you know what boils my blood.
over the last 2 weeks, i've seen countless patients walk into my urgent care center, symptomatic for so many things, refusing to get tested for covid and flu, citing that they don't want to knowingly bring it to their holiday tables. i had a patient tell me, verbatim, "i don't want to test for covid, because i don't want to be the asshole who brings it on a plane."
i understand that - i understand that holidays are times where people look forward to meeting loved ones that they might only see once a year, or where they get a break from the hectic back and forth of their lives.
but here's the thing - whether they get tested or not, they will bring whatever they have to their holiday tables. it's pure recklessness to know that you're sick, and walk into someone else's house spreading the disease.
today, january 2, i saw 91 patients, many of them who have tested positive for covid and flu. many of these patients are the same ones who didn't want testing 3 days ago, until their events were over, and now, they will have to reach out to everyone they know to let them know that they were positive because they were showing symptoms well before their event.
the next week or two? we're going to see many, many more, all people with symptoms that started around christmas. these are the only two viruses we test for rapidly in our office, but they are potent and can be fatal in many people.
so here's why i wrote this post, and maybe it's a little late, but - if you care about your loved ones, please get tested if you know you're sick. it doesn't have to be at a clinic if you don't want it to, because the over-the-counter tests work just fine too (if you test within 5-7 days of symptom onset). just...please don't try to run from the knowledge that you might have covid, because immunocompromised people, elderly people, people with co-morbidities like asthma, pregnancy, diabetes, etc...many of them may not recover. and they may not be sitting at your holiday table in the future because of it.
13K notes
·
View notes
(Image description below 'read more' line.)
[Image ID: A four-by-four alignment chart on a white background with text descriptions to the left and to the top of the squares.
The top left description reads, "seems like they'd be good at parenting." The top right description reads, "seems like they'd be bad at parenting."
Then, from the top down, to the left of the squares, the other set of descriptions reads: "excellent child rearing instincts," and "never trust them with a child in your life."
Each of the four squares contains an image of a different character. At the top left is an image of Lan Wangji of the Mo Dao Zu Shi donghua. He sits between the descriptors "seems like they'd be good at parenting," and "excellent child rearing instincts."
In the top right square sits an image of Wei Wuxian, also of the Mo Dao Zu Shi donghua. He sits between the junction of "seems like they'd be bad at parenting" and "excellent child rearing instincts."
In the bottom left square is an image of Xie Lian from the Tian Guan Ci Fu manhua. He occupies the square with the captions, "seems like they'd be good at parenting" and "never trust them with a child in your life."
Finally, in the bottom left square, sits an image of Hua Cheng from the Tian Guan Ci Fu manhua. He occupies the junction between "seems like they'd be bad at parenting" and "never trust them with a child in your life". /End ID]
28 notes
·
View notes
Hiiiii! So, a few days ago you were talking about the whole thing with Amy, Rory, and River. And when I saw those posts a thought arose in my head and I wish to share it with you.
Since River grew up with Amy and Rory as Mels. And Mels was Amy's best friend do you think that they ever talked about children? Since I know that it can come up when talking with friends, and like... do you think that Amy might've ever expressed whether or not she wanted children?
And if she didn't, that Mels would've had to listen to her mother say that she doesn't want children? The idea is so heartbreaking and sooo interesting.
What do you think about it?
no, no, see, you're so right and this drives me wild.
because, the way i see it, i don't think amy wanted children. she's somewhere on the 'hasn't thought about it' to 'vaguely negative feelings about it happening' range to me, which falls sharply into 'Not Happening Ever Again' post-s6. (specifically, in terms of having a kid herself, even if she could, i really don't think she would. i do love that she and rory end up adopting a kid later, because that does make sense, for amy pond who grew up alone in one universe with her family swallowed by cracks in time before the doctor helped her set it right again, for her to want to make sure another child won't be alone in the world like she was. getting off-track here.)
and that's so. because the first real memory river/mels has of amy is of amy shooting at her. and depending on how well the silence fucked up the rest of her memory, it might be one of the very first memories she has at all. that's how she met her mother, crying for help and getting a bullet instead. her mother tried to kill her, so of course, you have to think. she must have needed to hear that she was wanted, right? even if she was taken away, even if amy shot her, at some point, melody must have been wanted?
river is good at getting people to do what she wants, but she is very, very bad at subtlety. and mels is younger, has less practice, so when she wants to know this, she's just going to ask. blunt and quick, easy enough because amy's used to the way mels will open her mouth and you just have to be ready to roll with what comes out if you want to keep up. it's why they're such good friends (like mother, like daughter.)
they're nine, and mels asks if amy wants kids, and amy wrinkles up her nose and says she won't have time for children, obviously, once her raggedy doctor finally comes back. they're fifteen, and amy and rory dance will they-won't they in a way that makes mels twitchy to watch, and taunting amy about wanting to have rory's babies is a good way to get on her nerves. but amy calls her gross, tells her she's got more life planned than children would leave room for, and besides, imagine her, a mom? it'd be a disaster.
mels does. a lot. she looks at her mother and just sees her best friend instead. she's not even sure what she wishes was there, but. maybe amy's right. and besides. imagine her, a daughter, instead of the ticking time bomb she really is? it'd be a disaster.
they're sixteen, seventeen, eighteen, and on. mels stands on the outside of a love story that births a universe. and her. how do you compete with that? not that she would know, not yet, she hasn't been there. but it doesn't make her feel any less alienated when amy and rory talk in whispers about a half-remembered world that's bled through to this life, about roman soldiers and boxes and the big bang of belief.
all these memories, they never mention children. on amy's wedding day, she's different, not like someone remembering a dream but someone who lived it. rory stands straighter, won't leave her side, and they're both so much older than they were yesterday. maybe now, right? a wedding's as good a time as any to decide you want kids.
mels not being at amy & rory's wedding is such an obvious lazy way of them trying to explain why they totally didn't just throw this plot twist together at the last minute that i'm not even going to acknowledge it. of course she was at their wedding. she's their best friend. there's too many people around the doctor, and she wasn't ready today of all days, so despite this horrible burning need under her skin to strike, she stays her hand. doesn't let him dance with her because she might just tear his throat out if he gets too close. stays with amy and rory as the maid of honor should. she must have been there for the awkward questions that always gets asked, 'so, any plans for a baby?' 'when am i getting grandkids?' 'oh, you two are going to have gorgeous children together.' standing a few feet from amy in her wedding dress and watching her mother tense and grit her teeth and brush off the questions. watching her look nervously at rory but never ask if he means it when his mom asks him if he'd prefer a son or a daughter, and rory answers 'either one, some day, not anytime soon.'
god i'm just going on and on, aren't i. but really, what's it like to know that amy never changed her mind. the next time she sees them, she's already been born and stolen. i don't like let's kill hitler for. so many reasons. but there is something compelling about how recklessly river lashes out at the world, at the doctor. even her sacrifice at the end is almost suicidal, throwing all her regenerations into this man without knowing if that will even work or if it might kill her to do it. but it makes more sense in the context of someone who has reached the end of a long, long wait for some kind of indication, any kind, that her mother wanted to have her. and finally been told, no. she didn't choose melody.
7 notes
·
View notes
while only a minority share this view, i do find it somewhat tone deaf when people claim jay's ending is the best outcome for an abuse survivor -- either directly or indirectly implying everyone in the holt house was an abuser that jay, their sole little victim, had to get away from. for starters, none of his endings are happy ones. not even the fugitive path where he's holed up amongst nature, has a dog, and is bathed in solitude. maybe if you close your ears to what jay's saying during that scene you could see this as good for him, but his dialogue is stifled with an achingly loneliness, a sadness. this idea that he craved being alone in the wilderness is not one jay paints himself, it's only something that's said by tyler ; someone who clearly doesn't understand the younger on any level, much less grasps his desires. yes, jay wanted out, he likes nature, though no human can stew in their own space for years without this affecting them mentally. and that's not even taking into account that his entire life is over! he can't travel, he can't visit other countries or get lost in other areas of wood lands or plains, jay is infinitely stuck where he is. it's not a prison cell but it's a cage nonetheless, as the old saying goes : a golden cage is still a cage, after all. he tells zoe these beautiful sights have grown dull on him, laments about missing his family, vanessa, and is so chained by his want for connection he reaches out to a desert dream victim of all people. like, what about this muted cynicism, this barren home, seems happy? maybe he wanted this, some whimsical dream of this, before. now though? it's not what jay thought it'd be, and he lacks any power to change it. this is not some amazing ending for abuse survivors, it's still sad in a melancholy way, simply because jay is visibly unhappy with said circumstances.
but moving on to this, ah, ‘poor little victim in a lion's den’ narrative ... what? i think a lot of people fail to grasp how complex the holt household is in terms of toxicity and abuse. something that's very common nowadays due to how much people project rather than see what's in front of them. and don't get me wrong! projection is fine, you do you, we all consume and parse through media differently -- but this narrative is, by canon evidence, rather fictional. to be completely blunt, jay is not the only victim stuck in the holt house ?? the abusers have always been bear ( physical abuse, verbal degradation ) and sharon ( passive in the face of her kids' abuse, emotional manipulation ) ... and we are literally told point blank by the story itself and another character that these two favored jay immensely compared to their other children. now i'm obviously not saying that he has not faced trauma, he has! favoritism in a house like this does not shield you from the toxicity, sometimes that favor makes things worse, but he was protected to an extent, in ways tyler and dale were not. those two very clearly faced the brunt of bear's physical abuse ; for each other, for jay, and just overall caught their dad's ire more because they stood up to him. tyler takes a beating, a sight that's not at all new by his grim acceptance of this and the fact he states he's been doing this since young :
so, this is normal for tyler. getting beaten by his dad ( which isn't even mentioning the horror story bear can tell to ash, about how he literally threatened to cut tyler's ear or finger off ) and having his mom overall turn a blind eye to it, even going as far as to dismiss this fighting as childish behavior rather than what it is. and dale? we don't see much of him and bear in general, yet the second he steps up to defend tyler, with something as measly as a shove back, bear wastes zero time in hitting him so hard he's practically out of commission for the rest of the fight. he didn't even think about it, merely swung at dale as hard as possible on instinct alone before tyler hastily stepped up to defend him. what happens when jay tries stopping the fight, though?
both parties grab for him so they can toss him out of the way so he doesn't possibly get hurt. you can speculate bear was only doing this in order to finish his punishment on tyler, he'd deal with jay later whatever, although why not punch him like dale? why, out of all the moves on his belt, does he do the more merciful option? bear, who is nothing if not made of violence and has been molded to respect it? his fist that's raised in the air isn't for jay, since the next frame is jay shoved out of the way and him hitting tyler again ... hell, in dialogue where bear and jay are sitting on their porch, the youngest can even say bear beats on tyler and dale specifically. why not say “you beat on us”? like, the game is heavily implying that while jay is traumatized, there are some methods of abuse he simply did not face. one of them being the physical abuse prominent at home. and no, i'm not counting whatever pranks dale's pulled on jay ( like shooting him six times with a bb gun lmao ) because honestly? that's just older brother behavior, and we know that despite the morbid pranks, he still looked out for jay in the ways that counted. like protecting him from pa and to an extent tyler, something which, again, jay says himself!
back on topic a bit, the notion people seem to have of jay and his family seems overly simplified to me. people just looked at dale being his usual asshole self and went ‘abuser’, people looked at tyler's rather drastic and not usually like himself reactions to a high stress situation and went ‘abuser’, and that's a bit ridiculous to me. can't say i'm shocked! since so many people nowadays just see someone mean to their favorite character and decide woobifying said fave while demonizing their opposing force is exactly what canon intended. as dusk falls couldn't be a game more clear about it's main theme of family and the fact there's no purely good or bad people in this world, two statements that correspond directly to the holt family. are they bad for each other? probably! but that's a different discussion compared to, say, every single soul in that house violently abused poor jay and they should reap the consequences of that. dale and tyler, like their beloved younger brother, are also victims of abusive parents and a toxic home life. in turn, they both show signs of this abuse in ways that aren't entirely sympathetic or easy to swallow, especially when they've been dealing with it longer than jay and have never had their parents' favor the way he did. i see people get angry at tyler for the famous cabin scene, but nobody turns a critical eye to sharon ; who for all intents and purposes is watching this unfold without a care. she never physically stops tyler and her attempts to kill the fight are weak compared to her previously steely commands. and, honestly, the fact that tyler was that stressed about sharon getting on that bike so she can be protected, when she's the most capable out of the three of them, is way more strange than tyler's outburst -- when he's in a high stress situation, his baby brother's dead, and his life as he knows it is over. a life he didn't even have to begin with, since it was stolen due to his abusive upbringing.
whether this excuses what he did or not is entirely up to the player! i personally don't think it does, though i also understand where this is coming from and the game makes it clear this is not usual tyler behavior. throughout other people's views it's hammered into us that tyler has a cool head relatively, is the most sensible and smart out of his brothers. so, no, i do not think he was choking jay out all the time for his misplaced resentment -- i think his obvious disliking came from his stilted interactions with jay, and his lack of bond with him at all. we see in book one two times he reaches out to jay, demanding that he eats ( a minor, small thing to fret and worry about ) as well as panicking when he sees jay away from the rest of them during a shoot out. dale constantly looks out for jay as well, going as far as to take the heat from romero if they get caught and something as small as taking blame for jay's mistake in the barn scene. are his brothers more prone to violence and apathy? sure! yet they clearly love jay regardless. abusive households are not easy and see through. in fact in many cases the different levels of abuse the kids suffer does breed life altering resentment later on, envy that can damage these bonds permanently. honestly the holt family intrigues me deeply because of how well written they were as a unit, the effects of abuse and toxicity subtle and not overt in a ‘psa message’ kinda way. and these horrible relationships and ideals shared do not negate from the even more horrible fact that there is love in this messed up family, even bear clearly loves his sons, but that doesn't make it better. it almost makes it worse, seeing all the good intentions and care. knowing it doesn't excuse what they've done to each other nor does it make them better. they're a picture perfect family of an ugly wound! which is fascinating! i only wish more people saw that wonderfully shown depth rather than this bland and lukewarm take on the holts overall.
jay is a victim, he is traumatized, he deserved to one day spread his wings and put some distance between himself and his family ... but he was not the only one who deserved that ending, and he was not the only victim there. he was merely the only one with easy to parse trauma responses.
20 notes
·
View notes