Let us be brutally honest with ourselves and with eachother for a moment. If he weren't obese you motherfuckers would be capable of percieving evrart claires sexy sexy moral ambiguity and complex charms
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I'm talking to a machine
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I constantly think about how charlie only met vaggie 3 years prior to the series, lilith was gone for 7, lucifer had been distant from her for god knows how long, so. she really spent 4 years having no one huh? that's kind of just. really sad. finding vaggie and sheltering her was probably the most constant company she had in a WHILE
I think about how much implied DECADES of history and interconnections there are between the villains that we can explore dynamics set in the past, and then I think about charlie's lack of that and then I get sad. a good chunk of the main cast are characters she only recently met and most of hell's residents don't even respect her so it's hard to imagine who she really HAD before vaggie
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i don't think the spike girlies talk enough about how he was an upper-class posh dude who reverse my fair ladied himself so that he would sound cooler. like do you think he sat around practicing "the rain in spain" to make himself more cockney?
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Something I notice is the idea with transmasculinity and transmalehood is almost this idea that we had beauty that transition has vanquished, and I honestly never related to this pretransition.
Beauty was never afforded to me as somebody who was obviously neurodivergent and traumatized and weird. I was never seen as beautiful pretransition, and I knew that. Conversations about how desirable we "used to be" never rang true for me personally because I wasn't even given the opportunity to be "beautiful." I was never going to be included in that even if I were not trans, you know? Since transition, I know I'm desirable now, even if it is not in a conventional way. It's interesting how my masculine features are now embraced because people can actually register my maleness, when before, they would never.
Desirability is often used as a tool and a weapon on trans people. The idea of not being "desirable" is a punishment. It's just weird when you're the trans person who was never desired in the first place, and you know it.
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guess who
I've seen a few artists I like making human art and I got inspired to make my own.
First version was based just on their character designs and personality, and what inspired their look in the first place. Second version happened when I took into account their backstory and what I imagine human versions of their parents' would look like. I don't consider either of these "canon", because to me they're just trolls but it was a fun experiment to try.
Now back to our regularly scheduled programming of me drawing little colorful dolls
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imagining the story from pei ming's perspective is rlly funny i think. this god from all that time ago ascends again (you were there for the first two times) and immediately waltzes into a situation that fucks something up for your descendant (putting both of your reputations on the line, messing up how hard your descendant worked to become a god and how hard you worked to ensure that he would have that chance) and then refuses to let you smooth the situation out and on TOP of that your friend's little sister (who hates you and who you are trying to look out for by request of your friend) is on your case about it too. so you've gotta work all that out and then like. you chill for a little bit (still kind of upset about your descendant) until your friend undergoes a heavenly calamity. and then in the space of like A Day the god from earlier shows up again with a fucking ghost king, your friend dies, the little sister you're supposed to be looking out for disappears, and everything just kinda goes to shit. so you're like. grieving. trying to process everything. until your OTHER close friend goes off the fucking rails with the spirit of that guy she murdered, and then you get called out to the spooky ghost mountain where you're confronted with the girl whose death YOU were essentially responsible for and have never really come to terms with, and then like. you just kind of hang out with these gay people until everything resolves itself. fight some ghosts. fight the heavenly emperor. get your friend to stop being evil for a little while so she can fix the filing systems. and then you just have to keep being the god of love i guess
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There's a certain CCCC summary video that we really, really like. We think it is a great video for people if they want to grasp the story more clearly, if they're confused, or if they're listening to the album for the first time.
That video being Chonny Jash and the Weight of the Mind on Youtube by W3tBl@nk3t. We think they cover it really well.
However, I'm sharing this for a different reason; they say few certain things that really struck with us until now, that I'd like to share with the fandom. Sometimes, we see people really just.. Miss the point of CCCC entirely, and I'd like to shine a light on what was said here. If you'd like to hear this for yourself on video, the timestamp is 35:57-36:45.
“..I bet we all could relate to that, they are the prime example of the side of you that suffers and the side of you that hates yourself for suffering:
The side of you that just wants to slow down and feel everything even to the unhealthy extent of not being able to do anything else(1), but also the side of you that so desperately wants you to get over it(2).
Sure, laying in bed all day every day to rot isn't healthy, but neither is boiling things down and invalidating your own emotions. Both are paths to inevitable disaster, and that's what Chonny is doing here. Keep in mind that the idea behind this album is being whole, and that means neither of these sides are entirely in the right or the wrong; this album is about inner compromise and acceptance(3).”
1.) The side of you that suffers; Heart.
He is representative of Whole's emotions, he holds them. Your emotions can go haywire, especially when one's mentally ill and has no way of their feelings being validated. An emotional person like Heart suffers under the weight of crushing, devastating feelings. He wants to feel things out, have time to just process everything, even if it takes them days or weeks to get over it. It's not healthy, but feeling is what he does, and he wants to help because he knows he has importance. Solely focusing on just your emotions isn't the best thing to do, however.
2.) The side of you that so desperately wants you to get over it; Mind.
Many people have been there, have wanted themselves to stop wallowing in their own emotions and just do something else, even to the point where you think feeling things out is unnecessary. This is also unhealthy, but not intentionally. Like Heart, Mind just wants to help, everything he does is in best interest. This is what he thinks will get them to move on the quickest; to leave behind emotions and focus on anything BUT that. Also not the best thing to do.
3.) This album is about inner compromise and acceptance; About being whole.
Neither of Heart and Mind are right nor wrong. They have their own ways of doing things, of what they think will help their whole self out the most, but both are unhealthy despite the good intentions. They fight over who's wrong or right, when they shouldn't even be doing so in the first place. It's your thoughts against your emotions, basically; your feelings contradict your thoughts, and it leads to an inner war of sorts. This won't make things better, which is why you can't have Mind over Heart or vice versa; you'll need both of them. In the album, they are only able to be whole when they get along. They harmonize, they 'combine', they see eye to eye with each other and work together instead of fighting over and over. Inner compromise is achieved with this, and acceptance can lead them away from any disaster that there's to come.
What we're trying to say is that mental health is a large thing tackled within CCCC, and yet we see a lot of people who overlook it; thus, end up missing the point of the whole album. We see a lot of people believe Mind's perspective a little too much and treat Heart quite harshly, or the other way where people demonize Mind and say that Heart is perfect, when it's not really that in the slightest.
This is not a hate post towards people's interpretations of CCCC or how they view characters, I'm just saying that people can tend to overlook what's in the very narrative, and we see a concerning amount of people do such.
Anyways. Stream CCCC and put your Hearts and Minds in the get along shirt. Have a nice day.
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OK I JUST LOVE THE WAY YOU DRAW THE FAKE PEP‼️
So I wanted to know... CAN I GIVE HIM A HUG AND SOME KISSES? IT LOOKS LIKE A CUTE CUSHION IN YOUR STYLE THAT MAKES YOU WANT TO HUG 🥺💕
daaaaww, well, thank you, that's so sweet!! 🥺 and you guys have all been too nice, Fake's getting so much love lately it seems ❤❤
(and, everyone else would agree too, that Fake Peppino makes a pretty good cushion... but he doesn't mind too much!)
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DID YUO SEE THE GIF GLITCH JUST DROPPED-
I DID NOT AND DO NOT WANT TO.
Allow me to explain: I want to watch any and all Murder Drones episodes blindly without knowing or seeing anything on them. In fact, that's how I enjoy watching this show. Why, you may ask?
Because that's how I first watched the pilot.
I knew literally nothing about it. I didn't know who voiced in it, what it was all about, who created it... nothing. I just saw a thumbnail for a show that had to do with robots on the internet, and decided to watch it on a whim.
I was blindsided by everything. The first thing I did when N spoke was to very loudly exclaim "MICHEAL?!" And you know what? I enjoyed what I saw! It may have taken me two separate occasions to finish, but I enjoyed my experience watching it!
Did I know episode two came out? I was hyperfixating on something else at the time, so I only found out about it months later. And like with the pilot, I knew nothing about it. I hadn't seen any teasers or anything on it, so once again, I was blindsided by everything I witnessed. So on and so forth, for each and every episode.
It was easy for me not to see anything, because I didn't have reliable internet at the time. Therefore, I was completely unaware of release dates, I didn't see any teasers, I didn't see anything for any episodes.
Obviously, I could not avoid the one featured in GLITCHX, so it was unavoidable and is therefore the only exception to this rule. I am willingly choosing to commit to how I watch these next episodes, because it's been an enjoyable experience for me to get slapped in the face by every episode of this series so far.
And I'd like to keep it that way.
Okay, this is turning out longer than I meant it to be, so let's get to the point I wanna make: while this is the first news we're getting in a long while and it's certainly exciting, I am purposely trying to avoid seeing it so I can continue enjoying it this way.
Anyway, here's N playing the trumpet as an apology if I came off as aggressive at the start there. :3
wait shit was it murder drones related i blacked out when i wrote this
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I think the most unrealistic thing to me about Invader Zim is the fact that Dib instantly hates Zim. Like maybe this is just me but if I was an elementary schooler that was obsessed with outer space and paranormal entities living in a borderline-dystopian corporate hellscape and my dad neglected me, I had no friends whatsoever, all of my classmates hated and bullied me for being weird, and nobody ever listened to me or took me seriously, and then one day an alien in disguise showed up in class that only I could tell was an alien, I would absolutely not declare myself his mortal enemy and try to capture him to have him killed and dissected for the good of the human race. I would beg to be his best friend and hope he would take me with him as the world blows up
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show don't tell
(and how to apply it)
I know I write about this a lot, and maybe I should elaborate a little. "show, don't tell"—use description in your writing, rather than saying it outright. and I think the difference is, really, for the reader: whether they are in the story, or outside of it.
you know what we read for: to escape, to find a new world. but would you rather truly live the adventure, or skim through texts about it?
here it is, simply.
showing - describing, telling things to the reader without saying them outright.
telling - showing something to the reader without any fancy words.
and doing this, it makes the characters more real. tangible, not a fantasy.
but they don't need to be all the time. so when do you use it? an easy way could be to write it all out, the way you intend it to be. do you see the world felt, or a variation of it, scattered throughout the writing? try swapping out how they feel with description that shows the reader it. do you use adjectives such as "pretty", or "big"? they're variable in different situations. use metaphors, similes, to show us that's its' pretty.
and then send your writing to someone. to a friend, to a relative, for anyone but yourself to read it. you want them to think "oh, that's pretty", rather than you tell them, because how would they know? if they understand you intention, and if they feel something, you know you must be doing something right.
*though with all writing advice, I should say this doesn't apply to everyone! writing advice is advice, and that's all it is. excellent writers get by without applying this, and they get by with using this.
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doctor huh??????????
(on my current rewatch of new who I'm still stuck in 10 zone, and thus have to admit to something terrible. Apparently I am a Doctor multishipper to the degree that I've clowned myself into shipping Doctor/Donna romantically. I won't apologize for it, they protested too much and made me think about it. )
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