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#i did infact make one (1) icon to test it ok....
ignitethespark · 3 years
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@onehell-of-apilot​:  ☝️ Tap my muse on the shoulder (right after Exegol battle)
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Adrenaline was running high even after the Fireball touched down on Ajan Kloss, and relief washed over Kaz as he clambered out of the ship and touched down on the soil. It took almost no time at all for those from the Colossus-- the Aces, Tam and himself-- to gravitate towards each other in the moment of celebration that enveloped the air. They’d done it-- they’d managed to take out at least a chunk of the threat.
Amidst the chaos of the aftermath-- the comedown and realization slowly leading towards energy fizzling down to something more manageable, Kaz hadn’t been aware that Poe had approached him until the older man was already tapping his shoulder-- then again, he’d figured something had to have been happening off the glance Tam and Torra had shared. The touch startled him into jumping and whirling around, but the confusion didn’t last for too long.
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     “Poe!” He’d already known Poe had made it through the battle, having caught sight of him meeting up with his friends earlier but even with that knowledge and the dissipating energy, Kaz couldn’t keep himself from throwing his arms around the man in relief, “We did it-- we really did it.”
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radicalrave · 7 years
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Ok, I'm going to present one of list of most favorite anime/manga/light novel series in mosaic in chronological order and will give reasons why I love series and made it on the list.
Reason being is cuz my tastes have changed over time and some series aged well and some didn't, and you'll see why that is when I give my thoughts and reasons.
However, I will give an honorable mention on here, since it won't show up on here. You'll come to see my patrician tastes as 4chan delicately likes to put it haha (yes, I'm a channer and I love trolling with the kids there hahaha that place is information gold that's real and legit.)
1.) Evangelion: Let's face it, this is like most people from the 90's top selection. Not only is it vintage for being around for 20 years and iconically dark for a dark shounen (boy's) series, it left a major impact on the industry and the world in ways that most people, even I underestimated. Infact, I'd venture out to say that this series has aged perfectly well compared to lots of others during its time period. It has definitely aged far better compared to Cowboy Bebop and Betterman and all of it's contemporary peers in the competition back in the day. Infact, we're a few years ahead of that series now, which is strange cuz most of us probably didnt expect to see life past 2010 and 21 hahaha. As a whole, this series was far better compared to everyone else. Now, admittedly, it was dark and has some themes that provoke good questions for society at the time in terms of "what if's." At the time, you can tell that the director was a major nihilist and didn't like the direction the world was going, and you can basically see that in his work here. I know I don't have much to say about this series and it does sound like a weak biased argument and apologize for that, but in all honesty, it's done one thing that most series in the 90's was capable of doing: Stand well against the test of time. THAT's what made it impressive. Even though lots of stuff in it are very much obsolete and clunky now. I mean... all that clunky stuff... its hard to believe we used to live in an ugly world like that at one point in time.
2.) FLCL: Now, I'll admit, it IS overhyped and overrated. I sometimes still can't see the big deal behind it, but I will say this, for a 6 episode mini series, it's directed well with excellent art direction all around on the topic of growing up and coming of age. Back then, it did look very mature and course, but now that I'm older, it's definitely a kids series which was admittedly a bit too edgy and dark for it's time, but, I think could have done better had it been more balanced out being a bit more colorful and lighter instead of darker.
I suppose at that time when pop punk and me was going around that time, and correct me if I'm wrong here, I believe Japan was going thru an economic crisis at the time, which is probably why there was such a negative foul air over the future and industry of Japan and the world as a whole at the time, politically and economically speaking.
The series can be a bit of a cool watch if you're into that era of time, but I would venture to say it's one of those that I'd definitely like to keep in my library, along with stuff like Super Milk Chan and anything else that popped up at that time. It was progressive in it's own way coming off very gritty and crunchy in it's own sense if you understand what I mean about the rough comic aesthetic that it gave off at that time.
3.) Gurren Lagan: This was one of the last Gainax series before they ended up closing shop, and not to mention, progressed past it's predecessors in being extremely fast paced. I loved the art and direction and it was fast paced that had excellent action scenes and novel epic art. However, my main qualms about this series, is that it should have just been 1 season long. I feel that it failed past the time skip in the last 10 episodes and should have crunched the last episode into episode 13, therefore, preserving and making it a quality series holistically instead of being watered down and suffering overtime like Death Note did after volume 7 when L died. In Bakuman, you can tell that Ohba and Obata (Ashirogi Muto) when they made their (Death Note; It's obvious people) that they wanted to end it there to preserve its quality as an art as a whole so that it doesnt suffer, unfortunately, the editorial and the shuisa jump magazine pushed for it, which is why we got a weird asspull with Mello and Near after, and you can see how they wanted to end Death Note with this.)
Now, Gurren Lagan, I liked the direction, it was ok, but it also had some misses too over time. It wasnt perfect, but the direction was fresh for it's time. However... personally speaking, if I were to replace this with another series that deserves an honorable mention, and it's directed by one of my current favorite directors in the industry right now, it's Re: Cutie Honey, based on Go Nagai's manga back in the 70's as one of the first and original magical girls to come and pop up with it's modern digital groovy colorful and psychedelic disco aesthetic. I really loved the direction and way it came out and would love to endorse how much I love the direction behind these kinds of aesthetics in anime and manga. Personally, I'd like to see both modern and old school and see how they age 10-30 years from now, just like alot of series I grew up with over the yeras. This however, is NOW 10 years old and remember when it first came out and the internet and DA was all big about it with Ryoko and all that, but I admit that it was a bit overhyped, I like it, it was a bit sometimes edgy and weird, the weird was ok, edgy, at least it wasnt but it would have been better had it been toned down even with coolness and make it more cartoonier and it would have definitely succeeded. The final fight scene in the series is the best and loved it and wished that it ended sooner than it did, then the series would have ended perfectly. The last 10 episodes of that season was watered down, the plot was weakened and honestly wasnt a big fan after that. It's one of those 7/10 that could have been a 9/10 in my book.
4.) Sayonara Zetsubou Sensei: THIS. THIS SERIES IS BY FAR THE BEST THAT HAS CAME OUT IN THE PAST 3 DECADES! What's frustrating is that it was poorly marketed, underrated and poorly localized. It is by far one of the best directed anime series of all time that I haven't seen been topped off or progressed in yeras. The closes to it is the Monogatari series which is based off the light novel series and directed by the same director who took up the project. You can tell by the direction with the slides and the timing of the scene changes. Zetsubou however was fresh, creative for it's time and progressive and to this day, I still consider to be and supposed to be the future of anime and manga.
Based off the manga series by iconic mangaka Koji Kumeta, Kumeta was one of those guys who taught me how important critical tone and dialogue is when it comes to witty batter and writing when it comes to screenplay, writing and manga and the guy lets his frustrations out with gusto. I haven't seen anyone come as close to how good this guy is as a writer other than Sorachi of Gintama fame, who is also one of my top and favorite mangaka of all time. As a quality series as a whole, I also put it up there with Death Note, but much higher. I like his simplistic art style that he has adopted past his earlier works and the art style that changes over time that sticks out and can tell, it's his. and both the writing and the art compliment each other well perfectly with excellent satirical critical tones. You can tell that his writing style is pervasive in Joshiraku, Impatient Count and the Time Thief and toned down in his latest work Kakushigoto. (Yes, I'm a huge fan of this guy who is underrated and not well known and honestly wish he would get better credit than he currently deserves and is by far one of the best creative driving forces in the industry I have ever come across.)
What makes this series tick out and perfect art the gags and the dark truth satirical tones this series takes. The characters are original and fresh and very likable, memorable and have a charm that makes them attractive. Basically, the way he designed them holistically is far better compared to anything that Akamatsu of Love Hina and Negima has done and basically executes his work with excellent precision. The topics the teacher brings up are interesting and basically rags on everything that annoys him as he and his students debate about life topics in and out of school. You can say its like a modern high school version of charlie brown peanuts with a bit of a Tim Burton feel to it, but not as macabre and also somewhat cute. I like how he questions politics and law as well in this work of his and perfectly concludes it with 300 chapters in 30 volumes with a pretty comical yet grim ending that people will come to remember as a holistically quality work worth keeping and remembering for the years to come. This ended about roughly 5 years ago, so it has been around for quite a while the past 12 years and has done a good job aging for that generation of people who were around for the Haruhi and Lucky Star hype back then. This one is easily a 9 or 10/10, cuz its that good.
Localizing may be tough, but its best to appreciate it for what it is. Its still never came over here considering how good it was back then, but I can still see it as future of anime kind of things.
5.) Tatami Galaxy: Now this one is admittedly a bit pretentious with being known as a fast talking anime series for an older audience set in a university setting. I love the art direction, but the theme is kind of redundant, but it can be fun to watch. It's based off a light novel series which apparently gets alot of positive critical attention overseas, but the direction for the anime, you can say that its equivalent to the speed of the voices for the dubbing of Speed Racer back then. Having seen Speed Racer in it's original intended language, I love it far more and it's more natural and relaxed and presented in the way that it was meant to be and honestly, I loved it.
This however, is one of those ones if you want an articulate post modern art college watch and want to kick back and relax, as it can be somewhat confusing as he goes back in time alot and redoes things with every episode till the last episode. You can equate it to that of Haruhi's 2nd season of the Endless 8 arc where the same exact thing except presented differently in each episode is done, but this was better, and was probably one of the biggest trolls in anime history of all time. It CAN be pretentious but it isn't completely per se either.
6.) Panty and Stocking with Garterbelt: OK... I lied... THIS is one of the best progressive anime series with best art direction of all time. It's very western animation influenced in western cartoon format and very colorful. To me, THIS is what I'd still consider and call the future of anime and still should be looked at as such. Here are reasons why. It's simple, not in depth or edgy and dark, but it was just completely perfect all around to the point that it seriously does deserver a 10/10 in my book. Hands down.
Lasting only one season with a trolling cliffhanger, it is one of the best episodic series I have come to watch and enjoy as an anime series of all time and wish that more anime would adopt the kind of aesthetic this series brought to the table. Aside from probably being the LAST Gainax series before the director went on to form Trigger the upcoming years with Kill la Kill, Kiznaiver and currently airing Little Witch Academia, it stood out for it's colorful art direction and cartoony feel that it had which I feel most anime SHOULD have. Despite the history of anime and manga being heavily western influenced by Disney and the country's earliest calligraphy and erotic paintings and shunga back in the pre modern times.
Now, it IS raunchy and not for kids, so let me emphasize when I say that when you watch the dubs or the original with liberal subs, it can be taken out of context at times, but still... it is very raunchy and not really kid friendly, the context in its original language is admittedly very crude, but not as crude as the liberals and americans tend to portray it here theatrically in its direction. Infact, it's so Raunchy, Adult Swim CAN'T air it here in the states, considering that AS is mostly for kids and teens in the day and age and not really adult shows. I've seen adult series and honestly, alot of what I posted aren't considered as such, This one is more like teens and older adult with childish and kid like theatrics and appeal which is what I really like about it. So... its probability for one of those extremely leftist liberal families that are cool with sitting with their kids and educating and explaining content to their kid with guidance so they can be mature NOT to do or say those things that is presented on here, but realistically, the statical odds of things like that are extremely small to most likely less than 1%.
Admittedly, it DOES need a 2nd season and there is a following and demand for it, considering the way it had ended 7 years ago in Christmas of 2010. It's one of my favorite art directions at the time for cool stuff like Danganronpa, No More Heroes or Mad World, lots of games with colorful comic noir aesthetics like that and is honestly at the top of my list as one of the best landmarking and progressive anime series of this decade that to this day, STILL hasn't been topped off at all. It's easily a 10/10 in my book, so do watch with discretion.
7.) Eccentric Family: This one, I caught this one a bit late. This is from the same writer of the Tatami Galaxy Novel series and illustrated by Koji Kumeta of Zetsubou Sensei fame, so you can see I have a bit of my biases of my favorite people in the industry who team up and work together on different projects, this is one of them.
The plot is very simple and not complex and its not deep or edgy. It's quirky and fun with some colorful playful humor with alot of Japanese folktale lore presented in modern day japan. This series is very reminiscent to that of Paranoia Agent and has features that are similar to it, though unfortunately Satoshi Kon hasn't been with us since his passing in 2010. What's great about this is that a 2nd season has been green lit this year and will be airing this year, so you will be on time to hop on and enjoy the ride with the rest of us on this fun and quirky ride of tanukis and tengu.
8.) Kill la Kill: I'm sorry but I'm majorly biased cuz I love Ryuko chan and would love to wife her as my waifu obviously. But joking aside:
Kill la Kill is currently Trigger's most popular magnus opus in the industry right now and one of their earliest works. They have put out some stuff before they put this one out. They later ended up putting out Space Patrol Luluco and Kiznaiver at the same time last year which both performed well, but never outshined Kill la Kill to this day and so far, Little Witch Academia with a few OVAs the past few years and currently airing is expected to be the next big magnus opus that will outshine it. I can see it and like how kid friendly it is and it can't, mostly for the semi nudity and side boob that it shows. Not that that's a problem, but lots of conservatives will have a problem with it and can lose an audience because of things like that when marketed and presented to the public.
It's one of the first project after the director formed it after working on Panty and Stocking and did other shorts such as Sex, Violence and Machspeed, which is a knockoff of Panty and Stocking with a different comic noir aesthetic and were cameoed in Space Patrol Luluco along with Sucy from Little Witch Academia.
This series is a semi kids series and love it and would love to own the anime BDs for sure. There are subtle hints of politics in this series in terms of life fiber and alliances in the series. It's NOT the best but its decent and ok and not as progressive or articulate compared to the others I have mentioned on here, and had it tried to be progressive in the timeline trying to progress past them as a quality art, it would have definitely succeeded as a 10/10 and mostly gets roughly an 8 or 7 out of 10. 8 cuz I'm being nice and love Ryuko, but thats not an excuse or reason to give it an extra point.
The plot was simple, it wasnt that deep or edgy or dark, its somewhat colorful and cartoony is what I like about it and its not raunchy or explicit showing nipples or anything, its simple. It can be seen as for adults and older teens, its basically a coming of age for girls outgrowing their high school years and questions the nature of humans in society.
It can be seen for kids, but mostly kids at the age of 10, but I can see it definitely see it being coarse. Now, it's not as course and raunchy and tantalizing compared to To Love Ru which is indeed raunchy in a good light and thankfully not disgusting, but there's easter eggs that you'll see in the art and expression of the series where you'll see exposed areas in the reflection of the series that bypasses the censorship laws in japan for manga and anime on tv to the point that Yabuki has been taken to court a few times because of upset parents. Basically, he would literally draw in very subtle stuff like a vagina and clitoris in the reflections in the art and would be easily overlooked and most people even editorial wouldn't notice but bypassed censorship laws that not even hentai artists could do. I remember a documentary of Anthony Bourdain's No Reservations when he went to Japan and sat with the mangaka who invented the tentacle rape to bypass Japanese censorship laws because of a loophole he noticed and exploited.
Same here, but he used reflections instead of blatant exposure. So if you read the series, if you look at water drops, metal reflectors or bubbles and mirrors, you will definitely be seeing vagina, penises and clitoris that you aren't allowed to be seeing and are outlawed on Japanese media but only because its bypassed censorship laws by exploiting a loophole found. This was noticed in To Love Ru Darkness, and the story behind it was kind of sad and understandable as Yabuki went thru a divorce with his wife who caused him trouble and left him being a single parent, so it was in a sense of him retaliating and venting off his anger and frustration off of society and pushed the border which gave him the name (madman yabuki.) He is known for his earlier work Black Cat which ended prematurely on 20 volumes last decade and is the main artist and collaborates with the writer of the series. But is known to be raunchy and cleanly tantalizingly provocative for sure.
So there is debate, its questionable, its hard to categorize and tell at times (sorry, psychology talk here) but its definitely memorable for Ryuko and the trigger studio for putting another quality series out there. Personally, had the plot, direction and writing been better with better art direction all round in being progressive, it could have easily gotten a 10/10 in presenting something in a way that's unique and in a way that's yet to have been done before, there aren't much annoying tropes which I liked about it, but still, had they done better research, worked harder and didnt half assed it and outperformed, I would definitely have been raving about it for yeras to come and age well to landmark and progress the timeline of the industry's history.
9.) Last but not least, SPACE DANDY: I LOVE THIS SERIES. IT's colorful, brilliant, hip and amazing all around and definitely Watanabe's best work as an anime director the past 20 years. This series definitely outshines any work he's done with Cowboy Bebop and Samurai Champloo combined by giving it a colorful and quirky cartoony feel and making it enjoyable and fun to watch that's not dark, but it's unique and experimental in the story telling models and style of series for what it was. Rather, it wasn't episodic, but there was lots of academic themes in science and philosophy that are mentioned alot that surpasses sci fi in the past which is WHY it's currently his best work, It's brilliant touching up on topics such as physics and mathematics, the pure sciences and talks about stuff such as different dimension, time travel, and the like and he does it in such a way that its excecuted perfectly and enjoyable to watch all around as a holistic watch. Over time, Ic an see it aging well for the next 10-15 yeras, depending on how society, literature, thought and technology goes and progresses over time. Its definitely watanabes best and creative work, even though he has experimented and messed with mixing things up with different cultures and time periods, this however, was not so much as by the book, but he takes that and applies it and get creative and makes it better and doesnt try too hard like he did in the past, but keeps it simple. THAT shows true mastery. Its similar to that of Ashirogi Muto's current project Platinum End. By the book, but applied and creative past that, and that's exactly what Dandy did. Though, his work after Dandy; Terror in Resonance, was his weakest and bad project and waste of funding since it was a culmination of everything that happened the past 2 decades all rolled up in one and dont consider it creative or great at all in all honest and one of his weakest efforts as a director.
I enjoy it far more than bebop, bebop wasnt as great as I got older, mostly because I realized that Spike was a loser asshole who basically had an affair with someone else's woman and basically caused a shit storm over selfish ambition and in all honesty, dont consider him cool in the least, but rather, just a complete fucking asshole who thinks he's cool when he won't admit it when in all honesty, he's really the bad guy in all this and all this plot would have been avoided, had he not been such a complete fucking prick (yeah, school teaches you to think very differently.) Dandy on the other hand may be a loser, but he's a loser with a good heart and good ambitions whose kind of like Gintoki, not as good or cool, but he has his own charm which is what makes him great. Dandy is indeed, one of the better works of his career and catalogue and very proud to say that this is something that I'd own in my library on BD for sure. It's tough to give this a 9 or 10 out of 10. I'd say 9.5, but for the sake of rounding off and keeping it simple and as to how much I liked it and trying my best NOT to be biased, I'll just be lazy and keep it simple and say that this series deserves a 10/10 for not just being what I mentioned earlier, but because this series offers alot of variety and diversity like Bakuman did, and you can tell that Watanabe experimented and exercised alot of new things and tried many many things that made this series so great. It's down to earth, kept simple, fun, colorful and enjoyable and definitely one of those realistic satire that did question and bring up things in today's societal issues.
My advice, don't get put off by Boobies which is like Hooters, keep it simple and don't get too deep or complex about it, thats where you go wrong already for critical analysis, keep it simple and say that it also keeps in touch with reality when it comes to human nature and the true nature of the world all around us that the truth is, nobody really knows anything at all in a socially constructed society that we all in this day and age live in consciously and unconsciously. That's what makes it a very great series in general. I'd consider it a family friendly series which is why I give it a 10/10. It's not disgusting, provocatively grotesque and raunchy, but very clean, fun, comical and enjoyable for ALL ages. No matter what culture or where you're from.
10.) Honorable Mention.
OK, I'm getting tired, but this one HAD to be mentioned cuz it's really good and deserves a mention:
Monogatari Series. I had a hard time choosing between this and Eccentric Family. Both are not well known and obscure, but... I decided to give it to Eccentric, because its not as popular, so it was hard to choose between the two.
Based on a currently ongoing and popular Light Novel series, the series follows around young Arrarragi, who basically becomes a half vampire after getting bit by one. What makes this series stick out is the dialogue and relationships he has. There's lots of drama and interaction but done in the intelligent and pretentious way. Not as pretentious as Tatami Galaxy, but you can tell it can be.
It is directed by the same guy who directed the Zetsubou Sensei anime, so you can tell with the slides and screens and timing the series has with it's own unique style and aesthetic. Now, what I really love about this series is the girls he talks to, their curses and the art direction. It's beautiful. I love how articulate and artsy it can be and you can tell its pretentious, but its not annoying or smug about it. It tries to keep it simple, but some characters are alike that. I'm a huge fan of the series, I love how it's progressing and indecisive it can be. Its got its own feel but can be cartoony and you can tell what references they refer to.
I love this series alot, so far, it's got a good 7 or 8 out of 10 from me. I'd definitely like to buy the novels and books if localized, but its definitely one of those honorable mentions that needs to be put out there cuz of how good it is and the staff involved in the project behind it and really enjoy it for what it is. Its good art watch if you want something progressive. It is somewhat progressive but still doesnt top off zetsubou sensei, its kind of the same but more artsy... they're both artsy... but int heir own way and comes later, but in my opinion not as good, but its still good and doesnt lack. I really love the dialogue and interaction in this which is what makes it enjioyable to watch.
And that's it... its alot but I will post more later. I will post a favorite of favorite manga/anime adaptations. It'll be stuff like One Piece, Gintama, Death Note, Bakuman, Rurouni Kenshin, My Hero Academia, D. Gray Man, Assassination Classroom, Hunter x Hunter, FMA, Yuyu Hakusho and Embalming: Another tale of Frankenstein. They're mostly Jump series as you can tell, but I like them alot and enjoy them a great deal and will give my thoughts and opinions of them later on. Thanks all.
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