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#i need to learn to draw hands that fit my style…
vetyr · 11 days
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hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT
Hi! Long answer alert. Once a chatterbox, always a chatterbox.
When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.
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I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.
Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.
For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.
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Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.
The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!
It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.
I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).
Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)
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digitalagepulao · 10 months
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Sun Wukong, the Monkey King: my design notes [!! click here for the full line-up !!] [click here for just the goodies on tumblr]
also titled, "I underestimated my file sizes" TAT Separate images and info below the read more, beware this is LONG <3
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Stone Monkey: himbs baby, that is all <3 he's mostly based off the François Langur, but some of his anatomy and proportions lean more on the Gray Langur and Macaque side of things. His facial fur sort of forms a pentagon shape for the five elements, and I gave him ginger fur cus it's a common depiction for him but also baby langurs are very bright orange, and him not growing dark feels like an apt display of his more childish side, both good and bad. His nails are golden for a bit of a "hidden gem" from a stone egg. Also keeping the tail either in a spiral of C-curve when "engaged", and when droopy it has a feel of a heavy rope. Old World monkeys don't have prehensile tails, he can use it for balance and basic mobility but it's not a third hand for the sake of keeping his monkey-ness.
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Handsome Monkey King: in one of the poems the monkeys are said to weave grass for mattresses, so I can see them coming up with a crown of woven grass and never-fading leaves and flowers for their king at the very least. His face skin is darker as an adult, but not much else changes overall. The fuzzy upper lips and sideburns are a feature of the species I'm basing him on and it felt like a good fit to add. I also love the forest langurs are so long-furred, makes for a good way to give him dimension but also, the linework style reminds me of old woodcut shorthands for fur. Added a jade coin for the symbolism, and it feels fitting that the king of such a miraculous mountain would have a treasure like that on him. Placcid chill eyes are imperative, dude's not had an existential crisis yet, he's straight up vibing.
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Sun Wukong: during his odd-ten years away from home, he learned human manners so he can stand but, I can see him still needing to lean on his tail to keep up his balance here and there. As he reaches the Western Continent (India) and learns the Way under Patriarch Subodhi, he adopts proper clothes for an apprentice and eventually becomes a Rishi. He dons his facial paint from then on, and after he masters the Way, there's a brightness in his pupils to show his cultivated immortality. The beads are purple solely to stand out over the deluge of oranges that is his design.
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Great Sage Equal to Heaven: really went all out on this one orz this is Wukong at his most egotistical and ambitious, and I wanted his fit to truly embody that. Took bits from Peking Opera costumes and common depiction elements of him, with some bit of extra for appropriate levels of flair, like the phoenix feather design. I wanted to go for a mountain pattern mail but I couldn't figure out how to draw it, so I winged a pattern. I,,, doubt I'll ever draw this armor as detailed as here, but I wanted it to feel a bit overwhelming to look at, while also seeming like it doesn't quite fit him perfectly like it's swallowing him. Bit of a "baby wearing their parent's shoes" kind of vibe; he's stupidly powerful but he doesn't have what it takes to sit on the throne of Heaven. Also I leaned his expression to how he might appear during the Havoc in Heaven and then his bet with the Buddha. Full unbrindled rage murder monkey <3
-- Ruyi Jingu Bang: can't quite move on without my notes on the golden-hooped cudgel, now can I? The secondary hoops are there for further design appeal and for my own visualization of how the staff changes size (the hoops move over the staff's length as if to push it outward or inward). The metal is dark damascus alloy, though the pattern can be omitted for ease of drawing. One hoop end depicts a dragon, the other a phoenix, and in the middle of the staff is the canon inscription as described in the books, in seal script. Glow is optional and mostly for aesthetics.
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Sun Pilgrim: out of his stolen armor, Wukong seems to swim in his robes but in a less overwhelming way. Went for the simple fillet headband cus his face is busy enough as it is. I know he's skilled enough to skin a tiger into pretty decent squares, but after one too many battles, anything would get tattered. He wears red, teal, black and yellow, four of the five cardinal colors, while white (the West) is still missing. His red and black half-robe doesn't fully cover the yellow underneath, a call back to his golden armor; he tries to use his wisdom and teachings to fight back the impulses of his past, but they still shine through at times. I kept only the leg bangs for dynamic elements to better show movement, but also one could say he's got.... golden hoops (haha get it, like his cudgel?? :oD)
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Victorious Fighting Buddha: leaned hard on the actual portrayals of the Buddha. Seeing that he's depicted with dark/blue skin, it felt appropriate to let the guy grow out of his baby ginger fur and into adult black, but a patch remains where the golden headband used to be. I didn't want to give him long hair so no bun, but instead, his fur has a sorta lotus-petals shape now rather than his single point. His face paint changes into a more domino-mask style, and his brow white line resembles a teardrop urna. I made the mail piece he holds longer to keep the flowy bits of his previous outfits, and I turned Ruyi Jingu Bang into the sword he wields.
Hello hi, this robbed me of three days of my life and I'd like to receive compensation x.x Anyway hope you enjoy this lad, I know I do! Also if you wanna send me asks about him pls feel welcome to, I'd love to chat about this bastard monkey (affectionate) (loving) (i`d die for him)
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genericpuff · 4 months
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This is stupid, but you know those new LO hoodies the Webtoon shop has? I know the font they're using. It's Eckmannpsych which is an Adobe font.
That's not the stupid part though. The dumb part is the capital H and G in the Eckmannpsych font do not match what is on the hoodies, which would obviously be on the hoodies that have Hera or Goddess on them. So, Rachel looks to have taken the time to hand draw her own H and G to match the font style for those hoodies but did not take any time to make new, better art for the merch, but instead reused ugly panels from the comic. Talk about a strange look into her priorities. She doesn't like how the G and H look on a font? She will remake those to fit what she wants. Rachel when the assignment gives her the chance to make specialized, better designs for those same merch? She can't be bothered to even try. WTF!
for the love of god-
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I'm assuming and hoping they had the commercial rights to that font LMAOO But it did kind of make me go 🤨 because while I didn't know the font EXACTLY off the top of my head it still felt... weirdly out of place for something like LO? Why are these hoodies being stylized like they're from Austin Powers LOL
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On another note tho, the LO merch is just like... disappointing in how bad it is for what's supposed to be WT's #1 series, which is, btw, a series with so much unique stylization that it shouldn't even be this hard to make merch for it! it just feels very "first attempt at redbubble merch", but unlike genuine first attempts at making merch (which is obviously a learning curve that I wouldn't judge anyone for being new to) this is a company that's sunk shitloads of money into LO so I don't know why they can't get better merch made?? so much of it is just the default drawings taken and slapped onto a tote bag or t-shirt, which like, yeah cool fine you're using art that's recognizable and considering the art is already made, it stands to reason that they should use it for more than just the comic. It's just disappointing to see how lazy it often is and how little effort is put into translating it onto a t-shirt/tote bag/etc. like we can't even have ONE exclusive t-shirt with a unique design that isn't just poorly copy pasted from the comic?
Case in point, those t-shirts that Rachel was advertising a while ago that were actually straight up falsely advertised. I can't find the post about it on my Tumblr (I'm pretty sure I talked about it here) so here's the IG story rundown I did on it ages ago:
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Again I'd really like to have benefit of the doubt here that Rachel isn't the one making these designs, usually that's not how the merchandising process goes in these types of deals, so I'm not gonna point the finger at her. But it's just so odd to me that it happened in the first place. And this goes for a lot of LO's merch, so much of it feels cheaply made and rushed off a conveyor belt for the point of making money without much expense. Which yeah, that's a business model for sure, the goal is to profit, but like this?
You can't even argue that it's like people criticizing LO the comic because like, as much as I'll justify what I spend my time doing here in my free time, it's true that at the end of the day I don't have to pay for LO, so really the only thing I'm doing is inflicting psychic damage to myself, it's not like my actual money is on the line LMAO That's why I stopped paying for LO ages ago and only do it when I have a specific episode I need to review (such as the midseason hiatus review series I did). At the very least, if I really want to keep reading LO but don't want to pay for it, I can just avoid FastPassing it and read it for free so I can save the coins for other series I'd rather read. The Webtoons' FP system is very fair that way.
But this is merch explicitly made to generate revenue. It is a product, front to back. You can vote with your money by not buying the thing you don't like, absolutely, but the fact that it's this poorly to begin with is just so indicative of Webtoons' business practices and so shitty for the people who genuinely enjoy this comic and are being advertised and sold shoddy merchandise that doesn't even come looking the same way it's advertised. It's really not a good look for Webtoons, Rachel, or LO that this is what they're selling to people.
Especially for what they're charging, good lord-
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Like, okay, they're hoodies and they're gonna be expensive to print and ship so the higher overhead cost makes sense, but jesus christ, with the kind of merch Webtoons has already given the stamp of approval on, would it even show up in decent condition? How bright are those colors gonna be? Are they gonna strip off as soon as I throw it in the wash? I'm half-tempted to buy a hoodie for myself just to do a review on it but I can't justify dropping $75 CAD on a hoodie that only has art on the back. Maybe it's just me living in the hellish lands of Canada where we play with toy money that's the problem, but it's just not a gamble I wanna take LOL If I bought one it would probably be the Hecate or Hermes ones because they're the only ones that are at least somewhat legible and have decent character art that isn't a character looking like they need to poop LMAO
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(these are literally the two worst drawings they could have chosen of these two i stg lol the only thing that would have made this worse/funnier is if it was Handsome Hades and Persephone Kidnapping a Baby LMAO)
It has me worried about what the LO figures are gonna look like when they release. Are they gonna have some creative liberty with making them chibi-fied (like a Nendoroid?) or are they gonna try and replicate the art style exactly and wind up making literal blow-up sex doll Persephone? 😭
NGL, if the figures are done well enough and don't cost an arm and a leg, I might consider buying one just for the shelf collection, but again, it depends. If Webtoons released a tarot deck with really good panels from LO (like the Tower 4 scene or Persephone sitting on the rooftop with her comb or Eros flying down into the Mortal Realm) I would buy the shit out of that. I would even just take the Major Arcana if 78 cards was too much to ask :'0 I'm not against Webtoons/Rachel trying to profit off LO merch at all, I just wish it was BETTER- (╥﹏╥)
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celesse · 8 months
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Hi, I'm looking for a bit of advice if you are ok with answering it, I absolutely love your tshirt designs and as someone who is trying to get into graphic design, my biggest problem isn't the art itself, it's the fonts. You use such perfect combinations of fonts along with your art, do you draw them by hand or download them from somewhere, do you experiment or do you know what you want right from the sketch phase? I get so lost with the amount of fonts the internet has to offer and how to combine them, I would love to know your process. Thank you!
Thank you for the kind words! I'll try to help if I can :)
I don't hand draw any of the fonts, I mainly rely on commercial-free ones, and my favorite place to source them right now is 1001 Fonts. I do minor edits to them sometimes to fit what I want or need, though (changing the thickness, shortening letter parts, adding curls, widening gaps, etc.)
I'm at the point where I generally know what I want it to look like at the sketch phase, but when I started out with these types of designs I would heavily research similar logos for inspiration and absorb what was frequently used or what the options for style were. I still do this often, actually, it really helps to learn the feel I want to go for.
When I'm in the final design phase I put the text in place and then cycle through the fonts I have, watching for anything that clicks. This part is mainly intuition and personal preference. I often end up with 5-10 different ones that could work and narrow it down further from there. Sometimes the fonts I have are close but not quite right, so I use 1001 Fonts and narrow the search filters to what I'm looking for (headline, vintage, script, handwritten, etc.)
In the end, my best advice would be to study typography. Research logos, study them, try to understand why they work, what types of fonts are used for certain things and how they affect the feeling of a design. If you have a theme in mind, try to look that up and see what's already been done, use it for inspiration.
Good luck!
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stellar-skyy · 7 months
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ONE WITH THE FOREST! - Platonic Tighnari & reader
i. SUMMARY: Tighnari teaches his trainee how to shoot a bow. ii. CONTENT WARNINGS: Very brief mentions of fighting. iii. NOTES: Fluff, forest ranger!reader, gn!reader, they/them pronouns used, 0.8k words. iv. A/N: :D
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“Straighten your back.” Tighnari chided light-heartedly. He tapped on (Name)’s spine until they adjusted their posture to stand up properly, his hands then moving to poke between their shoulder-blades. “And untense your shoulders. You’re far too stiff to shoot properly.”
They huffed, forcing their body to relax away the tension building up in their muscles. Proper stance was important when it came to archery—or so Tighnari kept saying.
“Good,” he praised, a smile finally appearing on his lips. “Do you think you’re ready to finally practice with a bow?”
An eager nod, and a snort of laughter at their unconcealed enthusiasm. “Perfect. Now, what’s first?”
“Safety first,” They roll their eyes, reciting the two words that Tighnari had drilled into their skull long before he agreed to teach them.
His insistence on safety was one of the reasons it took him so long to agree to tutor them on how to properly shoot an arrow. He knew as a trainee Forest Ranger they needed a way to defend themselves—and some of the older Rangers were more than happy to teach them how to fight using the wooden practice swords—but despite being a long-ranged fighting style, archery could be a hazard. It left a person vulnerable to attacks from behind, or out of their peripheral vision, and a beginner archer facing against a crowd of monsters was a promised death. It was safer to stick with a weapon they were more comfortable with, and save learning a new one for another day.
But they would keep asking, and Tighnari knew it was a useful skill to have, so he agreed to put aside his duties for an afternoon and teach them how to properly use a bow.
“Here,” Tighnari hummed, passing over the arm guard. It was a simple leather strap, with adjustable belt buckles, worn down with years of use.
“Why do I have to use this?” (Name) asked with a huff. “You and Collei never do.”
“I’ve been using my bow for a long time. And Collei used one for months when she started learning.” Tighnari said, helping slide the guard across their forearm and adjusting the fastenings so it fit snugly across their skin. “You can wear it until I think you’re experienced enough not to snap the string across your arm when you release it. I’ve done that plenty of times when I was a beginner, and I can promise you it is not a pleasant experience.”
“Alright,” They sigh, fiddling with the arm guard until it was completely covering the inside of their arm. Tighnari picked up the bow—a simple practice bow that he had dug up from who-knows-where.
“Okay, hold up your non-dominant hand.” They held up their hand, and he grabbed it and pushed the bow into their grasp. “Hold the grip with this hand. See this notch?” He tapped on the slight protrusion just above where their hand was. “That’s the arrow rest. When you nock the arrow, it’s going to be held there. Now hold out your arm, straight in front of you—a little to the left… that’s it—and stand with your body facing away from the target.”
With Tighnari’s careful prodding in the right direction, they moved so their feet were firmly planted in the correct stance, one arm holding out the bow with the other hand drawing back the string. Tighnari slotted the arrow into the drawn bow, placing atop the arrow rest and tucking the end between the string. “Now, as you grow quicker with the bow, you’ll be able to nock it much faster than this. For now, you’re still finding your balance, so I’ll be here to help.”
The string was taut in their hands. There was a slight ache in their wrist from pulling it back, but they ignored it in favour of keeping their eye on the target about fifteen feet in front of them. It was a tree, identical to the ones around it, save for a red circle painted across the trunk. They took a deep breath in, letting the air fill every corner of their lungs—
And let go.
The arrow flew swiftly through the air, cutting across the forest in a wide arc that narrowly missed low hanging branches and ended firmly stuck in the centre of the target.
“I did it!” They cheered, turning to look at their mentor with unbridled excitement sweeping across their features. Tighnari grinned back at them, reaching over to ruffle the top of their hair like a proud parent.
“Yes, you did!” He cheered.
“It got in the target!”
“It did,” Tighnari nodded approvingly. “You did so well for your first time. I’m proud of you.”
They looked away, mumbling a quiet ‘thank you’ at his words. Tighnari took the bow from them and set it back down on the ground, before turning to his mentee and clasping his hands together.
“Now! Grab that arrow from the tree, and let’s have another go.”
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reblogs and comments are appreciated! ♡
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punchliiine · 3 months
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things i've learned through shifting
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i don't know what to post so i thought of posting some stuff that i've learned, improved, and simply practiced through shifting. it's not a lot but it's a lot.
so firstly, i thought of introducing some of my hobbies prior to shifting, and then ones that i've picked up after shifting. and lastly provide any details if needed.
I - hobbies
↳ before shifting
↳ ↳ reading
i've been able to read SO many books in my library wr.
i have a huge list of books that i've put off because of school, but through shifting to my wr, i've been able to finish at least 66 out of 117 i believe?
also i was able to find some of my favorite authors through this, like sylvia plath, mahmoud darwish, virginia woolf, khalil gibran.. and honestly, a lot more, but these are the ones that i remember for now.
↳ ↳ writing
in my native language, i've become REALLY good. as for writing in english it's ?!? but i'm slowly getting there.
not showing off, but i was really good prior to shifting. but now, i've become REALLY good, like now i'm able to touch the soul with my poetry. i also learned some tips for expressing 'my' feelings.
one of them is to think about a phenomenon in nature that resembles how you feel, whether it's by colors, weather, atmosphere, movements.. etc. then write about how each of the elements relate to what you're wishing to express. and ever since i learned that expressing my feelings // painting a scene whilst writing feels so, so much easier.
i guess the same can be used for drawing or painting? so feel free to interpret it in your own ways!
the only reason i emphasized on 'my' feelings was because the things i learnt in there were personal to my learning. before shifting, i had scripted that they would match me and fit me perfectly, so they wouldn't apply to everybody if that makes sense? but if you feel like it fits you, then you're more than welocme to use it!
+ i don't take any sort of credit for it since somebody might've thought of it first, i'm only here to share it!!
↳ ↳ drawing - painting
i was able to experiment freely with color theory, perspective, expressionism, symbolism.. etc. and i was able to find my art style! and practice some others i found interesting.
↳ ↳ editing
nothing to say about this one other than the fact that i was able to experiment with so many styles, and i reallllyyy enjoyed it. i also got to watch some of my old edits that have been deleted. (have been meaning i deleted them) 10/10.
↳ after shifting
↳ ↳ sewing
currently in the process of making a cute pair of opera gloves, idk how to explain it but yk the ones that are pitch black by the finger tips and fade as they go up? those are the ones that i'm attempting to make. and so far it's good!
↳ ↳ crocheting
i've recently made a doll i've found online which looks like little red riding hood, and it's cute. also i'm currently making a chibi jjk cat beanie (sashisu the world!!! ๑ > ᴗ < ๑)
↳ ↳ sculpting
i've sculpted hands, like tons of them. and i've used gojo satoru as a muse for at least 100% of them (i am insane about him)
some appreciation for my muse's hands:
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can we talk about the fact that his fingers are 6 inches anyway!!!!!
II - skills
it's worth the mention that i've become skillful in most of my hobbies "it isn't necessary to become skillful in any of your hobbies for plenty of reasons, but i aspire to!" i'd say intermediate in most, advanced in a few.
also idk if it counts as a skill, but i have become skillful in all of my subjects. like i have become amazing in math and physics thanks to my study wr <3
as for other subjects i've always been amazing, but with math and physics, i've had awful teachers teach me crucial information, so i was miserable for a bit, but thankfully not anymore!
i know i could've manifested it since i use loassumption all the time, but i love studying, so i wanted to go through the whole process if that makes sense? like i didn't wanna take the shortcut (manifesting) + there's no shame in wanting to take the shortcut.
as for real skills.. yeaaah not yet
III - languages
i've become better in korean.. i can sort of understand people when they're speaking? but i can't speak nor write. but hey, at least i'm enjoying the proces, that counts for something!
i'm aware that there are some things in here that i could've gone on the internet and just practiced // learnt. BUT the way i did it was different, i went to a wr where i got to learn all about my hobbies, skills, subjects, and languages and practice freely without any sort of stress whatsoever + occasionally recieve tips and advice. and it was all free and unbelievably fun!!!
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ladykailitha · 9 months
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Royal Pain Part 10
Hello! So I’m wondering if people aren’t seeing my posts, I got someone on one these (don’t remember if it was this one or Roads...but they said that somehow they had missed the last three). I also noticed that a couple of the writing tags *I* follow didn’t update when they put out a new part of their story, I only noticed that they put it out because I dig through the #steddie tag several times a day.
So let me know if you’re still seeing my tags or not.
The application process has begun! Just a note on Argyle’s last name. The fandom doesn’t have one for him and they usually don’t give him one. It took a lot of research (the character looks Native American but the actor is an American born to two Mexican parents.) So after some seriously thought I landed on Rivera.
Pt 1 Pt 2 Pt 3  Pt 4 Pt 5 Pt 6 Pt 7 Pt 8  Pt 9
***
The first guy’s name was Keith Langston and he had been learning to tattoo through buying large swaths of pig skin. The guy’s portfolio was entirely of pig skin tattoos.
“Have you ever tattooed human skin or on a live person?” Steve asked looking over the portfolio turning each page slowly. “It can even be yourself. Or even just drawing on yourself?” He added, because that’s how he got into tattooing.
Keith scoffed. “That’s what I’m here for. To tattoo other people. I only go to the best to get my body tattooed.”
Steve smiled. “And who are your favorite artists?”
Keith rolled his eyes. “Like only the greats. Leonard Killgrave, Ollie Peterson, Trent Sullivan. You know, those guys.”
How Steve managed to avoid wincing, he could only attest to years of customer service. Because he had never heard of any of them. And Hopper was no slouch in the social aspect of being a tattoo parlor owner. He knew most of the shop owners and good portion of the artists under them. They weren’t from Indy that was for sure.
And then it hit him. They weren’t from Indy. They were probably from Chicago or New York, maybe even Boston. This prick was traveling out of state to get his tattoos.
“I see,” was all Steve said. They talked some more about Keith’s abilities and where he hoped to be in five years.
“Well, you got to where you are in five years,” Keith sneered. “I fully expect to world renowned in that time.”
Steve’s eye twitched. “Thank you so much for your time.” He handed back the portfolio and didn’t even bother to stand.
Keith stormed off muttering about asshole douchebags who thought they were still in high school.
Yeah, Steve was not hiring Keith.
The next one was Eden Bingham. She was the Goth chick with the fluffy black hair and the piercings.
“Hello,” she greeted as Steve stood up to shake her hand.
“Hi,” he said, “tell me about yourself.”
Turned out she was Suzie’s older sister. She had moved out from Utah to get away from her strict parents and to be closer to Suzie after she married Dustin. Suzie was the one that had told her that he was looking for an apprentice and to try for it.
During the course of the interview, Steve was a little disappointed. Eden was good. Damn good in fact. And had been tattooing her friends and roommates for the last year, indie style. But he knew their personalities would clash so hard. And it wasn’t about the aesthetic. It wasn’t.
But he knew where she would flourish though and made a note to have Robin call Hop. Hop’s most recent apprentice had moved up to a chair and chose to move to Chicago to purse their career there and needed a new apprentice.
He thanked her for her time, stood up and shook her hand.
“Hey, look,” he said gently. “I don’t think you would be happy apprenticing under me.”
She smiled. “Probably not.”
“But I know someone who’s just barely had a spot open up,” Steve explained. “He hasn’t had time to put out feelers yet. I think you’d two would be a better fit.”
Eden’s eyes went wide. “Really? You’d do that for me?”
Steve nodded. “And not just because you’re Suzie’s sister, either. Because I think you’re good and deserve a shot. Even if it isn’t with me.”
“Thanks!”
He walked out with her to get Hopper’s number and address. She walked out talking excitedly to Suzie on the phone.
Robin bumped his shoulder. “That was nice of you.”
Steve blushed. “Hop will love her.” He looked at the remaining two. “Who’s next?”
“Argyle Rivera,” she murmured.
Steve turned to him. “Argyle, come on back.”
Argyle leapt to his feet. “Brochacho! I’m super excited.”
Steve smiled and led him to the back room. “Let’s see what you’ve got.”
Argyle handed him his portfolio. “I think it’s so cool you asked for a physical portfolio, dude. Most cats only want a link to some website.”
Steve grinned. “I don’t mind those, it’s just harder to talk while scrolling.”
Argyle grinned back. “Yeah.”
Steve opened it up to see the most beautiful Mexican styled tattoos he had ever laid eyes on in his life. Growing up in Hawkins made for a very thin Latino or Hispanic population so he didn’t see much of this kind of work, but he had always admired it.
“This is amazing,” he breathed. “How long have you been doing this?”
Argyle blushed. “I haven’t really done much. I used marker for the most part because permanent isn’t really my style, bro. But I’ve done a couple stick and poke stuff that was fun. And I am all about the fun. So a friend suggested I should try for this.”
“So you’ve never used an ink gun?” Steve asked.
Argyle shook his head. “Nope!”
Steve and Argyle talked for a bit longer and Steve was really impressed with how open and outgoing he was.
“How do you feel about doing tattoos not in your usual style?” he asked. This was the kicker for most artists.
Argyle lit up. “That would be awesome to learn how to do, dude! I love my style but branching out is what life is all about.”
“And how would you feel about starting off only doing simple tattoos, like the small ones or basic designs?” Steve asked.
Argyle’s face spread out into the biggest grin. “Everyone’s got to start out somewhere, my man!”
Steve was really leaning towards Argyle now. Which was too bad, because he really liked the spunky blonde. No, no, not like that.
He led Argyle back to the reception area and then Robin called the last out. “Chrissy Cunningham.”
Steve smiled at her. “Come on back.”
She jumped up and followed him. “You aren’t going to murder me for the no tattoo remark, are you?” she asked with a grin and a wink.
Steve burst out laughing. “If I killed everyone that thought that, Indy would be down three-fifths of its tattoo artist population.”
She laughed too. “Fair enough.”
“And since we’re on the topic,” he said, indicating for her to sit down, “you don’t look the type anymore than I do.”
She grinned. “I got my first tattoo when I sixteen. My mom didn’t want me cutting my hair so much so that I told her either let me cut my hair or let me get a tattoo, she let me get the tattoo.”
Steve’s eyes went wide. “Holy shit! I’ve never heard of that. It’s hair. It grows back.”
Chrissy grinned. “Her words were ‘At least a tattoo could be covered up, I’d have to look at the terrible hair cut!’.”
“That is fucking insane!” Steve said. “Can I see it?”
She nodded and pulled up her shirt sleeve. Steve could see the nine (yes nine, Pluto counts) planets and at the top was a howling fox.
“That’s cool,” he said. “Can I see your portfolio?”
She handed it over and Steve looked at it. She didn’t seem to have a firm style yet.
He found out they had both gone to Hawkins High. “Wait, no way.”
She nodded. “We all knew who Steve Harrington was. The basketball players all wanted to be him and all the cheerleaders wanted to be with him.”
Steve blushed into his hands. “Oh god that’s awful.”
Chrissy laughed. “Well, most of the cheerleaders anyway.”
“Not you?” he guessed.
“Kind of a large lesbian,” she said with a grimace. “Makes it a tad difficult.”
Steve laughed. “Fair enough.”
He talked with her a bit and then led her out like he had done with Eden and Argyle. He said goodbye and locked the door up behind him.
He turned to Robin. “What did you think of them? Be honest. They probably said a whole lot while they were waiting their turn.”
Robin nodded. “Argyle got Eden’s number.”
Steve burst out laughing. “Yeah, okay I needed that. Did he really?”
“Oh yeah,” Robin said. “It was mildly hilarious how well they hit it off. You couldn’t find a weirder couple.”
Steve put his hand over his heart in mock protest. “Have you supplanted our relationship as the weirdest ever? I’m hurt. Hurt I say!”
Robin laughed so hard she snorted. “All right you drama queen, weirdest romantic couple. How’s that?”
Steve beamed at her. “Perfect!”
She laughed again, shaking her head. They talked about the two candidates and both were really good.  
“I don’t want to pick between them,” Steve whined, hitting his head on the desk.
“So don’t.”
Steve lifted his head. “What do you mean?”
Robin licked her lips slowly. “Steve, I’ve been doing the numbers, if we add in the potential of what they can bring in, by the time school starts back up again not only will we have enough to pay for both of them to stay on, but Erica too, and the new receptionist.”
Steve jerked back. “Wait, what?”
She nodded. “I’m not lying, dingus. I’ll swear on it. In fact, we could probably hire the new receptionist by July.”
His eyes went wide. “Really?”
Robin took his face in her hands. “You are open and friendly. First timers and people who are just nervous in general love coming to you because you put them at ease. People who just want to get a tattoo as memorial or just as a one-time thing, love coming to you. There is this whole untapped market that you accidentally slid into and made it your own. We just need more people so you and I can enjoy our lives for a change.”
Steve blinked. “Oh.”
“Yeah,” Robin said. “You are so good at this. Don’t sell yourself short. You deserve this.”
He nodded. “Yeah. Yeah, okay. Let’s do it. Call them both and have them come in tomorrow at nine so that we can go over a few things and have them learn how to open.”
Robin nodded. “Sounds good.” She picked up the phone and started doing just that.
Steve watched her with a growing smile on his face. He had a really good feeling about this summer.
***
Part 11 Part 12  Part 13 Part 14  Part 15  Part 16  Part 17  Part 18 Part 19  Part 20  Part 21   Part 22  Part 23  Part 24  Part 25 Part 26  Part 27  Part 28  Epilogue
I figured as controlling as Chrissy’s mom was in the show about her weight, she would be controlling about the hair too. And ngl this is exactly what my oldest sister did to my youngest niece. It’s hair. It’ll grow back. Nope. The tattoo on my niece’s arm is the one I described here.
Tag List: @spectrum-spectre @estrellami-1 @zerokrox-blog @artiststarme @swimmingbirdrunningrock @gregre369 @pyrohonk​ @renaissan-vvitch @goodolefashionedloverboi @chaoticlovingdreamer @maya-custodios-dionach @messrs-weasley @val-from-lawrence @plyerice27 @thedragonsaunt @chaoticlovingdreamer @sapphirecobalt-1 @a-little-unsteddie @i-must-potato @danili666 @carlyv @rozzieroos @wonderland-girl143-blog @itsall-taken @justforthedead89 @emly03 @bookworm0690 @aizawa-emma @redfreckledwolf @thesuninyaface @bookbinderbitch @yikes-a-bee @littlewildflowerkitten @scheodingers-muppet @archermightbegay @hallucinatedjosten @ellietheasexylibrarian @anne-bennett-cosplayer @cinnamon-mushroomabomination 
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byghostface · 2 months
Text
Daminika asking game
Questions for Daminika/Flamian Shippers! a Thread ♥️🫀 by @ damiandefenderr on Twitter(X)
1. What’s your favorite panel/moment of them?
Need them to hold hands again please…
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-[Robin(2021)#7/#11]-Artist: Gleb Melnikov-
Also this one panel of reunion hugs from the newest issue🫶♥️
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-[Batman and Robin(2023)#6]-Artist: Nikola Čižmešija-
2. What was your initial reaction to them getting together?
Tears of joy + stayed up late drawing out of excitement, cuz I've been rooting for them since the Robin(2021) # 7 issue.
3. What song/lyric reminds you of daminika?
♪-We could be together, you could stay forever
We could waste time baby, nothing else matters
Oh, when I look into your eyes
I wanna bury you by my side-♪
-BURY YOU by Ari Abdul
4. How do you think their first date would go?
They catch up with each other 's life while having a meal and doodling on Damian's sketchbook at his favorite Arab restaurant.
5. What’s your headcanon for Nika regarding Damian?
She likes to listen to Damian talking about his original story and ideas, and his plans to present them with different forms of media( art, acting, music ).
//
Nika thinks Damian's an interesting and straightforward person and likes his pride in himself in the first introduction he has on Lazarus Island. Think he's an honorable and fairly challenging fighter. Plus the mystery ghost(Alfred) that keeps appearing around him intrigues her. After stealing back his manga from XXL and giving it a good read, she wanted to know more and more about him.
6. What’s your headcanon for Damian regarding Nika?
He likes to text Nika from time to time, and when he doesn't know what to say he sends pictures of his pets to her, Nika sends back pictures of her own pets(cat, insects, reptiles) and the activity she is doing or the sunset view that is outside of her room window.
//
Damian is angry with Nika at first but realizes that he can only blame himself for being impatient to learn the Death Tournament's rules, thus letting her get the upper hand. Damian thinks Nika is a quick wit, bold and resilient person. He admired her fighting skills from afar and was secretly pleased that she kept seeking him to talk and be friendly with him, and still kept a respectful personal space for him.
7. If you could publish a daminika mini, what would it be about?
daminika sketchbook tour (about their daily life inspirations, choice of art styles, their views on people who are around them), and they have doodles/comments cameo on each other's pages occasionally.
8. What do you think Bruce & Taila's reaction would be to Damian & Nika being official?
Bruce is wary about Nika but can’t say much to Damian because of his own dating/lovers history, later on, realizes what Damian has seen in her.
//
Talia tells Damian a few times how she is unimpressed by Nika, but Damian doesn’t hear a word from her after he introduces Nika to her in person.
9. What’s a trope that you think fits daminika?
Sent to kill each other (secret mission) but fell in love unintentionally when they met and learned more about one another.
10. How do you think their relationship would be like?
It’s both their first ever relationships, so they are cautious and consider each other’s feelings a lot. Damian is serious about it and mentally initiated. Nika is much more relaxed and physically initiated.
1.2 (dates and activities).3 (taking care of each other, sleep habits, gifts) .pet names.art styles.asking game
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dragonagecompanions · 7 months
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Could you write Solas' reaction to the Inqusitor killing him after the betrayal, but they stay by his side because they know he fears dying alone, and refuses to leave his side before he has passes away, and telling him that he's forgiven, and the Inky apologizes for not begin able to help him.
Obvious content warning.
It can't end like this, not now. Everything is falling into place, his power is finally returned to him. Everything is in his grasp to restore the world to what it once was, to the glory of Arlathan and the Elvhen. He gave up so much for this chance, for his people, for...
For nothing. Solas can feel the terrible, implacable burn of magebane in his veins, even as the blood weeps from the wound in his back. Fitting, really, after his own proverbial knife, and yet the architect of the Evanuris' downfall never saw this betrayal coming. In his arrogance he heard the request to reopen the eluvians to Val Royeaux as an admission of defeat. Had thought that the removal of both arm and anchor would render his friend helpless in the fight to come.
But too many have underestimated the Inquisitor in the last years. Solas was had no excuse, and yet he turned his back to them. Their cries of pain had masked the running foot steps, the drawing of the blade. It is cold comfort to see that pain in their face still, even as that struggle with one hand to keep his head cushioned on their knees.
"I just...wanted to fix my mistake."
"I know." The sorrowful compassion in their face should be infuriating, something he should spit on and refuse, but somehow the Dread Wolf does not have the strength for it. He is grateful for their warmth and company now, as darkness rims their vision.
"I know, Solas. But you can rest now. I won't leave you alone, not now."
Does his tombstone still stand in the fade, green light making mockery of his greatest fear? He'd thought it would be to stand alone at the end of all things, the world beyond his saving. He had not considered that it would be...like this. Gasping for air that cannot help him now, shivering for the warmth that somehow he cannot grasp. Can he blame them, for rendering onto him what he had planned, inevitably for them?
It hurts less now. They must know, for his friend simply holds him closer. The tears make eyes that have stared unfazed at every challenge somehow more and less shadowed, but knowing that his death is one more burden for them is not the vindication he might have hoped for. This was not what Solas wanted, not what Fen'Harel needed. He is failing his people, abandoning them this one last terrible time and he cannot even...cannot...
"'M s'rr'y..."
"I know. Wisdom is waiting for you, Solas. Go and join her now. Stop running, Dread Wolf, and be at peace."
When he is looking at a world they hope not to see for many years, when the blade finds its place in a still heart (even for a friend, the inquisitor has learned to be cautious), only then does the Herald of Andraste signal for their compatriots. They will bring their friend home, style him as a hero who returned to defeat the Qunari and save the Inquisition.
Ironically, this saves the Inquisition. A united south prepares to face the Qunari, but without the distraction of the Dread Wolf's plans Thedas as it is has a fighting chance. The Inquisition will champion the plight of elves in their martyred friend's name, so that perhaps where the Dread Wolf could not bring superiority Solas might usher in a new era of equality. The agents of Fen' Harel will mourn his loss, curse the Inquisition, but may ultimately join this effort--to surprising success
And perhaps, somewhere far from time and space and sorrow, a young dreamer and the spirit of wisdom who long was his companion, are reunited at last.
-Mod Fereldone
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happyhappysparkle · 8 days
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Spark's Art Commissions
Commisions are: OPEN
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What I Draw
All Fallout, all the time. I've played every Fallout in existence (except that Tactics/BoS bullshit) and I love them all - yes, even 76. Fair warning: I'm less well-versed in Fallout 1 & 2, what with it having been a couple decades since I played either.
Interested in non-Fallout art? Doesn't hurt to ask.
Who I Draw
Your Fallout OCs and fave companions. As long as it's a character I can find enough reference for online, I'm good.
Looking for more examples of my work? Here they are.
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Prices
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More details on what I will and won't draw, what I need from you, and other details below the cut.
Payment is currently only available through PayPal. I'm looking into other payment options, such as Ko-Fi.
What I need from you
your faceclaim(s). If they're not someone I can easily google, I will need a few clear photos from different angles. Don't have a faceclaim for your OC yet? This is a great place to start looking
in-game screenshots are sometimes useful, so include those as well if they look anything like your OC. I will always prefer real human reference though, so please give me a faceclaim!
basic details: height, build, age, hair color/texture/style, eye color, identifying marks, etc etc etc. For companions, give me your headcanons on any details not provided in-game (or if you headcanon something differently), or I'll use my own if you don't have any
what outfit(s) they wear. If it's vanilla/Creation Club/Atomic Shop, just the in-game outfit names will usually do (i'll tell you if I need more)
any personality traits, background info, or quirks you want to share are absolutely GREAT and help me breathe a little more life into a character
if I'm drawing them with a companion, tell me a little about their dynamic
Will draw:
your Fallout OCs
their companion(s) (including ghouls)
weapons
some blood/gore/injury
sfw romantic content
Difficult areas:
curly hair - I'm trying, I'm learning, but it's harder and might take me longer
Super Mutants - haven't tried yet, but it can't be that hard
artistic nudity/pinups: I'm really out of practice, I make no guarantees
Won't draw:
anything racist/queerphobic/transphobic/bigoted/etc
minors
backgrounds. There's a reason this is a serparate, specialized job in animation and comic studios
nsfw romantic/sexual content (I don't have a problem with it, it's just way outside my wheelhouse. I'm learning.)
excessive blood/gore/injury (again, outside my wheelhouse)
creatures (same reason)
IMPORTANT LEGAL STUFF
What you get
high-resolution digital art in PNG format (A4 at 200dpi for busts, A3 at 200dpi for half body and up, suitable for printing for personal use only)
If you'd like me to crop you an isolated closeup of your character for use as a profile pic, I'm happy to do so at no extra charge
What you DON'T get
the right to modify, redistribute, sell or in any way profit from the work or products derived from the work (you can share it on your socials or post it with your fanfic and that sort of thing, but you can't sell stuff or give things away with it). If you are interested in licensing for prints, stickers, or any other digital or physical merchandise (even not-for-profit), please let me know so we can discuss licensing terms. The 'no redistribution' rule does include gifting. If you're interested in, for example, printing stickers with my art to hand out at comic con or something, please contact me.
copyright/intellectual property rights. It's still my original artwork. As such, I am free to modify and distribute it in any way I see fit, including for profit.
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okie dokie @quixtrix
Gonna also tag @dextraicarus1994 since he’s a splinter cell fan and most likely has information to add to this discussion
We've heard the phase "everyone is the hero of their own story" at least once and while it's debatable if that is really true of everyone , there are some people who genuinely and unquestionably believe themselves to be the hero
And Sarah Fisher is one of those people
Unlike my Jade post, I'll be working somewhat backwards when it comes to evidence of my theory, primarily because one of the things that convinced me that Sarah has a hero complex was something that happens closer to the end of the first season
In the last episodes of CLH, we learn about Sarah's name and backstory. Her childhood where she got her father arrested , her military education and finally the death of her father
Sarah is a confusing character and until we get season two , theres so many questions surrounding her and very few, if any, answers to those questions
Did Sarah plan everything that happens in the show? If not, how much was Sarah's plan? Was her conversation with Dolph and Marcus genuine or an act? Or some combination of both?
What does Sarah really want out of all this? Did she have any involvement with Rayman becoming Ramon? If so, she's now the last of the board of directors and thus is in complete control of Eden, so what else can she possibly want?
And despite knowing first hand Eden killed her father , why did Sarah forego her human body and become a cyborg spider , essentially another cog in the machine that murdered her own father?
Is Sarah even "Sarah" anymore?
Then it clicked into my head that, the entire sequence of Sarah inside the VR , experiencing her past mistakes and trauma?
Can be read as a test of Sarah's convictions
Or other words, from her perspective ,she was on the hero's journey
And what's a common trope heroes experience? Challenges against their beliefs
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Now obviously Sarah's character doesn't actually fit into the hero's journey , at least not without some twisting here. That is not important, what's important is that Sarah believes herself as the hero regardless of her actual circumstances or position in the world
Take note of how the hero's journey is about transformation specifically, as I want to draw a parallel to the anime/manga known as Land of the Lustrous. I don't want to spoil too much of that series as this is meant as a CLH post (I also need to catch up) but there is three pages from Land of the Lustrous I want to share
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People who know of this series knows exactly what I'm implying about Sarah with this comparison, but for those who don't know what this manga is about: these three pages only has one character in them
Land of the Lustrous (or Houseki no Kuni) is a story set in a world where humans went extinct, but other humanoid lifeforms evolved from that extinction with one of those being immortal and genderless beings made of gemstones
The main character is one of these gem people called phosphophyllite ,phos for short, and their story is basically:
"what if the ship of theseus was a living being with a conscious?"
Keeping spoilers as minimum as possible, Phos , physically and mentally, undergoes drastic changes throughout the narrative both from circumstances beyond their control and the choices they've made
I believe , much like Phos, Sarah herself is a conscious ship of theseus
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I want to bring attention to the connections between Bullfrog and Sarah , both in design and in narrative
Sarah's hair is the same colour as Bullfrog's hood , as well as being styled in a way that resemblances said hood. Both of these characters have colour palettes that share similarities with each other , in that they both primarily wear a monochromatic uniform with silver
They both also happen to have eye colours that's some shade of gold . Dolph's mother in the manga also has gold eyes. Coincidentally, both Bullfrog and Sarah are characters Dolph began to trust after he killed Alex for his betrayal
Bullfrog however leans more into wearing white while Sarah leans towards black, which happen to be colours used to represent themes of conflicting opposites , such as yin and yang or good vs evil
The other difference between them is Sarah has green accents while Bullfrog has red, which makes Bullfrog's palette more warmer while Sarah's is colder , fitting considering their personalities
Funny enough Bullfrog is a cold blooded frog hybrid. Meanwhile Sarah was is a human with a warm skin complexion
Red and Green are also opposites on the colour wheel, much like how Bullfrog and Sarah are opposites in the conflict between Assassins and Templars
Red and Green however, are complimentary colours too
As of season one we have very little regarding Bullfrog's life before the events of the show, but I'm betting my kidneys his life has some uncanny similarities with Sarah's
Remember how I said Sarah doesn't fit the hero's journey without twisting some things?
Bullfrog is an undeniable loyal, genuine character who does what he does out of the kindness of his heart. Bullfrog's heroism comes from caring for others and wanting justice
Sarah however, I believe has a hero complex that drives from her ego and a desire to control others
You can even say Sarah is a twisted remix of a hero
We can actually take a guess what experiences Bullfrog may have had in his life by comparing Sarah's life itself to the hero's journey set up, but let’s just focus on Sarah
I just want to have it at the back of our minds that Bulfrog’s life has likely paralleled with Sarah’s when we go down these points
Call to adventure: This is obviously when Sarah leaves the wasteland with Sam, her father , into Eden
Supernatural aid: Sam meets up with Marcus, who hacks the systems to help Sam and Sarah out
Threshold, beginning of transformation: Sarah snitches on the watch dogs
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I want to put some attention to this moment of Sarah’s life as it has had a significant impact on her. Not only did her father loose custody of her and she was placed into Eden’s child care system (or whatever they do with Ray kids who expose their parents doing anything illegal) and was exposed to even more brain washing propaganda without any outside influence (her father) , but more importantly this was the first time in Sarah’s life where she had power over someone else’s fate
When Sam asks why Sarah did what she did, she replies “we have to do the right thing”. Looking at her body language , Sarah is not happy to be doing what she’s doing but fully believes, with no doubts despite her pained expression , it’s what she has to do , it’s the right thing to do
It seems odd, that Sarah was this heavily brainwashed and Sam was unaware of it up till this moment. Considering the wasteland is well, a literal wasteland I doubt there was much after school activity programs to influence Sarah this much. Sam seemed like a very attentive single parent so I can’t imagine the guy would let such pro Eden propaganda influences, such as the Rayman kids’ programs, anywhere near Sarah. Considering how young Sarah is in this flashback as well , she wasn’t exactly at the age of sneaking off and hanging with the wrong crowd
Unless Sam wasn’t Sarah’s only parent
Having a quick skim of the Splinter Cell wiki, Sarah’s mother in the games is a woman called Regan burns. Regan and Sam were on opposing sides during their military careers but that didn’t stop them from having a stormy affair, which lead to Regan becoming pregnant and having a troubled marriage with Sam. In the games Regan is cryptanalyst for the NSA , but who is Regan in the remixed universe?
During his introduction Bullfrog rambled about how his ancestors memories live on in his DNA , which is a reference to how in the assassins creed games people can use technology (or other means depending on game) to travel through the memories of their relatives (both close and distant) and learn information from them, it’s even how some get their assassin training
In some stories of the franchise, the main character is the direct child of an assassin, which puts further emphasis on bloodlines and their importance in the assassins creed
Just so happens, the templars use technology to travel through memories and bloodlines play an important role in their organisation , just like the assassins they’re up against
So it’s possible that, in this universe , Regan was a Templar and how she raised her daughter is what influenced Sarah “to do the right thing” and how Sarah was exposed to propaganda such as Rayman’s shows right under Sam’s nose
If Regan was a Templar, that could explain how Sarah not only knew about the order, but managed to get into the position she currently has in show. Regan’s influerence may also have given Sarah (and to some degree Sam) some advantages other people could only dream off, such as an opportunity to have a comfortable life in Eden and her military education
Thanks to Regan, Sam was still allowed to communicate with his daughter despite being a traitor
Dolph , as a fellow soldier in comparison, was taken from his mother and not even allowed any contact with her. He suffered so much just by virtue of having “good genetics”, Dolph and his mother in comparison did not commit any crime and yet ended up with a worse life than Sarah and Sam
If Regan is alive or not in the show does not matter now, what matters is that she was present in Sarah’s life long enough to make an impact on the girl
I do want to say while this was the beginning of Sarah’s transformation, the little girl wasn’t beyond saving at this moment in time
But Sarah, as stubborn as she is, doesn’t want to be saved
Sarah wants to save others
Challenges and temptations: Sarah’s years in the education system and her military training
Revelation , death and rebirth: Sam dies and Sarah makes the choice to become a cyborg
During their last conversation, Sarah brings up that thanks to her good grades, she’s been given the opportunity in becoming a cyborg. Sam is heavily against it , the two argue
Something interesting to note here is how defensive Sarah is of Eden , telling Sam “if Eden was so bad, you wouldn’t be in probation you’d be in jail” , and that he should be grateful Sarah is being given this opportunity at all “despite being the daughter of a traitor”
Sarah does not trust Sam to know what’s best. Not only for his daughter, but also not even for himself
When talking about how Sam died and her grief over losing her father, Sarah asked herself “was he right?”. Worth noting, Sarah never tells Dolph the answer to that question
That’s important because while it shows that Sarah did have doubts about Eden , no , herself , when it comes to how the world works, her behaviour in the last episode tells us exactly what the answer to that question is:
Sarah decided the answer doesn’t matter
What mattered was protecting her father from HIMSELF, and she failed
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This was the moment Sarah’s fate was sealed
This was the moment Sarah shallowed her doubts, made the conscious choice to become a cyborg that would set her on the path to become sigma and never looked back
Regardless if she was influenced by Eden propaganda or her mother, Sarah came to her own conclusion about something that day: “order and peace will come through control and rules”
Sam , and all those innocent people, would still be alive if they just did what they were told
If Sam just did want Sarah told him to do
Before I talk about the last two points of the hero’s journey, transformation and atonement , I want to go back to that moment in Sarah’s childhood. The one where she had power
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At an incredibly young age , even if it was just this one moment, Sarah had power over the lives of others and influence over what happens to those lives. This likely also made Sarah feel responsible for those around her , particularly feeling strongest towards her own father and his well being. This is where Sarah’s hero complex stems from
I’ve talked a lot about the hero complex, but what exactly is the hero complex?
“Noted author Laura Berman Fortgang, described the Hero Syndrome as a phenomenon affecting people who seek heroism or recognition, usually by creating a desperate situation which they can resolve and subsequently receive the accolades from. This can include unlawful acts, such as arson and attempted murder.” (Link here for further information about this)
We can actually see Sarah display this behaviour early on in the show, particularly in her treatment of team Ghost. The planting of bombs into their skulls under her control is the most obvious example but there’s two others I want to talk about
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In the ending of episode 3, Sarah swoops in to rescue Dolph from his own suicide attempt. What she tells Dolph in this scene is damning evidence of her need for control over other people
“I’m the one who decides where and when you die”
Knowing in hindsight that she’s a Templar cyborg , she likely purposely planned it so that the news would catch her “saving” Dolph and label her as a traitor
Why exactly? Can’t really say, but I bet some part of it is just to give Sarah a little ego boost , convince the world she’s the underdog hero she sees herself as
But we can go further than that , in that Sarah wants control over how people live their lives, not just when those lives end in how Jade is treated by her
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It’s really easy to assume Jade’s role in the show is due to sexism , and that’s possibly very much the case still
But comparing the role Sarah assigned Jade to the other ghosts, it really makes no sense that Jade was made to play the femme fatale
Dolph and Bullfrog were given jobs that they already do on the regular (Dolph stealing an item using his cyborg tech and Bullfrog sneaking into the building) and while Cody was (presumably) meant to be the one wrestling, Pey’J has the strength and body build to fill in Cody’s absent despite his lack of skills and experience in wrestling
Jade though? She clearly has no clue how to be a seductive temptress, and Sarah must have checked over the ghosts’ profile. Meaning she seen Jade’s profile and seen what she’s actually capable off
Unless Sarah didn’t actually want Jade to do her job
You know what else is common in hero stories? Damsels in distress
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I think much like what she did for Dolph in episode three, Sarah’s plan in episode two was to rescue Jade. That obviously did not happen , but my point stands Jade was made a femme fatale so that Sarah can boost her own ego
It’s been brought up on Reddit that Jade’s hair (especially when styled by Sarah in the femme fatale look) resembles Sam’s hair
The two also have green eyes, and wears a hat that casts a shadow over those eyes
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We could go a shippy route with this, but this post is already extremely long and I think there’s more interesting things we take from this than Sarah’s weird sexual fantasies
Whether it’s a subconscious thing or something Sarah is fully aware of, Jade reminded Sarah of her father
or rather , how Sarah views her father
I’ve talked a lot about Jade already over here but the point I want to bring to this is that Jade is a passive character in this show. Sam in contrast is not a passive character, but it’s likely Sarah wishes he was
I don’t think Sarah was ever intentionally ableist towards Sam , but combined with her having power over him which makes her feel responsible for his well being from a young age and her believing in the Templar belief that control is the path to keeping everyone safe, I do think Sarah doesn’t respect Sam as a capable adult, especially his life choices that lead to him taking part and dying in the wasteland war
I don’t know what this really means for either Sam or Jade as characters or if these similarities will play a part in season two. What I do know is that this shows Sarah isn’t above trying to mold people to her liking
Which brings me the final two parts of the hero’s journey
Transformation: Sarah becomes a cyborg Templar
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”The Ship of Theseus is a thought experiment about whether an object is the same object after having had all of its original components replaced”
Since almost Sarah’s entire body is fully robotic , is it still Sarah’s body, or Eden’s property?
On the off chance that Sarah's brain is also robotic, is the things going through her head Sarah’s thoughts , or Eden’s programming?
Is Sarah even Sarah anymore?
Throughout this whole post I’ve spoke about Sarah , her hero complex and what may have influenced her behaviour. I don’t think Sarah came out of her transition into a cyborg member of the Templar order unscathed
While the ground work for Sarah’s hero complex were present, Sarah was once an innocent little girl who deeply loved her father. Sarah was not born into this world with an ego , she wasn’t born with an intense desire to control other people
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Sarah wasn’t born with blood lust in her smile
It was not just Sam who died that day in the wasteland, Sarah’s humanity and connection to other people died with him
There’s something odd about the fact Sarah is the only member of the board of directors who is a cyborg , we know this because Ramon killed the rest way too easily. We also know from Ramon , that people who make it to the top don’t stay at the top
Much like Phos in HNK, Sarah is very much a victim of drastic change due to her own choices and circumstances beyond her control
and finally
Atonement and return: ???
I don’t really have anything to add to this part , mainly because Sarah’s story isn't finished yet
We’ll have to see how things play out in season two it seems : )
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dorkousloris · 4 months
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its the final week of this month, so might as well finally make a art summary of the year! ✌ template i reused from @/necromosss on twitter sdgshdg
previous art summaries ( 2013-2022 )
my thoughts on my own art:
the most proudest moment for me is just managing to get the vibes i want in a way i couldn't do in the past, the way i do my colorings, the way i do body languages (when i try) and expressions, and hands!
but most of all, its... really nice to have my own style that screams "me", i still have a lot to learn like. drawing angular shapes, more background stuff, try to keep making dynamic poses the best i can, and more. but.
over all, i think im happy with this art style, its mine and mine alone. i.. dont really need to have a realistic style or too cartoon style, the balance between it strikes better and fits me the most. i still enjoy everyones amazing styles and theyre, once more, the art inspirations and my reasoning to keep drawing. not just improving but to enjoy my arts, and sharing with others because hey! i made a thing!
...and most important of all, this is my space, all i ever want was to just have fun, go crazy with my love for the ships i enjoy, and and just. keep drawing!
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votederpycausemufins · 9 months
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I have been bitten by the Gemcyt bug caused by @chrisrin
I thus present to you Zedaph as Poudretteite as well as Worm Man as 'Pink Chalcedony' and a fusion of WM with @sweetest-honeybee 's Evil Xisuma design. (Mainly bc i had a better idea of a fusion btwn the two rather than with chrisrin's tango and impulse, but i might figure it out) Thanks for letting me use your design! It let me make Covelite!
And while there's some notes in the drawings, there shall be more below the cut!
Okay so I immediately jumped to Zed being a pink colored gem and stumbled upon a few options. I knew I wanted to pick 2, one to be Zed's gem and the other to be WM's supposed gem, and almost swapped their gem types before learning that there was a chalcedony on the show.
I think it is a fun thing to have Zed and WM insist they are totally not the same person (or gem in this case), and here we see that WM is shapeshifting the gem position around, and that could have worked... if it weren't blatantly obvious that he looks nothing like a chalcedony. I mean look at how close the different colored Pearls look, or Sapphire and Padparacha.
The base form I used for Zed is from a gem silhouette from 'The Answer', which was the only one to have those lil ball hands as the others had at least some semblance of regular hands. So I kept that detail and even made a joke about how Zed can still just pick stuff up, and that even carries over to the fusion
speaking of the fusion.
Other than a ZIT(S) fusion, the most obvious one is w/ Evil X. And I absolutely love Bee's design and brain went nyoom with it, expecially the fact that he's corrupted??? Hello???!??! We saw in the show w/ Jasper and one of the corrupted Jaspers fusing that it left remnants of the other's corruption on Jasper herself. I loved the idea that Zed could get lil sheep like horns post-first fusion with Evil X, so boom, it now exists.
(Also the lil spots carrying over makes it even more obvious Zed/WM are the same gem so haha lol)
As for the fusion itself, I saw that Evil X seemed to have dragon elements, and that fits perfectly w/ my personal headcanons of them being an ender dragon (hybrid), and then we have sheep hybrid zedaph, and what is a fluffy dragon? luck dragon!!!
The front legs are more dragon like, back legs more sheep like (claws and then hooves respectively) and then there is fluffy luck dragon tail! oh! and I had fun with making the mane of hair work as Evil X's fancy collar thing.
Their head is based a lot on Alexandrite's, with the two mouth thing going on. I thought it would go nicely with their concept and i think it works well.
And then other details! I used the distance models style to show off the past reformations of Zed and WM. Also slight drawing mistake, in the lil comic of WM showing off his new corruption marks, he should be in his 'Early s5' design (I'll prolly go back and fix it in the morning fixed 'n added Covelite's colors). I picture the first fusion btwn the two being an adaption of when EX trapped WM in prison, then reappeared being good now to help him escape, but they needed to fuse to do so. (Oh i also used the distance models to do a lil size comparison)
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dggmsk · 3 months
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hi! i love your art and what really sticks out to me is your grasp of form (like how you can depict a person with just a few lines) and how you arrange shapes and colors
is there a way you studied that, if at all? i'm looking to improve both things i listed as i think my art looks pretty flat lol again i love your art and you're a major source of inspo :)!!
aww omg first of all thank you so much! second, seeing this message made me really excited because this is something i'm very mindful of and really enjoy about other peoples art so i feel really honored to fit into that description! to answer your question directly: i used to paint abstract and i think i have learned a lot about shapes and color from that experience as well as studying other abstract artists.
while painting i found it liberating to use difficult and/or hard to maneuver brushes. there is a lack of control that comes with attempting to paint with a cloth or the rough end of a broken crayon that can make the creative process feel less restrictive. this is absolutely possible to do with figurative art as well. the key for me was to let the brush strokes dictate the shapes and not put too much focus on making a silhouette look 'realistic'. another thing i really love to do is to paint with 'negative space'. back when i was painting with oils i would often paint several layers of solid color and 'carve' shapes into the canvas with something like a palette knife. this is a basic layering technique that i use for digital art as well. u can see a sort of example of that with these drawings that i have posted:
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it is essentially two layers, a solid color background with another solid color on top of it that i erased parts of to make a silhouette. i find this method not only to be a lot of fun, but the contrast between void and life makes you take the form a lot into consideration. another thing i like to do is to use a big, hard to maneuver brush and create the silhouette by painting the shaded, darker parts first. while that works really well with solid colors and flats, it can definitely be used for any sort of talent and style. using these two very different illustrations i have done as an example:
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of course this is a matter of taste and style (like no need to use these strong contrasts and overwhelming shadows, that's just what i like to do lol) but these methods where sort of my gateway to getting a better understanding of shape and form. as for colors, i can only recommend to try and mess around with it but from experience i think some sort practice with figuring out how to balance different shades of black really helps.
my tip! if you are into character drawings, try illustrating a character as if they were only one solid color, build out their shape without sketching beforehand, let your hands go wild, then try to fill in the solids with details. or do the reverse, fill a paper with nothing but color (even graphite works great!) and try to make the silhouette by erasing. let the materials you use decide the outcome of shapes then consider what works and what doesn't, then do it again! and keep an open mind! what didn't use to make any sense eventually will (-:
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starrysharks · 5 months
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(positive) thoughts on black madoka
-the contrast with homuras pale skin means they'd look really good as a pair, imagery like them holding hands and the such would look so nice
-as an artist that often has thoughts on making characters black solely through a color scheme angle, if anything I'd say make her darker so you can get more contrast with her bright light pink hair
-YOUR COLORS ARE SOOOO GOOD just so cute and bright and fun and candy like and harmonious
-lastly as a white person I'm wondering if you'd have any advice or if you have any pet peeves with darkerskined character designs, I choose my ocs skin tone solely based on the color scheme (and whenever i draw canon characters with darker skin i tend to do so based on their pallette and to get more variety in the cast) and sometimes I get worried I could accidentally be making 'poor representation' sense I'm not considering they're race at all. (like I don't even decide if they're black or like, Indian or some other race/ethnicity with darker complexions) and so many 'guide on drawing black characters' focus on more like, realistic stuff (like don't de-saturate the skin tone[what if the color scheme calls for it???]) and honestly most of them make me scared to draw black characters at all because i'm scared I'll do it wrong, i want to play around with stylizing fun hair styles but I don't because I'm worried I'm not 'allowed' to as a white person
-anyway have a good day your art is top tier, like i've spent time studying how you use shapes and colors to improve my own art level top tier (i also have aheavy focus on shapes in my art :3)
firstly, thank you for the compliments on my madoka design!! i did also draw her with contrast and pallete in mind. when it comes to my own designs, usually it's a mix of what aids the color pallete and representation, i guess - i want to make fun, diverse casts, so i make sure to put a lot of variety in character races and ethnicities. sometimes it's also because i think a black character would be awesome in a pre-existing trope that's usually only delegated to white characters - such as the cute and confident girl-next-door mallow, or the badass gunslinger lunette! that's also another reason why i wanted to draw mado black, as there is an obvious shortage of adorable "moe" black girls in general media, let alone anime.
when it comes to learning how to draw non-white people for white artists, i would say one thing - talk to the demographic you are drawing! many black artists are open to questions, and there's even a trend going on twitter where black artists are drawing curly and coily hairstyles in their own styles. feel free to experiment with stylisation, but i would really recommend both directly taking from real life references and talking to black people for advice and critique! and when it comes to different lighting, there's a world of guides and references to black skin in all styles from realistic to cartoony. also about desaturation to fit a piece's pallete - it's fine (for me), so long as it fits the rest of the piece's saturation levels. think of it as the 'rule of thumb' for lightening dark skin in pastel art - when everything including the skin is lightened, we can tell what the original tone of the skin is. of course i am just one black guy and am not the spokesperson, so please talk to other black artists (and other non-white artists) for advice if you feel you need to!
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ursaspecter · 2 years
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Now time for the best girl: Valerie! The first two aren't so much redesigns as they are just drawing them in my style with miniscule changes. Her upgraded Red Huntress outfit is the one I really redesigned. I usually don't do mechanical tech stuff, so this was a fun challenge! As always design notes will be under the cut, and any feedback is appreciated and welcome!
Tools used: XP Pen Artist 15.6 Pro, Clip Studio Paint Reblogs >>> Likes!
For her casual outfit I gave her a sort of muscle tee instead of a tank top since I personally think the tee is cuter :P I also made her skirt a pleated one because I saw so many cute pleated skirts in Delias catalogs while researching her looks.
Her first Red Huntress outfit is not much different from how it is in the show. All I did was make it slightly more practical and added more detail to her backpack. I loosely based the design off a proton pack from Ghostbusters. If you've seen my Ghostbuster Barbie art, you'll see the similarity.
Now the fun part. Her upgraded Red Huntress outfit was inspired by the plugsuits from Neon Genesis Evangeleon (which I still need to watch). I thought they really fit with the y2k futurism aesthetic I wanted to incorporate into this design. All the reds were taken from Vlad's color palette to show that she still got her tech from him in the first place.
I think there's something interesting about my designs for Danny's ghost form and Valerie's Red Huntress. Danny's is more utilitarian and has a lot of big pockets to store things. He has a belt and harness to attach things to him or himself to other things. Valerie on the other hand is very sleek and has no pockets. Her main task is to hunt ghosts and collect her bounty whereas Danny's main task is really to learn to live with his powers even if he ends up defending the town along the way.
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