When I approach Yelan (or anyone else I've written), I don't just look directly at her character, but I also look at her surroundings. Both the ones that she knows by some semblance of necessity, but also those that she chooses. Like here, I talked about the Chasm, and what being 'okay' with existing down there needs to mean for a character, because it's not normal. Someone's surroundings, room, or home say a lot bout who they are and what their mindset, or specifically, their perspective is of the world. And sometimes, I think it says more about people than even the characters realize.
This brings me to the topic of the city of Fontaine. Now, I personally think it's rather obvious that a lot of the nation takes from historical France, and so when looking at it, I think it really adds to remember its monarchy, the view that the 'common folk' had of it, and its inevitable demise to non-existence today in terms of importance as a result. So my first question is, who constructed or decided on its layout? Was it Furina, Neuvillette, Egeria? Whoever it was, there's a lot that can be said about their view of the world and their placement in it when you look at locations of buildings. Look at where Palais Mermonia, its governing body, is located within the city; it sits at a rather astounding elevation in comparison to, well, everything and everyone else in the city. This frequently represents the concept of 'distance' between groups in one way or another, and seeing the consistency in other nations, this is something that is rather intriguing to me, especially keeping Fontaine's characters in mind (and considering this is the nation of 'justice'). Mondstadt has everything almost entirely uniform, with arguably the church on the highest level (but it isn't greatly elevated in comparison to all else), but it's joined with the plaza and statue which are a common gathering site for all people in the city. Liyue had the gods and adepti visibly living among the humans back in the days of the Guili Assembly for reasons of 'integration' (my apologies to numerous from our dear Guizhong!) The fact that numerous adepti now live far outside of the harbor is a different matter entirely, and the one who seems to function within a semblance of separation of sorts is Ningguang with the Jade Chamber (but I'm not one to speak on behalf of her character as I don't bear the knowledge). Inazuma also has the Tenshukaku at a higher elevation in comparison to the rest of Inazuma City. Sumeru is interesting, but ultimately Nahida was kept at the very peak of the city, far out of reach of humanity— but that's exactly the common denominator that has my interest, the distance between the 'governing body' and humanity for one reason or another.
But Fontaine really takes separation to a different level in my opinion (and again, think of this when you think of the person having designed the whole city), not only because of the above which I'll elaborate more on in a moment, but also its separation from the outside world. Now, this is interesting to think about if you keep in mind that it was perhaps done in eventual protection of the city's inhabitants in terms of the prophecy (which means that this would have been constructed anywhere during or after Egeria's reign), but then why is only Palais Mermonia far above the water's reach? If the walls surrounding the city were ever breached during said prophecy, all its inhabitants are pretty much immediately caught in the flood and would drown, which tells me nothing positive of the city's 'architect' or whoever signed off on the designs. But if not done for the prophecy, then why? Stand in the middle of the Court of Fontaine and really look around you, the only sights you really have of the outside world are the sky, and it's obstructed by a fair bit of the waterways and gardens that hang overhead, which you can only properly enjoy when you take the ages long elevator to the upper level where the palace is located (which, credit due, seems freely accessible to everyone in present-time). But if you don't venture up, how much of the outside world do you get to see? It feels very secluded, very much under lock and key. On some level (and this is one of the many reasons why I think that the Meropide is so excessively important in Fontaine and it's likely why we spent so much time there; it's all to show the ever, ever important contrast and nuance between this 'autonomous nation within Fontaine' and, well, 'Fontaine'), it almost feels like a prison, regardless of how pretty it may look or come across (and despite not 'lacking rights'). And considering how people in the Meropide speak of not always wanting to return back to the 'overworld' following their sentence, I think that there's definitely quite a bit of truth in that. But again, stand there and look around for yourself.
Now to return to the original topic, but keeping the last one in mind as well, look at one other thing that I'm unsure how many have really kept an eye on: the massive effect Palais Mermonia's level has on the rest of the area (inside and outside of its walls). Have you ever walked through the city of Fontaine at any given time of day or night, north to south, east to west, clockwise or counter-clockwise circling through it; have you ever seen how it overshadows an immense part of the streets below it either entirely on its own (which to me signifies a very domineering presence), or together with those outer walls that surround the city? I know how I've spoken thoroughly with people before about how much I enjoy Fontaine and how dark it is in its storytelling, but despite how gorgeous this region with its water- and landscapes are; its city bears quite a heavy weight to me. I don't know who designed it, or ordered it to be constructed in this way, but nothing about the city itself truly, rationally, shows a healthy perspective versus its citizens.
Me: /continues on to ramble in tags because I'm me and I'm a nuisance with always more to say than I know how to coherently put into these posts.
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Started working on that huge outfit ref for the Atlas Rising kids!
Eventually I might break them up into what Act they’re for, but for now I’m just trying to get them down.
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It's been a hectic couple of days but I FINALLY have this one done!! For JE week day 2, up too late/vampires, which is definitely today and not two days ago and I will not hear a word otherwise.
I'm a sucker for both pre-S1 Jonelias and Jonjonah so I couldn't resist adding them both.
This is intended to be semi-chronological (time travel nonwithstanding)? with pre-S1/S1 Jon on the left with S4-S5 Jon on the right, but you could read them as separate AUs. I enjoy Jonjonah with time-travel shenanigans where full Archivist Jon meets Jonah, who is waaaay too invested in flirting with eyeball monsters in Jon's personal opinion.
Can't decide if it would be better for the Beholding to improve Jon' better's vision or if it's still terrible but there is no conceivable glasses design that would not be massively annoying for them (just a constant mesh of glasses frames over their field of vision. I honestly think I'd go insane). Either way they glow slightly naturally but are glowing even more to help them see the document (and also because I think green light effects are cool; sue me).
Also went with the Scottish Wildcat for Jonah's fursona! Some artistic license was taken on the design, but most of it isn't very visible.
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Ngl I actually don’t hate tumblr bringing back the sidebar? We used to have a sidebar and I’ve missed it since the day it left. I do think it could be implemented better and tweaked to be less distracting (menus collapsed by default, no sticky so it doesn’t scroll with you and stays at the top like it used to, and could put it back on the right where it used to be so it’s less twitter-y) but… as much as I’m usually the first to complain about layout changes, tbh I like more about this one than I dislike just because holy shit did I ever miss the sidebar
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My design for Miral! (Subject to change)
I think she lived primarily with her dad for her baby/toddlerhood but by the time she was a young child she went between his and B’Elanna’s places.
She has a great relationship with both her parents and also Seven of Nine and also Harry and also Naomi and also everyone on Voyager.
She thinks Starfleet is a bunch of squares! She wants to go on adventures, not follow rules!
She’s a very charming person (she has Tom’s ability to schmooze a little and make friends easily) who thinks fast in the heat of the moment (B’Elanna’s ingenuity).
However, she’s also very opinionated and brash - even if she has time to make a plan she still won’t do it. She did all her homework the night before it was due. She mostly has a “Things will work out!” attitude
People mostly find it very easy to forgive/get swept up by her
But she herself is prone to holding grudges
Lost a tooth in a fight and won’t let the doctors grow it back because she thinks she looks sooo cool
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Menstrual pain should be taken more seriously than it currently is, people suffering from it shouldn't be dismissed or accused of overreacting because "it's just a period"
For most of my life, I've suffered from debilitating menstrual cramps. Some days it was bad enough that I couldn't move, couldn't even speak, just cry and scream for hours until the painkillers finally kicked in, and it'd often leave me feeling weak, exhausted and like I was on the verge of passing out. I have to take the strongest non-prescription medication on the market and it still just makes my pain bearable enough that I can function; hell, even my prescription drugs sometimes weren't enough.
Despite this, I was often ridiculed by my peers and accused of faking it so I can get out of school or work, and I've had medical professionals refuse to help me because "it's just a period" and "it'll pass on its own". I've had to beg people to go get me painkillers and they'd usually start an argument or roll their eyes at me and complain the entire time. It was a constant problem and the only person that's ever taken my pain seriously was my mother.
Seriously, it isn't right that I have to deal with 2-3 days of debilitating pain and nobody around me treats it seriously. Not even my doctors.
And I'm not even the most severe case out there, I'm lucky that my cramps only last a max of 3 days and respond to medications. There are people out there who have to deal with worse.
Seriously, just please start taking menstrual pain seriously. Just because it happens every month doesn't mean it's any more bearable or less serious than any other pain. The pain this severe isn't normal, it's a medical condition and it should be treated seriously. It's even more fucked up that this sort of pain is often a symptom of some underlying condition yet even doctors don't treat it seriously.
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