Everyone gets “The 90s” look wrong and I hate it
Couple years ago I saw these two board games at the store back to back. Well, not saw them per se, but ya know. Spied them out of the corner of my eye. And for a moment without reading the text, I couldn’t tell you which was which decade at first. Funny. Either they were in a rush to get these out the door or they wanted their throwback trivia game boxes to look uniform. I didn’t think too much of it.
Only, from then on I started seeing it MORE. Every time someone markets a 90s or 80s throwback...
Goddammit they’re identical! What??! How did we let this happen? As a 90s survivor and a designer, this drives me up a wall.
Look, I know I’m late to the party to complain about “the 90s look” when we’re just starting to get sick of the Y2K nostalgia train. But c’mon, the 90s were not The 80s: Part Two™
Trust me when I say that we weren’t all wearing neon trapezoids up until the year 2000. The 90s look being peddled is so specific to the tail end of the 80s and an early early part of the 90s - a part of the 90s when it wouldn’t stop being the 80s. This is Memphis design being conflated with the wrong decade.
Keep reading for a long ass graphic design history lesson and pictures of old soda and fast food.
Specifically, the look is Memphis Milano, self-named by the Italian design house Memphis Group. Starting in the early to mid 80s, they made all sorts of furniture, fabrics and sculptures that were like a Piet Mondrian grid painting under heavy radiation. Their whole deal was defying the standards of existing industrial design up to that point on purpose. Chairs had weird arches, bookcases would be in strange alien colors, unusual materials like plastic or elastic were used in place of metal or wood, that sorta thing.
Memphis quickly became the signature look for the decade. You can tell something’s influenced by Memphis design from it’s telltale trademarks:
Clashing, neon colors.
Use of diametric shapes.
Contrasting patterns like zebra print stripes, confetti squiggles and checkerboards.
It wasn’t long before Memphis Milano-inspired design was everywhere in 80s pop culture:
It was a special time, yes.
I was a kindergartener at the tail end of the 80s, so I knew Memphis mostly through the lens of kids media. Toys, clothes, games, tv shows used it like candy colored catnip. Cable channel Nickelodeon more or less adopted the Memphis aesthetic as their signature in-house style and practically built a monument to it at a Florida theme park:
I think this is why folks mistake what decade Memphis is representative of - 90s staples like Nick, Saved By The Bell, Fresh Prince - they all stayed around much longer than the design trend’s expiration date.
Couple that notion with the fact that companies are slow followers to design trends. Something gets popular and they want to get on the bandwagon? Gotta wait for the ink to dry, gotta wait for the production molds to be made. It would take a few years for them to completely work Memphis outta their system.
Now, this is not to say Memphis is bad! Personally I’m a fan of the aesthetic, if my neon-drenched artwork wasn’t a tip-off already. But it is a trend, and trends never last forever.
So what took the Memphis Milano look down for good? This part’s up for debate, but I personally think it had something to do with this dude:
It’s that grunge music from Seattle that’s so popular with the kids these days dontchaknow.
Once Smells Like Teen Spirit hit in 1991, the Nirvana tone drove the rest of the decade. Clean geometry became weathered, grainy and organic. Bright neon pastels became more bold. Bubblegum pop music sounded fake and manufactured. Attitude and apathy was authentic. Whatever.
Things got grungy. Things got grimy. Olestra was invented.
I think the best way to visualize this transition is how Cherry Coke entered the decade and how it left it:
1992 Memphis on the left, 1998 grunge junkie on the right. Fitting that the 90s would end with a design that looked like Darth Maul’s lungs.
Okay, so what should 90s retro design look like?
Continue on to PART TWO! Spoilers: No VHS filters or vaporwave needed, but maybe bring an antacid.
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One of the really fun and interesting things about writing a polyamorous romance as someone who is ambiamorous/polyamorous is finding new ways to make sure the narrative hits the expected genre beats without just sort of... mushing it into a pre-existing monogamous romance mold, which is what I'm afraid happens a lot of the time.
Trust me, it was my job in the publishing house to make them fit that mold. I hated it.
Reading other poly-centric romances, I can always somewhat tell when someone is writing polyamory from a sexual fantasy aspect (zero shade; I'm here for all the group sex) without actually considering how it functions as a relationship dynamic, which can often come off as... well.
It's lacking for me as a romance.
Erotica-wise, it's fine. But it misses the romantic beats for me that I want as a polyamorous-leaning person.
There's so much emphasis on the polycule and never the individual dyads within the larger relationship.
For example, in a triad, there are actually four relationships to handle.
The dyad between A + B.
The dyad between A + C.
The dyad between B + C.
And the overarching relationship between A + B + C.
With monogamous-leaning authors or authors that've been pressed into conforming to the pre-existing genre beats, there's a tendency to treat the relationship as a homogenous mass where everything is fair and equal, and you treat all your partners the exact same way.
And I get it. It's easier to write everything as peachy-keen and to have external conflict be resolved with either acceptance or a brave confrontation.
But it doesn't always land for me as someone who wants to see my style of love represented in the genre.
In healthy polyamory, either closed or open, each relationship is unique in its own way. Taking the example of a triad again, the way A acts with C likely differs from how A acts with B.
And that's a good thing!
Because C might not want the same things as B, so trying to treat them both the exact same is a surefire way to make sure someone isn't getting their needs met, and that will lead to conflict.
Polyamory isn't striving for equality between partners but rather equity.
What are your individual needs, and how do I meet them, as well as meet the needs of my other partner(s)? What do you want from the larger relationship as a whole? How do we accommodate everyone without making someone feel neglected or uncomfortable? How do we show this in the narrative? How do we make sure character A isn't just treating B the same as C in every interaction? Do they ever fall into that pitfall? How do they remedy it?
It seems like common sense when you write it out like that, but it's a major pitfall I see time and time again. The characters never alternate their approach between partners, if there's any focus on the individuals at all.
The other major telltale thing I've noticed is that taking time to be with one partner is seen as a step down from the "goal" of the greater polycule.
The narrative is framed in such a way that they might start out with individual dates, but the end goal of the romance is to eventually be together 100% of the time all the time, and wanting individual time alone with any one partner is somehow "lesser."
Which is the goal of romance in monogamy, but it's not the goal of romance in polyamory.
Granted, you do need to end on a Happy Ever After or Happy For Now for it to fit the genre requirement. And a nice way of tying that up is to have everyone together at the end as a happy polycule all together all at once. I'm not disputing that as a narrative tool. I'm just pointing out that there's a tendency to present those moments as the sum total of the relationship when in actuality, there are multiple relationships that need to end happily ever after.
The joy of polyamorous love is the joy of multitudes. It's the joy of experiencing new things, both as individuals and as a polycule. If you're not taking care of the individual dyads, however, your polycule is going to crash and burn. You cannot avoid that. So why, then, is there such avoidance of it in stories meant to appeal to us?
Is it simply inexperience on behalf of the author? Or is it that they're not actually being written for us? Is it continued pressure to meet certain genre beats in a largely monogamous-centric genre? All of the above?
Either way, I'm having fun playing around with it and doing all the things we were warned against in the publishing house.
I'm having fun with Nathan and Vlad enjoying their own private dynamic that is theirs and theirs alone. I'm having fun with Ursula and Nathan being so careful and vulnerable around each other. I'm absolutely 100% here for the chaos of Vlad and Ursula without a chaperone. And I'm here for the chaos of Vlad and Ursula together and Nathan's fond, loving eye roll as he trails after them, too enamored to tell either of them no because where would the fun in that be...
Anyway. Don't mind me. Just getting my thoughts out while everyone else is in bed.
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One-sided Love Exist... (Yandere Fiancé x F. Reader)
Summary: You have been in love with your fiancé, but all you know is that he isn't in love with you until you do something about it.
Notes: I got this inspiration from @mayulla, their story is here. Also, I might or might not do a part 2 for this story so wait on that
Warning: fake love, forced love, obsession, I don't condone these behaviors, I just write it.
Love.
Something you have always wished for to happen to you. All of the love stories you have read. You wished to be the princess saved by her knight or to be a princess who saves the one she loves. That was all you wanted. A knight or a prince in shining armor. That's where your fiancé came in.
A duke's son. Your fiancé, Alaric de Caius. He had seemed to fit the mold, perfectly. He looked regal and handsome with his black hair and dark blue eyes. You were only 9 when you had met him, but you couldn't help but smile when you first saw him.
Overtime you had absolutely fallen in love with him. He was a man of morals, he believe in the same things as you of what was right and wrong, he was academically talented, he was athletically talented, and he treated people around him the same whether or not they held a title.
A wonderful man.
But the problems arose when you had seen he had never paid attention towards you.
He never looked you way, seemed to say anything towards you, or seem to acknowledge you at all.
"Good morning Alaric!"
He wouldn't look.
You didn't understand why he ignored you. His indifference towards you, hurt. You didn't know if it was your ego that was hurting or it was truly your heart that was hurting, but something was in pain. But you didn't give up! Both of you were bound to get married to each other, one day!
Often talking to him first, soon enough he responded.
Bringing sweets such as cookies or sweet bread from the kitchen. Watching him eat it with no signs of disgust, might have made your day.
But you must also strive hard too! To be worthy of being a Duchess, you must help him by studying, taking up hobbies such as perfecting painting, embroidery and writing poems that have deep meanings. You must also know how to manage a household, so you asked your father if you could learn how to manage the servant's wages and everything going on in the household.
Everything you did was for him.
You did not partake in gossip with your bestest of friends, you didn't spread malicious rumors about someone, and you tried not to do the most selfish thing if there was a selfless option. Your friends, love you but saw you in pain. "Why do you do these stressful things (y/n)?" they would constantly ask.
"Because I am going to be future Duchess one day, I must prepare!" You would say cheerfully.
Alina Thompson.
Her family was new money. Her father was a merchant who was able to strike gold in selling a once thought, rare ore. Opening trades with the east, she has risen to become the daughter or Baron Thompson.
Your friends didn't like her. One of them saying, "There is something off about her..." and another saying, "Why does she look at Duke Caius like that..."
You had brought it up to Alaric one day. He said there was, "Nothing to worry about, she is just an acquaintance.", and at first you didn't worry, heck you even befriended her. She was pretty. Her hair, long and blonde, her eyes a bright green color like emeralds, and her smile the brightest you have ever seen. She often wore pink and you did as well. But she always seemed to not get along with your friends after a few meetings. Or any noble women in fact. She had always stirred the pot with the other women in high society, supposedly acting different as if she had 2 different personalities in front of others. But she had always gotten along with the men. They spoke high praises of her. From her looks to personality. She even had admirers of her own. She was perfect, but most women disliked her. But you didn't think anything of it.
Until the day of the royal ball.
You saw with your very own eyes. Alaric's arm, being held by her's. She had the brightest, most shameless smile that day. All the men looked uncomfortable while the women were shocked. It was no secret that you and Alaric were engaged. And it was definitely no secret that you were in love with him.
They danced together. They wore matching outfits. Even the flowers on both of their corsages were the same. He had smiled at her as they were dancing. He gave her, her first dance of high society at her first ball, a royal one in fact. There was no way he had no idea what he meant by his actions. Your heart shattered as your friends got mad at both of them.
"Why that sly fox! How could she betray your kindness like this?!"
"(y/n)! If you need to I can kill him myself!"
"No!" you had quietly yelled out.
You friends looked at you, worried on their faces. "(b/s/f #1), (b/s/f #2), I need to...go..."
You ran away towards the royal garden, letting your tears to flow down.
Once you got home, you destroyed the books, the gifts he gave you and finally sat down on the floor and cried you heart out.
Your heart had shattered that day, nothing felt like it was going to fix it. It felt like the end of the world.
The next day came, and you holed yourself up in your room.
Your bedroom door would not open. Nothing will work. Your father was worried, your friends, pestered at you, and the servants knock and check up on you as well. But even though you knew all these people cared, you truly only wanted one person to come and see you, Alaric.
You don't know if you were a masochist or not, but you did want answers.
Soon, one of the maids came in. "Leave me alone..." you mumbled in your pillow.
"No. Duke Caius is here to visit you. So I must get you ready, young lady."
You looked up at the maid as she chuckled. "What's so funny?" you asked almost like a pouting child.
"Your eyes are puffy my lady. If you do not want the Duke to notice it, I suggest you get ready, now."
You pouted as you got up.
The next thing you knew, you had seen Alaric. His perfectly combed over hair, his eyes, calm, and the placement of his lapels, in order as followed. You had bowed your head down slightly, as he sat down at the table.
You didn't even bother looking at him. If you did, you didn't think you could bear it. It was an embarrassing night for you. All you did was look at your tea, slowly stirring the sugar cube, looking at it and spacing out in the process.
"(y/n)?"
You looked up. This was the first time he had ever called out your name. He had always referred to you as Lady (l/n), out of formality, but he has never called out your name like you do his.
"Did you hear what I said?"
You took a moment and shook your head. "No, I'm sorry..."
"That's okay, I can say it again."
Why did your heart tug at this? You felt yourself being anxious for what he wanted to say. But first you wanted the answer to why he brought Alina to the royal ball the other night.
"I had brought out Lady Thompson to the ball a few nights ago, because of her father. He had wanted to make sure his daughter secured an escort for her first royal ball. He had insisted I had better escort her, otherwise she wouldn't come."
An excuse.
"I helped her father find the rare ore that had made him Baron. I must help him again."
Lies.
"So that's your excuse..." you mumbled out of your mouth.
He looked at you, his eyes were still. He had no emotion after what you had just said. "(y/n), it's the truth."
"Lies. We are engaged, but my debutant ball and first royal ball, you didn't escort me at all."
You remember it well. He had said he was busy, and you thought nothing of it, because he wouldn't escort or dance with anyone else anyways.
"When we had our first dance, you didn't even look at me."
It broke your heart that night when you both finally had that first dance you had been waiting for, only to be sad when he didn't smile, look or seemed to be enjoying it in any way.
"I had wanted us to get matching outfits, but you held it off saying, 'you hadn't gotten measured yet'."
He would get measured for an outfit for another woman, but not you? His own fiancé?
You felt nothing but anger now towards him. "Was it a waste of my time to devote it all towards you? I know your favorite snacks, colors, meal, drink, what to do as duchess..."
You felt like you were about to cry again, but tried to hold it in. "WAS IT ALL FOR NOTHING?!" your hands slammed the table as you felt your tears coming down your face as you looked at him.
Hoping he would say it wasn't in vain. That all of these things you did for him, would mean something.
"I had never asked you to do these things, (y/n). I am tired of your antics."
You couldn't believe you had ever loved this man.
You immediately went back inside, and into your room to cry once more.
Alaric has never needed anyone close to him.
He never understood you and your stupid antics to get closer towards him. From bringing snacks, to gifting the books he so wanted, to talking to him way to often.
He had an alright childhood. His father was sick and his mother was dead from childbirth, so he needed to become duke heir at a young age. Relying on himself to make the right or wrong decisions while his father's health deteriorated overtime.
His father wanted him to get married to his close friend, Marquis (l/n), so he arranged the engagement before his death, and after his death when he was 15, he kept it on because it was one of his father's final wishes. To see their families united.
But sometimes he couldn't stand (y/n). When he first met her, he had no opinions of her, other than the fact that she was nothing more than a clumsy girl trying to get his attention.
She was trying to live out fairytale romances through him. She had wanted him to be her knight in shining armor. And he didn't care for it.
He ignored her until she kept on pestering him.
Soon, they did their small talks.
He ignored the food she had gave him.
Until he ate it because he was hungry and it was his favorites.
He ignored her all throughout his childhood, because he never needed her as much as he did. He saw her as pathetic, but he couldn't help but fuel her pathetic attempts to get him to love her.
He did didn't need her. He didn't need her at all.
Plus, she was well liked. Both women and men liked her. But sometimes those men that liked her too much got on his nerves to the point of threatening them into silence. She didn't need him, she wanted him. And he didn't need her as well.
But he thought he felt something when he met Alina for the first time. But later, he realized it was nothing more than curiosity. But whenever he was around (y/n), there was always a feeling that he didn't know what it was, but always put it off, until it came creeping onto him whenever he was with Alina.
It was clear she was jealous of (y/n) and her life, so she had tried to mimic her. Her cheery attitude, beautiful smile, and her happy-go-lucky demeanor, even though he could tell that she was nothing more than hollow shell of an impression. She did all these things so that he could pay attention to her. But Alina was worse than (y/n).
Her personality and character are terrible.
She always seemed to get into fights with the other women. Whether petty drama or something a tad bit more serious. She had always seem to never get along with them. Unlike (y/n).
She was terrible at any financial things. Counting money properly, distributing money equally, and figuring out the budget. Unlike (y/n)
She had always seemed to look at others as if she was better than them. Often subtly bragging a new pendant, earrings, bracelet, shoes, dress, or hair accessories. Unlike (y/n)
Her tea was awful to drink. She always stepped on someone's toes for no good reason. Her embroidery was lackluster. Her paintings, a clear imitation. Unlike (y/n).
He remembered a time where (y/n)'s tea was bitter, when she stepped on someone's feet while dancing, when her paintings were dull, and when she had a hard time managing money. It was absolutely a clumsy and nerve-racking time. But slowly, it had shown improvement, unlike Alina's tea.
All of these hobbies that Alina had picked up and all of her personal quirks have cause him to realize one thing.
He would never look her way.
He picked Alina because he thought he could finally drive (y/n) away from her antics and say he is not interested in her at all.
When he went to the royal ball and was dancing with Alina, all he could ever think of was how (y/n) would react in the same situation. Her bright smile, cheerful eyes and glowing aura would all be very lovely. He couldn't help but unconsciously smile during the dance, and it seemed to have fueled Alina's determination to take her down.
But now he wonders why he had those thoughts during the dance with Alina.
She had holed up in her manor ever since that royal ball.
Alaric didn't see her. No letter, no snacks, no anything. Nothing had came. He should be elated. Happy. Excited. Joyful.
But all he felt was a big hole. A big empty hole somewhere in his body.
He had thought he had heard her all over the place. "Alaric. You need to stop overworking yourself to death! You might get sick!"
"It's none of your concerns, Lady (l/n)."
"Huh?"
He looked up from his paperwork, only to see his secretary looking at him, confused? "What did you say, Your Grace?"'
He looked down at his paperwork. "Nothing of note."
It happened again when he was reading through the manor's ledgers. "Can I help you with that Alaric? I'm very good with ledgers!"
"It is fine Lady (l/n)."
"Your Grace?"
Once again, he looked up only to see his butler, looking at him confused.
He felt like he was going insane.
He had developed a high fever one day from overworking. His butler called in the family's doctor, and the doctor said to take a break today.
But his fever kept on running, and the maids didn't know what to do. They gave him water that was too hot, his body kept on sweating, and they gave him food too salty for his condition. They were all incompetent when he was sick all of the sudden. And to top it off, his secretary still needed him to do paperwork for the estate.
During his time with his fever, he unconsciously only thought to see one person. (y/n).
He had wanted her to be by his side when he was sick. To take care of him and to see him recover. He wanted her to scold at him for overworking. He wanted to see her happy after he did recover from this fever. He had wanted to see her, no, he felt like he needed to see her.
He slowly opened his eyes as he was asleep for a bit. He thought he saw her in his groggy state. "...(y/n)..?"
Only to finally see clearly. It was Alina. And she looked pissed, but he was even more pissed. "How dare you! How dare you call out the name of that woman when I'm here?!"
He got up and yelled. "GUARDS!"
She got mad. "Oh, now you're calling the guards?! I came here to help you! And this is what I get?!"
He looked at her with contempt. "How did you know I was sick?"
She looked anxious. "The butler told me! He contacted me with a letter! Look!"
She pulled out a messily handwritten letter as people came up towards his room. His secretary and butler came to his side. "Who is this?" his secretary asked.
Alaric's head was banging, but managed to respond. "Lady Thompson. I do not know how she got here."
Alina looked scarred as the secretary called a maid to call the guards. "How did you get in here Lady Thompson?"
"I got here because the butler told me to come here because His Grace is sick!"
The butler looked confused. "I do not recall writing a letter to anyone."
Alina got mad. "Yes you did! I have the evidence!"
She held her letter as the secretary grabbed it out of her hands. "Butler, is this your handwriting?"
The butler fixed his glasses and shook his head. "I do not write this sloppily, even when writing fast."
Alina got even more mad as the guard got up the stairs. "Your Grace?"
"Take her away, and make sure she never sets foot in the estate again."
"Wha..? HEY!" The guards took Alina while she protested. All the servants went back to work as his secretary looked at him. "I will investigate where that letter came from, Your Grace."
Alaric looked at the ceiling as he started to lay down in his bed. "There is no need. But do investigate how she got in here and how she knew. We might have a stalker on our hands if I'm not careful..."
His secretary nodded. "Yes Your Grace, I hope you recover quickly, soon."
All he could do is stare up to the ceiling. Thinking. If (y/n) had done this, maybe he wouldn't had been as mad as he was back there. Maybe he would had enjoyed her trying to fumble out a response of how she knew he was sick. Maybe he would had enjoyed her antics of trying to cure him of his fever.
He couldn't help but chuckle as he slowly fell back asleep, dreaming.
When he had gotten better after 3 days, he immediately went to the (l/n) estate. He didn't know why, but he needed to go there after his fever.
He was led to the garden as he waited for her to get ready. Then he looked around. The garden was filled with flowers. Pink, white, purple, and blue flowers seemed to be her favorite. The servants brought out her favorite tea set. A pink and white ceramic one. He has only seen it every time she had hosted her friends. She only brought out the other tea sets with him.
She looked different. She looked less lively. Her skin looked pale, her eyes a bit puffy and her hands fiddling with the tea cup, nervously.
He had only brought up his purpose at being in at the royal ball with Alina, when she started talking about his shortcomings in their relationship.
How he didn't accompany her to her first ball, didn't look at her for their first dance, and how he always gave an excuse for not wearing matching outfits.
But something came out of his mouth when talking to her. "I had never asked you to do these things, (y/n). I am tired of your antics."
He felt annoyed at her behavior. She got too clingy and annoying now. Bringing up insignificant things. She got annoying in this very moment.
She soon ran away as he left the (l/n) estate.
He wanted to go home and rid his memories of her immature behavior. Hoping that her behavior won't continue again.
A/N: I should do a part 2. But you'll have to wait a while.
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