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naryrising · 1 year

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So you like imaginary fandoms...

With the recent success of Goncharov, I thought I'd make a post to mention some of the previous times this has happened in fandom, and a brief explanation and some links on how you can find works for them. I don't claim that this is a comprehensive list, it's just ones that came to me off the top of my head based on several decades of fandom involvement.

Ghost Soup Infidel Blue. Originates from the annual Yuletide exchange, specifically a post by liviapenn in 2007 that used it as a default fandom to help explain how to write 'dear author' letters. The relevant quote (meant to illustrate the kind of letter that would be too specific) was "'Bad: "I would like a Ghost Soup story where Luke makes out with Angela's clone and Angela gets mad and seduces Moira just to make Luke mad, and then Ryan and Luke duel to the death with their lightsabers and it ends up in an Angela/Angela's clone/Moira threesome. And Ryan feels really bad and flies off to Mars forever."" Consensus is that it is a sprawling space opera anime series, something like Gundam or Macross, with many sub-parts and spin-offs. Part of the dynamic of Ghost Soup 'fandom' is people arguing in the notes and comments about the continuity or quality of these various spinoffs (e.g. Purple is reputed to be bad, but some people will staunchly defend it just to be contrary.) Deliberate wank and badfic is part of the humour. You can read the Fanlore post about Ghost Soup here and find works for it and its related fandoms here

Winterblumensaat. Again, this comes out of Yuletide, specifically a nomination in 2021 for what was strongly suspected to be a nonexistent German book. The nominator's sister found it in a flea market! It very definitely was real! They couldn't provide any evidence or a photo of the book, but they promise it was definitely a real book! Despite being rejected from Yuletide nominations as not having any basis in reality, it has nevertheless had some fics written for it. The AO3 tag is merged into Original Work, so you can find them by searching in Original Work for Winterblumensaat (results here). It seems to be a moody, dark mid-century European novel, with characters named Florientina, Mailia, Schnail, and Markus. A related non-existent fandom with the same origin story is Nur die Sonne - Maria Moßer, but this has only attracted one work so far (a crossover with Winterblumensaat).

Cordelia (Movie Poster). In 2020 a movie poster for the movie Cordelia came out that inspired fandom in ways probably not intended by the movie's creators. While the actual movie Cordelia is a contemporary horror/thriller, the poster gave people the impression that it might be about Victorian femdom with pegging. Needless to say, they were disappointed by whatever was in the actual film, and made up fic based on what they thought the poster was about instead. Currently ALL works in the Cordelia (2020) tag on AO3 are actually about the poster and not the movie.

Invisible Ficathon. In 2014 an exchange called Invisible Ficathon ran, which was based around "stories that never were". Nominated "canons" had to be nonexistent fictional works referenced in another work. Examples given included "The Casebook of Sherlock Holmes - Joan Watson" (from Elementary), "The Itchy and Scratchy Show" (from The Simpsons), the books in Lucien's library in The Sandman that only exist in dreams, and so on. The collections on AO3 contain 71 works for nonexistent fandoms. Alas that this exchange only ran once, because it was a fun concept. I think with the renewed interest in Goncharov, it would be ripe for revival.

#goncharov #fictional fandoms #ghost soup infidel blue #winterblumensaat #cordelia movie poster #invisible ficathon

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sunderwight · 15 days

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Much as I love the idea of PIDW being rife with terrible porn tropes and interesting (if contrived) erotic writing conventions, all actual evidence in canon would seem to indicate that apart from some sex pollen and "uh oh, the protagonist has gone into a fugue state, whatever shall calm him down?" type stuff, it was fairly vanilla.

Like, that's part of both Shen Yuan and Airplane's frustration with it, I think. It's full of sex and it's not even sex either of them enjoy the concept of. Airplane was fully just trying to pander to an audience he felt he knew and could manipulate, but not one either he nor his ultra mega hate reader were actually part of.

Not that they understood that themselves at the time.

I mean I know fandom likes to make Airplane less closeted than Shen Yuan (for a lot of reasons), which I support, but I feel like in canon at least... he didn't cotton on to Luo Binghe's change in interests at first either. It wasn't until he was watching his protagonist obsess over resurrecting Shen Qingqiu at any cost that the light started to dawn. For Shang Qinghua, also, many more years have passed since he was back in their original world. He's had more time to reconcile himself to certain ideas.

What glimpses we get of the person he was before he died, was reborn, and lived a whole other life well into adulthood, would seem to indicate that he probably wasn't much better than Shen Yuan back when he was writing.

I mean he probably was still BETTER (the bar is on the floor), like I bet he could have a fantasy featuring Mobei Jun without having an existential crisis or pretending it didn't happen, but he would have probably been like "wow I guess I've been writing so much m/f porn that I can't even enjoy it anymore and my brain had to come up with something else, anyway Mobei would make a hot chick tho, I'm gonna write one of his cousins as Binghe's next wife" and gotten on with things.

Basically I guess what I'm driving at is that it would be funny if SQQ and SQH figured they had a solid handle on the kinds of sex pollen-y porn tropes to expect from the world (mostly just the occasional fuck-or-die that missionary can cure), only for the rug to get ripped out from under them because the system incorporated a bunch of stuff from Airplane's subconscious to fill out the gaps. Not even his notes. His daydreams and fantasies.

SQQ: what the hell?! PIDW didn't even have werewolves or tentacle porn monsters!

SQH, suddenly reminded of some very specific fap sessions: right?! this is definitely weird and in no way my fault! it must be because of the genre switch!

SQQ: *suspicious*

SQH: which is your fault! you made the protagonist gay! in fact it's probably your fault that I'm gay too now!

SQQ: bullshit. what did you do. was this in a draft?!

SQH: *sweating* I can say with absolute confidence that it was not! I never wrote anything like this!

SQQ: *having a crisis now because maybe he DID accidentally cause the monsterfucker stuff and he desperately doesn't want anyone to realize that he's actually into it*

SQH: *continuing to sweat because the world is consistently manifesting content from his personal spank bank and if cucumber ever figures that out he's a dead man*

#svsss #scum villain's self saving system #scum villain

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am-i-the-asshole-official · 8 months

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This is a fandom related thing. I will say that right off the bat, but I needed a few extra opinions on this since it feels like I am alone on this.

AITA for killing off my OC in a group rp?

For some context, I (using the name Snow for myself) joined a group rp with some other people where we would come up with a plot together. Everyone would be using original characters (OCs) It was agreed that the things that happened would be voted on, but people were not allowed to control what other people did with their OCs. It is the whole "my oc, my rules" thing. For those who don't get it, it basically means that since the oc is yours, only you get to decide what happens to them.

To the story. I had plans I wanted to do with my OC. I wrote her to be someone who was secretly working for the villains and was only tricking the others into thinking she was their friend. The only other people who were aware of this were the moderators, and they had approved of it.

What was the problem then you may be wondering? Well the problem was that another member, I'll just call them Star, had said that they had gotten an emotional attachment to my OC. Which I personally found weird, so I typically tried not to be stuck alone with them.

When it came to reveal the plot twist with my oc, Star had a freak out upon finding out. They started crying and complaining that it wasn't right to do that and they could not picture "their" emotional support character doing that. The other members decided to comfort Star. They always sided with Star and acted like they were oh so special. The others were saying that this was all just a joke and that it wasn't actually going to happen. "It is just a joke right, Snow?" they had said.

And I replied with. "No. It's not a joke. My oc has been working with the villains the whole time."

Star's response was to have a meltdown over it, saying that I was out to hurt them and ruin their day. So I ended up getting a message from the moderators asking me to change my OC's backstory as to not upset Star further. They ended up telling Star that it would be changed to just having my OC be mind controlled the whole time.

This was not something I agreed with, but I pretended to play along begrudgingly. I hated that the group decided to treat my OC like she belonged to Star. But I played along and came up with my own idea. There was a plot point that came up in the rp that would have someone die off, so I took it as my opportunity to kill off my own OC. If I wasn't allowed to do what I had planned for her initially, then she wasn't going to stick around anymore.

After I killed her off, Star logged off and vanished for an entire 3 days. All the other members constantly messaged them to try and get a response from her, but they did not answer until they returned. When they logged on, they said that they had to a panic attack over what had happened and felt hurt that I would do that.

I just responded with "my oc, my rules. I quit this group." Then I quickly went through and deleted every little bit of information I had shared about my OC with that group before leaving their discord. After, I got a lot of messages from all the members, about sending the information so that Star could continue playing with my OC since she was their comfort character and it wasn't fair I was doing this to them especially after their panic attack. I said no and blocked everyone who had asked me that.

Sure I feel bad that they had a panic attack, but I felt betrayed that everyone else was willing to bend the rules for them and allow them to control my OC. Even if I no longer use said OC, I still wouldn't let them have her. This is still my property and I stand by the "my oc, my rules" thing.

So AITA for killing off my OC?

What are these acronyms?

#aita #am i the asshole

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dolliestfairy · 8 months

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𝐊𝐢𝐬𝐬 𝐅𝐫𝐨𝐦 𝐇𝐞𝐚𝐯𝐞𝐧 ࿐ೀ

Jason Voorhees, Vincent Sinclair, Bo Sinclair, & Michael myers with Fem!Reader who is a Victoria Secret Models ✧ 𓏲๋ ⊹ ֢

𑁍 Tw : Obsessiveness, Possessiveness, Denial, Insecurities, Mentions of Killing someone/murdering somebody, the word 'rotten' and 'blood'. Mostly fluff. Reader Skintone is Unannounced.

❁ Authors&Note ; THIS TAKE WAY TOO LONG CUS I'M SO FCKING LAZY 'M SO SORRYY 😭 but yea i tried my best... what do you think? i'll make part two if you like this one :) check out my Masterlist to see more stuff like this with different fandoms and community! happy reading fairies 🧚🏻‍♀️𓏲๋ ⊹ ֢

ִֶָ 𖥔 ࣪ Jason Voorhees

• absolutely loved you with all of his dead heart and soul.

• and worship you as well, i mean how couldnt he? you're just soo beautiful! your beauty can even melt his own rotten heart.

• now we know that jason is a very insecure big boy, and sometimes he felt insecure and disgust at himself because he often thinks about the untruth that he doesnt deserve to have someone as pretty as you.

• now if you see him acting like this.. please reassure him that he's enough, because truth to be told; he really need it. he is just shy... you know?..

• but besides his insecurities he is absolutely over the heels for you, he also really support your carrier and would def 100% killed for you.

• if someone tryng to take down your carrier just tell him and he'll rip their heads off their own body.

• and again; this was all just for you, the only person he would love besides his mother, ever.

ִֶָ 𖥔 ࣪ Vincent sinclair

• 'another draw insipration huhhh?' thats what this big 'ol boy thoughts about you when he first saw you.

• absolutely would die & killed for you. and let me tell you this guy is also has a mad respect for you.

• its like princess treatment you know.. anything you want he'll gave you it.. you want a new beautiful wax sculpture of yours? no problem baby.. he'll make it for you just gave him 1 weeks! you want something but its outside of the city? no problem! bo would do it for him. if he doesnt want to? lester would be the one.

• loves seeing you pose for yourself. it really gave him more ideas. he sometimes love to think of you in a different type of clothes.

• also loooove your confiedence, really boost his energy. his place was usually has this gloomy and just plain walls and floor with a rotten blood scent 'dancing' through his room, but once you step your feet in then the atmosphere would just like.. change for the better.

• he is actually kind of insecure about himself, but everyday he get better and better once he got those bless-kisses from you into his cheeks, and he freeaking loves it!

ִֶָ 𖥔 ࣪ Bo Sinclair

• really cocky about it at first...

• but then turns out he was actually obsessed with you.

• he doesnt want to admit it though.. Hell, he would rather bury his own self alive than admitting his feelings towards you.

• its just that he felt like the feelings "love" is making him vulnerable and he just seems those as something as uneccesary and a waste of time.

• thats what he thought until he felt like he cant take it anymore as he just angrily confessed his feelings towards you with like zero preparations at all like it was all just... happen.

• this guy is a weirdo, but would never admit it anyway. and yeah... he likes you, a lot. but again.. He Would Never Say This Out Loud.

ִֶָ 𖥔 ࣪ Michael Myers

• doesnt really understand about the concept of those thing called "Victorian secret" you worked to.

• until he start observe and observe and observe.. stalking and stalking here and there.. trying to find the explanation.

• and when he finally got it, it was all just make sense to it. i mean you're a very irresistable person and it left him feeling so Struck-eye.

• but he would never admit this...

• it doesnt change anything at all tbh, the way he show about how much he loves you is that he doesnt hurt or even killed you.

• instead, at some rare occasion, you'll find yourself in your room with a strange yet pretty stuff besides it where it was covered in blood and shits.

• and yeah thats how this big dude show his scary intimidating love towards you <3 he's also always sometimes watching you sleep at night. i know its kinda creepy but uh.. at least he doesnt try to hurt you ig?.............

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inoreuct · 6 months

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would you agree that we all need more Sanji getting nosebleeds over Zoro in this fandom?

YES *pelting down a hill waving the proposal for this in my hand like a madman* YESSSSSS

the first time sanji gets a nosebleed over zoro is his clue-in that oh. i’m not straight, am i. the swordsman’s doing a bench press (shirtless, as always) as sanji walks by (and sanji sneaks a look, as always, because who wouldn’t?) and when he glances over the plates he has to do a double take because what the fuck. zoro’s pressing more than twice his body weight. zoro’s repping more than twice his body weight. he’s just registered that maybe he’s stared for a bit too long when he feels something warm and wet on his upper lip, iron dripping over his mouth, and he books it for the galley.

he slams the door shut and presses his back against it before he slides to the ground and screams into his knees because what. the fuck. it’s not even that he’s getting hot and bothered over a guy; it’s just that the guy’s zoro. he’s not supposed to get nosebleeds over zoro.

but he does.

and it gets worse.

zoro walking around shirtless on deck? nosebleed. zoro re-tying the sails and just hanging on with his legs around the mast? nosebleed. zoro strutting out of the shower door, damp with steam and hair dripping wet and a towel around his waist? nosebleed. zoro tsking irritably and grabbing all of sanji’s food and packages from him to haul the whole lot over his shoulder? NOSEBLEED.

and not even that. he starts getting breathless around zoro and his chest hurts. he kicks zoro back while they’re sparring one day and the swordsman grins, feral and unrestrained and all challenge and teeth, and sanji’s heart spasms so hard that he actually wonders if he’s about to go into cardiac arrest. he’s barely twenty, he isn’t ready to die— much less because of some stupid marimo. chiselled abs and a nice set of biceps are only worth so much of sanji’s dignity. he twists and smashes the sole of his shoe right into zoro’s pretty face.

still, it gets so, so bad that he’s elected to just. avoid zoro completely. he’s sneaking around corners and running across open expanses ducked low like some kind of goofy thief and he knows it’s so fucking stupid but he doesn’t. he doesn’t know if zoro likes— no. he doesn’t even think about it. there’s no way, and if he gives himself false hope he’ll just break his own heart. he doesn’t know if zoro likes men, or anyone, much less him; nobody in their right mind would, not really. he's nice to have but not to keep and he's come to terms with it.

…until zoro corners him in the galley and demands to know what the fuck’s going on.

sanji stays facing away, slowly washing the dishes even as his heart pounds so hard it hurts. he is painfully aware of the way zoro’s seething like an over-boiled kettle in one of the chairs behind him, arms crossed over his stupidly broad chest and stock-still because he never, ever shakes his leg even though sanji knows he wants to.

his sponge squeaks across ceramic. the water’s warm against his fingertips, and his eyes flick up to meet his own reflection in the porthole window; he looks… well, he doesn’t know. scared, maybe. nervous. his mouth is thin, eyes wide, cheeks flushed, a shudder running its fingers down his spine even as his heartbeat thumps between his ribs and god, fuck, it aches. and he knows. he looks himself in the eyes and he knows that somewhere along the line nosebleeds had turned into falling in love and he was the stupid idiot who had just let it happen because he was too weak to pry zoro out of his thoughts.

his gaze flicks down sharply when he hears the sudden scrape of the chair, and zoro spits, “look, i can’t fix whatever i did wrong if you don’t tell me what it is.”

sanji’s heart throbs. “what?”

he can hear zoro’s scowl. “what, what? i obviously did something. you’ve been avoiding me like the plague.”

the cook almost laughs. he bites it down and swallows his words, salty-sweet at the back of his throat. guilt nips at him; zoro’s his rival and and his personal annoyance and a blockhead but he might also, maybe, just maybe, be sanji’s best friend. and sanji hasn’t been very fair to him lately.

he swallows again, clears his throat silently. “you didn’t do anything, marimo,” he murmurs to the plate in his hands, trying for airy and getting more somewhat vaguely strangled. he coughs. “just forget about it. sorry i’ve been weird.”

sanji will deal. he will, somehow; he’d been careless and careless is dangerous and for perhaps the first time in his life, he has too much to lose. he’ll squash his heart into a box and lock it down tight like he always has and it’ll hurt, but when does it ever not? he mentally declares the matter done and dusted as he shakes off the plate and gently sets it on the drying rack.

his lungs hitch as a callused hand cups his elbow.

zoro pulls him around. he’s too weak to resist. the edge of the sink digs into his hip as stormy grey eyes scan his face and zoro looks tense, his jaw set in the way it only is when he faces off with a particularly vexing foe.

“did i not look happy enough at dinner?" he asks, and it could be mockery but it isn't, not with that edge to his voice; not desperation, but damn near. like filter paper burning its way to ash. "was it my clothes on the floor? my boots on the bed? what?”

sanji can't stand it anymore. he looks away, tries to twist out of the invisible bonds zoro has him trapped in, but fingers looped around his wrist are all it takes to make him stay and fuck, fuck, he's so fucked.

"sanji, what did i do?” zoro breathes, brow furrowed, voice too near and too damn earnest, and sanji's throat bobs as he digs the heel of his palm into his eye.

this isn't how it's supposed to go. zoro isn't supposed to care. zoro isn't supposed to be standing here in the galley saying his name in that tone of voice. a hand carefully pulls his own away from his face, and zoro doesn't fucking let go, and sanji feels too much like he's been stripped down to the bone.

"i know," zoro continues, gruff like he doesn't know how to be anything else, "that i upset you. so would you please tell me what i did so i can fix it?" he bends lower still, ducking to try and catch sanji’s line of sight but sanji just can't look at him. "i'll fix it, i—"

"you can't fix this." the words are out and in the air before he can stop them, and a bittersweet smile curves his mouth. "there's nothing to fix, so you can't fix it. just let it go, alright?"

zoro wants to argue. sanji can tell. but the swordsman lets out a measured exhale after a long moment and pulls back, face carefully neutral. "at least tell me what's going on, cook."

sanji looks down at his feet. "...i can't."

"like hell you can't," zoro replies immediately, and it's such an abrupt reminder of their normal banter that it wrenches a rough noise from sanji's chest. "i was the one who held your hair back after you had, like, seven margaritas too many. don't think you could tell me anything worse than the experience of trying to stop you from falling into your own puke."

"oh, jesus fuck," sanji swears on instinct, then laughs. it's unfortunately hollow. "that was one time, asshole."

"one time too many," zoro hums, raising an eyebrow. "so you gonna tell me what's going on, or do i have to make it a captain's order?"

sanji grits his teeth.

"i will drag luffy in here, i don't care—"

"fucking—" he holds his breath, flipping around to white-knuckle the edge of the sink and letting it out slow. "fine. you ever loved someone, marimo?"

"sure." zoro shrugs easily, crossing his arms as he looks out the window. "kuina, but i think i learned to love her memory more than anything else. luffy, nami—" a near-unnoticeable flutter of thick lashes. "you."

sanji exhales through his nose as he rocks back on his heels. squeezes out air till it hurts. "you know that's not what i meant."

"what did you mean, then?"

he turns to look at where zoro has settled lazily against the counter, the moon turning his eyes to silver. "I mean the kind of love that makes your blood race. that makes you want more even when you know you'll never take more than you're allowed. the kind that makes your heart hurt so badly you feel empty without it."

the swordsman's face is unreadable as he tilts his head slowly. "i did say i love you."

it hits sanji like a bullet. he sucks in a sharp breath, and his throat burns as he turns away and tries to stop his shoulders from heaving up. "don't fuck with me, zoro. not about this."

it feels rather like a cruel cosmic joke. he's so near yet so far, just one step away with a gauzy curtain between but he can't touch it. he won't. he's got too many things on the line and yet he can't even name one of them.

"hey."

he squeezes his eyes shut against the burn of salt that shouldn't even be there, and look at that. little sanji's gone and broken his own heart again.

"hey," zoro tries again, more insistent, one hand hovering in the space between them and sanji feels the pull of it like a magnet.

he doesn't turn away as it cups his cheek. doesn't run as fingers slide through the short hairs at his nape, a thumb behind his jaw. his lashes are damp. it is everything he wants and everything he cannot have and he can't—

"look at me."

"i can't," he breathes, lungs rising fast and shallow. he's afraid to open his eyes. he's afraid of what he'll see.

"yes, you can." zoro shifts closer and another hand joins the first. it's big and rough and warm and he holds sanji's face like he's the moon herself. "look at me, curly."

he can't.

he does.

zoro's gaze is almost painful to meet straight-on with how intense it is. he seems to realise, face softening as he leans closer, closer, posture loose enough that it would be no problem for sanji to shove him away. "you love me," he breathes. "yes or no?"

sanji's heart stops. his tongue is clumsy in his mouth, his brain a mess of yesnoyesyesnoiwon'tican’tido—

"don't think." zoro's voice cuts through the haze as he shakes his head slowly; a sword through smoke, silver-bright, singing in the air and leaving silence. "don't think. you love me, yes or no."

the galley swims around sanji as his vision blurs. he feels his tears spill hot down his cheek, knows the way zoro aches to brush them away and yet stays still. he opens his mouth and it feels like stepping out of the only shelter he's ever known; he is an open fucking wound and he's raw and everything hurts, everything but zoro. zoro. zoro. "yes."

just one word, three simple letters, and still it feels like damnation; if he'd never said it he could deny it but now it's real. the swordsman relaxes, shoulders dropping enough that his forehead brushes sanji's, and sanji tracks the way his throat bobs. the way steel-grey eyes flicker over his face, molten in the light of the electric lamps and the moonlight spilling through the window, gilding zoro like something out of a dream. a fairytale sanji read as a child until the edges of the pages fitted familiar to his thumbs as his little hands reached for a happy ending that was never meant to be his.

he shakes, now, as zoro reaches up to run tentative fingers through straw-pale hair. "let me love you. yes or no."

"i—" the sound that twists from his mouth is cracked jagged down the middle, unpolished as a common pebble picked up off the damn street. "you don't—"

"yes or no."

"i'm not what you want," he gasps, his face wet.

"yes or no."

sanji wants to break apart. because zoro sounds like he's begging, and he cannot fathom anybody possibly wanting him that much. he wants to scream and cry and claw at the walls until his nails break. he wants to shatter into pieces all over the floor without having to worry about putting himself back together. he wants. he wants, and zoro's looking at him with the closest thing to reverence he's seen in his life, and even that isn't enough for him to believe it. "i'm not what you want."

he can barely look at zoro. he can barely look at himself. the shame is clawing a pit into his stomach, and he lets it, feels every inch of it, because what kind of person doesn't know how to be loved? his breath catches wetly as zoro cups his jaw in both hands, tilting his face up, and once again sanji is too weak to pull away.

"you are everything i want."

the words are so fierce, so sure, and sanji is cracking apart at the seams. the stitches pulled tight by his own hand are unravelling and he can't stop it—

"yes or no."

zoro's breath ghosts warm across his mouth, fingertips in his hair, just far away enough for sanji to see the way his eyes are blazing and yet he waits. his thumb on sanji's cheek is the gentlest thing sanji has ever known.

"you'll get tired of me," he tries weakly, one last time for good measure, and zoro just shakes his head. the resolve in his expression does not waver even once.

sanji breaks.

"yes." the word scrapes itself out of his throat seconds before arms are going around him, and he sobs. lets the swordsman bring them both to the kitchen floor as he curls up in zoro's lap, fingers clawing into his white shirt, numb with how hard he cries because nobody, nobody has ever stayed. not without him getting hurt in the process. he pushes them away when he gets scared and they let him and then it becomes his fault when it all blows up in his face, but zoro's not leaving, and it's so foreign to him that he's shaking so badly and he can't stop.

a warm, heavy palm smooths over his spine and he lets himself be shifted closer, settles sideways as zoro wraps an arm over his shins and rocks them until his breathing evens out. the embarrassment hits like a gut punch; he knows he looks like a mess, face blotchy and hair everywhere and eyes puffy as hell, but zoro cards his bangs out of his eyes and looks at him like he doesn't care, and sanji turns away.

he feels... fragile. like he's made of tinted glass and spun sugar, like he'll cave in at the slightest touch. there is something melting in his chest and it drips down over his ribs; pools fresh as a river in spring, offset by the grounding presence of zoro's hands on his skin. "don't say i didn't warn you," he mumbles, masking his very real fear behind a layer of watery bravado as he hides his face in zoro's shoulder, and of course, of course zoro sees right through him.

the swordsman's thumb traces the swirl of his eyebrow before zoro rests his chin on top of sanji's head. "i don’t listen. you know that."

you know me, is what goes unsaid, and sanji doesn't deign to reply. he buries his face into zoro's chest and breathes in the smell of steel and sword oil and— he sits up slightly, eyes narrowing. "you've been stealing my deodorant, yes or no." the way zoro stills momentarily is a dead giveaway, and he yelps when the swordsman flicks his forehead.

"would you rather i be stinky?" zoro scoffs, rolling his eyes gently as sanji settles back down with a huff.

"you still are stinky. if we're gonna be together i'm expecting you to shower at least once every two days—" zoro groans, and he powers through, raising his voice, "—and if you aren't fussy i'll let you shower with me."

the way zoro instantly stops complaining cracks a laugh out of him. it's weak and watered-down, but it's a start. zoro's hands slide back into his hair and he hums as he lets his eyes fall shut.

the moon's full tonight. their ship rocks gently, and sanji gets comfortable; zoro's warm and solid and happens to make a perfectly respectable pillow. the thought that he can have this now sends a thrill through him.

he's not a fool. he's not optimistic when it comes to this. when it comes to love.

but with zoro's thumb rubbing mindless circles against the side of his thigh and a kiss pressed to the top of his head, he's got a pretty good feeling about this time around.

#er. this dragged me down the hill and i let it #this got so off-topic anon i apologise #but to be fair even after they start dating sanij gets absolutely HORRIFIC nosebleeds #like hello?? that man is hot as hell?? and he's MY man??? good lordy #cue him leaning against the wall in a dramatic swoon and yelling for zoro to catch him #(zoro does not catch him. sanji falls on his ass.)#(he does get a forehead kiss before zoro walks away cackling though so. a win is a win!)#black leg sanji #zosan #one piece zosan #zoro x sanji #roronoa zoro #one piece zoro #one piece sanji #one piece #ino writes #ino's ask box #sanji's issues deserve a tag of their own #my habit of segueing from chill fun rambling to emotionally damaging content should be studied. jesus christ.

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illusioninfnty · 6 months

Text

day 31 ; sex pollen

↠ buggy the clown x reader

fandom: one piece word count: 1.6k warnings: nsfw 18+, dubcon, semi-public sex, fuck or die-ish, fingering, banter, unprotected sex, squirting, creampie

kinktober m.list || read on ao3

You know Buggy’s going to leave as soon as he gets his body back.

You’re not going to let that happen. When he finally reattaches himself, and runs off with a see ya!, you run after him.

“Stop!” you call out to him. “You need to stay and fight. We saved your ass, didn’t we?”

He turns around and sighs dramatically seeing you. “You again? Seriously sweetcheeks, would ya let me leave?”

You cross your arms, and give him the most intimidating glare you can muster. You only recently joined the crew, and you wanted to prove that you were tough enough to fight with the rest of them. Making sure that Buggy helped you guys fight Arlong and his fishmen while Luffy went to go save Nami was a way to prove yourself to them.

“I can’t let you—” you're interrupted by a fishman coming out from behind Buggy and approaching you. You whip out a dagger to prepare for his attack, but before you can get a move in he sprays some sort of powdery mist in your face, completely taking over your vision.

“Good luck trying to fight me now when you gotta deal with that,” he snickers as he runs away.

You cough and bend over, hands on your knees, as the mist lands in your nostrils and mouth. You try to swat it away in the air surrounding you, but it feels as though the mist has already gotten inside of you, and there’s no way to escape it now.

“Well, anyways, I’m going to go then,” Buggy starts, slowly backing away as he gets ready to escape.

You’re too weak to try and distracted now to try and stop him, but then your body starts to feel different. Your internal temperature skyrockets, causing beads of sweat to start dripping down your face despite the fairly average temperature outside. You can feel your body not getting hot because of that, but also the sudden arousal that threatens your core.

Your legs begin to tremble as your body aches with need, a deep feeling in your gut that you never felt before. It’s like a hunger that needs to be sated immediately, as though it were a life or death situation. It has you wanting to just stick your fingers inside of your pussy and just fuck yourself silly until you can rid yourself of this itch you can’t seem to scratch.

“W-wait!” You call out to him. You must sound extremely desperate, because Buggy actually stops and turns towards you instead of ignoring your pleas.

You swallow hard and continue. “I need…help.” Your tongue feels heavy in your mouth as you grit out your words, embarrassed by just how much you want the stupid clown to fuck you. You can already feel how wet you are through your bottoms, and as the seconds tick by it feels as though your arousal is going to start spilling out onto the floor. “Need you to fuck me. Please.”

You’re too ashamed of your desperation to look Buggy in the face to see his reaction to your words. You only know of his answer when you fall to your knees, legs too weak to hold yourself up, and you feel his palm on your back.

“Well when you look like that, how can I say no?” Sarcasm drips in his voice, and you can tell he’s not really taking you seriously.

“I’m serious!” You try to sound as adamant as you can given how weak you feel at the moment.

“So am—” You interrupt him, finally having enough, by grabbing him by the back of his neck and smashing your lips against his own in a kiss.

His own hands move to cup your face, and you open your mouth up to let his tongue in. As the kiss becomes sloppy, you start to rid yourself of your clothes, needing your body to cool down.

He pulls away as he sees you baring yourself to him, eyes widening and a smirk overtaking his face. “Woah, didn’t realize you wanted to fuck me so badly. I would’ve happily done it if you were nice and asked.”

You don’t have it in you to protest him now. Instead you move your fingers inside of you, your juices gushing out of you despite the lack of attention your pussy had been receiving.

“The shit he sprayed me with,” you start. You lay yourself on the ground, arching your back as you piston your fingers in and out of you, praying that you find your release soon.

Buggy hums in thought. “I should be thanking him, then. Got myself a nice view.”

“You can do that after you fuck me.” The next thing you know his cock is inside of you, and he’s thrusting with the vigor of a man starved. You moan and arch yourself into him, your hands scrambling as they claw at his back. You wrap your legs around him, wanting to keep him close as his thick cock ruts into you.

You don’t think sex had ever felt this good before. Your juices are squirting out of you, proving to be a great replacement for lube, and your walls clench down hard on Buggy’s cock, like a vice. He groans above you as you tighten your grip around him, walls fluttering as they refuse to let him leave you.

The pleasure is too much for you to bear, and you can hardly talk. Your eyes roll back into your head and your tongue lolls out of your mouth, drool escaping the corners of your lips.

All that comes out of your mouth and pathetic whimpers and breaths of yes, yes, yes as Buggy fucks you with reckless abandon.

“Fuck, you’re so tight,” he grits out as his muscles bulge from holding you down with so much force. His hips collide with your own, the sounds of your skin slapping loud enough to draw the attention of anyone who would’ve been in the vicinity of the two of you. “Shoulda fucked you when I first saw you. Lookin’ all cute in slutty in your little pirate getup.”

You know you should feel insulted by the way he technically insinuated you were “playing” pirate, but the horny, afflicted side of you only chooses to focus on the yearning in his voice of wanting to fuck you, and how his cock is hitting parts of you that make you see stars.

It comes to no surprise to you that your orgasm is already closely approaching within minutes of having Buggy’s cock fucking into you. Your nails dig into his skin, and your whines increase in pitch and speed.

“I’m cumming, I’m cumming!” Buggy groans as you clench down even harder around his cock, as impossible as it may seem, and your orgasm crashes into you like a wave. You can only gasp out curses as you squirt all over his cock, your juices rushing out of you wildly.

Your release soaks yourself and him, both inside and out. Buggy’s orgasm isn’t too far behind as his hips begin to stutter in their rhythm and soon he’s moaning lowly in your ear and filling you to the brim.

A sudden rush of calmness washes over you as Buggy’s cum fills you up. It’s like all of the horniness and desperation for sex escapes your body as soon as it comes into contact with his cum. Your body temperature returns to normal, and the shaking of your body is solely in response to your orgasm instead of the deep aching within your core that seemed as though it could never be satiated.

You hold onto him for a couple of moments longer, catching your breath and coming down from your high as Buggy’s arms also remain wrapped around you and his cock stays nestled inside your entrance.

It’s then that you hear your name being called out in the distance. It seems as though while you were affected by the mist powder, your crew had completed all they set out to do.

Not wanting them to see you in the precarious situation you’re in, covered in juices and Buggy on top of you, still inside your entrance, you scramble away from him. Stumbling as you put your pants back on, ignoring the way his cum pools out of you, you give him a kick to his side.

“Ow!” He whines, rubbing the area you made contact with.

“Get out of here!” you whisper to him, despite no one being around you for probably miles out. “If they see us like this I’m totally screwed!”

He rolls his eyes, but still goes to stand up and get dressed again. “Oh, what? Embarrassed to be seen with me? Real original.”

Your eyes narrow and you cross your arms. “I am trying to make a good impression with my crew, and this—” your hands gesture to yourself and Buggy—“is not going to help that.”

Buggy holds his hands up in surrender. “Fine, fine. But you owe me one.” He begrudgingly begins to leave by walking backwards, his eyes on yours the entire time. “Next time we meet, I'll have you help me out with something.” He wiggles his eyebrows in a way that makes you want to cringe, yet you can’t find it in yourself to dismiss him completely.

You shoo him away, ignoring the way heat rises to your cheeks. “Maybe. Now scram.”

You see your crew approach just as Buggy is out of sight. Thinking about your encounter with him more, technically, your mission was a success. You’d call it a win in your books.

#kinktober #kinktober 2023 #buggy the clown x reader #buggy the clown #buggy the clown smut #one piece x reader #one piece smut #opla x reader #opla smut #one piece live action x reader #opla buggy #opla buggy the clown

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physalian · 21 days

Text

In Defense of Fanfiction (Or the perfect starting point for your original novel)

Fanfic gets a bad rap pretty much everywhere except Tumblr. It’s misunderstood and misrepresented by its average works, seen as juvenile and cringey, or a banal point of contention between a famous person or piece of media and its fans.

Outside of fanfic that writes about real people, especially smut fics of real people, I support the art wholeheartedly. Fictional characters are one thing, but personally, caricaturing a celebrity’s life for public consumption and writing or drawing them in compromising content without their consent is a little weird. You do you. Don’t like, don’t read, as they say.

Fanfic is the perfect starting point for a few reasons:

It places you in a creative box and forces you to work within those constraints

It does all the worldbuilding and character concepts for you

It lets you write way outside your comfort zone

When published and receiving feedback, it boosts your self-confidence

It's incredibly flexible

It’s practice. All practice is good practice

—

Behold your creative box

When I was little I had no idea the majority of fanfic was shipping fics. I always pictured and looked for canon-divergent alternate universes. Like, what if X happened in this episode instead of Y? What if this character never died?

Fanfic demands you work within someone else’s canon, whether it’s an OC in the canonical world, or the canonical characters in an AU. These are like little bowling bumpers saving you from the gutter, but also keeping you on a straight-ish path toward the pins.

The indecisiveness of too many choices can be too intimidating when you’re first starting out. You want to be a writer but you have no idea where to begin, what genre to pick, what characters you want to chronicle, what themes you want to explore.

Even if it sits on your computer never to see the light of day, you still got those creative juices flowing.

Pre-packaged worldbuilding

Sometimes all we want is to get to the good stuff. Maybe I want to write a story about elemental magicians but Last Airbender already exists and I just want to play in a pre-existing sandbox. So I write some OCs into that world and have a free-for-all.

I don’t have to come up with my own lore, world history, magic system rules and mechanics, politics, geography—any of it. I get to just focus on the characters.

Even if you’re writing an AU, like say a coffee shop AU, you don’t have to think about brand new characters, you can just think “What would M do?” and go from there. The trade-off is your readers will expect canonical characters to behave in-character, but I think it’s worth it.

Stretch beyond your comfort zone!

Do you hate writing action scenes? Go practice with a shonen anime fic. Need work on dialogue? Write some high-fantasy fic, or a courtroom drama. Practice a fistfight by watching fistfights and writing what you see, and do it over and over again until what you read makes you feel like you're watching what’s on screen.

But beyond that—practice genres that you aren’t super familiar with. If you’re new to fantasy, write fantasy fic. Or a mystery novel/show, thriller, comedy, satire, adventure, what have you. The nature of fanfic still gives you those “guardrails” and you can get some brutally honest feedback on how you’re doing.

And, of course, the realm of M-rated romance and smut fics. I haven’t because I think I would die of embarrassment if I tried and I never intend to include sex scenes in my works anyway, but if you do want to, use the internet as your test audience. Post it on a throwaway account if you’re nervous.

Build that self-confidence!

The fandoms I used to write for are super dead, so it’s insane how I still get email notifications that so-and-so liked my fic to this day. Comments are as elusive as ever, but random strangers on the internet telling me they liked my work is a magical reassurance that my writing isn’t actually awful.

Random strangers on the internet are, as we all know, beholden to no moral obligation to be kind to your little avatar face, or be kind to be polite. So a rando taking the time to like my work or even leave a positive comment can feel more honest than one of my friends telling me what they think I want to hear.

I tend to avoid the more present aspects of fandom like online communities, forums, social media, what have you, so I get a delayed and diluted aspect of any given fandom through completed works. Which means, in general, I get to avoid the worst and most toxic aspects of fandom and get to sift through positive feedback and critique.

Even if your fanfic isn’t written with stellar prose, it’s fanfic. We don’t expect Pulitzer-prize winning content. And if your work isn’t up to snuff, people are more likely to just ignore it than put you on blast (at least in my experience, I never got a bad comment or a “flame” in the old FFN days).

Fanfic doesn’t care about the rules of published literature

On the one hand, try not to practice bad habits, but with this point I mean that your layout, punctuation, formatting, paragraph styles, chapter length–all of it is beholden to no rules. I get as annoyed as the next reader with giant blocks of paragraphs, or the double-spacing between pages of single-sentence paragraphs, but if the story’s good enough I might ignore it.

There’s more than just straight narrative fics, though. People write “chat” fics, or long streams of text and group chat conversations. The scene breaks can come super rapidly–I’ve seen fics with a single sentence in between line breaks to show the passage of time. And without the polish of a traditionally published novel, I’ve never seen a purer distillation of author voice in any medium more than fanfic.

All practice is good practice

Even if it’s crack fiction, or a one-off one-shot, or something meant to be lighthearted and straightforward and free from complex worldbuilding and intricate plots. It really helps break writer’s block when you can shift gears and headspaces entirely and you can get relatively instant feedback to keep you motivated.

Beyond that, the “guardrails” help you stay consistent as far as character growth and personality if you struggle with designing rich characters.

The most recent fanfic I wrote was just a couple years ago, for a dead fandom I didn’t think would get any traffic whatsoever. It wasn’t my original works, but the feedback on that fic gave me the kick in the butt I needed to get back into writing more seriously.

—

In short, I support fanfic. I may not be proud of my earliest fics' prose now, but I am proud that they walked so I can now run.

#writing advice #writing resources #writing tips #writing tools #writing a book #writing #writeblr #fanfic #fanfiction #archive of our own #ao3 #ffn

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queerfables · 6 months

Note

Taking away the glass?

Oh gosh I'm actually so keen to talk about this so thank you for the opening!

Context: Responding to akaitsukicat's artwork of Crowley and Aziraphale separated by a glass wall, I said that the reason we're all such wrecks over their kiss is because after 6000 years in canon and 33 years in real life, that kiss was "taking away the glass".

The glass is a metaphor that media scholar Henry Jenkins uses to explain the appeal of slash, originally published in 1993. Here, "slash" refers to queer re-interpretation of heterosexual media, including transformative works exploring those readings.

This is what Jenkins says about the glass:

When I try to explain slash to non-fans, I often reference that moment in Star Trek: The Wrath of Khan where Spock is dying and Kirk stands there, a wall of glass separating the two longtime buddies. Both of them are reaching out towards each other, their hands pressed hard against the glass, trying to establish physical contact. They both have so much they want to say and so little time to say it. Spock calls Kirk his friend, the fullest expression of their feelings anywhere in the series. Almost everyone who watches the scene feels the passion the two men share, the hunger for something more than what they are allowed. And, I tell my nonfan listeners, slash is what happens when you take away the glass. The glass, for me, is often more social than physical; the glass represents those aspects of traditional masculinity which prevent emotional expressiveness or physical intimacy between men, which block the possibility of true male friendship. Slash is what happens when you take away those barriers and imagine what a new kind of male friendship might look like. One of the most exciting things about slash is that it teaches us how to recognize the signs of emotional caring beneath all the masks by which traditional male culture seeks to repress or hide those feelings.

The vid I refer to, inspired by Jenkin's comments, is The Glass by thingswithwings. It's a beautiful vid, sad and hopeful and empowering, with a very moving commentary on fandom history. It was originally published in 2008, which is relevant to understanding the position it takes in the dialogue around queer relationships in media.

Here's thingswithwings' summary of the vid, as it appears on YouTube:

Henry Jenkins, speaking of the Spock death scene from Star Trek II: The Wrath of Khan, said, "slash is what happens when you take away the glass." It has been said, in response, that death also happens when you take away the glass. ie, if you took away the glass Kirk would die of radiation poisoning too; the barrier between desiring men cannot be removed on pain of death. Homosexuality, or just loving touch between two people of the same gender, is equivalent to death in this media narrative. One of the interesting things about slash is the way it takes away the glass, then puts it back, then takes it away, then puts it back, often pleasurably. I think this is both problematic and powerful. It is problematic because it reasserts the impossibility of the touch (it fetishizes oppression in a negative manner); it is powerful - and good - because it dwells on and thinks about and removes the glass (it fetishizes oppression in a transformative manner). One of the interesting things about mainstream media is that it continues to put the glass back up, no matter how hard we try to tear it down. Queer desiring touches have been, and remain, imaginable but impossible. TL;DR ALTERNATE SUMMARY: THERE SEEMS TO BE SOME KIND OF INVISIBLE BARRIER IDK WHAT IT MIGHT BE

In regards to Good Omens, it's relevant that this entire conversation about homosocial relationships in media takes place within the 29 year period between the publication of Good Omens the book and the adaptation of the story to screen. The vid was created 15 years ago - which is to say 18 years after the book was published and 11 years before season 1 was released - and it talks about realised queer desire in mainstream media as being so impossible that it is equivalent to death. That is the kind of resistance that queer representation in pop culture has been up against, these last three decades.

Crowley/Aziraphale, as depicted in the book, is such a classic example of slash. I've seen some people who read the book in a contemporary context saying they didn't necessarily pick up on any subtext between the characters, and I suspect this is a mark of cultural expectations. Firstly, because the cultural references that the intentional subtext relies on have become obscured over time - see Neil Gaiman's explanation of the "consenting cycle repairmen" line. But more importantly because the audience's frame of reference for unintentional subtext has shifted, too. What is unsayable and which silences are emotionally loaded has changed over time. Even if you are intentionally using a queer lens in your reading, you might not see subtext in the same places that someone would even 10 years ago.

For example, take this passage from the book:

On the whole, neither [Aziraphale] nor Crowley would have chosen each other's company, but they were both men, or at least men-shaped creatures, of the world, and the Arrangement had worked to their advantage all this time. Besides, you grew accustomed to the only other face that had been around more or less consistently for six millennia.

On it's face, this line suggests that the relationship between the two of them is a matter of convenience more than desire. Maybe that's the intended reading and maybe that's how it started or how they justify their association to themselves, but taken together with how deeply they know each other and how they are always each other's first thought in a crisis, suddenly "neither would have chosen the other's company" sounds like an extremely British way to say they care about each other far more than they were supposed to. Plus, this is Aziraphale's take on their relationship, and it plays rather beautifully against Crowley's much simpler expression of the exact same sentiment:

Aziraphale. The Enemy, of course. But an enemy for six thousand years now, which made him a sort of friend.

To go back to Henry Jenkin's wise words, what we're seeing here is Aziraphale thinking about Crowley through the glass - through the "aspects of traditional masculinity which prevent emotional expressiveness or physical intimacy between men". If you came up in slash fandom at a time when seeing queer relationships in canon was unthinkable, you probably find it easier to identify the gap between how Aziraphale thinks about his relationship with Crowley and how their relationship actually functions. That gap was where a lot of slash lived.

You might say that the book shows Crowley and Aziraphale watching each other through the glass, and season 1 is them pressing up against it. They're still prevented from showing the full depth of feeling between them, they still hunger for more than they're allowed, but they are reaching for it. We see the history of their relationship developing through the ages. The unsayable is still left unsaid, but we feel the weight of it in everything they do. They come so very close but they still can't cross that threshold.

And then there's season 2. Within the text, Crowley and Aziraphale are not just pressing against the glass, they're actively trying to dismantle it. They're searching for a door to the other side. They're inspecting for weak points where they could cut their way through. And then suddenly they're out of time and out of options and the glass is still between them, and there's nothing they can do.

As the audience, you feel that desperation. You feel that grief. And if you're someone who's been watching the glass go back up on every relationship you thought might stand a chance of tearing it down, it hits hard. You're longing vicariously with the characters, but you're longing for yourself too, to see queer desire made possible. To see queer touch made not just imaginable but real.

And then, with all hope lost, Crowley throws himself through the glass. It doesn't matter that it doesn't save them. They kiss and it changes everything. Queer desire is no longer up for debate. Queer touch is no longer impossible. They kiss and the glass shatters, entirely and irrevocably.

This is why it matters so much that they did kiss, even though the love between them was already undeniable. For thirty years, Crowley and Aziraphale were part of a media landscape that relentlessly reinforced the glass at every turn and flooded fatal radiation through any crack they couldn't fix. In a different context, that kiss would be less vital to affirming their relationship. But in the world we live in, with the specific history that this story has, I don't think anything else could have done what it did. The glass between these characters had been reinforced over decades, in a culture that made the barriers to open intimacy between men inescapable. Their kiss was what it took to break it.

And by shattering the glass, this story has fundamentally rewritten what is possible. It proves the rules preventing true affection between people of the same gender can be defied. Queer people are already becoming more visible in pop culture; we're no longer reliant on slash reimagining queer longing between heterosexual leads. But Crowley and Aziraphale's kiss is cathartic and vindicating in an entirely different way. It turns slash into intentional queerness. It takes a fetishisation of oppression vacillating between problematic and transformative, and finally stands up on the side of powerful, empowering transformation. It confronts the barriers that once rendered this desiring touch impossible, and breaks through them once and for all.

That's what taking away the glass means. That's what Good Omens did.

#good omens #good omens meta #taking away the glass #fandom history #ineffable husbands #aziracrow #fable talks good omens

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vampwritesstuff · 10 months

Text

TMNT Brothers when Reader is on her Period

I’m totally not writing this because I’m on mine rn 💀 Also, I’ve got a few requests and I swear I will work on them! I jst have a motivation issue and it sucks, but if you would like to see more of my work you can checkout my Multi-Fandom Masterlist ! (I swear I’ll attempt to make a masterlist for each fandom separately, but we’ll see if I can actually do it lol)

Type: Headcannons

Request?: not a request

TMNT Version: Unspecified, fits for most versions

CW: obviously, mentions of blood and talk of female bodily functions, reader is AFAB

LEO

Man, this guy is oblivious as hell, he doesn’t realize you’re on your period until he sees you in the lair with a heating pad on your abdomen.

Then he feels stupid because it was so obvious you had started.

He thinks he should’ve known as soon as you started becoming more emotional.

Will 100% get you any craving you want, within reason. He’s not gonna let you eat something that’s gonna upset your stomach later.

Is down to just cuddle and watch TV together.

Doesn’t care how much his brothers tease him, he’ll be constantly worried about you.

“Do you guys think she’s alright without me there?” *insert a collective “SHUT UP LEO”*

He knows that your cramps can get crazy bad, but you guys figured out that if he laid his head on your abdomen, the pain was somewhat relieved.

Low key gets sad when you get annoyed with him, he knows you don’t mean to and it’s just the hormones, but he still manages to feel like a kicked puppy when it happens.

RAPH

Doesn’t act like he notices, but he does.

He notices hardcore.

He notices the way you’re walking to the kitchen so sluggishly, with a hand on your abdomen and your face scrunched into a look of discomfort at every movement.

He notices the weird period cravings and actually makes an effort to memorize the ones you like so that he can get more for you.

You get a lot more moody on your period so you’re constantly sassing Raph and he has to remind himself that it’s just your hormones talking.

Secretly restocks your dwindling stash of chocolate.

You don’t notice it though until you catch him in the act.

Acts like doesn’t know what you are talking about and claims he’s only replacing some because he ate a few bars.

You definitely know that’s not the case, but you don’t say anything about it.

He’ll hand you a bottle of ibuprofen/advil/midol etc. when he notices the cramps get debilitating. (Literally me)

Acts annoyed when you ask him to carry you around cause you can’t move from your cramps.

He secretly loves it though cause he can hold you and show off his strength.

MIKEY

Innocent boy doesn’t even know what a period is, was hella embarrassed when you explained it to him.

“YOUR BODY DOES WHAT?” someone help this poor boy.

He’s stunned at learning that your period can last up to a week or even longer.

“How do you bleed for that long and not die and it happens every month?!” Has gained hella respect for you.

He probably tried one of those period cramp simulators and it was horrible, Raph made fun of him for a while before you forced Raph and the other brothers to try it too.

They shut their mouths after that, and now Mikey gets to mock Raph’s squeals.

Willingly tries your period cravings, no matter how weird, and he’s ended up liking most of them.

You don’t even have to ask him to cuddle with you, he just does it because he feels so bad that you have to deal with this every month.

Mikey is very empathetic and in tune with your emotional state during your period, cause he’s an emotional boy too.

DONNIE

Only figured out that you were on your period when he made a joke about it.

“Ignore her, it’s probably just her time of the month.” “Actually, it is.” “HUH?”

Bro was so embarrassed and his brothers wouldn’t let him live it down.

He willingly, without you asking, will go buy you feminine products as a sort of apology. (Does that even count as one? He doesn’t know but at least he’s trying?)

Does research on what happens to the female body during menstruation in hopes of providing you some support.

Doesn’t touch his computer for weeks afterwards.

He’s easily flustered, he can’t help it!

Understands that you know your body better than he does, so he doesn’t really try to intervene with what you normally do during this time of month.

Gives you as much space as you want, but is ready to cuddle and watch pirated movies on his laptop as soon as you ask to.

Gets really happy when he sees you using the microwaveable lavender scented rice stuffed animal he got for you (if ykyk)

#tmnt x reader #tmnt x y/n #tmnt x you #tmnt 2012 #tmnt 2018 #rottmnt #tmnt 2014 #tmnt 2016 #tmnt #tmnt leonardo #tmnt donatello #tmnt michelangelo #tmnt raphael #tmnt fanfiction #tmnt headcanons #tmnt bayverse

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sspookyspoonss · 5 months

Text

I know nothing about Doctor Who except what friends occasionally excitedly tell me. I am also bored. Here is an undoubtably factual explanation of each of the ‘new?’ Doctors:

Doctor…. Who??????:

I know nothing about this guy. Nobody I know talks about Christopher Eccleston nor have I caught wind of any internet discussion. My conclusion is there is a conspiracy to not talk about him for no reason other than the fandom got bored and thought it would be funny. I think this Doctor would like to go to football matches and would get very upset if the team he likes doesn’t win. You would probably randomly meet him at a pub and would have a nice chat with him, however, he’d take you back to the Tardis and you would most likely die via Dalek plunger (a thing I am informed they can kill you with). I also think he would like watching reality TV, he gives of that vibe.

Tumblr Doctor:

The internet likes this guy. David Tennant is cool, so I understand. I think this is ‘wibbly wobbly timey wimey’ guy so I am inclined to think that he also says things like ‘milkys’ and ‘dindins’ to his friends. Even if he is not ‘timey wimey’ guy I still think he still would say ‘milkys’ and the like, gives off that vibe.

He has some angst to do with a woman. I’m not sure why but I’m guessing it’s to do with Thomas Edison. The Doctor knows he stole most of his inventions because he can time travel and saw it happen, not stopping him is one of the Doctor’s greatest failures, however, his lady friend is a victim of the British Education system and thinks otherwise. They break up over it, angst ensues, Thomas Edison has ruined someone else’s life even after he’s dead.

‘I don’t like this guy’ Doctor:

I do not like this Doctor, worst one. Nothing against Matt Smith or his performance, I’m sure it was brilliant, I’ve seen that Van Gough clip and it made me cry 10/10. More importantly than that however, my supposed childhood best friend who was actually just bullying and manipulating me said he was her favourite so I look at him and remember I wasted my childhood with her. He can make it up to me if he time travels and gets child me a better friend. Then he will be the best Doctor.

He or Tumblr Doctor has a wife????? I think???? I’m not sure but which one it is but because of my bias I’m saying it’s this guy. I know it’s dodgy because of time travel so he needs to go to space jail (or as Tumblr Doctor probably calls it, the ‘Naughty Step’). I’m assuming they also have a child, making every reincarnation of the Doctor from here on out a deadbeat who needs to pay A LOT of child support. That is why he regenerated, so he could avoid paying it, ‘Court can’t prove I’m the Dad if I don’t have his face.’ Arsehole.

Screwdriver scandal TM Doctor:

He looks like a nice guy. This Doctor would sit you down and give you a therapy session after you nearly get killed by a Weeping Angel. I would like having a talk with him, it would be nice. I feel like he is the most well adjusted Doctor, although that could just be Peter Capaldi’s immaculate vibes. This Doctor pays his taxes. He doesn’t like Paddington Bear for some reason. Due to his well adjustedness, I am lead to believe the twist in Paddington 3 is that Paddington is The Master (who I think is a villain) and will go on a rampage across London, turning people into Marmalade. It will be up to the Doctor and the family I’ve forgotten the name of, to stop him. This would also provide an explanation for why the Mum’s actor has changed, to fix Paddingtons mess they had to time travel which led to the Dad marrying a different woman.

He threw away the Sonic Screwdriver apparently. Previously mentioned childhood best friend complained to no end about it to me. Knowing fanbases other people were also likely very upset, I’m guessing it felt like it did to me when Luke Skywalker chucked his lightsaber over his shoulder in The Last Jedi. I also think Screwdrivergate is a tragedy because they didn’t take the opportunity to replace the Screwdriver with another, even sillier, Sonic _______. I suggest either a Sonic Scented Candle or a Sonic Keyring. Alas, it was not to be.

‘WOMAN AAAAAAAAAAAAA’ Doctor:

People don’t like her because woman. People also don’t like her because of bad writing. Last time I checked, neither of these are Jodie Whittaker’s fault. I don’t have much to say about her except my new, (actually great this time) friend who likes Doctor Who has an emotional reaction every time she is brought up. Genuine sadness and disappointment in my friends eyes. I suggest that this means this is a fantastic Doctor, to the point it is art. A sign of good art is something that garners a strong emotional reaction. Despair at the state of the franchise and societies misogyny may not have been the intention, but a strong reaction is incurred nonetheless, so success, this is art now.

‘Guess Who’s back!’ Doctor:

Erm, not sure how in canon this works but David Tennant seems to be having a nice time so it’s good. The alternative name for this Doctor is ‘Production Budget Doctor’ because from the ends of episodes I’ve seen (I watch Strictly Come Dancing because ooo pretty dresses and it’s on after) the Tardis looks very fancy and like it’s from a big budget film. Coffee also got spilled on it which is funny because it messed the Tardis up, meaning not even the technology of a near God can withstand dumbass humans with liquids. Hilarious. Also, an apt metaphor for many things.

In conclusion: I’m sorry for any brain damage caused to the good members of the Doctor Who fanbase who read this. Have a nice day.

#apologies #doctor who #bbc #david tennant #matt smith #jodie whittaker #peter capaldi #christopher eccleston #ninth doctor #tenth doctor #eleventh doctor #twelfth doctor #thirteenth doctor #fourteenth doctor

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matan4il · 1 year

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Buddie 613 meta

We now know that the man who risked himself to get Buck out of the line of fire during the shooting arc is Jeshan, which means ‘clear’ (if you’re interested, you can find more name meanings for 911 characters here). So let me just giggle for a second about the fact that 911 had once again reunited Buddie with a character who can be referred to as Captain Clear Me(h)ta. Coincidence? IDK. But I have to admit, it kinda made me reflect back and feel nostalgic. When I first started watching the show, I had no intention of writing meta for 911, but after going ballistic when 309 aired, I knew I would HAVE to use the s3 hiatus to write down all my thoughts about everything Buddie related so far. That’s what I did, I wrote and shared my baby, my first round of Buddie meta. That’s where it was supposed to end, but then people asked and encouraged me to write meta for the eps in 3b as they would air, too. I figured I could try, and that’s how my Buddie weekly meta posts were born. At the time, there was no one else writing proper weekly meta (I don’t mean a summary/review of the ep, or meta posts that stand on their own, but proper analysis on Buck, Eddie and those who matter to them, organized and serialized for each ep as it aired). And now, I’ve been writing them for almost 3.5 seasons. And I feel like they’ve inspired others to do the same. TBH, I can’t actually remember seeing weekly meta posts in other fandoms (maybe they exist and I just haven’t come across them, IDK). So I got all emotional, thinking about how these posts may be love notes to Buddie and the show, but most of all they’re a love letter to the wonderful people who have been supportive and encouraging, who’ve been reblogging the posts, who’ve been commenting on them and telling me that what I do makes a difference for them. Thank you so much, these posts wouldn’t exist without you. You have a much bigger impact on the fandom than you might have realized! So if Captain Mehta is indeed a nod to the meta, it’s a loving, appreciative nod that belongs to all of you. ~~

When Chim shows up to escort Hen to work, he ends up sitting down for a talk with Denny instead, and I really enjoyed this scene, it was lovely, but it also once again emphasized the difference between the firefam kids’ relationship with their parents’ colleagues and the r/s Buck and Chris have. Chim talks to Hen’s son when he happens to come across the kid, but he only sits down for a proper conversation because Denny implies Hen and Karen are up to something intimate, and Chim shouldn’t interrupt them just yet. Consider how different that is to how Buck intentionally looks to spend time with and dedicated to Chris! And then Chim is impressed by how smart Denny is. It’s cute, but it also reveals just how little they interact that this comes as a surprise to Chim. It’s so different to the intimate familiarity of a parent, which is what we know Buck has with Chris (and that Chris has with Buck, which can even be seen in the kid’s teasing, for example regarding the snoring in 414). ~~

You might have seen that, when the promo came out, I momentarily lost my sanity and posted this. I just couldn’t get over the fact that they actually had Eddie correct the chief on the duration of Buck’s death. It was such a spouse thing to do. It was a declaration about the anguish that each single second represented, when Eddie couldn’t breathe because Buck wasn’t. It was a confession of sorts, on how Eddie felt as he desperately NEEDED his husband to live (I’m not even joking when I ascribe him this title, Eddie said with his whole chest, “THAT IS MY IDIOT HUSBAND THAT I HAD TO WATCH DIE FOR THREE MINUTES AND SEVENTEEN SECONDS AND I WILL NEVER FORGET ANY OF THOSE SECONDS, NOR LET ANYONE ELSE DO THAT”). It was a glimpse into how time must have moved differently for him as each second etched itself forever into Eddie’s mind. And yes, it’s a clear parallel to 413, when we witness time slowing down for Eddie. And I mentioned in my post that in both scenarios, Buck is just out of his reach, so close, but simply not close enough. In one case, this forced Eddie to believe he must now accept his own death. In the other, he couldn’t accept the possibility that Buck would die, so he just fought harder, and if he couldn’t save Buck with one course of action, he tried another, Eddie just had to keep going, 'coz the idea of those three minutes and seventeen seconds turning into an eternity? Unacceptable. ~~

But notice in my unhinged post from that day, I used the word ‘counting.’ Eddie counted the seconds, and this is revealed to us at a poker game where Buck is counting the cards. I already noticed that when we saw the promo, but this connection was reinforced in the ep itself when Chief Williams vocalized what Buck was doing. The thing about counting is that it’s reserved for what matters, what’s crucial. Buck is counting the cards in order to win, and he wants to win because it matters to Eddie. Buck wasn’t the one who initiated the search for a poker game where he could use his newfound skills, Eddie was the one to take that initiative. And he could bring Buck along without telling him where they’re going (I would normally scream for a whole separate paragraph just about Eddie telling Buck to dress nice and there being no need for any further explanation or prompting, but we were so well fed, I’ll have to scream about it into my fist for just one sentence) 'coz Eddie was so sure his husband would go along with whatever crazy scheme he’d come up with. And he was right, even though Buck didn’t think it would end well, he still went along with what his husband wanted. Please let me reiterate: Buck’s counting cards because Eddie is so important to him, and Eddie was counting the seconds because Buck’s his vital sign. ~~

Another thing to keep in mind about the poker game is that the only other time we’ve seen Buck playing poker was in 312. In that ep, Eddie was off to meet Christopher’s school teachers (leading to his eventual lackluster r/s with Ana), so having a free evening, Buck spends it with Maddie, Chim and Josh (and is told he unequivocally sucks at Poker). Jokes were made about setting Josh and Buck up, and it was implied whatever Buck’s sexuality was, that was not the reason why Maddie abstained from making the match. What I find interesting is seeing how far our boys have come! In that ep, they were operating separately, and it led them down the wrong paths.

In this ep, Buck and Eddie were inseparable both as a couple (even sharing the winnings from Buck’s new talent, because what don’t these two share? And I was particularly chewing glass when Chief Williams asks Buck how he wanted HIS winnings, but instead of answering her, he looks at his husband. THEY ARE SO FREAKING MARRIED), and as a family unit with Chris (which is maybe a good moment to point out that all of the romantic couples were paired off in 613, and so were Buddie! Now, one could argue that Buck and Eddie were paired off because, well... who else is left for them to hang out with? But 312 is a reminder that when the show wants to, it can push the main cast and minor characters into the same orbit, so it still didn’t HAVE to pair Buck and Eddie off here. It chose to. On top of that, by showing them with Chris as well, 911 reminded us they’re far more bonded than just two best bros hanging out together ‘coz none of their other friends are single). In short, during 312, Buck lost and Eddie was about to be lost on a detour in his romantic journey. In 613, they ARE a family, they work as one throughout the ep, not just in parts of it, and they’re both winning. ~~

Something that gets to me is that when I first shared the BTS pic of Buddie at the poker game, it was clear that Eddie was just bursting with self confidence. He looked like he would be the star of that game. But when we got the promo, we discovered that it was actually going to be Buck who would shine that night. So what makes me slightly froth at the mouth is that all of that sexy confidence we picked up on in the photo? It was real. We weren’t wrong. It just wasn’t confidence that Eddie had in himself, it’s confidence he has in Buck. All of his swagger? Is a reflection of how much he believes and enjoys seeing his husband be a star. I am gonna need 3-6 working weeks at least to recover from knowing this. ~~

Speaking of things that destroyed me forever, everything about the Buckley-Diaz family in this ep falls into that category. I mean, not only did we once again have incredibly domestic scenes, we had one that was very reminiscent of the lasagna one in 601 (Eddie with Chris at the table, Buck fussing around them only to join in once he brings along something to be consumed), reinforcing that this is THEIR NORM, we also had Eddie and Chris being so cute and supportive when it comes to Buck’s new ability (Chris calls him a superhero, Eddie goes along with it, and when Buck’s upset he didn’t get a better superpower, naming some he would have liked to have, Eddie comforts him by saying those other options sound horrible).

And then to top it all off, we had Buck and Chris cooking together. Bobby’s been explicitly acknowledged as basically being Buck’s dad by both of them, and we know Bobby’s been teaching Buck how to cook. Now we get Buck doing the same with Chris, clearly marking them as father and son, especially since this is done with just the two of them, this special time that’s allocated just to their bond together. Eddie is not needed as a middleman. I know that this isn’t news, but every single time the show reinforces this truth, that Buck is Christopher’s other dad, that their bond is that deep, I gain 10 years, so I have to mention it. ~~

For 613, I made my weekly gifset about Buck and answers, but I’d actually like to elaborate on what you see there. In 602, at the happiness center call, we see Buck looking to Lev in search for his own answers on what his happiness looks like. When he still can’t find any, he turns to Hen, because she always has them. Along this season, that’s been his theme. He’s trying to figure out what he wants in order to be happy, which is connected to the couch theme we’ve all been screaming about since 601 (and especially after he fell asleep on Eddie’s in 612). In 613, Buck suddenly finds that he’s the guy with the answers and he likes it. But has he really got them? Buck says these words to Eddie and Chris, and in addition to that, while he utters them, he’s literally captured in the same frame together with Eddie. But it’s also essential that we heard why Chris can’t just be given the answers. It’s in order to learn, Eddie tells him. That’s exactly what Buck has to do, he has to find his answers in order to learn from the search process. He’s not just there yet, but the framing of the whole scene coupled with the ongoing couch theme is very loud. ~~

What gets me maybe most of all in a whole ep of REALLY GOOD BUDDIE CONTENT, is the way the whole thing wraps up. The storyline on Buck’s new abilities doesn’t end with any commentary on those or on his recovery process. His last scene in this ep is the one with Chris. It follows directly the one with Hen and Karen, a scene which reminds us that we’re never surprised at either woman spending solo time with and caring about Denny, even though neither is biologically related to him, because they ARE BOTH his parents. In the same way, it’s only natural that we see Buck spending alone time with Chris, without Eddie around. It is so meaningful that the last shot of Buck in this ep is not about his story line at all, and neither his abilities, nor having died for several minutes is the point. Instead, the last, and therefore most significant shot of Buck in this very Buddie domestic ep, is him smiling at their son. I feel like that says everything about his trajectory.

~~ (my weekly meta posts) (my Buddie gifs) (all of my content)

~~ My tag list will follow in the reblog, please let me know if you wanna be added/removed here.

~~ Thank you so much for reading and for any reblog, like, comment or supportive tag! Also, HUGE thank you to @whosoldherout. On top of real life stuff, she makes her own amazing gifs AND helps make these posts so much better. She’s the one with the real superpowers!

#buddie #911meta #buddie meta #911 meta #9-1-1 #evan buckley #eddie diaz #911 spoilers #evanbuckleyedit #eddiediazedit #christopher diaz #wm #911edit #buddie gifs #buddieedit #911onabc #911 on abc #911abc #911 abc

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a-freemaniac · 5 months

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News from a crazy mind...

Sherlock, mental health and the support from a fandom.

When Sherlock becomes what the doctor ordered....

100 days lie between those moments.

100 days since I wanted to die.

100 days since I emailed Dignitas.

100 days full of struggle and hope.

100 days later I made it out of hell again.

A handful of people who showed me unconditional love during the hardest setback of my disorder career.

I will love them till the day I die.

And once again the Sherlock world saved my soul before I destroyed it myself.

A fandom full of kindness and support and a detective and a doctor who saved me in more ways than they can ever imagine.

Had a doctors appointment on Friday and I have one hell of a doctor.

Not as good as John Watson but highly supportive of anything that increases my strength.

We talked about a little miracle.

A miracle that sounds so incredibly stupid but it is such a huge thing.

For the past five years I have to take besides my regular medication in mornings and in the evenings a little extra cocktail of meds in the afternoon to keep my extreme nervousness in check.

I'm nervous and tense 24/7 and it takes a toll on my body sometimes.

It makes it very hard to sleep and to find a way to sit still.

So the extra meds are necessary..

Ten days ago I started to listen to Podfics and quickly discovered a new way to enjoy the Sherlock universe.

I'm 43 years old and retired since I was 39 because my body couldn't take the stress anymore.

I have some free times during the day and I made it a habit for the past ten days to listen to Podfics in the afternoon and again at night.

And suddenly I could sleep and, and here comes the miracle..

I forgot to take my afternoon meds.

Even more my body relaxed in a way I haven't experienced in decades.

My body was obviously as surprised as I am because since a few days I have to drink a coffee in the afternoon, otherwise I would fall asleep.

I can only drink coffee without caffeine which tastes awful but otherwise my nervousness goes through the roof and I shake like a leaf.

But now instead of taking an extra dose of anxiety relief pills I take a real good old black coffee full of caffeine after listening to Podfics.

And that sounds incredibly ridiculous but for me it is a miracle because for the first time in over 15 years I feel calm and not because of a chemical reaction but because of a human reaction.

I know @totallysilvergirl had no idea what would happen by telling me about Podfics but I will never forget it!

Back to my incredible doctor who saw the change from a person who was determined to end this endless circle of depression and anxiety to a person who smiles again.

Now he ordered a six months try of daily Podfics ( no joke) to see if my blood levels improves and accordingly my medication can be reduced.

He knows that in the past three years my disorder was always better during my Sherlock highs so he is actually happy about the new development.

Long story short ( too late I know)

Do whatever feels right for you!

Invent your own therapy!

Do what makes you happy no matter how unconventional it might be.

Because you matter!!!!

I attach you my new and exciting Podfic collection for you.

Maybe you will find something you like.

Of course everything is available in Reading form as well.

Be happy in your own, weird, wonderful way.

@keirgreeneyes @discordantwords @a-victorian-girl @bewitched-bullet @lisbeth-kk @whatnext2020 @inevitably-johnlocked @barachiki @babaybo @jobooksncoffee @rey-jake-therapist @missdeliadili @helloliriels @podfixx @johnlocky @johnlockpodficclub @johnlockficclub @peanitbear @strawberrywinter4 @chocolate1elise @kettykika78

#bbc sherlock #johnlock #john watson #sherlock holmes #fanfiction #fandom #alternate universe #sherlock loves john #johnlovessherlock #podfic recs are the staff of life #johnlock podfics #mental health #you are loved #you deserve it #you are not alone

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randomgirlyoudontknow · 1 month

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No one will probably read this, but as a long-time fan of ATLA (as in, I literally watched the show as it aired in 2005-2008), I wanted to share my thoughts on the live action. Let it be known that I am far from an ATLA purist––the original certainly had its own flaws and aspects that didn't age well, in retrospect. Despite the generally negative reviews I've seen from the fandom, I was actually very satisfied with this adaptation! But I’ve seen people saying that the characters were butchered, that it’s a soulless and superficial reproduction, and those who liked the live action aren’t capable of thinking/watching critically, which I wanted to push back against (I mean, I’m working on a doctorate in literature…I am quite literally incapable of watching anything uncritically).

The shift in tone to a darker, more mature one was a positive change, imo. It is definitely a much angrier show than the original, even if some of the characters were not as fiery as they should have been (*cough* Katara *cough*). Overall, while there were certainly decisions made that I didn't agree with (mainly related to pacing and narrative), I thought the cast and crew really captured the spirit of the original, and even added depth and nuance to parts I felt were initially lacking.

In general, I really appreciated the added emphasis on the cost and suffering of war and imperialism, as well as the depiction of the physical effects of bending. Now, I realize this is largely a matter of personal preference––for example, I'm very interested in depictions of war in fiction (I mean, my dissertation partially covers the impact of WWI on avant-garde art & literature, so...). But I've seen several claims that the live action glorifies war and violence in a way that is meant to traumatize the viewer, and I simply don't think that's true? While the original handled war, genocide, trauma, etc. in a phenomenal way for a kid's show in the early 2000s, it was also still sanitized when it comes to death and injury, to an extent that I feel like we, the viewers, almost lose sight of the fact that bending KILLS. Sure, we were exposed to its after effects, like the death of Katara and Sokka's mother or Zuko's scar, but there's something to be said actually seeing and acknowledging the very palpable danger that something like firebending presents.

I've even seen someone say that the show's depiction of "gratuitous violence" constitutes a "profound misunderstanding" of the source text, which I think is frankly a bad faith take. The death and violence, though more realistic, is still not a major focus of the show, nor is it glorified in any way. A glorification of violence would look like indiscriminate killing and maiming for the sake of edginess (looking at you GOT). We would see graphic depictions of death and injuries, which simply does not happen in this show (they even joke about the fact that we never see anyone die in Ember Island Players). War and fighting are still treated with the same depth and gravity as the original, only this time, the severity of its consequences isn't obscured from the viewer.

I also thought the show's handling of trauma (especially Katara's) was excellent. The choice to have Katara's mom's death revealed in flashbacks (specifically when around firebending) was something that really stood out to me. And the new characterization of Bumi, which I realize was quite unpopular, was another change I quite appreciated. His bitterness and cynicism seemed more in-line with someone who had endured 100 years of war and the suffering of his people at the hands of a brutal imperial force. Lastly, I was pleased to see the narrative attempt to address the role Iroh played in the Siege of Ba Sing Se (something that was absolutely missing from the original). The Earth Kingdom soldier confronting him and calling him a butcher was a powerful moment, for me. I truly hope the show continues to dive into this aspect of his character in future seasons.

Speaking of characters, I loved that we got extra background and insight into several of the characters. Zhao, for example, was unexpectedly quite funny, and his actor really did a phenomenal job of fleshing him out and making him feel like a real person (as slimy and smarmy as he was) rather than a stock, cartoon villain. And I have to give kudos to the actors who played Sokka and Zuko––they both did an incredible job of embodying their respective characters, in a way that felt highly reminiscent of the original. In particular, I thought the handling of Zuko's backstory was truly outstanding––perhaps even better than the original.

All in all, I felt the live action did a really nice job of balancing the darker sides with the light. While I've seen fans complaining that the show doesn't have the same goofiness and lightheartedness, I actually thought the humor worked really well––it was one of the few times I felt the overly ironic, Joss Whedonesque one-liners actually fit. Sure, the humor was a lot drier and more toned down than the original, but I nonetheless thought it carried the show's spirit well (loved that they let Sokka say “ass” not once, but twice). There were moments when I genuinely laughed out loud! I also appreciated how, despite the more mature tone, hope, friendship, and harmony still remained the most important aspect at the end of each episode.

There's a lot of room for improvement, but I was overall very satisfied with the live action, and I'm very glad that the series has been renewed. I'm very excited to see what the cast and crew does with the rest of the show!

#tl;dr i really enjoyed the live action #long post #there's honestly so much more i could say but my brain is currently fried #this is probably a little all over the place but i just finished up a book review and i am incapable of forming coherent thoughts #atla #avatar the last airbender #natla #natla positivity

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