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#i am also trying to write my own take on the episode where they get Crosshair’s chip out
m3r1m4r5u333 · 3 days
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I feel like many people misunderstand us, the unhinged, insufferable people with OTPs so. Here's a quick guide into the mind of an rabid buddie shipper.
I'm not clinging to buddie because I fail to see how awesome Buck's bi growth is. I AM BI!!! You think I don't get how awesome this bi character, this story arc, this bi representation is? Get out. Don't tell me, a bisexual how I should watch and experience a bisexual character. I drive my own brain, thanks.
And I know that it's possible to multi-ship. You don't need to tell me that!!
People need to understand that multi-shipping isn't some grand, epic personality trait that always comes with maturity, that the people who don't multiship are just wee dumb babies.
I may sound like I'm 14. I am not. I am very much not. I'm OLD. So old. And guess what that means? I know myself!!! That's maturity, too. And who I am... Is someone who falls hard, and obsessively.
I know I am just not built to be a multi-shipper. I have tried, sometimes. I have tried so hard. And realised, that's just not me. Multi-shipping is never as fun, and interesting or rewarding to me as focusing on my One True Pair. It just makes me feel suffocated, to attempt to like something I don't really find much joy in.
That doesn't mean that I hate the actors or characters who are "getting in the way" of my ship. Nope. I actually often adore the characters and actors, and the writing. I can also see and appreciate what some other character means for my OTP's growth.
Like in this case... Lou, playing Tommy? Not only do I love his acting choices (so funny, so skilled) but he also, he sounds like a lovely guy. I'm a fan!! Also, damn he's fine, I need a bucket for my drool.
And Tommy, the character...? I think the character is interesting - and don't get me started on "problematic", the shaming is futile. I am all in for fucked up, problematic characters. If you don't get why, you should really read some literary classics. Fucked up, problematic characters are art, they make you think, they broaden world-views. My best educators have been the monsters, and I will take this stand to my grave.
Demand for "unproblematic" is demand for censure, and censure is just another form of oppression. Want characters without flaws? Go watch Teletubbies. Ffs, even moomins have flaws. (Of course they do, Tove Jansson was a freaking amazing writer.)
Anyway. The point here is.
I am a mono-shipper. And I love slowburns, I love the romance of them, I get attached to ships. And I'm queer.
But where are the queer slowburns? I have been waiting for a slow-burn queer romance for so long. I CRAVE IT. Getting that, truly, would be queer history, a revolution.
And I see the potential for it in buddie!! The spark, the history, the journey. It has the potential to be the greatest queer slow-burn I've ever experienced.
You think I'd just abandon a ship like that, a slowburn like that, for some fast food, cooked up in what... Two episodes? Pffft. I invest. I am waiting for my roast to cook.
So yeah. I'm not going anywhere. I will watch, and let my freak flag fly, and I will have the time of my life. If buddie never becomes canon? Well so what. I can deal. It's not my first rodeo. Disappointment isn't actually deathly, you know. Trying to avoid disappointment kills hope, and enthusiasm. So yeah, I refuse to manage my expectations. I'm all in, and enjoying this mad ride.
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"Well, I'd still take you."
"You think so?"
"I KNOW."
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williamrikers · 11 months
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On the subject of consent in recent BLs
In this analysis, I will take a look at several love scenes in recent Thai BLs, how they frame consent and the sexual agency of the characters, and why those matter.
(KinnPorsche deserves its own post: I’m sure people have already written in detail about how much emphasis is placed on issues of consent/non-consent throughout the show and how fundamental consent is to the relationship arcs of both KinnPorsche and VegasPete, and I won’t belabor the point here. Also, special shout-out to The Warp Effect for what it brought to the conversation about gay sex, but TWE isn’t technically a BL so I decided not to include it in this analysis.)
I am going to take a closer look at the following shows in this essay: Not Me, The Eclipse, A Boss And A Babe, Step By Step, and La Pluie.
Not Me and The Eclipse predate the other shows by two years/one year respectively, but I feel it is valuable to include them here because both show very explicit negotiations of consent that I feel are spiritual successors to the wonderful scenes we’ve been getting in the other three shows.
Why am I even writing this? There used to be an unfortunate tendency in the genre to have a power imbalance between the “seme” and the “uke” character, which translated into the seme deciding when to have sex and what kind of sex to have—and even though recently, several shows have done good work in dismantling the seme/uke dynamic and questioning the associated stereotypes, it cannot be denied that the archetypes are still an important part of most BLs, and even in cases where the tropes are played with and questioned, understanding those subversions still requires a knowledge of and familiarity with the original tropes on the part of the audience.
However, gone are the days of Until We Meet Again and Dean’s “I’ve waited long enough, make sure you’re ready.” (I enjoyed UWMA a lot but that was. Yeah. Not Great.) Now, we see characters actually talking about and negotiating their limits, and doing what feels good to them.
Let’s start from the very beginning. Not Me was an absolute trailblazer in this regard, and not mentioning it here would be a gross oversight. The first time Sean and White have sex, it happens in their version of the beach episode. (Which, in Not Me, is the two characters briefly living in a tent inside an abandoned building. This show is the best.) Sean and White are removed from their usual environment and protected from the outside world by two barriers: the walls of the old house and the tent that’s literally enveloping them and giving them a space that is unequivocally theirs, shared, in which neither one of the characters has any sort of power over the other. And what happens in that space when they’re about to have sex is extremely interesting: the first thing Sean asks is whether White is afraid of him, which White denies. The following exchange goes like this: White: "So, what are we doing?" Sean: "What should I do to you?" White: "That’s up to you." (Watch the whole scene here.)
I find this exchange incredibly meaningful because this already turns the seme/uke dynamic that can be found in a lot of other shows on its head. OffGun as a branded pair can easily be stereotyped into the seme/uke dynamic just because of their physical appearances, and clearly spelling out that both characters have agency in this scene is incredibly important.
And then it gets better! Sean assumes that White is sexually inexperienced (which is not true but the fact that White was actually in a relationship with a woman back in Russia never comes up again after the pilot episode, so maybe the show expects us to assume this, too), and suggests they try different things and White can tell him what he likes and doesn’t like. Compared to the stuff we’re getting now, this scene isn’t very high heat at all, but it’s one of my favorite intimate scenes ever because them asking each other “Do you like this?” after every kiss, every touch, is so incredibly unique and transports a wonderful sense of figuring out sexual pleasure together, as a couple.
Sex in Not Me is not something one character does to another, it is something that is discovered and shared together, and we even get an afterglow scene in which they gently tease each other about their fast beating hearts. (And don’t get me started on the importance of White choosing to ask Sean whether Sean is okay with White not being like Black in that moment right before they have sex, because he doesn’t actually want to have sex with Sean as Black! He wants to discover and share intimacy with Sean as White, as himself, not as his brother! The layers!)
Anyway, I think that scene paved the way for a lot of the conversations around consent we’re now getting in BL, just because it is so explicitly, unashamedly putting forward a definition of sexuality that has nothing to do with one character actively giving and the other passively receiving, but frames intimacy as something that is built together. (More on giving and receiving later!)
Now, moving on to The Eclipse. I decided to include the first time Akk and Aye have sex for a different reason: while we don’t really see them actually talking about consent, we see them practicing non-verbal consent. Let me explain. Akk’s and Aye’s whole thing is teasing each other. At first, Aye is usually the one doing the teasing, but Akk gets the hang of it towards the end of the show and teases his boyfriend right back. When they’re in Akk’s childhood bedroom together, Aye clearly alludes to the fact that he thought they might use this opportunity to have sex for the first time, which Akk pretends not to understand, all while alluding to it himself. I love this guy. (Watch the whole scene here.) Anyway, Akk says he wants to sleep, lies down and once again, tells Aye jokingly he just wants to sleep, clearly expecting Aye to do what other BL protagonists do at that point and not take no for an answer (sidenote: I HATE the “saying no as foreplay” trope with a passion and as far as I’m concerned it should die already).
However, Aye is not like other BL love interests, and he backs off. He stops touching Akk, lies down with his back to Akk, showing Akk that he takes him by his word: if Akk says he wants to sleep, Aye is going to let him do just that. So now, it’s on Akk to say that, no, that’s not what he meant, can Aye please come back to cuddle. And then Akk is the one to escalate from cuddling to kissing, which is extremely important: we know that Aye has been ready to have sex with Akk since forever, it’s Akk who’s been having hangups about intimacy this whole time.
They don’t put consent into so many words on this show, but Aye shows Akk that he respects his limits and that Akk only has to tell him he doesn’t want to do something and Aye will take him at his word.
So, these are, to me, two foundational scenes of establishing consent: one that shows consent as something that is established verbally, as an ongoing conversation, and one that shows consent as something that is established physically, by showing your partner that you respect their choices and limits by way of simply acting accordingly.
Now, let’s get into the fun part: scenes we got so far in 2023. I’m writing this post on the 13th of June, and I’m sure this year still has some great things in store for us, especially because Step By Step and La Pluie are both ongoing and neither of the main couples are actually together yet at time of writing. However, they’ve both already given us AMAZING scenes on the topic of consent, so I feel it is worthwhile to write about those already.
I want to start off by talking about A Boss And A Babe.
Let me just preface this by saying that the intimate scenes in ABAAB are some of my all time favorites in BL ever, because in them, sex is something that is just so normal. When Gun and Cher have sex, we don’t see them very passionate, excited, reluctant or wide-eyed innocent (which are some of the emotions traditionally associated with sex in BL). On the contrary, in every single scene that shows them being intimate, both characters are incredibly calm. They’re certainly happy to be with each other, but in a subdued way. Someone described their second intimate scene as them seeming like they’ve been married for a few years. They’re both just… incredibly normal about having sex with each other. It’s simply something they like to do together. It’s a part of their romance but it’s not more or less important than any other aspects of their lives.
And consent is at the very heart of it.
When Gun and Cher have their first time, we see Gun explicitly asking for consent two times: first, “Can I kiss you?”, then, “Can I do more?” The second one even comes with the promise that if Cher says no, Gun will immediately go to sleep without mentioning it again. And then it is on Cher to say yes, to pull Gun close and kiss him to show him that he is comfortable with taking things further. (In the show, these two questions were shown apart from each other, I cut together a version of the whole First Time Scene in its entirety, watch it here.)
Now, things get more interesting: the second intimate scene shows Cher initiating the encounter (watch the whole scene here). Cher pretty consistently falls into the uke category, both physically and as far as characterization is concerned, but he’s certainly not shy in the bedroom. And this time, he’s the one who asks for consent from Gun: Gun asks “You’re starting it?” and Cher’s response is “Can I?” Despite him being framed physically lower than Gun, basically at Gun’s mercy, he still seeks confirmation that Gun is okay with the way things are going. Not to overstate it, but to me, this feels revolutionary. Once again, we’re being shown that sex is something two people do together, as a shared activity, and that the “seme” character isn’t expected to just be up for it. He, too, has the right to say no.
On this show, sexual agency is taken extremely seriously, and it is clear that both Gun and Cher give each other space to decide what they’re comfortable doing. This is shown in non-intimate scenes as well: there are so many moments on ABAAB in which the characters negotiate physical touch and closeness, asking each other for hugs before actually hugging each other, Cher leaning on Gun’s shoulder in the car but not allowing Gun to touch him because that’s not what he’s comfortable with in that moment, and so on. (The only exception to this otherwise pretty consistent rule is the kiss in the car scene, which I’m still extremely confused about because it seems to go completely against Gun’s character. Who knows what happened there.)
Of course, the fact that so much emphasis is placed on negotiation and consent isn’t surprising on a show that has such obvious kink undertones and whose Our Skyy 2 entry basically consisted entirely of Dom/sub roleplay at work—I’m just saying, I think someone on the writing team is way into BDSM and knows all about the importance of enthusiastic consent from all parties involved, and I would like to send them flowers.
Step By Step hasn’t really reached the point where we can analyse the dynamic between the main couple (although we can take some educated guesses based on the interactions we’ve seen so far). However, last week’s episode had an extremely important scene between Pat and Put: Pat wanting to have sex with Put, then changing his mind mid make-out (watch the whole scene here). I really like the way this scene was done. No matter how shitty Put treats Pat at times, in this instance, he immediately understood and respected Pat’s change of mind without Pat even saying or explaining anything—at the end of the episode, Put says to Pat that Pat should tell Put when he feels ready to have sex. (We already know this will never happen because of course, Pat and Put are not endgame, but I do appreciate the sentiment.)
BLs rarely include a whole storyline in which the protagonist is in an actual, serious romantic relationship with someone other than his endgame love interest (hi Moonlight Chicken!), or if they do then just to up the angst factor. In this case, however, I feel that this scene raises our expectations for Jeng even further: if the guy who is definitely not a romantic match for Pat treats Pat with this much respect in the bedroom, then Jeng has to do at least that and then some. I do feel confident that Jeng won’t disappoint in this regard, but it’s fascinating to see a show frame this kind of respect as the absolute baseline minimum, with the endgame love interest expected to do even better.
Now, the one you’ve all been waiting for. The one that made me write this whole essay in the first place: La Pluie.
Oh boy. Where to start.
A week ago, we got an incredible make-out scene on Saengtai’s floor, which ended in Patts stopping the encounter because he could tell Tai wasn’t really comfortable taking things further—@bengiyo talked about that scene in detail here. And then, three days ago, La Pluie gave us the most unique, trope-defying, timeline-changing blowjob scene of all time, and I want to talk about it.
Tai and Patts are making out on their bed, Tai is not ready to go “all the way” and stops Patts from undressing him. We see a very realistic frustrated reaction from Patts, who nevertheless immediately stops and accepts Tai’s wishes—it is clear that Patts does not expect things to go any further at this point, and that he won’t pressure Tai into anything.
And then, Tai offers to blow him.
(Unfortunately, this show is only on iQiyi so I can't link to it, but you can get a good impression of the scene here.)
I mentioned the concepts of giving and receiving earlier: other people have said this more eloquently than me, but there is a tendency not only in BL but also in wider society to view sex in terms of giving and receiving, with a lot of expectations and stereotypes attached to the roles during different sexual acts. On other shows, that blowjob might be framed as a consolidation or an apology, something that the giver does out of a sense of obligation without enjoying it much. Not so on La Pluie! Tai is shown incredibly happy and satisfied afterwards, both when they’re sleeping next to each other, as well as on the morning after (see also @ginnymoonbeam's post about that here). Tai offered to blow Patts because he simply wanted to, not motivated by guilt or anything of that sort. And he genuinely enjoyed it! In the post I linked above, @bengiyo points out that La Pluie consistently centers queer desire, or more specifically in this case, male desire for a male body; much in the same way that the camera fucking loves Force’s body on ABAAB: the sensuality of the skin, the hands, the abs, the flat chests, the broad backs and shoulders of these men is explicitly emphasized, and Tai’s desire for a dick in his mouth is made absolutely crystal-clear. Of course, since this is a TV show and not a porno, we only see Patts’s thumb in Tai’s mouth instead of his dick, but the imagery, the implications, are clear as day.
And it is such a gentle framing, too: Patts caresses Tai’s lip lovingly, Tai opens his mouth slowly, seductively, then faces Patts’s crotch with a soft look on his face. We do get a clear sense of this encounter as tender, and gentle, and most of all, desired. Tai’s queer desire is at the heart of this scene, and at the heart of the afterglow scene as well. He wanted this man’s dick in his mouth, openly suggested it, showed Patts he was sure about his decision after Patts asked him whether he was, and ended up clearly happy and satisfied with the sex they had. This post, also by @bengiyo, goes into more detail on that.
This, once again, shows us sex as a conversation rather than a series of predetermined acts, shows us sex as a shared activity, as something that can be wonderful and intimate and make people happy without following what society views as “the correct steps”. I think this is extremely important because one part of queer identity is figuring out one’s own relationship to sexuality, one’s own desires and needs, and BLs that ignore this aspect fall a little short in my opinion. Sure, those men are kissing, but do they experience queer desire? Do they experience joy in their queer desire?
For me personally, a show that does not shy away from these questions is a lot more meaningful than a show that does, and consent is at the heart of it all. By framing sex as a conversation, as something that is built and shared together, the shows I looked at here are actively positioning themselves against the idea that there should be predetermined roles for partners during sex, and instead suggest that queer joy can be found in communication and consent. Understanding sex and intimacy as something that is built together, with both partners as equals in conversation, is just as radically queer as a man waking up with a smile on his face after giving his soulmate a blowjob the previous night.
And quite honestly, a male character who clearly, passionately, unquestioningly communicates that he wants a dick inside of him—that is incredibly sexy. But maybe that’s just me.
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petrichorca · 25 days
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Hello, I am slowly figuring out how to use tumblr effectively. I thought I'd give an update on fics I've written in 2024, but keep forgetting to talk about here in a meaningful way.
As We Go Hand in Hand (explicit, gentlebeard, 7100 words) follows Ed as he processes the past few months while living on the island with Stede, massively in love but struggling with himself. I wrote it while feeling a lot of delayed grief around the (confirmed) s2 cancellation, and while it's sad at points it's also quite romantic I think. I really love this story.
Behind Closed Eyes All I See is You (explicit, gentlebeard, 5300 words) is a smutty PWP my dear friend @chaoticturtleturtle invited me to write with her. Stede lets Ed take the lead in a scene with some sensory deprivation, pwp, and aftercare.
like sugar to my heart (mature, gentlebeard, 4200 words) is a silly fic I wrote for my Animorphs OFMD AU co-writer as a birthday gift. Our blue four-legged four-eyed mouthless alien Stedeth gets foiled by a vending machine (based on the tumblr art of the giraffe centaur), and Ed consoles him.
like a bird (teen, gentlebeard, 3700 words) with @ghostalservice gives some backstory about Stedeth's life prior to the events of our 177k fic and features some very cute art of Mary and Stede's children (as Andalites, of course) by @theogem
Stede’s Cursed Red Suit as a Metaphor for Grief and Moving On (teen, stede + izzy, 1717 words) explores the squishy time of season 2, episode 5, and the dynamic between Stede and Izzy in season 2 overall. I am also obsessed with how Stede acts in the cursed suit. I find their s2 relationship really interesting so this is me looking a bit at that via a missing scene starting with Stede yelling OH FUCK OFF.
Calypso’s Dawn (explicit, gentlebeard, 1800 words) centers around how Ed made his boyfriend blush the morning after Calypso's birthday and how Ed feels about it. I love this fic. I've been trying to challenge myself to write more self-contained, shorter stories and this one turned out really well imo.
Life as a Series of Forward Rolls (teen, gentlebeard, 9900 words) features Stede running into his teenhood crush, the gold medalist in men's gymnastics from the 1996 Olympics. This fic also centers around a Barbie doll in Ed Teach's likeness, which @swashbuckling-sweethearts made an INCREDIBLE art of (embedded at the end of the story), inspired by my own 1996 Olympics Barbie. Silly and light modern AU!
Did you mean to do that? (teen, gentlebeard, 700 words) explores Stede's grief around Ed dying, even when he knows Ed is alive. I had no idea I would be so interested in writing missing scenes, but long conversations with friends have really ignited me in exploring these. (The length - I was trying to channel @brigdh, whose ability to write devastatingly brilliant drabbles inspires me, and I'm pleased with this one!)
Perfectly Ordinary Tuesday (mature, gentlebeard, 4900 words) with @ferventrabbit follows Stede and Ed deciding to get married on a perfectly ordinary Tuesday, and drag their inn guest Dave along for the ride. We split up writing the vows, and I balled my eyes out writing mine and then reading em's. This story is fluffy and fun, and it was a great way to start 2024. :)
What's next: I'm working on or noodling a lot of projects, solo and with different collaborators. Imminently, I've got a fic with @veeagainsttheday coming for AUpril on April 1st. Hoping to get something else out in April for @ofmdjanuaury's AUpril 2024 event, which I highly encourage folks to check out - it's for all sorts of creators!
@ghostalservice and I continue to think about our blue alien Stede and his human boyfriend Ed. Wanna Fly Away was such an important project to me while we were writing, and it's become even more special as folks find it. WFA now has art embedded in most of the 15 chapters, so if you haven't seen those check it out. More to come in that space.
Where was I going with this? Well, I suppose I want to say I'm still here. OFMD changed my life, and the OFMD fandom community is deeply important to me. I still hold out hope for a third season, or a follow-up that brings us more closure, but no matter what I'm still thinking about our pirates and will for a long time. If you read this far, thanks for being part of my community. <3
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bonbon-bonny · 3 months
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I don't usually write a whole lot but I wanted to talk about this for a moment
Ahem. *flips through notes*
So I loooove Sailor Moon. Specifically the 90s version. It was my favorite show growing up. My home life was difficult and to see someone like Usagi with a perfect family, a perfect boyfriend etc. getting to live her best life despite the fact she herself wasn't perfect was too easy to become a bit obsessive over ^_^;
well, let's just say I wanted to be Usagi just a bit too much because my world, my family (Side note: I looove my family! They did the best they could to take care of me growing up, but we had to deal with an unusual circumstance that made it hard for all of us), heck just even being myself didn't feel good enough and frankly it left me having to confront a lot of issues just to be okay with who I am now.
And of course ,naturally, I looooved Tuxedo Kamen XD. On the outside to me, he seemed perfect; a knight in shining armor.
But I always kept running into a particular conversation which is "why do you like him so much tho? He seems like a jerk. He seems so different from her. He never shows her affection. She'd be better off with someone like Seiya who's more on her level. He's useless. He's bad for trying to help her because she's a girl boss and doesn't need to be rescued." Like, seriously the amount of criticism I've heard towards this character is wild and he literally gets attacked no matter what he does.
And you know I get it. If you just look at it from a surface level it's easy to maybe get that impression of him but after one particular conversation I was having with a friend of mine about it I stopped and asked myself why. Why does she like him? why does he like her? how can two people who outwardly look so different from each other ever be in a healthy relationship? what could the two of them possibly have in common?
So I did what I do best and I watched the show I grew up with carefully. I observed him. I watched the things he said and did. And in the end I reached several conclusions.
Mamoru isn't perfect, at least in the beginning, but he's always trying to do his best to be. With almost anyone else in the show he's usually calm, collected and somewhat reserved. The only person besides Motoki he seems to act out a bit with if you can call it that IS Usagi and half of the time it's not even that he's actually being mean.
[IF you watch the Japanese version with subtitles, because in the English dub? Ooph! they changed so much of his dialogue and gave him such a smirky voice it's hard to listen to him without wanting to punch him in the face imo.]
It's that the way she perceives him is off. Also, sometimes it's not even HIM that starts the arguments.
Sometimes SHE'S the one who starts their spats and he snaps back at her. Sometimes she hits him with shoes and papers and doesn't seem to care.
One episode that comes to mind is the Dreamland episode where the toy train stops and she rams into him. All he did was look at her and say hi and immediately she got defensive and started making fun of him.
Making fun of an orphan sitting on a toy train who most likely was just trying to do something fun that he never got to because he didn't HAVE a family to take him as a kid.
Seriously. If you were to be in his place, going through this world, it's rather scary, stressful, terrifying, and uncertain.
He didn't get a magical talking cat to walk him through his powers. Instead he got seizures and psychic visions, and a past life version of himself that took over his body without consent until he finally got the rainbow crystal and understood what was happening around him.
He gets amnesia not once but twice, kidnapped several times, and gets trapped in his own mind twice ala brainwashing by beryl and Nehelenia and by stars I wouldn't be surprised if half of the reason he went to study abroad instead of staying with Usagi is because he was afraid if he did he'd only continue to be a burden for her, because the man hardly has any dialogue and seems almost catatonic.
Also let's be real here. As amazing as it was for him to meet and talk with his future self it probably scared him. The responsibility of literally being King of the world, of making decisions that could impact the lives of everyone in tremendous ways. Of being the kind of partner and provider he thinks Usagi deserves or being a good father for Chibi-Usa when he didn't get to have parents to show him what those things looked like.
He didn't get a loving family to support him or tell him that they loved him, he was an orphan who probably hoped someone would eventually rescue him but no one ever did.
He probably feels in his heart that he doesn't deserve to be loved by anyone, and even if someone were to pursue him romantically he probably couldn't reciprocate in any meaningful way because he's most likely too closed off emotionally to be in a healthy relationship with anyone.
Heck the guy only for the most part has only two best friends. Motoki and Saori and frankly I'd hardly even call Saori a best friend since she literally just shows up in an episode in Super S as "Romantic competition" for Usagi and then just ups and vanishes and is never mentioned ever ever again.
So how does someone like him see Usagi and wind up constantly sacrificing his life over and over again for her?
Three words:
She. Sees. Him.
Once she starts to look at him a bit differently instead of seeing him as some tall guy running around with his stupid green jacket with his prickly personality, once she realizes that it was him trying to rescue her when she was so close to the brink of death on occasions and getting injured in the process, once he opens up to her about his struggles she sees him. Not just because he's a hero, but because even if it's hard for him he still tries to help her. A lot of times he even gives her really sound advice that she winds up listening to even if at the time he tells her she doesn't seem to understand him and takes it the wrong way.
He probably also deep down worries that he truly doesn't deserve someone like her.
Even if we don't always see it from the outside he adores Usagi because she sees him for who he is and doesn't ask him to be more outgoing or different.
Usagi adores him because he doesn't ask her to be anything other than who she really is.
Both of them accept the other as they truly are inside. THAT is true love.
You don't really get the chance to see what their relationship looks like from the outside. But he smiles a lot when he's with her which is certainly not something he really ever did with Rei or anyone else from what I could tell. And I bet when he does take her out on dates he's embarrassed and flustered and stumbles but he also probably takes off his mask and tries to make her happy and have a good time.
Also I'd like to add some notes on King Endymion and the violet. Why so much violet? Like....an overwhelming amount of violet XD I never understood why when I was younger but as I've grown up I've spent some time delving into subjects such as Psychology, Spirituality, and Philosophy.
Ladies and gentlemen, Violet is the color of the crown chakra.
https://www.chakras.info/crown-chakra/
Crown chakras deal with the mental and the spiritual. They are a gateway to enlightenment and in my opinion perhaps one could even say that the journey of mental health and enlightenment are two sides of the same coin.
So I'd like to think that for as much as Mamoru might struggle with his mental health, he also walked the path towards true enlightenment. Such a man truly should be King of the World and is more than deserving of being Usagi's partner.
And I'd die for a relationship with a man who is brave enough to confront the things which makes him suffer because I'd know that he'd have the clarity of mind to be a good partner, to treat me with kindness and compassion and show me the kind of love I've always dreamed of having, and that's something only someone who has love for themselves and others could ever possibly be able to give. He doesn't need to be perfect, because perfection is unattainable. He just needs to be brave enough to try even if it makes him deeply uncomfortable at times.
So,
To the men who truly and deeply identify with Mamoru, know I'd marry you in a heartbeat if you asked. That if you showered me in chocolate and flowers I'd do the exact same thing for you because you deserve it. Anyone who is brave enough to do the work necessary to heal and grow, to have kindness and compassion for others, to show me that even if I'm not perfect that it's still okay to be myself around you deserves every happiness in the world.
Not everyone is brave enough to do such a thing and I've come to a point in my life where I'm not interested in what someone can give me externally as much as I am in the kind of person they choose to be and what their values are.
Maybe some people might look at someone like Mamoru and judge him, but Usagi most certainly never would once she got to know him; and considering I've always wanted to be her I'll die on this hill defending him. Out of everyone, Usagi WOULD defend him from the judgement, from the criticism, of the need to be perfect and wear masks, or be something other than what he truly is on the inside.
Mamoru is more than just a knight in shining armor,
He's beautiful imperfection; and I'd choose that over anything else any day.
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@heavyheartedprinceofearth
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cambion-companion · 1 year
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hiiiii I really love your stories and side note it’s my birthday, first one on my own so I plan on just having a chill day with my dog indoors, halfway through rereading your master list already, could I make a request or suggestion for something kinda angsty, like someone’s jealous or something? Thank youuuu
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I am writing a continuation of reader wife going to that brothel we see in episode 9 and fucking that bitch up having words with the landlady. ALSO HAPPY BIRTHDAY!!
Prepare for some Robin Hood type shit from reader
These two fics go serve a good backstory for this fic.
Aemond x wife!reader | protective/jealous/possessive reader | reader sneaks out to go the Silk Street brothel | violence | strong language | Aemond finds out and intervenes
Yes I had fun creating this banner muahaha
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The night was young.
The wind chill on your face as you snuck outdoors, careful to not rouse your sleeping husband.
Aemond must not know what you intended; he would never allow it.
You had taken a moment to observe his sleeping form, his beautifully carved face relaxed in slumber, a stray strand of silver hair falling across his high cheekbone. You swept it away with a delicate touch and he smiled in his sleep.
The image of him fresh in your mind, the man your heart and body belonged to, in such an intimate and tender moment only stirred your anger to greater heights. You seethed; it was passed time you had words with a certain Madam of the Street of Silk.
You had your short bow with you, in case sharp words turned to something worse. You had wrapped your hands and wrists in fabric, as your father had once taught you, so in the event of a brawl you would be prepared to throw punches.
You knew just where to go, it was a well-known brothel, serving only higher-end clientele. Padding down the street with booted feet you made your silent way, not quite knowing what you were going to say or do upon arrival. So focused were you on your goal you took no notice of the shadowy figure following you down the steps of the Red Keep.
The women loitering outside the establishment, trying lure passing men inside, watched you approach with interest.
"'Tis not often we get ladies in here." One spoke, you valiantly tried to keep your eyes on her face.
"I'm here to speak to your Madam." Your voice was terse even to your own ears.
The courtesan frowned, her red lips pouting. "Mistress Trolunda is inside, though she's not entertaining guests personally tonight."
"No weapons allowed." The girl closest to the door held up a hand as you made to enter, her eyes were on the bow and quiver on your back.
"Bullshit." They gasped at your rude language, but your patience had taken leave this evening. "I'm sure you don't enforce that rule on your male customers."
You pushed your way passed, not a difficult feat and the women didn't put up much of a fight to stop you. Their glowering glares burned into your back as you walked through the doorway into a wide room lit with rosy fireglow.
The men inside did indeed carry weapons, those who were dressed anyway. It wasn't terribly busy inside the main room; several intertwined couples took up spaces by the several lit torches. You didn't look too hard at them, their states of undress and groping hands making your cheeks flush despite yourself.
"To what do we owe this pleasure?" An older woman approached you from behind a clerical looking counter. She had light auburn hair and light eyes that looked you up and down calculatingly.
"Mistress Trolunda I take it?" You tilted your head, your hands clenching into fists at your sides.
She gave your garb an appraising glance, a flicker of recognition crossing her froglike features. "I am she. If you're hear for business and pleasure you've come to the right place."
"Just business." You stepped forward, pressing into her space, pleased to note you were taller than her squat form. "To make sure no other children are victim to your debauchery."
"I beg your pardon?" Trolunda's voice had taken on an icy undertone, her eyes narrowing at you. "Who are you to dictate what goes on in my establishment."
"Someone who will make your life a living hell." You closed the remaining distance with a menacing step. "Or end it altogether."
She opened her mouth, her gaze searching behind you for help.
"Call for assistance and this knife will find your heart." You threatened.
Trolunda looked down and saw the knife you had withdrawn, poised at her ribcage. Her expression was wary as she met your eyes again. "What do you want?" Despite her effort to keep her reactions hidden you could hear the tremor of fear in her words.
"Children are to be left alone, not to be touched. Any girls you have working for you under the age of seventeen you will either find new work for or different jobs."
She snorted derisively, gasping a little as you prodded her with the sharp end of your dagger. "Alright, calm down." She raised her hands in submission. "I will do as you ask."
"Should patrons come wishing to see any workers under seventeen, you are to refuse them and report them to the King's Guard."
Her eyes widened. "The King's Guard? You cannot be serious. I would lose significant income."
"Did I stutter."
"No, no you did not." The Madam looked keenly at your face, before making a curtsying gesture, right before she hefted a heavy porcelain plate from the counter and smashed it against the side of your head.
White pain filled your vision as you stumbled to the side, falling to the ground, momentarily stunned. You felt a booted foot connect with your jaw, sending you reeling against the wooden floor.
Shouts and screams sent bolts of pain through your throbbing head, you squinted through bleary eyes, seeing the Madam approaching you with a curved dagger drawn and ready to slice at your vulnerable form.
You swept your leg out, knocking against her shins enough to cause her to stagger. The working women and half-naked men fled the scene as you lurched to your feet, bracing your weight against one of the oaken walls. You held your own dagger out in front of you like Aemond had taught.
Trolunda swiped at you once, clearly inexperienced with wielding weapons of any sort. You lashed out with your foot, catching her in the sternum and sending her falling back onto her tailbone. She shrieked a curse at you, her cry cutting through your aching temples like hot iron.
"Cease this at once!"
You were about to lunge at the woman, but Aemond's commanding voice stilled the very breath in your chest.
There he stood, framed in the doorway, those who had fled could be seen cowering in corners behind him. The hood of his cloak was thrown back, his long hair shining silver in the torchlight, he had not donned his eyepatch, the sapphire gemstone glittered menacingly as his lilac eye surveyed the scene before him with displeasure. His sword was drawn, though it was currently pointed at the ground.
The Madam righted herself, brushing down her rumpled skirts as her eyes flicked from Aemond to you and back again. A knowing smile itched up her unpleasant face. "Ah. I see now." Both you and Aemond glared at her as she smoothed back her mussed hair. "You are his." Her predatory gaze fell upon you once more. "I do hope what he learned in my care all those years ago has served you well."
With a cry of incandescent fury you fell upon the woman, pummeling each inch of her your fists could find. She collapsed beneath you, shielding her face and screaming inane curses as you continued beating her about the head.
Strong hands closed around your waist and hauled you off the woman, yet you still kicked out at her with your feet, making satisfying contact several more times as Aemond dragged you away.
"You've married a little beast, my prince." Trolunda gasped, wiping the blood from her nose off her lips. Though she was injured she still looked satisfied.
"Better a 'little beast' than a fucking child predator." You snarled, still trying to free yourself. "Aemond, let me go."
"You have made your point, Y/N." He sounded strained as he kept firm hold of your writhing form.
"Throw her in the dungeons, call in Vhagar, do something!"
"She has done nothing illegal." Aemond said softly, finally releasing you but placing a warning hand on your arm. "We need to leave, now."
"Wait for me outside." You turned to him finally, aware that the Madam watched you with a derisive smirk. "Please, Aemond. If you truly care for me, give me one minute alone with her."
His eye roamed your features for a moment before he looked at the woman over your shoulder. Something in his face hardened and he sighed shortly. "Fine. One minute, and no killing. That's an order."
"Yes sir."
He turned to leave, ushering the people still within the brothel to exit as well before closing the door behind him.
You turned slowly on the spot, facing the woman who once again had the dagger in her hand.
"He is powerless to do anything, as are you." She sneered. "Just as he was when his brother brought him to me."
In a flash you had drawn your bow off your back, notched an arrow, aimed and loosed.
With a cry of fear and grunt of surprise the woman was pinned by the sleeve of her heavy dress to the wall. She raised the dagger in her free hand as if to throw but your second arrow had already flown, pinning her other arm as well.
"I do not rescind what I said." You lowered your weapon, not hiding your smirk at her helpless state. "If any other children fall victim to this establishment you will burn in dragon fire, this I promise you."
After one last withering look, you turned on your heel and departed through the main door.
Aemond saw the Madam pinned by your arrows from the doorway as you left. His brow arched and he looked down at you with an expression you'd never seen before. "Are you finished?"
"Only because you interrupted." You were still in a foul mood; striding passed him and back towards the Keep.
The streets were empty now, apparently the citizens previously present wanted nothing to do with the unfolding drama, especially after Aemond arrived.
Aemond grabbed hold of your elbow, yanking you around to face him non to gently. "What did I say to you yesterday when you were so intent upon coming here?"
"Not to?"
"Ah, so your memory still functions." Aemond was becoming angry, his gaze taking in the blood trickling down from your hairline and the bruises forming upon your jaw. "Tell me why you blatantly disobeyed me."
"Children are being preyed upon, Aemond." You matched him with your own fiery anger, prodding his chest with your finger. "You are not the only on to be taken advantage of. I shudder to think what goes on in King's Landing. Since I am your wife, I have a duty to the people."
"Throwing yourself mindlessly into danger doesn't qualify as one of those duties, Y/N!" Aemond was close to shouting now, something that you had not yet experienced from him before.
"Mindlessly?" You raised your voice as well, your nostrils flaring. "What I did was very calculated, thank you very much."
Aemond passed a hand over his face, suddenly weary. You turned your back to him and continued back to your chambers, fuming. He walked in silent contemplation behind you as you stomped down the halls.
Once safe inside the room you threw aside your weapons and cloak, kicking off your boots and slumping upon the bed, staring unseeing up at the ceiling.
A few minutes later the mattress dipped beside you and Aemond's face hovered into view. He tucked an errant strand of hair behind your ear, his expression had softened upon seeing the tears pricking the corners of your eyes.
"I do not wish you to come to any harm, my fierce wife." He spoke softly now, watching as you propped yourself on an elbow to face him.
"I want to avenge the harm already done to you, Aemond." You traced his jaw with your fingers.
"Not if it puts you at risk." He shook his head. "Nothing is worth that." He tilted your own face to the side, examining your injuries with a severe frown. "And you seem intent on suffering for my sake."
"It's not suffering. I made progress in there, believe it or not." You took his hand in yours, lowering it to the mattress. "I just need you to trust me, work with me, and together we can break the cycle."
Aemond studied you for several silent moments, his lips pursed in thought, his lilac gaze suddenly seemed far away as he stared over your shoulder.
"I will think on it." He at last spoke. "For now, I am going to help clean and bandage you. On the morrow we will speak with the council about taking further action on this matter."
"Thank you, Aemond." You gently pressed your lips to his, lingering there to breathe him in. "That's all I ask."
"And no more personal vendettas for my sake." He combed his fingers carefully through your tangled hair. "We will make use of the proper channels as duty dictates."
"No sending in Vhagar?"
"No sending in Vhagar." He chuckled, a low delicious sound. "And I will know if you go to her yourself, Y/N."
You glanced guiltily into his eye, Aemond seemed to have been reading your thoughts. "Wouldn't dream of it."
"Mmhmm." Your husband sighed, shaking his silver head before getting out of bed to prepare the wash basin. "What am I going to do with you?" He spoke as if to himself as he gathered healing ointments.
"Hopefully something to take my mind off this horrible headache." You winced as you sat up.
"I'm sure I can come up with something." Aemond graced you with a small smile, a flicker of reverence and gratitude crossing his handsome face as he held your gaze. "For now, let me tend to the injuries you sustained while fighting for my honor."
You both laughed lightly, the crackling fire illuminating the room in a cozy glow as Aemond looked after you with gentle hands and soft kisses against your warm skin.
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vivalas-vega · 8 months
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Oooh my, your requests are freaking open???? I've got an idea in my head for a long time and now I give it a try and send it to you. I'm obsessed with Jake (and Bradley) x Roomie (fem reader or oc) trope, so apologies in advance for this one (also a sucker for hurt and comfort 😬). I try to keep it as short as possible: Rooster's and Hangman's new roomie has a sad past. She has sleeping issues and bad nightmares. They hear her whimpering and crying in her sleep. The guys are worried but she plays it down, feeling bad for waking them up with her shit. Maybe she starts to sleep walking and unfortunately hurts herself during this episode. The guys find her in the middle if the night hurt. And she opens up to them telling them about her dreams and her past.
ahhhh !!! I'm so glad to finally get this one posted, I'm so sorry it took so long ! I am such a sucker for the roommate trope, and I love writing stories that are strictly platonic, just focusing on lovely friendship vibes bc those are just as important as the romantic ones !!! I hope you enjoy!
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(this doesn't have a title yet bc it's admittedly the thing I'm the worst at when it comes to writing fics)
word count: 2.4k
warnings: mentions of alcohol, some suggestive humor, language, brief and vague mentions of death, lmk if I missed any
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“Are you going to eat these leftovers?” you asked Bradley, who was sitting at the kitchen island keeping you company as you cleaned out the fridge and he stared at the tupperware container for an infuriatingly long time, contemplating his options before you let out an exasperated sigh. “Bradshaw, it’s pasta. Yes or no?”
“No,” he finally answered. “You’re in a mood.” 
“No mood, it would just be nice if you could be snappier in your responses while you just watch me clean the kitchen.”
“Yeah, definitely not in a mood,” he muttered under his breath but you heard it anyway. “Do you know where Hangman is?”
“You two share a bathroom and you still can’t call him by his name?” you asked with a chuckle. “He’s at the gym, should be back soon.”
“We only share a bathroom because you got the master,” he protested and you laughed again.
“I needed the bigger closet,” you shrugged. “I told you you’re welcome to use mine anytime.”
“After you reamed me for using your face wash? Thank you, but no thank you, I haven’t been yelled at like that since I borrowed my moms car to take Cindy Daniels on a date.”
“I only yelled because you used a forty dollar cleanser as body wash and somehow managed to use half the bottle. Besides, your mom was right to yell at you too, you stole her car and you were thirteen.”
“I was covered in grease! And my date with Cindy is none of your business.” 
“Are we having the face wash fight again?” Jake asked as he came in through the garage, pressing a kiss to the top of your head as he reached around you to grab a bottle of water, but you only pushed him away, muttering something about keeping his sweat away from you. “Take the blame, Chicken, you wasted half a bottle of Drunk Elephant, you’re lucky she didn’t put you on the porch for the night.”
“See, the craziest thing about this whole situation is you were just as outraged as she was.”
“Good skincare is not just for women, you might want to invest in a routine of your own.” he smirked before disappearing down the hallway and you heard the sound of the shower turning on.
“You working tomorrow?” Bradley asked, getting up to wash the containers you’d placed near the sink.
You shook your head, “a Friday and Saturday off, Penny was feeling extra generous.” You’d met the two of them, along with the rest of the team, when they’d first gotten to town for the infamous and secretive mission that almost claimed the life of the man currently donning cherry-printed cleaning gloves and scrubbing pasta sauce out of tupperware. You’d all become fast friends, they’d coax you out from behind the bar on your breaks or when your shift was over for darts or pool, and when your lease was up just as they received word of a permanent assignment it seemed to make sense for the three of you to find a place together. It was a godsend for you, it got you out of your cramped apartment with dismal lighting and into a beautiful craftsman only a few blocks away from the beach. Even with arguments with Bradley about face wash and a sweaty Jake, it was a no-brainer.
“Could we convince you into coming to your place of work on a night off? These new recruits are testing our patience, Phoenix wants a fun night out to blow off steam.”
“I could potentially be persuaded,” you replied, shutting the fridge after deeming it was as cleared out as it was going to get. 
“Which translates to as long as I’m not mixing them, I’ll always show up for drinks,” Jake said, walking back into the kitchen with freshly washed hair. “Do I get any kind of welcome home now that I’m not sweaty?” 
“No, because now you’re wet, did you even dry off?” you asked, snapping him with a dish towel before he rounded the island and wrapped his arms around you.
“Enough,” he answered, squeezing you tight as you pretended to hate it. Really, you loved living with these two. Being on your own before was starting to take its toll on you, and they reminded you of a different time in your life, one that felt like it was ancient history. “Not to dampen the mood, but… we did want to talk to you about something.”
“Sounds serious, should I break out the house meeting wine?” you asked, eyeing them skeptically as they shared a look with each other that you couldn’t quite decipher.
“We just wanted to… check in,” Bradley started and you raised your eyebrows. “The past few weeks we’ve heard certain sounds coming from your room and-”
“Okay, first of all,-” you started to cut him off, eyes wide at what you thought he was insinuating.
“Not like that, sweetheart,” Jake interjected. “But feel free to get louder when you do,” he half-joked and you hit him with the towel again. “What bird boy is trying to say is sometimes we hear what sounds like nightmares coming from your room and it’s happened enough that we just want to check in and see if everything is okay.” You suddenly felt nauseous. 
“If there’s something going on, or you need someone to talk to, you know we’re here, right?” Bradley asked and you nodded softly.
“I know, everything is fine, I’m sorry if I woke you.” you said, trying to dismiss their concerns altogether as you occupied yourself with looking over the mail.
“It’s just… it doesn’t sound fine, if you don’t want to talk to us we can help you find someone else to talk to, we just want to make sure you’re okay.” Jake tried and you gave him a forced smile.
“And I am, but I’m glad the two of you finally found something to agree on.” You tossed some junk mail in the garbage before turning to face them again, “I have some errands I want to run early tomorrow morning… text me if you need anything from the store but I’m going to turn in. Goodnight,” you said with another forced smile before heading down the hall and letting out a sigh as your back pressed against your closed bedroom door. You thought that things had gotten better… that enough time had passed. They seemed to be happening less and less, but maybe that wasn’t as true as you once thought. 
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Your footsteps down the hallway were an unusual sound for this time of night… nightmares or not, once you went to bed you weren’t seen until the following morning and it was enough to stir Jake from his slumber. You on the other hand, were completely unaware of what was going on, still stuck in a dream, stuck in a fluorescent lit hallway with tears streaming down your face only you weren’t… you were in your living room, walking straight into the console table and falling onto the broken glass of the picture frames and vases you’d knocked over which was enough to jolt both of them out of bed. 
“Hey, hey, are you okay?” Bradley asked, crouching down beside you as you came to.
“Mav- Maverick?” you asked, voice hoarse as you struggled to place where you were, the images from your dream still fresh in your mind. He looked at Jake confused who was on the other side of you and carefully pushing glass aside.
“No, it’s Bradley… Honey, what happened?” You blinked a few times, finally recognizing you were on the floor of your living room and the searing pain of broken glass in your palms and knees.
“I don’t- oh my god. I’m so sorry,” you winced as you tried to stand but Jake was quick to scoop you up, holding you tight as he walked to the kitchen and carefully placed you next to the sink while Bradley grabbed the first aid kit. “I- I didn’t mean to wake you, I’m okay, you can go back to bed.” He just frowned at you and when Bradley returned he started pulling the shards from your palms while Jake worked on your knees. Silent tears were still streaming down your face and they were both trying to figure out how to ask you what was wrong, but one thing they knew for certain was no one was going back to bed until they got to the bottom of what was going on with you.
“Sweetheart, do you want to tell us what’s going on?” Jake asked softly, looking up briefly to meet your eyes before gently running his thumb along your cuts, making sure there weren’t any pieces he missed. 
You shook your head as you wiped your cheeks, “nothing, I just… I don’t know, I guess I was half-asleep? I’m really sorry I woke you,” you said and they both looked at you like they didn’t believe a word of it.
“Alright, I was willing to maybe let it go before but you could have been seriously hurt tonight. Something is going on with you,” Jake said, voice firm as he stopped what he was doing to wipe a few of your tears.
“Whatever it is, you can tell us. Why did you say Maverick’s name when you woke up?” Bradley asked and you closed your eyes for a moment, taking in a deep breath before letting it all out. 
“I uh… there’s something I never told you about me.” you started, taking a moment to breathe as you felt your throat tighten. They stayed quiet, both carefully dabbing at your cuts with a damp cloth or rubbing aquaphor over them before bandaging them. “I wasn’t a teacher before realizing I liked bartending more, I was a pilot.”
“Wait, what?” Bradley asked, shock evident in his tone and Jake elbowed him, eyes silently pleading for you to continue. 
“My callsign is- or was Flash… like the superhero,” you chuckled but there wasn’t much humor in it and both of their eyes widened. “I was on a mission that went south really fast,  we were outnumbered and outgunned, we ran out of resources quickly. I was hit, and I couldn’t… I couldn’t save it, I couldn’t save him.” you choked out.
“Who?” Bradley whispered, you were all cleaned up now and they were both focused solely on you. Jake was rubbing reassuring circles on your thigh as Bradley held one of your hands in his own.
“My wizzo, we called him Genie… we both got to our squad at the same time, and on our first night out his icebreaker was if you had three wishes, what would you wish for?” You laughed again, but this time it was genuine.
“I’ve heard of him,” Jake said, noticing your breathing quicken just at the mention of him. “Both of you, actually, from what I’ve heard you were a hell of a pilot.”
“He couldn’t eject, something went wrong with the handles… I’d already pulled mine when I heard him say they were stuck and the next thing I know the jet is crashing into a hillside below me. I thought the dreams were getting better, and that I was maybe starting to move past it… I don’t think I really registered that it was happening again, or maybe that it never stopped.” 
“Honey, why didn’t you tell us this sooner?” Bradley asked, pushing a strand of hair behind your ear and you focused your gaze on your hands.
“I just… I didn’t want you to know that I failed my wizzo,” you choked out. “Or that the last time I was in a cockpit I nearly crashed again and Mav had to talk me through landing a plane I’ve landed thousands of times before because I panicked. I didn’t want you guys to censor yourselves when it came to work stuff out of pity for me being a failed pilot, and I guess… I just didn’t want you guys to look at me differently.”
“Hey, what happened wasn’t your fault,” Jake said, squeezing your thigh gently and prompting you to look up at him. “And we would never look at you differently for that, we understand.”
“I’m so sorry you went through that… and just know that we don’t think of you as a failure. We’ve both heard about that mission, there was nothing you could have done. Faulty equipment and being outgunned is not your burden to bear.” Bradley added, running a hand along your back.
“What is it that you say sometimes? It’s not the plane, it’s the pilot?” you asked, sadness seeping into your tone and he just pulled you into his side and pressed a kiss to your head.
“There’s not much the pilot can do if the plane fails them.”
“You went through a trauma, we would never fault you for not flying again after that.” Jake said and you smiled softly.
“Mav could… god, he tried so hard, he was really there for me after it happened, but… when I finally got back into a plane I just couldn’t shake it. It was like I could still hear him in my backseat even though he wasn’t there.”
“Just because Mav could, that doesn’t mean you’re a lesser pilot or a lesser person for not being able to, if anything I think it makes you stronger. You knew your limits, and instead of pushing through it when you couldn’t trust flying again you took a step back. I know a lot of people who wouldn’t make that same choice.” Bradley said, nudging Jake and you let out a laugh as you wiped your face again.
“Yeah, I thank my lucky stars I never crossed this one’s path when I was still flying,” you said and Jake’s face twisted up in shock.
“Hey, why are we ganging up on me now?” he asked and you laughed again. 
“You make it so easy,” you teased and they both smiled, happy to see you coming back into yourself a little.
“We’re here for you, okay? So is everyone else,” Bradley said, pulling you into him again and you let yourself wrap your arms around him as you laid your head on his chest and Jake kept rubbing circles into your skin.
“No matter what, you can always come wake us up if you need someone.”
“I love you guys, you know that?” 
You could hear the smirk in Jake’s voice as he said, “oh, we know.” He wrapped himself around the other side of you as the two of them squished you between them. “We love you too.”
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taglist: @callsignspirit @thegodessc @failuretothrivestuff @olliepig @cruelmissdior @underaveragefangirl @grxcieluvr @amatswimming @camilaricci @nolita-fairytale @dempy @pinkpantheris @aviatorobsessed @tiredqueen73 @pono-pura-vida @binnieslove @nik2blog @waklman @abaker74 @halstead-severide-fan @percysaidnever @memeorydotcom @eli2447 @dumb-fawkin-bitch @djs8891 @Genius2050 @stargazer-88 @chloeforde @kmc1989 @casa-boiardi (if your name is struck through, it means I couldn't tag you - sorry!)
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fizzigigsimmer · 4 months
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Fargo s5 Episode 8: Manipulation and Codependency.
I am UNWELL after this last episode. I have so many thoughts. What it says on the tin, this is just me processing my reaction to the latest episode so if you are not caught up, spoilers will be found within.
Let’s start with the lady of the hour. Miss Dot. Miss Dorthy Lyon 👏🏾 Put some respect on her name. This character is endlessly fascinating to me. She’s incredibly complex. Almost over powered in one sense, but also incredibly fragile. We’re seeing now in clearer detail what an accomplished manipulator Dot is. She’s not just a fighter. She’s not just hiding and masking her trauma. She is actively playing the people around her and moving them around a board in her mind. The same way Roy does. The same way anyone in a position of power does, honestly.
Roy and Loraine and people in general, we seek control over others out of a place of insecurity, in order to make ourselves feel safe in our little worlds. Survivors of abuse are particularly good at this, and it’s something I am so glad to see the narrative touching on. The media likes to paint victims with cinderella syndrome. They are often childlike innocent caricatures who are endlessly kind and pure in the face of unjustified cruelty, purely so that audiences will emotionally attach to them quickly and feel whatever amount of fear and revulsion the creator wants for the antagonist. But the reality for real people who suffer domestic violence and other forms of abuse is that they’re just people. They have the same potential for good and bad and selfishness, they developed unhealthy coping mechanisms and they learn to play the game just like everyone else. And when you live your life in fear, you have more incentive than most to get good fast at controlling your surroundings.
We see another example of this in Karen this episode. Roy’s current wife is no stranger to her husband’s violent temper and is very aware of the danger he represents. When he’s humiliated in spectacular fashion and likely to lose his election, there’s this palpable tension in the air as the family rides home. We know heads are going to roll, and from the look on Karen’s face so does she. When she first opened her mouth I was so scared for her. lol I wanted to reach through the screen and shake her, like “shut up! That man will kill you.” At first I thought she was being hopelessly naive, saying exactly all the wrong things to try and comfort Roy that were only pressing on the wound. BUT THEN! Then we watch her turn it on Dot. She calls her a curse, playing into Roy’s belief that there are scales to be balanced in order to make the world right again, and pointing out that all of this only happened when Dot came back. She basically says, Dot’s the reason you have bad luck not me. Go hurt her and not me. And then he does. It’s brilliant.
I was on the edge of my seat watching Dot desperately try and hang onto her world. Everything from her name down to who gets to remind Wayne to take his Lactaide medication, using anything and everything at her disposal to do it. When Roy isnt impressed by being reminded he married a child around his own son’s age - oh please, she had hair and her period so she wasn’t a child - she switches tactics quick as a whip and leans hard on Roy’s family man ideals. She relentlessly forces him to confront the contradictions in his actions by reminding him he is destroying a family. Finally, when that fails too she delivers a violent threat. You will do as I ask, or I’m going to hurt you. The writing here was so masterful. They are opposites. We’re rooting for her, and yet, they mirror each other. Dot has been using manipulation tactics she learned at the hands of her abusers to carefully curate a place where she feels safe, and now that it’s all crumbling around her she’s finally starting to see it for herself.
Her scene with Gator was particularly poignant. Because when he comes in, he’s subdued and we get the feeling that he’s there (whether he’s going to admit it or not) purely because he wants to see her. Her, the big sister who used to comfort him while he watched his father abuse his mother. Who then replaced his mother and became his father’s wife while his own mother seemingly abandoned him. The way she plays him in this scene is so heartbreaking to watch but also incredibly insightful. She knows why he’s here: because deep down he wanted to see her. She dances back and forth between playing on their buried bond ( “I didn’t tell the FBI anything” implying, she wouldn’t tell them anything that would hurt him) and plucking on his insecurities (you’re sloppy, you’re weak, you’re a fuck up and your daddy doesn’t love you).
But the biggest card that Dot tries to play is Linda. She tells Gator that she saw her and tries to bring him into her fantasy that Linda got out and has healed from her trauma. That she loves him and never meant to leave him, and that everything will be okay if he just helps her get out. She can take him to his mother and they can leave all of this behind him, and he can finally be free to be the person that deep down she knows he wants to be. And I just love the way this scene was played. Because while it is tempting to believe that Dot is purely just confused from the accident and the sleep deprivation, the music lets us know that more is going on here. We hear flutes, specifically those played by snake charmers. Gator is the snake, and Dot is hypnotizing him before our very eyes. This isn’t the first time Gator has been connected to snake imagery/symbolism either. When Dot decides to tell him why he’s not named Roy after his father, she likens him to a pale little lizard. @tdciago did an excellent post on some of the symbolism we’ve seen in the show thus far, and it really emphasis how often Gator is likened to or associated with snakes: His character bio compares him to the snake in the Garden. His LOL tattoo has forked tongues on the Ls. He's got a "Don't tread on me" flag featuring a snake in his room. He stopped at the Gas 'n Go to "drain the snake." He left an empty Slim Jim wrapper in Donny Ireland's evidence box, that looked like a shed snakeskin. He said that Munch came up "snake eyes."
And as much as Dot’s speech about Linda is about playing on his natural yearning for his mother, it’s also about them too. It’s about Dot. In a way, Dot is also saying that she’s sorry. She never meant to leave him alone. She loves him and she wants things to be alright. They can be if you just help me. Gator obviously wants to believe what Dot is saying is true all of it, but he’s not as dumb as everyone seems to think he is. He knows Dot lies to herself and to others and he calls her out on it. With a single line “You’re lying. You’ve never once in your life told the truth.” we’re left to wonder about all the lies Dot has had to tell over the years. First in order to survive on her own as a teenage runaway, then when she was taken in by the Tillmans, and again when Linda disappeared and she became Roy’s wife.
She told herself that Linda got out, that she was somewhere safe and free and building the life that she wanted. At first she used this lie not to have to face the reality of Roy, of her own likely end, maybe even to appease the twisted sense of guilt she would feel taking Linda’s place and in the light of Gator’s grief over his mother’s sudden absence. Later, she probably used this lie to give herself the courage to be her own Linda. To get out and make the life for herself that she deserved, even if it meant having to leave Gator behind. Even if he doesn’t understand all of the pieces, in his heart of hearts Gator knows his mother is never coming back. She’s either gone or dead, and either way she left him just like Dot did, and Dot is lying to herself.
“I hope you die in here Nadine and that you never see your kid again.” Because that would be justice in his eyes. That would balance the scales. Because he’s never getting out, so why should she?
“No you don’t.” And it’s true. She knows him. Knows he wouldn’t even be here if he weren’t soft. She gave him an opportunity. This was Gator’s crossroad and he chose to stay his course, and the looming figure of Munch reinforces the message that Officer Witt Later delivers, the consequences for Gator are almost here.
Dot too is approaching a crossroad. Because as the episode progresses she is forced to finally confront one of the lies she’s been telling herself for years. Linda is dead. She never made it out. She’s buried under the windmill with Roy’s other enemies. This is not the first time that Dot has seen this windmill, because it was also in her dream about Linda. I would not be surprised if all of Roy’s wives did not witness a body going into that ground at some point or another because of how Karen was so quick to redirect Roy’s rage to Dot. They’re on different sides of the line but they are both fighting for the same thing. To be with their children and not to end up rolled into an early grave.
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notmaplemable · 1 month
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Mable's RWBY Redo: Volume 1 + Trailers
Hello hello, and welcome to my own version of FRWBY, but hopefully without the controversy. But I wouldn't really call this a "fix it" fic or anything. More just a writing exercise where RWBY was more planned out than it actually was/is.
Since it does seem to me that RWBY was written quite a bit by the seat of CRWBY's pants, at least in the earlier volumes. How much that changed, I don't claim to know. But there are a few things in RWBY that probably would've more impactful if they were setup earlier. So, I'm going to try to do that.
I will be keeping most of the major concepts of RWBY the same. Dust, Grimm, impractical but flashy weaponry, the White Fang and that whole thing, Salem, etc. But just because I'm keeping the concept, doesn't mean there won't be changes in execution.
There are also a few things that where the plan seems to have shifted at some point. Like the Raven plotline for example, it seems like Monty was the only one who really knew what he planned to do with that. So I might be willing to go a bit more "off the rails" with that specifically and a few other things.
I'm also going to try to keep in mind the resources RT would've had at the time of each volume. So I won't be immediately changing things to 22 minute episodes with 16 episodes a season or something like that.
I am, mostly, going to be taking an episode by episode approach to this. Though I don't really have any experience with screen writing or what you can fit into a certain amount of runtime. So I'm not going to write out all the dialogue and things for most scenes. Just giving summaries and a few scenes of particular importance.
Though I think here would be a good time to respond to a few comments something like this might get.
No, I don't think I could've done better than CRWBY. No, I don't hate RWBY, I rather love it. No, I'm not going to sideline RWBY for a bunch of "straight white male" characters. No, I'm not going to erase all the LGBT representation. Yada yada yada. If you don't want to read something like this, you are more than welcome to block me or whitelist the tag. This is more or less just a fun writing exercise for me.
I'm doing the ships I want though.
So with that said, let's hop right in.
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Trailers
The red and yellow trailers will be completely unchanged.
The white and black trailers will be unchanged as far as what happens in each trailer.
For the white trailer, the change won't really be to the trailer itself, but more so something that changes things post fall of beacon. The arma gigas fight didn't actually happen and that's not how Weiss got her scar. Why? One fan fic had her get the scar a different way and I like it more than the canon way.
That's really it.
For the black trailer, Blake's design is the only thing that's changing. Now, it's not going to be a complete redesign. Mostly because introducing the rest of RWBY but Blake with their canon outfits would kind of be weird and require a good bit of extra work. I'd imagine at least.
So I'm just going to have her not wear the bow, and with shorter hair. Not quite what she had in Atlas though, probably something closer to Kali's actually. And add some white fluff to her inner cat ears to make them a bit less... flat.
Now, that does remove the dramatic reveal that she's a faunus for the audience. But I think the dramatic irony of only the audience knowing that can make up for it. And the hair can be a bit of a rough signifier of how long between the black trailer and her appearance in V1 was.
And just for the in universe logic of Blake not looking exactly the same if she thinks Adam is going to be coming after her. It's not much of a change, but it is a change.
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Volume 1
I'm not going episode by episode in V1, since there really isn't that much I want to change. But I will be shortening to the volume to 10 episodes instead of 16. With the volume ending after "Players and Pieces" with 2 more episodes added to initiation. Which I imagine will mostly just be added action and maybe some conversation.
The first major change is going to be that Jaune still doesn't have his aura unlocked, but he knows what aura is. Or, at least the 5 minutes of research on Remnant's version of google's version of what aura is. He's gonna be looking for a way to have it unlocked. Maybe add in a throwaway like where he wonders to himself if he should ask Ruby to do it.
The second major change is actually something we aren't going to see. The reason why Blake decided to make Yang her partner, since she does seem to purposely seek Yang out in canon but we never really hear the reason. But honestly I can't think of a good enough reason at the moment besides Yang knowing Blake's secret. So we'll just save that for a flashback later and have it implied there was a deeper reason for now.
Everything else pre-initiation should be the same.
Once we get to the cliffs before everything starts, CRDL will not be there. Since we aren't doing jaunedice yet there's no reason to have them yet. We'll also have it stated that there are multiple launch sites and have Ozpin say something along the lines of "of the 200 of you that will go into the forest today, only 50 of you will pass," to give us more of an idea of the size of the class. Though the numbers can be changed to whatever.
Then things get started, everyone partners up, Ren doesnt kill a king taijitu because power scaling. We see Ruby and maybe a few others cutting through the unarmored beowolves, adolescent beowolves to be precise, with relative ease and start to struggle once the armored ones start showing up. To help with the power scaling a bit.
Jaune convinces Pyrrha to help "boost" his aura so he can heal faster. Pyrrha knows that's not how that works but goes along with it anyways. With her having some suspicions of Jaune, but not confronting him about it since... you know.
Everything else in initiation should be pretty much the same. Maybe with an extra fight scene or two. Ruby and Jaune are still named leaders. But we do get a small scene afterwards with both teams heading to their dorms which are of course, right across the hall from each other.
So, a bit after sundown the two teams go into their dorms, with Ruby and Jaune deciding to stay out for a second for a quick chat.
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The two new leaders stand in front of their dorms, neither of them saying a word for a moment before Jaune decided to speak.
Jaune: You running up that that cliffside to kill that giant bird grimm was probably the coolest thing I've ever seen.
Ruby: You mean the Evermore? *Jaune nods* Well, it was nothing really... I just saw an opportunity and took it. You know?
Jaune: I guess.
Ruby: But your team took down the Deathstalker, right? I bet that was super cool too.
Jaune: Everyone else did all the work. I kind of just stood there hiding behind my shield.
Ruby: But Pyrrha said you were the one who figured out how to take it down.
Jaune: Yeah, but-
Ruby: No buts! Besides, a good plan can be the difference between life and death sometimes. At least that's what my Uncle Qrow says.
Ruby: That's probably why Professor Ozpin made you a leader.
Jaune: *Rub the back of his head* Yeah... Heh, maybe he made you a leader since you're so good a pep talks.
Ruby: I guess...
JR: ...
Ruby: ...We've been training most of our lives to fight Grimm and bad guys. Maybe learning how to be leaders won't be so hard, right?
Jaune: ...Right.
*RWBY's dorm door opens*
Yang: Hey, Rubes, what are you still doing out here?
Ruby: Just talking to Jaune.
Yang: *Looks at Jaune* Vomit Boy.
Jaune: Can you please not call me that?
Yang: Not until you unruin my boots. *Turns back to Ruby* Now come on, we need our leader, and my favorite little sister, to pick who gets the bed closest to the bathroom.
Ruby: Oh, okay. I'll see you tomorrow Jaune.
Jaune: *smiles* Have a good night, Ruby.
Ruby: *Goes into her dorm with Yang*
Jaune: *Soon after Ruby shuts her dorm door Jaune's smile turns into a look of pure guilt as he stands silent in the dimly lit hallway*
Roll credits
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And that's the end of volume 1. Not sure when I'll get to the next volume, but it'll be sometime soon. V2 should be more detailed, and will probably end up being longer than one post.
So yeah, tell me what you think and I'll see you next time.
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kestalsblog · 3 months
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Thoughts on "Loser, Baby" Song
From what I’ve seen, viewers are extremely divided on the impact of the song “Loser, Baby” in the fourth episode of Hazbin Hotel. I’ve decided to share my own thoughts on the sequence below. Warning that this is a long post, and if you are triggered and upset by the song and/or episode, I encourage you not to read. I understand and respect any individual analysis, and if you were hurt by the song in any way, you are 100% valid. Others who feel differently are also valid. All I ask for is that same respect.
I don’t believe the only people qualified to speak on media are those who can relate to it, but I feel, given the conversation surrounding the episode, I should briefly mention my own background, so people don’t assume I am trying to speak on behalf of other survivors here. As a preface, I was in a severely abusive long-term relationship, so I can understand multiple perspectives here.
First, since Husk is a gambler, it’s safe to read the song as an extended metaphor for gambling too, in which case “loser” takes on the literal meaning– someone who has lost the game. Husk reminds Angel that many of us are dealt the shitty hand in life, and that the best way to get through the game is simply to go together. That’s probably the simplest positive analysis, but I think it's important to keep in mind throughout the whole song so that we don't read "loser" only as "failure" or "scum of society."
The most understandable criticism, though, is that the piece is blaming victims by attacking them and trivializing their experiences. I’m the most on the side of this argument at the words “whiny bitch,” which feel like an odd choice considering Husk has been nudging Angel to open up throughout the entire episode. It’s not my favorite line, but I can handle it only if we read the song as Husk actually singing to himself and calling himself these names as a means for Angel to see that he feels the same.
I do have some fondness for the song’s language as it continues, though. Excuse me for referencing my own personal experience here, but it’s relevant to my understanding.
Eventually in my healing journey, I realized writing and speaking affirmations to myself like “you’ll get better soon!” and “time heals everything!” were making me feel worse and frustrated. I felt like I was just waiting around for this magical deadline when I would “improve” or “recover,” and when that didn’t happen, I felt terrible about myself because I felt like a failure on top of damaged goods. I was letting myself down.
I reached a cathartic moment one day when I admitted to myself, “Maybe things are never going to get better, and I am always going to feel ruined by this.” Confessing this possibility allowed me to realize that, despite the fact that I am a “loser” in that I lost time, innocence, my old sense of security, and my carefree nature from before, I can still experience meaningful and even joyful moments in this new, altered condition.
At one point in the sequence, lots of flashing signs point terrible, degrading names at Husk and Angel. I can see why this might be upsetting to some viewers who are adamant that the characters do NOT represent those labels, but there is an obvious alternate reading that these are just the names both have assigned themselves over the years. By putting them bright and on display, they can face their self-hatred directly and reclaim their honest selves. (Let me pause here to say it's also crucial to remember Husk is not directly calling Angel any of these names). The solo lights then disappear and are replaced first with the soft blue raindrops moment where Husk shields Angel with the umbrella, and finally with the single LOSER where they both can dance together.
Most importantly, the lyrics gesture toward surprisingly affirmative by the song’s conclusion: “Eat shit together, things will turn out differently / It’s time to lose your self-loathing / Excuse yourself, let hope in, baby / Play your card, be who you are.”
Husk isn’t disregarding the possibility of hope, even in the gutter for the losers. In fact, he directly welcomes the possibility that the game can change with company, and self-hatred won’t be beneficial toward supporting that change. Even if we are dealt the losing hand, he reminds us the game is still worth playing. He reminds Angel again and again that it's okay to be who he is. And now "loser" assumes a new connotation - losing the negativity, the hatred, the things that are holding them back.
Significantly, after this point, no more self-negatives are even spoken, not even "loser" again because Husk and Angel are interrupted before the crucial word “me” when they sing that final line “loser just like—” Any connection to the self now has been effectively erased, reminding us that Angel and Husk may have made poor choices, may have been given crappy cards, but they are not losers in the sense that they are not less of people.
Last, it’s important to remember that the song is not meant to speak for everyone. It can't. If we’re going to be strict about it, it’s not for any survivors except Angel, and as we can see by his shifting mood, it certainly helps him feel better in the moment. The whole episode has been about Husk trying to encourage him to “break down his walls” and stop feigning the super inflated ego act he typically puts on, so, in one way, it becomes a “let’s get Angel past the self-loathing that’s preventing him from being his real self so we can move on to something more genuine and happier together" tactic.
I know it’s hard to separate our lived experiences from media. Judging from the disparity in opinions I’ve read from survivors on the song, I’d say it’s been therapeutic for just as many as it’s been damaging.
Before I conclude, it's worth mentioning I also have my own critiques of the song. I mentioned one with the word “whiny.” Another potential issue is the difference between Angel and Husk’s problems. I’m not trying to minimize gambling addictions by any means, but I know many of us feel that Husk’s loss of a cushy social position because of gambling pales against the extreme bodily violence Angel faces. I think it would be odd for Husk not to attempt to comfort Angel in some way, and trying to relate is one of the most common ways of doing so, but I admit that the discrepancy in their situations bugged me throughout the number. Husk reminds Angel he's "not unique" in his problems, which is important for survivors to remember (to know they are not alone), but it might mean a little more coming from someone on a similar playing field. The one redemptive thing I can say here though is that both characters sold their souls to someone with a tyrannical hold over them, and even though we know Alastor isn’t abusing Husk in the same way Val hurts Angel, we have yet to see the connotations of his power within that specific dynamic.
When push comes to shove, the song overall works for me, and I admit I felt seen while watching/listening, which isn't even something I really care about in media, but it was an interesting experience nonetheless. If you felt otherwise, I am sorry, and I encourage you to do your best to separate yourself from the media you consume and remember that every story, every song, is written by flawed people for flawed people. I mean it as fondly as possible, but we're all just losers "living in the same shit sandwich." Nothing will ever perfectly represent or encompass your own experience and healing. Analyze art respectfully for what it is, what it isn't, and what it can be.
What else can you do?
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overthinkthis · 3 months
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transmasc feelings about The Sign ep. 6
I might be a little late with this but I finally realised that while most fandom discourse isn't really my thing, what I do love is reading why shows or certain characters or even a single scene make people feel a lot of things (especially when I personally don't relate to it that much). And The Sign has me sooo deep in my trans feelings, I need to share some of that.
Other people have already pointed out how Tharn can be read as a trans man, having been a princess in another life. And he's short (compared to the others). I know, not all trans men are short, but I am, so it's a trait that always helps me identify with a character.
The main thing though and the reason I'm writing this is his struggle for agency. Because in my experience, the first point of attack on trans men is exactly our agency. We're told we're just naive, confused (autistic) little girls, seduced by the patriachy to reject our own femininity. Victims of our own internalised misogony. That we can't be trusted to make our own decisions, that we need to be 'protected' by being denied our bodily autonomy.
And the way people treat Tharn feels so similar to this. Everyone is pushing him, everyone acts like they know better whether he should date Phaya and even when it comes from a good place (like with Yai) or can be seen as harmless banter, it's still a lot. And then we get the scene where Phaya punches Chalothorn and Tharn punches Phaya and I know this scene is controversial, but I love it! I don't want to comment on how well this worked in the context of the show but as an isolated scene I find it deeply cathartic to watch.
Chalothorn says he will do everything to keep Tharn from Phaya. Even if Tharn has to die.
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I know it's because I'm biased but this oozes "I'd rather have a dead child/partner than a trans child/partner"-energy to me. And he gets punched for saying that! Obvs don't punch people irl if you can avoid it but seeing Phaya shut him down like that immediately was so satisfying to watch. Seeing the rage on Phaya's face alone, the same rage I feel for everyone trying to push people back into the suicidality of the closet for their own comfort, is just cathartic.
But then! Tharn punches Phaya and that is... bad, isn't it? Honestly, not to me. Phaya isn't just being a little bit pushy here, it is not the same situation as in ep 3 where Phaya also pushes boundaries but we see Tharn happily agree to the sparring match.
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No, in this situation Tharn clearly states what he wants and Phaya ignores that and tries to forcefully drag Tharn away. We know that Phaya has his reasons. As an audience we know that trusting Chalothorn is the wrong choice but it is still Tharn's decision to make!
He punches Phaya and in that moment he takes back his agency, he asserts his boundaries and he isn't being punished for that. Phaya doesn't try to guilt-trip him later, he accepts that he was wrong in trying to force Tharn to come with him. This is also the reason why I don't mind Phaya persuing Tharn with such vigor, because this scene shows us that he will back off if Tharn really needs him to, and that he won't hold a grudge for being rejected. (yeah, again, don't punch people irl, but this is a tv series, it should speak to the parts of our brain that respond better to powerful images than logical reasoning)
And another nice thing this episode gives us is the scene with Yai afterwards. He still get in Tharn's business but instead of just acting like he knows what Tharn needs, he asks questions and then offers his own perspective and his support.
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Because this is how you help someone in this kind of situation. Not by trying to tell them what to do (come out, stay in the closet, transition, not transition... if we stay with my trans analogy), but by telling them you will be there when things get rough. And that the thing you really want for them is to be happy.
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luv4fandoms · 1 year
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D'you ever just like.... Binge read an entire blog and start uglysobbing. Because that's me with your works.
The fact that you write for Dwayne (Lost Boys) legit had me weak. I have been in love with this mofo since I was like 14 (and I'm 27 now, so if that's not dedication idek what is) and you... FED ME. And your take on Dwayne is legit how I imagined him, like isn't it just fantastic when you read a fanfic that just makes your brain go "DING DING DING DING JACKPOT" that's me with your Dwayne content, I wanna cry.
If I may, but like please ignore this suggestion if it doesn't inspire you ... I am short af, like 4'11"(1.50m) kinda short, and I am kinda curious... How would Dwayne feel about that? Like how would he act around a very short partner? Is he the teasing type, the protective type, the "ur adorable" type... Does he have a size kink? Would he develop one? ;v;
Again, please just ignore this part of my message if you don't feel inspired by this little suggestion/idea/thing!
And plz keep posting your stuff because your blog legit helped me get out of a very nasty depressive episode and I cannot thank you enough for this!
First off let me just say that I am so freaking honored! Like holy crap! Dwayne the one boy I struggled to write when I first started writing about them, and to hear someone say that I nailed him perfectly to how they imagined him is just 🥹🥹. I'm also so glad that my stories helped you out of your depressive episode. As someone who has them herself I always wanna be able to help others through theres.❤️
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Now on to the ask! (Never written a short reader before because I myself am 5'7-5'8 but I'mma try lol)
Warning: HINTS AT SMUT AT THE END
Dwayne is all three types when it comes to his shorter s/o. He's protective upon meeting you because in his mind, your height makes you more vulnerable to things, even if you are a little spitfire (like Marko) in his mind he still needs to use his own height to protect you. He will be your sword AND shield so you don't need to worry.
He also finds you absolutely adorable, especially when you have to ask him for help to reach stuff, it's no secret amongst the boys that Dwayne loves to be needed, it's like a drug to him, so that being said, he will be a cheeky shit at times and put stuff he knows you'll want, higher up so you have to come to him, with that adorable pout and ask in the sweetest voice.
"Dwayne can you help me?"
Cause you don't even know that you already have him wrapped around your finger.
He won't start teasing until you're a little ways into the relationship. It starts with little things, asking in a teasing voice "need something baby?" Other times it's "it's so cute when you stand on your tiptoes to kiss me. On more than one occasion he has easily lifted you up so you are at eye level with him, smiling that teasing smile and saying "there, isn't this easier baby? No need to strain your neck".
He loves how when you're out on the boardwalk he can wrap you in his arms, chin resting atop your head and feel like he is totally shielding you. How your body fitting so snuggly in his arms.
He never thought he had a size kink until he met you, but he soon realized he was wrong. The way his hand will totally eclipse yours when he holds them, how he can easily cup your cheeks and pull you close, his lips bruising your smaller ones. How easily you fit into his lap, either just relaxing so he can read to you, or during...other times.
That was another area his newly found kink came in. Seeing you taking him every time has his head reeling because he honestly is shocked when you take him. It always leaves him gasping and groaning, eyes locked on where you're joined, unable to look away.
Overall Dwayne will absolutely cherish you! Because you are his Princess/Prince and he would do absolutely anything for you ❤️
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Hi, again. 👋
I found the post you were talking about. The stan's account was deactivated, but yeesh. 😬 Nice replies to them, btw.
The stan that bashed on me said I was being misogynistic, even though I'm a black woman who just wanted to see another black character get their chance to shine.
Hell, it's not just the shows and movies (I think this all started with Endgame). It's also the Steve Rogers musical too. I don't know if you know about it, but Disney made the musical real, and it really did Sam and Bucky dirty.
Sam isn't even in it. Maybe he was mentioned once, but the musical showed an image of Sam as Captain America. As for Bucky, his scene from CA:TFA, where he saved pre-serum Steve, was given to Peggy instead. Bucky was mentioned once, and the musical tried to justify Steve's ending from Endgame. All for this ship.
And, frankly, I don't hate Peggy, I'm just more annoyed that other characters get shoved aside as well as this great dynamic that Steve and Bucky had, while she and her ship with Steve has been getting propped up more and more. But, seeing some of your and the others' posts, I get why you guys don't like her.
Girl, don’t get me started on the abomination that was Rogers the musical. It could have been glorious, it had so much potential, but once again Bucky’s role in Steve’s story was given to Peggy, and Sam wasn’t even there!
I feel like Marvel feels the need to tone down Stucky or their friendship overall because it was just too powerful. We all remember the hashtag that begged Marvel to make Stucky Canon, #givecaptainamericaaboyfriend. They just couldn’t let it happen, not to a main and important character like Steve, god forbid. And so ever since civil war Stucky has always had little to no scenes together no matter how well established it was in previous projects. All their scenes and dynamic were given to Peggy, their friendship was toned down, Steve’s whole ending happened. It just feels like Stucky is so menacing to Marvel that the only way to stop us is by destroying Steve, Bucky and their relationship.
I mean, Steve is given no justice in his ending and in all the other projects he appeared in. Bucky went from a victim and prisoner of war to someone who must make amends for things that were beyond his control. And the depth of their friendship was toned down and reduced every time Peggy was involved. And then they wonder why many people in the fandom dislike Peggy or why the whole Rogers the musical initiative flopped the second it went beyond Hawkeye.
Like, even if you don’t ship Stucky you can tell that they care for each other, and you can tell there was a shift after people actually wanted Marvel to take action and do something about this dynamic. Steve can’t get even one episode as his own character because Peggy must be there. Bucky had more luck, but still… and let’s not even talk about Sam, his only appearance was as a zombie!
In another post of mine I ranted about how bothered I was that Peggy was inserted in the 1602 storyline, and i haven’t changed my mind. It would have been so nice to give Steve one episode about himself, about his dynamic with his best friend and about the relationship with himself and his fellow avengers. But no, Peggy must be there too, and for no good reason as well.
I feel like Marvel trying to erase pre-existing relationships to have Peggy shine only results in fans turning their back on Marvel and hiding in fanfiction or whatever piece of media that can actually bring justice to the characters. Once someone on Tumblr said “you gave us the characters, but once you mess them up they’re not yours anymore. You don’t understand and respect them, therefore you don’t deserve them.” and I couldn’t agree more, which is why I am currently reading and writing fanfiction rather than buying into everything marvel gives us.
Peggy was the love interest with more screen time even before what if and all that jazz, she had her own show! And I fear that the day Marvel will realize that pushing a reimagined Nazi turned Mary Sue into every single what if episode where she can fit instead of enhancing the characters that are actually relevant in-universe it will be too late.
Sorry about the rant, I get carried away when it’s about my boys lol
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The Terror: When, How, Where... (PART 1)
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See part 2 for the end of my sanity (ep 6 through 9. Wasn't enough characters left on the post for ep 10)
See part 3 (and episode 10)
As I am writing the fic, I was getting frustrated at trying to figure out the timeline of the expedition. More specifically, what happens after they dropped the Victory Point Note.
Therefore, in order to organize my ideas, and also because it might be of interests to some of you, I will document here what I got.
Episode 1 through 5 for now.
Methodology
If we agree that the showrunners (and Dan Simmons to an extent) made their research, we should be able to match some of the event of the story with notable point of interests where artefacts and/or remains were found over the numerous searches made to ascertain the fate of the Franklin Expedition
I also tried to take note of all indications of time passing so that I might document their speed travel and the dates when they are not mentioned.
... And the death count. (Departing Beechey Island with 24 officers and 102 men)
Finally, I also used the following website to keep track of sunrises and sunsets: https://www.timeanddate.com/
1927 Admiralty Map
I may be an amateur in this kind of research but I find myself frustrated that the most complete map I've been able to find showing all that was found between 1850 and 1926 is shown on this map from 1927
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To be noted, we now know that the Skeleton of H. Peglar was more probably W. Gibson or T. Armitage
The Skeleton of Lt. Le Vesconte has also been reevaluated and is now believed to be that of Harry Goodsir ( :( )
Also, as it happens, if we compare to 2024 maps, we can say that this is not the actual shape of KWI (close enough!).
Therefore, for my own sanity, I recreated with modern maps. Is it accurate? Well, I wouldn't publish it but I think it gives a good enough view of where they went and where they were going:
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Where the Ships had drifted to in June 1847 (According to G. Gore's coordinates left on the Victory point note)
Where the Ships had drifted with the Pack by April 1848 (Victory Point Note)
Victory Point
McClintock's Boat Place (proposed to be same location as NgLJ-1)
Camp with Many skeletons
From D. Simmons' The Terror - The Hospital Camp
Peglar Skeleton
Starvation Cove
A Bunch of cairns in the area
Harry Goodsir
Gjoa Haven (Netsilik Settlement)
Fort Resolution (Dear God... look at how far they wanted to walk/Canoe/make portage...)
Matching the Show
Episode 1 - Go for Broke
Location 1 - David Young's grave (71.22, -96.60)
Date: September 5th 1846
Nighttime - None
Daylight - 14h 57 min
Twilight - 9h 03 min
Sunset: 7:51 PM - Sunrise: 4:55 AM
David Young was buried 7 days before they were beset in the ice (see point 3 on the map below).
During the dinner in which we were regaled by the tale of Mr. Fitzjames' Holes, Franklin discuss that they were approaching a bigger channel, which is now know as the McClintock Channel (see point 1 on the map below), meaning that at the time, they were still in the Franklin Strait.
On the day after his death, Franklin discuss their next course and assure that they must be 'nearly in sight of KW Land'. Crozier suggests it might take them weeks to actually make it to KWI. This would confirm what was infer above.
As we can see the two ships fitting in a cozy little cove while the grave is being dug, I would like to propose Point 4 on the map below as Ficitonal David Young's final resting place, on Tasmania Islands
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Location 2 - Ships September 1846 (70.25, -98.00)
Date: September 12th 1846
Nighttime - None
Daylight - 13h 45 min
Twilight - 10h 15 min
Sunset: 7:19 PM - Sunrise: 5:34 AM
Well, for this one, we need to use the extrapolation provided by the 1927's Admiralty map by tracing the line from where the ships were known to be in 1847 and 1848 (Point 5 and 6). (see point 3)
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For Future Reference:
Travel Time between Loc 1 and Loc 2 - 7 days
Distance between Loc 1 and Loc 2 :70 NM / 80 Miles / 130 km
Average Travel Speed - 11.4 miles a day
Travel Condition - Ice breaking
DEATH COUNT: 2 + 3 (Total 5)
24 Officers and 100 Men remaining
Episode 2 - Gore
Location 3 - The Ships in 1847 (70.15, -98.30)
Date: May 24th 1847
Nighttime - None
Daylight - 24h min
Twilight - None
Sunset: N/A - Sunrise: N/A
Coordinates and Date From the Victory Point Note (see Point 1)
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Location 4 - The Cairn (69.66, -98.27)
Date: May 28th 1847
Nighttime - None
Daylight - 24h min
Twilight - None
Sunset: N/A - Sunrise: N/A
From the ships, Gore lead his party to James Clark Ross' Cairn.
Now, in the Show, they found JCR's Cairn without an issue. In reality, while Gore had found the Cairn just fine, Crozier and Fitzjames did not. One of the reason for it is that JCR had, apparently, made a miscalculation in reporting where he had erected the Cairn by several miles. Honestly, the way that Fitzjames had written the words was so confusing, I appreciate that the show made the whole thing so much simpler, ahah. So let's say that it matches what we know now as Victory Point. Easy Peasy! (see Point 2)
To be Noted, we know the dates of departure from ships and arrival at cairn from the Victory Point Note.
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Location 5 - The Ice Camp (69.665, -98.32)
Date: May 28th 1847
Nighttime - None
Daylight - 24h min
Twilight - None
Sunset: N/A - Sunrise: N/A
The Camp was raised just beyond the ice ridge that blocked the way form the shore and the Cairn was only a mile or so away. (see Point 3... hidden between point 2)
Of Note: That hail storm's cloud coverage was intense to say the least... So dark :')
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Back to Loc 3 (70.15, -98.30)
Date: June 2nd 1847
Nighttime - None
Daylight - 24h min
Twilight - None
Sunset: N/A - Sunrise: N/A
Wednesday is a good day to drink with the Captain :D which makes it the Wednesday following May 28th 1847! So it's June 2nd!
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For Future Reference:
Loc 2 to Loc 3
Travel time - 8 months, 12 days or 254 days
Travel Distance: 8.6 NM / 10 miles / 16 km
Average Travel Speed - 0.04 miles a day
Travel Condition - Pack drifting
Loc 3 to Loc 4/5
Travel time - 5 days
Travel Distance: 29 NM / 33.5 miles / 54 km
Average Travel Speed - 6.7 miles a day
Travel Condition - 6 Men hauling Sledge on Ice
Loc 4/5 Back to Loc 3
Travel time - 4 days
Travel Distance: 29 NM / 33.5 miles / 54 km
Average Travel Speed - 8.4 miles a day
Travel Condition - 6 Men hauling ASS and Sledge on Ice
DEATH COUNT: 1 (Total: 6)
23 Officers and 100 Men remaining
Episode 3 - The Ladder
This one is fun because, well... they're not moving! I could point out where Silna ends up but it looks like she remain close enough to the ships that it doesn't matter all that much. So, let's just make note of the date and events:
Location 3 - Ships in June 1847 (70.15, -98.30)
For the duration of the episode:
Nighttime - None
Daylight - 24h min
Twilight - None
Sunset: N/A - Sunrise: N/A
Date: between June 2nd and June 10th 1847
- Silna makes her igloo a few miles away from the Ships
Date: June 11th 1847
- Franklin Dies
- Crozier drafts his resignation letter
Date: June 12th 1847
- Franklin's leg is buried :')
- Lieutenant Fairholme is sent to KWI.
DEATH COUNT: 2 (Total: 8)
22 Officers and 99 Men remaining
Episode 4 - Punished, As a Boy
Another fun bottle Episode!
Location 3 - Ships in same approx position as June 1847 (70.15, -98.30)
Date: November 23rd 1847
Nighttime - 12h 35 min
Daylight - None
Twilight - 11h 25min
Sunset: 11:47 am - Sunrise: 10:51 am
- William Strong's birthday :)
- We know because it's the last sunrise of the year!
- Evans and Strong die :(
They searched for a long time if it was just before 4 pm when they got the alarm and then they came back in time for last sunrise at 11 am...
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Date: November 24th 1847 to November 25th 1847
Nighttime - 12h 35 min
Daylight - None
Twilight - 11h 25min
Sunset: N/A - Sunrise: N/A
- Hickey has a communion with Tuunbaq (supposedly next day or so)
- Then Hickey gets evily booped.
DEATH COUNT: 2 + Hickey's postern (Total: 10)
22 Officers and 97 Men remaining
Episode 5 - First Shot the Winner, Lads
More fun in a bottle. These boys are not going far...
Honestly, for this one, the trouble was figuring out how much time had passed. For one, we know it's not yet Christmas because Christmas is, in fact, mentioned in Episode 6 (And Lady Jane's Christmas Pudding, hear hear) as part of the meeting between the officer and there was not yet a cooperation between the Terror Lts and Fitzjames for counting the supplies.
ALSO! That scene where Mr. Wentzell got killed dead over his nail... well, it gave me the feeling that either the review of the crew is not daily or that they've been on Erebus for a short time because 1) Fitzjames doesn't know their names and 2) He has to repeat the instructions about cleanliness... Perhaps they sent the Terrors in waves and not all 50 of them at once.
Other details to be mentionned:
Hickey is not recovered yet and Goodsir suspects he might reopen his wounds from working.
Goodsir has had time to be quite good at speaking inuktitut. Now, he could have had a continuous learning experience from Dr. McDonald since June 47 and before but considering that Dr. McDonald is stationed in Terror and Goodsir in Erebus, I suspect they did not have much time to have a class together...
Finally. Crozier suggests that he would be 2, perhaps, perhaps more... sick from sobering up. He got up just in time for First sunrise (Jan 17th).
So! We can infer that the episode might have spanned over 1 or 2 days (what's with the movement between the ships and the whole Rat Wedding).
My best guess is that the dates for this whole episode would be:
Date: December 14th 1847 to December 18th 1847
Nighttime - 13h 32 min
Daylight - None
Twilight - 11h 28min
Sunset: N/A - Sunrise: N/A
Why December 14th? Because it would be Edward Little's Birthday and I feel like it is appropriate for his character to have his boss send him back to the killing cold for more booze :') (December 16th to December 20th seems more likely but...)
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This would give Crozier a full month to recover from sobering up and 22 days for Goodsir to learn inuktitut (impressive!), for Hickey backside to feel better and for Fitzjames to NOT learn the name of his new Terrors.
DEATH COUNT: 3 + Blanky's leg (Total: 13)
22 Officers and 94 Men remaining
That's it for now. I'll do the last 5 episodes soonish...
Conclusion to the first sets of episode: Sunsets and Sunrises were whacky in June 1847 but, so far, distance and travel times make good sense. If the accuracy holds up until episode 10, we might be able to have a pretty good idea of what, when and where everything happened in episodes 6 through 10.
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nedjsmlfavs · 1 year
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So Derision Broke Me…
Derision (Miraculous S5E14) made some choices that fundamentally broke Marinette’s character for me to the point where I’m having trouble motivating myself to keep writing for this fandom. I figured I’d write down my thoughts and see if that helped me get into a headspace where I can ignore this episode like I do any other writing choices I’m not fond of. If anyone has some words of wisdom, I'd love to hear them.
In Derision, we learn that Marinette has some serious trauma surrounding love. When she was 13, she confessed her love to Kim and was rewarded with a box full of spiders. This “prank” understandably left her traumatized and shaken to her core. In response to that trauma, she vowed to never confess her love to another boy. Not unless she knew everything about him.
This “prank” and several others are revealed to be the fault of Chloé. As for why she’s doing this, well, we’re never given a reason why Marinette is the target. However, we are told the motivation for Chloé’s actions. Rose blames them on the fact that Chloé was abandoned by her mother. Mylène responds to this observation by pointing out that she was also abandoned by her mother, but that didn’t turn her into a bully! Which is a fair point. People react differently to trauma and trauma doesn’t justify bad behavior or undo the effects of those bad behaviors. At the most, trauma explains why the behavior is happening. A lesson that Miraculous has given us before.
In the character Félix’s titular episode, Félix shows up and starts treating Adrien poorly. This leads to this exchange between Adrien and Plagg:
Plagg: What's up with that cousin of yours? First, he searches through your things, and then, the most unforgivable thing of all, he squashes my hunk of goat's cheese under your pillow! I'd been maturing that baby for two weeks! Do you realize? Two whole weeks! Adrien: Listen, Plagg. Félix lost his dad not so long ago, he's probably not himself. Plagg: I'm sorry, but there's just no excuse! You never touch my cheese, and yet, you just lost your mother not so long ago, right?
And, once again, this is a fair observation! The fact that Félix’s father died does not justify Felix trying to ruin Adrien’s life. All it does is explain his motivation. 
Trauma does not excuse hurting others. When trauma has negative effects on us, it’s up to us to work through those feelings either on our own or, ideally, with the help of loved ones and therapists. We are never justified in lashing out at innocents who had nothing to do with our trauma.
This brings us to the topic of Marinette. 
The fact that Marinette has trauma around romance does not justify her treatment of Adrien. Breaking into his home, trying to sabotage his relationship with Kagami, and all of her other obsessive behaviors are not okay just because she was traumatized by Kim. If Chloe and Felix are not excused by their trauma, then neither is she.
So why am I only bothered by this now?
Because, before this episode, Marinette’s behavior was very clearly a joke. It was, in my opinion, a bad joke, but it was a joke and, when it comes to writing, jokes have to be looked at differently than things that are played straight.
Miraculous relies heavily on absurdist humor. That’s why you’ve got an episode where Adrien and his teenage friends throw an unchaperoned party attended by a bunch of random adults. A thing that would be horrifying and upsetting in reality, but is fine in the show because it’s clearly played as being ridiculous and over the top. I mean, just look at this scene. Anyone taking this seriously has clearly lost the plot.
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Marinette’s obsession fell under the same category. Something that would be very wrong in reality, but was obviously being played up for laughs. I was always under the impression that, without the absurdist humor, she’d be significantly toned down and that’s why I just sort of tolerated it in the show. Not my idea of a good joke, but clearly a joke so meh. I can overlook it while watching the show and, when writing her, I can be true to her character while not including this level of obsession because I don’t write crack fic.
Derision changed that. It took 4.5 seasons of questionable jokes and tried to justify them. And that? That is a terrible idea. Because there is no justification for Marinette’s behavior just like there is no justification for Chloe’s behavior in the exact same episode. What they’re doing is wrong and, at best, their trauma explains their behavior. It does not justify it.
Plus, hey, remember how Derision said Kim was a terrible person for laughing at Marinette’s trauma? Isn’t that the exact same thing that we’ve all unknowingly been doing for 4.5 seasons? Kinda makes it hard to rewatch old episodes where her crush was played for laughs, doesn’t it? I hope you’ve never laughed over Marinette’s behavior because, if you have, you’ve been making fun of her trauma and so have the writers.
And that sums up why this episode really bothers me. I either have to ignore a character’s trauma or I have to accept that her trauma has apparently made her unhinged and address it. Because if her behavior is not a bad joke, then the salters are right and Marinette is a total creep. I’m trying my hardest to choose option one, but I’m struggling.
It’s not that Marinette is the only character with questionable behavior. Adrien as Chat Noir is often written as overly persistent and obnoxious when it comes to his crush. It’s not great behavior, but it’s not a consistent characterization nor is it a major flaw. I can fix it with a quick character arc about boundaries or ignore it and (in my head) say that arc happened off screen because I have no doubt that this sort of common teenage issue could be overcome with relative ease. Because when Chat Noir is put in a situation where he could clearly violate Ladybug’s boundaries? He doesn’t. He is, ultimately, respectful. He just needs to be told that respect is more than listening to the explicit “no”.
Deep-seated trauma that leads to stalking? That’s not a minor flaw. It’s a major issue that reveals the need for psychological intervention. I’m not gonna give that to a teenager and fix it with the power of friendship and communication. Nor will I give the stalker her prize. I’m gonna keep him safe because, if Marinette has this level of romance-based trauma, then she is not mentally well enough to be a relationship with someone.
You see, I’ve had people with obsessive crushes who violated my boundaries. A loved one of mine had to get the police involved because of someone’s crush on them. Stalking and obsessive behavior is not a joke. It’s traumatizing, but even though I have that trauma, Miraculous never bothered me because of how the stalking was played as a joke.
Joke's over, though. As of Derision, we are supposed to take Marinette's behavior at face value.
So, yeah. I don’t know where I go from here. It’s been a week and I just have no desire to ever touch Marinette again. If anyone has some words of advice, I’d love to hear them. And I’m sorry, but it may be a while before anything of mine updates.
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lixiehugs · 1 year
Text
fanmade video : moments when nct were caring and protective of mila!!
warnings : mentions of eating disorders.
a/n : hello!! welcome to my once-a-year upload piece /hj!! i say this every time i come back, but this time i feel like i might actually start writing more. i have so many writings i have been sitting on for my girlies (esp mila), and i am dying to share them!! please wait for me!!
a/n : im not even gonna lie i kinda ate with this photo like💅🏻 (JUST IGNORE HER HAIR PLEASE😭)
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"hello, everyone, and welcome back to another video on my channel! this episode will be none other than the boys of nct taking care of our producer, mila!! not to be confused with mila taking care of the boys, however (which will be a future video). these are some of the sweetest moments where mila didn't have her angry protection face on<3 enjoy the video!!"
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when the boys give mila their jackets🥹
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so, we all know how much mila hates puffer jackets.
like, she will do ANYTHING to get out of wearing a puffer jacket.
except when it is for a photo shoot, then she remains our professional queen🥰
but mila would rather wear like 7 layers instead of a puffer jacket bc she is so stubborn😭
like same but is it really worth it girl???
and my gal is out here in like 4°c in her leather jacket and a hoodie trying to convince the guys that she isn't cold like
MISS MA'AM WE CAN SEE YOUR BREATH?? YOUR TEETH ARE CHATTERING???
i just know that taeyong begs her to put on a heavier jacket every day, but she never does
but on this day, mila said that she thought it wasn't that cold so she thought that her leather jacket would be okay.
turns out it was not!! she was freezing because it got breezy.
most of the other boys were fine with the temperature, even having their jackets unzipped
but when they saw mila getting out of the van clutching her already zipped jacket around herself, practically trying to hide in her coat, they all went 😦😦
jeno, renjun, mark, haechan, and jaemin all came running to her with their coats😭 (jisung and chenle were cold)
she laughed and tried to play it off like she wasn't that cold, even going as far to let her hands poke out of her sleeves and let go of her tight grip on her jacket, but as soon as she did, she was wincing at the cold and looking at her members for help
without hesitation, jeno shrugged his jacket over her shoulders and zipped it up.
jaemin then tried to zip it up fully and have her put her hood up, but mila stopped him because she knew she could not take pictures like that.
basically, mila is never going to be that cold again!! not on the dreamies' watch😡
making sure mila has something to eat🥹
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mila has said this herself, i'm not hating!! but she is a PICKY EATER.
like PICKY PICKY
mila said that when she first moved to korea, she would only eat "white people food" because it's all she was used to.
"i only started using the flavorings of the ramen packs after living here for like 6 months"💀
she said that she didn't even feel asian because she hated all the food and didn't know how to use chopsticks🤧
but!! that was a while ago, and mila has gotten so much better!!
as a picky eater myself, i know how hard it is to go out of your comfort zone with food.
just the fact that when she was a trainee, she would have to make her own food and take that with her whenever the boys wanted to go out makes me want to cryyyyy
but now she likes enough foods to go out with them🥹
anyways, back to the situation at hand;
in episode 2 of chillin' in the dream 8lace, when mark and jeno get the punishment of having to cook for the rest of the members, they wanted to make bibimmyeon. when jaemin came into the kitchen to help them (and also to make sure they didn't burn the kitchen down), mark asked if mila would eat bibimmyeon, to which jaemin says "yes, she will"
this is because mila used to hate bibimmyeon!! fun fact~
this situation also happened in the beginning of the 6th episode.
the boys who were awake wanted tuna and mayo fried rice (which needs fried eggs) for breakfast, and jaemin, being the angel he is, remembered that mila didn't like tuna and mayo fried rice. so, when mark asked for jaemin to scramble some eggs for him, he easily decided to make some for mila<3
when jeno stopped her from tripping
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this was kind of a shock for everyone imo??
like, it's not CRAZY or anything, i just have never seen mila have any other problems walking in heels before.
but whatever, she still slayed💅🏻
anyways, at the 2020 asia artist awards, nct dream won the award for best emotive award - music.
all 8 of them stood up and walked up the stairs to the stage. though the order left mila and jeno at the back of the line.
they were all wearing matching black suits, except that mila was wearing 6 INCH HEELS instead of normal dress shoes like the guys were.
and these were like STILETTOS!! super hard to walk in for no reason
now we all know that mila can walk in heels. we've seen her slay in some stilettos in the past.
but, that does not take away from the fact that mila has said on many different occasions that she does not like wearing heels.
now, since she already doesn't like them, why on earth would the staff put her in 6 INCH STILETTOS?????? makes no sense
anyway, as she was stepping up onto the stairs, she stumbled and almost fell backwards into jeno.
jeno, of course, being the gentleman he is, caught her gently by her waist and quickly got her back onto her feet. he then made sure she was steady up the stairs by holding his hand.
once they were at the top of the 5 or so steps, he linked their arms together and walked with the rest of the group to the award presenter.
once they finished that and went back to their seats, mila and jeno were also at the end of the line because they knew mila would need a bit longer to go down the steps.
jeno went in front of her and held her hand down the stairs so she wouldn't fall 🫶🏻
haechan getting mad about mila's sasaeng
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woo, this one is already making me mad, and i haven't even written anything yet😡
so, mila's infamous evil sasaeng. the one that broke into the dream dorm and attacked mila while the members were sleeping. (a/n : there will be a fic in detail on this soon!!)
not much is known in detail about this incident. all we have is the account of the sasaeng herself and the statements that have been made by SM and the members.
but what we do know is that there was a big change in how the members treated her after this happened.
there was also a big change in mila.
mila went from being happy and giddy to being quiet and reserved for the first time in a while. this was not too long after her nct2018 hardships as well, so that made everyone even more angry as it seemed like she could never catch a break.
the members, most noticeably the dreamies, all became more cold for lack of a better word.
they would go outside and have this slight look of betrayal on their faces. they would not be as happy or smiley, they would tell less jokes.
everyone was just upset.
however, haechan was arguably one of the most upset ones.
as we know, haechan is mila's roommate in the 127 dorm. but, mila also has her own room in the dream dorm, which is why she constantly moves around and splits her time between the 2 dorms. mila has said that she stays at the dream dorm more often when she does not have promotions because she likes it better over there and she likes having her own room.
so having her personal space and safety violated like this in the place that she calls "home" is just disgusting to me.
haechan went on vlive a few days after the statements were released to talk about the situation.
"how is mila doing?" he reads before placing his phone down and covering his mouth with his hands while thinking about what to say. "she's okay. she's not great, but she's doing her best. she's been staying in the 127 dorm with us. she hasn't even gone over to the dream dorm since what happened." he pauses, looking down before taking a breath in. he looks back up at the camera with a low glare, not doing a good job at trying to hide it. "mila is afraid to sleep, hell, even be in her own dorm now because of you... i hope you are ashamed of the damage you have caused." he speaks bitterly, his words obviously directed at the sasaeng.
he ended the live not long after, giving a short message to please not wait outside their dorms anymore.
mila not having money on a show to buy ice cream, so doyoung and yuta buy it for her
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just mila being the cutest once again, what do ya know.
everyone was buying treats and snacks on this nct life show but mila didn't have any money :((((
she was so excited to go into the store and get snacks, but then she just went 😯😕
she quickly tried to wipe off her frown and look around the store anyway, not wanting her members to think she was upset.
when everyone had finished picking out their snacks and were in line to purchase them, taeyong noticed that mila didn't have anything.
"mila, why aren't you getting anything?" he asks, a gentle smile on his face. johnny also listens for her response. "i don't have any money." she replies, shrugging. "aigoo, i'm sure we can get you something." he pats her shoulder before going up to yuta and doyoung at the front of the line, just behind taeil who was buying his items. "doyoungie, yuta~," he calls. "yes?" they answer. "do you mind buying some snacks for our miely? she doesn't have any money." the leader asks. their eyes widen. "of course!! you can get anything you want, mila!! just be quick!" yuta says, and they grin at her. she smiles and perks up. "okay!! thank you!" she says before quickly jogging back into the ice cream aisle and picking up an oreo cone, then she goes and gets some chocolate. she brings them up to the counter with yuta and doyoung's things. "you sure you don't want anything else?" doyoung asks. "no, this is okay." she smiles. they pay for it, and she is beaming on the way out.
they would do anything for her🥹❤️‍🩹
jaemin, jeno, and mark all being attentive when mila stands up because she gets dizzy
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a/n : you're just going to have to imagine that it is mila sitting in the first photo with a member in front of her and that there is no skateboard in the second photo
nctzens have thought for a long time that mila is anemic.
this is due to mila's repeated mentionings that whenever she stands up or even sits up in some cases, she feels dizzy, gets tunnel vision, and gets black spots in her vision as well. she said that these are her most frequent symptoms, but they can get worse, including fainting and having her ears ring.
mila has never confirmed her having anemia. the last time she spoke of the rumors was back in 2021 where she said, "I'm not sure if i have anemia... my older sister has the same symptoms as me, but when she went to the doctor, she was told she didn't have anemia. what i can confirm is that i have low blood pressure. i'm not sure why, as high blood pressure actually runs in my family, but that has been present since i was a child. and i have talked to a doctor about this in the past, uh... orthostatic hypotension? that's what she said my symptoms sounded like. czennies, I'm not exactly sure what's wrong with me but thank you for the concern!"
despite no definitive diagnosis for what happens to her, it doesn't stop the other members from caring for her well.
one key example of this happened in episode 6 of chillin' in the dream 8lace. mila was refusing to get up out of bed so jaemin went in to get her. he pulled her to stand up from where she was laying quite quickly, causing her to say, "ah, jaemin, jaem, jaem, slowly, slowly, slowly! i'm dizzy." quickly remembering her condition, jaemin stopped and helped her stand up slowly, allowing her to adjust, all while holding her hands in case she were to fall over.
though this was one instance that jaemin forgot about her condition, there have been many other clips of the boys watching her get up carefully.
most of the time it is subtle actions, such as the members simply keeping an eye on her or lending a hand out to keep her steady. they often let mila walk in front of them just to prevent the possibility of her falling with no one to catch her as she often tries to power through her dizziness, thus making her more dizzy.
renjun and chenle always being sweet and helpful when she tries to speak chinese
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mila tries so hard to work on her chinese these days :(( i cry
like my gal speaks 2 languages like a NATIVE and then has borderline fluency in 2 MORE, and is still trying to learn 2 MORE
like gal 😭 i can barely speak my native language (i only speak one language)
she is such an overachiever and FOR WHYYYY
but i love her 🫶🏻
though she often ends up thanking the fans in english (when mark isn't there) and in japanese, once mila tried to thank them briefly in chinese!!
mila has said before that she used to study chinese quite a bit back in 2016 when she was really close with winwin and chenle, but since then, she became more focused on japanese and lost time to study it.
she has always said that chinese was really hard for her just because of dealing with the characters. this is why she is quite good at speaking chinese but not good at reading it!
however, we all know mila is quite emotive when presenting and giving speeches, so her tones often fluctuate with her words. this was another issue for mila as she struggled to remember the tones of the words and tried to keep her voice at a neutral level.
yet despite all of these struggles, mila had been giving a short thank you to their chinese fans at an award show when she stammered and forgot what she was saying.
though this is totally normal for a foreigner trying to speak another language, mila is always super prepared for foreign language speeches, so she was caught a little off-guard.
her face went a little red, and she apologized before turning around to chenle and renjun on her left.
they were both looking at her with the cutest and most loving smiles🥹
the crowd gave some encouraging cheers as mila spoke to them for only a few seconds before turning back to the microphone and finishing her speech like a champ🫶🏻
it's just so cute to me that renle + wayV taught mila all the chinese she knows and how she's still so good at it
and how proud of her they are🥹
we choose to forget when mila was first learning chinese and renjun told her he was teaching her how to introduce herself but she was really insulting herself😭
jeno allowing her to sleep on his shoulder comfortably
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mila is such a HARDWORKER!!!!!
if you disagree, you're literally wrong.
she does not have credits on almost every SM release after 2017 fOR NOTHING
so, because of her tendency to overwork herself and prioritise work over sleep and her well-being, the boys are always the first people to let her sleep instead of waking her up if they need something.
it always pains them a little bit to wake her up, even if they are about to be late because they tried to let her sleep in.
basically, if mila is showing ANY signs of being tired (it could literally be rubbing her eyes), they boys are instantly: "PLEASE SLEEP"
so, when the dreamies were in a van going to a mystery location for a fun video, mila unsurprisingly, grew drowsy.
mila was sitting next to jeno in the backseat of this van, steadily growing more and more tired.
but knowing mila, she tried to keep herself awake, not letting herself lean on the window or on her hand. this lead to her dozing off while sitting straight up, her head bobbing down lightly.
jeno was looking at his phone, not paying attention to her.
until he saw her drooping head and was like 😶
he froze for a second before slowly and gently pressing mila's head down to his shoulder, sitting up a little bit so it would be more comfortable for her.
mila did not object. she was so fucking tired.
jeno was so proud of himself as he felt mila kinda relax into him and let more of her weight rest on his shoulder.
he looked up a little with a 😌 look on his face to see jaemin filming him with a grin.
no words are exchanged as jeno's smile grows, and jaemin chuckles quietly before showing a thumbs up to the camera.
jisung and renjun sharing their umbrellas with her
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now, while i'm sure all of the members would share their umbrellas with mila under the circumstance that she did not have one, we only have video evidence and jisung and renjun doing so <3
so, on this day where it was raining as nct dream were going to a schedule, mila did not have an umbrella
sooo many fans tried to spin this as mila being mistreated by the staff since all of the boys had umbrellas until another clip was released of mila giving her umbrella to a staff member
the staff repeatedly shook her head and refused, wanting mila to keep it, but she did not accept no for an answer and smiled big when the staff finally accepted.
some bodyguards around quickly tried to cover mila's head with their hands to protect her from the rain, thus catching the attention of jisung and renjun.
they both quickly came over, pushing their umbrellas toward her and not on themselves
mila immediately pushed their umbrellas back over their own heads and shooed them away.
they didn't let up and kept trying to talk to her for a few seconds.
mila laughs lightly and goes next to renjun under his umbrella, leaving jisung with a slight pout on his face.
"you're too big to share an umbrella!" mila exclaims, causing them all to laugh. the rest of their dialogue could not be heard in the video, this was the only thing intelligible.
with content expressions, mila goes under renjun's umbrella and they both put arms around each other; mila's arm going around his waist and renjun's arm going over her shoulders as they walk the short distance to the building.
nct 127 following the sidewalk rule
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since the newly publicised "sidewalk rule" on social media, nctzens have brought up all the times that they have preached this before its popularity.
it's not seen as often with nct dream as every time they try (usually renjun, jeno, & jisung), mila just pushes them off and doesn't move.
this leads the boy to be very 🤨😖 because this is what their hyungs taught them to do???? why is she not accepting this gesture that the hyungs do all the time????
so, the dreamies don't really do it anymore, they just keep a watchful eye when she likes to balance on the curb of a busy road.
127 and even wayV however, are a different story.
maybe it's because they're older, but mila always listens when they guide her over to the non-road side of a sidewalk.
sometimes she looks a little 🤨 when her arm gets tugged away, but then she realises where she's standing.
most commonly, the members dragging her away from the cars are taeyong, johnny, kun, xiaojun, and doyoung. but there have been times where ten, jaehyun, and jungwoo have done it.
in the back of many nct 127 videos, most notably the ones where they are exploring the usa, mila can be seen being ushered away from the road by one or two of the members above.
it's just super cute and makes all czennies swoon over the neos' politeness 😵‍💫
the dreamies comforting her when she tries to be strong🥹
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this day is not to be confused with the 191117 dream show ending meant!!!
a/n : lmk if i should make something that says in detail what mila said in her ending ment on the 191117 show!!
this was the first of the three dream shows back to back (191115).
mila said her ment not long after jisung did, so she was already emotional when it got to her turn.
jisung was crying as he tried to say his ment, so mila was already sad because she went to comfort him.
now mila HATES seeing jisung cry because it almost always makes her cry with him, so she was hugging jisung (not photo) before her turn.
she had intended for her ment to go a different route, but when it was her turn to talk, she just kinda let her words take her, not following her originally planned direction.
"aw... it's only the first day of the dream show, and i'm already crying ㅠㅠ i thought i would at least be able to be calm on the first day. but because of jisung~~ he made me sad ☹️." there is a brief pause where mila just looks around at the crowd with stars in her eyes. "but really, i can't blame him..." she looks down and swallows thickly before looking back up and blinking back her tears. the other members make various noises of teasing and telling her not to cry, some even coming closer, but mila takes a step back and laughs, telling them to go away. "no, no, i'm okay. i just need a second..." she flaps her hands as a way of shooing them, obviously growing more uneasy, stressed, and upset. with a deep breath, she starts again. "the members don't know this but," she starts, gaining the attention of all the boys. "before the show started today, i was crying in the bathroom because i was worried that this would be the start of our last shows and they wouldn't be strong enough... and i can't help but feel like it's my fault because..." she looks down again, this time for longer as she tries to hold back her tears. she doesn't succeed. tears fall, and her breathing starts to turn into small gasps and hiccups. chenle and haechan both come closer to her, haechan saying "aigoo, mila-yah..." and chenle saying something like "no, that's not..." and mila just taking a step back and flapping her hands to get them not to touch her. she knows that if she lets them comfort her, she will start crying. she wants to finish her ment first. "because i have had big inputs on nct dream's music, and if it's coming to an end..." a particular gasp leaves her lips with a small cry that reaches the microphone, making the crowd whine. the boys come up to her again. she tries to push them away again, but not as much as before. "...then i must have done something wrong." she cries, a deep wail leaving her chest as her hands come to cover her face, muffling her gasps but still allowing them to be picked up by the microphone. the crowd goes quiet, save for the growing volume of whines and telling her that's not true. jaemin pulls her into him, and she wraps her arms around him tightly, her cries into him now being picked up by his mic. chenle, haechan, and jeno are all around them rubbing mila's back as renjun tries to talk while comforting jisung at the same time, who had grown emotional all over again by mila's words.
in less than 2 minutes, mila had pulled away, immediately being met by the faces of her members, presumably asking if she was okay, to which she nods. a tissue is given to her by haechan and she dabs her face clean of tears while fanning her face. chenle helps fan her face, as well.
she keeps the tissue in her hand to repeatedly wipe her running nose as the others continue talking. chenle stays next to her this whole time with his arm around her and his head on her shoulder.
when mila twitched in her sleep and yuta helped 🥹
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a/n : you're just going to have to imagine that mila is sleeping in the second one and not on her phone :)
it is a somewhat well-known fact that during stressful times, mila twitches in her sleep.
this info is not from sasaengs btw!!! mila has said this herself along with the members🥰
mila has said that she has done this since she was a kid and it usually means that she is juuust on the edge of falling asleep but not actually asleep.
this is why she hates it.
her stress prevents her from falling asleep when she so desperately needs it.
she will be drifting until she twitches and then she's awake again ☹️
so, when nct 127 were getting ready for a favorite (vampire) stage, mila fell asleep on one of the dressing room sofas while waiting for her turn for her makeup and hair.
in the background of an nct 127 fun video (like in the dressing room) she was waiting on the couch patiently when yuta sat down after finishing his look. she casually laid her head in his lap, which was nothing unusual (as we all know how much she loves yuta🤭)
she scrolled on her phone for a bit, not paying attention to anything and not being bothered by the conversations of her members and the staff.
eventually, she plopped her phone next to her face on the couch and closed her eyes, not moving at all from her original position.
due to her lack of movement, yuta thought that she was still awake. this was until the twitching started. yuta knew what it meant when mila started twitching like this, so he took a quick look at her, saw she was sleeping and leaning back in his spot before bringing his free hand to her hair.
he knew how much mila LOVES having her hair played with and how much it calms her down.
he softly twirled the strands and gave her head a light massage, instantly stopping her twitching and allowing her to sleep calmly before getting ready.
when mila had to be woken up for her turn in the hair and makeup chair, yuta pleaded for her to go last so she could get some extra rest in 🥹
when it was really time, and she had to go, yuta woke her up gently with a pout, cooing at her tired face
mila collapsing on stage
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as stated previously, we all know about mila's low blood pressure. this causes her to become dizzy, faint, etc.
but there is one more thing i have neglected to talk about as i do not want to interpret it incorrectly.
and that is mila's history with eating disorders.
everything i will say has already been said by mila herself, her members, or SM.
mila has always had problems not eating enough throughout her entire childhood due to her dedication to her craft(s).
when she was really young and did gymnastics and dance, she would often forget to eat and just do acrobatics the whole day.
this is extremely unhealthy and dangerous as both gymnastics and dance are very demanding sports and require lots of sustenance.
regardless, mila has managed to take care of herself up until around late 2017-early 2018.
mila said that due to a multitude of things that i will not be getting into right now, she spent all of her time working in the studio producing/writing music or perfecting routines, and working on singing/raps. at this time she also focused her remaining time on her studies for her end-of-high school exams.
mila said that during this point in her life, she felt "guilty" taking time out just for herself. she felt like she always needed to be doing something productive.
food did not fall into this category.
mila would sacrifice eating over completing her schoolwork and idol/producer duties.
this caused her to experience a lot of burnout and to faint often because of stress and malnutrition.
though since then, mila has recovered, and takes care of herself (according to her and the members), she still has times where she can revert slightly.
like i said, she has been somewhat this way since she was a child, so it is easy to forget.
one big example of this was in early 2020 after a kick it stage.
this was one of those prerecorded stages due to covid starting to affect the industry.
mila slayed the stage, giving her all and doing her absolute best. you could not notice anything wrong when she was performing.
but after the cameras cut, and all that was left was stuff that would not go on tv, mila collapsed.
she was stood in her ending position, waiting for all the cameras to cut. she wasn't really paying attention, but in the video, you could see just how fast she was breathing and that she was swaying slightly in her stance.
once the other members moved and began to bow to the staff, mila's knees just crumbled, and she fell.
she landed on her knees and hands, her hair covering her face as she heaved in air. then she slumped over kinda on her stomach but still on her knees and elbows.
the other members didn't do anything for a moment. it's unclear whether they didn't notice or if they thought she was just tired from the demanding routine.
the first member to go over to her was taeyong. he looked a little nervous and kinda speed-walked over to her.
he crouched down next to her and moved to look at her face, moving some of her hair out of the way.
none of what they are saying can be heard, so all that we can assume is that he was asking her if she was okay.
he gets her to sit up and holds both of her hands in his. her eyes are closed, and she's still breathing heavily, obviously still really tired.
he asks her something else, and she shakes her head weakly before starting to slump over again. taeyong looks around for a moment before standing halfway up and pulling mila up with him.
she picks her up bridal style with mila barely clinging onto him as he carries her offstage. her eyes are closed as he does this.
there was a lot of fan uproar at this. fans were attacking SM for making her work so hard and demanding to give her more rest.
there was no response or acknowledgement from SM, the nct members, or mila herself.
when mila fell asleep on vlive
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this vlive is actually one of my favorites just because of this interaction!!
it's just so sweet!!!
so basically, mila was on vlive in her shared room with haechan at the 127 dorm.
this had been after a day of schedules (we don't know exactly what) and she was just chitchatting about what happened that day and some things she saw on social media.
this wasn't unusual as mila had been going live more recently when this happened.
mila did say that the schedule ran a little later that day and that she was tired but that she also wanted to stay up and talk with czennies <333.
however, about 25 mins into the live, mila had been laying on her bed with the phone leaning against her open laptop screen. her head was resting on her folded elbows as she read the comments and talked contently.
due to this position and her growing tiredness, it was not difficult for mila to fall asleep.
fans thought that she was just resting her eyes for a moment and that she was still awake until it had been like 2 minutes of pure silence.
then all the comments were mixtures of "omg is mila asleep???" and "she's so cute aaaaa" and "sm really needs to let her rest smh"
she had only been out for around 10 minutes when haechan came in.
they share this room, so it is not a surprise that he came in unannounced.
the door cannot be seen from the vlive, but it can be heard closing and footsteps getting closer.
haechan appears behind mila to the side and quietly says "aigoo, mila fell asleep with her laptop on, let's fix this for my twin, eh?" he then reaches for her hands to move them off the keyboard to close the laptop when he notices that her phone is actually on vlive😭. "oh! hello~~" he greets cutely, giving a wave as he picks up the phone. "thank you for watching over mila, czennies. i will take over and make sure that she sleeps well! goodnight!"
he then ends the live, and we can assume that he finished getting all her stuff away so she could sleep<3
afterwards, on twitter, haechan was trending for being a lovely caring member as he acted so sweet without even knowing that he was being recorded
johnny stopping mila from falling off stage
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okayyyy, so we all know that mila isn't clumsy, as she loves to remind us, but she lowkey is (don't tell her i said that).
so what transpired, was during the singapore show on the neo city - the origin tour in 2019. the stage was kinda an upside-down T shape with a little B-stage at the end.
mila was not paying attention to anything other than nctzens <3.
during replay (am 1:27), mila was looking into the crowd, as she does, with that big smile on her face.
she was squinting a bit, trying to read some of the signs that fans had up while also trying to dance around at the same time.
she was at the part in the stage where the B-stage starts. at the corner, she was leaning over to look at something. she was standing on that lower platform next to the stage that looks like she's on stage, but she's not really on it, you know???
anyway, once she finished reading, she turned towards the catwalk again and quite literally STEPPED OFF THE FUCKING STAGE
and she says she's not clumsy😑
but THANK GOD johnny was coming to the B-stage and was at the end of the catwalk. he SNATCHED her up and carried her for a few seconds before putting her down in the middle of the B-stage, where he was sure she couldn't fall off.
he looked at her for a minute, hands on her shoulders as they talked. none of what they were saying was picked up by their microphones, so we don't know what they said🤷‍♀️
mila nodded at him, and they both walked back down the catwalk to the main stage with hands around each other. probably just johnny being extra cautious now😖
none of the other members seemed to notice (probably a good thing because you KNOW taeyong would have scolded her).
after the show, mila went on her bubble to respond to czennies.
"i fell off the stage? no i didn't!!!! you're lying!!!" she joked with lots of emojis. she thanked them for their concern and promised it wouldn't happen again <3.
renjun yelling at the sasaengs calling her😳
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i do not want to be on renjun's bad side 😳😳😳😳
so this happened in late 2019 when mila, renjun, jeno, and jaemin were all doing a vlive together.
it's very similar to what happened to jeno on the 200114 vlive with renjun, chenle and jeno.
mila was trying to read the comments on their vlive on her phone but she couldn't because sasaengs kept calling her.
she didn't even bat an eye as she repeatedly swiped the calls away, declining them and going back to what she was trying to do.
but IT WAS CONSTANT!!!
this was like 30 calls in 2 minutes like GALLLLLL
with each call, you could see mila growing more and more irritated with her side eyes to the camera :(
it got really bad when she tried to show something to the camera, and she got a call, so she swiped it away and showed the camera again. then she got another call, swiped it away and tried to show her screen again. when she got a third call, renjun stood up and took her phone from her hand, saying "give it to me"
he walked out of frame and began yelling at the sasaeng (as he should 💅🏻)
mila looked at him like 😳😏😊 and then started talking really loudly to cover up what renjun was saying.
it's hard to make out, but renjun can be heard yelling at the sasaengs saying things like "stop calling mila or else i will report your number and press charges"
basically scary renjun
he came and sat back down like 😒 and mila smiled at him and gave him a side hug to express her gratefulness <3333
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"i hope you all enjoyed this video!! please keep supporting nct and their activities! stay tuned for my next video! bye!!!"
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lurkingshan · 1 month
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Japanese QL Corner
ICYMI: There are so many Japanese qls airing weekly, so I’m going to start posting this little round up at the end of each week. All of these are on Gaga and I highly recommend watching!
Love is Better the Second Time Around
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This is officially my favorite bl currently airing. I loved this second episode a lot. I appreciate that while the first episode gave us a really solid grounding in who Iwanaga is, the second let us get to know Miyata in all his contradictory glory. That entire sequence from his failed proposal to him demanding Iwanaga take responsibility was glorious. He is still nursing a wound from their high school days and hearing Iwanaga sincerely apologize for his immaturity in making the bet back then seems to have given him some of his power back. I love that he's making Iwanaga work for it, and judging by that smile at the end of the episode, Iwanaga loves it, too.
My Strawberry Film
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Yet another week focused on the het love rhombus, this time with a double date. I was spiritually with Ryo sitting on a rock by himself, headphones on and gazing at the sea in mild despair. The plot continues to move at a glacial pace, and I am not nearly as interested in Minami or her secrets as the show wants me to be. She is just not a compelling character. I did appreciate the show making it clear that Hikaru's crush on her is based more on a fantasy of who she is than the reality. And I felt for Chika a lot in this episode and was glad she aired things out with Ryo; she needed his rejection to move on. I wonder if, as @bengiyo suggested, this show will play better as a binge, because it's kind of torturous as a weekly viewing experience.
Sukiyanen Kedo Do Yara ka
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A nice ending for a show that didn't quite come together for me. I liked both of these characters a lot, but the writing for their romance was kind of all over the place and we spent a lot of time on frustrating plot diversions instead of building a stronger relationship foundation that would leave us feeling confident about their future (apparently a lot of that extra plot stuff was added to stretch the simple manga story to 10 episodes, and it sure felt like it). I didn't at all buy Mizuki suddenly reappearing and trying to help them get back together. The way the show used his character was perhaps the most frustrating part of all; he felt more like a plot device than a person. But I'm glad Soga and Sakae decided to try again at the end, even if I wish we would have spent the back half of the show seeing them actually work through these complications instead of just talking about them constantly only to end right where they started. Not one that I will be rewatching or that will stick with me, I think.
Bonus: Call Boy (2018)
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I have been meaning to watch this film for ages, and finally got around to it this week. Before I am accused of false advertising, let me clarify that this is not a bl or a romance at all; rather it is a story about a disaffected youth who gets offered a job as a sex worker in a high end club and finds purpose and satisfaction in bringing others pleasure. Our lead Ryo is (mostly) het, but he does have one extremely memorable sexual encounter with a male colleague (played by my beloved Izuka Kenta!), and this is in general a film exploring sexual kink and stigma, so it earned its spot on ql corner.
This movie is surprisingly great, and its themes are very sex and sex work positive in a way some other recent shows have claimed (and failed) to be. The narrative is all about Ryo coming to understand the purpose of sex work, finding his own pleasure in fulfilling his client's needs, and working through his childhood trauma in the process. It's very well done and I highly recommend it for anyone who can handle exceedingly NC-17 content. It's on Viki for rent (and also in the grey).
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