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#hot mess
b-skvll · 6 months
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I nutt-
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mcr is winning the poll right now but i started drawing while the cobras were in the lead so you get them first
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bearnakedbaker · 2 months
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ANiMAL. ATTACK.
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maxwellatoms · 6 months
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Would you trust ANY Korean studio for hand-drawn animation today? I ask because, when The Powerpuff Girls came back in 2016, I noticed how slow and stiff the Korean animation was. Since then, most Burbank cartoons animated in Korea, namely Cartoon Network shows, have been like that — mostly on 2s & with less inbetweening. Look at any Digital eMation episode of Victor and Valentino or Samurai Jack Season 5; do they animate as loosely and smoothly as Digital eMation episodes of Billy & Mandy do?
Sure I would. It would all depend on the studio and the circumstances. There are good studios and bad studios, and either of those will treat your show differently based on their perception of how valuable it is to their client. In the early 2000s Rough Draft was a top-notch studio. One of the reasons I switched over to eMation from Rough Draft was that I felt like Rough Draft was putting all of its resources into making Samurai Jack look beautiful, and we were still calling retakes on three year old issues. I knew we weren't a priority to Rough Draft, and I knew that stemmed from Cartoon Network's negotiations with them, so my griping was only going to get us so far. It seemed to me that I needed a studio that was smaller and scrappier like we were. We were putting in a lot of work on our end to make cool stuff and it wasn't ending up on the screen, so we needed people who were just as hungry on the back-end, and eMation stepped up.
There's also the fact, though, that animation itself has changed a lot in the last fifteen years. Powerpuff Girls and Samurai Jack's animation always seemed to have an air of "motion comics" to it. And frankly, that's part of what I love about it. It was all a throwback to the old UPA cartoons, which were built on strong, clear poses and made for the cost equivalent of a turkey dinner. Likewise, CN storyboard artists usually had around four weeks to write and draw their boards on paper, so there just wasn't time to take the effort to do anything too complex. It was all about snapping between those 300-ish storyboard drawings and momentarily savoring them for their humor and design mastery. Now we have tons of digital tools that make the basics of animation a lot more accessible to everyone, and have changed the entire studio pipeline. Things just won't look like they used to because nobody makes them that way anymore.
When I've had to choose an overseas animation studio, the network's production arm usually gives me one or three choices and tells me that's all there is. Deals have already been made. (Sometimes they make you pick two to save on costs, which (IMO) usually results in two studios that are less functional than any one of them would have been.) The studios usually have reels, so that gives you a basic idea of what they can do. You can (hopefully) find some other show creators who have worked with the studios and get an honest review. It's an important enough decision that it's worth whatever research you can put into it. Even over good bones, an ill-fitting skin can ruin the mood.
The most important thing to remember, I think, is that it's your job and your crew's job to make animating the show as easy as possible. Really, it's everyone's job to make the next person in line's job as simple as they can. Ideally, there shouldn't be a lot of questions because the materials you sent down the chain are clear.
So... yeah. I'd still trust Korean studios as much as I'd trust any overseas or domestic animation studio. You get out of them what you put into them by feeding them money and your own labor. It's quite possible that the shows you mentioned didn't do enough of either.
I imagine the overseas studios are hurting right now, so who knows what that landscape is even going to look like in a few years.
As with every step of the process making a TV show, you just sort of have to weigh your options and find the path.
Hmm. That got long.
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chemevan · 9 months
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alright starting to work on comms tomorrow in the meantime have gabe
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itsmargobaybee · 5 months
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Blush for me like you mean it
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milfcookies · 3 months
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joudama · 1 year
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ao3statistics · 1 month
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This is self-made. Date: 15.03.2024
Based on the tag "Hot Mess xy".
There were no results for other Batfam characters not included in the chart (like Cass Cain, Duke Thomas etc.).
I assume no guarantee or liability for the completeness, correctness and accuracy of this chart despite my best efforts.
Includes fanfictions in all languages available, NOT English only. Includes all fandoms on Ao3 connected to the mentioned characters.
More charts will follow. :)
Want to have a chart for different pairings, headcanons etc. in your favourite fandom? Send me an ask!
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bubbbl3gummb1tch · 7 months
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Just got my mouth used by… well, not my husband…
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newkatzkafe2023 · 4 months
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Wukong Verse incorrect quotes #13 Stay Positive😅
You were Cooking and had a bit of an accident🔪. Now bleeding🩸 and Wukongs are freaking out.
(Monkey king reborn) oh man she is losing alot of blood!😨😨😨
(Mk Netflix wukong)( Panicking and Crying) oh on oh no no no no noooooooooooooooooo!!!!!!!!!!!!😢😢😢
(Nezha Reborn wukong) I got an Ambulance on its way! 😰😰😰😰
(Lmk Wukong)(Frantically Sobbing) Stay with Us Peaches!!!😢😢😢😢
(HIB Wukong) Sweetheart what's your Blood type?😥😥😥
(Y/N)(weakly) B-positive🤕
(lmk wukong & Mk Netflix Wukong)(Screaming) We're Trying!!!!!!!!!!!!!!😫😫
(Y/N & the other Wukongs)😶😑😮‍💨😓
(lmk Wukong & MK Netflix wukong)(Goes back to Panicking)😱😱😱😱😱😭😭😭😭😭
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Feel Free to Reblog😊👍
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cspn · 11 months
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in the credits of hot mess, the additional vocals for you’re not in on the joke list pete wentz as ‘that guy from track 2’
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