#how wanted and cared for it made me feel

[tshortik]

I love you messy artstyle i love you visible brush strokes I love you textures and rough edges I love you imperfections I love you roughness and colour blobs I love you scratchy sketches and bold stylisation and dirt and imperfections I love you ugly and raw emotion!!!!! ❤️

#i talk sometimes #art talk #i made a tweet like this on twatter ages ago but i've been feeling this a lot lately #also this is the start of me writing more on this blog and not only using it as art because who cares!! i don't!! #I wanna translate raw emotion into colors and shapes. I wanna know where to ignore all details and where to go ham you feel me? #i used to dream about developing a style like for MtG where it looked like a masterful oil painting that oozes realism and details #and i've realised the last two years or so that I would actually hate that for me. I know I wouldn't enjoy doing it. For myself. #it's that pipeline from wanting to be the perfect realistic wotc artist to accepting that I will never be that #instead i wanna learn how to stylise better and get a good brush economy going yknow. I wanna be bolder. #i doubt i'll ever be as incredible as all these MtG artists no matter what anyone says. but it's ok!! i don't have to be!!! #i just luv art man!!

[uncanny-tranny]

If somebody in your life offers to knit or crochet or, really, create anything for you, please be an active participant in the creation of the piece they are making. I adore making and gifting things, but nothing bums me out quicker than a person who passively just goes "okay," to my ideas about what I'm making them - it can send the message that they won't like it, or that they don't care, even if they're happy about my offering. The back-and-forth feedback is a great way to make sure that you are being gifted something that was truly worth the time, effort, expertise, and money that will inevitably go into the gift!

I know it's really hard to be an active participant, believe me, I'm an anxious ball of horror, but it will only do good for both parties to interact in this situation. It is a big deal to be offered a hand-crafted gift, but it's also something we want you to love and use, and that can only happen if you tell us what would make you fall in love with what we create.

#advice #relationships #art #fiber art #knitting #crochet #i always try to remember that some people's responses to something big is to clam up and become more passive... #..i just want to remind you that you aren't in danger of Ruining Everything by suggesting things or asking questions or saying what YOU wan #like i asked my dad specifically how he would feel if i made him items SPECIFICALLY so i could gauge if he would like them for instance #i don't just want to create something i want the recipient to actually LIKE it #which is why i typically (not always) ask how somebody would feel about me giving them a specific gift #i know some people genuinely don't care in the sense that they would appreciate ANYTHING but sometimes that doesn't always translate i gues #im crocheting a set of coasters for my dad and i really hope hell truly like them because i'm not sure based on how he responded to my ideas #it makes me so happy to gift things but it's with the caveat that the recipient will think it is An Amazing Gift That Is SO Good And Useful

[kittyandco]

does anyone else get so upset when you think about all the things that happened to your f/o... all the things they went through? all the things they haven't healed from? the pain that they may still be enduring? how you can do your best to help them but you can't protect them from everything. so you just love them the ways they needed before, how they deserved. and you see them happy because they finally accept, at least in some ways, that they do deserve it. they deserve love like all beings do

#i get so upset when i think about it for too long; i'm there for them now but there was nothing i could do; wanna go back and protect them #i'm like this with everyone i care about (real and fictional) and sometimes it's hard #it's about hans this time. i just can't believe all the things that happened to him #no wonder he's terrible! no one cared about him! why should he care! all he knows is pain and neglect! except from me! #i know why he sees everyone else as worthless because that's exactly how everyone he knew saw him first; he was supposed to be loved #they all used him up til he was nothing and that's all he knows #i can't even read certain parts of a frozen heart again because i just cried so much the first time... he didn't deserve that #no one does #and then the comics detailing it all even FURTHER #he was like any other innocent kid and seeing that progression hurt so much. i could get into the details but ugh #hux's age of resistance comic did the same thing. i can't even look at the first 2 pages; it's too much. i just want to hold him #anyway... i'm fine :') i've made a post like this before but i'm feeling it so hard right now #self ship

[thunderboltfire]

I have a lot of complicated feelings when it comes to what Neflix has done with the Witcher, but my probably least favourite is the line of argumentation that originated during shitstorms related to the first and second season that I was unlucky to witness.

It boils down to "Netflix's reinterpretation and vision is valid, because the Witcher books are not written to be slavic. The overwhelming Slavic aestetic is CDPR's interpretation, and the setting in the original books is universally European, as there are references to Arthurian mythos and celtic languages" And I'm not sure where this argument originated and whether it's parroting Sapkowski's own words or a common stance of people who haven't considered the underlying themes of the books series. Because while it's true that there are a lot of western european influences in the Witcher, it's still Central/Eastern European to the bone, and at its core, the lack of understanding of this topic is what makes the Netflix series inauthentic in my eyes.

The slavicness of the Witcher goes deeper than the aestetics, mannerisms, vodka and sour cucumbers. Deeper than Zoltan wrapping his sword with leopard pelt, like he was a hussar. Deeper than the Redanian queen Hedvig and her white eagle on the red field.

What Witcher is actually about? It's a story about destiny, sure. It's a sword-and-sorcery style, antiheroic deconstruction of a fairy tale, too, and it's a weird mix of many culture's influences.

But it's also a story about mundane evil and mundane good. If You think about most dark, gritty problems the world of Witcher faces, it's xenophobia and discrimination, insularism and superstition. Deep-seated fear of the unknown, the powerlessness of common people in the face of danger, war, poverty and hunger. It's what makes people spit over their left shoulder when they see a witcher, it's what makes them distrust their neighbor, clinging to anything they deem safe and known. It's their misfortune and pent-up anger that make them seek scapegoats and be mindlessly, mundanely cruel to the ones weaker than themselves.

There are of course evil wizards, complicated conspiracies and crowned heads, yes. But much of the destruction and depravity is rooted in everyday mundane cycle of violence and misery. The worst monsters in the series are not those killed with a silver sword, but with steel. it's hard to explain but it's the same sort of motiveless, mundane evil that still persist in our poorer regions, born out of generations-long poverty and misery. The behaviour of peasants in Witcher, and the distrust towards authority including kings and monarchs didn't come from nowhere.

On the other hand, among those same, desperately poor people, there is always someone who will share their meal with a traveller, who will risk their safety pulling a wounded stranger off the road into safety. Inconditional kindness among inconditional hate. Most of Geralt's friends try to be decent people in the horrible world. This sort of contrasting mentalities in the recently war-ridden world is intimately familiar to Eastern and Cetral Europe.

But it doesn't end here. Nilfgaard is also a uniquely Central/Eastern European threat. It's a combination of the Third Reich in its aestetics and its sense of superiority and the Stalinist USSR with its personality cult, vast territory and huge army, and as such it's instantly recognisable by anybody whose country was unlucky enough to be caught in-between those two forces. Nilfgaard implements total war and looks upon the northerners with contempt, conscripts the conquered people forcibly, denying them the right of their own identity. It may seem familiar and relevant to many opressed people, but it's in its essence the processing of the trauma of the WW2 and subsequent occupation.

My favourite case are the nonhumans, because their treatment is in a sense a reminder of our worst traits and the worst sins in our history - the regional antisemitism and/or xenophobia, violence, local pogroms. But at the very same time, the dilemma of Scoia'Tael, their impossible choice between maintaining their identity, a small semblance of freedom and their survival, them hiding in the forests, even the fact that they are generally deemed bandits, it all touches the very traumatic parts of specifically Polish history, such as January Uprising, Warsaw Uprising, Ghetto Uprising, the underground resistance in WW2 and the subsequent complicated problem of the Cursed Soldiers all at once. They are the 'other' to the general population, but their underlying struggle is also intimately known to us.

The slavic monsters are an aestetic choice, yes, but I think they are also a reflection of our local, private sins. These are our own, insular boogeymen, fears made flesh. They reproduce due to horrors of the war or they are an unprovoked misfortune that descends from nowhere and whose appearance amplifies the local injustices.

I'm not talking about many, many tiny references that exist in the books, these are just the most blatant examples that come to mind. Anyway, the thing is, whether Sapkowski has intended it or not, Witcher is slavic and it's Polish because it contains social commentary. Many aspects of its worldbuilding reflect our traumas and our national sins. It's not exclusively Polish in its influences and philosophical motifs of course, but it's obvious it doesn't exist in a vacuum.

And it seems to me that the inherently Eastern European aspects of Witcher are what was immediately rewritten in the series. It seems to me that the subtler underlying conflicts were reshaped to be centered around servitude, class and gender disparity, and Nilfgaard is more of a fanatic terrorist state than an imposing, totalitarian empire. A lot of complexity seems to be abandoned in lieu of usual high-fantasy wordbuilding. It's especially weird to me because it was completely unnecessary. The Witcher books didn't need to be adjusted to speak about relevant problems - they already did it! The problem of acceptance and discrimination is a very prevalent theme throughout the story! They are many strong female characters too, and they are well written. Honestly I don't know if I should find it insulting towards their viewers that they thought it won't be understood as it was and has to be somehow reshaped to fit the american perpective, because the current problems are very much discussed in there and Sapkowski is not subtle in showing that genocide and discrimination is evil. Heck, anyone who has read the ending knows how tragic it makes the whole story.

It also seems quite disrespectful, because they've basically taken a well-established piece of our domestic literature and popular culture and decided that the social commentary in it is not relevant. It is as if all it referenced was just not important enough and they decided to use it as an opportunity to talk about the problems they consider important. And don't get me wrong, I'm not forcing anyone to write about Central European problems and traumas, I'm just confused that they've taken the piece of art already containing such a perspective on the popular and relevant problem and they just... disregarded it, because it wasn't their exact perspective on said problem.

And I think this homogenisation, maybe even from a certain point of view you could say it's worldview sanitisation is a problem, because it's really ironic, isn't it? To talk about inclusivity in a story which among other problems is about being different, and in the same time to get rid of motifs, themes and references because they are foreign? Because if something presents a different perspective it suddenly is less desirable?

There was a lot of talking about the showrunners travelling to Poland to understand the Witcher's slavic spirit and how to convey it. I don't think they really meant it beyond the most superficial, paper-thin facade.

#The witcher #Sorry if its convoluted I just got reminded of something and it made me a little angry #and as I had this conversation a lot of times I've decided to put it into written text #sorry about being bitter #but these are some of my favourite books and I'm still upset when I get reminded how badly they were treated in the recent adaptation #I'm not saying you should never change anything #But it's good to have enough background to understand why some things are the way they are in the original #and to understand what the source material is about #we don't talk about particular character's looks or something (altough I feel they could care more about it too) #but central themes tropes and motifs #long post #it may seem like I'm talking from a high horse here #people are welcome to interpret literature however they want #Nobody has a monopol on themes #I just think that in this particular case the cultural context influences the worldbuilding #and if changed it doesn't have the same impact anymore #meta

[tnnrrdchclt]

#gets me very far. i’m just going through it and annoyed at myself when i shouldn’t be because i can’t anticipate everything — #no matter how intuitive i am or regardless of how much discernment i have. #i hate being here. i feel like i made excuses in hopes of not being here and still ended up here. #i wouldn’t even call them excuses because i thought i was giving grace and clearly looks like grace at my expense is a betrayal. #i’m getting better at choosing myself. at the moment it might feel like a loss and everything feels pointless and all i want to do is cry - #i never want to feel like this again. #anyone who wants to hate me can hate me. i do not care. #i will say that since i’ve posted this - it’s nice to see other folks and their take on self awareness. almost comforting i’d say.

[luck-of-the-drawings]

"And soda; runs off into the street..." "...and soda... is totally okay!"

#jrwi fanart #jrwi show #jrwi suckening #cw blood #something something cracking open a boy w the cold ones #IF THERE ARE ANY MISTAKES I MISSED I SWWWEAR TO JEBEDIAH. IF I STARE AT THIS ANYMORE IM GONNA DIE IT NEEDS TO BE DONE #ALSO RRRAAAHAHHHGHGH CAN I JUST TAKEA SECOND TO SCREEAAMM ABT HOW MUCH I LOVE SODA AND EMIZEL.. LIKE THERYE SO CUTE.... #THEY ARE HOMIES THAT KISS EACHOTHR GOODNIGHT. THEY CARE SO MUCH FOR EACHOTHER. SODA LOVES SODA AND SODA LOVES YOU #do u guys remember how willing he was to share blood w his vampire bestie. like cmon. remember when emizel memorized sodas Soda Schedule. #LIKE CMON.... they just have eachothers backs so much. ouhhh my god... ANYWAY SO THE ART HUH. I FEEL LIKE I SCRAMBLED W IT FOR A WHILE #DRAWIN IS HARD..... i think i did well in the end tho.. i like the lil heart beat effects. and i hope i made soda look Suffieciently Scared #i ALSO had fun w the teeth. i however did not have fun w the walls. if i had more drugs i mightve done every brick in more detail #but i didnt WANNA!!!! this will suffice.I HOPE IT FLOWS WELL&THAT ITS CLEAR... IVE STARED AT IT SO LONG IT IS NOW VISUAL SOUP. HELP!!! #i want my comics to have more Pauses and Space and Thought and Momence. i feel like normally they go so fast. but THIS time #i think i did good.... huuoouhhhh.... comics are HARD art is HARD but i am HARDER. or something. OH YEAH I HAVE MORE ART THINGS #soda was RLY HARD FOR ME TO DRAW FOR A MINUTE..but i like where his design is now. i wanted his hair to be curly swirly.like soda fizz #i THINK thats all my thoughts for now. if u have thoughts u should spill them in the tags i looooove reading tttaaggsss #have a goodnight i gotta go to work soon. maybe. unless the casinos power goes out AGAIN. OR SEOMTHING... UUGHHH MY SCHEDULE IS IN SHAMBLES #I THOUGHT I WAS WORKIN 3 DAYS INA ROW SO I RENTED A WHOLE DAMN HOTEL BC THE JOB PLACE IS FAR AWAY.. I HAD TO CANCEL THE WHOLE RESERVATOn #annd im MMMMAD ABOUT IT!!! like ill get over it ofc BUT IM PEEVED!!!! IM INCONVIENIENCED AND GENTLY AGGRIVATED. BUT OVERALL FINE. #hope yalls weekend goes well. sleep well. if u get the chance to.

[spikeface]

Based on (x).

#teen wolf #scott mccall #twedit #ok so yeah this edit was sparked by how poorly melissa was explored in s5 #and in general how they dropped her as anything but an occasional prop to tell scott to get back out there after 2x10 #but i hope it's not taken as bashing because that's truly not how i mean it #i feel like both scott and melissa don't know how to talk to each other #not because they don't love each other or want the best for each other #but s1 melissa already starts out not knowing scott's life very well #she's interested and trying to support him and make time for him #but is swamped with work and overwhelmed with being a single parent #and would also desperately like her own life if it's possible #scott is already working to support them and agonizes over costing them anything - money time attention #they start the series already without an equilibrium and it only gets worse as scott becomes a werewolf #i think melissa also has a survivor's mentality of soldiering on #and so that's also the advice scott is getting #even when what they both really need is time to rest and connect #and it just made me so sad that scott's flashback was about being hospitalized #but his mother was there and he was being care for #whereas now #he's back at the hospital #alone #desperately in need of care

[c-kiddo]

Do You have any doodles of Ashton greymoore from cr 3rd campaign that you’d be willing to share? Also I love your art style so much!

thankyou !! here is an ashton from my sketchbook the other day, coloured it super quick right now lol

[ID: a messy portrait sketch of ashton from critical role with spiked purple-grey hair with purple crystals growing inside it, smudged eye makeup, a bloody nose and black-red blood flecked on their skin, and a grin on their face, like they've been in a fight. end ID.]

#myart #2023 #asks #ashton greymoore #critical role fanart #critical role #described #feels weird posting art in response to an ask a little bit sometimes but oh well who care. ok to rb tho ! #this is from me practicing drawing taliesins characters bc wanting to make matching art despite only watching the first seaosn of #tlovm and nothing else of vox machina lol #edit. oh wait yea it was bc of my post i made about how theyd all spit up blood haha

[mieczyhale]

#cole i saw ur reply on waiting until the bullshit around the game calms down and it stops being 'trendy' to care and i think that's a good #idea. bc a lot of the notes /were/ just about jkr and the game. there's no guarantee it'd have gotten as much support otherwise #BUT i reblogged that post on how hating nazis and supporting the jewish community are two separate statements and it's not something i had #thought a lot about. to me they should go together but it's clear they don't and so i wanted to make another one of these bitches #just so it's very clear where i stand. i dont just hate nazis - i also support the jewish community. 365 days a year #the game and all that may have made things louder - it feels necessary to be louder right now - but it doesnt make my stance new #if tumblr finds a reason to take this one down im gonna start biting #maison speaks

[jemmo]

and the moral of the story is you can’t make a man too much of a green flag bc if they put a single foot wrong the story will tell you it’s their fault for having trauma

#I could’ve got past it after the argument but the way they used in in the last ep rubbed me all the wrong ways #Jimmy how I would’ve loved to see you get to be a character that gets his feelings validated and appreciated for once #but no they offscreen gave that arc to porjai for some reason and like girl deserved it but so did mohk #this family could’ve done for mohk what they did for her gave him a place and people and made him feel like he could be happy despite all #the hurt in his past #but no #and im not saying it needs to be equal yes the relationship works bc mohk wants to be giving and kind he doesn’t expect that in return they #have their dynamic and it’s how he shows his love but you can’t then turn around and say that him caring #is too much it’s pity when that’s what you love about it what day loves about him it’s literally how they grew close through mohk caring #it’s not pity. don’t try to tell me it’s pity narrative I don’t believe you #last twilight

[beeholyshit]

FREE DAY!!!

So young and happy ❤️

#(🍰) *⁠.⁠✧ — Maroon #(☆) ｡⁠.ﾟ—⁠ Silver #pokespe parents #I came back home late so I made the first thing that came to my mind #I don't even know If I would be able to make the other for tomorrow bc #looks at commissions and unfinished gifts #yes #BUT ANYWAYS #small Silbebe. Maroon is so proud of her little wiwi #me thinking how when he was just a baby Giovanni just let her babysit (before they were. you know) #she was so happy to take care of that little kid #because you know how she really WANTED with her life to have kids and just a happy family and leave in peace #and knowing she isn't able to have kids Silver was like a miracle to her when Givanni started coming to the restaurant with the bebe #and even if Silver doesn't remember any of these I think that sometimes smell Maroon's food makes him feel nostalgic #because she needed to keep an eye on the baby but still work at the restaurant so #wiwiwi.... #SpeSilverWeek #pokespe #🖍️ —⁠ Silly doodles

[littlelightfish]

The hearts don't mean he is in love with no one. The problem with English is how vague of the word love is in his meaning. It envolves different kinds of caring in one single word. But I'll try to express here what I mean.

He cares, as a person, about everyone. This is a basic level of love that he haves towards everybody. He doesn't want anyone to actually die, that's what I mean. He doesn't necesarily cares about someone, but he loves them enough to not want them to die.

He starts befriending someone and gets to know it. He starts liking things about them and disliking others. He starts loving this people in another way, we'll call it liking. This is more a get-to-know phase he doesn't always like. The less he knows, the less reasons to get attached get attached he has. I think this are the kind of love the hearts show in the image. He has to make sure to keep a balance between how much he loves and how much he let's himself be loved. He doesn't want to have misunderstandings. He is in constant fear of "what if I made them love me more and they care more?"

And then it comes the deeply care that love is in the non-romantic way. This care a (good) parent has for his babies. The love that makes people suffer emotionally in an absolute different way from what it could be a heartbreak or a misunderstanding between friends. If something happens to the loved one, the pain is unbearable. It's one of the worst things rhat can happen. And Chilchuck knows this, he is father of three daughters, and his wife left him. She left, he knows the pain it is to come home and find it empty when there should be someone. He knows the guilt it comes with failing those loved ones. The shame. He doesn't like being this vulnerable. This love makes him suffer like no other does. So he is very very carefull of how much he allows himself to care about someone so he won't get to love like this.

He draws a line between work and private life because his private life envolves love and deep care, and he doesn't want to love nor care like this for people who's job is to constantly risk their lifes. He doesn't want to feel the anguish, he doesn't want to feel the loneliness it will come after the unenviable separation of the party.

He tries his best to not get attached to people. To not let people get attached to him. But he fails. He fails and falls downstairs with a whole drum set.

He can't help but to care about this people. He can't help but to love this people he's been living with the past few weeks in the risking of their lifes. He tells himself he's doing this for money and that he doesn't care, but he does.

Those hearts don't mean anything other than him caring about them. He cares about Senshi. He cares about Marcille. He cares about Laios. About Itsuzumi. About Namari. He cares in a way that hurts. He loves this people. He doesn't want to even imagine a world in where they are gone, or suffering, or in problems. They're his friends, they're something he, unwillingly, accepts as family.

He cares about Falin and Mickbell because he doesn't want them dead. He doesn't feel any anguish toward if they do or not get hurt after they're out of his sight. Sure, he cares, but he can live without thinking about them the rest of his days. It doesn't happen like that with Laios. He can't just simply let Laios go and follow Fallin just after he recover consciousness from a punch in the gut. Was it Mickbell, he would let him if he really didn't wanted. But Laios didn't wanted to sit and wait, and he had to care. He had to verbalize to himself that he cared. He had to let them know, so they would act accordingly. So they won't get themselves killed like idiots.

He doesn't want others to fall in romantic love with him. He doesn't feel romantic love towards anyone either. He isn't the man for this kind of love. He is, in fact, afraid of it. He doesn't want to fall in love, because he's still in love with his wife. She left him because he was negligent. But since when has this become the definitive stop for love? Chilchuck knows his wife is angry at him, and she has all the reason to be so! His husband, the one she loved and cared for, gets himself in dangerous situations, treats his body poorly and almost never is home. She loves him, and it hurts her to love like this, so she leaves. Like this she won't have to look at him get himself mistreated like he does. She would have the pull in her's stomach that tells her that he could be in great danger, that she could become a widow, but she tries to calm it with his daughter's mail to him. He could never. He can't imagine a world in wich they cease to exist. A world without his wife, even if she distanced herself, without his daughters, would be a world worthless of living. He knows this. Because he cares and he loves in such a deep level that he is scared of loving anyone else like this. To become so vulnerable to emotion. This vulnerable to something bad happening.

The fact that he is so afraid of loosing his wife, even after she left him, says a lot. He still cares about her. He is still in love with her. He wants to go back to what it was before, but he can't and he know its his fault. And he respects his wife's distance because he loves her. Now, he doesn't love her in the movie way, he isnt in love like a teenager would to his first girlfriend, he doesn't want to kiss her, or hug her, or be by her side at all moments of the day. He loves her. He cares about her deeply, deeply enough that he doesn't need to be by her side to care, to love. He also respects her. He can survive without her because he knows she's better with his daughter. For sure he wants to hug, kiss and be by the side of this person he loves, it would be ideal, but he can survive without thinking about it too much. It's just like with his daughters. They're all adults that now live far from him. And he is ok with it now. He sends mail and recieves mail, and even if he misses greatly, he can manage not to think about it. Because he knows she is allright. Because he knows he fucked up. He doesn't know where he fuked up, but for his wife to leave him, at least he knows he did. They never talked about it, because they both seem to have a problem in expressing themselves. She fell into a bad mood and then she disappeared. The amount of pain he must have felt it's... let's say it's quite big.

He keeps his guard up. He doesn't want to love deeply anyone. He doesn't want to feel the emptiness, the hurt, that comes after someone so dear leaves. He knows for a fact he'll be leaving this people. He knows that they could die. If he loves, it will hurt in a way nothing else hurts. He will miss. He doesn't like missing people he cares like this. This is why he doesn't want to love. This is why he doesn't want to be loved. This is why those hearts that are almost full are his main source of concern. This is why he makes the effort to keep this feelings at bay, to love only in the friendly way and with extreme caution.

But he can't controll his own love. And he ends up caring more and more about these people. He slowly makes him a part of the dangerous love zone that family means. He is afraid to confuse someone about his feelings towards them, so he still tries to maintain distance with his abusive remarks, but this only works so far. He loves and is loved. And because of this he will suffer.

I... I extended myself a bit I see...

#i dont even know what im talking about anymore #but i hope i made sense #as an aroace i feel the need of being extra cautious about how people think of my relationship with them #because I dont want them to like me romantically #i want friendship #because its so uncomfortablr #not #love #so this Chil here is basically me trying to figure out if saying certain things could be considered flirting or not by the other #i shouldnt care #it isnt my fault if they do fall in love with me #but i would be happier if they didnt #to know someone is in love wirh you #and that you dont love him back #but youre still friends #so youre friends but the other wants to be more than that #and to avoid that i gotta measure every interaction #maybe im a bit paranoid #but it has happened to me to have friends fall in love with me #and i dont want to hurt their feelongs but i definitely dont lovs rhem bacj #because i care abkut them in a friendly way #and i don't want them to suffer because of me. but I dont want to suffer because of them either #its all way to complicated? yes bit thing is that chil here represents me interacting with my friends #but in my case the hearts would be romantic #dungeon meshi #chilchuck #chilchuck tims #delicious in dungeon #dungeon meshi spoilers #my shit

[zeb-z]

missa, after his self resentment and lamenting about how he doesn’t feel worthy or like he should be accepted, after telling himself and the capybaras that he doesn’t have a home, not really - after all is said and done, he returns to phil & missa, leaving his mini mi in the house on the wall. as if he’d consider anywhere other than the house he shared with phil safe enough. seeking out safety and home brought him right back where he started.

something about how despite his internal conflicts and issues about what he thinks he deserves, he’ll still come back. and for all he worries that he is not enough to be loved in return, his name is still on the warp stone.

#he’s got issues out the ass of his self worth and it’s like. yeah shit man you haven’t been reliable but you’re not unloveable #he wants to be better and he tries and he cares the issue is he holds the rest of his family on such a pedestal #this shame and guilt bubbles up and is only made worse when he isn’t rejected or hated like he’s expecting. he’s taken back with open arms #so he follows phil for guidance as to what’s acceptable. without phil there how can he know if it’s ok for him to stay in their home? #as if he didn’t also build their home yknow #but even when all is said and done he returns. even if it makes him feel guilty even if he thinks he doesn’t deserve it #because as much as he doesn’t want to be a bother he wants to be better most of all. wants to be present #I just don’t think he ever expects to be wanted to keep around. like he wants to prove himself and he’s expecting his loved ones to reject #any sort of redemption. meanwhile they don’t see the need for a redemption in the first place #shaking missa you wet cat of a man you dense self sabatoging silly silly man #stop your hero worship. own up and show up. and let your family love you because my god you are so loved #sorry tags got away from me it’s like 5 am and I’m like ahfhhrhfhshfhhs #mcyt #qsmp #q!missa #missasinfonia #z speaks

[taikanyohou]

i love you actors that just get their characters like ta does macau.

#macau #kinnporsche #ta saying macau is whiny? but also brave enough to question things? how he's needy and wants attention? how he only has vegas? #YEAH. YEAH. YEAAAH. #him saying that macau feels like bc hes the youngest of the lot he feels so average with nothing to offer?? #so his dad just overlooks him and dismisses him COMPLETELY. GODDDDD. and THATS why he does feel loved. #compared to vegas who does EVERYTHING asked and still he made to feel worthless by his dad #OOOFT. yeah the minor family dynamics are where its AT. #god its SO interesting to me how ta's like macau knows he wants attention and care but the difference is that #he isnt shy to ask for it. compared to vegas who wont but CRAVES it but wont Say It. #and thats ALL BC vegas all his life has TOLD macau to TELL HIM WHAT HE NEEDS and that vegas will give it him #so GOD that smile in the epilogue??? hospital scene?? WHEN HE SEES HOW HAPPY VEGAS IS WITH PETE?? #AND HE SMIIIILES AT THEM??? BC FINALLY VEGAS SPOKE HIS DESIRES??? OH GOD IM OK IM OK IM OK.

[queer-reader-07]

it is so vitally important to me that aziraphale and crowley not only love each other but choose to love each other.

i don’t want it to be fate. i don’t want it to be god’s will. i want it to be a conscious and continuous choice.

i want aziraphale choosing every day of his goddamn existence to love crowley and all that he is. i want aziraphale choosing to love crowley not in spite of being a demon, but because he is a demon. i want aziraphale choosing to love crowley’s curiosity and creative wonder. i want aziraphale choosing to love crowley’s love of plants and gardening.

i want crowley choosing to love aziraphale’s passion for books. i want crowley choosing to love aziraphale’s desire to do things the human way even if he could just miracle it. i want crowley choosing to love aziraphale’s angel-ness because it is a fundamental part of him.

i want aziraphale choosing to love everything about crowley and vise versa. and i want it to be a very conscious and intentional choice.

it being fate negates the entire point of the story. good omens is a love story between an angel and a demon, yes. but that’s not all that it is. it’s a story about two occult/ethereal beings who choose humanity over the great plan. two beings who choose the world over armageddon. and they make those choices because despite it all they have chosen to fall in love with the world and with humanity.

it only makes sense that they choose each other. that they choose their love. it being fate or god’s will ruins the foundational pillar of their relationship. that they choose each other over and over and over again. year after year, century after century, time and time again. they always choose. they choose the arrangement, they choose saving the other from harm, they choose lying to protect the other.

it is always a choice. and it better stay a choice or i am going to be so devastated.

#look i’m good with most anything for s3 #as long as they end up in the south downs & hug at least once i will be happy #but this is one thing that isn’t necessarily a need but more like a deep rooted desire that will break me if not met #like if it’s all ‘haha this was god’s plan all along’ i will be so upset #disappointed even #because neil can do better than that #he’s a better writer than that #not to mention it makes absolutely no sense in the context of the story #like i understand how it’s fun to play around with ‘they were made for each other’ #but i really want them to choose each other despite everything #because if i’m being honest it’s one of the things about aziracrow that feels fundamentally queer #to say ‘yeah fuck that’ to what the systems in power tell you you should act like #or who you should love and care for #and instead say ‘i choose this’ ‘i choose you’ to the people and things that actually fulfill you #that is powerful and that is foundational to queerness and queer liberation in my opinion #it’s not about fate or being made for whatever #it’s saying ‘i don’t care if it’s fate or the divine plan or not. it just is and you can’t change the fact that it simply /is/.’ #and maybe that’s just me #but it sure as hell makes sense in my mind #good omens #aziracrow #ineffable husbands #crowley #aziraphale #good omens 2 #ineffable wives #neil gaiman #good omens meta #aziracrow meta #gomens meta

[quietwingsinthesky]

the last unicorn post from earlier has me thinking about the master. that yana is still in there, you know? is still someone he was, if even for a brief flash across the life of a time lord. there’s no way to unlive that life. there are ways to twist it later, sure, to make utopia into hell on earth. but the life was lived. in much the same way that the doctor can remember, can feel, the love he held onto as john smith even as that life is ripped out of his hands. the doctor choose denial and then grief and then to shutter it all away. and so john smith died, and so professor yana died, and the doctor and the master live on. the doctor has done this before, and he lives in orbit around humanity, trying to keep the best parts of them and hold them deep enough to take root (which he can pretend he gets to choose, as a time lord. as a human, it all floods in and can’t be dug back out.) but what about the master, right?

to borrow a turn of phrase: i think there are two time lords left in the universe, and they both learned how to regret.

#regret here meaning less feeling the emotion of actual regret obviously because time lords do not actually funxtion on unicorn rules. they #already get sad just fine on their own. no humanity needed for that. #but i dont know. i just dont think he brushed it off so easily. i think he did a hell of a job convincing himself he did. #and what better way then to twist his own great works and destroy the species he was working so hard to save at the end of the universe. #but what about the knowledge that he *could* be that person. that somewhere in him exists a version that wanted to save people. #a version that is painfully too much like the doctor. even. now is that part worse or better than the human part? #but if past regenerations are ghosts i think yana deserves a haunt. #anyway maybe ignore this one im rambling about nothing here #theres just. i dont know. what if you were the last of your kind and in surviving you made yourself Not Like Them in a way you’ll never #escape. #i mean doctor who is just so concerned with all these plots about hybrids and children of the tardis and clones and What Makes A Time Lord. #but they’re so obsessed with it in just. a very Lore way. is what it feels like. we get brushes of more like with jenny and how she’s #physically a time lord and the doctor denies her that inheritance. a shared suffering… #but me myself im just fascinated with the doctor and the master as the time lords who survived. but they survived Wrong #its. its. children of gallifrey that don’t belong to her anymore. you know? #i dont care if river’s got time lord dna!!! or the metacrisis is physically human!!! i dont care!!! talk to me about what it means beyond #their blood and bones!!! what’s it like to have your sense of self stripped from you like that!!! #what’s it like when so much of you is the shed skin of time lords past. but one of you was human. one of you was painfully *humiliatingly* #human!!! #enough about how much dna you need to count as a time lord. i want to know how much they can mutate until they can’t be recognized as one. #does that make sense?