight, volume. im just now realizing i could have used Clown's ~official site~ art to help clarify, oops. we'll have to do with my own scribbles. they'll mold to whatever manipulates them - not to the extent of water, but they're plushy.
personally, i view them as beanbags, or half-stuffed pillows - or water balloons. thick, and having a specific Shape but not solid. i always start with the basic shape before adding the fluff, as shown below. the "meat" of the ear, the heaviest part and the most affected by gravity, will distort the most when manipulated, and the volume will distribute
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then when adding the fluff, keep in mind that the fur/plush folds with the grain. like if you have a pet, and you press your hand to their side, their fur will kinda bend and be "pinned" under your hand.
also! it helps to test this out yourself. if you have a beanbag, or a water balloon, a pillow with depleted stuffing - mess around with em. study how the shape changes and how the volume distributes. if you have something fluffy (a pet, a funky pillowcase, etc) mess around with the fur/fluff! a strong visual inventory helps So So much with art
speaking of weight and distribution!
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i split Barnaby's ears up into two (technically three) parts - the anchor, where the ear attaches to his head, and the ear's weights. the first weight is attached to the anchor, so that one doesn't move much. it's mostly just affected by the ear's main weight, which is So Much Fun to play with.
honestly, the second weight is a beanbag all to itself. it really molds to fit the form of whatever presses against it. like shoulders! idk if the white lines are showing it well, but the ears' distribution usually flows off of the first weight and hits the second, where it kinda "bounces" on or falls around the solid surface blocking it
& the space between the weights (blue circles) is just connective. like, it still has stuff in it, but Less, yk? i think this thin space is good for portraying gravity/weight through how much there is - more = stretch, less + squish.
here's some additional visuals for weight, volume (shown with mesh), and gravity
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so just.... yk... keep in mind that his ears have Volume and will fold over itself, bunch up, the basic shape is just Very malleable! his ears are beanbags attached to a fixed point on his head - other than that point, they can swing and squish however!
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spearxwind · 3 months
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Hi this is where I talk a bunch about ocs :D
I dont have a lot of time lately to talk abt lore but i still think abt my guys whenever i have some chill time to myself, so here's some patch notes. This is also just me thinking out loud haha
CD:
ive been playing w some changes for CD and seeing if they stick :] gonna make the story slightly more complex and the sides of the conflict also different (for example I am going to make hades and talas full on enemies at first along with connon, caval and silas >:3 (and I am also making silas and his monster form two separate characters so the lion (hal) is now a mount instead))
Specifically what I've been thinking about is making Hades either a ship captain or a first mate for a rogue ship. The deal with Hades is that he comes from a renowned family from Redbridge and is a disgrace to them. In previous versions of CD they were artisans but that never rly clicked for me, and recently I have been reworking Redbridge into a naval empire to add some 🤏spice 🤏to the world, which would mean Hades' family is actually a naval captain family putting him next in line to be one of them but since his thing is being a disgrace he takes off and becomes a rogue. And instead of hating leviathans he fucking hates hunters instead. Conversely, I think with these changes Talas would also NOT be inclined to kill hunters (or at least not as often as he currently does). He'd pick fights with the naval fleet and other similar factions instead which is more like his character.
I also wanna try and bring back an older concept I had where connon's ship was able to both become fully submerged (like the subs in sunless sea where her character originated from) and this other idea I had where a ship could split in half into two smaller ships. Like if a catamaran could split into two and flank a vessel on both sides. But we'll see if I can make this work x)
Dragons (broken horizon + extinction):
I vaguely mentioned this a while ago as well but I've also been thinking abt my dragons and how I kinda want them to all be in one world/setting, which includes both my broken horizon guys (cer, jarek, octane, etc) and my extinction guys (alex, c, orion, etc) but I dont know how to deal with all of the conflicting lore and themes.
Because for extinction the big theme is there are people who can turn into dragons, and technically all of the dragons' powers are based on energy (for lore reasons). Meanwhile for my other dragons I have a few different elements or other ways of using fire (eg instead of using straight up fire/energy, my oc Jarek can breathe out gas only and ignites it with his mandibles).
I miss all my dragons a lot so I kinda wanted to make a world for them where I could have them Vibe and do different stories in so I thought about having a dragon-only universe but unfortunately Extinction has a pretty huge human element that I cant just eliminate.
It feels counterintuitive, i know the first logical choice is 'just let them be different things' but I genuinely feel like the right choice is to put them both together so the characters can interact and the whole story can be deeper because as it is both are really shallow and I would really like for them to work together so that's what I've been picking at for some months now (it's um. been real slow)
For these two stories I do have two different vibes though that I've been wondering how to weave together nicely bc they overlap for some characters. For broken horizon I had flying and aerial racing as a big theme (and some of the chars in extinction would be rly into that) and for extinction I had dragon arena fights as a big theme (and some of the characters in bh would be rly into that) both of these is another of the reasons why I wanted to put them both together bc it feels like they can fit very well I just have to find the right idea for them to click and then itll be smooth sailing -w-
I also wanted to talk abt this in hopes that talking abt all the dragons gets me to think more about them as well
I wanted to make this post bc I've been really busy lately and rly absent from here in general and I don't have as much time to draw (or even think abt ocs) anymore but I still wanted to keep posted about what's been going on in my head and hopefully get some eyes on it and maybe even some feedback if anyone is so inclined
If u read this whole thing thank u i owe you my life fr I hope u enjoyed reading abt my patch notes :D and hopefully sometime in the future I can get back to drawing concepts and stuff or maybe even writing stuff
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uhbasicallyjustmilex · 6 months
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four walls playlist
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takami-takami · 4 months
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Love how I started this blog analyzing Keigo's character and canon but now it's like me eating spoonfuls of rice while saying with my mouth full, "Keigo tits kink" and y'all are just like "cheers, amen!"
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megabuild · 3 months
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hi how is ethubs toxic for etho? I’m curious, and don’t really care either way lol just wanted to see your perspective (I think you implied it in a post of yours)
so i would personally interpret ethubs as toxic from both sides and it feels unfair when analysing something like that to say "this person definitively had the Worse Experience" because that's not something you can measure- having said that i definitely like to look at etho's more, mainly because it lines up with my own personal experiences and is also something that i don't see discussed very much.
ethubs as a whole can be difficult to read as toxic sometimes because as a viewer you're already aware the two actors are close friends outside of the roleplay and so their constant back and forth and commitment to each other is obviously in part because of that but as characters they very much read to me as dependent to an unhealthy degree. all of last life functions as a push-pull exercise, mainly with bdubs as the one pulling while etho allows himself to get pulled along even into intense danger for them both until he realises bdubs is pulling him off a cliff edge and pushes (the wither fight/telling bdubs he won't give him a life). bdubs demands a lot from him, often pointing to "the good old days" and promising that once etho does whatever he needs to do things will go back to normal- to the point where etho himself starts leaning into that idea, telling bdubs "we can be buddies again!" in their final meeting despite this, again, being a death game where there is no hope for either of them. this could still be read as just a very committed relationship but what sets it against etho for me is that bdubs is (unintentionally) emotionally manipulative- he is desperate to stay with etho, of course he is! and often directs comments towards etho insinuating other people won't get him the way bdubs does (an element of truth- etho is a lone wolf and was never as open with his other allies as he was with bdubs) and, most importantly, telling etho to kill himself in order to join him as a red life or else he will kill him himself. this is bad!
bdubs is also an incredibly reckless character, which isn't really a toxic trait but in their partnership becomes significant as etho is always chasing after him to try and save him- while etho never directly gives him a life of his own he is constantly at ends trying to find lives for him, be that in asking tango, striking deals with scar, or allowing bdubs to kill tango despite having the means to stop him. stuff like when bdubs trades off a life for the enchanter and etho frustratedly says back "i care about bdubs more than i care about the enchanter!" bdubs is constantly working towards a win for them both (and i don't doubt that had it been the two of them left, he would have asked etho to kill him- he does this all through his own warped perception of loyalty) while etho is constantly working just to keep them alive and safe and the two ideals end up clashing a lot.
does all of this make a toxic relationship? not in every case. but to me (again, likely because of personal similar experience and bias) it reads very much like that and i think if etho was more into the roleplay and displayed even the slightest bit of distress it would suddenly look INCREDIBLY apparent. part of the reason it doesn't is because as a character he is used to hiding his true feelings and discomfort in order to survive.
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nerdreid · 13 days
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i don't really go here so feel free to push back on this but. as funny as the "i'm an ally!" line is i also think it's such an interesting manifestation of the specific struggle buck has with his sexuality. like, he's not using it as an identifier label for his identity per se. it's more of a deflection/denial of the root of his discomfort.
it was already clear at the restaurant but it became so evident in his conversation with maddie. buck was clearly nervous about going on a date with a guy, he had never done that before, and when eddie walked in he panicked even harder, lying about it being a date. and he feels so bad about it. but despite mentioning himself that it's his first date with a dude, he can't seem to make the connection that that's where his reaction is coming from. "so why do you think you did that [lying to eddie]" "i don't know"
because he's an ally! he's cool with gay people! so the not-straight thing cannot possibly be the problem. "shouldn't be, right?" he has a hard time grappling with how he feels and how this might change things for him. and i just want to grab him by the shoulders and tell him that it's okay to feel weird about your own newfound queerness. these are your feelings, it's new, it's different. being okay with yourself is a whole different beast than being okay with others.
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