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#i have a bunch of ideas for fighters but do i really think i would have enough opportunities to play new characters to play fighter twice
howtofightwrite · 6 months
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How can I write a fight scene with opponents who are not just extremely capable fighters but extremely cunning and resourceful. Who adapt and the fight is never just about physical skill.
There isn't a single correct answer to this question. One common, and effective, solution is by breaking or countering a fighter's tricks.
One way to establish a character's skill in combat is to give them some specific tricks that they'll employ in a fight. Of course, having typed that, now the only specific example that comes to mind is The Operative's nerve strike from Serenity (which is, unfortunately, a terrible example for this conversation.)This is usually something like a character having a hidden weapon, or a specific method of disarming their foe. When you're using this method, letting another character hard counter their trick can instantly inform the audience that this character is far more dangerous than they initially appear.
In a very abstract sense, you can think of combat as characters having an array of actions available to them. Skilled combatants are likely to have a much wider range of options, options that are better tailored to the situation they're in, and in some cases, options that are specifically designed to counter things an opponent would attempt to use on them. Unskilled characters are likely to have a bunch of options mixed in that are either completely useless, actively detrimental, or both, with no idea which ones those are. For example: Every backyard wrestling video ever.
When you're looking at inexperienced characters, in that context, they'll attack their opponent, and then either act again if their opponent is unable to retaliate, or their foe will act against them. I will criticize writing combat as turn based, but with characters like this, it can be helpful to understand how they're operating. When you have experienced fighters, they have the ability to immediately respond to what their foe is doing. This doesn't always mean, directly countering their opponent's attack, sometimes it can mean they'll use their foe's action as an opportunity to get in.
Now, that's the abstraction, a lot of this does have some relation to the real world. Experienced fighters will have trained, and honed their responses into their muscle memory. They won't need to think about what they're going to do, they'll simply, “go.” Inexperienced, and untrained fighters will have their minds cluttered up with things they've seen in action movies, and they'll need a moment to filter through what's on their mind, and they won't have the background of knowing (either through instruction or experience) what will or won't work. So they need a moment, and then they'll try to do something.
This leads into the biggest problem for you, which is, combat between experienced fighters is fast; but, if you're writing prose, your ability to control the speed of a scene is limited. You can speed the reader up by keeping the text as spartan as possible, but it can also result in a very perfunctory, and unsatisfying, fight scene. This is part of why there's an appeal to the simplistic, “character has some combat tricks, antagonist can counter them,” structure. It can quickly convey that idea without getting too far into the weeds.
Now, one piece of bad news is the bit about how inexperienced and untrained fighters will have a lot of, “junk,” options floating around. This is also a problem for writers staging fight scenes. If you have absolutely no experience with combat, it can be pretty difficult to realize when some of those options that seem viable to you, simply wouldn't work. There is some range of forgiveness, after all if you think it should work, and can stage it out, maybe you can convince your readers that it would work, but it is something to be cautious of. A lot of the simpler, “can you do X?” questions we field tend to be cases where either that is something that works, it's similar to something that works, or it really doesn't work. Knife throwing comes to mind as one we've discussed repeatedly over the years. (It's a cool party trick, but not a great idea in a fight.) But, if you can write a scene where stabbing someone through the eye with an arrow is believable, it doesn't really matter that doing so is nearly impossible. So, even if you do run with some options that wouldn't really work, it doesn't mean that your fight scene won't.
One other piece of advice, that might first sound like a non-sequitur, it's okay for you to take breaks. Yes, your characters are fighting each other, and they're a fraction of a second away from being murdered in the most horrific ways possible, but you have the luxury of sitting back and really thinking about what their options are. Just because they could make those choices in the moment doesn't mean that you need to be just as fast.
-Starke
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vhstown · 6 months
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miles g morales ★ general headcanons
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warnings: sort of angsty, mentions of his dad's death, money being tight and such 😞
a/n: hi my little piranhas im feeding you today say AHHHHHHHH.... all my random non-relationship miles g thoughts dumped into one! he has 6 lines but less is more right 😁 im okay i promi
Let me just geek out about his non-existent gear functions for a moment 😞 Miles is all about little modifications and improvement so when he messes around with his uncle's gear he decides to make some adjustments to the design and also the functionality. Has his own spin to all of his gear cause a part of him really wants to be like the superheroes he sees in comics with their own sort of persona. But of course it has to be functional so...!
All of his gear is coordinated and he has a mode where he can turn off all the lights for stealth and such! The lights are actually off most of the time but he puts them on to show off mostly or make himself known when he's bored of waiting.
A really cool function would be if he could redirect or offset his lights so when he's fighting in complete darkness he can easily confuse his enemies. Tends to scope out places and mess around with the power supplies — uses the occasional smoke bomb too. He's in his element in dark, maze-like places, which essentially makes Brooklyn his concrete playground.
Scarily good at lockpicking. Has broken into his own house multiple times from forgetting his keys. He can open most doors with simple tools and disable electronic locks with a little work.
Can I just mention his shoes as well... they're like the jumpy shoes from Subway Surfers you can't prove me wrong until the next movie comes out like— Okay no but seriously I imagine he can stick to surfaces and things and maybe they can propell him upwards? You see those glowing lights idk figure it out 😞
Also somebody (I have no idea who but here's the link to the original post) had a headcanon that he'd have a high auditory intelligence, so for a while, he spends time developing a voice modulator. He likely has one anyway to keep his identity a secret, but what he really wants to do is is create a device that can replicate other people's voices.
Because he's good with sound and physics he makes it work in no less than a few weeks. The first voice he tries is his uncle's and he says a bunch of dumbass stuff. (Aaron is a little annoyed but more proud of his nephew than anything.) Eventually it gets to the point where he can calibrate it with a couple clicks since he has such a good ear for frequencies and the like that deceiving villains is no trouble at all.
I think Aaron and Miles would still have that cool uncle and nephew relationship but its also a mentor and student one. While Miles is good at the tech stuff I think he's a pretty lousy fighter at the beginning and Aaron has to teach him a LOT.
Uncle Aaron probably used to fight for sport back in the day (boxing mayhaps? 😁) so a lot of Miles' technique stems from MMA due to its versatility (anything hand-to-hand at least.) Even then, most of the problem is being able to think quick and act quicker, so Miles goes through lots of practical training (so he's being chased by the Sinister Six from day one 😭) It's well worth it though because without the Spider-powers he has a lot of catching up to do.
While training with Aaron he's exposed to a lot of his old records and develops a taste for jazz. He comes to associate certain manoeuvres with the way the music goes, so he tends to hum to himself while casually knocking the wind out of people. His uncle finds it just a little creepy, but again, he's glad to see Miles coming along.
In fact, Aaron is relieved. His nephew had been reserved and was pretty much holed up in his own room for weeks after his dad passed. Of course the passing of Jefferson was hard on Aaron, but Miles has it even harder. Eventually, they decide to paint the mural together, and Miles lets Aaron know what's on his mind. He's always been close to his uncle but especially then spending time roaming the streets, painting, boxing and listening to old records was his lifeline.
Miles figures out his uncle is the Prowler before Aaron even lets him in on it. After seeing how determined his nephew his is, that's when it all started.
But with everything going on in his vigilante life, his normal life is something he has has to be careful not to fall behind on. At the age where college applications are coming up, Miles is driven to the bone with school, despite not actually being there half the time. Still, he's somehow averaging As and the occasional B, easily the top of his class in AP Physics and Calc.
He doesn't try to talk to people in school like he might've before, but he's not antisocial by any means (sometimes his bluntness is mistaken for talking back though 💀)
He's also the type of dude to do homework as soon as the teacher hands it out, because he knows he will not have time later (and to avoid all the night-before crises of freshman year.)
Rio is being pulled thin too, always covering shifts for her colleagues at the hospital just so she can have a little extra pay. She's been saving for Miles' birthday since his last one, always checks his clothes for holes or if they still fit, and makes sure there's something in the microwave if she can't be there for dinner. Rio makes sure he always has everything he needs, even while paying bills and rent. They're not struggling too much, but it's not like they can do whatever they want.
Despite that, they're managing; what she doesn't know is that the sigh of relief she breathes every month is because of him. Miles always makes sure to take care of his belongings, put in any cash he makes from his "part time job" into her account, just doing whatever he can to help. Also, he's become more and more protective of his mom, and he always takes the opportunity to do errands for her, especially when it's getting dark outside.
Miles is actually more paranoid than her when it comes to saving. Even when it's winter, and she tells him to turn on the heating whenever, you best believe he's throwing on his jacket in his own room and firming the cold. It's entirely unnecessary of course, but he can't shake the guilt when he feels the only reason his mom works so hard is because of him. They've moved twice already and there's no way they're moving again, so if the landlord gives them trouble he'll just give them hell (let's just hope it won't come to that.)
Miles learnt how to treat his own injuries from Rio. She taught him basic first aid at the very least, and on a couple of occasions he's tried to learn things himself with the clunky old first aid kit at home. Rio never asks why the stitch on one of their pillows is done with dental floss, and looks strangely like that of a suture (a very bad one at that.)
His Spanish also improved a lot too. After his dad's passing, he met a lot of relatives from his mom's side that he doesn't remember ever seeing before, but it encourages him to learn how to speak better. Long gone are the days of silently observing family drama over the phone — he has to keep up now, and he'll defend his mom cada día de la semana (even if she's somewhat embarrassed by it.) Essentially he's at that level of fluency where he can be rude without being rude 😭 (just saying some of the things his relatives say are NOT helpful.)
With all of this going on in his life, it's no surprise that sleep doesn't come easy. Or maybe it is, considering how much he works his body. Either way, he's left staring at the ceiling or curled up on his side most nights, the untouched toys and collectibles in his room to keep him company. Miles used to sleep at 8pm on the dot and wake up at 6; that was when things were good, and he didn't have his whole universe on his shoulders. All his bed is now is a place to collapse, and close his eyes until it's light outside. Most days, he's exhausted — bone-tired — but the most he gets is a light, forced, uncomfortable sleep. It's one in which he wakes up more tired than he was the night before, but he presses on, getting exercise in during the morning and trying to make breakfast for his mom because he knows a slice of toast is the most she'd bother to have.
And despite all that's changed since his dad has passed, Miles is still a kid. He has a thousand pictures from the time he went to Comic-con, a sketchbook full of drawings he never finishes, meticulously-organised playlists, college applications — all in the midst of a city that's falling apart at the seams as much as he is.
But he's okay, for now. As much as he can be.
"Keep your head up, son."
It's what his dad would've wanted, at the very least.
@phoenixinthefiles @qiupachups
hey 😊 "where's ain't no love part thre—" (GLASS SHATTERING NOISE) (CAT MRYEOWING) (BABY CRYING) (POLICE SIRENS) (WEE WOO WEE WOO)
forget miles IM being pulled thin ... half of this may or may not be projection... schrödingers headcanons anyone 😞 anyways ive been like busy. so . SOON! (lying in 4K)
reblogs appreciated!!! 😘 FIND MY MASTERLIST HERE and urrrr my 42 x reader headcanons here if you're interested ?
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jahiera · 8 months
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Love your little meta analyses of Astarion and would LOVE to hear your thought on the optional "you don't have to do this just because you feel like you owe me something" line early in Act 1 when he first propositions Tav and his reaction to it?
Okay hi sorry, I lost a bunch of my saves and I thought I'd lost the save for this scene too but turns out NOPE I HAD IT & I'm so glad because I wanted to go back and play the different variations so I could probably scream and... scream I did! And I'm SO compelled by this, so thank you for the ask! & sorry for the late response.
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So you actually only get this version of the conversation if you don't express any sort of confirmation that yeah, you're into him. If you confirm you're into him, or the biting, that'll bypass the ability to say "you don't have to do this," altogether, which makes me want to eat drywall because the whole conversation prior is still fairly shady, but the "reward for your noble sacrifice" only comes through if you don't fully confirm you were into it. which is very interesting because in the other two versions you can still express doubt, but only in the format of the "a less trusting person" line seen above as well.
The first time he propositions you, if you get this branch of dialogue, what I think happens here is Astarion quickly shifts gears. He sees that Tav isn't, at least according to what they say, charmed or aroused by the vampire routine.
One other thing: they helped him because, as a result of giving him blood, he would be able to physically help them more. He would be stronger, a better fighter, and thus useful. (Whatever is intended by each individual tav who takes his line is up to the player, but that's what can most obviously be received by Astarion).
So, he switches up instantaneously to accommodate the motivation that Tav seems to have (through his own eyes). Instead of appealing to Tav's horny brain and physical attraction to him, he's appealing to their "sacrifice." Tit for tat. Pleasure in reward for blood. You aren't lustfully interested in him as is? That's fine. He can switch it up and instead offer sex as repayment for what you've done for him, and for his body as an object that functions better due to the blood you've given him. Either way, the end goal will be the same: sex to secure his position in the group.
At this point in the game, it isn't about Tav, not really, I don't think. You could take any version of this conversation to the conclusion and it would mean the same thing to him. (That is to say: seduction and sex for security, and sleeping with Tav is a quick way to get that.)
So when Tav says, "You shouldn't do this just because you feel like you owe me something," I don't even think it really... registers for him? Because he hasn't even begun to conceive of that possibility. He is fully still in the same mindset he had prior to escaping, and is running through the same patterns of behavior as before.
He brushes off that reassurance immediately, says it's "more of an excuse," than anything, doing the same thing as before. When he gets this reaction from Tav, he switches gears again: oh it's not the only reason I want to have sex with you, I'm mostly interested in you, I promise. He's navigating the very shallow social interaction that this seduction routine entails by adjusting at a moment's notice to the next thing Tav says. If they're interested or flirty back, he'll fully play up the whole thing. If they're reluctant, he offers new reasons for why they should want to sleep with him.
And then if you reject him entirely:
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"Deny your feelings all you like, it doesn't matter to me."
You don't get disapproval for rejecting him, but he still reinforces this idea to Tav that yes, you're interested in me. You just haven't realized it yet. Typically this kind of line in romance would be annoyingly obnoxiously all about "oh you want me you just haven't realized it yet" and the other party is supposed to find this hot, but with the context of the rest of his arc, it's fascinating. Because Astarion only knows how to secure safety and power through seduction and sex. He only knows how to get what he needs through emotional manipulation and cunning--and SHALLOW emotional manipulation at that. He's not playing an intricate game here. His manipulations become prettyyyyy overt by the second time he propositions you:
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Like, it would take some serious emotional blindness to miss the hints he's laying out here. He's delighting in dangling the fact that he's lying and manipulating Tav right out in front of them. Because now he feels more secure in his position in the group. In Tav's attraction to him. Because they've already slept together once, he has less to fear about losing his station of safety via Tav within the group.
So then I thought. Okay what does he say when you reject him in other places where he propositions you. In the actual sex scene itself, he simply says "Why are you here then? I thought we had an understanding? (...)" but if you reject him during the "little treat," scene, he says:
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In both instances, the "you don't have to" and "I don't think I really want this," Astarion gives Tav a glimpse at the, huh, trauma behind the scenes. In this later scene, when you've already slept with him once, he outright admits he's slept with tons of people and doesn't remember most of them, and in a very.... passive, "gotten on my back," phrasing that's so offhanded for all that it implies. Like can we go back. Can we unpack that. And he does not! I don't know what to make of that last line. "You, I'll remember." Maybe he's being saccharine one last time to keep up some manner of security within the group. Maybe he's confusingly genuine, growing to care about Tav in a way he has no idea how to unpack yet, if at all. Probably doesn't even realize it yet, if that's the case.
Either way, he gives you unintentional glimpses behind the scenes to the inner workings of his intentions. The inconsistencies in how he talks to Tav depending on their next reaction. The switching gears quick to accommodate different statements and personalities. The offhanded reveal of his total lack of care or feeling about the "lines" he spews to get people to be interested. IT HITS. It hits badly.
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zahri-melitor · 11 days
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You have been assigned a four issue mini comic [<100 pages]. It can be about whatever you want. The only restriction is that it has to be about a minor support character [IE character friends, character parents, reoccuring minor villains, reoccuring civilians]. Which character do you choose, and what story would you want to tell in a four issue mini?
For transparency, I'm asking this question to a bunch of people because I want to see all the ideas everyone has. See what everyone would do.
You know what I'd really love? Writing a Lady Shiva mini. I am stretching the definition of 'reoccurring minor villain' but she's never actually had a proper mini in her own right and she's very VERY rarely had viewpoint. I'd want to pick and choose from her various established backstories, and tone down as many of the League of Assassins connections as possible. I think I'd frame it as four pivotal fights (because that's the language of Shiva)
Fight 1: Sandra and David Cain (the 'sort out the backstory' issue/the apprentice) hitting the following:-
Carolyn and Sandra's childhood in Detroit as Chinese-American diaspora, including trips back to China to the family village there for additional martial arts training.
Carolyn encounters Ben Turner and David Cain, both of whom are training under Richard Dragon, with none of this LOA-linked
David Cain murdering Carolyn to motivate Sandra who he sees as a stronger fighter
Recanonise the Batgirl 2000 Cass origin
Sandra giving Cass to David
Fight 2: Lady Shiva and Richard Dragon (the 'birth of Lady Shiva' and her quest to match herself against the best fighters on the planet/the journeywoman)
This would revolve around Shiva's quest to seek training from various sensei.
References to Dinah and Shiva's shared mentor
Shiva and her encounters with Vic Sage and the first signs of her fondness for cases in which she sees the potential for greater violence, just as David Cain saw in her
Maybe recanonise the Paper Monkey stuff? Either way, have her win accolade and acclaim by facing off against the greatest fighters, killing many of them, and gaining her place in the hierarchy
Lots of wandering swordsman journey
Finishing point has this fight ending with Shiva not killing Richard because she can now best him and has found herself alone at the top as the 'best fighter in the world' - but she sees the power he still has above her - his ability to mentor and create the competition she seeks
Fight 3: Lady Shiva and Dinah Lance (Shiva the mentor, training those she most respects the potential in/the master)
I picked Dinah to frame this one for two reasons: she's my fave AND I wanted a fight with a woman for the second set.
We hit backstory with Shiva actively encountering Dinah, Tim, Connor, Cass. 'Her' heroes who she becomes attached to and to pushing them to be better competition for her.
This is the only bit where I might lean towards League of Assassins in terms of probably Nyssa and/or Talia approaching her to ask her to help train their troops, but Shiva finds it dull.
"Go to sleep Westley I might kill you in the morning" attitude emerging as she finds herself weirdly attached to the people she's pushing.
I would love to include a pay off for her fight with Helena Bertinelli in BOPv2 that was put on 'hold' in this fight with Dinah.
Fight 4: Lady Shiva and Cassandra Cain (The inheritance and future issue)
This would be framed around a NEW encounter between Shiva and Cass rather than one of their old ones
Leans into Shiva's death wish and viewing she's already passed on her inheritance, and that she's now defeatable
I would also want to see Sin Lance and Bethany Thorne appear in this issue (also Tim)
Looking at all four of these characters and how they have the potential to surpass and surprise her.
This one WOULD end with Shiva in a position where she's pushing Cass to kill her as she's now the tired one and Cass once again denying it to her
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mochiwrites · 4 months
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I love the hnc au!!! Do you have like any general headcanons you'd like to share about the au???
Also middle kid Grian makes so much sense!!
eeeee thank you!!! 🥺
general head canons, let’s see….
- after Officially meeting grian, scar makes it a point to visit the barge every day
- grian is not pleased
- joel and jimmy know about grian’s raging crush on hotguy and tease him about it
- they THEN switch to teasing grian about scar and calling him his “secret admirer”
- hotguy tower is open to the public for tours during the day — it’s a publicity thing and cuteguy Hates it because “a villain could attack the place with how vulnerable you leave it!”
- hotguy likes calling cuteguy “birdie”
- he’s also taught cuteguy how to use a bow (cuteguy’s face was so red, hotguy thought he was sick)
- hotguy has a bunch of specialty arrows he uses when fighting
- cuteguy is a close range fighter, while hotguy is more long range. though he Can do close range when he has to
- cuteguy is… very serious about the hero stuff, and when he first started working with hotguy, the man’s unserious attitude really bothered him. cuteguy’s in this for revenge, hotguy isn’t
- hotguy likes to pop into the barge when grian’s closing late and just hang around with him. think like,,, the flash visiting iris
- grian 100% believes scar to be a villain. like this man is Fully sure of it (ironic)
- scar’s tried to give grian scarland merch before as a thank you, and grian was… very not pleased
- cuteguy has definitely saved scar before. and hotguy has definitely saved grian before
- hotguy is the one who gave cuteguy his hero suit when they started working together! before that cuteguy was kinda just running around in sweats
- scar’s brought jellie to the barge before and grian is in love with her. he would give that cat the world. he makes special cat treats just for her
- cuteguy has no idea that hotguy is a vex :)
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jojo-schmo · 10 months
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Beauty and the Beast, but it's Metadede?
Ohohoho-!! This one really got me thinking!! :D If I had unlimited emotional bandwidth and time this could be a fun concept to explore a BUNCH! I'm a sucker for fairy tales! I'm not capable of fully developing this idea right now, but I did brainstorm a little bit!
There's some aspects of that story that I just can't think of good parallels for (Like Gaston, Belle's dad, Belle's character motivations and such). So this is more Beauty and the Beast inspired than being a perfect retelling.
Anyways, ENOUGH TALK. LET'S GO.
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So when I read this ask, I immediately got slammed with a very passionate and explosive Brain Blast: Dedede as Beast!! BUT he's got an appearance inspired by King D-Mind (And Dark Mind by extension) and a beastly demeanor like his Primal form in Forgotten Land. So this is not Shadow Dedede!! Important distinction!
Like Dedede's personality in early Kirby games, he would be selfish and arrogant enough to be cursed by an Enchantress to find true love and compassion. (So the rose and its petals are still connected to this curse's time limit.) But at his core there is a being capable of love, compassion, and self-sacrifice! It just takes a bit of character development to get there!
Meta stumps me a bit more. He doesn't strike me as the kind of guy singing about how "there must be more than this provincial life..." And who would Gaston even be?? Beats me.
So instead of being a damsel from a small town with big dreams, maybe he's some kind of traveling knight or mercenary who has always worked alone. He's got a stoic demeanor that can even come off as cold since he doesn't make many meaningful connections with others. But those walls he's put up over his life are indeed capable of coming down with a little care!
You'll also have to forgive me for how little I changed Meta's design... I did this during my lunch break and all I could think of was adding some gold flourishes to his outfit- but there is definitely more potential there than I came up with!!
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Why would he get stuck being Dedede's prisoner? Perhaps he bartered someone else's imprisonment for his own. Or he found himself in debt by chance to the King, or accidentally disturbed/destroyed/or damaged something important to him and has to pay with a prison sentence.
Whatever the reason, he's truly stuck living there. And they super do not get along at first. Dedede's fiery temper and Meta's colder exterior would be at odds a lot of the time.
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Jumping ahead a bit, here's that scene from the original where Beast defends Belle from a bunch of wild wolves (but here they're Primal Awoofies!)
And from there, the character development continues.... Meta warms up a little and shows more emotion and vulnerability than he ever has before. Dedede cools down in turn and learns that he is worthy of affection and genuine connection... And so on and so on~
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As for the supporting character roles filled by "Beast's servants," I figure most of Kirby's allies could be in this role! I just only explored Bandee and Kirby to start with.
I had trouble coming up with household object forms for them (granted I didn't invest that much time into it). So I thought about another time-sensitive form they could take that is high-stakes enough that they'd want to turn back to normal and break the curse. So I came up with the ghostly angel form that happens when you get knocked out in Kirby Fighters. :)
So there you have it! A few days worth of daydreaming for a metadede Beauty and the Beast-type story! Hehe. If anyone happens to find themselves inspired and wants to develop this further as an exercise in AU writing or just plain having fun with it, DO IT! This is my donation to the internet, lol.
...Just please share it with me. I love reading people's stories. <3
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ebi-noodle-doodles · 3 months
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Had a 💡 moment.
Currently traveling and I badly want a fighting game with vocaloid/megpoid/utauloid characters in my head. I’m eager to learn game dev/ coding for this specific idea. I’m madly in love with
I designed Catsune/Nyatsune Miku with hair paws/claws. I also just came up with
Nyatsune Miku- Hair paws/claws. Her basic attacks are ofc her hair punch, spam and you get a hair stand oraoraoraoraora! Her hair grab and 👋 slap. Popipo vegetable juice riding it and running across the screen, leek helicopter (levanpolka). World is mine, love is war, brs and other that i could think of as song finishers
Luka Megurine - Ofc, tentacle hair. Octopus Luka. Her attacks are giant baseball throw of tako luka with a giant tuna, giant tuna smash, fresh catch, & hair grab. Some ideas for her finishing songs are JBF, Night fever, World dance hall, enbizaka, Magnet
Meiko- fox, cus it just seem fitting and she ate. Basic attacks are her sake, swinging her microphone stand, maybe a drunken fist style? Top of my head for a song finisher is conchita, will do more research since I forgor the others
Kaito- Wolf? cus Im basic. His attacks are ice cream/popsicle related! Freezes the enemy. Slaps them with giant popsicle & basic attack with his long scarf. Id like to add stuff like if he wins against a gakupo enemy madness of duke plays lol bunch of song finishers in my head cant remember titles-
Rin and Len- still not sure if otter or fennec. But Lens design would focus on his banana hair, he takes it out like my nendoroid and he throws it like a boomerang, he spamms and regrows his banana hair and ofc rin on her ribbon, ofc theres a theme here and its gonna be a huge ribbon, thinking if she uses each as shureken to mirror len’s banana boomerang throw! Also thinking if she could fly like Tails with it- 🚁 Too tired to list the songs but ofc ill include the daughter of evil series on everyone
Gumi- Rabbit. I love love love LOVE gumi and I remember her being 🥕 so a rabbit/bunny seems fitting! Giant carrot ofc, carrot attacks, her harvesting and pulling out the carrot only to bonk the enemy with it. Some songs that have two voice banks singing it would appear in their song finishers like Matryoshka!
Gakupo- Tiger? Lion? Still not sure but one of the finisher songs is def gonna be Madness of Duke- where if you finish of the enemy *you win* signs appear and him and the “ladies” are all lined up in the bg? Cant explain it properly but ye. Dancing samurai, go google it are on top of my head
This idea is heavily inspired by Super Gem fighter 😭 I love that game so much I want something similar except in the consecutive acts where like you change “outfits/designs” in Super Gem fighter (SGF) in this game you do it also with Song references changing outfits/designs/ base on that songs mv and each phase of the attack is a different song reference where if you finish of an enemy in that phase of the attack you finish them of with the song and stay on that costume/outfit/design and have like a finishing move or moment i.e Len vs Rin Daughter of evil and Servant of evil, Rin(Player1) finishes off Len(enemy/player2) and winning the game, Rin crying after-
Ofc theres secret characters. Top of my head rn is BRS. Not sure if Teto should be a secret character. Maybe her old design and then her new one is included since you know her being official! Additional characters/content would be Kaii Yuki, Vflower, SeeU, Iroha, Lily, IA and more. Theres so much still on my head and I want to make it happen 😭😭😭😭
Just blabbering my thoughts if anyones gonna even read hahah! Its really cold from where i am rn 🦭 This sparks inspo when I get home
Also this is a pixel base! Gotta love them classics
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ellimisms · 6 months
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Concept: D&D homebrew oneshot based off Animorphs where you each play as one of the main characters of the Animorphs series.
The morphing system would be a modified Wild Shape mechanic, altered to two ends: first, to better fit the book's lore, and second, to make class factor into it more so each character is more unique. Probably each character would be able to use some of their class actions (just for an example, Action Surge for fighters or Rage for barbarians) while in morph, and morphing would restore hit points to 100%.
There would be a skill check associated with morphing--it'd be a Wisdom-based skill that you could gain proficiency in. Roll at advantage when using a familiar morph or becoming another human, disadvantage for things you're scared of or morphing while badly injured. Do a morphing check whenever you're in a new morph for the first time to see if you can get control of it; the actual number to beat is up to the GM based on what the animal is.
Also there would have to be some sort of mechanic to prevent TPKs--the main crew has a LOT of plot armor in the books because they can't die (until the end), so there'd need to be something to keep the PCs alive. Maybe if you "die" you don't actually perish, but instead something very bad happens to the party (you get infested, maybe?)
Infestation would be another new mechanic, though a pretty simple one; if a PC gets infested, the GM just starts controlling that character as the yeerk. The player can try to interrupt what the yeerk's doing, but has to roll a nat 20 with disadvantage (no bonuses from skill proficiencies)--it's supposed to be nearly impossible in the books so that's fairly lore-consistent.
In terms of the actual characters you can play:
Jake: Fighter, probably Battle Master subclass as that's more strategically focused. Not much else to say to be honest--I think he'd be proficient in persuasion, since he's supposed to be a good leader.
Marco: Rogue, maybe? Frankly his strengths don't match up with a specific class--maybe multiclass rogue/bard or fighter/bard because I know for a FACT he can and does cast vicious mockery.
Rachel: Barbarian for SURE, probably the Berserker subclass though I find the idea of her being a Wildheart pretty funny and thematically accurate.
Cassie: Probably a Druid or Beast Master ranger--I'm not sure where I stand on allowing caster classes since that doesn't exist in the real world but neither does morphing. Which one she is just depends on that.
Tobias: Who even KNOWS with this guy. Since he's stuck in morph it matters less, but I'd actually go with warlock--his patron is the Ellimist, since he's the one who seems to be able to argue with the Ellimist the most. It's either that or sorcerer, but he doesn't really gain any powers from his andalite bloodline so that seems less accurate.
Ax: Fighter, but it'd be different because he is an andalite. Just off the top of my head I'd make him be able to deal slashing damage on an unarmed attack (maybe just make his unarmed attack count as a sword attack) and increase his movement speed.
A group could also choose to discard these characters and play as a bunch of original characters if they so chose.
Anyways I'm probably the only person in the world that cares enough about both Animorphs and D&D to create this but oh well have fun.
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lacrimosathedark · 1 month
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I want Lian Harper to interact with and get close to Jason Todd for a lot of reasons. Their mutual childhoods as Gotham street urchins and growing up around superheroes (though they did that in like opposite order), they both died tragically at the hands of a villain, their deaths destroyed their parents, they were resurrected by unknown means with their memories fucked up, kept away from their family for years with only a dangerous mother figure knowing where they are, and are actually kindhearted despite everything.
But also, I want her to meet Cassandra Cain.
Like, think about what Lian could learn from Cass! They both have complicated relationships with their mothers who are renowned for their strength, mothers who adore their daughters and want to be part of their lives despite everything (who also contain multitudes of self-loathing yaaaaay). Mothers who also just happen to be also Asian, making them half-Asian and half-white. Not the same, Jade is Vietnamese and Sandra is Chinese, but still.
Lian hasn't had a lot of struggle accepting her mother despite her mother being what she is. Cass, however, has such a visceral disdain for killing that she rejects her mother. She doesn't really hate her, and has respect for her as a fighter, but wants nothing to do with her. And that conflict has, at at least one point, pushed Shiva to try to be better.
I think Cass could get Lian to truly face what Cheshire is, since no one else, Roy especially, seems willing to actually talk to her about that. And because she's in a similar position, she might be able to do it more effectively because Lian won't have to feel alone in it. Hell, Steph could join in too! Though her dad is...Not The Same (his crimes are much lesser but he also has never cared about Stephanie).
And maybe, if Lian realizes Shiva is trying to change, it might give her hope that rejecting her mom could get her to improve too. That maybe one day there'll be no reason to feel guilt for wanting to be with her mom. And we could have a somewhat functional divorced family dynamic rather than...yknow, This. That maybe one day she can actually be with her mom.
I also just love the idea that Lian could get along with Cass. There was this one point where a bunch of orphans were living at Titans Tower, and Lian was going through a phase of being very selfish and wanting her space and loved ones to herself, but the only other kid she could even somewhat tolerate was the kid that was seemingly selectively mute (they thought she was autistic but she was actually possessed sort of? it's a whole thing). So I feel like a more mature and selfless Lian would get along really well with someone like Cass, who relies on actions more than words.
And I actually just have this idea of the two of them dancing together. I love the idea of Cass forcing her brothers to dance with her, but imagine Cass dancing with Lian! Cass teaching Lian ballet! idk it's just adorable to me.
Yeah, "Auntie Cass" should be a thing I think.
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everlasting-rainfall · 4 months
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-Headcanons about the Figarland Family-
Hey so this is me having come up with some bullshit that I use to further think up scenarios about an OC of mine known as Esther and her relationship with Figarland Garling
I figured that I would post them just for fun also just to clarify something, I DO NOT AND WILL NEVER CONDONE THE ACTIONS OF ANY CELESTIAL DRAGON
I might love Garling and I understand that the man is an absolute horrid human being like honestly if I wasn’t so sure that I would die then I would try to take his ass out if I saw him in real life but I can’t fight him so I’ll just run
In fiction world though, I wouldn’t mind if he forced me to stand at the altar and say I Do while wearing a white dress…
If you have any problems with that then please just scroll on by…
!-MINORS DO NOT INTERACT AT ALL-!
!-POTENTIAL TRIGGER WARNINGS-!
Death, Execution, Celestial Dragons, SPOILER WARNING, Kidnapping, Yandere, Forced Pregnancy,
!-POTENTIAL TRIGGER WARNINGS-!
!-MINORS DO NOT INTERACT AT ALL-!
CENSORED BECAUSE TRIGGERS AND CHARACTER SPOILERS
-The Figarland Family is not only known for their status and power alongside Garling being a champion but because they make incredibly powerful warriors
-But not only that, they make a lot of incredibly talented weapons smiths as well like I have an OC named Berkley who is Garling’s brother and he’s an incredibly skilled weapon smith
-The stuff that has come out of the more weapon smithing members of the family is quite impressive like they’re incredibly high end and don’t allow just anyone to have them
-Typically the really good weapons are handed to the fighters of the family while the not so great weapons are what’s given to people outside the family
-The Figarland Family has quite a few hunting/guard dogs like they’re all Tibetan Mastiff’s and they are some of the scariest and most terrifying dogs you will ever see
-People have legit horror stories about those things calling them hellhounds and things like it’s rare to meet a person in the holy land who don’t know about those things
-They are well trained, well groomed, well cared for, and know exactly how to mess you up
-No one knows that if you’re a member of the Figarland Family then these guys are total sweethearts, they enter serious mode whenever there’s a visitor or they’re outside or they have specific orders to be in serious mode
-They have a leader too and it’s a little Pomeranian that all of the Tibetan Mastiff’s listen to like these dogs stand at attention the second that the Pom barks in a specific way
-The Pom is an old dog but it’s not to be messed with and it’s been seen legit herding the mastiff’s like they’re a bunch of sheep
-Garling didn’t see the point of the Pom when he was younger and disrespected it once… Don’t ask what happened but know that he now knows that the Pom is very important and whatever you do, never mention his leg scar…
-The Dogs typically get very protective around the younger members of the family like there’s an old picture of Shanks (I subscribe to the idea that Garling is Shanks Dad) as a baby cuddled up with one of the dogs
-They also are the best friends of any Yandere members of the family as they’ll go serious mode and watch over the Darling when the Yandere isn’t around
-Garling spends at least an hour in front of the mirror every morning doing his hair, it’s even longer when he’s older and has the beard
-It’s a hairstyle that the men of the family share like if Shanks grew up around them then it’s very likely that he would have eventually been made to grow his hair out and adopt the hairstyle that his father and all the other men do
-The women of the family don’t have to do it and are pretty much allowed to wear their hair however they want just so long as it’s not like even something that the person with the weirdest hairstyle would find weird like I’m talking styling your hair into branches and hanging ornaments off of it
-Garling despite having a lot of celestial dragon bitches in love with him has absolutely no interest in any of them like he gets at least five love letters a day but he typically gets rid of them
-He has no interest in them and he doesn’t intend to have interest anytime soon as when he eventually falls in love, he wants that to be the one
-The one he dates, the one he marries, the one he makes birth his children, the one he stays loyal to
-That’s the one that he’ll personally pursue and he doesn’t give a shit what status they are as he’ll take them and just keep them in his home, they’ll never leave him and he’ll make sure of that
-This man is a natural born Yandere and I can’t be convinced otherwise…
-So as a result, Shanks mother/Garling’s spouse is still locked up in the house and not allowed to leave unless she’s accompanied by Garling himself or another family member but only if it’s an emergency
-Besides his S/O, Garling currently lives alone at the Figarland House like it’s just him and his S/O alongside the guard dogs
-He enjoys it as it’s good for quiet relaxation time whenever he doesn’t have to train or handle the other Holy Knights and that way as well, he’s able to listen for the footsteps of his S/O better
-As for where his brother, Berkley who I mentioned earlier lives? He lives on the property just not in the main house like he has a smaller house somewhere else on the property where he lives and handles everything
-It’s really the same for any other members of the family as well, they don’t live at the main house as that house is reserved for the head of the family to live in and when Garling’s father died. That became him
-If you feel lucky enough or if you’re desperate enough then if you find yourself being sentenced to death by Garling then you can actually propose a duel where if you win then you go free and if Garling wins then the execution continues
-Garling has accepted quite a few of these duels and has always come out as the winner with his fastest victory being seven seconds, he knows that he will never be defeated so he isn’t afraid in the slightest to take on these duels as they can be good fun in his own personal opinion
-However if Garling really doesn’t feel up to it or is in a hurry then he’ll either deny your request, allow one of the Holy Knights to fight you instead, or kill you right where you stand if you continue to insist or provoke him enough
-Doesn’t matter to him none
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starsurface · 1 month
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Hii can I request headcannons for CG Sindel and Regressor Tomas/Smoke . I think she'd make a great cg for him and he's such a sweet boy I think she'd find him endearing hehe
Hi!!! Omg, I actually love the idea of their friendship!!! <3
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<3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3
CG Sindel w/ Regressor Tomas Hcs
💜 Tomas is decent friends with the entire royal house, canonly helping Mileena out and such (it’s in their dialogs, he’s her bodyguard at times and it annoys her because she has Tanya)
💨 Sindel adores his company!! He’s polite, respectful, a brilliant and deadly fighter
💜 She found out about Tomas’s regression by complete accident, and still feels a bit bad for doing so to this day
💨 She was looking at the room that Tomas was staying in, cleaning it up after Tomas packed since he was leaving soon, until found a baby bottle shoved into some corner
💜 She asked him about it, and when he said that he didn’t know anything about it, she was going to just throw it away
💨 Or, until Tomas broke into tears, begging her not to throw it away because it was the only one he owned and it was too difficult trying to secretly buy a new one
💜 ^ Don't worry, Sindel didn't throw it away, and she hugged Tomas until he felt better (w/ his consent of course)
💨 Sindel knew a bunch about age regression, watching a few regressors herself her her thousands of years of living
💜 She offered to watch Tomas whenever he was in Outworld (and made sure he had some little time when he was helping out Mileena)
💨 Tomas does end up going to Sindel when he feels small at times, and she's always very comforting and soft about it
💜 Sindel would have to say that Tomas is an adorable regressor <3
💨 She loves baby regressors!!! And Tomas is content with cuddling and being coed over
💜 Sometimes Tomas has scary nightmares, and he’ll run to Sindel’s room, already small and crying
💨 Sindel will gently shush him, letting him sleep in her bed and play with his hair
💜 Speaking about hair, Tomas loves playing with Sindel’s hair!!
💨 It was soft, and very long, and he could style is!! :D
💜 Tomas’s ‘styling’ is actually just taking strands and laying them on top of each other, but Sindel praises him for his good work
💨 Although Tomas regresses small small sometimes, and does have a habit to tug on it really harshly :(
💜 He doesn’t mean to!! He was just playing with it, and then he went to move his hand, and Sindel’s hair was still in his fist, and now Sindel’s hurt!!! 🥺
💨 She’s not, she throws people, picks them up, snaps them, she has a very strong head
💜 But she will remind Tomas to use more gentle hands, letting him continue to play with her hair because she doesn’t like seeing her baby boy cry
💨 Although, she doesn’t let him chew on her hair, and will gently scold him if he tries
💜 Don’t worry, she’ll buy him a baby chewie and a chew stuffie <3
💨 Actually, she buys Tomas (and other regressors) a bunch of regression stuff!! New sippies, new bottles, more stuffies, more toys-
💜 It slightly concerns Tomas, because he’s still a guest and friend at her house, but she insist on it (any regressor she knows gets this treatment, whose going to say no to the Queen?)
💨 Tomas is a very silent crawler, and has a habit of looking at something he likes and going towards it
💜 Fortunately, Sindel has magic hair, and will snatch him and carry him back over to her
💨 He’s very giggly as she playfully scolds him, placing him on her hip and asking what caught his eye
💜 Ugh, Tomas’s giggles 🥺
💨 Sindel’s set on hearing them more, and will do almost anything to get them out of him when he’s having a bad day
💜 Back onto hair for a second, I think Tomas would find it funny if Sindel put thins like clip on bows and such in his hair
💨 ^ Now he looks all pretty like Sindel!! :D (Sindel didn’t almost cry at that, you didn’t see anything)
💜 He also does Sindel’s hair, and now they look all pretty together
💨 Sidnel’s CG nicknames were . . . a struggle to come to
💜 The first time Tomas called her Mama, he broke down into tears and wouldn’t leave her side for a few hours (bad memories of his own family)
💨 So they mainly stick to ‘Della, because it sounds somewhat like Sindel’s name
💜 Although Tomas does have a small habit of calling Sindel Mommy/Mama when he’s really really tiny, or super sleepy and just doesn’t realize it
💨 Tomas gets a million nicknames, Baby Boy, Precious, Prince, Little Warrior, Puppy, Sweetheart
💜 Sindel thinks puppy Tomas is entertaining because of how energetic he can be
💨 And lazy, he has a habit of stealing Sindel’s entire bed and not moving for hours because ‘it’s too comfy, ‘Della 🥺’ (and it’s not like Sindel can argue, she does have a very nice bed)
💜 She’s thought about getting a human sized dog bed for Tomas, but he gets all comfy and giggly in her bed, she’s decided she can share for now
💨 However, she would like her pillows and blankets back, and she doesn’t want to get into another tug-a-war just to not be cold 😮‍💨 
<3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3
I think Sindel would be a really good CG for Tomas. :3
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sopuu · 8 months
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I love your art so much, it's such an inspiration :D
2 questions about your champion au
First of all, Who would Romeo transform into after he forces Lukas and Jesse to fight? I would imagine Jesse because he needs that sort of power to do stuff to Beacontown. I could be wrong-
Second, would there be a confrontation scene in your au? Like that one scene in episode 5, Lukas confronted Jesse. Would that happen? I'm curious because Lukas also got teleported to the sunshine institute.
ooh ok so for the first, romeo still turns into jesse bc as you said he needs to have jesse's status as hero in residence to have the power to run the town as he wants- but i think this impacts jesse a lot more than it did in canon bc it literally happens right after he goes through the whole being romeo's perfect champion hell. like imagine going through all that, realising you've finally escaped and reunited with your friends, just to get hit with another immensely stressful situation that involves not only your friends but also your townspeople and possibly the world? everything just keeps getting worse for him
also i have this scene in my head where after romeo disappears and drops them all to the ground, the gang rushes to jesse to check up on him. but all he can do is sit there with his head in his hands, shakily mumbling that he needs a moment while he breaks down a little and processes everything. it's like he took one step forward and two steps backwards. the weight on his shoulders just got heavier and he's the only one who can lift it, but he's just...so, so tired. (everyone sits by him during this, and lukas gently wraps him into a hug, rubbing circles on his back until jesse feels better. once he's mentally caught up on everything he perks right up and frets over them instead, espcially lukas since he just had to fight him. typical jesse :,) ) i have no idea if i'll draw this later though so i'm putting this out there in case i don't sdjghf
for the second q, the confrontation still happens but this time it's with axel and olivia who's formed the dead enders (or whatever team name you chose in season 1). just like lukas they did that in hopes to remind "jesse" of what they, and most importantly he was like before they had any sort of fame, when they were just a bunch of nerds from a treehouse. also i kinda wanted to give them a more prominent role in the story since they barely had any screentime in s2 lol.
the difference between them and the ocelots tho is that the two aren't really fighters- not in the sense of power but in the sense that they didn't straightforwardly rebel against "jesse". some passive defiance was definitely there like telling him that he's not doing the right thing, but they didn't form the rebellion team until romeo threw them into the admin tower prison. that was their last straw and the final proof they needed to see that the new jesse no longer cared for them.
oughh this got so long im sorry ghfdjk. tl;dr, romeo still becomes jesse, and yes the confrontation happens but with axel and olivia. the thing about this au is that the major plot points stay the same: they go to jail, romeo terrorises beacontown, they find the weapon, romeo gets beat down etc- its just how they get there that's different. i just really like exploring how one small change in canon events affects everything else :]
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landslided · 5 months
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Sorry if it's boring, but continuing with LawRusso AU Johnny princess, I really like the "enchanted" movie and I can't stop thinking about Johnny being Giselle singing to the rats and cockroaches to clean Daniel and Sam's house lol
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as a rule of thumb it is NEVER boring to send me asks, especially ones like these where i can have fun and think of AUs! and you picked a movie i love so this is just a win win for me!!
let’s get into it:
lawrusso enchanted AU is such a good idea im almost jealous i didn’t think of it myself!!
i think daniel and amanda got divorced amicably a few years ago and she still lives in los angeles but daniel moved back to jersey to be closer to lucille and he took sam with him (im imagining this as a story without anthony because it fits better, sorry anthony).
daniel still works as a divorce lawyer because that is just funny to me and it’s canon to the movie and he has this perpetual look of "im one shirt sleeve caught on a door handle away from snapping" look because being a single father is hard work and yeah, he and amanda co-parent but sam is with him most of the time and by moving here he’s always made himself more prone to special lucille larusso mother attacks of "you never visit even now that you’re so close" "you’re so skinny, do you cook actual food or just eat take out?" "are you coming for christmas? all your cousins will be there and also that nice girl you liked when you were a kid, judy? maybe it’s time to get back into dating, daniel!"
amanda has planned to come into the city to spend the holidays with her daughter and ex-husband and i see her as a platonic nancy role.
sam is in her full princess era and she’s making both her parents crazy with all the singing and dancing (and kicking furniture because she’s a karate princess)
meanwhile, in andalasia, johnny who is both prince(ss) and hero dreams of finding his one true love and sighs at his window. he’s been locked away in a tower by his evil step-dad kreese and he’s waiting for someone to come and save him (or at least just open the door of his magically locked tower because he can surely save himself).
carmen who happens to be a princess and hero herself has gone on a quest to save the lost prince of andalasia and with her help, johnny manages to escape the tower, defeat a forest troll and take back his throne from kreese’s claws. he and carmen tentatively get together (but deep down both feel this might not be the right fit for each other) and as johnny makes his way to his own royal wedding he’s sent to Real Life New Jersey and meets daniel and sam.
i kind of see giselle’s wedding dress for him but with pants for a more Realistic outfit but… screw realism i want johnny lawrence in that EXACT outfit!
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also imagine scott mccall the equalizer soft mullet with a tiara, it’s just too good. ALSO imagine carmen IN THIS!!!!
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you KNOW she would rock this!!
oh and yeeees, johnny summoning rats and insects in daniel’s apartment to clean and sam is SOOOOO excited because that’s a real life prince(ss) who also happens to be a great fighter and they do karate moves while also talking about johnny’s best friend, a chipmunk called bobby.
sam and johnny going on a shopping spree and buying a bunch of stuff and eating ice cream. johnny going to the hairdresser and having his hair cut to look more traditionally masculine (daniel doesn’t want to look into why it makes him sad) because he he keeps getting looks from people in the street for his dress and long hair.
johnny making clothes out of daniel’s curtains and daniel is all you could just ASK me for MY clothes you are not THAT much bigger than i am. johnny making a gi for sam out of pastel pink flower fabric from an old blanket and daniel is like okay… i have to admit that’s pretty adorable.
johnny in the park singing to daniel, who has been wondering if he should take his mom’s advice and try to get back with amanda, hoooow dooooes she knooooow you loooove heeeer (johnny stop, people are looking at us) and johnny has that giselle/animated princess innocence but there is still very much an edge of assholery to him where every time he can he embarrasses daniel as much as possible.
(carmen running around new jersey trying to find her prince(ss) and being like i kind of hate this i wish this was more sunny, also why do i keep getting questions about being on broadway what is a broad a way)
daniel and johnny fighting because johnny keeps saying carmen will come get him and daniel is so fed up with it ("no, johnny, it’s just not gonna happen." "no? is that the only word you know, larusso? no?! oh my god you make me so, so so!!!" "so what?" "so angry!" cue sparring in the living room because that’s how they deal with emotions )
johnny and daniel falling in love montage and then CARMEN AND AMANDA FALLING IN LOVE MONTAGE!!! YES I WILL SNEAK CARMANDA IN EVERYTHING EVER!!
kreese coming to new jersey to finish the job, daniel and johnny going to the ball and daniel giving johnny a true love’s kiss, kreese turning into a dragon and kidnapping daniel, johnny chasing them on the roof with carmen’s sword in his hand and finally getting rid of his evil step-father to save his one true love!!
"is this an habit of yours, daniel? falling off of stuff?"
"only when you’re there to catch me."
lawrusso new jersey happy ending and carmanda los angeles happy ending because amanda wouldn’t go to andalasia when sam is there and hey! carmen would love a break from being a fairytale hero! she wants to go to the beach!
daniel quits his job because it makes him miserable and he and johnny open a dojo together which sam is very excited about and lucille is so happy that her son has found someone and seems to be happier than ever.
they all go to andalasia once in a while to visit bobby and the other three chipmunks (you know who they are) and they all live happily ever after.
the end!
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magnetoeisenhardt · 3 months
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Mandatory Disclaimer: Stories do not have to be morally perfect in order to be good or interesting. Stories do not need to function as a moral lesson for the audience. A fictional character doing bad things is (by itself) morally neutral. However, works of fiction reflect ideology, and it is worth examining and critiquing both the underlying ideology and the way a work of fiction engages with it.
Mandatory Disclaimer Part 2: Don't post the "The best thing you can do with power is give it away" comic here. I don't think it's a bad comic, but I think it's addressing the strawman (who does exist, his name is Alan Moore) argument that "superheroes are inherently fascist". That is a very stupid argument, but I think "there are inherently right wing aspects of some superheros" is not an absurd thing to say, and I don't think the aforementioned comic meaningfully addresses real critiques people have of specific comic book characters and stories. This critique is not about all superheroes. It is very specifically about Batman, and other primarily crime fighting heroes.
As a huge Batman fan, I've been wondering if it's possible to divorce Batman from very right wing ideas of justice. (As a hero) Batman's entire existence is predicated on the idea that criminals are a class of people to whom it is morally good to do violence to. I think a lot of arguments to and against this are made in bad faith, but the fact that Batman goes out and hurts "criminals" as the major component of his heroism actually does map onto right wing rhetoric about crime and punishment. Criminals do not have the same human rights as non criminals, and this is good.
I don't think diegetic arguments against this (Wayne Corp donates a bunch of money to charity; these criminals are ninjas/evil clowns/sewer mutants; Gotham would be even worse without Batman in it) meaningfully address the fact that the Batman story is constructed in such a way to create "inflicting violence" as the correct and moral response to a criminal. Additionally, as a street level hero, the criminals that Batman deals with are often committing the exact same kinds of crimes that real would be committing. We do see him fight run-of-the-mill muggers and drug dealers and murderers.
I do think Batman is more in the clear than other characters by virtue of his No-Kill-Rule, as I do think that we are still at a point where "breaking the law is not something that should result in being murdered" is a pretty radical statement. Additionally, there are stories that try to make Batman into a softer character, with more emphasis on restorative justice (DCAU Batman, for example). However, even these stories don't do away with the crime aspect all together. Violence is still an acceptable response to most criminals.
I also don't think most "Batman is actually the bad guy" stories actually do anything interesting or meaningfully address this problem. Most of the time, it's "Batman is usually good, but this time he's Gone Too Far", generic "authoritarianism bad" that feels like it could have been written about any character, "vigilantism is bad because it's breaking the law", or edgy ragebait.
Furthermore, even if the "violence against criminals is good" paradigm was portrayed as morally wrong, there's really only two options, which are to write Batman as if he is in the wrong, effectively ending him as a hero, or to somehow transition him away from being a crime-fighter, which would, I feel, render him almost unrecognizable. While I think a limited Batman series could end with Batman rejecting violence and doing something else, think the serial nature of mainstream comics means that Batman is bound to the status quo, and I don't think you can permanently change this aspect of Batman's identity and have him remain Batman.
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Hi there!
I hope you're doing well. 🙂
My random question is (because I think you've mentioned DND) : For someone wanting to start playing dnd, what advice would you give?
Thank you for asking! Always exciting to see somebody else getting into D&D. I haven’t played as much as others, but hopefully this will help get the ball rolling.
First rule everyone should know: No D&D is better than bad D&D
We’re all here to have fun, so if you're not having fun then you should stop
It doesn’t even have to be because you’re having a problem with a person at the table, it could just be the story everyone is telling is just not one you want to participate it
We have a limited time on this earth, don’t force yourself to do something you don’t really want to do
Next, don't do a paid campaign for your first game
There are a lot of paid campaigns online and while I'm not opposed to the idea, you're still learning and so shouldn't have to pay for a DM
If you don't have somebody to play with in person, check out your local gaming store to see if anybody is running a game, failing that, roll20 and D&D Beyond forums are a good place to start
Once you find a group, make sure to communicate any boundaries or triggers you have early
This is a role playing game and depending on the game, things can get intense, so make sure you're at a table that will respect those boundaries
After that, talk to the DM as much as possible
DMs want you to ask about the story they're trying to make, you're not bothering them with questions, I promise you
If you're having trouble figuring out a backstory, they're the best person to ask; and if they're being cagey about helping you, that's red flag
Also, try to get to know the other people at the table before game time
If you're playing with strangers, you should have a session zero allowing everybody to chat and get a feel for each other
These are the people you're going to be telling this story with, take the time to listen to them and ask about their characters
This is collaborative story telling, so communication and listening to each other is essential
I'd also recommend starting with a low level campaign (levels 1-3) to get a grasp of the rules
Staring with a martial character (barbarian, fighter, rogue, or monk), might also be best too as you don't have to keep track of spells
Of course, if a martial class isn't fun for you, disregard, I'm sure you can figure it out
I'd also say that at the minimum you should buy The Player's Handbook. The rest can come with time and necessity
D&D Beyond is also a really good resource when it comes to character sheets and creation
Also, remember that the game you're going to play isn't going to be like a live play or Baldur's Gate
You're a bunch of nerds playing make believe with more math; chances are a lot of it is going to be derivative, and that's okay
So long as you and everyone else at the table is having fun, that's all that matters
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anthurak · 1 year
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So here’s something:
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I think it would be a really cool touch if ‘Evil, Trauma/Guilt-Possessed Knight!Jaune’ turns out to NOT actually be a good fighter. Like sure, maybe he’s really strong, but all of his attacks are these wild slashes and punches that the girls are able to fairly easily duck and weave around when fighting him.
Why? Because Jaune has literally never been all that GOOD of an actual fighter. At least compared to his teammates and friends.
When it comes to offensive capability, Jaune’s weapon is about as bare-bones as you can get. He doesn’t even have any ranged attack capability. Even Crocea Mors‘ so-called ‘upgrade’ in Volume 4 doesn’t actually add that much of actual significance. All the ‘two-handed’ mode adds is a bit more striking power and SLIGHTLY more reach, while at the same time SACRIFICING a large chunk of Jaune’s defensive capability with the loss of the shield. In effect, the upgrade causes Jaune to LOOSE more than he actually gains. There’s a reason I keep calling that upgrade a gross perversion of what Jaune represents and a manifestation of his guilt, grief and self-destructive drive to avenge Pyrrha’s death.
And all of Jaune’s fights across the series have repeated this idea. Think about it; Jaune is NEVER shown doing anything significant in terms of directly fighting opponents or enemies, at least when compared to his teammates and friends. Literally the only time Jaune manages to do some kind of meaningful, direct attack on an enemy; Cinder during the Battle at Haven, it was only because Cinder in no way considered him an actual threat. And once Jaune proved he might be a threat, it very nearly got him and Weiss killed.
Instead the actually important contributions Jaune makes to fights come in the form of coming up with plans, coordinating, and tanking hits directed at his allies. And of course, healing, rejuvenating and powering up his allies’ once he discovers him semblance. All things he’s been doing more and more of since Volume 5.
THOSE are the areas Jaune actually excels at. Not slaying monsters or crossing blades with bad guys.
So I think it’s only logical that some kind of dark, ‘possessed’ Jaune would likewise reflect those qualities.
I mean, really ask yourself: What kind of sense does it make that an ‘Evil Jaune’ would randomly become actually ‘good’ at fighting? Are we saying that being fully consumed with guilt, trauma and regret somehow imbues a person with a bunch of fighting skills that they have never actually demonstrated or possessed?
It is literally the same tired trope of ‘I’m evil now so that means I’m suddenly a badass fighting for some reason’ because the writers couldn’t think of another way to make this person a threat. Not to mention, you know, being a pretty fucked up line of logic.
Instead, what could make Evil Jaune an actual threat is an extrapolation of one of the strengths he HAS always had; being really tanky. Basically, Team RWBY are able to knock him down without too much trouble, but they can’t seem to keep him down. THAT’S the actual threat a Dark-Possessed Jaune could pose while staying consistent with the character that’s been built up over the course of the story.
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