im very normal about fuuta in general but i dont think im ever going to emotionally recover from his fire motif and what it represents for his character and how he reflects the greater theme of justice so that means i must rant about it
(more under the cut because this got longer than i expected whoopsies)
so anyway fire is pretty obviously supposed to be symbolic of his passion for justice right? that fire is all over the place in bring it on. he's wielding it to take down enemies, his signature weapon is a flaming sword. it's what he uses to lead the campaign against the people he's after, the people he's deemed in the wrong.
it's a fucking flaming sword, it's badass as hell!!!! it's what a hero of justice, a knight, would use!!!! it's cool as shit, it's his symbol of justice.
that's how he sees his justice in trial 1.
he's righteous, he wants so badly to believe he was a hero, he was doing it all for a good cause, for justice. his passion for justice was a tool he used to meet those ends, to be a hero, to wave it valiantly in the face of enemies.
the fire, however, is conspicuously absent once he's noticed the blood on his hands
interestingly, despite backdraft as a song title being much more related to his fire motif than bring it on, fire is actually surprisingly absent from the mv's visuals. fire, as in actual orange burning fire, doesn't show up much at all in backdraft except for when both fuuta and his victim begin turning to ashes, and a short bit near the end right after the last chorus when the spraycan explodes in fuuta's face. you know what the mv does show a lot of though?
smoke. and ash. the byproducts of a fire, the byproducts of fuuta's passion for justice.
bringing it back to firefighting for a moment: as many people have already pointed out, backdraft as a firefighting term refers to when a fire that has consumed all available oxygen suddenly explodes when more oxygen is made available, such as when a window or door breaks. the thing about fire hazards, though, is if the fire and the heat don't do someone in, usually it's the smoke. the smoke inhalation causes breathing difficulties and suffocation, making it even more difficult for a person to escape the fire.
in backdraft, instead of fire itself, what we're shown is these byproducts of a fire. the smoke is damaging to human health, and the ash shows that the fire has burned things up and caused destruction, in this case killing someone. all we're shown is the negative results of a fire, in sharp contrast to its badass, positive portrayal in bring it on.
hell, even fuuta himself starts turning to ashes and the spraycan explodes in his face, showing how even he is experiencing the negative results of a fire that has gotten out of his control, how even he has gotten burned by his passion for justice. or, is it es' desire for justice?
translation of fuuta's t2 vd by onigiriico
Me, too! I was like that, too! I also didn't think it'd turn out that way!
You and I are exactly the same breed! The only difference between us is the clothes we're wearing.
fuuta's justice and es' justice, it's all the same in his head now, he directly tells es that they're the same, that we're the same. it's all the same hunger for justice that ends up causing harm even if that wasn't the intention.
you know that saying that fire is a good servant but a bad master? i think that's pretty applicable to fuuta's situation. his passion for the pursuit of justice was great when it was still a tool, a sword he could wield, after all he did manage to shed light on some people's wrongs and bring them to justice. but once it exploded, when it became a backdraft that even he could no longer control, it did more damage than he intended.
it burned even him, it killed a middle schooler. and he recognizes that in backdraft. he only shows us the ways fire that becomes a hazard can go wrong.
translation of fuuta's t2 vd by onigiriico
What did I do? All I did was say that what's wrong is wrong! I was just going off at a bad person online!
I didn't think they would die! I just thought that wrong things are wrong, and that a crime is a crime! You get that, don't you? See? Aren't we the same?
it's just. fire is such a good metaphor for the message of fuuta's character and his arc. it's an amazing illustration of how dangerous it is when you feed a desire for justice too much, when you forget to put a boundary on how you handle that fire. eventually the fire spreads just like how passion for justice becomes zealotry, until more and more things fall under what you consider to be 'punishable' by your standards and goes out of control to hurt people that probably didn't deserve it. it's a warning to set proper boundaries on our own definition and desire for justice and what's 'right' so the good intentions doesn't spiral into harm. it's a reflection of our attitudes towards milgram as the audience responsible for their justice and forgiveness. it's amazing i love it i love fuuta's fire symbolism i love fuuta's character arc and i love milgram's writing so so so much
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Template by @juni38
Im going to be completely frank with you all... and admit that I read these options and wasn't sure how to take this chart,,, so uh. Under the cut is Another Version. I'd apologize but I've given you the option to keep scrolling ¯\_(・・)_/¯
(If you notice characters missing on Kim's side, I probably figured she doesn't know who they are lol)
For the record,,, if they *wanted* me to pull their hair-- *is shot several times before I can continue*
Uhh Matthew is here because I have been converted fully on he/him or enby lesbian Matthew I think. He lives in my brain rent free now, very gender. I'd pull his hair but also I think he mostly just deserves to have it played with nicely.
And Scott's here because 1) I enjoy trans Scott, 2) Kim Pine Brain Rot possibly, 3) idk he's like,, the exception. God damnit, I've fallen for the inexplicable Scott Pilgrim Effect. What the fuck--
I did think about doing this chart like everyone was actually applicable to my tastes, but even if they were I think the ones I didn't put up would have to fall on the caress side bc I just don't feel that way abt them lol.
Again, not to say that's the case for the gals over on that side,,, I just think I would want to be gentle w them shxkdjsdhbd with the exception for Lynette who probably deserves to have her hair pulled, but again I fear she would Hurt Me,,, but maybe in a fun way,,,
Anyway No One Look At Me....
(,, also,,, Ramona is so far over bc I think she would enjoy it,, otherwise she'd be closer to Kim in that section. Same thing w Roxie)
If anyone actually looks at this version, I'm not opposed to doing a version like this for Kim btw! Just ask for it so I feel like I'm not just Dropping This and scurrying away
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it's actually so fascinating to me that Brennan has created a character that maintains a pretty relaxed and mild-mannered demeanor and has said multiple times that the absolute Core of her is "FEAR" and how often we see this Fear manifest specifically in Avoidance; it really nails a relationship to that mentality where your brain fully Stops recognizing the emotion properly out of like, sheer self-defense from the stress of having to carry it all the time
I think this is also perfectly showcased in the way we tend to see Tula swing so suddenly from 'level and steady' to 'snarling Panic' and then back again - Just because your brain has detached itself from the Conscious Recognition of the emotion doesn't mean it can Actually stop itself from experiencing it. So the Fear is always there and always acting as a stressor, but because of that inability to Identify it there's no way to recognize or address it before that final straw hits and your bodymind jumps Straight into Full Meltdown Mode; but then once again, once you drop even a Little bit below that Peak Terror your brain ceases to process the emotion; it's like the most exhausting form of Poor Object Permanence in the world
And even if Tula is aware of this happening to her, that doesn't really make it any easier to deal with / address. Even if you're able to spot the symptoms Around the emotion -- chest pain, irritation, nausea, whatever -- because the Emotion Itself is basically impossible to find, you can't really Successfully Pin Down what the problem is OR a way to cope with it. If you can't figure out That You Are Anxious, then figuring out What Is Making You Anxious is impossible, which makes Find A Way To Make Peace With That incomprehensible. That's where the Avoidance comes in: you can no longer identify what might be a Dangerous Situation, which means that Anything New has a big potential to be Really Bad in a variety of ways (ranging "I don't Feel Good" to "Fully Lashing Out bc you've entered Fight/Flight and can't get out of it" to "Actual Outside Danger This Time") and that means the Only Way you know how to be Safe is to just Avoid Doing Anything New and Only stick to Familiar Situations, because anything unfamiliar is a monster of a gamble you don't know how to prepare for or cope with
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to what degree do you think Cartman will grow to be a better person?
According to Trey’s commentary in Tsst, it doesn’t take much: Discipline, a firm male figure in his life. And now, implied by the end of Pandemic Special and towards the end of P.C, time away from friends who enable him are the ingredients for a better Cartman.
As little as it takes for him to be grow, it’s also just as easy for him to regress. Liane giving in on one occasion reverted what was months of firm parenting. A stagnant Kyle in P.C spurred Cartman’s paranoia, and reverted him back to his scheming 10 year old ways. He thinks he’s being talked down to and self sabotages out of spite at the end of Future Me. I think also a contributor to his Cartman-ness is how South Park itself doesn’t let him stay good for long, meager as his attempts may be on occasion. He’s the adults’s scapegoat (Bass to Mouth) as well as the Kids’s (Good Times With Weapons). the kids encourage Cartman to retaliate against Pc principal instead of letting him accept detention, and they smash his things while he was sincerely attempting to be PC.
Anyways, Cartman’s demonstrated he can be good in PC— he’s the father he never had, a loving (perhaps overzealous) husband, embracing the religion he’s constantly belittled.
While it was one off gag in Future Me, Cartman was inspired by end of the episode to study and work at his appearance. His future-self was proof that if he really wanted to, he can turn his life around.
He has the capacity to come to to right conclusions, (“should I just apologize to my friends and ask them to take me back, and tell them I was being a selfish jerk? Admit I was wrong and ask for forgiveness?”) He just… doesn’t have the discipline nor the humility to do so. (“Nah, screw that! I’m just gonna keep being a fucking dick!”)
At this point, we’ve experienced both extremes of the spectrum of goodness Cartman lies— his worst as a homeless drunk, the bastard boob-job narcissist he is now, and his best as a self made millionaire, or a family man devoted to his faith, or the obedient little boy who does his homework before school and eats a gay ass grapefruit for breakfast.
It isn’t a question to what degree Cartman can be good, because he’s shown to be good in various ways. The question is whether Mattrey/ the town of South Park will allow him to realize his potential. Given the very recent circumstances of The Hot Dog… well, it remains to be seen.
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What does ancient language sound like? Assuming the text in your comics is translated and they don't actually speak English, does it sound similar to the noises iterators make when you don't have a mark of communication?
yee, it is translated. both dialogue n in-universe text- conlang n stuff can be fun but ultimately i only find it annoying and hindering what i feel like is most important with comics n that is communicating the situations, explaining the world and emotional happenings of the characters to the audience
ANYWAY yeah, i suppose! it sounds smth like that! without the electronic effects, stuff's replaced with a cheap underwater voice effect when the words come out of the Ancients' mouths
i like to think that the Ancients have a quite different throat muscle structure than us and it moves in a manner that would creep a normal human the fuck out
i don't really feel like i can draw it well tho ngl sdlgksjcklds
this throat stuff is the case because of their lack of a tongue, so the main working things in their speech are lips, nasal cavity, the Mouth cavity (their cheeks can kinda like... go inwards. english.) and then the wet wet throat which does most of the delicate pronounciation stuff (the stuff up there is very simplified, there's supposed to be a lot going on)
i like to think that their language has tones similar to chinese languages, too, so like these
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I love crawling out of the depths, opening up tumblr, and seeing your art. I love it.
it is quite interesting how social media can fall to the wayside, and people on the internet can just disappear forever if they really wanted to! I admit I struggle to keep up with "public accounts", they are uniquely stressful and I solute your hibernating tenacity. always lovely to see you resurface regardless, thank you very much for the lovely compliment...
I will say in case any of my dear followers were wondering where i've gone for the past month and a half, for weeks i've been pondering how to even broach the enormity of the topic that is: I made the mistake of thinking about my most favorite character for more than 2 minutes in one sitting. I intentionally go out of my way to avoid this and have many strategies to evade this occurring because every time I do enter a sort of hermetically sealed mental chamber where it's just me and him and his life and I begin to ignore all points of previously established social contact and also my health indefinitely. It's difficult to convey the emotional experience of this or its psychic magnitude. and it's hard to say "guys i really love this character!" because that's just words. you can't see it. the 10 years of obsessively thinking about some guy so intensely on&off cyclically until you've made 20 different worlds he's living in... how does one convey the depth of these without artistically depicting them as you see them to be...? i am trying to figure it out. currently planning a longform comic for my favorite and several smaller comics for others, but logically an individual can understand this takes a while... he and I have had multiple rendezvous over the past decade and I wish I had more "historical" art to show but for many of these years I have been a bit too physically disabled to draw, the past several weeks have been spent attempting to recreate his ideal form as he exists in my head. he is starting to come around!
I typed up three separate disquisitions last month to try and explain my feelings on him and none of them felt like the proper vessel to communicate this concept. which is likely for the best. the obvious answer is "just draw him". fine with this being the case, difficult when I have so many drawing ideas I'm now sitting on 100+ works in progress and they just keep accumulating since my brain generates these like an old laptop you leave in the corner of your room to mine bitcoin. in a way I'm content with this being a very "personal" experience thus far, shared with me and those in my inner social circle (really cannot emphasize to my readers enough how fandom can poison your constitution without self-checked moderation). however... I yearn to meet others who are as passionately involved with him as I am, because I think we could coalesce our ideas, and passion, into something beautiful...
^dio brando
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