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#i have written another thing
mikkeneko · 5 months
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Decided to make this a poll because I'm genuinely unsure how other author folks feel about this particular case!
If you are a writer, please reblog for larger sample size!
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petscoboba · 9 months
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*Kris, er, does this sometimes.
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little-pondhead · 2 months
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The Curse Of Hope
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Danny is in another universe. He had a reason, but he doesn’t remember anymore. He can only stare, horrified and disgusted, at the sickest city spirit he’s ever seen. Shivering and swaying with every step, core exposed, and ectoplasm leaking from wounds that are decades old. A ratty blanket was thrown over their shoulders, barely hiding the spirit’s pale grey skin and protruding black bones.
The spirit didn’t even sense him until he reached out to touch its wispy shoulders. The spirit flinched, clutching at the dozens of trinkets hanging from their neck and tucking in on themselves like they were expecting a blow.
“Oh, shit,” He swore, floating back a few feet, hands in the air, to show he meant no harm. “I’m sorry. I promise, I’m not here to steal from you.” The spirit shivered again and rolled a pearl necklace in between their fingers. A nervous habit. “Uh, I like that pocket watch? It’s very nice.”
That got their attention. They peeked at Danny, and he saw that more tattered cloth was covering their eyes, blending in with the stringy hair that reached the ground. Their blanket fluttered weakly, revealing hundreds of thousands of tiny marks etched into their skin. Scars, really. Scars that wrote out curse after curse onto the spirit’s very being. They burned with evil intent, and even reached inside the spirit’s body and wrapped around their core.
Occasionally, blinding specks of color raced across their body, temporarily erasing the writing, but it always returned quickly. He watched, a little detached, as one particular line rewrote itself across their rough forearm, drawing fresh ectoplasm like someone was writing it with a thin knife.
“Are you…alright?” Danny stuttered. A stupid question.
The spirit cocked its head. He couldn’t see their eyes, but he felt their burning gaze as they pondered the question.
“The pain of others becomes mine own.” They rasped. “The lights of the city dim as rotten wealth clogs mine veins. Magicks long forgotten have eaten mine skins, pulled mine cloak, and darkened mine skies. Helios has refused to grace mine doorstep, and the seasons of the Earth have revoked their kindness.”
Danny held his breath. It felt like he was the one with the exposed core, not the spirit.
The spirit shivered once more. “Tell mine soul, little lamb. How could this Forsaken City know peace, when it was long since ripped from mine hands?”
Shit, he needed Frostbite. And maybe Clockwork. Now.
-Or-
Danny meets the spirit of Gotham City. The villains and rogues that have plagued the city for decades are literal curses that are taking quite the toll on Gotham, and honestly, Danny isn’t sure how much longer they can hold out. The heroes seem to be doing some help, and are probably the reason Gotham made it this far, but the poor city needs help from the Realms if they want to get better.
Luckily, Danny can provide that help.
But only if he could get Gotham to leave their city behind. Because recovery is going to take a very long time.
#dpxdc#pondhead blurbs#Gotham is very lanky and tall and had dozens of necklaces around their neck#the necklaces are just cords filled with lost things the citizens have lost over the years#like bits of glass or wedding rings or hag stones made from a destroyed gargoyle#actually I have a weird picture of Gotham in my head I might draw it#it’s giving Bloodborne to me but idgaf#basically Danny meets Gotham and is trying to convince them to go with him for medical help because what the fuck#those curses are the equivalent of leaving hundreds of leeches stuck to your body for ten years#Danny is BEGGING Gotham to come with him#there’s potential for angst but if you want crack then Danny probably replaces Gotham#I think there’s already a similar fic where he becomes the new spirit of Gotham but I haven’t read all of that#anyways the Batfam are like#invasive animals that are actually helping the ecosystem recover from an even WORSE invasive species#but they aren’t supernatural heroes and they don’t understand that the issue is deeper#I’m calling this the Curse of Hope because Danny is offering hope to Gotham#but Gotham is just so tired and sick and hurt that they don’t want to risk it#they think Danny is another curse come to plague them#should he just straight up adopt the city at this point?#idk it probably depends on how it’s written#sad course is to let Gotham die. happy ending is where they are treated and returned#crack ending probably has Danny adopting the city and introducing them to his own city spirit Amity Park#oh shit is that a new ship#guys please I can’t keep doing this#Gotham City x Amity Park#how the fuck do you come up with a name for that#Burger Joints?#Wet Pavement?#bro idk I’m putting this down before I make something I might regret#low key wanna write this but like. I have so much to do
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kaladinkholins · 4 months
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We all already know Mizu and Akemi are narrative foils. But you know what? Lemme just say it, here's what I think:
Taigen and Mikio are foils.
Not necessarily to each other as individuals in the way that Mizu and Akemi juxtapose each other, but mostly in the contrast between their relationships with Mizu.
I've covered specific parallels between Taigen and Mikio in other posts I wrote; but as the number of parallels I'm noticing between them keeps piling up, I'm compelled to just compile them all in one post. So! This is, thus, the post in question.
First of all, let's look at their similarities.
1. Their status in society is the same. They are both samurai who lost their honour and have dreams of reclaiming it.
2. They are also both diligent as they strive to achieve this goal, they both care deeply about their work, but here as they begin to contrast, as the work in question and way they go about their goals is different:
For Mikio, his work is in taming and rearing horses; in order to prove himself, he must tame Kai—a willful and strong horse—and present it to his lord. For Taigen, his work is in sword fighting and martial arts; in order to prove himself, he must kill Mizu—a willful and strong swordsman—and present her dead body to his lord.
In the parallel above, not only are Taigen and Mikio contrasting each other, but Mizu and Kai are placed in comparison as well. And of course, Kai is Mizu's horse, and represents her. Which is why, when later, Mikio sells Kai off, it represents the way he is tossing Mizu (and their relationship) aside.
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From there, the rest of the details of their character begin to contrast and juxtapose each other more clearly. So let's look at those differences, shall we?
Their backstory:
Mikio was a great samurai who was banished. A somebody to a nobody. Taigen was a fisherman’s son who rose to the top. A nobody to a somebody.
2. The first time we meet them on-screen:
Mikio is an adult. An older man. Mizu's superior in age. He is Mizu's to-be husband. A love interest. Taigen is a child. A young boy. Mizu's peer in age. He is Mizu's bully. An antagonist.
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3. Their maturity and growth:
Mikio is mature, but stuck in his ways. Taigen is immature, but capable of changing and learning.
4. Their overall attitude:
Mikio is generally relaxed, easy-going and unfussy. Taigen is uptight, irritable and severe.
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5. How they talk to and conduct themselves around Mizu:
Mikio is aloof, soft-spoken, and serious. Taigen is obnoxious, brash, and sarcastic. Mikio is quiet, speaking only when spoken to, even when Mizu turns to smile at him and shows openness to be near him. Taigen is loud, talking while others are silent, even when Mizu turns from him and shows no interest in conversing with him.
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Mikio doesn't show much of who he is to Mizu throughout their marriage, despite their growing affection. Taigen openly shares his traumas and life story to Mizu during their brief alliance, despite their mutual antagonism.
6. Their external vs internal selves:
Mikio is calm, gentle, and considerate on the outside. Taigen is hot-headed, rude, and selfish on the outside. Mikio is cowardly and deceitful on the inside. Taigen is brave and loyal to a fault on the inside. Mikio tells Mizu that he wants to know and see all of her. But he scorns and betrays her, the woman he loves. Taigen tells Mizu that he wants to duel and kill him. But he endures torture to not betray him, the man he hates.
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9. Their hair, a symbol of their honour:
Mikio's topknot is untied by Mizu during their spar. This humiliation occurs in private, the two of them alone in a rural location where no one can see them. Taigen's topknot is cut off by Mizu during their duel. This humiliation occurs in public, the two of them being watched by many others in the Shindo Dojo.
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10. Their power dynamic with Mizu:
Mikio believes he is Mizu's mentor. He teaches her to throw knives, how to ride and care for horses, and about the tactical benefits of using a naginata. Taigen believes he is Mizu's equal. He views Mizu as a samurai like himself who received all the same teachings he did, and who possesses the same values.
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11. Their perceptions of Mizu:
Mikio sees Mizu's feminine side first. He sees her as sweet and gentle, but also clumsy and incompetent. Taigen sees Mizu's masculine side first. He sees her as terrifying and deadly, but also strong and skilled.
12. The way they approach sparring with Mizu:
Mikio only spars with Mizu once. As the fight progresses and she is beating him, he tries to put a stop to it. When she teases/provokes him, he starts taking the fight personally and seriously, finding no enjoyment in it. Taigen spars and brawls with Mizu all the time. No matter how many times Mizu beats him, he doesn't back down. When Mizu challenges him with a chopstick, he is eager to compete with her and gladly rises up to the challenge.
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Mikio and Mizu's one and only spar is a friendly match; Mizu is smiling and having fun while he grows increasingly frustrated. Taigen and Mizu's last-seen spar is a playful wrestling match; both him and Mizu are having fun and laughing.
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Mikio cannot deal with Mizu being better than him, so he scorns her and walks off, avoiding her thereafter. When Taigen cannot deal with Mizu being better than him, he follows her to observe her moves and continues training in hopes to eventually beat her. After being bested by Mizu once, Mikio leaves her and sells the horse he'd previously gifted to her. After many times losing to Mizu and fighting alongside her, Taigen commends her and admits she is better than him.
13. When Mizu pins them down in a friendly spar:
Mikio sees Mizu's whole face objectively. Taigen stares at Mizu's mouth and eyes.
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Mikio gets angry when she kisses him, throwing her off of him and snapping at her, calling her a monster. Taigen gets aroused, apologising, so she pulls herself off of him.
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14. Mizu's blue meteorite sword is a reflection of her soul. She believes most are undeserving to face it, let alone hold it. And on that note:
Mikio is the first person (chronologically) that Mizu fights against using her sword. Taigen is the first person (we see on-screen) that Mizu fights against with her sword. Mikio is the first person (chronologically) to ever hold her sword, as she passes it to him, letting him wield it. Taigen is the first person (we see on-screen) to ever hold her sword, as she passes out, and he picks it up and carries it for her.
15. Then, last but not least, in Fowler's fortress, when she is drugged and in pain, she hears Ringo's voice in the dungeon. She then follows it to an open cell:
Mizu first sees Mikio as a hallucination, the sight of him haunting her and causing her to lose her grip on reality. Her eyes glow a surreal blue to represent this. Her Mama appears then and says Mizu's name accusingly.
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Mizu then sees Taigen, but he is real, the sight of him a relief and grounding her back to reality. Her eyes return to their normal blue colour to represent this. Taigen looks at Mizu weakly and says her name softly.
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Then, later, when facing Fowler, her revenge awaiting her, she instead chooses to follow her conscience (represented by Ringo's voice in her mind), putting aside her vengeance for a time, in order to save Taigen.
So that's basically all the ones I've noticed so far, but even then, I feel there's already so much that forms a contrast between these two.
What makes it especially incredible about these juxtapositions is that Mikio was Mizu's husband, the man she had fallen in love with, the one person she had ever been intimate with, the man who made her begin to accept herself, to put down her desire for vengeance and instead live a life of peace and happiness.
So for Taigen to have so many parallels with him... Do you see what I'm saying here!
Not to mention that Mizu clearly already has some burgeoning attraction to him, as indicated by how she thinks of him when asked about her desires. And Taigen clearly has shown interest as well (see: him getting a boner after their spar, him holding her hand and telling her, "We're not done yet.").
And on the topic of speculating future possibilities of this relationship, this post by @stromblessed has pointed out yet another parallel between Taigen and Mikio:
Mizu promises Taigen to meet him for their duel in autumn. Mizu fell in love with Mikio and duelled him during autumn.
With all that said, I do believe Mizu and Taigen's relationship is definitely hurtling towards something. But whether they will actually end up together in a sustainable relationship and have a happily ever after? Well, that is a whole other story; we'll just have to wait and see.
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orcelito · 11 months
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ok, i cant resist the urge to make a post about it after all, especially since it's related to a post i made prior
one of my favorite moments in trimax is By Far this part in chapter 35
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[ID: Two pages from Trigun. The first starts with Wolfwood thinking, "Now that I think 'bout it, it may be one of the major differences between our species." That deep rooted dear I felt on the ship…" He thinks of Vash crying blood and, swearing, wonders, "Is he the one who can save humankind? That monster?" Wolfwood is briefly shown in resolution before someone calls, "Hey, Wolfwood!" and he looks up with surprise.
Vash sits with a smile at the edge of a rooftop, backed by the Fifth Moon and its prominent crater. Vash asks with a smile, "Just coming back now? You're a bit of a night owl, huh?" Wolfwood looks taken aback and wary. End ID]
Right Here. Vash is just sitting there, smiling like normal, but he's got the backdrop of the damage he caused on the moon set Perfectly behind him. it's a glaring reminder to Wolfwood of who exactly he's dealing with here, and that TERRIFIES him.
& the fact that Wolfwood still remembers that moment of crying blood as a moment of true fear. because for all the cheer Vash shows in the average moment, Wolfwood just recently saw him nearly lose control Again (at the Dragon's Nest). the second time he witnessed it, & the third time he would know about.
Vash is a walking atomic bomb with multiple charges. even with how cheerful & kind he is, he's shown Multiple Times that he does not have full control. he is decidedly something different, something Hazardous to humans, and Wolfwood knows this very very painfully.
for all that Wolfwood loves Vash, he is also terrified of him. and at this point in the story, that terror is potent enough to nearly eclipse his affection for Vash.
leading to some of the next most iconic pages:
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[ID: The next page starts with Wolfwood standing behind the sitting Vash, his expression hard and the moon bright behind him. Vash seems sad and has one eye open. A close-up focuses on Wolfwood looking down.
Wolfwood thinks, "So easy to pull the trigger. So easy to remove half the problem." Another close-up with bright lighting obscures his face but for one eye. Then Vash turns around curiously and asks, "What's up?" Wolfwood sits behind him and says "Nothin'. Come on. Let's go." Vash seems surprised as Wolfwood scolds, "Don't get yerself tangled up in every little skirmish ya see. It'll be pointless if ya get yerself killed before ya meet him." End ID]
the manga frames it like Vash doesn't know Wolfwood was pointing the gun at him, but I think he did know. he's freakishly perceptive over and over again throughout the story. he HAS to be in order to survive like he has. he'd hear the movement of the gun & sense Wolfwood behind him...
he'd know. i really think he knew.
but he doesn't do anything about it. there is zero fear in his face. he turns to look at Wolfwood curiously, a bit confused, but not afraid. he never once thought that Wolfwood would shoot him. there's full faith and trust there in that moment.
Wolfwood pretends that nothing happened, & Vash lets him. they both move on, not talking about it, because they never talk about Anything of substance like this (not until much, Much later).
overall, it's just such a great example of their relationship's development. Wolfwood's fear & Vash's trust that he won't act on it... it's just. Man.
(EDIT: people have made some good points about how Vash's expression when Wolfwood points the gun at him shows that he probably did know and YEAH that's a good point! & probably why I was so certain he knew lol, I just hadn't realized it myself)
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crybaby-bkg · 8 months
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cw: Bakugou dies but comes back to life, “comes back wrong” trope, implied fighting, angst
When Bakugou died, you’re not sure how you went on living. Grief had taken over your life, sat you in the passenger side while it cruised off the highway into icy waters. And even then, you couldn’t find the energy to drown.
It’s why there’s a sudden uptick of energy when you’re promised to have him back. Some top scientists contact you months after his death, tell you to hurry down to the headquarters labs, come and rejoice for what you’re about to witness. And you’re horrified, to say the least.
“This isn’t my husband.” Are your first words when you walk in, watch the figure on the other side of the glass examine its own hands. It looks like your husband but—but his hair isn’t the right shade of blond all over. His nose bridge had a slight bump after a scuffle with a villain. He had a scar on his hand but—but it never looked like it was to sew a pinky beside the other fingers.
“Is that really my husband?” You ask next in disbelief, slowly entering the room. Bakugou’s head snaps up, his eyes a little brighter than you remember but—they hold so much emotion. So much memory, so much panic, so much guilt.
“I left you.” He mutters, his voice raspy and ragged, and you wonder if it’ll always be like this now. It makes you cry a little harder than it should, but you only embrace each other. He’s cold and his shoulders don’t hold the same mass and his back doesn’t carry the same scars. There’s one, jagged and rough, running down his back, and you think, you think that’s where they slipped a new spine in.
“Welcome back home.” You tell him, weeks after meeting him again, new and not totally—Katsuki. He’s stiff and he doesn’t immediately take off his boots when he enters, and it worries you. Makes you think if you’ve just let a stranger into your home, one that has stolen your dead husbands face. Makes you wonder if he’ll be as loving as Katsuki once was, or if he’ll become your monster looming over you with the guilt of not being able to rest anymore.
“I’ve missed you so much.” You whisper against his mouth one night, a little while after he’s moved back. You don’t know why you lay under him, why you let him nestle himself inside of you, why you let him hold you against his chest. Katsuki always ran his hands over your cheeks and neck whenever he held you like this, but this…man, only holds himself up with his hands resting beside your head. It’s alien, how he looks at you, how his hips are methodically measured with every thrust, how he kisses you every 8 seconds. You wonder if he’s more robot than Frankenstein monster.
“Why did you come back to me like this?” You ask him one night, barricaded in the bathroom away from him. You can hear his sobs on the other side, his pleading to be let in. He tells you he never wanted to come back if he had to be like this, that he’s sorry, please let him in, he misses the warmth of your skin, he’s never been so cold before, he’s never liked the cold.
“Is this considered cheating?” You ask yourself aloud one night, when Bakugou is forced back to the lab when he becomes too…un-Bakugou. To sleep with a man that is your husband in every way but? Your husband has been dead for a year now, and yet you stroke the chin of the man that tries so hard to be him everyday, but fails so miserably at it every time.
“I’ll come back to you right this time.” Bakugou promises to you when he’s strapped down to leave for the lab and before he’s sedated. But you don’t believe him—you never did. Your husband is dead, and this animated corpse has been nothing but a cheap mockery of everything you’ve lost and something you will never truly get back.
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bonefall · 4 months
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it is healing to come onto this blog and see basic respect for diasbility after being in other corners of the fandom and reading the words “snowkit could never be a warrior because he wouldnt know what anything is. he wouldnt even know what a clan is because nobody could explain it to him” said in full seriousness
Im..... That statement is so ableist I cannot even imagine the worldview you'd need to have in order to come up with that.
They really think the only way anyone learns anything is through verbal-speaking-words-noises? No one has ever observed something before? Not even once?
This is beyond touching grass, this person just fell out of the fucking Jurassic Period when all they had was ferns and stegosaurs.
I just...
OH YES. I remember my first day of Society Lessons as a hearing person, where the everything was explained to me. Via Audiobook. FIRST they spoke and said, "you are standing on the ground." It was a life changing revelation, and the world began to spin.
But it did not stop.
THEN they said, "there are fingers on your hands." The sensation of flesh and bone crackling into existence is indescribable, but I did not yet know pain, until they told me, "that hurts." I began screaming immediately.
And yet... it continued.
They explained so much. Chairs. Tables. Walls. The sky. Frogs. Ionizing radiation. Breathing. I was told all of it, in one sitting, and only then did I understand. Only when my ears were bursting with normal hearing knowledges, did they begin... my final test.
A strange wall-chair-finger emerged from the sky-of-the-wall, stood on the ground several times, until it was in front of me. A second one came behind it, this one slimmer. The audiobook gave these things names;
Human. Father. Mother. Door. Walking. It was completely impossible to know what these things were until that very moment.
I watch a human dip a hook into water and produce a fish, and I recall my Society Lessons where they called that "fishing." I am decked in the face by a nefarious hooligan, and I have only the audiobook to thank when I know I have been "punched" by a "bad guy." It was only the magic of verbal-speaking-words-noise that made me understand that there are "other people" and that they "do stuff."
Sometimes, even, in "groups."
Before the Society Lessons Audiobook, I knew nothing. I was pure, innocent, uncorrupted by concepts such as "parents" and "door." I am grateful every day that there is no such concept as "being shown things" or "simple logical reasoning" or "looking."
Blessed be those amongst us who escape the horrors of the Society Lessons Audiobook. I pray that you never learn what anything is. Be free! Free as a bird, which also knows nothing and famously cannot learn. 🤗
DEAF/HOH FOLLOWERS I'm losing my mind do you want me to bump a 'Hearing Disabilities Herb Guide' to the top of my priorities? Something you can use to bludgeon whackadoodles like that. This is ridiculous
Obviously not a MEDICINE guide but like; common causes of hearing disability in clan cats. Accommodations for hearing loss vs congenital deafness. Actual difficulties of not having that sense Clan-by-Clan. Debunking of misconceptions like... not being able to learn APPARENTLY.
#bone babble#Fennelposting#Obviously the answer is 'theyre incapable of THINKING' but like... they do know snow has a line right#In the book. He figured out. A word. Through observation.#He says 's'all right' because he knows it calms ppl down#He did not need to hear the magic words 'You can make noises at others to influence them'#Like a fucking tutorial tip#Im going to start keeping a JOURNAL of ''times people have been weird about snowkit specifically''#Ableism#cw ableism#I could also link to the pawspeak thing so it's all in one place#I wrote this last night and put it in the queue and I laid awake thinking of this...#What do they think happens when someone goes to another country where things aren't written/spoken in a language they know?#Do they think they wouldn't be able to figure out anything? Do they think the tourist would just perish#Would they collapse in the streets of Berlin sobbing?#Happened to me. Went to England and they called it a Car Boot Sale instead of a Flea Market and I died to death#AND if I did make that guide please tell me if there's any other weird misconceptions you need to see in it#I know that ONE of them is going to have to be that. like. deaf people make noise.#theyre actually quite loud because they don't know they're making noise#and people with hearing loss do not suddenly forget how to speak.#and people born deaf dont talk like cavemen#cw body horror#tw body horror#EDIT: OOPS sorry I have such an astonishingly tolerance for body horror I did not realize that counted as body horror
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writeouswriter · 2 years
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The curse has lifted (finally wrote more than like 10 words on something)
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gatorlovebot · 5 months
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someone said simon needs a vacation and now i can’t stop thinking about taking him up to my cabin up north. pouting at him to put on the little swim trunks you brought him so you and him can swim in the lake together. getting him a floaty that is just roomy enough to fit his big ass and tossing him a hard seltzer. rolling your eyes at him when he bulks at the can, “‘m not one for juice and alcohol, love.” and you just tell him that it tastes better on the water. after a few minutes of you two drifting off in the water in your floaties he tips his head back to look at you and asks, “this all you do up here?” yep. after a few hours you’re hollering at him up from the dock to come inside to help you make dinner and this motherfucker has the audacity to look up at you from under his stupid little sunglasses and tip his 5th hard seltzer at you and say, “lake life, love.” but you get the last laugh when he spends the rest of the night complaining about his nasty sunburn.
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flowercrowngods · 12 days
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thinking thoughts™️ again about another fic that’s way too real, and pictured eddie giving steve that understanding smile, saying , “yeah, changing the world gets a little old, doesn’t it, when the cost is your sanity.”
and steve mirrors him with a slight nod, “and when you realise you just wanna live your own life, not change everyone else’s. i feel like people shouldn’t need to take this long to realise that.”
“it’s the system, steve-o.” eddie fishes a cigarette from the pack, offering one to steve, who shakes his head with a polite smile. “people living their lives. what a rebellious thing to ask.”
steve watches him for a second, and it’s like he’s piecing together some kind of picture around him. eddie lets him; somehow he trusts steve not to get it all wrong. “you going to rehab to stick it to the man, hm?”
eddie takes a long drag of his cigarette, his eyes far away as he lets the smoke fall from his lips. “no. ‘m going to rehab because it took me too long to realise that i just wanna live my life. and because i think… because i think i’m actually ready. sounds so dumb, doesn’t it?”
“nah.” and steve sounds like he means it. eddie gets the feeling that he does. steve strikes him as someone who’s too genuine for his own good. maybe that’s his own way to keep changing the world even without that job. “sounds like you actually know what you’re talking about. that’s a good quality, you know? to get better. wanting to get better. for no one but yourself.”
“now you’re the one who sounds like he knows what he’s talking about.”
steve huffs and stuffs his hands into his pocket. “nah, man. i’m just the homeless guy who’s hot for your apartment and wants you out of the house asap so i can start my life. with your cat.”
eddie laughs as he snuffs out the cigarette beneath his boot. the keys dangle in his hand as he holds them out to steve, who looks at him, surprised.
“well, she’s yours, then.”
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werewolf-girlfriend · 9 months
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ive been enabled so let me share some of my thoughts on how to get ur art noticed online
if u want Engagement on ur posts then i believe that its critical to make people care about ur art. the easiest way to do this is to appeal to something they already care about, like fandom, aesthetics/subculture, current events, having fun (people love humor!). a harder but perhaps more fulfilling route is to talk about ur own ocs and projects enough until people start caring about them too
theres an infinite amount of topics people care about out there so id suggest picking something u already care about urself and channel ur art energy there. trying to make art for the most popular things out there regardless own interests is an exercise in misery, id advise against it..! if im allowed to get superstitious for a moment, i do believe that even untrained eyes can tell whether a piece of art was fun to work on or a chore. and besides! if ur having fun then its easier to create more, and the more u create the more chances ull have at getting lucky and having a post seen :)
on a very related note, art is a way to communicate ideas so the quality of the idea being presented in a piece of art is paramount to how popular a post will be. what i mean by this is that technical skill isnt the primary determinant of a posts popularity. if all your posts are portraits of original characters then people will have a hard time connecting with your posts and theyll keep scrolling, even if those portraits are masterpieces! the major exception to this is probably other artists, who ive found usually have a greater appreciation for the technical side of art (we can only speculate as to why..!)
lemme finish by saying that making popular posts and being good at art are two entirely different skillsets, ive seen many incredibly skilled artists with jack shit for notes because they dont give people a reason to care about their stuff NOT TO MENTION its a huge game of luck whether a post will get seen. so dont go insane in pursuit of recognition!
(i dont want to make this post too long so ive included examples from my own art and their note counts with my analysis after the break)
hello and welcome to the extracurricular segment to this post :) i bring yall two pieces from my art blog @werewolf-artfriend:
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here we have a portrait of my fursona that im still proud of and a sketch suggesting "what if sniffers (from minecraft) were the size of mountains?" (let it be noted that the sniffer sketch was posted right during the minecraft mob vote = peak interest in the subject of sniffers).
the portrait at the time of writing has a crisp 30 notes, whilst the sniffer sketch has over 2000 notes. from the same artist, on the same blog, posted only a few months apart. i believe this is a good example both of the power of a piece of art having an interesting idea at its core AND of a piece appealing to the interests of the masses
this is of course just two convenient example posts, but i have experienced fan art of popular topics getting thousands of notes a couple of times now, amidst my other furry shit that these days get around 200-300 notes in comparison
this may sound like a really long winded way of saying "fan art make the world go round" but i just want to point out the nuances that
1) it matters what u make fan art of: if a fandom is small or dormant (waiting on new canon content for example) then clearly less people will be excited about the fan art you make. dont expect 10k notes on ur post if the average recent post in the fandom gets around 200 etc etc
2) it doesnt have to be fan art! ive also had some of my bird art get thousands of notes because people simply like birds :) and this applies to ANY topic people care about! the world rly is your oyster on this one
anyway i think ive started rambling dhgdjhgd thanks if u read this far! i hope i got my point across! and if ur feeling down about ur art not being seen then just keep at it okay! keep creating and keep having fun! keep sharing ur ideas and perspectives with the world and ur audience will eventually find u! i love you!
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trensu · 4 months
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Have an itty bitty tiny piece of stasis in darkness, just so you all have an idea of where the story is going after the godly reveal. and also have proof that i am, in fact, still toiling away at this (as well as hawkins halfway house.)
A week and a half later, Steve entered a town he’d never seen before. He wore simple traveling clothes and carried no weapons aside from a couple of carefully hidden knives. He’d left his armor and shield behind. His satchel held only the essentials one needed for travel and a single stone as large as his fist. The stone was wrapped in layers of cloth to keep it safe during the journey. 
I need you to find someone. 
He felt very bare but he hadn’t been given much of a choice. Speed was of the essence for his quest, and little no-name towns tended to be wary of strangers in plain clothes, even more so around strangers decked out for battle. Steve wasn’t sure this place could be called a town. It was so small it hadn’t been on any official map. It didn’t even have an inn. Hopefully, Steve wouldn’t be needing an inn once he found who he was looking for.
He’s too far from me to reach.
He asked around, laying on the charm generously. He explained he had been a friend of a friend and had been trusted to deliver something. Eventually, he was told where to go. The house he found far beyond the village’s boundary was small. It looked like it had once been well cared for but it was old and had fallen to disrepair. Steve took a deep breath and knocked on the door.
A sallow old man opened the door. He was bald but had some scruff on his face still. His shoulders, stooped from age, trembled. His eyes were bloodshot. He looked so tired.
He’s my very last worshiper in all the world.
“Wayne Munson?” Steve asked.
“Who wants to know?” The man’s voice was phlegmy and rough. He coughed into the crook of his elbow almost before he could finish speaking. 
“I’m Steve. Ser Steve Harrington, pledged to the Lord of Night.”
Wayne’s eyes widened. His grip on the open door weakened and slipped. Steve caught the door before it could hit Wayne.
“He sent me to you,” Steve explained. “May I come in?”
yep, that's it for now. i told you it was small. i'm not even gonna bother with a read-more here.
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tomwambsgans · 2 months
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tom wambsgans + who's afraid of virginia woolf ? (1966)
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ON THE TOPIC OF BARNABY. as well as his relationship with Wally.
So. To kick this off - Riv (@funonion) and I were Speculating, and they introduced me to the johari window:
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They put Barnaby in the “facade” section, and I entirely agree. To quote them;
“So he’s Wally’s guide, right? He’s the “knowledgeable” one of the two and is always the one teaching him new things. And you know, it’s one thing if you’re just teaching him how to laugh or how to tell a joke. But.
Clown has given us two doors. One says that Barnaby understands Wally in a way the rest of the neighborhood doesn’t, and is willing to do his dirty work so to speak. The other says that their friendship was not a natural occurring thing and had to be enforced repeatedly within the show. HOW THAT’S BEING ENFORCED IS ANOTHER THING ENTIRELY but it is worth it to note.
What is Barnaby willing to keep? What is he willing to bury for his little buddy? I can’t say anything definitively yet, but the fact that I even have to ask is telling. The class clown archetype is usually used as a way to cover up for something else a character might be experiencing”
And my response, (I won’t directly quote because I have little things in the phrasing & elaboration to add / tweak );
Barnaby being a Comic Relief Character immediately raised so many alarms in my head. I love comic relief characters. They’re always so fucked up in one way or another, and Barnaby is almost certainly SO inauthentic. He’s wearing a comedy mask just as opaque as Wally’s own mask. In everything we’ve seen about him so far he’s either Teaching Wally, wisecracking/joking, or… pretty much nothing else. We got that moment of concern in audio 14-14, but that doesn’t reveal anything beyond genuine care for Wally.
Comedic characters have the best disguises. Their poker faces & ability to deflect is always top tier [and practiced], and just look at comedy-focused actors and entertainers - so many of them have severe issues, either with their mental health or life. From what i’ve observed both in that aspect & with fictional characters, they play it off & work hard to entertain/deflect [one in the same] right up until the end. Sometimes it’s a coping mechanism. Usually it’s both. If they laugh loud enough and make people think they’re lighthearted fools w/ nothing underneath, no one will look any deeper and thus they’re “safe”. 
& I’m a little suspicious that Barnaby’s red/orange/yellow spots aren’t naturally those colors. While yes, he could be (in-universe) designed that way to echo Ms. Beagle, there’s a strong possibility that that’s not it. What if he paints them to feel a connection to her, or it’s a physical manifestation of Barnaby covering up his insecurities/issues - what if it’s part of him striving to convince the world that he is what he paints himself as. 
The laidback funnyguy with a loving mom and not a problem in the world. 
And I mean, Barnaby claims to be a natural blue and I believe him! But the other colors? I’m doubtful
(I was going to include the Cast As Lil Kids Designs in this since Barnaby has all blue spots, but given how early in 2021 it was posted and how there seem to be little discrepancies from the ~official~ designs, I don’t want to provide it as evidence.)
& on the topic of Wally and Barnaby’s relationship being both real and not - disclaimer, this conversation happened before my Updated Thoughts On Them post, so there may be some minor rephrasing here from what I originally said - I’m sure that the relationship started out as inauthentic. Wally was assigned Barnaby as a best friend and technically vice versa, but I don’t doubt for a second that it became real to some extent. Clown wouldn’t treat their relationship outside of “canon” WH stuff the way that he does if they weren’t actually friends. They’ve said that Wally & Barnaby would be friends in every universe (which melts my heart <3 platonic soulmates my beloved <3), so then I have to agree with Riv. what WILL Barnaby do for Wally? I touched on this in the Milk Theory, but especially if Barnaby prides himself on “knowing Wally better than anything else”, what would Barn do to preserve that?
This relates to another conversation we had - Barnaby possibly having abandonment issues. It’s such a choice to have him of all characters be explicitly stated as an orphan. That and while every other Neighbor with a mentioned family have a somewhat large one (Howdy and his gajillion relatives, Julie and her three siblings, Poppy and her crowded tree [note: Eddie has a mentioned mother, but that info is tenuous and who knows if there are other Dears]), Barnaby has also explicitly stated that Ms. Beagle is his only family. That’s it. And farm life can’t be a sociable way to grow up, not with all the chores he must have had and how rural he might have grown up. Barnaby jokes that Home is the “Big Apple”, which could just be a joke - but jokes often come from a place of truth, and Home might be the most populated area Barnaby has lived in. Who’s to say!
Either way, Barnaby was orphaned one way or another, and I don’t doubt that it weighs on him. Especially if  his birth parents really did abandon him. That added to a possible life of loneliness… I wonder if he’s latched onto Wally emotionally, which would hit all the painful places if it turns out that my “Barnaby is more attached to Wally than Wally is to Barnaby” theory has merit. Abandonment issues could also strongly back the apparent walls he’s plastered over with circus tent fabric
Back to Barnaby & Wally: the fact that, at present, Barnaby and Wally seem to have the best disguises / strongest masks. That. looking at 14-14, i suspect that Barnaby is excellent at keeping his up, but as soon as Wally’s mask cracks, so does Barnaby’s. 
And then there’s the side of their dynamic that we could look at - it seems to be a very multifaceted relationship. The way that Barnaby genuinely cares yet in the 00 Halloween audio Wally was left off to the side and Barnaby was just “checking on him” while socializing (then again, this could be part of Barnaby understanding Wally & respecting his space / Wally wanting a break from that socialization). Barnaby is patient with Wally and yet he seems to sometimes treat Wally as his sidekick / let him fade into the background and yet Barnaby kept checking in on Wally during the 14 bug audios (this last one I could tie into the abandonment issues theory). 
Then there’s how Barnaby calls Wally kid & can tend to treat him like one despite both of them being in the same age group. The way that all of this could, in a way, relate to the infantilization of autistic people (no matter how well-meaning or unintentional) & internalized ableism. 
Note: Riv pointed out that Barnaby does seem to be doing the best with what he has, and that this can connect to the Johari Window’s blind spot / unknown. 
I do agree with this wholeheartedly! And I have to mention that - and making a Very educated guess here - the interactions we’ve seen take place in the very late 60s / very early 70s, so Barnaby’s behavior towards Wally is actually pretty fucking stellar given the time period. We can’t expect him to be perfect or do everything / say everything right. That would be boring I think! And one thing I deeply appreciate about the Neighbors & their dynamics is that they feel like real layered people, not cardboard cutouts being perfect caricatures of what people are “supposed” to be like.
Riv also presented this:
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We likely are going to reach a point where Wally asks Barnaby something that he can’t / doesn’t want to / won’t answer. And like.. Ok. This is a slight tangent but I swear it’s related! When I first discovered WH and learned the Wally basics, I wondered two things.
Are we going to watch Wally “discover” new emotions? Because he certainly has them. Clown has said that Wally only ever feels happy, and a lot of people took that to mean that Wally can’t feel anything else. I don’t think we should take that answer at face value, because. I mean. Look at the project & creator we’re talking about. Layers, guys. Indirect direct answers. I think that Clown meant that Wally only ever feels happy in the Neighborhood because he has no reason to feel any negative emotion. Everything is as it should be. Until it isn’t - and I think that’s where he’s going to have to struggle with new emotions as he encounters them through new situations/events unfolding as the “story” starts to deteriorate. We’ve actually seen this a little bit - in Wally’s record audios (i believe the chronological second to last?), the way he says “Let Me In” so insistently. That’s definitely not a positive emotion being expressed. 
How will the topic of death be handled - because it will be handled, it’s stated in the project warnings. I was wondering this even before I read the list, because I was presented with a blank slate puppet character and so went “oh fuck, this dude doesn’t know about death, does he?” Obviously I wanted to know how that would go. I want to know how it Will go! 
How would Barnaby explain emotions that Wally doesn’t know how to convey? How would Barnaby explain death in a way that Wally would understand - given that Barnaby (& all the Neighbors sans Wally) knows what death is  - and would Barnaby be willing to explain such a thing? I have a feeling we may find out.
And in a way, I suspect that if none of them know, Wally will find out himself and have to process it without help. But then again, how can something die if it was never really alive in the first place? Unless the death warning relates to human characters… I’m currently assuming it relates to both humans and puppets. 
In conclusion: Barnaby has a carefully fabricated facade, he's doing the best with what he has but it likely won't be enough, and uh. shits fucked!
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yume-fanfare · 9 months
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good old-fashioned lover boy
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