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recurring-polynya · 4 years

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9, 13, 19, 23 for RenRuki OTP meme!

9. Have they made each other cry?

Neither Rukia nor Renji are criers by nature, but absolutely yes.

I looked it up, and weirdly enough, Rukia does *not* cry in the manga version, but she does cry in the anime when Renji tells her to go to the Kuchiki. Regardless, I think they both had some wet face syndrome in the days following that.

Rukia was having a pretty tough time in the Academy, and Renji was in a constant state of unconsciously rubbing it in. I bet he made her cry at least once, although she is way too stubborn to actually do it in front of him, I think she did it in private, later.

I’m not sure crying over someone is the same as them making you cry, but I believe with 100% of my being that the “fear she was trying to avoid” in the As Nodt fight was Renji-related, and even though she held it together pretty well at the time, I hope homegirl went home and had a good cathartic sob after the fact.

In the same vein, it’s very believable that Renji had at least one tearful breakdown at some point in the Soul Society Arc. I imagine he came home and puked his guts out after he had to arrest her and throw her in a holding cell and there could have been some tears that went along with that, and possibly also after he found out that Byakuya had no intention of lifting a finger to stay her execution. (I just realized this is not the first time I have headcanoned Renji puking out of grief and it’s true, I think he does, it’s great, I love my brain, thanks)

I would bet money that Renji (possibly both of them) teared up a little when Ichika was born, and/or when they found out about the pregnancy.

Also, not to ruin the vibe, but it seems highly likely that at some point in their acquaintance, probably in their Inuzuri days, Rukia kicked Renji in the nards hard enough to make tears come out of his face.

13. Name something they would never do for the other person.

Like the dealbreaker question, this one is really hard because they are both really intense people who are absolutely ride-or-die for each other (as well as everyone else they know). I am still sticking to my guns that Rukia became a shinigami in the first place for Renji’s sake, and Renji’s entire first character arc involved him binning 40 years of hard work and career ladder climbing to be with her.

That being said, though, they do maintain a fair amount of personal autonomy that I think they would stick to. Renji would never get his brow tatts removed, for example, no matter how much Rukia hates them (or conversely, I think he didn’t tell her before he got them because he knew she’d tell him not to, and he was determined to get them and wouldn’t have listened to her anyway). Likewise, if she asks, he will refrain from wearing a particular pair of extra-terrible sunglasses to a Kuchiki family picnic, but he’s not going to get rid of the sunglasses collection for her. I honestly can’t imagine her seriously asking him to do either of these things-- she’d rather just drag him for them.

I think the part in WDKALY where Rukia decides to keep “Kuchiki” as her professional name was written in a kinda stilted and dumb way, but I do not disagree with it. I am reasonably sure that this was decided at an editorial level, because if they have a Bleach continuation, they would want the character to keep her more familiar name, but then they added the fact that she took his name more generally because people are weird about women who don’t take their husbands name (and then people argue that her keeping her name is “evidence” that she doesn’t love him... so, honestly, there’s no winning either way). Personally, I didn’t like that they waited until they were actually in line at the Soul Society DMV to have this discussion (with Byakuya standing around, no less), but but otherwise, I think it’s a nice compromise, and that Rukia would want to use the names of both the men she considers her family. Renji seemed vaguely disappointed that she wasn’t taking his name entirely, and I can see that, but also, it’s her choice and he doesn’t make a stink about it, which rings true to me.

In all of these examples, the principle is that, all else being equal, each of them will take input from the other, but they would stick to their guns when it comes to decisions about themselves. That doesn’t mean they are going to die on these hills out of sheer stubbornness. I wrote a fanfic once where Byakuya died and Renji married Rukia in order to help her consolidate power in the family, and he took her name and very vehemently made everyone call him by it.

Also, I am sure there are some household chores that Renji would like done to some particular specifications, and Rukia just will not. Like, she refuses to rinse the dishes before she puts them in the dishwasher and she won’t squeegee the glass after she showers, or whatever the Soul Society equivalents of these things are.

19. If they could each write a single line in their marriage vows, what would they be?

I cannot emphasize enough that Byakuya paid for their entire fancy Kuchiki-ass wedding and even though they are constantly on their best behavior around him, he knows how they are and he would never, ever let them write their own vows.

So, here is a dispatch from some secondary drunken, backyard wedding that they had for close-friends only (Byakuya was also there, but Isshin slipped him a pot brownie and he was feeling very at one with the universe at the time)

Who the heck writes a single line of their wedding vows?? I gave them each a paragraph.

Rukia:

People have been joking a lot, every since we started dating, how lucky you are, but the fact is, I am the lucky one. I’ve been so fortunate, in my life, to have such good friends and family, but I feel luckiest of all to have you-- you’ve always been there to cheer me on, to pick me up, to make me pickles. You’re brave and you’re handsome and you have really, really great hair, and I feel like the luckiest person in Soul Society that I get to marry you. I love you so, so much, you big dummy.

Renji:

I used to think that I would be content if I could just love you from afar. That just being able to see you and hear your voice and know that you were happy was enough for me. But I was wrong, as it turns out, because being able to touch you and kiss you and tell you I love you a hundred times a day has made me happier than I ever thought I could be. I expect that being married to you is going to make me more powerful and obnoxious than anyone here could possibly imagine and I am absolutely not sorry. I love you so, so much, you little dummy.

See, Byakuya, that wasn’t so bad! (maybe it was)

Bonus! In the dead Byakuya fanfic I mentioned above, I had them get married under Gotei authority and I wrote some (partial) shinigami wedding vows that are basically perfect for them and also I was really proud of them:

How will you meet your enemies? As one, we shall meet them, as one, we shall fight.

And how do you swear this? We swear on sword and soul.

Let it be so. With this, you are forged together, a single blade. May your battle be long, and when you fall, may you fall together.

23. Write a ~300 scene between them with no dialogue, only body language.

Wow. Dang. This felt like a personal attack. Anyway, it was really hard, and I did it, but I didn’t like it.

Here’s the scene right where Renji hauls Ichigo off to go fight Ywhach, because I am always thinking about this scene and willing it to make sense (Rukia should have gone with Ichigo, I will die on this hill!!!!), and I think it only works if there’s a bunch of unsaid subtext. It’s depressing, but it’s only 511 words, which is very much like 300 words, almost exactly the same, honestly.

The others don’t see it, because they are busy watching Orihime restore Ichigo’s sword, his swords, for maybe the last time, but Rukia does, because she needs an explanation.

Renji’s shoulders slump, his chin tips down, his hands are open at his sides.

He is sorry.

He better be sorry! Rukia clenches her jaw, her eyes burn at him. She is the one who should have yanked Ichigo to his feet, she is the one who should go with him to his death.

Renji’s eyes slide upward and meet hers. His jaw is set.

He is right, and she knows it.

Orihime is hurt. Her lungs are making ominous bubbling noises as Zangetsu pieces itself back together under her care. Rukia is exhausted, but she can manage the kaidou that will save her friend’s life. Renji cannot.

It is more than that, though. Rukia’s bankai is perilous. Ichibei warned her that she should use it sparingly-- that it will take many hours of practice before her body can handle the wrenching temperature shocks. She has used it too many times already in the last 48 hours. She still can’t feel all her fingers and toes since she came back from killing As Nodt. Another go at it so soon may kill her before she even has a chance to be useful. It could kill her and everyone in her blast radius, which might be helpful, but probably...not. Her hand rubs nervously at the hilt of her sword. She tries to flex the dead pinkies, but they deny her.

Renji sees the motion, and he grips Zabimaru confidently. His bankai is new to him, too, but Hihiou Zabimaru was like a weighted practice blade-- So-oh Zabimaru is familiar enough and easy in comparison. Sode no Shirayuki and Zabimaru are both temperamental blades, but Zabimaru has always been at their most dependable when the odds are stacked against them.

Rukia reaches out and gives Orihime’s hair a gentle pat. She will stay, but she will not like it.

The side of Renji’s mouth ticks up in a rueful half-smile, and his eyes glitter with the last bit of humor he can muster. She can beat him up all she likes when he gets back.

Rukia flings an arm around Orihime, and stuffs her face into her friend’s shoulder. None of this is fair.

Renji’s eyes soften briefly, and his eyes are filled with so much love for her. He knows he has the easy job. There aren’t any words to thank her enough for letting him go on a suicide mission with Ichigo while she stays back to give them something worth fighting for.

Then he stiffens, and squares his shoulders once again. He jabs Ichigo impatiently with one foot and screws up his face into the same scowl he always uses to armor his heart.

It won’t work, Rukia thinks, as Orihime finishes her task and slumps backward. She will keep Renji’s heart here with her, and Orihime will keep Ichigo’s, and no matter what, none of them will die alone.

#otp meme #renruki #rukia kuchiki #renji abarai #this was one big portions for foxes callback post wasn't it?#why can't i ever stick to the rules of these things?#i don't know #there's something wrong with me #thanks for the ask!!

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uraharashouten · 4 years

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@deivorous said:

What does Kisuke's inner world look like? Did it change substantially after he artificially manipulated Benihime?

First of all, thank you from the bottom of my heart for this ask, because it was high time I wrote an inner world masterpost. It’s taken me some time to compose my thoughts on this, not because I hadn’t arrived at a good working knowledge of Kisuke’s inner world, but because of the second part of your question -- did it change?

It’s worthwhile to remind ourselves of how Kisuke forced his bankai without Benihime’s consent. There’s an excellent post on how he quite possibly perverted her powers in the process; or at least, their aesthetic. Personally, I’ve always imagined her as being a little passive-aggressive towards him on account of it as well -- though they are, after all, two sides of the same soul.

So let me begin with the first part -- his inner world. I have to say, first off, that several things have fed into my headcanons, so I’ll just take you on that journey.

First of all, my starting point was heavily influenced by @saranel’s fiction Mono no Aware; specifically, the fact that at the center of Kisuke’s inner world there stands a maple tree. And that’s actually a good starting point, since Benihime is actually the name of a variety of maple:

Considering how profoundly the Shihōin -- one clan member in particular -- influenced him from the time of his youth, the maple theme was something with which I was on board (四楓院家 meaning House of the Four Maples).

The tree itself also became, for me, a good way to symbolize branching possibilities. In probability theory, a tree diagram may be used to represent a series of independent events or conditional probabilities. Each node on the diagram represents an event and is associated with the probability of that event, and the diagram branches into likely outcomes of each event. Imagining a thousand different possible outcomes is canonically his gift, and I think it’s wonderfully illustrated in this post.

I have always seen Urahara Kisuke as someone with a fluid, flexible mind, infinitely resourceful, a bricoleur of materials and opportunities around him; and his inner world would reflect that, being a place of constant making, un-making, and re-making.

@saranel, incidentally, wrote her magnum opus long before Chapter 665, which makes her surprisingly prescient with what she imagined for Kisuke’s bankai. She didn’t guess it exactly, but she got enough right. This passage from her fic’s chapter notes are relevant to Kisuke’s inner world:

So in the bankai entry, I liken Kisuke's bankai to the universe and the way it works. The idea behind his inner world is somewhat similar. The first time he manages to enter it, he is originally lost in this vast, endless darkness. As soon as he has mastered his fear, he finds himself in a solitary island of sorts, where a large maple tree dominates the small area. When he tries to gain some distance and explore further, he discovers he is unable to go far, walking in place while never managing to escape the confines of that small island. This was all meant to be a reference to the beginning of the universe, wherein everything was said to exist in an infinitely condensed form, until the event we know as the Big Bang, which caused that extremely condensed piece of matter to explode, its pieces scattering and forming our known universe.

I’ve kept the maple tree and the Big Bang (countless possibilities encapsulated, waiting to be expanded), and I’ve built upon these ideas for my own headcanons.

The tree itself varies in appearance. Acer palmatum ‘Beni hime’ are actually a dwarf maple tree variety, but in Kisuke’s inner world the tree can grow huge, taking over the entire sky. Depending on his current mood or circumstances, it may be covered with the verdant, tender leaves of spring, or the colorful red-hued leaves of full summer, or the branches may be barren and forlorn. it may be thriving or desolate. Here’s an excerpt describing it from my Battle in the Inner World thread with @sphaeraa:

Benihime smiled beatifically and gazed upward toward the spreading maple.

Initially actual scale, it had grown, stretching its branches far and wide across the ceiling-sky; their thickness waning with each division, yet never seeming to reach a visible termination.

“Do you like our Probability Tree?” asked a Kisuke, from somewhere off to the left.

“I thought we were calling it our Tree of Branching Possibilities,” commented the Princess, wryly. “It is more poetic.”

Threadwork is part of Benihime’s aesthetic; whether putting the sutures on a surgical revision or pulling the strings to manipulate an outcome. In peaceful moments, Benihime herself can be found sitting beneath the maple tree, working on her embroidery. She’s never satisfied with it, always getting so far with it before plucking out the stitches and beginning again. I discussed this headcanon quite awhile back with a Benihime roleplayer, who wrote about it beautifully.

Here’s another description from this thread with @adelha-mathilde:

The tree. That tree, larger than any maple he imagined he might ever see in the flesh. It stood in the center of his world, a constant amidst constant change. Oh, not that the tree was ever the same; it was spring or it was fall, it was young and tender or old and stately. Sometimes its branches spread the entire breadth of the sky. Sometimes they were laden with moss; other times with snow. They were black and bare or tan and laden with verdant leaves, or auburn. But always it was there; always she waited beneath it, nimble jointed fingers pushing the bone-needle through the weave of her embroidery, which, too, was always the same and yet never the same. She bathed in its shadow and when he visited her there, he did, too. It was their tree.

As to the world itself, the landscape around the tree is constantly shifting and changing, such that a visitor would feel very disoriented. Again, from that aforementioned thread with @sphaeraa, here’s a descriptive excerpt:

The dark-haired, regal figure shot him an unreadable glance and squared her shoulders. As she did so, the room, which resembled a cluttered spare room, grew to accommodate her increasing stature. Crates and furniture unfolded and reorganized proportionally to the change in space. The ceiling overhead became bright blue sky, then star-specked night, then ceiling again. She glanced at her feet, and the pattern and color of the rug beneath them rippled and shifted. Her embroidery lay, unfinished – forever unfinished – on a table in the corner. She glanced at it with a sigh of dissatisfaction. That would have to wait. Books rearranged themselves on shelves; in alphabetical order, then by color, then by size. Behind her stood the only constant, if such it could be called – a large, spreading maple. Its branches were, at the moment, laden with leaves of a healthy deep red hue – clearly thriving. It had not always been so, and likely would not be, but now it was in its prime.

And now, as to the question of whether this inner world has changed due to Urahara Kisuke’s manipulations of Benihime: yes and no, and here’s why. Ichigo’s world is the only one we get to see in the Bleach canon, and we see how it changes due to his developing understanding of himself and his zanpakutou. It is, however, true that Ichigo’s zanpakutou is a very special case. And for any other shinigami, that spirit is inexorably bound to the soul, a product of it, the id, if you will, as @nightbeat-cat mentioned to me in a recent discussion. Kisuke has always been who he is, and so has his zanapkautou, and thus so has his inner world -- but that world itself has always been a very mutable place, a place of mono no aware where there is no permanence. As I’ve mentioned, it’s a constantly-shifting landscape to reflect a shifty shopkeeper. I’m sure that, after he forced the issue and brought forth Benihime using the tenshintai, his tree was barren for quite some time after. It must have taken a great deal of coaxing Benihime for him to see spring again.

#deivorous #[[ headcanon ]]#[[ inner world masterpost ]]#long post cw

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rukia-kuchiki-divided · 4 years

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THE POSITIVE & NEGATIVE; Mun & Muse - Meme.

fill out & repost ♥ This meme definitely favors canons more, but I hope OC’s still can make it somehow work with their own lore, and lil’ fandom of friends & mutuals. Multi-Muses pick the muse you are the most invested in atm. image:

My muse is: canon / oc / au / canon-divergent / fandomless /

Is your character popular in the fandom? YES / NO. Is your character considered hot™ in the fandom? YES / NO / IDK. (It depends? I think she’s gorgeous lol) Is your character considered strong in the fandom? YES / NO / IDK. (She should be and I’ll fight anyone that says otherwise) Are they underrated? YES / NO. Were they relevant for the main story? YES / NO. Were they relevant for the main character? YES / NO / THEY’RE THE PROTAG. (cue argument that Ichigo and Rukia are two halves of a main protag) Are they widely known in their world? YES / NO. How’s their reputation? GOOD / BAD / NEUTRAL. How strictly do you follow canon? — I follow canon pretty much up to the last few chapters (although I do rp the ending ship as well) so it’s really flexible within canon. Ichiruki is my OTP but RenRuki is my second favorite. I do not believe Rukia would have been fine with everything going back to “status quo” in the Soul Society so that’s where I refuse to follow canon at all.

SELL YOUR MUSE! Aka try to list everything, which makes your muse interesting in your opinion to make them spicy for your mutuals. — Rukia is one of the most selfless characters in this series. She would not hesitate to risk her life to save a stranger. She doesn’t tolerate bullying or any abuse of power. Frequently she puts the needs of others above her own. Rukia takes her duties as a soul reaper very seriously but is not a blind rule follower. If a rule doesn’t match her morals, she’ll ignore it. She’ll come across like a noble (because she technically is one by adoption) but she can go from sipping plum wine elegantly in a super expensive silk kimono that will take your breath away to pickpocketing your valuables, sweeping your legs out from under you and fighting dirty. Can you ask for more?

Now the OPPOSITE, list everything why your muse could not be so interesting (even if you may not agree, what does the fandom perhaps think?). — Well she’s not particularly striking physically. She’s very small and doesn’t look very intimidating. Rukia is also not very friendly naturally. This doesn’t mean she’s rude, she just doesn’t let very many people into her inner circle. She’s not very physically affectionate with those outside her group and is a little awkward with receiving it from others. Also while Rukia doesn’t lie, she would say somewhat neutral things rather than hurt someone’s feelings. I think some of the fandom might think she’s weak and constantly just getting rescued by someone stronger than her, I severely disagree with this (and have words for Kubo about that). Her bankai I think is one of the most powerful but in a quiet way. (No one else has to actually die for the bankai, do they? Yeah, she’s bad ass.)

What inspired you to rp your muse? — When I first started watching Bleach, I connected with Rukia instantly on a very personal level. I loved everything about her and she resonated with me a lot. I feel like I can understand her easily and it just flowed. When I first joined the RPC, there was no question as to which character I would be doing. She’s the only one I’ve very really roleplayed. I cosplay her at cons and I just love everything about her, flaws and all.

What keeps your inspiration going? — Honestly, that connection did not waver, even during my hiatus. I love the fan art and fan fics, head canons, etc. I love exploring her character and developing her beyond what Kubo gave us.

Some more personal questions for the mun.

Give your mutuals some insight about the way you are in some matters, which could lead them to get more comfortable with you or perhaps not.

Do you think you give your character justice? YES / NO. ( I hope) Do you frequently write headcanons? YES / NO. (YES and I love it) Do you sometimes write drabbles? YES / NO. Do you think a lot about your Muse during the day? YES / NO. Are you confident in your portrayal? YES / NO. (sometimes?) Are you confident in your writing? YES / NO. (sometimes?) Are you a sensitive person? YES / NO. Do you accept criticism well about your portrayal? — ahh so I take criticism super personally even when I know it’s not meant so I guess it depends on the delivery? I will probably mull it over for a few days before the sting is gone. So if you have some, just be nice? lol

Do you like questions, which help you explore your character? — YES YES YES! I absolutely love head canons and questions that make me think about what my character would do or think. I welcome them all the time and I don’t care how silly or obscure they may sound so send them my way!

If someone disagrees to a headcanon of yours, do you want to know why? — Sure. I mean, if it’s just a difference on opinion without much fact to back either one, then it’s probably just going to be an agree to disagree. But if it’s something that they have more information on that refutes something I said (like canon evidence), please share! It could be that I didn’t know or we interpreted it differently. I welcome that kind of debate or conversation.

If someone disagrees with your portrayal, how would you take it? — I mean, everyone is entitled to their opinion and I certainly don’t believe everyone has to like my way of writing Rukia. If they don’t like it, I would probably just say they can ignore it or unfollow (because why would you follow me if you don’t like what I write? I mean, come on.)

If someone really hates your character, how do you take it? — Well, if it’s like they just can’t stand my character at all, again... you can unfollow me anytime? Why would you follow an rp blog of a character you dislike so strongly? I mean, I don’t mind anyone following me if they keep it to themselves but if someone is going to be upset anytime they see my writing or my character on their dash, doesn’t it make sense to not follow? I’m not sure what the purpose of this question is but again, everyone is entitled to their own opinions.

Are you okay with people pointing out your grammatical errors? — So I’m human like anyone else. Sometimes I’m typing on my phone, sometimes I’m typing really fast, sometimes I’m distracted by my toddler or work. I don’t mind gentle corrections but if I feel that I have to proofread my threads or posts before posting them because of someone pointing out errors, it’s really going to make me hesitant to write. So I guess what I’m saying is if you want do so kindly and every so often, that’s fine but if you get to be a stickler about it, it’s going to make me less likely to interact with you.

Do you think you are easy going as a mun? — I would like to think I am? This is probably a better question for my partners but I don’t think I’m too strict?

That’s about it, congrats for filling out! tagged by @bleachintothemultiverse Tagging: @wild-pineapple-butt, @nightbeat-cat, @deivorous, @toomanydamnmuses, @glacies-tempestatem, @t-hitsugaya, @toshiro-hitsugaya, and anyone else that wants to do this lol

#rukiakuchikidivided #dash memes #~this was fun #~lol

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ljungfrun · 4 years

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Bleach, From Pilot to Ch. 423: Things I Forgot Or Were Excluded From The Anime

Turns out I had forgotten a lot of things tho they might not seem that important. Anyway, the list is long so I’ll keep it under the cut. It’s a bit messy but I was just writing it as I was reading and then I somehow expected myself to remember what I was talking about. Posting it for anybody else who could use the reminder.

Please keep in mind that I’m pretty sure the translation I was reading wasn’t a 100% correct but I couldn’t be bothered to find a better one. Seems like it improved later on but I’d still take it with a grain of salt. (Like I’m pretty sure this translator couldn’t read hiragana properly, and some names were really messed up.)

- I did not know there was a pilot chapter so yeah... that entire thing I guess. - Orihime being that open about her crush from the beginning - Orihime’s parents being such cruel people - Orihime’s hairpins being a gift from Sora - The backstory of the mod souls - Chad’s crazy about cute things - Keigo is from Naruki City, not Karakura - Mizuiro being really popular with girls - Renji and Byakuya with weird hoods, idk if that was part of the anime and so far there’s been a part from the anime that wasn’t in the manga (The part with Ichigo seeing Rukia fight a hollow in town before she comes into his room) - Orihime is bad with electronics - Ishida is poor - Tatsuki told Orihime that she is probably at the level of a black belt in karate (I don’t know if she was honest about that but she said it) - Orihime is really dang smart - I forgot Nemu was technically Mayuri’s daughter -Also Mayuri is awful, he belongs in worst dad club with Isshin (I also didn’t remember Isshin being SUCH a creep but I guess I forgot to write that earlier. Or I just decided not to since reviewing this list afterwards I realize I left some other creepy things out.) - Mayuri can turn into liquid - Zanpakutou Materializing Dolls, and other artefacts. So many artefacts. Never to be mentioned or used ever again. - Kira feeling super guilty over raising a sword at Hinamori. - Orihime just chilling with Yachiru, Ikkaku, and Yumichika after the was separated from Uryuu. Oh and Zaraki’s there too. - Hisagi having been accepted as a shinigami before he passed the exams, expected to become a seated officer - Rukia idolised Kaien’s wife - That Komamura was that loyal to Yamamoto - I remember Kenpachi fighting Komamura and Tousen, not picking a fight with Komamura, Tousen, Iba, and Hisagi. Neither did I remember Ikkaku and Yumichika joining in, it’s just entirely gone from my memory - Byakuya’s scarf is a really expensive heirloom. - Byakuya was really cold in the beginning, supposedly not caring about his subordinates (idk if he really changed later on but this stood out to me in the moment. Also speaking of Byakuya, I think he seemed older to me when watching the anime because of the voice.) - Really I had forgotten a lot about the animosity between Byakuya and Renji - Rukia doesn’t refer to Gin as “Captain Ichimaru” and he doesn’t mind since they’ve “known eachother for so long”. Apparently she’s deathly afraid of him. - Kaname got his zanpakutou from the grave of the lady he liked? I’ve always wondered how people get their zanpakutous anyway ‘cause I don’t think Zaraki had any training and I’m pretty sure it’s the same sword he had when he met Yachiru, yet Zangetsu comments on how the sword is crying. (I’m also curious about if people could potentially wield other zanpakutous, which I think is a thing in the quincy arc but I’m talking like... normal people. I think it’d be neat since there’s already two people that have just... picked up a zanpakutou before they even became shinigamis.) - Rikichi! He’s such a big fan of Renji! He got Hanatarou out of jail just to help Renji. He didn’t only get him a new uniform but also a hair tie and a bandana. I’m a little sad that he never seems to show up ever again? (At least I don’t remember him being in the quincy arc but that’ll have to be it’s own list I guess) - Ukitake and Kyouraku stopping and destroying Soukyoku - Kiyone calling Isane sister. - Soifon getting ready to take out Kiyone and the other vice-captain. - Kyouraku being praised for being the best at seeing the true character of anyone he meets, and Ukitake always being the centre of a crowd although (frail, but affable and kind) - Yamamoto thinking of Ukitake and Kyouraku as sons - Katen Kyoukotsu and Sogyo no Kotowari are the only zanpakutous that exist in pairs (allegedly) (I don’t remember why I wrote allegedly but I had some thought behind it......) - Soi Fong’s name was Shaolin Fong until she inherited her grandmother’s code name. - Soi Fong not being angry with Yoruichi because she ran away, but because she didn’t take her with her - Iba having been part of the 11th division, but becoming Komamura’s vice-captain (supposedly for his mom) - Iba wanting to get a chance to fight Ichigo - Byakuya only showing Senkei Senbonzakura Kageyoshi to people he wants to kill personally, Ichigo being the second person. I can’t recall if the first person was ever revealed? - Kira going along with the scheme and leading away Hitsugaya and Matsumoto from the Central 46 chambers. He was told they wouldn’t do anything to Hinamori - Hinamori joined the Gotei 13 because she admired Aizen, which would imply she met him before the soul burial training accident, but idk if that’s a translation mistake - Unohana confronting Aizen in the Central 46 chambers and calling him a treacherous reprobate - How Kyoka Suigetsu works. I forgot that for it to work on someone they need to see the release, and that after that the person who saw it will be completely hypnotised every time he releases it from then on. - Aizen was certain that he could use all three of Kira, Hinamori, and Renji back when they first met, but Renji was problematic so he was sent on to squad 11 while Kira and Hinamori were made Aizen and Gin’s vice-captains - Ichigo and Renji trying to fight Aizen together - Ichigo being a fucking monster! Who stays conscious after having their stomach cut open like that? In the anime it was just a really bad slash but since the manga is a but more graphic I’m only now like “oh wow that is really fucking bad” - There were names for the four basic types of combat for shinigamis. Zanjutsu(sword skills), Hakuda(hand-to-hand combat), Hohou(foot work), and Kidou. - Hollowfication is brought up this early, but I guess it makes sense because he’s explaining the Hougyoku. - Urahara, not Aizen, hid the Hougyoku inside Rukia. - Urahara was exiled for creating an intractable gigai? I don’t think so Aizen, but okay. Also he was trying to turn Rukia into a human soul. Hm. - Komamura coming in to destroy Aizen mid-monologue. Thank you. (After reading Ichigo’s last fight with Aizen I am so tired of him talking aaahhhhh!) - All the gate guardians except for Jidanbou are traitors, Kuukaku shows up with Jidanbou (was this in the anime???) - I remember Ichigo hanging out with squad 11 after the whole Aizen thing, but I did not remember Iba being there too which is nice. They didn’t get to spar tho. - Matsumoto and Kira getting drunk and venting about Gin, though it’s portrayed pretty comically. Matsumoto proceeds to invite pretty much anyone who passes by, except for Kyouraku. - Ryuuken is part of the shitty dad club. - Shinigami Isshin was revealed pretty much right after Shinji, I didn’t remember it being so early. - Also I didn’t remember the protection charm either but hey it worked. - Did- Did Orihime really only get to use Tsubaki ONCE?? - Also that entire fight with Yammy and Ulquiorra is just so much bloodier than in the anime - That moment when Ichigo tells Chad to leave D.Roy to him and Chad runs away, that hurt, ow my heart - Keigo being there to watch Ikkaku fight Eduardo. Also Keigo having a chat with Yumichika. - Ikkaku losing his molars in the fight with Eduardo is. - Yumichika going “oh and btw, make preparations for Ikkaku’s funeral” - Flashback about Ikkaku fighting Zaraki in the past. - Ikkaku being determined to fight and die under Kenpachi’s command. - Ururu kicking Ilfordt in the face- I mean Ururu going in to exterminate Ilfordt. - References to Toshirou’s bankai being incomplete. - Shawlong being the first arrancar to be created. (Allegedly? Supposedly? Succesfully? It depends on a lot, it’s a bit of an assumption.) - The power limit that is placed on captains and vice-captains when they go to the world of the living is symbolised by the division’s symbol. Oh and it takes away 80% of their power. Motherfucking damn bitch Ikkaku. Also good job Rukia. (I don’t remember what these last two sentences are refering to tbh) - Tatsuki watching the fight (I’m assuming the first) between Ichigo and Grimmjow, or at least part of it. - I guess I forgot to mention this earlier but Orihime being jealous of Rukia and her relationship with Ichigo - Tousen really not liking Grimmjow because he causes discord - Ichigo trying the beat the answers out of the Vaizards. - Goddamn Ichigo has a lot of attitude. - Urahara telling Orihime that she would be a burden in battle and Rukia talking to her afterwards. Orihime and Rukia need more talks. - Orihime getting kidnapped by Hiyori. - Hachi having similar abilities as Orihime. - Hachi also suggesting against Orihime fighting the war. - Orihime being so determined to fight. Goddamn I wish Tsubaki wasn’t her only way of doing damage. Give her one of those funky artefacts for fuck’s sake. - Yumichika not getting along with “Fujikujaku”. - The trees in Hueco Mundo are made of something quartz-like - Ulquiorra complimenting Orihime on her looks (Tbh I’ve forgotten about this scene again but I don’t think I intended to lie to my future self so I’m assuming it might’ve been something vague) - Orihime planning to reject the Hougyouku with her powers to destroy it, why don’t I see more about that?? - Wonderweiss being fond of Tousen. - Szayel sending out the execution squad after Dordoni - Only Grimmjow ever uses Gran Rey Cero (Idk if I ever really thought otherwise but it’s on the list so I guess it’s a confirmation I wanted to make) - Tesla threatening to destroy the Shun Shun Rikka - Nnoitra using Nel as a shield when Ichigo attacks at one point - Nnoitra and Neliel didn’t even fight after he tore off Dondochakka and Pesche’s masks in the flashback wtf. Now that I think of it, I’ve never seen manga screenshots of that part so I guess it’s only in the anime. Well that’s disappointing. Then what did Szayel even do? (Still sad they don’t fight more in the manga, bluh. Also I’m still not sure what Szayel actually did.) - Nnoitra thinking it a shame that they (him and Neliel I think) won’t get to fight again. - Mayuri observing Uryuu through bacteria, and Uryuu calling him out for violating human rights - Szayel rebirthing himself from Nemu, wtf. I’m not sure if that was in the anime. (Okay it was, she just didn’t get straight-up pregnant) - I also forgot about Szayel taking over Konjiki Ashisogi Jizou - The Jesus Szayel and Baphomet Mayuri chapter pages were new to me - Mayuri to Nemu: “Good job, keep suffocating Uryuu with your tiddies. If he dies, he dies.” - Nnoitra, after releasing Santa Teresa: “Kinda sexy, isn’t it?” (I don’t trust this translation a 100% but what was written was “I look sexy, right?”) - And Zaraki responding with “your reiatsu is making me hard…” - The Living World as seen through the Garganta in Las Noches is upside-down - Hikifune and the Royal Guard being mentioned during Turn Back The Pendulum - Hiyori looking up to Hikifune as a mother - Urahara being Commander of the Detention Unit in the 2nd Division, and the unit keeping people who wanted to withdraw from the Gotei 13, not just criminals. - Urahara making Mayuri his Vice Captain in the research institute - Barragan’s fraccions having packed together his throne and brought it with them - I can’t believe Charlotte’s magical girl scene was only in the anime but I suppose it makes sense - Hisagi’s fight with Findor was also shorter in the manga which is… kind of a shame? Idk it was pretty well made in the anime, but I guess it’s because they were just coming back from a break and all. - Hisagi and Kira stopping Yumichika from rushing in after Ikkaku was beaten, Komamura stepping in to take care of the arrancar… whose name I’ve already forgotten once again. - Iba calling Ikkaku out for not using his bankai and punching him in the face. Good. I like Ikkaku but the pillar did get destroyed because of him so it was a pretty bad move. - Hinamori making a kidou net - Kira used to be in the 4th division, did I already write that? - The Gran Rey Cero being forbidden to use inside of Las Noches but leave it to Grimmjow not to care about any of that - Kyouka Suigetsu’s ability can be cancelled by grabbing the blade. - They sent Aizen to Avici, or I guess a prison named after Avici - Yamamoto scolding Byakuya, Shunsui, and Kenpachi for losing their captain’s haori and they proceed to insult it - They actually mention Mayuri going back to Hueco Mundo

#bleach #long post #i've been sick for a few days so i had time to wrap this up since i'm just stuck in bed anyway

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blooming5th · 4 years

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@ilusionis said:

closure sure is a thing poor momo deserves sfghjk. i’m curious tho, why did u mention aizen’s bankai? i’m sleepy and probs missed something. also, do u think the emotional manipulation was entirely induced by KS or that aizen made it worse by himself? SORRY i just love long-winded hcs on my dash!!! (unwanted advice you can tell me to fuck off, but!! i’d be a bit cautious using extracts from bbs, the english version has some big translation issues)

asdfgasj well, she’s fine the way she is now, though!! so I’m more than happy for the peach ~ as for the mention of Aizen’s Bankai, it comes as a comparison mostly. I mean... consider this: Kanzen Saimin ( Complete Hypnosis, his Shikai ) is just a level below his Bankai... which I suppose is somehow also related to the hallucination and control of the five senses. note: this is all me assuming things from what I was able to find. it can be 100% wrong... so pls correct me if I am? asdfakjshdf anyway !! this same Bankai, can very well be representative of 1/10 of Aizen’s actual power, which makes it all the easier for him to use? Other people wouldn’t even notice it. People wouldn’t even believe it to be his Bankai from how easily he uses it.

And oh no... you just know Aizen also had part of that manipulation 100%. his perfect plan depended on it!! He just used Kyōka Suigetsu to make sure that things wouldn’t go out of the way he wanted them to.

as for the BBS thing I don’t believe this part is wrong though asjfasjdfh. especially considering that this event ( which is going on right now, by the way! ) has already been portrayed in other places such as the BRM. I cried when I realized just where I knew the scenes from asdjfh

#🌺 ✖ ✖ 𝕞𝕒𝕘𝕚𝕔𝕚𝕒𝕟'𝕤 𝕣𝕒𝕕𝕚𝕒𝕟𝕔𝕖 — ♡ ooc conversations //#🌺 ✖ ✖ 𝕔𝕙𝕒𝕣𝕒𝕔𝕥𝕖𝕣𝕚𝕫𝕒𝕥𝕚𝕠𝕟 — ♡ headcanons //#ilusionis #( hmu anytime !! ajksdhfaksjdhf this is alright )

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cheshiresense · 6 years

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Out of curiosity, and because you've mentioned it before: how do you think a friendship between ichigo and aizen would go down? *tosses in a time travel bit, just in case, because why not?*

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Hmmmmmmmmmmmmmmmmmmmmmm. In general, I’m not a huge fan of Ichigo & Aizen interaction unless Aizen’s just there to fill the enemy role. It’s not like I hate it, it’s just I’m usually not interested in it.

But.

Let’s say Yhwach wins. Soul Society is destroyed. Most people are dead. All that good-bad stuff. Ichigo gets sent back. Along with Aizen. They’re basically the only two powerhouses left, and SK figures if anyone can stop his son, it’s these two with all the knowledge and experience they have against Yhwach. And also if anyone can keep Aizen in check without literally locking him up, it would be Ichigo.

Because I am a sucker for TBTP era, that is where they go. Maybe that’s as far as the SK could send them, maybe he thinks a century-ish to prepare would be enough.

Aizen Sousuke, Fifth Division lieutenant, gets carted off to the Fourth when he collapses out of the blue one afternoon under the weight of a hundred+ years of memories, including all the work he’ll do in his attempt to make a perfect Hogyoku and the events that led to his brief reign in Las Noches and of course his defeat at the hands of Kurosaki Ichigo and Urahara Kisuke and even those two years he spent in the darkness of Muken before being released just in time to watch the world collapse.

Ichigo, mind and body, gets conveniently dumped near a patrol led by Shiba Kaien. It doesn’t take much for the Clan to accept someone who’s so obviously one of them, even if they don’t know who his parents are. He’s also shuffled off to the Fourth because Kaien found him bleeding and near-comatose, and the Shibas have private healers but Unohana is still the best.

Ichigo wakes up first. His healing factor is no joke, and Aizen technically has two souls working to integrate together while his mind struggles to put all the new memories in order. They don’t see each other that day. Aizen gets his own private room, and Ichigo is in a wing reserved for the Shibas. But Ichigo can still sense him, and yeah, a very large part of him is still wary of this man because they aren’t exactly friends and Aizen’s one of the smartest, most dangerous people Ichigo has ever met. But at the same time, he also remembers the Aizen who tried to help him against Yhwach, undoubtedly for his own survival and his own refusal to serve anyone, but by the end, it was also very obvious that Yhwach was going to win and Aizen still didn’t switch sides or run away. Not even for his own survival. If nothing else, Ichigo can respect conviction like that.

Sousuke wakes a few days later. Unohana tells him his reiatsu was depleted, and did he strain himself training? Sousuke easily takes the lie and runs with it, conceding gracefully to Unohana’s ominous stare and lecture before he’s released.

Kyouka Suigetsu is cold even to his touch, and he can’t hear her even though he can feel her again. It’s both jarring and startling. He’s used to a certain kind of emptiness where his spirit once - and now again - resided, and he didn’t realize just how much he missed her felt that emptiness until it’s been filled again. He’s not sure what kind of reception he’ll receive when he enters his mindscape so he puts that off for later.

He goes back to work, brushes aside his captain’s suspicious glances and deflects his gruffly concerned nagging. He gets his hands on a calendar as soon as possible, and a few quick calculations tells him it’s still a good decade before the Hollowfication incident. He hasn’t even met Gin yet. Which reminds him… He considers it for all of a moment before making a mental note to recall all the Shinigami currently secretly under his command, gathering souls out in Rukongai under the guise of missions. Gin was a… tolerable protégé, a quick learner and a dependable subordinate, inasmuch as Sousuke ever depended on anyone. He has no use for him this time though, so he might as well leave the boy and his friend alone. Besides, Ichigo probably won’t approve, and even before they came back, Sousuke had already decided that - at least until Yhwach is taken care of - it would be more trouble than it was worth to have to fight Ichigo every step of the way as well. Until or unless, of course, Ichigo attempts to get him thrown back into Muken.

They don’t meet up until two weeks later. Sousuke is admittedly impressed at the speed Ichigo can get things moving when he’s motivated. Within a week, rumours of a new Shiba enrolling a bit late at the Academy begin circulating. Within two weeks, said new Shiba has reached prodigal status and jumped straight to almost all senior courses, most likely slated to graduate by the end of the year.

“You act quickly when you have made up your mind,” is Aizen’s opening gambit when he appears in the ramen stand that Ichigo deliberately chose because it’s only half a block away from the Fifth Division barracks.

Ichigo shrugs and doesn’t bother looking up from his noodles. “No use dragging my heels, right? I can’t do anything when I’ve got every Shiba in the city hovering over me like I might collapse from a strong gust of wind. They’ll have to back off once I graduate and get a job.”

Aizen makes a faintly skeptical noise once he finishes ordering his own meal. “You would be surprised. The Shiba Clan has always been strangely family-oriented.”

Ichigo rolls his eyes. “There’s nothing strange about being family-oriented. But whatever, we’re not here to talk about them. What’s your plan?” He gets a raised eyebrow for that. Ichigo rolls his eyes again. He feels like he’s going to be doing that a lot. “You can’t tell me you don’t already have like half a dozen plans cooked up. So tell me those, I have a few ideas of my own that I’ll tell you, and we’ll poke holes in each other’s plans until we come up with the best one.”

He gets stared at a bit more before Aizen’s ramen arrives, and they eat in silence for a while. Aizen is the one who breaks it in measured tones, “We need to figure out a way to breach their Wandenreich before Yhwach returns. He is powerful enough on his own. Taking his army from him would be a decent blow against him.”

Ichigo grimaces. “Right, and by we, you mean me.”

Aizen points out, mild as milk, “I cannot manipulate reishi.”

Ichigo sighs but doesn’t protest. His gaze slides over to a nearby shadow before returning to his food. “Right. Well. I guess you’ll be figuring out a way to defeat the Quincy army?”

Aizen waves a dismissive hand. “Yhwach aside, I am not particularly concerned about the rest of them. If push comes to shove and our Bankai are stolen, Urahara Kisuke invented a way to cripple them. I am sure I can duplicate the method.”

Ichigo gives him a hard stare at that. “Okay, but that better not be code for ‘I’m gonna continue feeding people to my sparkly magic stone’. Yours was a failure anyway so there’s no point doing the same thing all over again.”

Aizen counters with a narrow-eyed look that doesn’t quite fit the kind, genial lieutenant disguise he’s got going right now. It’s creepy. “The Hollowfication research will be necessary. I believe it is key to defeating Yhwach.”

Ichigo scowls. “That’s fine. But not your way.”

Aizen’s lip curls a little, equal parts derision and mockery before it’s wiped away again, just as a group of Shinigami duck inside to pick up their takeout order. They whisper excitedly when they catch sight of Aizen, and all of them blush when Aizen smiles at them. Ichigo thinks he might gag.

“Do you think,” Aizen says with all the silky bite of hidden poison, as soon as the Shinigami have left. “Your Urahara Kisuke created his Hogyoku any differently than I? He somehow succeeded where I did not, but do not think for one second that his hands are any cleaner than mine. The very nature of the Hogyoku requires the sacrifice of souls. He is no saint, no matter what kind of pedestal you’ve put him on in your-” He stops. Looks at Ichigo. A frown creases his brow. “…But you know that.”

Ichigo shrugs. “That Kisuke’s done some seriously messed up shit? Well yeah. I mean, Exhibit A: Rukia, Exhibit B: me. And I didn’t spend all my time at the Shouten only drinking tea and training, you know. Sometimes we talked.”

He doesn’t let himself think about it though. He’s been handling everything so far by very pointedly not thinking about it. About everything he’s lost. About everyone he’s lost.

“Just find another way,” Ichigo finishes irritably. “You’re supposed to be smart, right? So quit fucking around and figure it out.”

Aizen… doesn’t do anything as obvious as glare or even clench his jaw or anything, but there’s something about the unblinking sharpness of his expression that makes Ichigo think the man is torn between amused and annoyed and maybe a little incredulous. Ichigo doesn’t quite understand where all those emotions are coming from but he scowls back with an unflinching sort of steadiness because this is a line in the sand, and Aizen will not be crossing it. Not again.

Aizen finally concedes with little more than a huff of a laugh through his nose even as he turns back to his meal. “As you say,” He agrees, and if you only listened to his tone of voice, you’d think he was the pinnacle of gracious modesty. “And what of Urahara Kisuke? Will you be stopping him too?”

Ichigo frowns. “Yeah, but it’ll probably take me a while to get there. I was thinking, after I graduate, should I go to the Twelfth? We’ll probably need Kisuke, sooner or later.”

“You believe you can influence him enough to change him?” Aizen looks amused all over again.

“I can try,” Ichigo retorts. “If it really comes down to it, I can find his labs, burn everything that looks shady, and then pin him down and explain everything to him. And hopefully by then I’ll have found a way through to the Wandenreich too so that would be proof.”

He bristles defensively when Aizen actually rolls his eyes, a little. And here he thought the bastard was too refined for that.

“And there is the Kurosaki Ichigo I recall from our early days,” Aizen murmurs. He doesn’t give Ichigo the chance to snap back, continuing smoothly, if pointedly, “Do you even know enough about any scientific field or technological research to catch the Twelfth’s eye? At this point in time, those are the only types of graduates Urahara Kisuke is looking for.”

“Well, no,” Ichigo admits. He knows a bit from listening to Kisuke in the other future-past but probably not enough to actually make a career out of it. “But you can teach me, right?”

Aizen doesn’t even blink, but his reiatsu flutters just a moment, giving away his genuine surprise. “Me. Teach you.”

“You can say no,” Ichigo snorts. “If I can’t get into the Twelfth, I figure the Thirteenth or Eighth might be-”

“I have not said no,” Aizen cuts him off calmly. “And it would be foolish of you to believe there is no danger in working your way into Kyouraku Shunsui or Ukitake Jyuushirou’s good graces. This is not a century in the future where they’ve spent years stewing silently under a number of injustices against people they claimed to care about. This is a time where they turned their faces and said nothing when the Gotei’s elite was gutted overnight on one man’s say-so. Kyouka Suigetsu’s hypnosis ensured that an already paranoid government would condemn them, this is true, but I never had to hypnotize a single Shinigami for them to let the matter go. There was talk, of course, but in the end, they swept the incident under the rug all on their own.” He studies Ichigo for a long moment, and whatever he sees there - Fury? Disgust? Disappointment? - makes him nod with something like satisfaction and something like pity. “I will teach you some basics. I teach classes a few times a week at the Academy. I can set aside some office hours for you. If you can turn Urahara Kisuke to our cause, it would simplify matters greatly. But I doubt you will enjoy it much. You have always preferred the arts, I believe.”

Ichigo freezes. Aizen looks particularly innocent despite the dark-tinted amusement that swims underneath. “I did say I have watched you grow up all your life, did I not?”

“…You are so fucking creepy,” Ichigo finally croaks.

And Aizen beams rainbows and butterflies in response, and hell Ichigo wishes he’d looked like that at Yhwach because surely it would’ve been a one-hit KO. It sure as fuck makes Ichigo want to run screaming in the opposite direction.

And… some time passes. Ichi goes to school, meets up with Aizen in his office a couple times a week for tutoring sessions, plots with Aizen, snarks with Aizen, shouts at Aizen on one memorable occasion when they argued over whether hypnotizing everyone into helping them fight would be a good tactic (Ichigo wins with a no, for now, to be rehashed in the future).

Eventually though, people notice.

Sousuke hasn’t been using Kyouka Suigetsu as much. To be honest, there’s simply no real need, which is… an actual novelty. He is literally not doing anything illegal, and in fact hasn’t done anything illegal - beyond ensuring all the Shinigami under his command don’t remember what they’ve been doing for him - since he came back in time. He’s fairly certain it’s some kind of record.

It’s largely Ichigo’s fault, Sousuke decides. When he isn’t doing paperwork or teaching a class or away on a mission, he’s tutoring Ichigo or ironing out their future potential plans with him.

And Ichigo is not like Gin. Gin was obedient. For all that he had a mischievous streak, he also walked a careful line around Sousuke. He had a knack for just enough backtalk to be amusing but not offensive, made himself useful but didn’t linger enough for his presence to become annoying, and ultimately, he did anything and everything Aizen asked of him.

Ichigo is not like that. He very much does not give a damn about whether or not he offends Sousuke. He’ll park himself in Sousuke’s office until he learns whatever chapter of whatever topic Sousuke is teaching him that day. He’ll let them both take a break if they end up too frustrated, but he keeps at it, and he never shies from asking Sousuke to explain something again if he doesn’t understand. He matches Sousuke word for word if they disagree over something. He isn’t too prideful to concede if Sousuke makes a good enough point, but likewise, he doesn’t let Sousuke get away with insisting on being right when Ichigo comes out on top in their arguments.

It’s frustrating, and more than once, Sousuke thinks it would be so much easier if he could just… hypnotize Ichigo a little, to make him a little more agreeable. Of course, then he remembers Kyouka Suigetsu won’t work on him, because they may be back in time, but the soul remembers, and Ichigo adapted to Kyouka Suigetsu’s illusions from the very first moment they teamed up against Yhwach like he’d done it his entire life. Kyouka Suigetsu has never and will never work against Ichigo, and Sousuke’s still undecided about whether to be impressed or insulted by this.

So Sousuke is forced to cope. He’s appalled when Ichigo actually manages to goad him into snapping back once or twice, but at the same time, there’s something almost freeing about not having to watch his words, his actions, his very facial expressions, when there’s only Ichigo around. With Ichigo, there is no need to pretend because he already knows exactly the kind of person Sousuke is, and it leaves him feeling simultaneously wrong-footed and uneasy and perhaps just a touch grateful.

Eventually, Hirako notices. Hirako Shinji has forever been a thorn in Sousuke’s side. Not particularly life-threatening, almost forgettable at times, but irritating all the same. Hirako’s always seen something off about Sousuke. He’s never been able to see the full picture, but he sees enough to remain wary. Not that it helped him much in the end of course.

But he sees Sousuke with Ichigo, with the Shiba’s latest pride and joy, and undoubtedly, he probably thinks Sousuke is corrupting him. Which secretly amuses Sousuke to some degree. If there’s one man Sousuke would put money down on being uncorruptible, or at least very close to it, it would be Kurosaki Ichigo. If anything, it tended to be the other way around. Ichigo drew people into his orbit and changed them, simply by being himself. No mind manipulation necessary.

“Sou-chan,” Hirako sidles up to him one day, peering at him like that would make Sousuke crack and spill all his secrets. “I hear you’ve been hangin’ out with an Academy brat lately.”

Sousuke levels a patiently droll expression on his captain. “Indeed. Shiba-san has expressed an interest in joining the Twelfth upon his graduation, and he wishes to further his education in certain sciences in order to better his chances for acceptance. Since I have some knowledge of several areas in the field, I offered to tutor him during my office hours.”

And the best thing of all, he isn’t even lying. He wonders if Hirako can sense it too, because his captain stares, keen-eyed and silent, too controlled to flap his jaw in shock, but shocked all the same. It makes Sousuke wonder if he really did lie to Hirako that much the first time around. Then he remembers that more often than not, he simply left an illusion of himself in the barracks while he worked in his labs.

Hm. Is that why? because some part of Hirako - perhaps because of his Zanpakutou’s abilities - has always sensed that literally everything about his own lieutenant was fake?

“I see,” The man says at last. “Well, that’s good. The kid could benefit from that if he really wants to get into the Twelfth.” But I’ll be watching you goes unsaid. “Invite him over sometime,” He continues, and the offer is genuine, because at his core, Sousuke’s captain is a good man. “He can see what a Division looks like from the inside.”

Sousuke watches him walk away. He wonders if it will change anything if he tries shoving Ichigo in Hirako’s direction. It could be interesting to find out.

And…. that’s all I have. Basically these two getting to know each other in-between figuring out how to save the world and dragging in allies and settling into their lives in the past. And Sousuke still mind-whammying people as a first instinct. And Ichigo stopping him from mind-whammying people, which becomes instinct. It’s an interesting friendship, to say the least.

#bleach #myscrap #aizen sousuke #kurosaki ichigo #hirako shinji #headcanon #msg #anonymous #good god what am i doing #ichigo & aizen time travel verse

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missstormcaller · 5 years

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BLEACH JET Artbook Talk Vol 2 - Translation (Q16-30)

ABOUT CREATION

Its distinct characters, selection of poetic dialogue and countless array of illustrations are all a grand attraction of "BLEACH". We reveal how they came to be born and close in on the secrets behind the creation process.

Q.16: How do you come up with the Kidō and Zanpakutō incantations?

Kubo: I just do somehow.

—— J: That you're able to just do it somehow, is nothing short of amazing. When it comes to the visual impact and sound, which angle do you prefer to tackle it from? Kubo: I guess both the sound and visual impact at the same time? Speaking of which, I haven't composed a Kidō incantation in a long time. —— J: They exist in a variety of categories, such as the explosive types, the binding types and so on. Where does your vision of their respective techniques come from? Kubo: I'm not at all sure. I wonder where the conception of my ideas originate from. There were certain things which took inspiration from song lyrics for example. —— J: They rhyme pretty good don't they? Kubo: I think I'm seeking to make people start wanting to repeat the words themselves. Or rather, I want people to feel a somewhat good vibe when they say it, like the seven-and-five syllable metre. That, I would say, is the case for given names or the names of techniques, pretty much everything. Furthermore, I have a feeling there were also things that took inspiration from the likes of mythology, "The Devil's Dictionary" and phraseology that appeared in books of that kind, but I honestly don't remember at all (laughs). —— J: Isn't Hirako supposed to release his Bankai in Narita's novel too? Kubo: Narita put forward a request, asking "may I get Hirako and Hisagi to release their Bankai?" and he followed up with "if it's okay with you, please tell me their names" to which I replied "I will think about it", I finally finished thinking about it just the other day. Though, as a matter of fact, I haven't relayed that information to him yet. —— J: I'm looking forward to it (laughs). Do you associate ideas from the impression of the character? Kubo: I draw out a great number of words by way of considering the abilities of the technique, the original Zanpakutō name and the character's image. After consulting with Narita about the establishment of Hisagi's Bankai, I said "perhaps this will do" and the direction I took became something like "bodies that are tethered together", consequently I began writing a list of all the words relating to "binding", "rope", "chains" and "prisoner". By establishing a successful link among all of that, it becomes a matter of combining the words and such…. —— J: So then, your process begins with the task of expanding a list of vocabulary first and foremost. Kubo: That's right. —— J: Which character's Bankai name caused you the most struggle to devise? Kubo: This time, Hirako and Hisagi are probably up there in first place (laughs). Hisagi might have taken the most time. —— J: Apart from that, did you contrive ideas from the image of characters like Ichigo and Byakuya? Kubo: I had no troubles at all when it came to that case. Ichigo's Tensa Zangetsu is taken from part of a name of a monster I was thinking about drawing in another manga. —— J: Oh! When did that one-shot happen? Kubo: It's "Rune Master Urara" my debut one-shot for Jump magazine. For a period of time, I was having fun coming up with monsters that could appear in that work, it was a time where I had devised a many number of them, the name of this super strong monster-like enemy with the whole length of its body pitch black was "Tensa Jūzen", that's where I took the "Tensa" part from. —— J: The roots of Tensa originate from there huh. However, Tensa did not appear in "Rune Master Urara" right? Kubo: Yes. Well, it was the configuration of a character that I would draw in the event that the work got serialised beyond this point. The visuals for Dondochakka is also something I had devised around that time. In order to get serialised in jump, I went to around three meetings and, well, failed on all attempts, but in those course of events I produced up to three chapters worth of work and showed it to Asada san who was my editor in those days. I presented Dondochakka's character visuals in several patterns of the second or third chapter which I had submitted, but Asada told me "don't make such a scary-looking guy the ally"…. I thought "you're kidding me, isn't he adorable?" but it was hopeless. Though, since I liked him so much I thought I'd try to use him for "BLEACH" (laughs). —— J: Are there other characters with this kind of case as well? Kubo: I only recalled that through our chat just now. Since I was not able to use the character in the other work, I'd say that's probably just about the only case. Also, with regard to Orihime, she puts her Shun Shun Rikka into operation by way of her hairpins doesn't she? Although this is also a matter from before "BLEACH" was serialised, Orihime's powers were at one point completely different to what they are now, there was one version in which she would sprout horns and a tail. Personally I thought this was cute as well, but I was told by Asada "the heroine can't look like this monster!" (Laughs) I'm relieved it was Shun Shun Rikka in the end though (laughs). —— J: Were any of the monster-like individuals of Hueco Mundo, like the Arrancar and Fracción, also based on rough drafts from around that time? Kubo: In that instance, I believe I just drew them more on the spur of the moment. —— J: Were there any complicated characters that made you feel something like "this character was not all that strong in the past, but since they're getting stronger, I have to start thinking about their Shikai or Bankai!" Kubo: I guess that would probably be Hisagi. I didn't think he would get that strong (laughs). —— J: Characters such as Byakuya give the impression that they were super strong from the very onset after all. Moreover, when you achieve Bankai, the fact is it remains imprinted in the history of Soul Society. Kubo: correct. It goes down in the records. —— J: I'd never have guessed that Hisagi would possess that much strength! Kubo: Hisagi doesn't really seem to be the calibre of some hotshot does he (laughs)? Although, that ill-suited impression about him is Hisagi's likeable side anyway. —— J: That pitiful aspect is the good thing about Hisagi isn't it? I mean, it's like you you just end up poking fun at him. Kubo: That's what I said even when Tōsen left, normally it would be just fine to promote the lieutenant to captain with the change in circumstances, but I thought "Hisagi and Izuru can't possibly be captains could they?", the pair really give the impression that they don't have what it takes. These two shine more as vice captains. That's why I created the forced post of "acting captain" and settled the matter there. Depending on one's viewpoint, Hisagi is kind of a hero-like character who has come to gradually develop as a result of all the various hardships that have befallen him. —— J: He is a hard worker isn't he? Though, even Hisagi would have been outstanding befitting of his talent when he first enlisted. Kubo: It's also neat how that is like the peak of his life. But on account of acquiring Bankai, I can say he has talent!

Q.17: I would love to know Sensei's process when he's thinking up characters! Although it might differ depending on the character, I wonder if 'the face suddenly springs to mind', or 'the outfit floats into your head', or if the 'name appears before you' etc….

Kubo: Since I just manage to draw my characters somehow or the other, it's not so much procedural…. —— J: Does "somehow or the other" mean that maybe you think to yourself "let's draw some guy who appears to give a certain air of strength", or "let's draw some guy who seems the type to deceive others?" Kubo: The idea is already in my head. Rather than thinking about it through the flow of the story, when I envision it, it's as if a substance like milk or mud begins to accumulate, something resembling a humanoid form floats around aimlessly within it, after I pluck it out, its image is gradually made clear, I think that's how it feels? —— J: That's pretty abstract! Kubo: By that point I would have more or less settled on things appearance-wise, with that frame of mind I then either compose it on paper as a rough draft or leave it floating in my head…. Aside from that, if any names come to mind I make a note of it, from among these rough drafts and notes I combine a set of ideas that makes me say "ah, this person will be the one to enter the stage this time", and finally I specify the role. —— J: So then, you compose the names and designs separately? Kubo: Yes, I think I quite often do things separately. —— J: So it's practically like how Ichigo was was searching around for his Zanpakutō through Ōetsu Nimaiya's training? Kubo: If I had to make a comparison using "BLEACH", then I think that analogy is the closest you can get. Generally, when I think to reveal a new character, I already have just the right person in mind. The story as well the characters is something that comes from me, so there is an outline from the very beginning. —— J: A number of unpublished materials have appeared for the first time in this artbook, but basically a large quantity are rough sketches. You would very often draw it and then put it aside for the time being. Does this mean there are hundreds of blueprints for characters dimly occupying a space in the back of your head?

Kubo: That's true, they have been there for some time now. When I put forward new characters, it's almost like taking that vision out of my head and making a clean copy. However, sometimes I don't have time and can't make the appropriate adjustments, so their faces start changing gradually in the manga (laughs). In that sort of sense, I have never been troubled by things such as the storytelling, or scenes that establish new characters. —— J: Are there any characters who, for instance, you had actually planned to put out on the Shinigami side, but ended up being revealed on the Arrancar side instead? Kubo: There is no character whose blueprint has changed to that degree. —— J: On the same subject, which character would you say came to be revealed in the most underdeveloped state and changed at a later stage? Kubo: I think the character who underwent the most change in terms of appearance, is Ulquiorra. When Ulquiorra made his first appearance, he had quite a different face. The personal image of him which existed in my head didn't change during the the creative process, but later when I looked back on my work I thought "his face looks a lot different huh?" —— J: I see. Kubo: In some cases, when an idea for a character appears in my head, their looks, personalities and sometimes even as far their colouring are all decided then and there, as for other characters those things are gradually decided upon. —— J: Do you feel the volume of these characters increased day after day? Kubo: It's not that they were created on a continuous basis, but rather in waves. Sometimes I produce five or six characters in the space of an hour or so, and sometimes it seems I produce none at all for days or even months. Therefore, the characters multiply either when I'm in the zone or when it's absolutely necessary to create them. —— J: From the considerable number of characters that appear in "BLEACH", I'd say the state of 'being in the zone' can't last forever, even if you can yield five characters in an hour. Kubo: And this is after a great number of cuts have been made too. These were unreleased characters that I felt, did not suit the universe of "BLEACH". Then there's the unreleased characters that have the right aura which I am able to present in "BLEACH", but I am not sure which part of the story I should apply them to. —— J: Are they characters which were not even suitable as Shinigami, Arrancar or Quincy? Kubo: I make a rough decision on the location and scene before I start designing them as either Shinigami, Arrancar or Quincy, but then there are some individuals that make me think something like "There's no panels to spare to introduce this guy to story. What role would he have played?" So, perhaps by some chance they will make an appearance if the timing is right when I draw something? —— J: That is certainly a treasure-trove you've been sitting on. Kubo: There's also the characters that make think something like "I wonder why this dude came to mind?" (Laughs) Q.18: The unique names which belong to the characters of "BLEACH" are impressive, but how do you come up with these names? Kubo: Even when I think about character names, I consider the sense of sound. The example I often cite is Hitsugaya Tōshirō, because it needed to give a cool impression, I thought a name that begins with letters either in the "sa column" or "ha column" would be perfect. I feel those sounds come across most smoothly. That reminds me, I believe Hitsugaya had a completely different name belonging to the "sa column" right up until the last minute. —— J: I'm curious about the name which got rejected. Kubo: The fact that I had forgotten about it, likely means it wasn't a good name to begin with. In addition, I consciously try to avoid names from the "ma column" because it doesn't sound cool. —— J: I get the impression that you take a great deal of care in the way you use consonants. Bambietta Basterbine for instance is all B-B-B. Kubo: That's right (laughs). —— J: The types that rhyme are nice as well, like Grimmjow Jaegerjaquez. Kubo: I'm often told that with regard to Grimmjow. —— J: It sounds cool, so it's a name that makes you start wanting to say it out loud.

Q.19: Regarding the characters' theme songs, I wonder how you visualise your characters to determine their songs through a piece of musical composition?

Kubo: When I'm planning and designing a character, a song that's familiar to me could start playing in my head and I think "that works a treat", in some instances when I'm drawing the scene in which the character first appears, a song that's playing in my head could naturally become their theme song.

Q.20: Are there any characters that received new theme songs around the time of the last chapter?

Kubo: Well, I've got nothing off the top my head. —— J: So the vision you decided on at the beginning, remains as unchanged as before? Kubo: Yes, that's true. Even if I had tried to listen around for a theme song once more, the one I chose in the beginning will always be the best suited.

Q.21: Each character has their own theme song, but do they also have their own fragrances to suit their image? I imagine it would be interesting if sensei did a collaboration with a perfume brand….

Kubo: I'm not all that familiar with perfumes, so please feel free to ask a perfume manufacturer instead (laughs).

Q.22: I'm curious to know if there are any characters who who radically transitioned away from your initial conception and setup, both during and before the series.

Kubo: Grimmjow is the one who underwent the biggest transformation. I get the feeling I've mentioned this elsewhere, but Grimmjow was initially set up to die before long, it was my plan to make him exit the stage as the story progressed, however when it came to the crunch I began drawing, and by the time I had finished drawing that week, I had already felt it was a waste to kill him off. I thought "this guy is too good", so when I informed my editor at the time that "I changed my mind, I'm going to abandon the idea to kill him off", he told me "to be honest, I also thought it would be a waste to let him die", this is a conversation I remember quite well. —— J: It certainly seems as if the side to him which is wilfully arrogant and confrontational would mark him out as an easily defeated character, however out of that, components like revenge and fate were affiliated with him and thus he became a great character.

Q.23: I would like for sensei to tell us if he is particular about anything when he's drawing female characters!

Kubo: I, don't think I'm good at drawing females. —— J: There's no way that's true…(laughs)! Kubo: For that reason, I'm not very particular about it. If I had to hazard a guess, I'd say "I hope they look soft" and that's about it. When the series first commenced my lines were rigid, and I should say I was fairly annoyed by that….That's why I want to draw my lines softer for females. —— J: Noel's thighs in "BURN THE WITCH" when she was riding her broom, as well as the straps of her holster biting into her skin, that appeared to be most supreme level of soft (laughs). Kubo: Well, I'm glad to hear that (laughs). As a matter of fact, I even came to like big boobs because I was attempting to draw bodies with a softer look. —— J: So you came to like them while challenging yourself to draw a soft look. Kubo: Originally, around the time I was still a student, I liked small boobs better since they were easier to draw. —— J: That would apply to Rukia too. Kubo: But then I thought to myself "man I really suck at drawing a big bust", so when I was drawing "ZOMBIEPOWDER" I firmly decided that "I want to get good at drawing a big bust", once I had observed a sufficient number of big boobs in the hopes of drawing lots of them, I gradually came to like it. —— J: (laughs) Kubo: I won't be able to draw them better unless I like them after all. Since I grew to like them, I think it became possible to draw voluptuous figures with a more racy look. —— J: That is glorious (laughs). I remember quite clearly, some time ago, it was said that Kawashita Mizuki sensei is an artist Kubo sensei considers skilled at drawing. Kubo: That's true, it goes without saying that she is skilled, I am fascinated by those who can draw things which in my opinion I wouldn't be able to draw for myself. I can't do line art like Kawashita sensei.

Q.24: When Kubo sensei paints in his colours, does he use Copic markers? Or a graphics tablet?

Kubo: Copic markers. —— J: What about digital painting? Kubo: I can't do digital at all. In the past, there was a period between "ZOMBIEPOWDER" and the serialisation of "BLEACH", I used to challenge myself when I had the time, however I found that I couldn't draw at all like that. I thought "this is hopeless." —— J: You had tentatively challenged yourself right? But these days there are drawing programs like "Jump PAINT". Kubo: It's an app isn't it? These tools are becoming a lot more user-friendly huh. After all, back in those days there was nothing but the likes of "Photoshop" and "Painter". —— J: Nowadays, fellow manga artists will meet up and draw illustrations with their iPads on the spot. Kubo: They meet up and exchange drawings? —— J: They all jointly contribute by setting themes for each other, then start drawing something with their Apple Pencils, apparently these gatherings are really exciting. Kubo: I recently purchased an Apple Pencil. I tried using it, only to find that I was totally incapable of drawing on it . When Jigoku No Misawa and his wife (Matsubara Makoto) last came to visit, Makoto san tinkered around with the Apple Pencil for a little while even though she couldn't draw, she was telling me "if you play around with this thing here then this will happen, you follow?"…. Then it got to the point where I was able to draw on it (laughs). It appears that I'm just useless with devices. I think it would probably be a lot fun if it reached a point where it's more accessible for me though. —— J: When you're drawing on an iPad, you're drawing on glass, so the sensation of drawing on paper isn't the sensation being transmitted to your hand. Although, it appears that recently they started selling screen protectors which make you feel like you're drawing on paper. Kubo: I would be able to draw with something that feels like an actual pencil, that's insane don't you think!? Well, I'm slowly running out of reasons not to work digitally (laughs). But, the biggest reason is that my eyes tire. That's why I wear glasses that cut off blue light when I play video games. I would have to wear those glasses the whole time when it comes to drawing digitally right? Given that it would end up altering my perception of colours, on second thought, I feel it would be too difficult to work with digital as my main art medium.

Q.25: Please tell us the approximate duration of time it takes to go from rough draft to one page of a manuscript. I also draw manga and illustrations so I'm very interesting to know. I'm looking forward to your response!

Kubo: In my case, my storyboards become my rough drafts as it stands, so it's a question of how I should go about calculating time. If we're speaking with regard to the time it takes for the drawing process, it depends on what's on the page itself after all. And considering the fact that I was getting through fifteen pages a day during the series…. —— J: Is the duration of that time used for inking your sketches? Kubo: Yes. At my slowest I spent 8 hours for fifteen pages. Therefore, it would be roughly 30 minutes for one page. —— J: That's insanely fast (laughs). Kubo: However, midway through the series, I felt it was a detriment to my health, so I asked if I could have the number of my pages decreased. That made things much easier. From there I worked through thirteen pages a day. I would spend a day and a half inking my sketches, but I would always reserve just four pages for the other 'half'. Somehow I manage, or to be more precise it may be down to the fact that I am forced to finish with great momentum if there are four pages remaining. —— J: Do you prefer to compose your pages in a sequential order? Kubo: Yes, I feel more excited about it that way. I too want to get charged up along with the climax of the story in my manga (laughs). If I first start drawing a scene that takes place after the end of the climax, I don't get excited for some reason. As a result, when the distribution of my pages is poor, I'll end up continuing with the scene thinking "this is wearing me out", but then my thoughts become something like "if I can overcome this, I'll be able to draw some great faces!" I did my page distribution chronologically in order enjoy the drawing process. —— J: It's an intuitive method but makes sense nonetheless.

Q.26: What do you do when you're at an impasse with regard to material for the story? In addition, please tell us what you place the greatest importance on when drawing manga.

Kubo: Whilst drawing I'm already thinking about the next chapter, so I don't really find myself at an impasse much when it comes to material. During the series, I would construct my storyboards in accordance with the course of events, then I would start inking and at the same time would have devised the following chapter. —— J: Some illustrations are for coloured title pages, some are almost a kind of continuation of the story, and others are poster illustrations that have no relation to the story at all. How do you decide which one of these to do when you're drawing your storyboards? Kubo: On the occasions I get to create coloured title pages, I bear it in mind when I think "this is the sort of painting style I want to do next", and by the time I get around to making a coloured illustration I feel like I can compose any one of those things. Whenever I didn't have the luxury of time, I would search for painting techniques in a short span of time (laughs). —— J: This Gremmy illustration (JET volume 1, p.277) exudes quite a malevolent atmosphere, but is this the painting style you were attempting to go for? Kubo: I think I wanted to go for a creepy feel, I painted it using a brush and my fingers. —— J: So you start by having some idea of a painting style. Kubo: Well, I think that applies to pretty much everyone (laughs). —— J: By the way, roughly how long does it take for you to think about the composition of each arc in "BLEACH"? Kubo: It's more or less determined at the introduction of the arc. Around halfway through the Arrancar arc, I participated in a stage event at Jump Festa, there I was asked "how much longer will 'BLEACH' continue?" I said "I will draw two more arcs and then it's complete." So, setting aside the length of the story, at that point in time, I would have been deciding the endings five chapters into the arcs. —— J: I see…. So then, I wonder what you place great importance on in terms of drawing manga? Kubo: What comes to mind when asked about an area I place great importance on, or rather, an area I'm 'particular' about, is how to lay down the foreshadowing. I compose the foreshadowing element by dividing it into stages, but since this element in itself is explained in the novelisations through text, I won't talk about the 'stages' here. Nevertheless, I believe the things you discover on the first reading are not foreshadowing to begin with but rather an ice breaker, or to be more precise something like a freebie I give away to readers that says "please anticipate things to come from these depictions in the near future!" After the big reveal you go back to read it again at which point you're able to say "so this was foreshadowed!?" Now that in my opinion, is foreshadowing. There are two reasons for this, one, I like thriller movies, though do you sometimes have predictions that you've made midway through those thrillers, I mean ones that completely hit the mark by the conclusion? —— J: It happens every once in a while. Kubo: I hate that, I think to myself "if it's supposed to be foreshadowing, then keep the reveal hidden properly!" and "surprise me with the reveal why don't you!" (laughs), second, I think a great amusement of the manga or rather the storytelling, is that after enjoying the main story you get to debate with friends that it's "neither this way, nor that." —— J: Indeed it is exciting to exchange differences in interpretation with friends. Kubo: If those debates are the most exciting part, then I hope when people discover new bits of foreshadowing after looking back on works they've grown to love, that they get to experience an indescribable feeling in the moment they made that discovery. I think "BLEACH" could also be one of these much loved works, so I wanted to set it up in a way where each time one would reread the story there would be a new discovery, and then a sense of joy which can only be savoured by those who have reread the story many times over.

Q.27: On the inside cover of volume 27, sensei talked about packaging [of an iPod] and book jackets, but in truth the paperback volumes of "BLEACH" already had a reputation for its exceedingly cool look. Is there an aspect you are particular about in your design and style choices even now? I would like for sensei to comment on attaining strong aesthetic preferences.

Kubo: I like design in itself, so although It's not the case that I'm particularly conscious of it, I'm always picky about it nonetheless. After creating the original format for "BLEACH" paperbacks, I was thinking to use the same one until the very end, therefore you will only find minor changes throughout. So when it came time to publish volume 1, I thought "I want to give it an aesthetic that's different from other comics." This means things like all the front page poems, and drawing the huge volume titles on the front cover. Even though I would buy Jump Comics all the time, I never realised there was volume titles, when I was asked "what would you like to do for the volume title?" by Jump Comics editorial staff, I thought "why doesn't anyone use volume titles in their design?", as a result I decided to use volume titles in my own. —— J: you have a point, it usually only appears in small lettering above the title of the work. Kubo: Exactly. I always think "what a terrible waste." If you don't make use of it design-wise, then contrary to expectations, the presence of the volume title will end up interfering with the cover art won't it? —— J: Even the designers among these questions have reputed "BLEACH" to have an aesthetic that's different from other comics.

Q.28: Within the story of "BLEACH", I believe there was a many number of instances where you depicted members of the cast in a heroic last stand or momentarily on the verge of death, but what are you conscious of within yourself when expressing a character's 'death'? Is there anything you pay extra attention to?

Kubo: It's the timing. It's either something like "this is still not the right place to kill him off" or "it's ideal for this character to be killed off here." It's not a question of luck as far as the characters are concerned, but rather a question of whether or not it goes along with their characteristics. The side that survives is certain to have good fortune after all. I reckon the scene where Ulquiorra fades away also matches his nature. —— J: Is there any character who ended up dead even though you hadn't originally planned to do so? Kubo: Not off the top of my head, I think not. It's the same for the reverse too. Grimmjow is pretty much the only exception. Grimmjow originally lived as long as he did because I didn't come up with his death scene, but I think he would be dead if I had decided as far ahead as that death scene. I would probably be thinking "this way of dying is the coolest!" and because of that, I think I would have killed him off since I want there to be a cool aspect in my depictions. Although my depictions can give the impression that 'this person looks to be on the point of death here', my thinking is "I still want to make this character do so-and-so after this" and I don't let them die. —— J: Izuru was still alive with pipes attached to the hole in his chest after all. Kubo: About that, after thinking "there are gaps in the hole on Izuru's chest, if the moon could be seen through there, that would be super cool!" I really wanted to draw that. When he was revived in a zombie-like state, the staging of the scene where the moon was visible, is to make it appear as if the moon was actually in Izuru's possession. For that alone I put him on the verge of death for a time and then let him survive. —— J: So from a choreography viewpoint, there are times you like to think outside the box for characters that are made to survive. Kubo: Given that I'm fairly passionate about choreography, there's something about it that makes me go like "I want to draw this scene, let's do it!" —— J: By the way on the topic of Izuru, 10 years later is he still alive? Kubo: I suppose he's ‘alive’. Which reminds me, I didn't draw Izuru 10 years later…. He would be too pitiful if he was dead, so I consider him alive (laughs).

Q.29: Compared to when the series first began 15 years ago, what is the thing that underwent the biggest change?

Kubo: The biggest change in terms of the work, is my art style!

Q.30: I was surprised by the fact that two characters appeared on the final volume cover only. On LINELive, voice actor Morita san said "it is a truly fitting illustration for the last volume", I also thought indeed that is true. That the two individuals from the beginning of the story would bring it to a close, is very typical of "BLEACH" I think. What sort of thoughts did Kubo sensei have after drawing Ichigo and Rukia for the final volume cover?

Kubo: The story originally began with these two, so I thought I should try to end it with these two as well. Since I already knew how many volumes the final stages of the series would end with, I began assigning "this character to appear on the cover with this volume…", I could draw characters who were not able to appear on the front cover for a while, such as Uryū and Renji, but I wondered if I could put Ichigo and Rukia together on the final one. Given that it's been a single person per cover the whole time, I then grew to wonder if it would also exude a special feeling if I put the two individuals on the last cover alone. Those two are the faces that represent "BLEACH" after all. "BLEACH" didn't start with just Ichigo, neither did it start with just Rukia.

Translator’s notes:

“The Devil’s Dictionary” by Ambrose Bierce

The "ha" and “sa” columns refer to part of the Japanese syllabary table

Quote from BLEACH volume 27 “I bought an iPod the other day. [...] The best part was the packaging, I couldn’t bring myself to throw away the acrylic case my iPod came in even though i have no use for it. I hope someday I could create a bokk jacket so good that no one can throw it away.” Tite Kubo.

#BLEACH JET #BLEACH #JET ARTBOOK #mytranslationtag #ichigo kurosaki #Rukia Kuchiki #Tite Kubo #interview #Hirako Shinji #Hisagi Shuuhei #Orihime Inoue #tensa zangetsu #Ulquiorra Cifer #Grimmjow Jaegerjaquez #Gremmy #kira izuru #Toshiro Hitsugaya #renji abarai #ishida uryuu

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zanguntsu · 5 years

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The Power to Protect

im bored and i want to lay down ny thoughts about ichigos character.

first and foremost, ichigos a protector like thats so central to his character that you cant remove it and expect the same character.

he needs power to reach his goals hence he is a fighter. he wants to protect people. its interesting to see how what ichigo wants to protect escalate in size, like at first he restrained it to his family and people he knows:

to a “mountain of people”:

and finally to literally everyone:

hes compassionate, even if he did start off as a mild asshole. he became more ambitious as time went all, which i believe was caused by his shinigami duties that gave him much more to care about, moral responsibility. its an obligation, he had to help since he would never leave someone behind. he started off with a smaller circle but since he gained Shinigami powers, he had a duty to protect spirits and he eventually decided that he should protect everyone.

the ability to save someone is linked into strength. ichigo states that the reason he learned karate was to protect his mom and his loved ones. the escalation of people he wants to protect is effectively determined by his power as well. In the beginning, he didnt have powers, hence he want to protect a small number of people. after becoming a shinigami, a death god, he graduated eventually and in the end, he’s confident in his ability to protect others. its one of the motives that leads to him fighting. its a method of how he can protect others, the way he knows best. when he lost his powers, he held up a facade that he was fine:

he longs for his powers as a shinigami since that allows him to protect others. he lost all his reiatsu, meaning he cant see spirits and by extension hollows. hes useless since he cant see the things that attack his friends. in the face of tsukishima, there was nothing he could do without powers.

the foundation of his desire to protect others stems from his name and the first person he wanted to protect was his mom, however he saw that he failed to protect her.

this is where ichigo’s compassion comes into play. he doesnt want to see others suffer in the way he has, having lost someone and suffered tragedy. he wants to do his best, and he understands he cant realistically protect everyone, no matter how hard he wants to. he has empathy and kindness to others, using his hurt as fuel for his actions. his will to protect gives him the power to do the impossible. he learned bankai to save rukia, completely hollowified to save orihime, and went after yhwach himself to save uryuu. its impossible to slay the moon and shatter fate, and yet his blade does just that.

he also feels extreme guilt when he does fail, and i believe his tendency to feel despair is rooted in masakis death. After all, what good is a protector who cant protect? his very name means “one protector”, which is basically his purpose in life. that guilt leads to despair at his own powerlessness. he feared his hollow powers from the beginning because of how dangerous they are, and since hollows have a tendency to first target their loved ones, no doubt his first victims would be his sisters. hes powerless to stop his inevitable hollowification, hence his despair. he was powerless against aizen and he couldnt stop him from going to karakura town, which leads to his despair. maybe its as if hes thinking about his mom, and how his inability is sure to lead into failure. but he can find the strength to fight back by his motive, and that leads to action.

ichigos philosophy is kind of hard to pin down from his behavior. hes more morally relative because it changes from time to time depending on the scenario. I think consequentialism can fit ichigo on occasions, where the outcome of the action determines the morality.

ichigo has used this idea in the fullbringer arc:

he’s ready to straight up commit murder because tsukishima harmed ichigo’s loved ones, and with the possibility of protecting others, he’s willing to go with this action. it contrasts his actions at an earlier time:

in this instance he was not wronged in the way tsukishima wronged him but hes going after aizen with intent to kill despite having had reservations about it like 30 chapters ago. he’s set on being pragmatic and taking the first shot.

even more recently, he goes back to the more altruistic mindset by actively telling an enemy to dodge

i feel like it depends on how big the threat is as well as the scenario. in the first case, ichigo had just lost control over his hollow side and wrecked havoc, harming everyone around him. he literally became a monster and hurt the people he cared about and Ulquiorra became his first canonical kill (from what i remember) but he lacked the control. fast forwards to aizen, he recognized aizen as a huge threat to everyone and karakura town and as a protector he has a duty to stop aizen by any means possible. with tsukishima, it was very personal since he turned everyone against him and that really messed with his mind, especially since he was powerless to do anything which leads to desperation and murderous intent. even the slightest possibility of saving his friends motivates him. finally, the more recent arc had ichigo warn someone to get out of the way of his attack and i feel like it had more positive intent mixed with self-assured confidence, seeing as he was fully ready to straight up take on 8 sternritters following that. he’s confidant in his power now, hence him being slightly dorky during the fight (bad landing, was a little cocky). his will to protect serves as a motive for his actions and dictates what he determines as moral, such as the life of someone else, and eventually that determines the action he takes. he is a kind person, to his loved ones and the people who haven’t really done anything wrong to him but the enemies who threaten all he holds dear wouldn’t have that same mercy.

#ichigo kurosaki #meta #bleach #i have a lot of feelings #i reaches the photo limit shshsjdjk #long post #the post is a mess because I have a lot of feelings

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hezuart · 7 years

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Don’t Let Me Down, Inoue

If Ichigo truly cared about Orihime, he wouldn't have let her come with him.

Sorry if I made Ichigo seem harsh, but I mean....

Your crush puts all his faith in you to help him defeat the most dangerous man in the universe despite you not showing the competence to deserve it.... and then you fail him and blame yourself and he doesn't disagree with you and takes note of how useless your powers were to him making you feel like shit which messes up your powers because your entire emotional state heavily depends on how well you can control them! And why was Rukia forced to stay behind with Orihime to babysit her? Heck, why did they BOTH stay behind? It makes no sense.

seriously though, Orihime got the bad end of the stick this entire series past the first arc.

Kubo just builds her up only to drag her even lower....its shameful and predictable.... and that ending too.....she couldn’t go to med school because she didn’t have the money yet her crush’s father owns a clinic and the man who has always supported her and loved her (Uryuu)’s dad owns an entire hospital? and neither of them helped her...why?

Kubo made it look like the only reason she was kept alive was to have Kazui. Now that Kazui exists, Yhwach has no use for her. If BLEACH continued I’m pretty sure possessed Kazui would attempt to kill Orihime. Unless Kubo played favoritism to keep her alive for no reason again...?

I really miss the Orihime in the first arc. The woman who was optimistic and took out two shinigami with her bare hands. The woman who gained her power for herself so she wouldn’t be forced to rely on Tatsuki or Ichigo anymore. The woman who always reached out to Rukia instead of being jealous of her... Kubo, what the hell happened to that Orihime? She had so much potential...

(Also I’m genuinely upset over this entire chapter sequence because Zangetsu are my favorite characters, it was literally stated that hollowfied bankais are poison to quincy and yet Yhwach absorbed Zangetsu....what nonsense is that....thats not even a proper bankai thats a hollowfied shikai ... I’m so livid)

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darkstrangevirgilanxiboi · 7 years

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Bleach Headcanons For The Wounded Soul

ALL RIGHT I KNOW THE ENDING WAS ALL KINDS OF JUST.....WHAT??? AND A LOT OF UNANSWERED THINGS So to make MYSELF and hopefully the fandom feel better I'm gonna dump alllllll the headcanons here for you ( if it's ship specific stuff u want just send an ask I ship a ton of things my friends ) SPOILER WARNING TURN BACK NOW IF U DO NOT WANT SPOILING - Toshiro babysits Kazui and Ichika quite often and demands payment of either watermelon or dragon themed decor Renji bought him a dragon shirt and Toshiro got super excited over it Ichigo , secret art guy , managed to one up this by making a drawing of Hyorinmaru's human form and gave it to Toshiro as a cheer-up gift one day. Ichigo got free babysitting for a whole YEAR - Byakuya and Toshiro become close friends after the Quincy war ( they were friends before but at some point Toshiro ends up with Byakuya's scarf in the manga so they musta been best bros ) and Toshiro is named god-father of Ichika - Uryuu and Ichigo become much closer and Uryuu has dinner at Ichigo's every week and they catch up. Uryuu teaches Ichigo about Quincy stuff and Ichigo teaches Uryuu the good things about shinigami . They visit their mothers graves together every year. - IZURU MADE A FULL RECOVERY HE'S FINE HE JUST RETIRED - JUSHIRO IS FINE THAT little sad scene was just a nightmare sequence okay haha ( JUSHIRO IS F I N E) - Kurotsuchi eventually becomes a decent damn father to Nemu and checks himself once he realizes how much evil he's wrought ( BUT REALLY THOUGH GIVE HIM A REDEMPTION ARC SOMEONE) I mean I used to hate him so much but I hate him a little less because he DID save Toshiro and Rangiku He does good things by accident sometimes I mean maybe he has a tiny heart -Ikkaku marries Keigo's big sister and Keigo is so scared but so happy for them too - Grimmjow gets a happy ending ( just let my angry cat be happy please) - KISUKE AND YORUICHI GET MARRIED AND ADOPT GINTA AND URURU - Yuushiro Shihouin is FINE, he's F I N E - Toshiro and Momo start dating soon after Kazui and Ichika are born , Byakuya is the best man at the wedding Toshiro names their first son Hyorinmaru ( Nicknamed Hyorin ) And Hyorinmaru is of course god-father Toshiro is the CUTEST dad . He brings baby Hyorin with him everywhere , wrapped in one of his scarves . It's very distracting at Captain's meetings because who's gonna scold Hitsugaya when his son is so cute ? Plus Nemu pretty much adopts all of the Hitsugaya babies the minute she sees them so Kurotsuchi will fight anyone who tells Toshiro to leave the baby at home , because he LOVES to see Nemu happy ( and is secretly fascinated by the super strong reishi of the Hitsugaya kids) All of Squad Ten adore the Hitsugaya babies , anyone who so much as makes a Hitsugaya frown gets a beat down from the tenth AND fifth division ( Shinji is the most ecstatic god-father ever and Hiyori thinks it's adorable) They have like six or seven ( or more ) kids and every one of them is super strong in fighting Their third child Shiromo actually challenged Zaraki to a fight when he was seven , and Zaraki LOST. To a seven year old. Momo tells everyone about it for centuries . Zaraki never lives it down . Shiromo Hitsugaya gains his first rival before puberty. They have a winter home in Karakura town and visit often . Ichigo adores their youngest child , and not just because he's named Ichigo! Little Ichigo Hitsugaya thinks Big Ichigo is the coolest thing since his dad , and listens to Ichigo talk about old fights all day. They do art projects together and play soccer and Ichigo makes sure Little Ichi learns first aid because obvi his folks are gonna need it one day - Mizuiro becomes a profitable business man who helps exiled Shinigami adjust to the human world and helps humans who see spirits learn how to stay safe from Hollows - Tatsuki helps Mizuiro with his business and eventually he's the best man at her wedding when she marries her girlfriend , and SHE'S the one who gives him away a year later when he marries his boyfriend - Orihime is a Full-Bringer , the Full-Bringer group just didn't know about her yet. They find out pretty soon after the Quincy War and soon start training her and she becomes best friends with Riruka . ( I mean if Kubo ain't gonna tell me why she can do the thing I'm making up my own thing ) - Kyoryaku marries Nanao and they have four daughters ( Shunshui doesn't die from the Ise curse he lives well into old age he's fine ) - Chad runs a nonprofit orphanage / children's home devoted to finding kids loving families . Kisuke and Yoruichi adopt four to begin with and adopt more over time as their children grow up and move out. Tatsuki and her wife adopt twin girls that can see ghosts . They become a famed ghost medium family Mizuiro and his husband adopt a blind boy , a deaf girl , and a nonbinary kid. - Kisuke eventually figures out how to remove the Hogyoku from Aizen and Aizen finally gets executed for his crimes - Keigo runs a blog of conspiracy theories , most of which actually happen to come true at some point. Turns out Keigo's family is descended from a runaway Quincy and Keigo is the first in generations to develop any type of Quincy power. He has glimpses of the future but can't control it. Uryuu is stunned ( and mildly annoyed) that Keigo is a Quincy but helps him out nonetheless. - Tatsuki gets famous worldwide for punching a sexist on national television and soon every corner store has souvenir Tatsuki shirts - KOMOMURA IS FINEEEEE - Shuuhei becomes the next captain of squad 9 -Soi Fon gets a girlfriend - UNCLE BYAKUYA BYAKUYA IS THE UNCLE TO THE CHILD OF ANYONE HE'S FRIENDS WITH And he gives all the kids scarves and flowers and etiquette lessons ( and plushie Mr.Seaweed dolls ) - OKAY BUT IN THE MANGA BYAKUYA LOVES TO DRAW THIS LITTLE CHARACTER THAT'S JUST A HUMANOID SEAWEED It's amazing and adorable and I love artist Byakuya - Karin introduced Toshiro to ice puns and puns in general. He gets a tumblr and an instagram. He posts pics of defeated enemies and lots of sweet stuff about Momo . And memes The memes haven't stopped since You think he was sarcastic in fights before? ICE try , bitches ( Rangiku tries to disown him three times ) - OH YEAH SHINJI ADOPTED HIYORI OKAY - There's a betting pool in the Gotei 13 over who Zaraki challenges to a fight most often that week. Toshiro wins regularly ( he bets on himself and Soi Fon ) Once Toshiro actually takes up Zaraki's challenge , because he's stressing out over having his first child and Momo is sick and there's been weird Hollow activity and Zaraki just hit a nerve . He ends up getting hurt pretty bad but managed to win and now there's a new betting pool over when Zaraki is gonna beat Toshiro ( or if anyone CAN beat Hitsugaya anymore ) - Whenever Toshiro looks sad , Momo makes it a rule that you have to hug him every time you see him and give him a compliment. Rangiku and Byakuya enforce this rule , doubly so when Toshiro is recovering from injury. One time Kensei tried to refuse to hug Toshiro and Byakuya glared at him from the shadows for a solid hour while a very concussed and confused Toshiro just watched from his hospital bed . Kensei lost the staring contest and gave Toshiro an awkward hug and for lack of a better idea just went " Your Bankai is very artistic to watch , good job " Toshiro smiled for about an hour and later Kensei got a thank you card from Byakuya " You made Toshiro smile today , I can like you now " - Whenever shit hits the fan in a battle and Byakuya is by Toshiro he just picks him up and books it for home while Toshiro protests and tries to go Bankai -When Momo swears in front of Shinji for the first time he hugs her like a smug parent and she is confused - Toshiro jokingly leaves a jar labelled " Zaraki's Swear Jar " in the Captain's Meeting room and no one tells Zaraki it's not official so in meetings Zaraki just drops whatever's in his pocket at the beginning of the meeting in the jar The prices range depending on severity and vulgarness " Damn " is a nickel " Fuck " is a dollar Anything sexually overt is three dollars The money goes toward whatever is most pressing at the time - repairs , medical supplies , equipment .... - Once in a war Momo is kidnapped and Toshiro just decimates a whole army to rescue her and from then on the enemy was terrified of Toshiro , who's unaware of it for a few weeks while he recovers from injuries. But when he shows back up at the front the leader just surrenders like " DON'T MURDER US WE DIDN'T KNOW SHE WAS YOUR WIFE " Uhhhhh that's it for now I'm tired , but enjoy! @hitsuhinahappiness @xxhanabifireworksxx

#hitsuhina

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recentanimenews · 4 years

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A Celebration of Women of Color in Anime

Anime has always meant a lot to me as a person of color. I didn't see much of myself in my surroundings growing up, and even though I'm mixed Filipinx and not Japanese, it felt valuable to me that anime was an Asian-created medium. There were far more limits in terms of exposure and what you could readily learn about underrepresented cultures in the years before the internet became more widely accessible. As a result, early TV and video exposure to anime helped me indirectly feel proud of my own heritage.

I generally relate to media depictions of women more than men, so it should come as no surprise that women of color in anime comprise some of my favorite fictional characters, period. Though woefully misrepresented in all kinds of media, here's a non-hierarchical list of anime WOC who are respectfully depicted, nuanced, and poignant role models for our own lives too. Read on for more!

Nadia — Nadia: The Secret of Blue Water

A series known for its tumultuous production and Hideaki Anno's distinct directorial hand, Nadia: The Secret of Blue Water is an aquatic adventure anime from the early '90s. The main character, Nadia, is a young woman of color searching for the truth about her past — and the secret of her blue-jeweled pendant.

One of Nadia's crowning traits is her connection with animals and the care she displays for them. Nadia communicates easily with King, her lion cub sidekick, and openly detests meat and hunting. The show also makes it clear that Nadia is a *gasp* vegetarian. It was pretty rare in the '90s for any show to feature a positive portrayal of vegetarians, so it's pretty cool to see her depicted as a genuinely caring animal-lover and not some meat-hating caricature.

Nadia is an "imperfect" heroine in the sense that she actually comes across like a real person with real struggles. She is (justifiably) prone to distrust others, can act hot-headed, grapples with intense depression, and doesn't always give people like Jean and Nemo the benefit of the doubt. Nadia's tendencies and behavior make perfect sense given her awful and abusive childhood, and that makes her one of the most interesting anime protagonists out there.

Yoruichi Shihōin — Bleach

In Bleach, Yoruichi's coolness factor is off the charts. She can outrun Byakuya (one of the most powerful captains), knows how to help you achieve Bankai in three days, and can also transform from a black cat into a human at will. If Soul Society had its own version of LinkedIn, Yoruichi's resume would be top tier — it's no small feat to be the former Onmitsukidō commander and former 2nd captain of the Gotei 13.

Finally, much like the rest of the cast of Bleach, Yoruichi possesses a simple yet keen sense of style. Can you think of anyone over a century old who can wear purple and beige striped arm wraps and orange apparel with such finesse? I thought not.

Carole — Carole and Tuesday

Shinichiro Watanabe's new show Carole and Tuesday is yet another music fan's dream. While Kids on the Slope focused on Jazz, Watanabe's new outing hones in on pop singer/songwriters. One central message in the show is simple, yet timeless: Pursue your creative expression by staying true to yourself, and keep your creative fire safe from societal pressures intent on manipulating and/or extinguishing your gift. And with a Black woman — Carole — as one of the lead protagonists, this important message feels even more moving and powerful.

A Black woman as a lead character is the exception rather than the rule in the world of media, which is a disturbing reflection of larger oppressive social structures. That's why it feels refreshing to see a respectful portrayal in the form of Carole. We first meet her as an impoverished teenager in a big city without parents or a support network. Despite the financial and social odds stacked against her, Carole still longs to express herself and create a loving community through the power of music. Her dedication to her own creative integrity is a joy to watch, and as a musician myself, I found legitimate personal solace in her drive to be as artistically genuine as possible.

One of my favorite things about Carole is the ego-free support, sense of awe, and goodwill she displays toward other musicians. There's barely a hint of jealousy or competition between Carole and her main musical partner, Tuesday. The two get along amazingly well despite a few roadblocks, and Carole consistently honors their shared creative spirit. She even voices repeated praise for a rival musician named Angela, despite Angela's antagonistic remarks against the series' duo. As another impressive feat, Carole also manages to revive the joy of seasoned — and occasionally downtrodden — musicians due to her infectious creative passion. How can you not love such an inspirational character?!

Anthy Himemiya — Revolutionary Girl Utena

Revolutionary Girl Utena, is, well, revolutionary for a number of reasons. The show tackles gender essentialism head-on and makes some hefty statements about the toxicity of conventional social norms. Utena is an incredible character who challenges the classic patriarchal notions associated with princedom. I'd argue though, that her partner Anthy Himemiya is the true star of the show. Without going into spoilers, Anthy is key to one of the biggest themes in the show: That for its own selfish gain, society is willing to endlessly enact cruel rigidity and heartlessness against women. It'd be both reductive and missing the larger point though, to interpret Anthy as a defenseless, subservient victim controlled by the harshness of a misogynistic culture. On the contrary, Anthy is perhaps the strongest figure in the entire series. Anthy does (at least in some ways) behave according to the interest of others, but she ultimately asserts her own worth and personal agency in a way that truly embodies the show's beautiful core. There are plenty of fascinating, insightful articles that go into depth about Revolutionary Girl Utena's symbolism and topics, so be sure to check some out. Anthy is a phenomenal character who stands out as one of the most memorable depictions of self-love, showing it's never too late to define your own life according to your needs, desires, and dreams.

Casca — Berserk

Berserk is likely my favorite manga, and undoubtedly my favorite work of dark fantasy. I always pair that praise with a very cautionary recommendation due to the intense gore and many disturbing sexual depictions throughout the series. While it's up to each individual to decide their limits in terms of extreme content, Kentaro Miura (the creator) softens Berserk's more unseemly edges by featuring sympathetic protagonists who organically evolve, and who are driven by immense love and support for one another in spite of a horrifyingly bleak world. That said, I find the central character Casca to be one of the strongest and most nuanced women in all of fiction. It's rare enough for a dark-skinned woman to be depicted at all in most media, and rare still for her to be given proper depth and well-deserved narrative development. Fortunately, Berserk gives us both.

In the Band of the Hawk arc — the first lengthy saga in Berserk, covered by the three recent films and the '90s anime — Casca is introduced as a well-regarded figure within the ranks of her mercenary brigade. Although she's portrayed as a strong fighter and a capable leader, the series deploys many different elements that prevent a one-sided characterization of Casca. For example, her tragic backstory highlights not only her strength and will to survive but also lends added weight to why she's so watchful of her comrades. After Casca is sent away by her own family as a child, she gains a new one in the form of the Band of the Hawk, and — much like a protective older sister — leads many of her men to safety on more than one occasion. The life and attachments Casca forges from the hell of her childhood imbues her character with skillfulness, tenacity, and meaningful emotional capacity.

The love between Casca and Guts is a genuinely moving, reciprocal bond. While it's true that Guts saves Casca from demons on many occasions (which carries more than a hint of the misogynistic damsel-in-distress cliche), it's also true that Guts is saved from his lonely life largely because of Casca's love and presence. Though there's plenty to critique about the notion that masculine dependency is evidence of a healthy relationship, overall I find that Guts and Casca exhibit selfless, mutual gestures of love that challenge standard relational dynamics.

It can't be stressed enough how pivotal Casca is to Berserk's central storyline. Her badass skills as a fighter, coupled with her nuanced backstory and emotional depth, makes her one of my favorite anime characters of all time.

Each anime in this list offers a uniquely touching testament to women of color. While by no means an exhaustive list, I hope you enjoyed it!

Are there other women of color from your favorite anime who aren't listed here? Let us know in the comments!

Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features!

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