On Daenerys, Colonisation and Race Discourse within the ASOIAF Fandom
This has been on my mind for a good long while and honestly, as much as I would like to leave discourse in the pits, it has been bugging me intermittently over the past few weeks.
Far too many of you get on here and call people who like the fictional dragon-riding family, neo-Nazis and that sentiment is so prevalent, that white people feel comfortable telling me a black woman that I am a neo-Nazi for rooting for Daenerys Targaryen. I am upholding neo-Nazi power fantasies for wanting to see a little girl live at the end of a story. I am a neo-Nazi for wanting to see the rape survivor have the family she aches for and children with the man (or men) she loves.
Then, those same people go on spiels about how the systemic erasure of those who sing the song of the earth and other old races is not colonialism. That their removal from their home is not displacement but an agreement between two equal parties. The fact that the only place where those who sing the song of the earth exist in the present timeline is north of the wall, surrounded by the bones of their dead, is not a travesty. That the expulsion of the old races from their home isn't that bad and should not be condemned.
Instead, people argue, completely seriously, that the harm that the First Men and Andals have caused is centuries in the past, so essentially the slate has been wiped clean. The logical leaps that are required to arrive at such a boneheaded conclusion are truly mind-boggling, and those who make such arguments are not good people.
I am unsure how one could read those books and come away with the impression that the old races do not mourn the loss of their home. I am unsure how one could read The Last of the Giants[1] and Ygritte’s reaction to both the song and Jon’s dismissal of the ethnic cleansing of the giants then believe that the old races and the free folk have moved past their displacement.
In Westeros, from the Wall to the broken arm of Dorne, they all speak one language despite the fact they are all different ethnicities and they all landed on the shores at different times. That is not the case in Essos, we have been introduced to at least six languages and in A Dance with Dragons, Tyrion notes that the Valyrian spoken in the Free Cities has evolved into nine distinct dialects, and they are well on their way to becoming different languages.
How would a continent as large and diverse as Westeros maintain its hegemony over the people if not for forced assimilation, discriminatory practices and violence? The brutal repression required to keep one house in power for thousands of years is nothing to sniff at. The suppression required to keep the vast majority of Westeros worshipping one (or seven) gods. The systems in place ensure that language does not grow or evolve amongst the highborns at least.
Centuries before Aegon's Landing the maesters were the definitive educational authority and even now centuries after, nothing has changed. The grey rats still decide who learns what and when they learn it. There's one in every highborn home, all correspondence passes through them, they are the healers and the councillors.
The circular logic gets even more blockheaded when you factor in the fact that Daenerys is far from the only white character in the books. She is not the only character who wishes for home. She is not the only character who draws strength from her ancestors, her bloodline and her magical creatures.
Cersei draws strength from her family’s iconography, and the Stark children (Jon included) all draw strength from their direwolves, their home and their blood. Sansa, Arya and Bran wish to return home and their home was built on the indiscriminate murder and displacement of the indigenous peoples. Their home is built on centuries of rape, murder, exclusionary practices and sexual slavery.
However, if we give the nonsensical argument that time erases crimes air; the Starks, Lannisters and Tullys are warring to settle personal grievances in the present timeline. As a consequence of that war, thousands (a modest guesstimate) of small folk, minor nobles and even some major ones have been raped, tortured, maimed and killed.
Despite all this, no one writes meta after meta about how Sansa and her siblings must surely die for justice to be had for those who sing the song of the earth, the free folk, the giants and all the old races that fled beyond the wall.
People write meta about Cersei and how she must die, but those are typically more misogynistic nature. They typically argue that she must die not for the “crime” of being Lannister, but for the “crime” of being Cersei and “ruining” Jamie.
I would not mind criticisms of Dany and her peace-focused approach to ending slavery because the approach is naïve and she gives the slavers far too much ground. However, she is learning, growing and self-critiquing. At the end of A Dance with Dragons, she has decided to embrace fire and blood, her knight is breaking the false peace which is a necessary step forward.
What I find offensive is people saying that she should have planned better before she abolished slavery. And that the death, violence, and sickness that arises from her quest to eradicate slavery is somehow worse than the death, violence, and sickness that already existed in Slaver’s Bay.
This argument often downplays the horrific conditions and suffering that exist(ed) under the slave system in Slaver's Bay. Such arguments are often in poor taste and prioritise the lives and comforts of the slavers more than the people they have enslaved.
I would not mind criticisms of Dany if people applied that same critique even-handedly. The same people who believe that Jon and Bran have done much to rectify the evil that their ancestors perpetuated believe that Dany has not done anything to right the wrongs of her ethnic kin. They praise them for the non-existent steps that they have taken, but in the same breath, they condemn Dany for not being able to immediately end the plague that is slavery.
It is perfectly alright to not like fictional characters, no law requires you to like certain fictional characters over others. However, what is not right is making broad accusations about those who do, it is beyond the pale. It is disgusting, and annoying, and trivialises real-world issues to score cheap points against fictional characters.
Equating the survival of a teenage survivor to the restoration of a fascist house or neo-Nazi power fantasy when such designations do not exist in the world of ice and fire is strange behaviour. Saying that the teenage survivor will eventually be manipulated and raped (again) before ending up dead on her manipulator's blade is also strange behaviour.
Dismissing the horrors of colonialism, especially when the text shows you that the involved parties are still affected by it, is not normal and often veers into real-world imperialism apologia. While criticism and analysis of characters and their actions are valid and even encouraged, it is essential that we do not resort to sweeping generalisations about other people and that we keep criticisms of characters grounded in the text.
[1]
Ooooooh, I am the last of the giants, my people are gone from the earth.
The last of the great mountain giants, who ruled all the world at my birth
Oh, the smallfolk have stolen my forests, they’ve stolen my rivers and hills.
And they’ve built a great wall through my valleys, and fished all the fish from my rills
In stone halls they burn their great fires, in stone halls they forge their sharp spears.
Whilst I walk alone in the mountains, with no true companion but tears.
They hunt me with dogs in the daylight, they hunt me with torches by night.
For these men who are small can never stand tall, whilst giants still walk in the light.
Oooooooh, I am the LAST of the giants, so learn well the words of my song.
For when I am gone the singing will fade, and the silence shall last long and long.
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Why is Gale eating shoes like The Meme du Jour. You ask nicely to please be able to eat two pairs of shitty boots and an ugly ring in act 1, and you're just forever known as Weirdo Wizard, the Shoe Eater? Nah.
What's ACTUALLY kinda inconvenient is that I do all this hard work of skulking around dank basements, rifling through corpses' pockets for loose change and opening every box, barrel, and vase, hoping to see old parchment, and whenever I actually FIND one, I can feel him licking his lips burning a hole in the back of my head with his gaze.
"That's a nice scroll you found," he says, "You know I could learn that spell, and be able to cast it whenever you need it."
But don't believe his lies. He just eats it like a musty fruit by the foot, and like 250 gold too, and he'll STILL only remember like. Seven or so of his dumb little spells.
We should call him Weirdo Wizard, the Moneysink.
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what kind of warmth are you? quiz
tagged by @getouh in their answer
sun shining on your face
you're encouraging, brave in your kindness, and intentional about bringing healing to all those you love. your warmth is obvious, but commonly misunderstood. at first glance, people may take your positivity as naivety; it is the opposite. you have seen the cruelty of this world, and that's why you choose to be recklessly warm. you find comfort in nature and love random acts of kindness. you probably remember one specific stranger really well, even though you never saw them again. but they gave you a bit of warmth that you carry with you everywhere you go. i hope you know you are that stranger for others. the kindness you give out is helping others be kind in ways you may never see. i see you, and i'm proud of you. i hope you're proud of yourself too.
Tagging:
@cursedcalamity @circusmxnkeys @toxji @hxbiris (Yuji) @inun4ki @infamiia (Apollo) @publicsxfetymakima @impishsensei @6cular @ofovertime + you who see this, too late now
icon by @pfpanimes
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heyyyyyy kasper, i was looking for my favourite summer vibes playlists and i realised i couldn't listen to your "trevor fucks his way through the military on the way to jamie who left to be a med student" (ish) playlist (leave a candle lit inside while we sit on the roof and watch the sunset? was that it?)
all of this to say: can you share the tracklist so i can recreate it? bc i fuckin love that playlist and also i'd like to recommend it to all your followers who want californian rooftop sunset vibes
(sorry to make this long but also i always mean to tell you when i listen to: Wouldn't It Be Nice by The Beach Boys was used for a chocolate brand's ad here in Australia and it always makes me laugh hearing it at the end of that playlist)
Yes!! You are so kind to listen to it more than once oh my gosh. Sorry this took so long. I responded to another ask the same day I got this message and Tumblr ate it and I was like I will not be silenced a second time today, and then I forgot
leave a candle lit inside while we watch the sunset on the roof
"Liberation" by Arkells*
"Tongue Tied" by GROUPLOVE (i loved you then / and i loved you now)
"Miracle Mile" by Cold War Kids (i'd be alright if i could just see you / come up for air / come up for air)
"Young Blood" by The Naked and Famous
"Surefire" by Wilderado
"Water" by Ra Ra Riot feat. Rostam (don't punish me / for what i feel)
"Nothing's Over" by Young the Giant
"Some Kind of Joke" by AWOLNATION
"House of my Soul (You Light The Rooms)" by Langhorne Slim
"Seventeen" by Sjowgren (if you want a second to breathe / give you all my love / give you all you need)
"Lazy Eye" by Silversun Pickups (i've been waiting for this moment all my life / but it's not quite right)
"Sedona" by Houndmouth**
"Black & Blue" by Miike Snow
"Sit Next To Me" by Foster the People
"Bad Sun" by The Bravery
"Heat Waves" (Stripped Back) by Glass Animals
"Wouldn't It Be Nice" by the Beach Boys, feat. the Royal Philharmonic Orchestra (wouldn't it be nice if we were older / then we wouldn't have to wait so long)
This can be listened to on random for once, bc there wasn't a narrative arc in this playlist so much as it was just "songs that I listened to while I was sitting on the roof of my house in California experiencing being in my 20s + songs I think would enrich Jamie Drysdale's enclosure better than Taylor Swift + Heat Waves." If that kid heard "Seventeen" in a vulnerable moment he'd crack open like an walnut and bleed all over the shingles. Enjoy!
thematic content warnings:
*this is about someone dying of cancer
**this is in part about kidnapping
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I'm obsses with Vessel's mask.
The non pur white, the vague shape of a noise, the little imperfections, the hollow cheeks, the multiples eyes, the texture, the global shape... It looks like a non more human face. It looks like its bones. Like it was paint with fresh blood.
And the mouth. The mouth is the only missing part of the mask. You can litteraly see him screaming the lyrics
His face is hidden. You don't know what he looks like, what expression he has, in which way he looks at the crowd, all you know by looking at his mask- at him, is that he's putting his whole soul into each word and note
While watching replay of performences i can't help but stare. He sing like an angel would, with so much emotions (some that I can't even describe), he sounds absolutely etheral. But I believe seeing only his mouth bring even more power to his performence
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