#i just think this would canonically happen between them

[wlntrsldler]

THE PROPHECY | LUKE CASTELLAN

synopsis: series of events between zeus!reader and luke that started the prophecy. not canon-compliant; inspired by the prophecy by taylor swift.

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Hand on the throttle, thought I caught lightning in a bottle, but it's gone again.

"Do you think Thalia knew I loved her?"

There was a bite in the air, as there always was when the summer began to fade and fall began to creep up at Camp Half-Blood. It happened every year, at least for the past three years you've called Camp Half-Blood your home.

Luke sat beside you on the hard, dirt floor, looking up at the green of Thalia's pine tree. The summer campers knew of her legend, but it was the year-rounders like you and Luke who understood her sacrifice best. There was a feeling of guilt and gratitude that engulfed all of you, like the protection Thalia blanketed over the campgrounds. You were thankful that demigods had a place to feel safe, but it came at the cost of a life. Thalia should be here.

"Of course she knew," Luke replied, unconsciously yanking out the blades of grass that flourished between the cracks in the floor. "She's your sister."

"Yeah, but do you think she knew I chose to love her?" You clarified, turning your head to face him. You did this every year, you and Luke at the foot of Thalia's tree once the summer campers all left for the year. “I mean yeah, I had to love her because she’s my sister, but do you think she knows that I would’ve chosen to love her even if she wasn’t? I feel like I never told her that. We always fought.” 

Each year you studied Luke and noted the things that were different. He's older now. His arms were more defined, muscles beginning to form on his otherwise lanky frame. He'd grown taller in the last few months and his body was adjusting to his new height. The pants he wore all of last summer were discarded a few months ago. They stopped short on his ankles and Luke decided that it was time to let them go. 

Another bead was added to his necklace, three wooden beads clanking against each other, just like yours, when he moved his body too quickly. A new bracelet adorned his wrist given to him by a young girl in the Hermes cabin before she left to go back to Virginia for the year. Luke had a collection of bracelets stashed in his bedside drawer. It was a reminder of all the demigods he wanted to protect. Some became painful reminders of the ones he couldn't.

Luke pursed his lips, "Sisters fight. I don't think she took it personally."

Each year you studied Luke and treasured the things that stayed the same. He still had the same smile as he always did, bringing you back to when you and Thalia first met him all those years ago– just three kids fighting for your lives all on your own. You and Luke were the same age, him only your senior by a few weeks, but he took the protector role seriously. Luke was your safe place before Camp Half-Blood. 

His curls were the same, especially in the mornings when he first gets out of bed; all wild and unruly, just like how he is when he wasn't carrying the weight of the world on his shoulders. Some people say it's because he's the son of Hermes so mischief ran through his veins, but there was nothing about Luke that mirrored his father. He was too good to be like the gods.

"I just wish my last words to her weren't that," You uttered, a bitter taste in your mouth as you replayed your last conversation with Thalia. In the final stretch of your journey to Camp Half-Blood, you and Thalia got into an argument. In hindsight, it was petty, a disagreement that any older and younger sister would have, but it felt big at the moment. You didn't speak to her for two days. And then, in the blink of an eye, there was a blinding light, and suddenly, your little sister vanished.

You don't even remember what the fight was about anymore.

"You need to forgive yourself," He said, flicking away the blades of grass he had in between his fingertips, "This wasn’t on you."

He said this every year, yet it never felt rehearsed. It always felt genuine when Luke said it. You wondered if he got annoyed at how you brought this up each year, this never-ending feeling of guilt that you didn't turn around to see if Thalia was behind you, that you couldn't protect your little sister, but Luke was patient with you. If it bothered him that you thought about it often, he didn't show it.

"Sometimes it feels like it is," You whispered, watching a singular pine fall from a branch. You like to think that Thalia did these things to let you know that she's listening. "Our dad hasn't talked to me since."

Luke clenched his jaw, wiping his hand on the fabric of his cargo pants. His warm palm took your hand, giving it a soft squeeze, "You're better off."

"Maybe."

"You are," He said, clearing his throat. His chest felt heavy as he spoke. "I have to tell you something."

You turned your hand over, lacing your fingers together. Holding Luke's hand always felt right, even when you were fourteen and he had to drag you away to safety from the monsters who were out to get you; even when you were fifteen being woken up by the nightmares caused by the empty Zeus cabin, a chilling reminder that your sister was supposed to be there; even when you were sixteen and began to take on more responsibilities at camp despite your protests. "What is it, Luke?"

"I have a quest," He admitted. He'd been keeping this from you for days. He was meant to embark on this journey today, but he pleaded with his father to give him until tomorrow to begin. He knew the day the summer campers left was hard on you. 

Your stomach dropped. Luke had been waiting for a quest from his father for years. You watched him fall into a pit of despair every time a camper who'd been at camp for a shorter period of time got a quest and returned with the glory of the strongest and bravest champions. You knew Luke wanted the opportunity to prove himself to his father. This quest was it, but it didn't mean that you were enthusiastic about the idea. "When do you leave?"

"In a few hours."

"Oh."

"Are you upset?"

"No," You said, then paused. You thought about it. Luke let you think in silence, rubbing his thumb along your skin. "Yes, but I can't do anything about it. I can't stop it."

"Say the word and I will, you know that," Luke rebutted, staring at you now. "I won't go if you don't want me to."

"Luke," You sighed, "You can't deny the gods."

"For you, I'd try to." Sometimes Luke said things that worried you. You'd always been told that your allegiance should be to the gods, your parents. Sometimes you felt differently, but you never said it out loud, but Luke had no problem doing it. He made it clear that his allegiance was to the people he loved, to you. 

"You should go," You said, ignoring the shake in your voice. It was tempting to tell him to stay; Tell him to be content to live a quiet life in the safety of these grounds, to be content with the glory he received from being the head counselor of the Hermes cabin, as the best swordsman at camp. But Luke craved more to life than this, you knew that. He needed more than another notch on his belt from Capture the Flag. He deserved more. He deserved a father who cared about him. Maybe this quest is the key to giving him exactly what he needed. You couldn’t in good conscience keep him from that.

"Are you sure?"

"Yes." The lie burned your tongue. While some demigods returned victorious, some never returned at all. The thought of it made a chill run down your spine. It made Luke flinch.

He wrapped his arms around you. The position was awkward, but neither of you cared. When you were younger, his curls tickled the side of your cheek when you hugged him. You used to be able to look him in the eye back when you were the same height. You used to be able to memorize the features on his face; the crinkles by the side of his eyes that would appear when he'd smile, eyelashes brushing against the stray hairs of his eyebrows; full cheeks dusted with the faintest shade of pink from the beating sun or the wind chills; a crease under his lips that cast a shadow on his chin.

Now that you're older, his curls fell against your temple when he held you like this. His face was thinner, jaw more defined and cheeks hollow, like his youth was being drained from him each year. But his heart remained the same. A steady thump against your own, a beat that became synonymous with home. 

“I feel like this is a test,” He murmured, shaking as he spoke. He’ll blame it on the wind if you asked, but he knows that his words would fall flat. You always did know when things felt wrong with him. Sometimes he thought that you knew him better than he knew himself. Luke licked his lips, “Like he’s expecting me to fail and prove what he’s known all along.” 

“You always tell me that I’m more than what the gods think of me,” You said, looking up at him. Luke was staring at the sky, jaw rigid as he fought back the tears. There were only a handful of things that made Luke emotional– talking about his father was one of them. He used to cry when he talked about May, too, but now when someone asks about his mother, his tone turns robotic. He recited her fate like a broken record, waiting for the inevitable looks of pity from the onlookers. You brushed your thumb along his jaw, “Luke?” 

“Hm?” His eyes darted to yours, a ghost of a smile appearing on his lips as he studied your features. Luke always knew you were beautiful, but sometimes when he was this close to you, it knocked the breath out of his lungs for a moment, like he couldn’t believe you were real. 

“You always tell me that I’m more than what they make me out to be,” You repeated, holding his face in the palm of your hand, “And yet you never believe it for yourself.” 

He couldn’t help but chuckle. You’d called him out on his hypocrisy more times than he could count. You were right, though. He did always tell you that the opinions of the gods didn’t matter, not when they didn’t know you like he knew you, not when they were too preoccupied in their own world to realize that you were the greatest thing they created. 

“You are more than what your father thinks.” 

He wanted to believe you, he really did, but all his life he’d been told that he was destined for something great. And yet the things he’d been able to accomplish so far seem so miniscule, irrelevant, in the context of the gods. He craved more. 

When Luke was a child, May Castellan used to mumble the same phrase over and over again. He didn’t think much of it then, nothing that his mother said usually made any sense to his nine-year-old self anyway, but the more time he spent at Camp Half-Blood, the clearer her words became. Luke was destined for something, it’s in the cards, it’s in the hands of fate. This quest might be it, the first step to reaching eternal glory. 

There are times though, during moments like this, with you beside him, when he thinks that he’ll be fine not reaching eternal glory. He can live out his life happily with just this; you and him at the foot of Thalia’s tree, with you telling him he’s more than what the gods want him to be. After all, he’d give up eternal glory if it meant being with you. 

“You’re gonna be okay without me around?” He teased. For years, it had always been you and Luke. It was a type of co-dependence that made Chiron and Mr. D's eyebrows raise. They found it dangerous. You overheard them talking in the Big House about it once, how unnatural it was for two demigods to choose each other despite the dangers of it. You joked that it was a trauma bond of sorts, but you and Luke both knew that it was more than that. Neither of you said it out loud, though, both too scared to ruin whatever this was.

“No, probably not,” You confessed. Your words took him by surprise. He was expecting you to join his teasing, but he found no trace of banter in your tone. You bit your bottom lip, “But you’re gonna come back, so I’ll be okay. I need to be okay with you being gone. I can’t expect things to always stay the same.” 

Luke couldn’t help but frown at your words. He knew you were right like you always were, but he didn’t like the idea of things changing. So much in his life moved with the tides, and up until he met you, he was fine with it. But the idea of the two of you changing, the idea of one day not having this, not having you, well, Luke didn’t think he could stomach the idea. His lips hovered over the crown of your head, almost touching you but not quite, “Not us, though. It will always be us.” 

Luke didn’t know what he was destined to do, what prophecy the gods and the Fates had in store for him, but the only thing he was sure of was you. And that was never going to change if he could help it.

#frances writes #luke castellan #luke castellan x reader #luke castellan imagine #luke castellan pjo #luke fic #luke castellan fanfic #luke castellan x you #luke castellan x yn #luke castellan x y/n #luke castellan series #percy jackson fanfic #luke pjo #pjo series #pjo fanfic

[atlabeth]

dance until we're bones

pairing: aaron hotchner x fem reader

summary: you and hotch both confront a lifetime of things left unsaid when a case forces your past into the light.

a/n: so i started this. two years ago. got 1k in and left it, came back now for some reason, wrote like a freak until it was done. lol. this is quite heavy and different than most things i usually write and it is SO much longer than expected but im very proud of it 🫶 i didn't really pay attention to the canon timeline so just know that reader and hotch were in their early and late 20s in law school (90s) and early and late 30s in present day (early 2000s). title from i lied by lord huron and allison ponthier

wc: 17.1k

warning(s): a lot of angst. typical bau case stuff, murder (familicide), implied/referenced past child abuse, reader and hotch go at it basically the whole time, character death, kidnapping, slight mention of drugging, injuries, mentions of blood. i wouldn’t say a happy ending but a hopeful one

Hotch can barely stay awake. 

He got the call thirty minutes to 4 a.m, and if he hadn’t already been up, he would likely be in a much worse mood. He can only hope that the rest of the team has gotten used to rude awakenings at this point. 

It’s poor planning on his part—he already got out late due to extra paperwork, and once he got home, he found himself staring at the wall, and then staring at the ceiling. If he’s lucky, he’ll get to sleep on the jet. If things go the way they usually do, he won’t be out until their first night in a hotel. 

He started making calls to the team on his way to the office, but to no one’s surprise, he was the first one there. He had time to wash down a shitty office coffee and get started on a second one by the time everyone’s there. 

Morgan, Prentiss, and JJ all have coffees—JJ comes prepared with her own thermos, but Morgan and Prentiss fall victim to the BAU’s supply—Reid is fighting back yawns as he tries to fix a hastily made tie, Garcia is slightly less energetic than normal as she passes out files, and somehow Rossi looks the same as always. 

Hotch just hopes he’s put together enough to make the team feel better about being here at an ungodly hour. 

“Welcome, welcome, welcome,” Garcia greets, setting down the last folder in front of Reid before taking her spot next to Hotch at the front. “As lovely as it is to see all of you this morning, I’m afraid that we’ve got a grisly one on our hands, hence the hour.” 

“Great,” Prentiss mutters. “How bad is it?” 

“Three married couples have been murdered in St. Louis, Missouri in the past two months, with the most recent one happening yesterday,” Hotch says, and Garcia grimaces as she clicks onto the pictures. “Mom and dad are killed, but the children are spared.”

“Awful lot of similarities between the parents,” Morgan says dryly as he flips through the folder. “Looks like our killer has some family issues.” 

Reid nods. “The unsub likely stalks these families once they see the similarities. I’m guessing he was abused as a child, seeing as they kill the parents but keep the children alive.”

“Probably has a grudge against his father,” Prentiss remarks. “They make it out the worst every time.”

“There’s no method to the torture,” Morgan says. “It looks like he’s just trying to make it hurt as much as possible.” 

“Our guy probably isn’t trained in anything, then,” Rossi says. 

Reid flips to another page in the file. “Serial killers like to see their victims suffer. If he’s not torturing the mom physically, then he’s likely making her watch.”

“He doesn’t kill children, though,” JJ notes. 

“Maybe he thinks he’s doing them a favor,” Reid says. 

“The unsub sees himself in the kids?” Morgan suggests. “He’s doing what he didn’t get the chance to do.” 

“Whatever it is, we have to keep a tight hold on this,” JJ says. “The press eats this stuff up, and the last thing we need is a terrified city making it harder to do our jobs.”

“Especially with families being killed,” Morgan murmurs. 

JJ sighs. “I’ll draft something on the jet and make some calls when we land.” 

Hotch nods and he closes his file. “Wheels up in thirty. I hope you’re all ready for a long day.” 

-

The jet is silent the entire way to Missouri, full of sleeping agents trying to delay the inevitable—save for JJ scribbling down notes on a legal pad for the first thirty minutes, but even she knocks out sooner rather than later. Thankfully, Hotch manages to fit an hour in himself, though it doesn’t do very much for him. He spends the rest of the time reading through the case file. 

The team settles in quickly at the city’s precinct, and Hotch takes charge as usual. The uniforms are just as tired as they are, but he makes it work. Soon enough, JJ is off to work with the local liaison to craft a narrative, Reid has situated himself in an empty conference room to get to work analyzing maps with Garcia, and Hotch and the rest go to check out the crime scene. 

It’s brutal—much too brutal for this early, but Hotch forces the emotions out of it and gets to work questioning the present officers. Morgan follows suit, with Prentiss and Rossi going to investigate the rest of the house. 

They don’t learn much from the officers that they don’t already know. This is the most recent crime scene—George and Marsha Springfield, undeserving of such a grisly fate. Their two kids, 8 and 9, were off visiting their grandparents in Nebraska when it happened, and though they avoided the same fate, they’re going to deal with a lifetime of guilt. 

It’s all Hotch can think about as he examines the first body. The six children left to deal with the carnage, about their past and future marred against their control. 

All he can think about is Jack, and the dreary fate that awaits him if his father falls in the field.  

Hotch swallows his doubt and his guilt all in one and forces every thought out of his mind. He has to be unshakable for the team, for what’s left of these families, for a city on the brink of hysterics. 

They’ll find whoever did this. That’s what gets him through it. 

They spent early morning at the crime scene, collecting evidence and gathering information from the officers and trying to make sense of the killer’s motive. Progress is slow, partially because of the hour, but they make enough that Hotch feels comfortable moving onto the next job.

Their four a.m. start time was too early to go knock on doors and get interviews, but now it’s a more normal 10 in the morning. After a quick stop back at the station to share information with Reid, Garcia, and JJ and down a few cups of coffee, they get right back on the road.  

Hotch and Prentiss take one van and Morgan and Rossi take the other, splitting up to get what they can from interviews. It’s difficult working with kids, especially with such recent trauma, so they hold off on it for now, allowing the local uniforms that have been with them for a bit longer to set things up before the BAU tries anything. 

First they go to a neighbor’s house, then an alleged eye witness. They don’t get much other than personality reads, but it at least gives them the beginnings of a profile. The third place they hit is their earliest idea of a suspect. 

“Lucas Hartford,” Prentiss reads off the file one of the local officers had put together. “Thirty-nine, born and raised in St. Charles, Missouri. High school degree, but never got to college because he was in and out of jail.” 

“What has he been charged for?” 

“Booked a few times for public intoxication and convicted three times for assault. Once was for third-degree assault, Missouri’s version of aggravated assault,” she says. “He got out of jail four years ago, and it looks like he’s been living in St. Louis for some of that.”

“Assault and drinking is a far cry from serial killing, even aggravated,” Hotch says. “What makes him a suspect?”

“Both parents are dead,” she says. “And from the looks of it, it was not a happy home while they were around. He’s got a sister, so it fits the initial theory of trying to replicate his family.”

Hotch lets out a loose breath and nods. “We’ll start there. Try and get a story from this guy, build a profile, see if it matches the one Morgan and Rossi have made for their guy.”

“And hope we pin something down before more bodies show up,” Prentiss murmurs. 

They’re at their destination soon enough, and Hotch parks in an open spot on the other side of the road. His eyes dart around as they walk up to the front door, filing things away in the back of his mind. 

The house number and last name—1432, Hartford—on the mailbox plagued with rotting wood. What there is of a yard is poorly cut, and a small garden of wilted flowers has their own corner, victims of the winter weather. One car is parked slightly crooked in a small driveway—there’s no garage, so at least he’s probably home. Two potted plants sit on either side of the door, thankfully alive. 

“Remember,” Prentiss says as they come to a stop together, “be nice.” 

“I’m plenty nice,” he murmurs, and she huffs the slightest laugh. 

Hotch knocks on the door as Prentiss fishes around for her ID, and thankfully, they don’t wait long. The door cracks open after a few seconds to reveal a woman—certainly not their unsub, but something a whole lot more surprising. 

You.

Your brows furrow at the sight of him, and Hotch has to hold back his shock. 

You don’t live in St. Louis. And your last name certainly isn’t Hartford. 

“Aaron?” you ask in disbelief, and he doesn’t even have to look at Prentiss to know the questions he’s going to get later.

He says your name, able to control his surprise with only the slightest crease of his brows giving it away, then corrects himself just as quickly. “Miss Hartford. My name is SSA Aaron Hotchner, and this is SSA Emily Prentiss. We’re here with the FBI.” 

Your frown deepens as they show their IDs, and you actually take it from Hotch, skeptical eyes scanning over it for much too long. You glance back at him as you hand it back over. “What is the FBI doing here?” 

Emily clears her throat as she puts her credentials away. “We’re here investigating the latest murders in St. Louis. Can we come in?”

“The murders?” you ask with exasperation. “What— what murders? And what do I have to do with them?” 

Aaron notices the way your grip tightens on the door just the slightest bit, and a shred of sympathy strikes him before he speaks up.

“We’ll be able to explain everything if you let us in,” he says. 

You swallow thickly in your throat, your gaze darting back to Aaron before you finally nod. “Okay. Sure. Why not?”

You move and Hotch and Prentiss walk inside, gesturing with a hand towards your living room as you shut and lock the door behind them. “Take a seat. Uh— do you guys need anything? Water, or coffee, or…” 

You trail off, and Prentiss shakes her head. “Thank you, but that’s not needed.” She takes a seat on the sofa, but Hotch can’t stop himself from looking around the house. 

It’s a small place, one story—likely rented, seeing how paintings sit on countertops and mantels rather than hanging on the wall. It has a certain charm to it, but something is off about it all. 

Two styles clash—decorative pillows at odds with a filled and painted-over hole in the wall, an attempt at neutral tones ruined by dark articles of clothing scattered around, one person’s mess barely being held back by another’s cleaning efforts. You lived with someone else. Likely Lucas Hartford, possibly their unsub. 

“Are you gonna sit down, Aaron?” you ask, snapping him out of his profiling haze. “Or do you want to look around some more?” 

“I’m sorry,” he says, clearing his throat as he walks over and sits down in an open chair near Prentiss. “Just curious.” 

“That makes two of us,” you say, and you cross your arms as you look at him. He notices that you don’t sit down yourself, and there’s still a coldness in your eyes. “You’re FBI now?” 

He nods. “I had a change of heart.” 

You huff a laugh. “Thought at least one of us would be a lawyer by now. I guess not.” 

Hotch frowns, but Prentiss takes over before he can continue on that particular thread. “Miss Hartford—”

You interrupt by saying your first name, and it spurns something strange in his chest. It’s been over a decade since he’s heard your voice. “You can skip the formalities.” 

Prentiss nods and repeats your name. “As you know, we’re investigating the murders that have been occuring in the St. Charles area.” 

“And you think I have something to do with it?” you ask, the accusatory edge to your voice not lost on him. 

“Not you,” Hotch says. “Do you know a Lucas Hartford?”

“He’s my brother,” you say, and your frown deepens. “You’re not saying—”

“No,” Prentiss interrupts, “we’re not saying anything. We’re just asking.”

And just like that, your entire stance, your visage, it all changes. Hotch can sense the walls slamming up around you, and he immediately realizes two things: 

Getting information out of you is going to be much harder than planned, and you’re not anywhere near the same person you used to be. 

Hotch doesn’t know what he expects, really. He graduated with the intent to prosecute for at least a decade—now, he’s with the BAU. It’s not fair to assume you’re that same girl he met in law school. 

“My brother is not a murderer,” you state clearly.

“And we aren’t accusing him or you of anything—” she starts. 

“Me?” you interrupt, and you let out a harsh laugh. “I’m a suspect too?”

“If you would allow Agent Prentiss to finish her sentences, you would be less upset,” Hotch says. 

You glower at him, but you stay silent. 

“We aren’t accusing either of you of anything,” Prentiss finishes. “We’re just trying to gather information with what little we know.” 

“I know my rights,” you say, unflinching gaze still meeting Hotch’s. “I don’t have to tell you anything.”

Prentiss looks at him as well, but his eyes don’t leave yours. “That’s unfortunate to hear, Miss Hartford.”

“You know my name, Aaron. Use it.”

He does, and the letters feel strange on his tongue after so long. “This is a serious matter. This isn’t an accusation—we’re in the early days of this case and we need all the information we can get.” 

“Ask away,” you say. “Doesn’t mean I’ll answer.” 

“Lucas Hartford,” Prentiss starts. “He’s your brother?” 

You nod. “He lives with me.” 

He lives with me, not we live together. Makes him think that you pay for the place, he came knocking, and you didn’t have the heart to turn him away. 

“Why is that?” Hotch asks. 

You look at him, those scrutinizing eyes attempting to peer into his soul the same way they did all those years ago. But Hotch has changed since law school, and he’s much better at guarding his emotions. It seems you are, too. 

“He’s a student,” you finally say. “He goes to community college. I’m giving him a place to live while he gets his associate’s.”  

“Community college and living with his younger sister at 39?” Prentiss is trying to get information out of you, even if it isn’t in the kindest way. Your jaw clenches, and he knows her words have some effect. You’ve probably heard it more than once, the way things are going. 

“He’s getting his life back on track,” you say defensively. “I’m the only one left that can help him, so I am.” 

“What about your parents?” she asks. “Surely they’re a better option than this.” 

“Both dead,” you answer. “And no one else cares enough to help him. Are you here to do anything other than dig up my past?” 

Hotch feels Prentiss’s eyes on him, likely because it’s a step in the right direction for a really shitty reason, but he can’t look away from you. 

“Really?” 

He knows your parents are dead—it was in your brother’s profile, and by extension it applies to you—but it still hits him. 

He met your mother, had countless lunches and dinners with her. Helped her move out of her old house. Spent two Thanksgivings and a Christmas with her. 

And he didn’t even know when she died. 

You shrug and wrap your arms around yourself, and for the first time you look something other than defensive or standoffish. You look— well… sad. 

“Mom went a few years after you graduated,” you say, looking at Hotch. “Dad went five years ago.”

“I’m sorry for your loss,” Prentiss says. 

You nod your thanks, the notion a bit numb. 

“You never told me,” Hotch says with a slight frown.

“We haven’t talked in ten years,” you say. “Sorry that I didn’t know you still wanted updates.” 

Hotch tries to think of something to say in response, but Prentiss starts getting a call and she stands up. “Excuse me.” 

His jaw clenches for a moment as Prentiss ducks into a nearby bedroom, but he’s recovered by the time you look at him again. Your arms are crossed, but your expression is even. 

“I take it this was as much of a surprise for you as it is for me.” 

Hotch nods. “We came here looking for your brother.” 

“Does your team know about our history?” you ask simply.

“No.” 

“Do you want them to?” 

“...No.” 

You huff a laugh, your eyes narrowing a bit. “‘Course not. Probably counts as conflict of interest.” 

You wait another beat, then ask another question. “How’s Haley?”

“Good, last I heard,” he says, and then he hesitates. “We’re… divorced.”

Your eyebrows shoot up. “Really?”

He nods. “This job isn’t easy for anyone.”

You look like you want to say more, but once again, Hotch is saved by Prentiss as she walks back in. Her phone is closed in her hand and she looks at him. “Morgan and Rossi have a lead. The chief wants everyone back at the precinct to go over everything we’ve found.” 

Hotch nods again and stands up. Prentiss takes her card out of her pocket and holds it out to you. 

“Thank you for your time, Miss Hartford. If you find out any information, or want to tell us anything else, please give me a call.” 

“Pass that along to your brother, too,” Hotch says. 

You reluctantly take the card, but you don’t look at it. “You can see yourselves out.” 

Prentiss nods. “Thank you again. Have a good day, and stay safe.” 

She leads the way, and Hotch follows after her. He fights the urge to look back before he shuts the door. 

Prentiss looks at him as they walk back to the car, and he can only imagine what is going through her mind. But eventually she just shrugs and pulls out her phone again. 

“Garcia?” Prentiss asks after she picks up. 

“You’ve reached the office of all that is holy.” Penelope’s voice comes out through the speaker, and Hotch can’t help the smallest twitch of his lips. “What’s up?” 

“Dig up everything you can find on Lucas Hartford,” Emily says, and her glance at Hotch does not go unnoticed. “And throw in his sister, too. He’s one of our only suspects, and we need to know if she’s in on it.” 

“On it,” Garcia says. “I’ll call you back when I’m done.” 

“You’re the best,” she says, and then she hangs up. They get back to the car, and it only takes Prentiss all of five seconds after they get in for her to start drilling him.

“Alright,” she says, buckling her seatbelt with a click before she sets her attention on him. “What was that back there? You two know each other?”

Hotch busies himself with his own seatbelt and starting the car, answering as casually as possible as the engine revs to life. “We were friends in law school.”

“Sure,” Prentiss nods. “The way you were around her, that’s not just ‘law school friend’ stuff.”

Hotch is once again reminded of how, sometimes, it was a downfall to constantly be around profilers. It was nearly impossible to keep anything a secret. 

“It’s nothing,” he says as he pulls back onto the road. “We knew each other, we fell apart, we’re here now.”

Emily hums. “Is it too far to ask if you were together?”

“Yes,” he says sternly, maybe a bit too hasty. “It is.”

“Fine,” she says breezily, and she looks out the window. “But that tension was thick.” 

Hotch knows what she’s thinking. Hasn’t he been with Haley since high school, what kind of history did you and him have, were you together, would he be okay to work this case— 

He doesn’t really want to answer any of them. You were a part of his past he hadn’t expected to resurface any time soon—if Hotch is being honest, he didn’t know if he would ever see you again once he graduated. Not after the way he broke things off.  

You’ve changed a lot. So has he. 

And now your brother is a murder suspect, and you could be covering up for him. 

That’s the only thing that should be on his mind. 

-

“For the last time,” you huff as you storm down the stairs, “I don’t want to deal with this.” 

“Because you know that Mia is a lying bitch!” Cleo exclaims, following after you. “I’m sick of you stealing my clothes!”

“I’m not stealing your clothes,” Mia scoffs in your wake, just behind Cleo. “They’re too ugly for me to want anyways. I bet I wouldn’t even fit into them.”

“You are! And you’re stealing my fucking jewelry, too!” she yells. “All of my shit is going missing, and I know it’s not Little Miss Law School, so it’s got to be you!” 

Mia draws out a mirthless laugh. “You are not accusing me of this.” 

“I don’t have anyone else to accuse!” Cleo shouts. 

They both look at you, and Mia says your name. “You have to settle this before I kill her.”

“Oh, I’ll kill you first!” she hisses. “At least I’ll get all my stuff back!”

You clench your jaw as your nails dig into your palms, and you’re about to bite back when the doorbell rings. You don’t even try to hide your sigh of relief. 

“That’s Aaron,” you say as you grab your coat and your bag from the table. “I’m leaving. If you kill each other, don’t get blood on the furniture.”

You don’t give them a chance to say anything before you rush to the door, open it, and shut it behind you. 

“You have no idea how happy I am to see you,” you breathe. 

“What’s going on in there?” Aaron asks, amused. 

“My roommates are fighting again.” You roll your eyes. “It doesn’t matter. You’re much more interesting.”

“You know this is a study date,” he says wryly, and you cut him off with a kiss. 

“Still a date,” you murmur against his lips. “And something seriously needed.”

Aaron chuckles as he wraps an arm around you, pulling you into his side, and the two of you walk to his car. “You’ve gotta get out of this house, honey.”

“I know,” you grumble. “But I can’t afford a place on my own.”

“Doesn’t have to be on your own,” he says as he opens the door for you. “It just has to be away from the girls that are making you miserable.”

“The lease ends at the end of the semester,” you sigh. “Just have to make it until then.”

“You know,” Aaron boxes you in against the car when you lean against the side of it, smiling softly at you, “I do live alone.”

“Oh yeah?” You ruffle his hair with your fingers and grin. “What are you proposing?”

He shrugs, letting his hands linger on your waist. “Just that you hate your roommates, and you don’t hate me. You could spend your time somewhere else.” 

“Careful,” you warn. “You keep saying things like that and we might not make it to the library.” 

“You keep saying things like that, and I might not mind,” Aaron muses. 

You grin as he leans in and kisses you again, once, twice, three times as your back hits the side of his car and you card your hands through his hair. Mia and Cleo are probably killing each other inside, but you don’t really care at this point. They’ve made your life hell for a semester and a half—they can bother each other for once. 

“Aaron,” you whisper against his lips, and he gets one more in between words, “I’ve got a test on Tuesday.”

“And today’s Sunday.” He nips at your neck and you laugh, your eyes falling shut as you lean your head back. “You’ll be fine, honey.”

“You have one on Monday,” you remind him, and he sighs. You feel his hot breath against your neck. 

“Ruining our fun in the name of schoolwork,” he says. “No wonder all your professors love you.”

“Everyone loves me,” you correct. “Including you.”

You steal one more kiss before you open your door yourself and get in, and Aaron lets out a breathy laugh.

“You’ve got that right.”

He closes your door then gets in the other side, and you’re already rifling through the glove box full of cassettes. You pull out the mixtape you made for him for your six month anniversary and pop it into the player, and Aaron smiles as the first few notes of Stairway to Heaven come on. 

“You’re a threat to my grades, y’know.”

“Maybe it’s all part of my plan,” you say. “Distract you with kisses to make sure I’m a shoe-in for this fellowship.”

“A dastardly plan,” he says with mock austerity. 

“I’ve been told I have to be more of a shark,” you muse. “Consider this me taking down my competition.”

Aaron laughs, and you find yourself smiling just at the sound of it. You love the way his eyes crinkle at the corners, how they soften just so, how he acts like himself around you, and not some perfected or stoic image that he thinks he needs. 

Falling in love with Aaron Hotchner has been the easiest thing in the world. 

“Don’t let anyone know,” he says, and he reaches over to intertwine your fingers together. “But I’ll happily fall to you every time.”

“As long as you don’t tell everyone how whipped I am for you,” you tease.

“Looks like we’ve both got reputations to keep up.”

“Looks like it.”

You share a smile, yours just on the edge of a grin as you try to bite it back. You hold hands the rest of the way, just soaking in each other’s presence with songs from bands you introduced to each other floating through the air. 

(It is a goddamn struggle to get any work done at the library with that face across from you the whole time.)

- 

You had sky-high aspirations when you were younger. 

Ones that would make your teachers offer a smile and tell you to shoot a little lower, that would make your friends’ eyes widen, that your father would scoff at and your mother would humor you on just to get you to move past it. 

You didn’t listen. You’ve wanted to be a lawyer since you went on a class field trip to a courthouse in elementary school and saw all the attorneys hustling about, dressed to the nines, making last-minute deals outside the courtroom.  

They were just… so confident. So smart, so stoic, always knowing the answer to everything. The good ones had money, sure, but more importantly they had the power to change lives for the better. And as a kid that had to cover up bruises before the school day, nothing sounded more appealing. 

All you’ve ever wanted to do is help people. 

And as you sit in a cold, empty interrogation room, you can’t help but wonder where the hell you went wrong. 

You don’t want to be here, obviously. But you know the FBI won’t stop bugging you until you give them answers—you know Aaron Hotchner won’t stop bugging you. 

Because god— what are the odds? 

What are the fucking odds of your ex-boyfriend from a decade ago showing up at your door with a badge and an attempted case against your brother? 

It’s ridiculous, and it’s such bad luck that you think it could only happen to you. You’ve thought about Aaron Hotchner more than you’d like to admit over the years, especially when you found your old GW crewnecks, and the box of school supplies you used for a decade, and those photo albums from what should’ve been your golden years. 

It’s not like any of it matters, though. You only agreed to come in and talk because you want them off your back and you don’t want them poking around your house. You saw it in Aaron’s eyes—he was profiling you and your place the entire time. 

If the cops want to invade your privacy even further, they can get a goddamn warrant. 

Your thoughts are interrupted when the door opens, and you hold back a mirthless laugh, because of course it’s Aaron. He greets you with your name, and he has a file in his hands. You wonder if it’s on you or your brother. “Thank you for taking the time out of your day to come in and talk with us.”

“Well, you seem to think my brother is a murderer.” You cross your arms as you sit back. “I’m not really gonna let that stand.”

“I’m surprised you haven’t asked for a lawyer,” he says as he sits down across from you. 

“I don’t plan to be here for very long,” you respond tartly. “But don’t worry—that can always change. I know my rights.” 

“I’m the last person you need to tell that to.” Hotch sets the file down and looks right at you. Though he’s obviously older—more grizzled, more hardened; harsher, sharper lines that define his face; lips set in a taut, unflinching line—you still see that young man from law school. The passion, the care he puts into everything, the penchant for striped ties. 

You wonder what he sees when he looks at you. 

“Your last name wasn’t Hartford when I met you,” he says. “Why is it now?” 

“Not one for small talk,” you remark. 

“I never have been.” 

“I remember.” You hold his gaze. “It’s my mom’s maiden name. I changed it to put some distance between me and everything else.” 

You can practically see the gears of his brain working, neural pathways branching off with every word you say to make sense of it and reason a thousand different meanings from it. Aaron’s always been like that, but it’s tenfold now. 

You suppose one has to be like that, to try and get anywhere with the types of criminals they face. 

“How long have you been living in St. Louis?”

“Seven years. I’ve had that house for three.” 

“Rent or own?”

“Rent,” you scoff. “I don’t make enough for a down payment, and I don’t want a place tying me down.”

“What inspired the move?”

“Close enough to home to be familiar, far enough to not be.” 

“And home is?” 

“St. Charles,” you say, and you purse your lips. “Shouldn’t you already know all this?” You nod at the file in front of him. “It’s either on me or my brother, and we share a lot of the same info.” 

“We prefer to get our information from the source,” he says. 

“Sources can lie.” 

Aaron doesn’t waver. “And we can charge you with obstruction if it harms our investigation.” 

Your lips twitch for a moment, not entirely without heart. “Ask your questions, Aaron.” 

He opens the folder and slides the first picture over to you—your brother’s first mugshot, taken when he was only twenty-one. You still remember riding your bike to the station in the sweltering August heat to drop off his bail and pick him up. 

You had to catch the bus home together, you had to pay his fare, and his bail drained everything you’d been saving from your waitress job. But your dad refused to pay it, and you refused to be alone in that house any longer than you already had. 

You swallow the memory. It still tastes as sour as the day it happened. 

“Lucas Hartford is our main suspect,” he says. “He matches our initial profile—in and out of jail since his twenties, his parents are dead and he has an unstable home life, and he’s got a sister.”   

“None of those sound like questions,” you say. 

“Where is your brother?” he asks firmly. He’s given you a bit of leniency, but you can tell he’s getting tired of you. Some things never change, you think to yourself bitterly. 

“I don’t know,” you admit. 

“You don’t know,” he repeats. 

“I let him stay with me, and my only requirement is that he goes to his community college classes and stays out of jail,” you say. “He’s done both, so I don’t ask questions.” 

“And you’re telling me you haven’t questioned it.” 

“I called him the other day after you left,” you say. “He didn’t pick up, and I didn’t get a call back until the next night.” 

Aaron’s eyes sharpen. “What did you say to him?” 

“I called to see where he was,” you say evenly. “I think you all are wrong, but I wanted to make sure he was okay.” 

“You didn’t tell him—” 

“No,” you interrupt, “I didn’t tell him about your investigation. If I think you’re wrong, why would I need to let him know?” 

He still has that look in his eyes, and you know you’re getting on his nerves with the constant interrupting, the constant backtalk. But he probably deals with much, much worse. 

“Good,” he nods. “You could be putting lives in danger if you do—including yours.” 

“Please,” you scoff. “He won’t hurt me. He never has.” 

“Why do you let him stay with you?” Aaron asks. “You’re straight-edge, he’s a borderline alcoholic that’s been in and out of jail for years. You’ve got a law degree, he never made it past high school. You’ve got your life together, his is falling apart.” 

“That’s why I do it,” you say. “Our parents are dead. I’m all he has left, and he’s all I have left. I want him to get better, so I’m trying my best to help him get there. How can Luke put his life back together if he’s got no support?” 

“That’s an awful lot of faith to put in someone who hasn’t earned it.” 

“I’ve gotten good at that over the years,” you reply. 

Aaron stares at you, and you stare back. You let the moment linger. You hope it stings, even fleetingly. 

“And you’re wrong, by the way.” 

“About what?” he asks. Again, unshaken. 

“I don’t have a law degree,” you say. “I dropped out.” 

And for some reason, that is what gets him. He frowns, and you wonder what it means that this is the most unexpected thing he’s gotten out of you. 

“Why? You were only a year out. You had stellar grades.” 

“My mom got cancer,” you say. “Luke was serving his second stint, Dad fucked off to some corner of the country to drink himself to death a couple months before. I was the only one left to take care of her, and I couldn’t do that from DC.” 

“I had no idea.” This is the first time he looks taken aback since you’ve met him again. “And she’s—”

“Dead,” you supply without waiting for an answer. “Went a couple months after I was meant to graduate.” 

“...I’m sorry for your loss,” he says. He’s just repeating what his agent said at your house, but it feels genuine, at least. 

“It’s been a decade,” you say. “I’m just sorry it was her instead of my dad.” 

Aaron’s brows knit together again, and less work goes into covering it up this time. “You seem to have something against your father.” 

You huff a mirthless laugh. “Excellent profiling.” 

“Child abuse is common for serial killers,” Aaron says. “We find it’s typically the root of their problems later in life, or plays a part in their MO.” 

You stare at him again. This isn’t just an interrogation with Supervisory Special Agent Aaron Hotchner—it’s revealing parts of your past that you never told your ex-boyfriend Aaron. 

“Yeah,” you finally say. “Our dad beat us. Is that what you wanted to hear?” 

“You know th—” 

Aaron cuts himself off before he can finish whatever he wants to say, and he lets out a short sigh with a nod. “It’s valuable information for the profile.” 

The room feels a lot colder all of a sudden. “Sure.” 

He still looks like he wants to say more, but he bites his tongue as he takes the picture back and closes the file. 

“I’ll be back,” he says. “Would you like anything? Water?”

You shake your head and remain silent. He takes the folder and stands up, and you watch him the entire way to the door. Just before he can open it, you find words escaping without you thinking. 

“Look, Aaron,” you blurt out. He pauses, and he turns to look at you. “I know this is your thing, and this is your investigation, but I’m telling you—my brother and I don’t play any part in it.” 

“The profile—” 

“I don’t care what your profile says,” you interrupt. “He didn’t do it. He couldn’t have done it.” 

“He’s rough around the edges, I know. In and out of jail isn’t good for anyone.” You hold onto the edge of the table as you continue rambling, needing something to do with your hands. “But he’s working to get better, and he is not the kind of person to do something like this. If you believe anything I say, believe that.” 

“I suppose we’ll find out,” he says evenly. 

He leaves the room, and your hands fall into your lap as your nails dig into your palms. You don’t mean to be desperate, but you feel it. You’ve been defending Lucas at every chance, but you’re terrified of being wrong. You’re terrified that Aaron might be right—that he might be behind all of this. 

For his sake—and your sake, honestly, because you think you deserve to be selfish when he’s all you have left—you hope you’re right. 

You have to be right. 

The room feels even colder. 

Your stare drifts to the one-way mirror, where you know his team is watching. You saw the way Agent Prentiss watched Aaron when they came to your house—he said he doesn’t want them to know, but you think they already do. 

You wonder the kind of things they’ve come up with about you and him. 

-

Morgan whistles when Hotch walks out of the interrogation room. 

“She does not like you.” 

“Did you gather anything else?” he asks placidly. He sets your brother’s file down so he can fix his tie. 

“Abusive dad, dead parents, criminal background,” he says. “Lucas is looking like a stronger suspect. Oh— and she really doesn’t like you.” 

“If you don’t want to go back to building a file on your suspect, move on,” Hotch demands. 

Morgan shrugs, clearly unfazed, but he keeps his mouth shut. Reid, meanwhile, is still staring through the glass at you. You haven’t exactly relaxed, but you’re not as tense as you were while talking to Hotch. You pick at a loose strand of thread on your sweater, and when you pull it out, you let it fall to the floor. 

“Her brother feels like a prime suspect,” Reid murmurs. “I feel like I could just figure it all out if I could talk to him.” 

“I told Penelope to keep an eye on him,” Prentiss contributes. “She’s tracking his cards, the car registered in his name, even called the person in charge of the AA meetings he goes to to keep an eye out—everything. We’ll know if she gets anything.”

“Serial killers want to see the damage they’ve done,” Reid says. “Things are falling apart here—the whole city is terrified. He’s gotta be in St. Louis still.” 

“You’re sure that he’s still in the running.” Hotch glances back at you, and he knows he has to at least ask, for your sake. He doesn’t want to put you through anything more than he has to—not after what you’ve told him. 

And Hotch knows your past is your business—he just can’t believe you never told him. 

He’s turned over your relationship in his head just as many times in these past few days as he did the months after he ended things. 

“I’m sure, sir,” Reid says. “I’ve read over both their files, and Lucas matches with our preliminary profile. His stressor could have been his father dying.”

Morgan frowns. “Explain.”

“Family annihilators typically go after their own family for a myriad of reasons,” he says. “Paranoia, to cover up their lies, to free themselves from what they see as oppression, sometimes just pure jealousy.”

“He’s killing the parents but leaving the children alive,” Hotch says. “Sounds like a liberator to me.”

“That’s what I think,” Reid nods. “If Lucas has been banking on killing his father for that attempt at freedom, and then lost the chance?” He shrugs. “That could be why he started going for other families.” 

“Other fathers to take his place,” Morgan realizes, and he nods again. 

“You should talk to her, Spence,” Prentiss says. “You’ve got a handle on the profile, and you’re pretty good at conveying info. She seems like a reasonable person—just can’t accept her brother doing something like this.” 

“It’s typical for someone to deny their family member’s involvement,” Reid says. “No one wants to think their sibling is a murderer.” 

“If you lay it all out for her like that, with facts and the profile, I think she’ll listen.” Prentiss looks at Hotch. “She’s too closed off with you.”

“That’s how she is,” Hotch claims.

“Maybe,” she shrugs, “but it’s much easier to hate you than it is to hate Reid.” 

Hotch glares at her, and Reid clears his throat to insert himself back into the conversation. 

“I’d be happy to talk to her,” he says. “I know what it’s like to be in this kind of position—I can put her at ease, sympathize with her.” 

They all look at Hotch, and he wants to say no. He wants to be the one to get this out of you—some part of him wants as much time with you as possible. But he decides to swallow his ego. 

“Fine.” He nods, and he hands the folder to Reid. “I trust you to handle it.” 

Reid nods too, far too many times, and he takes the file. “Thank you. Uh— sir. I appreciate your trust.” 

“Yeah, yeah,” he says, but it has no bite to it, and Reid walks inside. 

He says your name and sits down across from you. “I’m Spencer Reid. I know we’ve already said it, but thank you for talking to us. It may not seem like it, but it goes a long way towards figuring out this case.”

You nod. You already seem more at ease than you were with him, and it makes Hotch… 

Not jealous, because that would be insane. But it makes him upset that he doesn’t understand you the way he used to—that he doesn’t hold that key to you anymore. God, it feels like he doesn’t know you anymore. 

Hotch doesn’t get why a side of his brain still thinks this way about you. 

“They sent a new one in,” you say. 

“You looked like you needed a break from Hotch,” Reid says. “Don’t worry. We all do sometimes.”

You huff a slight laugh and your posture eases, your expression softens just so. Reid was right, as usual. 

“I can imagine.”

He starts talking to you about the case, laying out all the facts, and though you don’t look happy, you don’t cut him off like you cut Hotch off. 

“She’s pretty,” Morgan offers, glancing at Hotch. “And stubborn. I see why you like her.” 

“Shut up, Morgan,” Hotch mutters.

He chuckles and holds his hands up, and focuses back on the interrogation. 

The rest of it passes in silence, save for the occasional input from Prentiss or Morgan to elaborate on a point. You talk much more with Reid than you did with Hotch, and you don’t stare daggers at him the entire time. 

Time doesn’t always heal all wounds, he thinks. 

When Reid is finishing up inside with you, Morgan glances back at Hotch. “You think she’s part of this?”

He shakes his head. “No. She has no reason to kill, nothing to gain. She talks about her past too plainly—it hurt her, obviously, but it hasn’t taken over her life.”

“What about her brother?” Prentiss asks. 

“The more we learn, the more I suspect him,” Morgan says. 

She nods in agreement. “We just have to find him.”

Hotch isn’t sure yet. 

But for your sake, he hopes his gut feeling is wrong. 

-

Spring has finally sprung in DC, and you couldn’t be happier. 

It’s hard to feel down on your walks to class when the birds are singing and the sun is beaming down on you, when you see students sitting on blankets reading and talking and actually enjoying life for once. 

You’re two years into law school, and it feels like you’ve spent 90% of your time studying in either the library or your room. A bit of a sad existence, but it’s made better with Aaron. 

You’re laying down on a blanket—one you crocheted yourself in undergrad—resting your head on Aaron’s head as he reads a book, the spring sun shining down on you. It feels like the first moment of relaxation either of you have had since classes started, and you chose to spend it together in the University Yard. 

You should probably be studying or doing some kind of homework, but you don’t care. It has been too damn long since you’ve gotten to just sit around and exist with Aaron, and you’ve got at least a couple days until your next quiz. That’s far enough away for you. 

It’s been a rough semester for both of you, between classes and endless homework, between your internship and your endless family issues—Luke is two years in, and his parole was denied, and your dad still insists on being the reason you stay on campus year-round. 

You don’t think you’re pushing it when you say Aaron’s support has been the only reason you’ve gotten through it, your grades—and your mental state—relatively unscathed. 

Aaron says your name, and you hum. 

“Are you listening?” he asks. 

“Of course,” you say. 

“Your eyes are closed.” 

“I don’t need my eyes to listen,” you say wryly. “What’s up?” 

You feel him tense for a moment, feel him adjust his position slightly. 

“I got a call from Haley,” he says carefully. 

Your eyes open and you frown. 

You know the name, but only in the way that you talked a bit about your past relationships while you were still getting to know each other. She was his high school girlfriend, and it was a big deal then, but they broke up before college because they both wanted different things.

It shouldn’t be a big deal now. But he’s treating it like one, and that makes you hesitate. 

“Yeah? What’d she want?”

“…She’s in DC for the weekend,” he says. “Some conference for school. She asked if we could grab a coffee or something and catch up.”

You finally sit up, his hands falling from where he’d been playing with your hair, and you look at him.

“Your high school girlfriend wants to catch up.”

“An old friend wants to catch up,” he corrects. “I haven’t really talked to her since we graduated high school.” 

“...Okay,” you say slowly. “Do you want to see her?” 

He shrugs. “I thought it would be nice.”

“Do you think she thinks it’ll be more than nice?” you ask. 

“I don’t know,” he admits. “I don’t even know how she got my landline. I think my mom might have given it to her.” 

Your eyebrows rise. “Your mom gave your ex-girlfriend your number?” 

“It’s the only way I can think of her getting it,” Aaron shrugs. “Like I said, I haven’t talked to her since graduation.” 

You chew on the inside of your cheek, trying to think as you look at Aaron. 

You’ve met his mom a dozen times. You’re insistent that she doesn’t like you, despite Aaron’s assertions towards the opposite—it wouldn’t surprise you if she gave this girl his new number in an effort to push him in a new direction. 

But that train of thought feels a little crazy. You’re confident in your relationship with Aaron—you love him, and he loves you. God, he made an off-handed comment about marriage the other day. You’re not threatened by a girl from his past wanting to catch up. 

“Go for it,” you finally say. 

He frowns, like he was expecting the worst. “Really?” 

“I trust you, Aaron,” you say. “You say she’s just a friend, I believe it.” 

You lean forward to kiss him, your eyes fluttering shut, and it lasts much longer than it should. When you pull away, Aaron’s smiling softly at you. 

“Thank you,” he says. 

“‘Course,” you say, tipping a shoulder. “I’m known to be rational from time to time.” 

He chuckles, and you smile as you lay back down on his chest. Soon after, you feel the weight of his hand on your shoulder. 

“I love you,” he says. It feels more like a reminder than anything. 

You entangle your fingers together and press a kiss to the back of his hand. 

Sometimes you need reminders. 

“I love you too.” 

-

“Four more bodies,” Prentiss mutters. “God.” 

“You can say that again,” Morgan murmurs. 

Hotch is silent as he examines the father’s body. They’ve been so busy the past few days trying to nail down the profile, both on their unsub and geographically, that this happening again hadn’t been at the top of their list. There was a month between the first two, and two weeks between the second and third. 

No one expected this to happen so soon. 

The entire family was killed this time, and once again, the parents look similar to the other victims. It’s the work of their unsub, no doubt. 

Hotch and the team had already been at the precinct for an hour going over all the information they’d found when they got the call at 8 in the morning, the bodies discovered by the family’s maid when she arrived for work. 

An entire family, parents and children, senselessly slaughtered for one man’s deranged quest for liberation. 

Hotch has been in this business for a long time, seen things that most people only imagine in nightmares, and he still has to take a step back when children are involved. 

He sees Jack in every single one. He can’t help it. 

Hotch took Prentiss and Morgan with him to the crime scene—JJ has a kid, Rossi had a kid, and he just didn’t want Reid to see it. They’ll all be more valuable working together back there anyways, and it’s imperative that JJ controls the narrative before this can break to the press. 

Again, Prentiss talks to the officers at the scene and Morgan helps him examine the bodies. After all, there are double the amount. 

“It just doesn’t make sense,” Morgan says as he stands back up. “Our guy is killing surrogate parents to get back at his own, fine. Dad was tortured again, mom was killed with a bullet. But bringing the kids into it isn’t his thing.” 

He uses a gloved hand to gingerly lift the father’s arm away from his body so he can examine the underarm. “Look at this. He’s been stabbed at least ten times, and his arm’s nearly severed from his body.”

“And his neck,” Morgan mutters. “He’s half decapitated.” 

Hotch sets the arm back down. “The unsub always wants the father to suffer, but this is a new level.” He looks up at Morgan. “I don’t think he has a reason for killing the children. I think he’s getting sloppy—he’s getting overwhelmed by his anger.” 

“You think he’s devolving,” he says, catching on. 

“Something tells me we’re coming to the end of the line,” Hotch says. “Whatever he does next, he’s going out with a bang.” 

-

The mood in the precinct has fallen dramatically since the last hit. The uniforms aren’t happy that they’re working around the clock, the chief isn’t happy that the BAU hasn’t figured everything out yet, and the city isn’t happy that ten murders have been committed with what they think is no end in sight. 

JJ and Rossi have gone out to bring in the suspect that he and Morgan found together for the sake of covering their bases—they still haven’t been able to find Lucas, despite Reid calling you every day to check in and upping police presence around the city. 

The rest of the team sits around a conference table, over a dozen coffees between them, going over everything and racking their brains for information. 

“This just isn’t matching up,” Reid complains. “Lucas has just been at home for the first two, but for the third and the fourth he’s got alibis.” 

“What are they?” Hotch asks. 

“He was on the road all night when the third happened,” Reid says. 

“And how do we know?” Prentiss asks. 

“Garcia picked up his debit card being used a couple times from Des Moines back to St. Louis when the third set of murders happened,” Morgan contributes. “Must’ve been a road trip, because there are stops at a gas station, a restaurant, and a rest stop.” 

“The last one happened during an AA meeting he was supposed to attend,” Prentiss says. “I called the leader and she said he was there.”

“Do we have footage from any of those places?” Hotch asks. “We need to make sure.” 

Reid nods. “I asked her to check it all this morning, including the AA meeting. She must still be going through it—I can’t imagine it’s easy to get all that access.” 

“What about a second unsub?” Morgan suggests. 

Hotch shakes his head. “These are all meant to be personal for liberation—catharsis. Involving someone else would take away from the feeling.” 

“What about your suspect?” Prentiss asks, looking at Morgan. “Could he be the unsub?” 

“Patrick Fenton,” Morgan says, and he shrugs. “He fits it—dead parents, jail time, child of abuse. But he’s got two sisters, and his parents died when he was in his twenties from a car accident. I don’t see why he would start killing almost twenty years later.” 

“Maybe we’ll figure something out in questioning,” Reid says hopefully. 

Morgan’s phone suddenly goes off, and he hits the button to answer. “You’re on speaker, babygirl.” 

“I found the security footage from those three places, the ones that Lucas was at on his supposed road trip when the third family was hit,” Garcia says, voice slightly tinny through the phone.  

“And?” Hotch asks. 

“I was getting there,” she says. “Lucas wasn’t there. He wasn’t on any of the footage—his sister was.” 

Hotch frowns. You? 

“You’re sure?” he asks. 

“I’m always sure,” Garcia responds. “And I don’t know if Spencer is there, but he also wasn’t there at the AA meeting—I combed through the whole meeting, and he didn’t show up at any point. Just another guy that looked like him.” 

“And you’re sure about that, too?” Hotch asks again. 

“What is with this questioning of my abilities?” she asks, offended. “Yes. I’ve stared at so many pictures of Lucas Hartford over these past few days that I’ve got him burned into my brain.” 

“Thanks, babygirl,” Morgan says. “We’ll call back if we need anything.” 

“And you’re always welcome in this house of miracles,” she muses. Morgan chuckles before he hangs up. 

“Lucas gave her his card,” Reid realizes. “It’s an easy alibi, but it falls apart when you look into it even a little bit.” 

“Probably seemed solid to him at the time,” Morgan says. “He doesn’t seem like a detail oriented guy.” 

Prentiss frowns. “That means he’s back on the chopping block. We can put him at the scene of every murder.” 

Hotch leans over the table and grabs Lucas’s file, and he pulls out the page compiling his family. “His father died five years ago from liver failure. Hartford got out of jail last year.” 

“If he’s been plotting some elaborate murder of his father for years, just to get out of jail and find out he drank himself to death?” Morgan shakes his head. “He’d snap. It doesn’t feel like justice.” 

“He thinks he’s saving the kids of these parents that he kills,” Reid says. “He sees himself in them—he can’t look past his own childhood, and he assumes those kids must want their parents dead too.” 

“He’s trying to get back at his dad,” Prentiss says. “We know that.” 

“But that’s not his main goal,” Reid insists. “If his dad died when he was a kid, the abuse would have stopped. His mom wouldn’t be the battered wife anymore, and he wouldn’t be the battered kid.” 

“His goal has always been protection,” Hotch realizes. “Yes, he’s getting his revenge by killing his father over and over, but ultimately, he’s trying to save himself.” 

“But he didn’t anticipate the kids being home this time,” Prentiss says. “He had to kill them too.” 

“If he‘s seeing himself in these children, recreating what he never got to do, then that means that he effectively died in this scenario,” Reid says. 

“He didn’t get what he wanted,” Morgan says. “That’s gonna take a toll on him.”

“He’s coming to the end of the line,” Prentiss nods. 

Hotch’s brain is working overtime as they work information off of each other. They’re so damn close—they just need the last piece of the puzzle. If they find Lucas’s next victim, they find him. 

“His next crime will probably be his last before he goes out himself,” Reid says. 

“You think it’ll be a murder-suicide?” Morgan asks. 

“It’s common with family annihilators,” Reid says. “Hell, it’s common with anyone who sees no future beyond their murders. It’s their way out.” 

And then the answer hits Hotch like a ton of bricks. Reid is still rambling next to him. 

“If his dad was still alive, I’d say he would be the target. But the only one left—”

“—is his sister,” Hotch grits out, and he’s dashing out of the conference room before anyone can stop him. 

“Hotch!” Morgan yells, and he turns to Prentiss with wild eyes. “Where the hell is he going?” 

“The last victim,” she says as she starts following him. “The one person he never managed to save.” 

“Goddammit,” Morgan curses, and he grabs his phone from the table, dialing Garcia as fast as she can while he runs. Reid is close behind him.  

“What’s up, sugar?” she asks. “Got anymore leads?” 

He laughs dryly. “We’ve got a big one, babygirl. Lucas has finally reached the end of the road — he’s going for his sister. I need you to call JJ and Rossi and—” 

“Send them the Hartford address and fill them in on everything?” she interrupted, and he could hear her fingers flying across the keyboard. “Already on it.” 

“What would I do without you?” he asks. 

“Be half the man and twice as sad,” she says. “I’ve got to call JJ. Be safe, my love.” 

“Always,” he responds, and he hangs up. 

Hotch distantly registers Prentiss stopping by the chief to alert him of what’s going on, because he’s in the fog of a rampage. He’s in the driver’s seat before he knows it, starting the car, and he sees Prentiss, Morgan, and Reid running out after him. 

Prentiss takes shotgun and Morgan and Reid file into the back, and they’ve all got Kevlar vests in their hands. He didn’t really think of that through his haze. 

“We’ve got an extra one for you,” Reid says, reading his mind. 

“Thank you. I— I know what you’re all thinking—” Hotch starts, but Prentiss shakes her head.

“Just drive.” Her lips set themselves in a taut line. “We’ve got a murder to stop.”  

And he does. 

-

You sit on the curb, surrounded on either side by a box of your things. Packing up everything made you realize how little you had at his place. You thought you’d integrated yourself into his life fully, but it really just took an afternoon while he was in a lecture to disappear. 

Summer has fully turned to winter, and you’re as morose as the weather. This side of town looks so depressing without the warmer months to pick it up—the sidewalks are lined with dead trees, the grass is shriveled up and yellowing, and you feel like you’re living in grayscale. 

A shiver runs through you, the weather only partly to blame. 

Amy is supposed to pick you up, but as usual, she’s running late. You don’t know if it’s a personal issue or DC traffic has just struck again, but it doesn’t really matter. Either way, you’re stuck here, and your bad luck seems intent on making it worse, because you watch a familiar car pull around the corner. 

It parks a distance away—there’s no space in front of the complex, and he always complained that they didn’t do assigned spots—and you have to hold back a scornful scoff. 

Of course you have to deal with this now. 

Aaron picks up his pace when he gets out of the car, surprise—and what you think is shame—painted on his face. He says your name when he slows down. 

“You’re already packed.” 

You shrug. “I’m nothing if not efficient.” 

“I could’ve helped you with all this,” Aaron says, frowning. 

“Why do you think it’s done already?” you ask. 

His throat bobs and he opens his mouth, but nothing comes out.

“Let me save you the pain of chivalry,” you say. “I’ve got a friend coming to pick me up. I’ve already found a place. I called your property manager the other day and argued my way out of the lease, but I still paid my next month. You’re welcome.” 

“You didn’t have to do that,” he says. 

“You know what they say about a clean break,” you intone.  

“I’m sorry,” Aaron tries again. To his credit, he looks like he means it. Against his credit, it’s about the fiftieth time you’ve heard it from him in the past two weeks. 

“I shouldn’t have let you get that coffee,” you say with a grim smile, “should I?” 

His lips pull into a taut line. “I didn’t cheat on you.” 

“I know,” you say. It’s the one thing you do believe. “I just don’t think you ever fell out of love with her.” 

Mercifully, you see Amy’s car pulling up in the distance. She’s your only friend with an SUV, so at least your boxes will fit. 

“My ride’s here,” you say as you stand up, and you pick up one of your boxes. Amy throws on her hazards and she gets out to open her trunk. 

“I’m so sorry I’m late,” she breathes. “Traffic was awful, and Jake has been so annoying—” 

“Don’t worry about it,” you say with a slight smile as you put your box in the back. “You’re already doing me a huge favor.”  

“I want us to still be friends,” Aaron calls. When you turn back, he has your other box in his hands, his expression shamelessly desperate. Amy glares daggers at him. 

“Why?” you ask innocently. “So I can go without talking to you for ten years, ask you for a coffee when I’m in town, and then get you to leave Haley?” 

“That’s not what happened,” he says, but you’re already shaking your head. 

You take the box from him and smile thinly. 

“Have a good rest of your life, Aaron. I hope it doesn’t involve me ever again.”

-

You let out a noise of frustration as you struggle to get the key into the lock, gritting your teeth as you try to fit it in. It’s always been finicky, but you just don’t have the energy to deal with this tonight. Thankfully, just when you start getting annoyed, you get it open. 

You get a few steps in before your eyebrows rise, the sight of your brother at the kitchen table a surprise. He’s got his head in his hands, and your surprise turns to concern.

“Lucas,” you say with a slight smile, shutting the door behind you, “I didn’t know you were gonna be home tonight.”

His attention shoots to you immediately as he says your name, and he looks slightly out of it. “I was wondering when you were gonna get back.”

“Stole the words right out of my mouth,” you say wryly, and you ruffle his hair with your free hand as you walk past him. He swats your hand away in brotherly protest, and you snort. “This place has been quiet without you. Well— except for the cops. They were pretty loud.” 

“They haven’t been back, have they?” 

You look back at him and notice his leg is bobbing up and down insanely fast, and he keeps scratching at the soft wood of your table with his nail. 

Your smile fades. “Don’t tell me you’ve been drinking.”

“Of course I haven’t,” he insists, but you turn on the kitchen light, then move closer to peer into his eyes against his protests. 

“At least you’re not high,” you murmur, taking one last look before you pull away. “And stop ruining the table. I need it to last for the next ten years.” 

He huffs, and you can practically hear him roll his eyes, but he stops. 

“Did you go to class today?”

“You don’t have to act like Mom,” Lucas says, crossing his arms again with another huff. 

“And you don’t have to act like a child.” You roll your eyes as you set your tote bag on the countertop and begin unpacking the groceries you bought. “I’m asking you about your day—that’s definitely not acting like Mom.”

“Yes,” he mocks. “I went to class.”

“Good.” You glance back at him. “I’m proud of you, Luke. You’ve been making progress.” 

His smile is a bit thin, but he nods. “Thanks. How was work?”

You scoff and shake your head as you put a couple things in the pantry. “Don’t even get me started. I swear, Marie’s going to get me fired someday if she keeps her bullshit up.”

“She’s still on it?” Luke asks, and you can’t help but smile a bit. 

“Don’t act like you know what I’m talking about,” you say. “Just agree with me.” 

“I agree with you,” he says. 

“That’s it,” you muse. 

Your eyes fall back on your bag, and you’re reminded of what you meant to do next time your brother showed up. 

“Oh—” You go back over to the kitchen table for your bag and pull out your wallet. You slide a debit card out and hold it out to your brother. “Thanks for letting me use it while I was up in Des Moines. I finally got my bank to get rid of the freeze on my card.” 

“...Of course,” he says, and he takes it back. “Glad I could help.” 

“I’ll pay you back, obviously,” you say as you get back to your groceries. “I just have to wait to get paid again.” 

“Don’t worry about it,” he says. “And uh— you never answered me. Did the cops come by again?” 

You huff a mirthless laugh and shake your head. “You have nothing to worry about, Luke. I think they finally realized they were barking up the wrong tree.”

“…Good,” he says. “I can tell they’ve stressing you out.”

“Like that looks any different than my normal state,” you say wryly. “Besides, it wasn’t that bad.” 

You recall the shock you felt when you opened the door to Aaron, and how nervous you were on the drive to the precinct. It’s almost been a decade, and yet he still has an effect on you that he has no right to. 

“You remember that guy I dated when I was still in law school? Aaron Hotchner?”

“I think? I was in jail, so.” 

You roll your eyes. “I know I told you about him when I visited you while we were together.” 

“I remember you telling me how he broke your heart,” Luke says. 

“That’s not what I’m saying.” 

“Then what are you saying?” 

“That he’s with the FBI now. The BAU,” you enunciate, and you huff. “He’s one of the guys on this case, coincidence that it is. They came here—they even brought me in for an interview.”

He frowns. “What’d you say?”

“The truth.” You pull your cutting board and a knife out of a drawer and get to work washing your vegetables. “That I didn’t know anything, and neither of us are involved in either way.” You shake your head with a sigh. “They must believe it, because they haven’t come back.” 

“What have they said about me?” he asks. 

“I’m not supposed to say.” You roll your eyes. “I think you’re innocent, but I could get charged with obstruction, and I really don’t feel like dealing with that…” 

You trail off into a sigh as you finish washing the peppers and set them on a towel. “I hope they find whoever’s doing it, though. It is freaking me out that there’s a murderer out there.” 

You pick up your knife and start cutting them up—they’re not the freshest, but it’s all Kroger had after work—and you glance back at Luke. “You really shouldn’t be going out so often with this going on, y’know. I don’t want you getting hurt.” 

“Don’t worry,” he says. “I’m careful.” 

“I doubt that,” you say wryly. “Still, though. I worry about you.” 

“Shouldn’t it be the other way around?” he asks. “I’m your older brother.” 

“I worry about everything,” you say. “It’s my thing.” 

You hear him huff a laugh and you smile a bit to yourself. You get through your first pepper before you remember what’s been nagging at you your whole ride home. 

“Oh— can you get the TV?” you ask. “Channel 8, I think. Marcy is getting interviewed for something with her nonprofit, and I told her I’d record it for her.”

Lucas doesn’t respond, though you hear the scrape of the chair as he gets up. 

“Thank you,” you say. “I think they have a fundraiser coming up or something…” you trail off and shake your head as you scrape the cut peppers onto a plate. “God. I need to start paying attention in the break room.”

Another few seconds pass, and you don’t hear the television switch on. You huff and turn your head slightly. “Luke, I’m making dinner tonight. This is the least you could do.” 

“I’m sorry.”

The words come out as a murmur, but you can tell he’s much closer than he was before. 

You don’t even get the chance to turn around before something crashes against your head and your vision goes dark. You feel yourself fall to the ground, and your head hits the floor hard. 

Then, there’s nothing. 

-

Hotch has been breaking every speeding law there is. 

The station isn’t too far from your house, but it’s still too far. All he can see is your body, crippled and lifeless just like every other victim they’ve had to look at. 

It should never have gotten to this point. Lucas has been a suspect for the first day, but they looked to other suspects, got caught up in statements from neighbors and the kids of the victims. 

If Hotch just found him and booked him on the first day, this wouldn’t be happening. Your life wouldn’t be in danger. 

His hands tighten on the steering wheel. 

“I seriously think we’re looking at a murder-suicide if this gets to play out,” Reid speaks up from the backseat. “This is his way of ending this for both of them—the ultimate protection of his sister.”

“No one can hurt her if she’s dead,” Morgan mutters. 

“Hotch,” Prentiss starts, treading carefully, “are you sure you’re okay to lead this?”

“Yes,” he says, though he wants to say what kind of question is that?

You were together a lifetime ago in law school, yes, and he might still have feelings for you that he didn’t even realize were there, yes—but he’s an agent and a professional before all of that. 

It doesn’t matter that you have history. It doesn’t matter that you likely hate him. 

It doesn’t matter that he thought he was going to marry you one day, and then was watching you drive out of his life after he got back with his high school girlfriend another day.  

Aaron Hotchner is not going to let you die. It’s as simple as that. 

Hotch’s phone rings and he picks it up and flips it open immediately. “Talk to me, Garcia.”

“JJ and Rossi are on their way,” she says. “Are you headed to their place?” 

“Yes,” he says, and he puts it on speaker. “I’ve got Prentiss, Morgan, and Reid with me still.” 

“Do you think there’s anywhere else he could be?” Morgan asks. “If he’s going to kill her, he might not want to do it in this house.” 

“Already a step ahead of you, my love,” she says, and he can hear mouse clicks through the phone. “They grew up in a house in St. Charles—it’s abandoned, from the looks of it, some place on the outskirts. Never got another buyer after the past owners moved out. I’m sending the address to Emily right now.”

Prentiss gets a buzz on her phone and she nods in confirmation after flipping it open. Hotch immediately switches lanes and makes a U-turn, his jaw clenching. 

“Tell me how to get there, Prentiss,” he says. “He’s there.”

“You need to get on I-70,” she says, and then her brow furrows. “How do you know?”

“He’s killed everyone else in their homes because he sees it as the source of it all. His sister’s rented place isn’t personal enough.” Hotch shakes his head. “Why wouldn’t he want to go back to theirs to end it all?”

“Hotch.” Penelope’s voice rings out in the car, and he doesn’t even realize he forgot to hang up. 

“What?”

“Be careful,” she says, and he rushes to turn it off speaker and press it to his ear. “I… I know how important this is to you.”

Hotch’s throat bobs and his eyes burn with the beginnings of tears. He blinks them away—he can’t be weak now. He can’t let his team see him be weak now. “Dare I ask how?”

“I found an article about GW’s mock trial team,” she says. “Kind of went down a rabbit hole from there.”

Somehow, he huffs the slightest laugh. It feels like a lifetime ago—it honestly is, at this point. Before he saw carnage and gore on a daily basis and tried to solve it, when he thought the DA’s office was the endpoint, when he came home to your smiling face every night. 

And now… 

Hotch’s spine somehow stiffens, and he knows the other three in the car are watching him. He can’t decide whether he cares or not. 

“Thank you, Garcia.”

“No problem,” she says, and he can almost hear her blink in the pause. “Uh— for what, exactly?” 

For the memory, he wants to say. But he doesn’t. He can’t, not right now, so he tries his best to snap out of it. 

“Keep a watch on the patrol cars,” he says instead. “Update JJ and Rossi on our plan, but tell them to stay on their path. I’m sure I’m right, but we need to cover our bases.” 

“Of course, sir.” He hears her fingers flying across the keys. “I’ve got yours and the squad cars’ locations up—I’ll call them now.” 

“Thank you,” he says. 

“Good luck, Hotch,” Garcia says softly. 

Hotch hangs up before he gets too emotional. Penelope has a way of bringing that side out of him. 

“We’ll get him,” Prentiss assures. She’s been watching him this whole time, he can feel it—she’s been attuned far too keenly on this entire part of the case involving you and him. “And we’ll save her.” 

His knuckles go white around the steering wheel, and for once, Hotch can’t find the words. 

-

It feels like your head is slowly being cranked in a vice when you eventually wake up, a dull but insistent pain. Your arm stings too, but you don’t know why. 

You blink a few times as you try to figure out where you are, a low groan slipping out as you fully come back into consciousness, and you move to rub the grogginess out of your eyes. 

Your arms don’t move. You try again, panic spiking your heart for a moment, and that’s when you realize you’re in a chair—tied to a chair, your wrists bound together behind you and your ankles bound to the chair legs. 

Now the panic fully sets in. There’s a murderer in St. Louis, but you don’t fit the victimology from what you’ve seen, but does any of that fucking matter when you’re stuck in something out of a horror movie?

Lucas was the only one there with you. So either he’s in the same situation, or he—

“You’re finally awake,” a voice murmurs. When he comes into view and sits down across from you, your heart stops. 

For a moment, all you can do is stare at your brother with wide eyes. You see the gun in his hand through your peripherals, but you don’t look away from his gaze. 

“I was worried I was too rough,” he says softly. “But you’ve always been resilient.” 

“Lucas,” you breathe. “What the fuck is this?”

“It’s finally going to be over,” he says, ignoring your panic. “We’ve been hurting our whole lives because of that bastard of a father, and I can finally make it all stop.” 

Your brother is fucking crazy. He’s fucking crazy, and he’s going to kill you.

You’ve spent two weeks telling Aaron he was crazy and your brother was innocent, and now he’s going to be proven right when he finds your dead body. 

You try to tamp down on your panic. You don’t have a law degree, sure, and you never officially practiced, but you’ve been a good speaker, a persuasive one, all your life. 

And if there’s ever been a fucking time to be persuasive, it’s now. 

“You don’t have to do this,” you whisper. “We— we can talk if you want to talk.” You tug at your ankle restraints. “This is unnecessary.” 

He shakes his head. “I know you. You’d run.” 

“Come on.” You manage as much of a smile as you can. “I’ve always been there for you, Luke. Why would this be any different?” 

“...You’ve always been too nice,” he says, and he sets the gun down on his leg. At least he doesn’t have his finger on the trigger. “Anyone rational would’ve kicked me to the curb when I asked you for help.” 

“You’re my brother,” you whisper. “I— I love you, Lucas. I’d never do that to you.” 

“Family’s supposed to be everything, right?” He shakes his head. “You were the only one of us that understood that. You were there to pick me up every time my sentence was up.” 

“I’ve always believed in you,” you say. 

He huffs a monotone laugh as he stares at the ground. “You’re definitely the only one.”

You shake your head. “That’s not true.” 

“Mom didn’t care enough to stop anything,” he says, leaning back in his chair. “And Dad wished I was dead every goddamn day. He didn’t have the guts to do it himself, but he definitely tried.” 

You can’t defend your parents. Your dad’s a piece of shit, and your mom didn’t stop anything he did—but you could never find it in yourself to fully hate her because he hurt her too, with more than just bruises. 

“I’ve dreamt of killing our dad every day for twenty years,” Lucas says. “And that old bastard had to fuck me over one last time and die while I was in jail.”

You remember when you got the news. You were next of kin—your mother had divorced him by then, and your brother was incarcerated—so you got the call from the hospital. You deliberated for hours before you bought a plane ticket to Montana—apparently that was where he fucked off to drink himself to death—and you don’t know if you’ve ever felt more numb than when you were sitting in some lawyer’s office, listening to him drone on about his will and how his estate would be divided. 

“So you killed all of those people?” you asked. “Because you didn’t get to kill our dad first?” 

“I was saving those kids!” Luke yells, and you shrink in on yourself. “Saving them before their parents could fuck them up like ours did to us!” 

“You don’t have to do this,” you repeat. “You’re just letting Dad win. Proving every shitty thing he said about you.” 

“And that’s the zinger, isn’t it? Luke laughs and shakes his head. “He was right. We’re a whole family of fuck-ups. An alcoholic abuser, a battered wife, a nonstop jailbird, and you…” He shakes his head with a sigh. “You should be out there prosecuting people like me.”

“He ruined us,” Luke murmurs. “And I’m finally going to fix it.” 

All you can do is stare at your brother, wide and teary eyed. You can’t find the words, but you don’t have to. 

Police sirens begin to filter through the air as they get closer, and Luke huffs. “Of course.” He eyes you. “Don’t go anywhere.” 

“I wouldn’t dare,” you say weakly. 

When he leaves to peer out the front door, you take a second to look at your surroundings. It takes a second because they’re so decrepit, but you could never forget. 

Luke brought you back to your childhood home—the place in St. Charles, rotten down to its bones. It’s abandoned by now, but the atmosphere is nothing less than oppressive. There’s a reason you graduated high school a year early, why you never came back once you got to college—except with Aaron, to help your mom move her things out. 

You refuse to die here. Even if you have to claw back through the gates of Hell inch by inch—you will not die here. 

You hear footsteps, and when Lucas comes back in, he has a crazed glint in his eye. He shakes his head as his finger returns back to the trigger, and you can’t help but flinch. He won’t. Not now. 

“Looks like your friends the FBI are here,” he drawls. “You said you didn’t tell them anything.” 

“I didn’t,” you insist. “They’re profilers—they figure things out.” 

He shakes his head. “They don’t realize that I have to do this.” Luke kneels down in front of you and takes your chin in an iron grip. “This is the only way to end our pain.” 

He lets go of you then stands up, moving behind you—you want to protest, but you don’t get the chance. He presses his gun to your temple and then the door is broken down. Four agents rush in, guns at the ready. Aaron leads them, and he’s got fire blazing in his eyes.

“FBI,” he barks. “Hands up.”

Lucas doesn’t seem fazed, his breathing staying the same. You stare right at Aaron, unfiltered fear in your eyes, and you feel torn bare. He’s going to watch your brother put a bullet in your head. 

“I’m afraid I can’t do that,” he says smoothly. “This is a family matter.” 

“Put the gun down, Lucas,” Aaron says. 

“You know my name,” he says. “I know yours too, Aaron Hotchner. My sister told me you were with the feds. She also told me you broke her heart.”

“Put the gun down,” he repeats. 

“I don’t think I will,” Luke says. “You see, I don’t go around just kidnapping people for fun. I have a purpose here.” He tilts his head to the side. “But you know that, don’t you? You’re all profilers.” 

“You’ve been targeting families that look like your own,” he says. “You think that killing them will end the pain inside you, and protect those kids in a way that you never got.” 

“I don’t think it,” he bites, “I know it. If my dad had been shot thirty years ago, we wouldn’t be here right now.” 

“This isn’t going to bring you peace,” Aaron says. “Your sister has been the only person to stay by your side through every part of your life. Do you really want to lose that?” 

“Trust me,” Luke says. “I’m not losing her.” 

He flicks the safety off and you flinch. He’s going to kill you. 

“Put the gun down,” another agent warns. 

“If you all don’t leave right now, I’ll shoot her.” Your whole body stiffens as he presses the gun harder into the side of your head, your breathing going off kilter. “Except you, Aaron Hotchner. You can stay.”

“We’re not doing that,” the woman says. Agent Prentiss, you think. 

“Really?” Luke chuckles. “You think you hold the cards here?” 

“It’s okay,” Aaron says. “Go.” 

Agent Prentiss frowns, and the other two men look different levels of puzzled. They obviously doubt the decision, but they don’t doubt Aaron, because one by one, they leave. 

“Wow,” Luke muses. “They really trust you.” 

“Because I know you don’t want to hurt her,” Aaron says. “Deep down, you know you’re not protecting her. Not by hurting her.” 

“I’m not hurting her,” he says. “She’s always been the one to keep me safe over the years—I’m finally paying the favor back. I’m finally taking her pain away.”

“You were abused as children. Both of you.” Aaron looks at your brother. “Your sister always tried to protect you, but it never worked. It just made it worse for her, and it made you feel worthless. You’re her older brother. You’re the one that was supposed to protect her.”

“My sister said you’re profilers,” he says, and though his tone is lazy, you know your brother. You can tell it’s starting to get to him. “Is that what you’re doing right now? Profiling me?” 

“You would never be good enough for your father, and your mother would never do anything to stop it,” Aaron continues. “All you had was your sister, and even that wasn’t good enough—you hurt her just as much as your dad did. At least your dad didn’t think he was a good person.” 

Luke growls, and he puts a hand on your shoulder to pull you closer to him. “Shut up.” 

“Your sister has told me you can be more than this,” he says. “And I think she’s right. You’re better than this—better than living between the margins and jail.” 

“I’ve had a hole in my chest since I was born,” Luke mutters. “And I’ve tried to stop it, but it’s just grown and grown and grown. This— this aching pit of pain, and he caused it. You’ve got it too— I know it.” 

“I— I do,” you say. And you’re not lying. You’ve had a pit of despair in you for as long as you can remember. The only difference is that you’ve fought every goddamn day of your life to keep it from consuming you. “And it hurts, Luke. Trust me, I know. It took me so long to even be able to deal with it, but I know how to. I can help you—we can both walk out of here.” 

“No,” he whispers. “No—we can’t.”  

“Yes, we can,” you plead. “I love you, Luke. I’ll spend every day of the rest of my life helping you if that’s what it takes to get rid of that hole.” 

For a moment, he doesn’t say anything. For a moment, you think you’ve gotten through to him. Aaron never takes his eyes away from you. 

“I’ve never been able to protect her,” Luke murmurs. “Not from our dad, not from the world, not even from you, Aaron Hotchner.” He presses the gun harder than ever into your head, like he wants to bury the metal in your skull along with the bullet. “But that all ends now.” 

You screw your eyes shut. You don’t want to see Aaron’s face when your brother kills you. 

And then it happens so quickly you barely process it. 

There’s two gunshots, almost at the same time. You scream, first because of the gunshots, then because of the sudden roaring pain in your side. There’s a thud next to you, your eyes shoot open, and you see your brother’s lifeless body fall to the ground. 

You scream again—you can’t even control it, it just rips out of you at the sight of the hole in his head and the blood pooling beneath it—and Aaron drops his gun to rush forward. The rest of his team thunders in after him, all in guns and bulletproof vests, and they’re talking, but you can’t focus on a single goddamn thing because your brother’s dead body is right next to you. 

Aaron pulls out a pocket knife and begins to cut through your restraints, and the instant he finishes you collapse. He catches you without a second thought, and you immediately wrap your arms around him. 

Torrential sobs wrack your entire body as you bury your face in the crook of his shoulder, every part of you shaking as the reality of it all hits with full force. 

Your brother is a serial killer. He killed ten people, he tried to kill you. And now he’s dead. 

The only part you had left of your family—gone, just like that, with four other families ruined in his wake. 

Aaron’s soft voice in your ear is the only thing bringing you back from the edge of hyperventilation, his own hold on you the only thing keeping you from collapsing.

“I’m so sorry,” he murmurs and he shrugs off his windbreaker to wrap it around your arms. “You’re safe now. You’re safe.”

“He’s gone,” you choke out, voice muffled as you speak into his chest. “He’s gone, and he tried to—”

A fresh round of emotions hit you, unable to get the words out, and you fully break down in Aaron’s arms. 

“I know.”

Aaron’s fingers linger on your side and you feel some dull pain, but you feel his breath still for a moment. 

“You were shot,” he says with your name. “We have to get you to a hospital.” 

You don’t even feel it. God, you don’t feel anything. There’s a distant ringing in your ears, an insistent pain in your skull, and you finally realize Aaron is right when you pull away and see the blood on his fingers. 

But black spots start to fill your vision. You may not feel it, but your body holds the score. The pain intensifies in your side as your adrenaline starts to slow down, and you collapse against Aaron. 

“Get an EMT in here!” he yells, keeping an arm wrapped around you. “We’ve got a GSW— she’s losing blood fast!” 

You can feel Aaron’s rapid heartbeat, can feel his steady arms as he keeps you propped up. You feel the warmth of his body, feel the warmth draining out of yours. 

“Aaron,” you whisper, your strength fading. You don’t think he hears you.

He helps you up and you’re suddenly hoisted onto a stretcher, and he’s beside you as the EMTs run you out of your childhood home. The night is a blurry canvas of red and blue lights, and your eyelids feel like they’re made of concrete. 

“Aaron,” you try again, and you have enough left in you to grasp his cheek. “Thank you.” 

And as the world goes black around you for the second time, you see his lips form your name. 

It’s not a bad thing, you think before darkness overtakes you, for Aaron Hotchner to be the last thing you see before you die. 

-

You wake up in the hospital alone.  

You don’t know what you expect. You have few acquaintances, fewer friends, and the last part of your family is dead after he tried to kill you. 

The real surprise is that you wake up at all. 

Lucas is dead. 

He tried to kill you. You thought he succeeded. 

You let out a slow, even breath, accompanied only by the sounds of beeping machines. It still doesn’t exactly feel real. 

You’ve spent the last two weeks defending your brother against every accusation, and you ended it in the hospital—well and truly alone for the first time in your life. 

You look at the television. Some muted soccer game is playing, and you’re thankful. You were worried that you and your brother would be the topic of the day. 

Who are you kidding? You’re going to be the topic of the year. He killed ten people. He tried to kill you, and you think he nearly did. He shot you, after all. 

You let your head fall back against the pillow. All of your limbs feel insurmountably heavy, your side aches like hell, and you’ve got the worst headache of your life. 

And you can’t stop playing it all over in your mind. 

He was going to kill you. 

Your own brother, your flesh and blood, the only person you had left, tried to kill you and would have killed you had it not been for the BAU. 

Had it not been for Aaron Hotchner. 

The door opens and someone walks through, your eyes following the movement, and when he sees it, he pauses. And so do you—apparently the devil appears even when you think of him. 

“You’re awake,” Aaron says after a moment. It’s the third time he’s sounded surprised since you’ve met him again. Seeing you, finding out your mom is dead, seeing you. 

But there’s relief there, too.

He has a coffee in his hand and his tie is undone, the sleeves of his white undershirt rolled up to his forearms. It makes you realize his suit jacket has been slung over the back of the chair near your bedside. 

“How long have you been here?” you ask, your brows furrowing ever so slightly. 

Aaron closes the door and sets his coffee on the table before he answers you. “Three days.” 

“And how long have I been here?” 

“Three days,” he says. “You suffered head trauma, they discovered drugs in your system, and… you were shot. You had to go into emergency surgery.” 

You frown, and he answers before you can ask any of them. “…Your brother. After he knocked you out, he used something to… keep you out. And after I shot him, he still got one off—thankfully, as he was falling. The bullet hit you in the side instead of the head.”

“How bad was it?” you ask. 

Aaron glances away. “You died on the table. They managed to bring you back, but…” 

“I guess Luke did succeed,” you say absentmindedly. Aaron doesn’t laugh, and you glance away too. “Sorry. Bad time for jokes.” 

He shakes his head. “If anyone’s allowed to joke about this, it’s you.” 

Your lips twitch for a moment, but then you look back at him as he takes a seat at your bedside again. He looks— god, he just looks tired. Tired and ragged and downtrod, and you can’t imagine you look much better.  

“You were out for two days after,” he explains. “This is the first time you’ve woken up.”

“Why are you here, Aaron?” you ask quietly. “Why have you been here?” 

Aaron frowns. “Where else would I be?”

Your throat feels like it’s closing up, and you feel the telltale pinpricks of tears. You blink them away before they can start. 

“My brother was a serial killer, Aaron.” Your hands clench into fists as you stare at the wall. “He killed ten people while he was living with me and I— and I didn’t even fucking notice.” Your gaze moves back to him. “I went against all of you because I thought I knew him, and look where it got me.” 

“It’s not a crime to want to see the best in people,” he says. “Especially your family.” 

“It’s a crime to fucking murder people,” you huff, and it’s only slightly unhinged. “I— I thought I knew him, and I didn’t. And if I did, maybe none of these people would’ve had to die.”

“Don’t blame this on yourself,” Aaron demands. “Lucas was lost. Mentally ill. He was on a path for revenge, for his deranged idea of protection—nothing you could have said or done would have stopped him.” 

You shake your head. “It might be easy for you to say that, Aaron, but I— I can’t. He’s my brother. I gave him a place to live, I gave him easy access to families— god, I fought with you all for two weeks about his innocence, all while he was planning his next fucking murder!” 

“It is not your fault,” he repeats, slower and enunciating the words. “He was the only member left of your family, and you loved him. You were just stubborn, and that’s nothing new.” 

“I just don’t know what to do.” You’ve had these walls up for so long, especially this past week, and now that everything’s come to a head and you’re in the hospital and your fucking brother is dead, the floodgates have opened. “I have to plan a funeral because I’m the only one left to plan one, but— but does he even deserve one? He’s a serial killer, and he tried to kill me for god’s sake, but he’s my brother and even though he’s gone he’s still all I have left and—” 

You break off as you suck in a huge breath of air, the notion shaky as you clench your hands into fists to keep the rest of your body from doing the same. 

“And I just don’t know what to do,” you repeat, barely a whisper. 

You meet Aaron’s eyes, almost desperately. You feel like you’ll shatter into a million different pieces if you even breathe wrong and he might be the only solid thing in your life. 

“Whatever you do,” he says, “you don’t have to do it alone. Not if you don’t want to.” 

“Aaron,” you start shakily, but he continues. 

“I know what you think, and that’s not what I’m suggesting.” Aaron pauses for a moment, and it’s obvious how carefully he’s crafting his words. “I’ve… always regretted how we left things. And I regret losing touch with you. This isn’t the way I would’ve liked to meet you again. But I’m thankful I have.”

He pulls a card out of his shirt pocket and holds it out to you. You realize it’s his business card, and it’s got his number. 

“I’m sorry for the formality,” he says dryly, “but I don’t exactly go around prepared to give out my number for purposes other than work.” 

You take it without giving yourself the chance to think about it. You run your finger around the sharp edge of the cardstock, pressing the pad of your thumb against the corner. 

“Years ago, you wished me a good life, and that you didn’t want to be involved in it,” he says, still treading carefully. You can’t believe he remembers the last thing you said to him. “But— but a lot has changed since then, and I hope that has as well.” 

“I’d like you to be a part of my life again,” Aaron finally says, “if you want to be a part of mine.”

For a moment, all you can do is stare at him. Two and a half years of law school flash behind your eyes—coffee shop dates and endless hours spent studying at the library. Movie nights cuddled on his couch, hauling boxes out of your house at an ungodly hour to get away from your roommates. An unhealthy amount of all-nighters immediately followed by going out to celebrate a miracle of an A on an exam. Getting through every soul-sucking part of earning a J.D. together, falling apart before either of you could make it to the other side, and somehow…

Somehow, you’ve ended up on a completely different side together. 

“My life isn’t going to be easy,” you say faintly. “Especially… moving through this.” 

“My life isn’t easy either,” he says. “I’m divorced with a kid and I try to solve murders every day.” 

“It’s not a contest.” An attempt at a joke, but it falls flat for you. Aaron’s lips still quirk at the edges the slightest bit. 

“Getting through this certainly won’t be easy,” he agrees. “But I have more experience than most in these sorts of things. So if you ever need anything, call. Please.” 

“I imagine you’re pretty busy,” you murmur. “Unit chief and all.” 

Aaron shrugs. “I make time for the things I care about.” 

Thankfully, you don’t have to figure out how to respond to that, because there’s a knock on the door, and a nurse walks in after you call a come in.

“It’s good to finally see you awake, sweetheart,” the nurse says with a smile. It warms you from the inside out. 

“It’s nice to be awake,” you say. Her smile widens and she moves over to the computer in the side of the room—to add some things before she makes her checkup, you assume. 

“I’ll give you some time alone,” Aaron says.

Before he can stand up, you grab his hand. It’s fully on instinct, and he looks just as surprised as you feel.  

“Don’t go,” you plead, and it’s almost a whisper. “I— just— please.” 

Aaron stares at you for a moment, that shock glinting in his eyes before it transforms into something a lot warmer. He nods and sits down. 

“Okay.” 

And he stays. 

This time, he stays.

#i was truly possessed while writing this i can't understand it #i wrote 15k words in 5 days #aaron hotchner x reader #hotch x reader #criminal minds x reader #aaron hotchner x y/n #aaron hotchner fic #aaron hotchner angst #aaron hotchner imagine #sadie writes

[chirpsythismorning]

Fun fact: In the original pitch for Stranger Things, El had a little brother.

After being rejected by almost 20 studios for the Montauk pilot, the Duffers were finally green-lit by Netflix. It was at this time that they began casting and then writing the first season officially, which included reworking a lot of that first episode.

This led to the removal of the brother reference, and with it, removing any sort of arc El could have had about her apparent brother.

But the thing about this moment, is that it might not have been scrapped entirely...

Going into the final season, no one can explain why or how El recognized Will back in 1x02. And while there are plenty of things on the show that are left unexplained, with a small portion likely left that way with the intention to uncover it later, what sets this moment apart from the rest is that there are very few possibilities here.

Because for starters, the story presents El's ability to see people in the void in s1 as requiring either a picture of that person for reference, or having met that person before.

But when El see's this picture of Will, she's never met him before. Or maybe she has, but we wouldn't know because they never showed us. They could have just not done this scene at all, given that it's clearly a copy/paste/edit of something scrapped from the pitch. Or they could have even still included it, but explained it.

One explanation could be that the lab had shown El a picture of Will before, similar to what they did with the Russian agent they wanted to spy on. But then that begs to question, why would the lab show El a picture of Will? Why would they want to see what he was doing? That alone is incriminating in and of itself, implying that Will is more connected to the lab than we realize.

The only other, and frankly most likely explanation, would be that El stumbled across Will at some point on her journey between escaping the lab and Will going missing. This is actually something that happens in The Other Side comic, which explores all the things Will may have experienced during his time in the Upside Down.

Though it’s worth noting the comics aren’t technically canon, and I highly doubt they would outright spoil everything in relation to Will’s time there, years before it was intended to be revealed. But still, let's humor this for a moment given that I do think Will's time in the UD is going to be very relevant in s5, which means it's highly likely they will finally address how exactly El saw him.

Basically, in the comic, Will see’s El walking through the woods, almost apparition like, glowing as she passes by, while also sporting the Benny’s burgers shirt. This means they would have crossed passed within a short span of time, between when El escaped Benny’s when the agents arrived, but before she was found by the boys.

Though it’s worth noting that we’re seeing this all from Will’s perspective. This means from the UD, Will was capable of seeing El on the other side, despite them being on different sides. And not only that, but she also looks back at him.

What confuses me about this, is that it doesn’t make sense for El to be in the woods, only to randomly decide to pop in to the void for a moment. She was trying to escape the lab and everything that came with it. I doubt she had any desire to lurk back there for some reason, not until someone encouraged her to. Not to mention, it would make no sense for her to go there and see Will if she wasn't even looking for him in the first place. And so this would mean Will and El could see each other, with Will being in the UD, and El being on the other side.

While it does seem pretty far off, given that you would think Will and El wouldn't be able to see each other from different sides, it is true in the story that El not only recognizes Will, but knows that he is in danger. She mentions that he is hiding specifically.

Which means she has likely seen him within the last 24 hours regardless.

This, in combination with Will being able to respond to El in the void at the end of the season in Castle Byers, when no one else outside of Terry and flayed-Billy have been able to, seems to imply that there is indeed something special about Will that makes him capable of communicating with El from the UD. Not only that, but El also seems to have an ability to be in this constant knowing state of how Will is doing, without even checking again to confirm. She's just certain of it. And she seems terrified about it.

Going forward, El never uses a picture of Will to find him. She never did. And more often than not, they don’t show us what she see’s either, not until the very end. And that’s the moment they reveal that he was able to communicate with her.

Again, there was really no reason to have El recognize Will. If anything it complicates things. But the fact that they chose to introduce this concept, with a scene from the original pitch that was related to El’s younger brother, with her pointing at his name cryptically, startling Benny, only to revamp it and have El not say anything at all while pointing at the picture of Will, startling Mike… It just really makes you stop and think.

Which brings me to the other aspect of this that might have people doubting, which is that El’s brother was originally younger than her.

We know Will is not younger than El, so how could this apply to him?

Well, it might be helpful to consider that in the original script, El was actually 10 years old, while the boys were always 12. Meaning that for some reason, they decided to age her up to the age of the boys, aka the same age as Will…

Ever since @erikiara80 shared this brother discovery with me, I have been sort of reeling. It then led to other little discoveries of changes they made between Montauk and Stranger Things.

It’s important to understand that the Montauk bible and the original script precedes what we ended up with in the final product, with it finally changing and evolving months, maybe even a year since that original vision. Even casting occurred before writing started for the first season. We know this because casting announcements were made in June and August of 2015, with writing not starting until August going into early 2016, simultaneously while they were filming.

And believe it or not, what I've discovered is that a lot of the changes they made between their original plans and what we see in the final product, have to do with not only Willel, but also Byler.

If you've read the original script for Montauk, you'll know that Mike's crush on Jennifer Hayes was focused on right from the jump, along with the birthmark on his face being focused on, which was the main cause of the bullying he experienced.

This has actually been talked about recently, and some of the claims people make do fit with what I am genuinely starting to consider here, which is that the initial plan for what makes Mike an outcast shifted.

I think when they completed casting, and started actually deep diving into what they wanted this world to look like, both from a short-term and long-term standpoint, they were presented with some pretty interesting discoveries, arguably already hiding in their initial plans without realizing it.

And this is where it sort of becomes a 'chicken or the egg' situation. Because which one came first? Byler or Willel?

I can't say for certain, because obviously this is all just speculation. But in the case that Willel came first, I think Byler would come very naturally after that.

The Duffers themselves are twins. Then they hire Noah, who is a twin. Then they're thinking and planning for El's past and how her family all fits into this, and they're thinking... wait a damn minute... We could totally Star Wars this bitch!

And then when they think it couldn't get any better, they uncover another layer that they hadn't planned or really considered in their initial plans.

While Will was always going to have sexual identity issues according to the Montauk bible, meaning that the writing process for him likely involved sitting down imagining scenarios that encapsulated this arc for Will from the beginning, they were simultaneously now finding very interesting aspects of Mike's character that made it hard not to at least consider the possiblity that Mike is not exactly straight.

Just think about it. The Byers and Wheelers are basically polar opposites on the spectrum of what a family looks like. While Will's discovery and acceptance of his queerness is interesting to explore because he comes from a low-income, single-mom household, all while having been bullied for years based on his perceived queerness, he also has a mother and brother constantly reinforcing that they will accept him no matter what. They've been sort of hitting us over the head with it for years, and so it wouldn't be very satisfying for his entire arc to merely lead up to something we've known all along. It's pretty much a given at this point.

On the other side of the spectrum, Mike comes from a more upper-middle class family at the end of a cul-de-sac, more aligned with what a nuclear family looks like. Mike's family is also presented as being more conservative, and while Karen does give that very queer-coded speech to Mike in s1 (I'm convinced they only wrote this after deciding to explore queer-coding more heavily with Mike), it also comes with comments from Ted and even still Karen that hint that they are probably not as open-minded and accepting as Will's family is to him. Which means Mike's arc would be a lot more about acceptance around him from his loved ones who we have been led to believe might not be as accepting of his queerness in contrast to Will.

And so as they're putting this story together, and they're being presented with something very interesting. Two similar experiences that play out in different ways because of the characters circumstances.

Will goes missing, and his twin sister with a buzzcut pops up and has the ability to help them find Will.

This leads to several moments where El is being compared to as not only a boy, but Will as well.

Now suddenly, their initial plans to have Mike's arc be about having a girl be interested in him and to hopefully have his first kiss and feel like less of a loser, starts to look a lot like what the experience a queer kid in his position might encounter growing up in the environment that he did.

And if you don't want to take my word for it, just hear the Duffer's themselves hinting at what they initially planned for Mike and the fact that it changed.

The changes don't stop there.

Believe it or not, 'It was a seven', did not exist in the initial pitch. When the boys went outside bickering over Nancy, they leave right after that.

Another thing that changed from the first script, was Scott Clarke's introduction:

And so you might be thinking, who cares? What does that have to do with anything?

Well, it's interesting because the line we end up with on the show is arguably one of the most on the nose Twelvegate proofs to date. Mind you, this is from the first episode:

Why chuck the original version, which was arguably more interesting and fascinating in terms of it hinting at the mysteriousness surrounding this story, only to replace it with him listing off tips about their upcoming test?

Well, I think it's the irony of it all. Here Mr. Clarke is practically telling us where to look to figure stuff out for ourselves what is going on, with all the kids filing out and ignoring him...

I relate to Scott a litttle too much in this shot here, any time I try to drop Willel evidence.

And the changes go on, as they obviously would.

Things like Terry Ives not even being El's mom, but actually a man who more so aligns with the characterization of Murray.

And one very interesting one I almost overlooked was in Hopper's introduction, where instead of a kids drawing done by who we assume to be Sarah, we actually see a picture on the wall of him and his wife and daughter... Interesting that they decided to switch it something that is a lot less definitive in presenting what Hopper's past looked like...

If you've made it this far, congratulations.

If you still think I'm out of my mind, just remember that El was going to have a brother in the original script, but they scrapped the scene and gave a near identical one to introduce her connection to Will instead 😘

#byler #stranger things #willel twins #twelvegate #montauk #as you can see #i am out of my mind #and i'm okay with that #i've spent the last couple months trying to make a video going over all the willel twin evidence #and i can't decide if it's even possible to do without going over an hour #like there is just so much shit that fits too perfectly into this family being ripped apart by mind control and time shenanigans #i hope to have it done soon #trying to make it less than 20 minutes #but it's probably going to end up being closer to an hour #especially with this stuff from the montauk pitch being added to the mix now #anyways #willel and byler are the curtain behind the curtain #if you are open to one of them #you are bound to stumble across the other #and they don't want that to happen #stay tuned for the inevitable twin imagery to continue in s5 related to willel leading up to the big reveal #bc it's arguably the most consistent thing about this damn show #and tbh this all just makes the queer-coding for mike in s1 a lot more concrete to me #them exploring will's queerness through his dad's expectations for him to do more 'manly' things like play baseball #and jonathan saying he shouldn't like things just bc people telll him he's supposed to #how they connect that narratively with the boys being at a baseball field when mike's being pressured about his supposed feelings for el #with the bullies showing up and literally being homophobic seconds later #the fact that jennifer hayes did in fact exist in the original pilot and was the girl mike had a crush on #only for them to scrap that and just make it about her having a crush on will... #never once introducing this idea of mike liking her...

[missvelvetsstuff]

No Benefits

Bucky Barnes x Reader, Bucky Barnes x Sharon Carter

Summary: Reader and Bucky are best friends until a drunken hook up. Bucky wants a friends with benefits situation because he doesn't feel ready for a relationship but reader knows that will lead to a broken heart.

Then Sharon Carter comes to work with them.

Notes: Steve and Tony are around but retired, everything else is mostly canon

I try to keep my reader generic but as always she is female and taller than average.

I have to say I've been a bit overwhelmed at the response to this story, I hope I can live up to your expectations.

Chapter 2

Warnings: swearing, angst, a little dirty talk. Bucky's kind of an ass, Sharon is evil.

Cookie just stared at the pictures, heart racing, almost hyperventilating. She shook her head and looked at Nick Fury "This can't be right, can it? Sharon Carter can't be working against us, can she?"

Fury looked at her, concern evident on his face. "I'd like to think it's impossible but look at what happened with Hydra. We knew that Rumlow and the strike team were on our side and it turned out the entire operation had been rotten for decades."

Cookie tried to still her hands "B B But th this, this is different. Sh Sh Sha Sharon C C Carter. SHIELD founder P Peggy Carter's niece can't be the Power Broker." She felt her stomach drop and heart stop when it clicked "Oh god, no she can't but b b but Sam and" whispered "Bucky" the color left her face and she started pacing, bouncing until Nick snapped

"COOKIE!"

Y/N jumped and turned to face her boss "Yessir?"

Nick rubbed her arms "Calm down. You're no good to me like this. Barnes and Wilson are off site with Carter, right? Where are they, exactly?"

Cookie nodded "uh yeah they're um, wait let me see." She pulled her phone out "they should be, Latvia." She exhaled and it felt like she was deflating "Where my informant was killed last night."

Fury nodded "I doubt she wants to kill Wilson or Barnes so we just need to get this info to them. You'll probably have to wait until they come home."

Cookie shook her head "But what if she kidnaps them? What if they don't come back?"

Fury shook his head "We'll cross that bridge if we get to it. I need you to compile everything you have that's even vaguely related to the Power Broker and anything you can find about Carter's movements. Let's see if we can find more links between them." He looked at his watch

"I want you in my office for lunch and we'll go over everything you have." He looked her in the eyes "Alright, Cookie? I know you're concerned about your friends but we need to keep our minds clear and focused on the facts so that we can help keep them safe."

Cookie tried to blink the tears out of her eyes and nodded "Got it, boss." before hurrying to her office by way of the break room because coffee was a dire need at this point.

She made it to her office, closed the door so no one would disturb her, turned on her music and sat down to go through every bit of Intel she had that might offer any clues. There were stacks of correspondence and photos plus some undefined amount of info on a thumb drive that she needed to work through with the only other analysts she absolutely knew she could trust, Dylan and Iris. She had trained with them and came up through Quantico where Nick Fury personally headhunted them.

Cookie didn't want to take a chance by getting too many people involved in this, after the whole SHIELD/HYDRA debacle she kept a couple of people close and everyone else could wait outside her gates until they convinced her they were trustworthy. This was huge and had 2 Avengers directly in Sharon's line of fire so had to be handled carefully.

Cookie also knew that her frayed friendship with Bucky was going to make this even more complicated because Sharon could use that to discredit her so Bucky thinks Cookie is just trying to eliminate a romantic rival.

She shook her head, no time to get distracted by emotions, her friends were in danger and that had to remain her focus. By 1pm, Cookie had synced almost all of Sharon Carter's movements with the power broker. There was no doubt, it was definitely her.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

On the other side of the world, Sam was fed up with his mission partners. Sharon rubbed him the wrong way and Bucky was too wrapped up in her to see anything but sex. Sam had a bad feeling about Sharon, she was constantly wandering off only to be found on her phone and the Power Broker seemed to get away right before they arrived, every single time.

He tried to talk to Bucky but he just laughed it off, explaining how impossible it was for a Carter to be the bad guy. "Sam you're being ridiculous and paranoid even for a spy. Sharon is just as frustrated with our lack of progress as we are. You know sometimes this is just a waiting game." He smirked at his friend "We could find you a nice girl to pass the time with."

Sam shook his head and scoffed "A nice girl? You mean like Cookie for instance, who wouldn't try to distract me with sex like yours is doing to you."

Bucky laughed "You jealous man? I'm just making up for lost time and Cookie didn't want me." His smile dropped as he thought of her.

Sam looked at Bucky with wide eyes "Cookie didn't want you? Now we both know that's not the truth, you just got scared of the idea of a real relationship and dropped her for your living cock sleeve. You're a dumbass, Barnes."

Sam's phone buzzed with a text and he smiled when he saw it was from Cookie. She always checked up to make sure they were eating and sleeping while in the field. He looked at his texts

*<3 BeSafe*CYA*

That caught his attention. CYA= Cover Your Ass. It was their code for trouble close by which meant she found something concerning but the problem was too close to say out loud.

Bucky tried to look over his shoulder "What's that? From Cookie? You fucking her?" His voice dropped and he looked angrily at the ground "I knew she would find someone better."

Sam looked at him with disgust "The fuck is wrong with you? The only reason she might find someone better is cuz you pushed her away when you should have held on tight because you're not gonna find another one like her."

He nodded towards the hall where Sharon had gone "That one is trouble. There's something not right about all this and the way she keeps dragging you off to the bedroom."

Bucky smirked "I can't help that she's insatiable. Don't want to disappoint."

Sharon was in the other room listening to their discussion, smiling at how easily Bucky stood up for her. It was simple enough to get his attention when she came back to work with SWORD and he did all the work pushing Cookie away with his guilt. She was confident that he would take her side if that analyst bitch got too close. Sam could be a problem but nothing she wasn't prepared to handle.

She used a burner phone to send a text to her associate, the Intel analyst in D.C. to let them know she would be returning stateside soon and everything was going according to plan.

In the morning Bucky woke up in bed with Sharon's head on his bare chest and groaned. The position he was in wasn't a concern but he didn't remember going to bed or the usual activities with Sharon that followed. He couldn't remember anything past his talk with Sam, about Cookie. He didn't remember eating but he must have since it had been almost lunch time when he spoke to Sam. If he hadn't eaten he would be famished by now.

He took a deep breath and tried to focus and see if he could find any memories but all he could add was Sharon coming into the room and pulling him into their bedroom.

He looked at his watch and counted hours, he had lost almost 18 hours and couldn't figure out what happened. This wasn't the first time he had lost time on this trip and he didn't like the feeling.

Sam was right, something was off.

Sharon started to stir against him "Hey baby, look who's up before me."

Bucky smiled "Mornin baby, you sleep ok? Did we have some fancy liquor last night? I can't remember a damn thing, not even fucking you for 2 hours and I'm sure I did that."

She whined "I'm that forgettable? I thought I made you feel good." and pouted, rubbing his growing cock to distract him.

He reached between her legs to find her ready "You're always so wet and ready for me sweetheart. Tell me what you need."

Sharon moaned "I need you to fuck me, Barnes. Hard and deep. Right now."

Bucky was only too happy to oblige, the lost time forgotten in their haze of lust.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

In her office Cookie and her crew worked well past lunchtime until an intern showed up from Nick's office to remind them of the passage of time.

Cookie put all of the papers and photos into a box since they hadn't had time to digitize it all and write up a comprehensive report. She went over every single detail with Nick and Maria to determine what should go in her report and which points to highlight for field agents.

The rest of the day and into the evening Cookie's team had everything organized and the details and evidence all written up in a 5 page report with back up documentation available in her files. She looked up when her phone buzzed to see it was Sam responding to her earlier text

*👍🐴☔*

She smiled knowing that Sam got it and would watch out for Bucky even if he was a dumbass.

Looking at her watch she saw it was almost midnight and noticed Iris trying to read her text before she quickly put her phone away. Iris and Dylan were her most trusted analysts but even they didn't need to know about her chatting with Sam.

She dismissed them so she could have a bit to herself to reply to Sam and include some details that they didn't have the clearance for.

A few days later when Sam, Bucky and Sharon arrived back home, Cookie was there to meet Sam and barely even acknowledged Bucky or Sharon which made Bucky act out, snapping at Sharon. Sharon was annoyed that he still cared about fucking Cookie, after all the work she had done to get him under control he was still pining for that stupid analyst. She knew something would need to be done about her soon.

Sam and Cookie walked arm in arm to medical to have him checked out, then to the common room when she had left some chili simmering for him plus fresh French bread. They took their lunch and went to his room to eat.

Cookie sat across from Sam while he talked about the mission until the food was gone and he stopped, just staring at her.

Cookie stared back "What?"

He looked at her sideways "First, I love you Cookie but you look like Hell. You're worried about me in the field but you're here looking like you haven't slept or had a decent meal in weeks."

She flinched before whispering "Closer to months."

"No, Cookie. Don't destroy yourself over a man that's too stupid to see what's right in front of him. We need you here. Nick fucking Fury insists you're the best intelligence analyst he's ever met. Ever. From the man who doesn't offer praise lightly.

I need you. I can't trust anyone else to lay all the intel out just so it flows for me. Or make sure I'm taken care of when I come back from a mission?

And his dumb ass might not know it or be willing to admit it but Barnes needs you too. He's in love with you, he just thinks he's being good and noble by pushing you away. And if he doesn't figure it out, there's plenty of other men and women that would jump at the chance to be with you. So take care of yourself."

Sam sighed "Second, I know you didn't send the CYA code for shits and giggles so tell me. What do you know?"

Cookie shifted uncomfortably "I want you to know this has nothing to do with their relationship, I didn't look to discredit her or hurt him but you know I have to follow the evidence where it leads me, without prejudice. You know I-"

Sam stopped her "I know you are impartial and I trust you and your conclusions so just spit it out and we'll go from there. Ok?"

Cookie nodded and took a deep breath before blurting out "Sharoncarteristhepowerbroker" then covering her mouth and looked at Sam with wide eyes.

Sam stopped and stared "Please tell me you didn't just say what I think you said. Tell me that she's-. Fuck." He shook his head "I know you have proof. Cookie, you have to tell Barnes."

She blinked rapidly trying to clear the tears that suddenly welled up in her eyes "Nononono, no I can't tell him. He will think I'm some disgruntled woman trying to hurt my rival. You have to tell him Sam he will never listen to me. Hell he hasn't even spoken to me outside of work ever since...."

Her eyes filled up and she tried to hold the tears back but she had been keeping it all in for so long.

Sam pulled her into his chest and sighed "Alright. Give me what you have, I'll talk to him tomorrow. And what's with all the containers of Cookies?"

Cookie shrugged "I was worried about you. Couldn't sleep. I made some of your favorites, the red velvet. The frosted ones are *special* to help you sleep."

Sam hugged Cookie and kissed her cheek "Alright babygirl, lay it out for me..." They spent the next hour going over everything she had before her eyes started drooping. "Okay Miss Cookie, go get some sleep and I'll see you at the debrief tomorrow."

Cookie gathered her paperwork and left Sam's room only to see Bucky in the kitchen. She didn't want to ignore him so nodded and grunted as she passed without slowing down. Bucky just watched her leave, wondering what she was doing in Sam's room so late.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

After their run the next morning Sam and Bucky sat down for coffee. Sharon told Bucky she wanted to sleep in so Sam figured now was the time.

Bucky started in on him before he even spoke "What's up with you and Cookie? You are fucking her aren't you? I saw her leave your room early this morning. Don't fucking lie to me jerk."

Sam brushed him off, "None of your damn business."

He tried to change the subject and explain about Sharon but Bucky didn't respond well

"What the fuck do you mean Sam? Sharon is not the goddamn power broker, that's ridiculous, her aunt was a founder of SHIELD. Where did you get your Intel from?" Sam looked at him pointedly, like there was any other person who Sam trusts completely.

Bucky shook his head angrily and stood up to head to Cookies office. "I can't believe you fell for it Sam. She's just trying to get Sharon back because she is with me. I turned her down for a relationship so she wants to hurt me back. Sharon warned me that she would try to pull something like this."

Sam stood up and grabbed Bucky's arm "Are you kidding me? You think Cookie would put her career and reputation on the line for petty jealousies? That she would ruin Sharon's reputation for revenge, over you? I guess you don't really know her after all." He shook his head "I'm disappointed in you man. I thought better of you. Good luck confronting Cookie, she's not interested in your shit."

Cookie was at her desk making packets with the Intel on the power broker for the top brass when Maria stopped by.

"Hows everything, Cookie? Got that power broker packet for me?"

Cookie nodded "It's right here." and reached out with a folder.

Maria noticed her hands "Cookie? What happened to your nails? When was the last time you had a mani-pedi? Is your girl sick?" She looked over Cookies hands in concern, she never missed her nail appointment.

Cookie shrugged "I don't know, I forgot. It's no big deal."

Maria looked closer "You look like Hell. Finish the packets up and take the afternoon off, you need-"

"Cookie!" Bucky roared as he came striding up to her office "What the Hell is this bullshit?"

@erelierraceala @capswife @ozwriterchick @cjand10 @wintrsoldrluvr @mrsbuckybarnes1917 @browneyedgrli @greatenthusiasttidalwave @hhiggs @dontworryboutitsweetheart-blog @behindmygreyeyes

#bucky barnes x reader #bucky barnes fanfiction #james bucky barnes x reader #james bucky barnes #bucky barnes x you #angst with a happy ending #james bucky barnes x y/n #bucky barnes x female reader #no benefits

[arliedraws]

In the books, Sirius's devotion to Harry is of course very deep, but it never translates to something physical. He only shakes Harry's end when he leaves his bedside in book 4, and in book 5 there is something resembling a hug, like twice...? As a dog he stood up his hind legs and front paws on harry's shoulders and a half hug after Christmas. Idk it sort of drives me crazy, because in the movies Harry and Sirius are so affectionate! That first hug when Harry arrives in Grimmauld!! Gary and Dan had an amazing chemistry that other actors were jealous of, they mirrored the book characters, so it palpable on screen, the few scenes Gary is in at all at least.

So, what do you make of this? Do you in musing for art imagine a more affectionate relationship between Harry and Sirius? Maybe if Sirius survived the war? Molly's hug in book 4 was a poignant moment but imo that should have been a moment between Sirius and Harry. Sirius already says he expected something catastrophic to happen to Harry in the third task, that's what he stutters when Harry comes in with Dumblebore. So he is literally afraid of his godsons life and it still shows of course, Sirius staying at Harry's side was very beautifully written, like the devotion is clear, but I am foaming at the mouth for more affection between them in canon? Platonic, not shipping. So between the movies and the books Im just kinda torn what's better

It's more a rant than an ask, sorry lol, but if you have any input I'd he so stoked to read it. Not many peeps in the fandom even give Sirius and Harry any time of day, nvrmind even understand what they had (which also drives me kinda nuts but ok)

Ohhhh, anon, you’ve come to the right spot! Mostly because I love them. I would say that 80% of my fandom interest is just Sirius being a dad to Harry.

To your question, I don’t think one is better than the other. Each has their purpose. Let me share my thoughts:

1. I am soft for movie Sirius and Harry’s affectionate touching. However. The dynamics of their relationship were NOT mirrored from the books, which…is fine. Honestly, I just don’t think it was a priority for the filmmakers. This particular bit doesn’t bother me because the movies are not supposed to replace the source material—they are an interpretation. To me, watching the movies is like reading fic—fun to watch but not canon. Also, the filmmakers removed so much of their relationship in GoF that they HAD to make Sirius and Harry physically affectionate in order for movie audiences to see what losing Sirius would mean to Harry. Their complexity is completely unexplored in the films, and they had to do SOMETHING to get the audience to feel sad when Sirius died. This started in PoA when they really downplayed the context of their relationship. (Lol, see my rant on PoA. I really don’t like that movie hahahahaha.)

2. In the books, Harry and Sirius are not physically affectionate with each other despite their intense love for each other, and I think this is an effective way to show characterization. As I tell my students, this might have been intentional by the author, but it could have been an instinct that she followed (what feels right for the characters).

Here’s what I think: both are so terrified of losing the other that they won’t allow themselves to get too close, and, crucially, they both fear showing vulnerability. Touching someone and reaching out for a hug or comfort is an extremely vulnerable thing to do. If you reach out for a hug, you are showing your true feelings. To be rejected physically is sometimes more devastating than someone telling you to just “go away.” It’s a sign of trust to touch someone—you are trusting that they feel the same way about you, and you are trusting that they won’t pull away. Both Sirius and Harry understand rejection, and both avoid it. How do you avoid rejection? You distance yourself.

I’ll put the rest under a cut because I think this might get long…

Sirius and Harry, for all that they love each other, fall out of trusting each other by OotP. Part of this is trauma, but it is also miscommunication. Harry is worried that Sirius will do something stupid—either out of concern for Harry or because he wants to get out of number 12–but he’s worried he’ll lose Sirius. So by withholding affection (which I’m not sure if he knows how to give physically), Harry distances himself from Sirius which will, theoretically, keep Sirius safe (of course, it backfires). Sirius is…you know…going through stuff in OotP. He is already vulnerable—he perceives himself as being emasculated because he’s not allowed to leave his childhood home and he’s relegated to performing ‘uninteresting, domestic work’, and he must be inactive when he’s a man OF action.

When it comes to Goblet of Fire and the odd handshake… I think Sirius is reeeeeally holding back. Harry does NOT want him to go, and Sirius knows this. (Why DOES Dumbledore send him away? Literally anyone else could have “alerted the old crowd” and NOT the convicted murderer. This is clearly the author’s excuse to get Sirius away from Harry—and, I’ve spoken to this before, Sirius is too much of a miracle character—too smart, too loyal, too loving to support the story that the author wanted to tell.) Sirius, if he had stayed, would have been the emotional support that Harry needed. So if Sirius holds Harry, what if Harry doesn’t let go? What if Sirius himself can’t let go? A handshake will have to do.

So Sirius leaves Harry with that bizarre handshake. That Sirius leaves at all damages their relationship—it could have been repaired with time (if they’d been allowed time), but this moment makes Harry realize that he cannot rely on anyone, not even Sirius. This leaves Harry to be isolated in OotP, and it leaves him to feel like he cannot trust anyone. I’m not blaming Sirius for leaving, but I believe this action causes a rift between them that carries into the next book.

My point is, I HATE that they don’t touch but it is very important that they don’t, at least when it comes to the story that the author wanted to tell. I think it was the right move when we look at the story as a whole. Do I like it? NO! But it’s interesting, and it DOES feel right for them. Is it devastating? Yes!!!!!!!

TL;DR: I don’t think either interpretation is necessarily better than the other, but they both have their purpose. Both are effective!

Touch is…huge in HP. Consider Voldemort’s “I can touch him now” and causing Harry pain. Touch is a privilege, and to be touched without permission is a violation. Harry kills someone by touching them. He is only touched by his family when Dudley beats him up or he gets shoved in his cupboard.

Weirdly, one of my absolutely favorite moments when Sirius and Harry touch is in PoA when the Dementors are closing in on Sirius, Harry, and Hermione, and Harry, as he’s about to faint, reaches out to grab an unconscious Sirius by the arm, thinking something along the lines of “the dementors weren’t going to take him” and such. And this is about two seconds after Harry has accepted that Sirius is telling the truth! Harry physically tethers Sirius to him—this touch-starved teen reaches out to this man who is now everything to him, who is now his only real family, willing to risk death (or worse) to keep it. BUT THEY JUST MET!!!!! Devastating!!!

Also…another thought: the first time Sirius and Harry touch is the first time Sirius has been touched as a human in twelve years. And Harry is beating the absolute shit out of him…and then Sirius nearly strangles him…

Also, also, not to like…self-promote, but if you want some Sirius & Harry family feelings and a wee bit of affectionate touching, I wrote a one-shot where they talk about their feelings in OotP.

Anyway, this got longer than I thought. Thank you for the prompt!!

#if this sounds critical of sirius it’s not #he is a Very Good Character #if he were ‘perfect’ he’d be boring #i like his messy parts #and i like harry’s #i wish there had been more of them together #but i like that we can build the relationship outside of what we’re given #i love AUs #sirius black #harry potter #hp meta #long post #asks

[buddiebeginz]

You know I think I find this kind of thinking even worse than people who just never liked Buddie to begin with. People who claim to love Buddie or who were Buddie shippers and who are now trashing Buddie just to prop up Buck/T*mmy are literally some of the worst.

I think everyone should be allowed to like and ship who they want. I'm not a multishipper so I don't ship Buck and T*mmy and I'm not the biggest fan of T*mmy in general but I do see the significance of him in Buck's story.

What I don't get is how so many of you have become so enamored with a ship from very little buildup that you don't care anymore about how important Eddie coming out and Buddie becoming canon is. Also that you'd go back on all of your opinions on Buddie and the history they've shared.

The fact is Eddie coming out as gay is incredibly important. Just as Buck coming out as bi is ground breaking in it's own way and increasing much needed representation for bisexual characters, a character like Eddie coming out would also be ground breaking. Eddie is older, a veteran, Mexican, a single dad, struggles with mental health issues, a firefighter, fits a model of stereotypical masculinity, etc. There are so many people who would be helped to see a character like Eddie have a queer awakening in ways that are different than Buck's.

Buddie becoming canon is also equally as important as the coming out storylines for Buck and Eddie. I know people keep trying to say it's not and keep hating on anyone who dares to talk about Buddie along with Buck's bi awakening but it all matters.

It's not that Buddie has to happen for Buck and or Eddie to be queer but it should. I could write a novel on the history that is shared between these men. They are so much more than just friends honestly not sure how anyone can even see them that way. If you compare them to any other friendship on the show there is so much more there. They also know one another and are there for one another in ways no one else is. Buddie already has this epic love story built up it's why so many of us are waiting for them to reach that next level of their relationship.

Buddie would also be groundbreaking in their own way if they make it a canon ship. We have never really had a slow burn queer romance especially not with two men figuring out their sexuality later in life like this and on a primetime show. It's also not just about Buck and Eddie it's about Christopher too. We've watched Buck and Eddie basically co-parenting together for six years. It would be so amazing and important to have Buck actually recognized as Chris' other dad.

I just don't get how you can watch these men loving and supporting and fighting for one another over six long years and then trash their relationship because one of them kissed someone else and call this new guy basically his soulmate. We don't even really know T*mmy or how a relationship with him and Buck might work out because they're not even in one they're just dating.

I don't get anyone who can't see how Buddie being canon could literally change how queer ships are written in the future. We deserve to have our ships written with the same passion and care as straight ships have been. Also don't say you love Buck and then say you want his endgame love to be some guy you don't even really know. He deserves an amazing love story like the other characters have had on the show. He deserves Eddie who has fought and screamed and chosen him time and time again. Who has literally made Buck Chris' other dad, even put it down legally in writing for all intents and purposes because that's how much Eddie trusts Buck and how much he means to him.

I know the show runners/writers don't let fandom stuff influence all the decisions they make but it has some sway because I fully believe our love for Buddie has helped push things to where they are now. It does seem there is a plan already in place for Buddie to be canon but things can always change in shows I mean Tim said he was still writing and filming episodes. All I know is if the more vocal Buck/T*mmy (endgame) shippers do anything to help derail Buddie happening I'll never forgive you. I'm sure I sound ridiculously dramatic here but this isn't just about me not getting to see a fictional ship. Buddie going canon and Eddie coming out mean so much more and I'm sorry some of you can't see that.

#buddie #911!

[thebestofoneshots]

WOLFSTAR X READER SERIES

Gilded Constellations | THE INTERLUDE Part 2

Summary: You meet Sirius and Regulus at a family vacation in the Caribbean, but things don't go as planned and you end up losing contact once the trip is over. Years later your family moves to England and you get accepted at Hogwarts where you finally see Sirius once again, along with all of his friends. One of them with a mysterious secret, that you'll uncover as you embark on your own Hogwarts adventure. Mostly canon-compliant. This IS a wolfstar x reader fic, but it's incredibly slow burn. They won't start all dating each other until we're very deep into the story, but I promise the long wait will be worth it.

Series Masterlist | Previous episode | The first Interlude

You guys know I wanted to make another interlude, but upon lack of time, and because I don't want to have you wait another week to read the next chapter (darling @aremuslupinsimp for sure needs someone to vent about the absolute rollercoaster of emotions that it is) I've decided to make it a WEEKL-LONG EVENT!

But Lilly, What does that mean? It means you can send as many questions as you might have and I'll try to address all of them within the week. Including anything related to last week, this week's, and the next week's chapter (although I will not spoil that one).

Adding a few questions here, just as a start:

Have you always known where the story is going or have you kind of figured it out along the way? do you have the ending planned?

Hey love! I do have a base idea of where GC is going. I've had these big plot points thought out from the very beginning to the part where they all start dating. Having said that, a lot of things that happen in the story, and that are in between those points, are just me letting my imagination soar, and a lot of those chapters end up being some of my favourites.

I wanted to end the story either before they end school or before 1981, but now that I've gotten so attached to the characters, I've honestly thought of writing past that, and "fixing" some of the things that happen in canon. But who knows, that's like a whole other fic just on how much plot it would have.

SoIi can’t really remeber if the ‘prank’ that Sirius pulled on Snape had already happened in Gilded Constellations, if it hasn’t will it be happening or will it just get skipped over?

It's happened already (in 5th year). That's the reason Snape is weary about leaving Vixen in the Shack in "Bad Moon Rising". He knew she would be in danger because there was a werewolf inside. He couldn't say anything to them because of the young twisting charm Dumbledore put on him, and he's never been brave enough to stand up to the other Slytherins, so he went straight to Lily and told her Vix was in danger.

That's why Lily knew about Vixen being in danger when Sirius showed up with a fox in his hands and was livid about it.

Tu penses prévoir combien de chapitre pour GC si tu sais sinon si tu sais pas une estimation de chapitre que tu aimerais écrire pour GC ?

I'm terrible with estimations, originally it was going to be a short 5 chapter-long series. And then I wanted to end it at thirty, and then at forty. So far I've written 55 chapters, but I'm thinking of ending before chapter 70. (That's IF I don't get carried away).

Do we get to know if Sirus ever got that necklace back from the first few chapters?

Oh, the necklace is still on Vix's neck and it's going to be HUGE in the next couple of chapters. I've been building on is for a while and I'm really excited about it finally happening.

How is it going with Remus' and reader's fireworms?

They are amazing! They've implemented a whole system that helps them get fed automatically. They're probably going to ace that test.

Are we seeing more to Nina?

Definitely.

After they come back from winter break will the study group start again?

I mean, there're going to be a LOT of things happening after the Winter Break, but I assume yes. Also the reading club, the reading club is going to happen.

How long do we have to wait 'till Remus, Reader and Sirius go out?

I think I'm about one or two chapters away from writing that, but I'm a few chapters ahead. But it's waaay less than before.

Does Nina have a little crush on Reader or is it just me?

I mean, there's a reason why the ribbon she tied on her quidditch gear was enough to defend Vix from Barty's spell. And why, more than once, Nina's love has proven to be a strong protective spell over the reader.

Are we getting more lessons like some of the first chapters?

Yup, not very soon, since the next few chapters will all be happening over the winter break, but once they're back in school, certainly.

Further questions will be answered directly on asks as they come.

I'm really excited about the questions I might get, also a bit terrified about the questions I'll get after Chapter 44, but of well, the show must go on.

Love ya lots, Lils xx

Series Masterlist | First Interlude

Taglist: @rayrlupin @callmelovergirl @warcelia @ireneop @endversewinchester @moonyunebi @smuttysluttybitch @mazzymoons @drugs-for-memes @sofiacblair @vmpir3lvr @remuslupinisbae @rabluver @willgrahamisalesbi4n @thatobsessedreader  @itskailey24 @hell0-kittie @belovedmoony @blacksgarden @loving-and-dreaming @cassie-love20 @starchaser-lily @zucchini-queenie @springflwer07 @sseleniaa @cometsghost @orkwardx0 @imdoingbetternow  @sbrewer21 @remuslupinsbae @maxinehufflepuffprincess @wifiatthetrainstation @unstablereader @msblacklupin @oliversaurus @jaylienpotter @remussbitch @hermionelove @izuoyarmin @themarauderswife7 @keira-kaz2y5 @lampthemacarenagod @bugg06 @a-n-1-m-3-f-r-3-4-k @darlingeels @kissmeunicornbaobei @xluansstuff @boo8008 @angelmixer @voteforintensedreams @allons-y-molly @aremuslupinsimp @imaginexred @writingshae @nyanwyn @poetrypirate @crazyhorseforgot @saturnhas82moons @ryeyeyer @mothraantics @maqqiekwon @desikudisworld @pastelorangeskies

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#marauders x reader #marauders x y/n #moony #padfoot #prongs #sirius black #sirius x reader #sirius black fluff #sirius x you #sirius x y/n #remus x y/n #remus x you #remus x reader #remus one shot #sirius black one shot #poly!marauders x reader #poly!marauders #wolfstar x reader #wolfstar x y/n #wolfstar x you #sirius black x fem!reader #remus lupin x fem!reader #moony x reader #moony x padfoot #moony wormtail padfoot and prongs #moony x you #gilded constellations

[autumnteawithfriends]

I despise CherriSnake and here’s why

Before we begin, something I want to clarify is that I don’t care if you ship or don’t ship CherriSnake. You do you, I’m not here to stop you and neither is this post. I just personally wanted to make a post on why I absolutely hate this ship.

Also, props to @cagneyblooms for helping me come up with some of the points.

REASON#1 - They don’t really work as partners for me

This is more of a personal reason to me, but CherriSnake is one of those ships to me where it feels like they absolutely can’t work out as a couple. Since the pilot is somewhat treated as canon in the show, they make no sense considering the fact that Pentious and Cherri absolutely despised eachother in the pilot. Both of them were locked in a turf war against one another and that hatred was mutual. Yet the show does a complete 180 from that and makes Pentious have this crush on Cherri out of nowhere, likely because Vivziepop wanted a straight HH ship and instead of deciding to just make a different character to pair Pentious/Cherri with or just make a entirely new ship. She just looked at the fandom, saw that CherriSnake was somewhat popular, and decided to make it canon last minute. CherriSnake during 2019-2023 just felt like a joke ship to me or something shippers who ship every character together would make. I mean, CherriSnake practically falls into a TON of popular tropes (Enemies/Rivals to Lovers, Angel x Demon, Girlboss x Goofball, probably way more) I’m not dissing this tropes, I even do these tropes myself with OC x Canon pairings I make. It’s just that CherriSnake felt rushed and last minute.

REASON#2 - They lack chemistry and actual interaction

To be fair, I partially put the blame on both Amazon Prime and Vivziepop for this. Amazon Prime because they only gave HH 8 episodes to really show its story, but I also blame Vivziepop for this. Because not only did she waste whatever time she had with those 8 episodes by showing us useless filler with the Vees and The Overlords instead of actually delving into the main sinners and why they’re in Hell. But she also crammed WAY too much content into 8 episodes instead of giving HH proper pacing.

But onto CherriSnake chemistry, Cherri and Pentious’s regular interactions pretty much prove to me that Vivziepop understands nothing about how actual relationships work and just make their dynamic one sided on Pentious’s part. Let’s be honest, Cherri does not reciprocate Pentious in the slightest considering the stuff she does to him. The shitty two dicks joke aside, not only was the kiss between her and Pentious forced because it was only a “heat of the moment” deal, but she also did this.

(Source: TV Tropes under Sir Pentious’s page)

I get that Cherri isn’t exactly a nicest sinner demon in Hazbin, but this combined with the two dicks joke and the kiss she and Pentious share makes her seem incredibly shallow (which she is considering how rushed this ship is in general) If Hazbin Hotel was like Bojack Horseman like some people claim it is, either these would happen.

A. Cherri realizes she was shallow for only wanting Pentious for his two dicks and never really considered how he felt, either leading Cherri and Pentious staying friends or Cherri breaking it off with him.

B. Pentious calls out Cherri for being shallow, thus giving both him and Cherri some development.

C. Cherri realizes that she only liked the kiss because it was less of them being in love and more of a heat of the moment adrenaline rush.

Or literally anything else. Cherri and Pentious never have a genuine interaction that either doesn’t make Cherri seem incredibly shallow or isn’t comedic.

As for the final reason, it may be a bit of a stretch, but I still think it counts.

REASON#3 - It’s borderline pedophillia

Again, props to @cagneyblooms for making me realize this point. Also, because pedophillia is very much a serious topic + I don’t want to throw the term around. I’ll be providing more evidence than the other two.

I’m not kidding, CherriSnake (atleast to me) becomes borderline pedophillic once you think about the lore Vivziepop spoon feeds us through her livestreams instead of diving deep into it. According to Vivziepop, Sir Pentious was in his mid 40s (best speculated to be 45) when he died while Cherri died in her early 20s, already raising a few eyebrows.

Yeah, this is already gross enough, but something that makes the age gap worse is the difference timeframe in which these two died in. Sir Pentious was confirmed to have died in 1888 London and Cherri Bomb died somewhere in the 80s. So not only was Pentious A GROWN ASS MAN WHO ALREADY HAD LIVED AND DIED BEFORE CHERRI WAS BORN, CHERRI WAS LIKELY BARELY A ADULT SINCE SHE WAS EITHER IN HER EARLY 20s AT BEST OR BARELY IN HER 20s AT WORST! This is also mentioning that Sir Pentious is also technically older than Cherri in Hell because depending on what exact year Cherri died in, Sir Pentious had either already spent nearly 100 years in Hell or he actually spent 100 years exactly in Hell when Cherri died. The only thing that really softens blow is that Pentious got a crush on her when they were both in Hell, meaning Cherri was technically still in her 20s in a way.

To conclude this, I hate CherriSnake. It’s one of the few Canon ships I actually despise since I either don’t care for Canon ships or I actually ship Canon couples as well. Even if Vivziepop wasn’t a terrible person, she’s still a really fucking awful writer who can’t stick to anything at all and is more concerned about her shitty Stoltliz soap opera rather than writing a good story. Writers like Vivziepop are the reason why research makes a good story.

#anti hazbin hotel #hazbin hotel critical #hazbin hotel criticism #hazbin hotel critique #anti vivziepop #vivziepop criticism #vivziepop critical #sir pentious hazbin hotel #cherri bomb #anti cherrisnake

[lucysarah-c]

What do you think about Levi not mentioning Farlan and Isabel throughout the anime? They were literally his first real friends and family. Even in their deaths he was frustrated. But strangely we don't see any flashback scenes about them or Levi talking about them. It's obviously disturbing to me.

I have an Oc an underground childhood friend that I ship with Levi in particular and I didn't write their story down, but it makes me think that if my character was in danger or if she died with Farlan and Isabel or if she ended up dying long after their deaths, Levi would never remember her or talk about her, just like Farlan and Isabel's deaths, and that bothers me.

I know it's a bit strange to get this kind of analysis-like question since you are a Levi writer's blog. But since I love your writings and I really liked and found comfort in your answer to anon's question about whether Levi likes weak people. Because I am also a person who gets caught up in rumors and doubts whether Levi will like us or not haha.

Anyway, I don't want to deviate too much from the subject and make it too weird. You can answer question if you want.

Hi, sweetie! Oh, I see. Yes, I understand where you're coming from. First of all, I'd like to thank you for saying that you love my writing, and I'm so happy you found comfort in my answer about Levi and a "weak person." It's alright that we get lost in what the fandom discusses too frequently; it has happened to me too. And do not worry, rest assured, I don't find these "analysis questions" weird at all. Though my analysis will never be as good as my close friends', like my friend Sushi who used to have a meta-analysis blog of SnK or Cosmic! They are beyond amazing.

But to answer your question, before I get lost in my thoughts, long story short, Isayama is extremely bad at writing emotional connections in my humble opinion. In my personal group chat with my SnK close friends, we discuss this in great detail at least twice per week haha. In my opinion, Isayama is a writer or a storyteller who struggles to find a balance between keeping the plot going and creating a cohesive society and interrelationships between characters. I personally think that the story was always advancing so fast, full gas, no stop, that we hardly got any real details about the characters that made them human beyond their mere roles in the story.

I always use as an example, if one chapter in the manga or anime started with different panels of the veterans getting ready and sitting down all together for a meeting, we could have seen how their personal chambers were, how their interactions were not only between them aside the presence of the cadets, but we could have also seen how they confront early mornings, if they had paintings of loved ones, flowers on their desks, etc. It would have taken ... 5-10 pages at most, and we could have learned so much. It's something I even keep in mind while planning my own stories; I have an entire notebook of "backstory" for all the characters of Holy Ground, canon or not. So when the time comes around, I can drop little details of their lives here and there because... Let's be honest, has someone ever sat down next to you and said "here, let me tell you my whole life"? No, usually, you get to know someone organically, and that's also what, in my opinion, should happen in stories.

Now, going back to why Levi doesn't talk about Farlan and Isabel. Well, my best answer to you is, sadly, another question. Tell me one scene in the whole anime or manga where Levi was having some quality time with someone he felt comfortable enough to open up and talk about fond memories, be vulnerable, or even crack a joke about some silly hormonal stuff he did as a young man with Farlan. Tell me, I will wait... Haha.

Levi doesn't talk about Farlan or Isabel because he doesn't have screen time to talk about almost anything besides the plot moving haha. I would put my hands on a burning fire and swear that Farlan and Isabel are still extremely important to Levi! And so would be your OC! Don't let Isayama's literary limitations fence your story. That's my best advice; explore feelings that he didn't have the production time for (perhaps he wasn't allowed to write about it because of financial stuff) or he simply wasn't good at it.

Hope that helps!

Love ya!

#levi ackerman #aot #attack on titan #levi #snk #shingeki no kyojin #captain levi #levi aot #snk levi #attack on titans

[redactedrem]

You know what? Fuck you. *Ponifies Batman*

Guys I'm so excited to share my newest project of ponifying the Batfam, it started out small with the hypothetical "I wonder what Batman would be like in a mlp universe." And then the project kept getting bigger and bigger.

If anyones interested in my world building/ headcanons surrounding this project, you can see it under the cut. (I didn't want to make the post too long.)

Incase anybody couldn't read my bad handwriting, I gotchuuu.

-(First pic) Bruce Wayne: Bruce had got his cutiemark the night of his parents death, after the grief had broken his spirit and he realized that he never wanted anypony else to feel the same pain as he does. (He has a fake cutiemark to cover up his obvious destiny)

- The first pic is pretty self explanatory, but I want to make it clear that Bruce's destiny isn't "My parents are dead so now I dress up as a bat and beat up mentally ill folk". Because I've seen people on here give hot takes on cutiemarks that directly link them to a ponies destiny.

This goes for specifically in the mlp fandom but (for the sake of being on topic) I'll use the the example of that one post where someone gave the hot take that Jason would get his cutiemark in the warehouse right before he dies (or after he dies? smthing like that) because "It would be really fucked up to know that you were always destined to die." And listen, I can appreciate some good Jason Todd whump as the next guy but knowing that this would be based in a mlp universe . . . just doesn't sit right with me.

It sounds less magical that way. Its like saying that Rainbow Dash was always meant to be the fastest flyer, so theres no point in trying to compete with her. So uhm, trying to stay on topic here. My personal hot take is that a pony's cutiemark is symbol of something that they do/ a skill or talent that they have that makes them happy. And whats a more magical and fulfilling destiny than doing something that makes you happy for the rest of your life?

Looping back to Bruce, he didn't get his cutiemark the moment his parents died, but I like to think that he got it sometime later on in the night. After hours of being checked on by the police, getting looked at by the paramedics, and after Alfred took him home. Its 1:40ish in the morning and tiny foal-Bruce is just staring at his bedroom wall feeling numb and dissociated to hell. And sometime after processing everything that night- he just decides that this is the worst thing that has ever happened to him and that he will do anything to make sure that nopony will ever feel the same pain that he has felt. And then-- Ta da!! Cutiemark!! Too bad neither he or Alfred got to experience the excitement when they both saw it the next day :')

(Edit: I didn't know where to put this detail, but Bruce's fake cutiemark is based off of the "Make It Wayne" TV logo from this fanfic here )

-(Second pic) The Bat: This is heavily inspired by Flutterbat, I know theres canonically already a race of bat ponies made from Lunas stunt as Nightmare Moon. But I chose to go through with the Flutterbat route because batponies are a race, and have bat-like features 24/7. In comparison Fluttershy maintains her pegasus appearance by day and transforms into Flutterbat at night (ALSO with there being implications that there are "Triggers" for her transformations in the day too!!) Which adds the "Vampire." right in front of her batpony title.

I might do a lil comparison chart between vampire batponies and regular batponies in the future or something. But for now I'm focusing on my batpony Bruce Wayne headcanons so yea. My point is that I felt like making Bruce a "vampire" batpony would give him a more solid secret identity with also the bonus of a really metal origin story.

Now we all know that the canonical origin story of batman is that a few months after the tragedy of his parents death, Bruce had fallen into a cave? a well? a pit? of bats and triggered a fear of bats since then. Later on he decides to become Batman so he can invoke the fear of bats he once had into the criminals of Gotham. Yadda yadda yadda.

Now canonically, we don't know the exact science on how Fluttershy turned into Flutterbat. What we do know is that at the time, pony magic is not researched enough for Twilight to be aware that Fluttershys "Stare" is her own form of pony magic and that it would interfere with Twilights spell.

Do you see where I'm getting at here? Uhmm don't ask me what exactly happened in the cave, I'm doing this for fun and thinking about it too hard makes me spiral. But uhmm something something- Bruce looked at a bat in the eye and decided to embrace his biggest fear to fuel his cause, and his already traumatized and fucked up pony magic had transformed his body- something something. (Edit: I didn't think about this until now but maybe Fluttershys "Stare" and Bruces "Bat Glare" could be a usage of the same form of magic? Just a thought)

I'll probably come up with a more suitable explanation in the future, but like I said. All of this is just for fun.

#batfam #batfamily #batman #bruce wayne #headcanon #jason todd #nightwing #dick grayson #alternate universe #my litte pony friendship is magic #my little pony #mlp fim #mlp #mlp art #flutterbat #twilight sparkle #really thought out headcanons #nonbinary artist #dc x mlp #dc x mlp crossover #crossover art #dc crossover #batfam headcanons #mlp headcanons #bruce wayne headcanon #bat pony #batman is so babygirl

[wc-confessions]

I want to preface this confession by saying very big age gaps are a major squick for me in shipping, but I *still* think the Warriors fandom can be a bit. Weird about them?

Like. I see so many things of ppl being like "UGH, [insert ship] is SO problematic bcus it has an ENORMOUS age gap and [older cat in relationship] is a TOTAL CREEP even if they pursued [younger cat in relationship] as an adult!!!"

And then I'm like "Wow rly? Sounds terrible! Just how big is this age gap?"

So I look it up. And then it's like. Twelve moons.

You folks realize that's... twelve *moons*, not years, right? This is a one year age gap, not twelve. A one year age gap is *nothing*

One could argue that it is a big age gap, or should be considered one (bcus the canon series doesn't care about age gaps at all lol) by the standards of Warriors society, bcus the commonly accepted average age of becoming a warrior is 12 moons, meaning that the younger cat would be born by the time the older cat would be considered an adult

Which, yeah, does sound a bit weird when you put it into that light. But if that's enough to consider the ship "problematic," you have an extremely limited pool of "good" ships, so limited to the point where it rly wouldn't make sense for the long run of the series

You're telling me that cats' only eligible partners are ones who are born within, like, less than six moons of them, if they wanna consistently stay in the same life stage? What are the odds of a good match happening within that pool? What if the uncommon situation of a cat being the only one in that age range occurs (ex: Birchpaw (Birchfall) in The New Prophecy), are they just supposed to never get a mate no matter how badly they may want to (if they don't want a mate, awesome, and a convenient coincidence, but if they do)? What if all the cats in that range just so happen to be somehow related?

The warrior cats, despite how anthropormorphized they are, still aren't humans, and mature at a different rate than humans, so one being an adult at the same time as one being a young child and then pursuing each other later in life, a year between them (WHEN THEY'RE BOTH CONSENTING ADULTS!!!), has a way different connotation than it does for humans, who would have to have an age gap of over eighteen years (in the US for me, age of consent may be different elsewhere) in order for that to be the case

I get being grossed out by age gaps, I am too, but I genuinely don't feel like an age gap of one year or so is anything to freak out over the way so many ppl do. If that's your limit then there's hardly a ship that's not "creepy" in terms of age gaps. If you're fine with that, whatever, but you might be surprised by what ships you may like that have an age gap of that size

For me, personally, an age gap bigger than roughly three years is when I start feeling squicked (in Warriors shipping specifically), but it varies from ship to ship, and ymmv of course (and of course this only applies if they pursued each other when they were both adults)

But point being I think the Warriors fandom should rethink what's considered a "big" age gap bcus no small amount of the ones I see accused of being that aren't that at all, not by my personal standards at least

.

#text #anonymous #confession #warrior cats

[neverevan]

the "truthfulness to the story" that tim, oliver and ryan mentioned confuses me tbh some people take that as future buddie confirmation but to me it sounds more like they *don't* want to do it because it might look like they're just doing it for the fans? which just isn't true because anyone who watched from s2 knows it's all there, it's not just fanfic

yeah, I get what you mean and I kinda agree, but then there is Oliver saying that he agrees with the fans and can see what we see and he watches the same show etc etc.

I think more than anything, what's happening is that the buddie question is probably the most common one being asked; there's been like only one interview where it didn't come up at all since they started doing press for the season and there really is only so much they can say about it, you know?

like, they can't just go "yeah we'll make it canon" or "no, that's not the plan" because 1) no one ever just goes and spoils such a major storyline, for such a major TV show no less and 2) they just don't know.

I mean I'm a 100% sure that it's the plan between the three of them, this is what they're working towards, but you never know what'll happen, right? the bi Buck storyline only came about because Arielle wasn't available; sure, they had plans for it beforehand, but they didn't know if it'll ever fit into the arcs they were telling and I think it's the same with buddie and well, everything on the show, really.

they wanna do it and they wanna do it right. if the natural course of the show doesn't go there, nor will they and there's a lot that needs to be sorted before they could go there, including wrapping up two relationships, delving into Eddie's identity — and not wanting to rush any of that, otherwise it would just be chasing the goal and forgetting about the journey and the show and the ship would just crash and burn with it.

so I guess my point is that what they are saying (and what I've been saying) is: be patient.

#oliver stark #ryan guzman #tim minear #buddie #911 #911 abc #ask #anon

[skyguy-skywalker]

THE BAD BATCH SEASON 3 EPISODE 14 THOUGHTS & FEELINGS! | spoilers below ~<3

• why didn’t they just kill Rampart when they made it to the planet Tantiss is on like guys he’s a liability at this point, especially now that he’s been captured. he’s a little bitch and will probably start singing like a canary at even the sight of Hemlock and his torture droid.

• Rampart screaming like a little bitch during the entire rappelling out of the crashing ship scene lmao. He’s so pathetic and I want him ✨gone✨ pls Jennifer pls don’t redeem him, we’re okay if he gets eaten by the Zillo beast.

• ALSO WHY WAS THAT CONVERSATION BETWEEN CROSS AND RAMPART SO OMINOUS?? Like who tf does Rampart think he is? Challenging Crosshair like that as if it isn’t evident he’s changed so much. that whole conversation made me nervous for some reason.

• Crosshair shaking out his hand again 😔😭 (dammit Jennifer you will be receiving my therapy bill)

• “I owe her.” He is facing his PTSD head on, staring it down with a death glare that would make Vader weep. He’s going to make it to the base to rescue Omega. He won’t leave her behind. That’s his big-little sister in there and Crosshair did not come to fuck around. 10/10 we love to see it.

• ECHO AND HIS STEALTH ARC TROOPER ASS GETTING SHIT DONE AGAIN!!! 🥰

• “thanks for the hand” comedy 👑, dad jokes 💯

• Omega being able to tell that the laser canons were going off!! Hunter taught her so well ☺️

• “They found me, my brothers.” 🥹🥹🥹🥹😭😭😭😭😭😭😭😭😭😭😭

• SHE FOUND THE ZILLO BEAST AND SHE’S GONNA RELEASE IT ONTO TANTISS GUYS

•SOOOOOOOO the chances of Hemlock getting fed to the zillo beast are high, right? RIGHT???

• I honestly hope Rampart along with Hemlock either get eaten by the zillo beast or get shot at point blank by one of the Batch. Fuck both of them and their sleemo asses.

• Ahahahahah getting clowned once again with no CX-2/Tech reveal 🫠🫠🫠🫠🫠🫠 I’m getting so nervous that Tech is actually gone.😭

• ECHO EARS!!!!!!!!!!!!!!

• I’m so freaking nervous for next week’s finale. There are so many loose ends to tie up. The finale better be over an hour long. I’m really not ready to say goodbye to the boys and Omega. Whatever happens it’s probably going to hurt one way or another and I’m not ready for that either.

#the bad batch #tbb spoilers #tbb crosshair #tbb #tbb omega #tbb tech #tbb hunter #tbb wrecker #tbb echo

[hiriaeth]

I have always been neutral towards buddie- never shipped them but would be happy if they got together because more queer representation just makes things better. However at this point buddie have become so annoying. On a good day they are claiming their interpretation of a scene that they only view through their shipping goggles is canon and on a bad day they are sending hateful messages to real people and actors because they dared to ship a fictional character with someone else.

Their behavior is so similar to the teen wolf fandom (to be fair at least teen wolf had an excuse of having majority teen fans). I hope they either get the Sterek treatment where the ship never goes canon or they get the Stydia treatment where the ship goes canon but it is so disappointing that it ruins everything. (I weirdly never shipped anyone in teen wolf so I found most shipping stans annoying)

Hi anon,

I was also in the Teen Wolf fandom and I recognize some of the same bad fandom trends. Honestly, can't see Buddie getting the Stydia treatment because that would mean canon has in anyway hinted at anything between Buck and Eddie explicitly being romantic and they havent, at all. It can be said that at one point Buck was attracted to Eddie but really that means nothing, Chimney actually pointed out that Eddie is a beautiful man in season 2 and lo and behold he didnt end up with Eddie lol. And sorry to say, Oliver being supportive also means nothing in terms of where the story is going, he has no reason to say otherwise and he's gently tried to get fandom to manage their expectations. Also the actors who played Castiel and Derek have seen and acknowledged the big ships and well, look at what happened to their characters, acknowledging fans appreciating non-canon related stuff doesnt mean much.

Again it would be lovely if fandom would examine how they've created a conservative echo chamber with progressive paint slapped on it where actual queer characters and the actors portraying these characters are ignored and/or harassed while extolling the virtues of their ship based off their being a kid in the picture and the sunken cost they incurred as fans toiling in delusion for years. When no asked them too. Nothing is stopping them from shipping what they'd like but truthfully want they want, no demand, is that fandom space and the show capitulate to their vision.

Best thing that can happen is for us to let them twist themselves up knowing fully well they will watch the show until the end and the show tells the story they want to tell because the vast majority is accepting and or actively enjoying Buck and Tommy and the rest of the cast. I noticed a lot of fans on tumblr seem to be lurkers or just around when there are new eps and retreat otherwise which also lends to many Buddie shippers thinking they have some control over the narrative and fandom space when all they've done is push ppl out who appreciate whats actually happening on the show and want to keep their peace and continue to enjoy the revitalization the show is experiencing on ABC.

#911 abc #bucktommy #thanks for the message op and i know you're going to love ep 7x06 :)) #im excited to see what they give Jee-Yun to wear as the flower girl :)) #im going to retreat as well and only engage with canon material and not whatever else is going on

[the-judicial-assistants-notebook]

You know, I think what really bugs me about the "Dadworth" dynamic applied to Kay and Edgeworth's relationship is that it usually makes Kay out to be this hyperactive, slight problem child (in the 'stealing and pranking' sense rather than the 'moody and abrasive' sense), occasionally with deep-rooted daddy issues like Edgeworth has, when that's... the opposite of her character.

(This post got away from me, so TL;DR: Kay is a quick-witted and independent young woman who has worked very hard to be both emotionally and practically intelligent enough to be seen as a legitimate successor to her father's legacy. Making her out to be the traits mentioned above, so she functions as Edgeworth's daughter rather than his investigative partner and equal, undermines her character and semi-conflates her with Maya [the deep-rooted issues bit]. Also I don't like it wksgskaj)

Kay is very, very sharp.

The thing about Kay is that she's not actually in the series as much as it feels like she is, which makes it easy for her character to be altered to suit the needs of the story (which I think happens in The Forgotten Turnabout, but I won't talk about that here). She turns up in two cases as herself in AAI (as in, teenager Kay whom we're most familiar with) and shares her role with Gumshoe, Ema and Franziska when she does, lessening her appearances even further. Nevertheless, there are still concrete elements to her personality that we're made aware of right from the beginning, and the first major one which I feel gets overlooked in favour of her hyperactive characterisation is this:

In terms of mainline assistants, I'd consider her the sharpest of all (maybe after Trucy? But I don't remember enough of AJ to comment on that). Yes, she's shown to be reckless and impulsive, but, when it comes to actual investigating and reasoning, she is solid. With Nick and Maya, you sometimes get the impression that they're both fumbling along until Phoenix catches on (most of the time with Maya's usually a little accidental help, and he still has to explain things to her near every time [not Maya's fault. Following Phoenix's reasoning is like being on a rollercoaster in a minecart]), but Kay is very rarely like that with Edgeworth. Within minutes of meeting him, she can predict what he's going to say (or 'steal his lines', as the game puts it), and there are several moments after he uses Logic and is about to explain what he's connected where Kay interrupts with the correct conclusion herself:

Edgeworth: A second Blue Badger that shouldn't exist... Clearly, the true identity of the person underneath is...

Kay: Oh, I know! It's one of the kidnappers, right!?

There's even a point where she tells him off for overexplaining things to her:

Kay: Yeesh, I told you I got it! Do you feel the need to explain everything!?

And, near the end of their first case together, he acknowledges that's she's generally quite quick:

Kay: OK, what should I re-create first?

Edgeworth: ...You haven't figured it out yet?

Kay: Heh, maybe I have, and maybe I haven't.

Even if you don't take these points into consideration, the fact that she comes up with a new way to use Little Thief, and knows how to use it at all actually, shows you that she's a really intelligent girl! Continuing on a bit from the point I made earlier about her being brash, Kay may be reckless, but she isn't irresponsible. Whenever she rushes into situations, she doesn't expect other people to come save her; she's quite assured that she can and will get herself out of them on her own, and, if she needs help, she asks for it in advance. She treats Edgeworth less like her guardian and more like her investigative partner:

Kay: I didn't get permission to enter Allebahst... so we're going to go gather whatever info we can over on the Babahlese side, OK!?

Edgeworth: Alright, I'm counting on you two.

Kay: Right, and I'm counting on you and Ms. von Karma to sniff out clues in Allebahst!

...

Edgeworth: A number of pieces connect in a very complicated way in this case... It's almost enough to make one completely mentally exhausted.

Kay: Let's not over-complicate matters, OK, Mr. Edgeworth? We've been so focused, like a laser, on only what seems strange and out of place... it's no wonder nothing's clicked and we haven't unlocked anything yet. But, if we think things through calmly, the answer should come to us!

There's an independence to her proactiveness that kind of forces Edgeworth to meet her on equal grounds, and this too is an element that gets lost when the Dadworth dynamic comes in because it involves making Edgeworth responsible -- or feel responsible -- for her actions and general wellbeing when Kay has never expected nor wanted that. She does things on her own terms, and she walks the path she's chosen by herself:

Edgeworth: Preposterous! On what grounds do you suspect her of such a thing!?

Shih-na: The fact that she calls the Yatagarasu. That in itself is a more elegant proof.

Kay: Ms. Shih-na.

Shih-na: Yes?

Kay: I... have no intention of taking back any of what I've said.

Shih-na: ...?

Kay: I am the Great Thief Yatagarasu. And I refuse to allow some imposter to claim that name as their own! The path of justice that my father pointed me towards... I will walk it the best I can!

Her relationship with Edgeworth works as an inverse to that of Nick and Maya's in the way that, where Nick and Maya have deep respect for one another beneath layers upon layers of playful insults and messing about, Kay outwardly respects Edgeworth first (and expects that respect to be returned) and razes him second -- that, too, never to an extent she wouldn't with anyone else or that crosses a certain boundary. Her messing with Edgeworth is shown to be more an attempt to get him to lighten up or not take himself too seriously than an act of (platonic) intimacy as it is with Nick and Maya (which makes sense because Nick and Maya have spent years together, while she's known Edgeworth for all of two weeks) or genuine obliviousness/silliness (although it definitely sometimes is). This is pretty obvious simply from the fact that she always calls him 'Mr Edgeworth', though she's perfectly comfortable calling Gumshoe and Badd, people whom she is more familiar and comfortable with, 'Gummy' and 'Uncle Badd' respectively. Also Kay, in general, is quite polite? Edgeworth calls something she said rude at one point and she gets insulted, and, when you ask for her opinion, she doesn't go 'What?' or 'What is it?', she specifically says, 'Yes?' (this changes in AAI2, which I promise I'm not discussing here) Upon meeting Oldbag, she has this exchange with her, where Kay chooses a more formal mode of address than what is actually offered:

Oldbag: My name is Wendy Oldbag. But you can call me "Wendy", or "Granny", or whatever suits your fancy.

Kay: Nice to meet you, Ms. Oldbag! I'm Kay Faraday.

She's also had moments where she calls Edgeworth out for being 'tactless', and she's shown to feel very strongly about rudeness throughout the whole game. I'm not saying she isn't mischievous or playful, she very much is, but the point is that she's really quite respectful, and this extends to her relationship with him. Her characterisation in Turnabout Ablaze, where she's considerably more excitable/high-strung than in Kidnapped, seems largely due to them chasing down Calisto Yew. Edgeworth even comments on this:

Edgeworth: Kay, you need to look before you leap. You tend to lose your cool when it comes to anything related to that woman.

Generally, though, you can tell that she was obviously raised with an adherence to certain formalities. She's not looking for another parental figure (because she doesn't need one, which I'll go into after this), but, if she was, she'd make that clear.

Kay's a very straightforward person at heart; she doesn't hide any part of herself, even the part that should be hidden (i.e. the Yatagarasu). There are points where she suggests that Edgeworth reminds her of her father, but, in AAI, she specifically mentions that it's both Edgeworth and Gumshoe who remind her of her father and Detective Badd. It's not about her seeing Edgeworth as a father figure; it's about their and her own dedication to the truth. Even in AAI2, where her comments could be read as leaning more towards the former angle, she doesn't get cut up about him not picking up on that or really paying it much emphasis at all, because it doesn't matter. The fact that he reminds her of Byrne is just that: a fact.

Returning to the point about Kay not needing/wanting another parental figure, I think it's pretty self-explanatory, but to put it succinctly: Kay has the guidance she needs without him.

To put it less succinctly, Edgeworth's possibly the worst candidate to go for for emotional support and guidance in the first place, and by the time she meets him again, she's basically processed her father's passing and has a better handle on herself emotionally than Edgeworth does (not a brag; most characters have higher EQ than Edgeworth); what she wants isn't necessarily closure for Byrne's death in the emotional sense but in the I-want-answers-to-this-mystery-that-will-restore-my-family's-honour sense. You could make the argument that Kay becoming the second Yatagarasu and shaping her entire future around continuing her father's work prove that she isn't over his death, but I don't think that's true and more of a result of conflating her with Maya a bit.

With Maya, becoming the Master isn't something she chooses; it's given to her by Misty and Mia. With Kay, it's the opposite. Kay's decision to become the Yatagarasu and pursue the truth is wholly her own, and her approach to that goal reflects that. While Maya uses her cheery, upbeat attitude to conceal a lot of self-doubt and vulnerability (and Franziska does the same with her hostility), Kay does not. Her cheerfulness is precisely who she is; it's not a mask so much as it is a distraction. It keeps people from looking at her too closely and realising exactly how capable she is, and, while I don't think it's fully intentional (again, she believes in living her life in a straightforward and upfront manner), she does imply that it's sort of her (or the Yatagarasu's) MO:

Kay: Well! By the time everyone notices, it's already gone! That's the Yatagarasu way!

Interestingly enough, this unintentional tactic of using humour and cheeriness as a distraction from her abilities makes her a mirror to Calisto Yew, who also uses her seemingly always light-hearted nature as a disguise for what she's actually capable of (Calisto's joviality is her true self, too, or at least as 'true' as she can get). The difference between them is that Calisto delights in ironically mocking the world around her, whereas Kay finds joy in life itself, and she's stronger for it.

The only part where we see Kay attempt to mask her feelings is when she's a child, and even then she admits that she feels better after crying, which, I believe, led to her becoming more open with her emotions later in life (see how her older self has a teary sprite which makes pretty frequent appearances where her younger self does not). In any case, to me, this shows that she has people in her life already who are helping, and have helped, her confront and process her trauma. She's not looking to Edgeworth to help her make sense of her father's death and she definitely isn't looking for a replacement (again, literally dedicated to continuing her father's [and Badd's] legacy). Whenever Edgeworth even gets close to becoming parental with her, she dismisses it, unless she acknowledges that she is in the wrong:

Edgeworth: ...Kay, it's not good for you to stay up late, you know.

Kay: Yes, gramps!

...

Edgeworth: ...I appreciate your sense of justice, however... I would appreciate it if you wouldn't go running into the heart of any more raging fires.

Kay: Nngh... Yes, Mr. Edgeworth... I'll try...

Despite her buoyancy and bright attitude, Kay is quite firm that she be treated as an adult (she doesn't see her cheeriness as a mark of youth; it's joie de vivre, it's who she is, and that's that), and, throughout the game, she gets annoyed when people don't respect that (her arguments with Lang are largely over how he calls Little Thief a toy and her crow-girl). She holds her own and relies on herself while being unafraid of asking for help.

Anyway, this post has gone on for long enough and I think I've addressed the points I wanted to. I should mention that I realise that a lot of how many people portray/interpret their relationship is validated by AAI2 but that's honestly a discussion for a separate post HAHA I feel like, when it comes to AAI, the father/daughter interpretation can maybe be argued with regards to the way Edgeworth treats her? Honestly, though, I think he'd treat any young lady who suddenly becomes part of his team/responsibility in pretty much the same way. And, like, he drops the ball almost every time he's supposed to give "fatherly" advice because he's just not that great with it/children!! It's actually hilarious HSKSDHSK

Either way, yeah! I just think Kay is actually given a lot less credit than she's due when the Dadworth card gets played and I just! Want better for her!!

#kay faraday #miles edgeworth #ace attorney investigations #EMBARRASSINGLY long post. i want to add that this isnt an attack on anyone who likes the dadworth dynamic!!! it's semi-supported by canon #and like. it's literally fandom wskdhdk do what makes you happy. i just feel like kay gets minimised a bit when it happens (including when #it's done in game) and i just want people to realise that she's not actually like that!! she's actually so smart and rly mature??? #oh i want to add that i generally like both aai games i just prefer the first one. i know some people go for a sibling dynamic between them #rather than a father daughter one (which makes sense bc... they have 10 years between them hskddhk) but im an advocate for friendship being #just as important and valid as it would be if it did mimic a family relationship even if it didnt so that doesnt do much for me either #i just think she wants to be seen as an equal to him as any of his other partners would be #oh i didnt mention this in the post but i also feel like people mix her with ema a bit in the future versions of her? #like she becomes snarky and a little sarcastic (or suave/flirty in a roundabout manner if it's a ship post) when her whole thing is being #direct. she tells shih na to her face that 'those sunglasses dont do anything for her so she'll steal them next time' she's great #the snarky sarcasm thing is again ema. not maya or her but ema. and franziska #ok i need to shut up now im done thank u <3

[hauntedpearl]

the trap is like. okay i have love for it bc i am in an abusive relationship with the cw show supernatural and it has rotted my brain to the point where i settle for scraps but BUT the way it could've been crazyinsanegood was if dean did a hamilton-esque apology instead of saying he forgives cas. like yes cas craves forgiveness in that moment but also. like. there is no reason for him to actually be. like. forgiven. everyone lost in moriah. and then AFTER that dean was just lashing out. which the og script fleshed out the apology soooo much better like getting to the root of their fight and dean admitting that he blamed cas because he just needed someone to blame and not because cas did anything wrong. but also. imagine "if i could save his life — if i could trade his life for mine, he'd be standing here right now, and you would smile, and that would be enough." like it would never happen BUT IF IT HAD. IF ON GOD ROBERT BERENS MY MORTAL FRENEMY DID THIS FOR ME??? i would've won. i would've had EVERYTHING !!!!

#the problem with deanjack is that they are father and son and they are bad at being father and son and also their closeness is like. #dependent on who is writing them #if EYE was in that writing room i would make them gokd father and son breaking the cycle of violence in the perpetuating cycle of violence #show #but my naive ass is not there sadly #anyway god hates me so i don't see more OBVIOUS dean giving jack importance scenes on the show #like i think the dean in my head is like. fully just his good father who committed atrocities but is willing to do a 180 about them #but in canon i do hate the way he is with jack like he is soooo mean and for what #also there's this. wall between them. it's verg sad to watch fot me personally. #like they're family but it's always something they SAY and not SHOW and it's like. well. act like it. #that one time he was dying that was good. also the birthday cake #this is lowkey why all readings of dean are valid to me because like. they give us a lot of contradictory shit lmao #anyWAY #IN THE GOOD SPN IN MY HEAD #this would happen and then cas would slap him and then they would hug and cry and be crazyinsanesad together #and sam would solve the plot problems idc #doe is talking again #OMG SPN POST??? ON MY BLOG??? OG POST NOT TWO YEARS OLD??? #just thinking about birthday boy #destiel #dad dean and jack #sorry for Hamilton reference in 2023 that song is just. good okay 😔