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#i don’t think so...
atrustfulplace · 2 months
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imagine: you are chilling in front you your house getting high. along comes an old family friend who you last saw when you were six, you are now in your 50s. after a brief convo where he is kind of a dick to you, he’s like damn you’ve changed :/. and your like yeah bestie it’s been five decades why the fuck are you here. he leaves. later that night a shit ton of people show up and trash your house. just throw and absolute rager. halfway through the family friend from earlier shows up. he announces in full earshot of everyone that he wants you to come with him to rob a bank. you of course say wtf??? one of the people who broke into your house calls you a pussy. another person shoves you a contract which declares if you get shot robbing the bank they will not pay for your funeral. you pass out. when you wake up you find the contract on your table and your house almost completely back to normal. you stare at the contract for a moment and decide, fuck it this is just as a good a midlife crisis than anything.
this is what happened to bilbo baggins
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elodieunderglass · 7 months
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changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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greykolla-art · 3 months
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Unstoppable villain, meet immovable agent of friendship!
I was wondering in what circumstances Charlie would just OFFER her soul to Al.
And he would short circuit as all his manipulation plans become unnecessary.
Cause Charlie cares about her friends and if they need help she won’t hesitate.
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jeida-chi · 2 months
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Was talking about the Fairy VS walrus poll with some friends which led to "but what about a walrus dressed as a fairy?" and so this was born 😌
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counting-stars-gayly · 4 months
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I’m actually LOVING how Rick Riordan, and the other writers of the show, took his initial concept of a Percabeth rivalry fueled by that of their parents and kind of turned it on its head?
Now, instead of Annabeth being wary of Percy because he’s a son of Poseidon, he’s wary of her because she made a callous impression on him. They get off to a rocky start even before finding out who Percy’s father is, and when they finally do, Annabeth doesn’t care. Instead of them fighting because of who their parents are, they’re fighting over their own opposed worldviews.
Then, instead of them arguing over which of the gods is cooler and who was right in the story of Medusa, they realize that, just like Medusa, Annabeth is a victim of her mother and that, unlike Medusa, she is a far kinder and stronger person, unwilling to repeat the cycle of hurt. They realize that, like his father, Percy often acts without considering potential consequences and that, unlike his father, he is a far kinder and stronger person, willing to step up for someone he wronged and whom he cares about.
Instead of Percy and Annabeth’s rivalry being focused on that of their parents, it’s focused on who they are, themselves. But the path to friendship is still the same: a realization that they have each other’s backs, no matter what, because they’re not their parents after all.
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bioshzrd · 3 months
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this random ass guy who’s entire bit is that he can move like this is the only good wesker fan ever
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theoldkyokodied · 7 months
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The Allegiance of the Ascended Vampire and the New God of Magic
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mumblesplash · 4 months
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i know it’s like years old at this point but i love that one collab mumbo and grian did with tommyinnit bc it’s like the single most concentrated example i’ve seen of mumbo’s Chaos Nullification Powers
you get to see a bit of it on hermitcraft, mostly via his interactions with grian, but until seeing that collab it didn’t really hit me just how completely mumbo can no-sell other people’s attempts to control a situation. tommyinnit is possibly the single shoutiest, most chaotic minecraft youtuber out there, and in most videos i’ve seen he pretty much overwhelms everyone else and sets the tone for interactions because of this. but mumbo just. doesn’t let him. no matter how much tommy escalates in intensity, mumbo reacts with *exactly* the same energy he always does. grian largely comes across in the whole video as annoyed and reluctant to engage with the whole thing, but mumbo’s not even affected. he just rolls with anything he finds funny and basically ignores anything he disapproves of, only seeming more and more unflappable the harder anyone tries to get a rise out of him.
AND imo, this is the key to my favorite interpretation of him as a character
see, when the people around him are being more reasonable/calm, i think mumbo often comes across as anxious and a bit easily overwhelmed. the thing is, his nervous wet cat vibes do not scale. he has one setting. his responses to the last life ‘ah-ha!’ jokes and to hermitcraft 8 starting to crumble to pieces under a falling moon are almost identical.
mumbo jumbo is inexorably and eternally Just Some Guy, but that gets stranger and stranger the weirder his surroundings become. the giggly incredulousness that makes him an easy target for goofy puns looks Very different when it’s also his reaction to the impending end of the world.
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glitchedcosmos · 3 months
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Yeah he’s fine.
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huanghying · 9 months
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That one time I got so obsessed with @hazel-athena ‘s Facade that I blacked out for 2 weeks and woke up to a mountain of sketches
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noodles-and-tea · 1 month
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Returning home
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forgetful-nerd · 6 months
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I love Donnie. In every iteration. I wish rise did this joke with Donnie and Leo. Then we’d have a complete set.
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FNAF puppet and Michael Afton got beef,,
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ibtisams · 6 months
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middleeasteye
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enderspawn · 1 month
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cleo reacts to joel’s new glow ink store (VOD)
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counting-stars-gayly · 4 months
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I’m going a little wild over the fact that Percy started feeling the effects of the chimera’s poison two minutes before he collapsed. I thought this part of the episode was weird when I first saw it because the camera focuses on him when it seemingly should be focusing on Annabeth, but then, I realized Percy’s odd behavior while he’s in focus.
He also turns abruptly, and a little late, to Annabeth, as if he just remembered to listen to her, as if he’d been distracted by something.
Then, this boy starts cracking jokes to cheer her up instead of saying, “Hey, something’s wrong; I could literally be dying.” And you can see on his face a few seconds before he collapses that the poison’s starting to really get to him, and still, he doesn’t attempt to get her attention and ask for help.
Then, when they’re at the fountain, he tells her and Grover that he’s feeling better even though he obviously isn’t, because he’s hoping he’s physically strong enough to pretend. (He falls on his ass.)
100% Percy just didn’t want to worry them and thought there was no way to find a cure in time anyway. I’M SCREAMINGG
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