dark academia, light academia, punk academia, these are all cool but can we invent a new one called “horror academia” where we learn about the occult and old horror literature and watch horror movies on the weekends and every student in the school is deathly afraid of us goth weirdos?
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Yes, romanticise small things in live, romanticise your studies and your work. Use romanticising life as an escapism. But NEVER forget WHY you need to runaway from this shitty reality so you can keep yourself mentally healthy. Never forget that if you have to scape from reality, it’s because the system is making us get sick as fuck.
Runaway, but remember who forced you to do it.
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some articles abt horror stuff + some articles abt decomp
@cherry-sorry
here u go, bud! some of those horror academic articles, some misc horror writing tips, and some corpse things possibly relevant to ur interests. put in a tumblr post for anybody else who may feel like perusing.
horror stuff:
her body, himself: gender in the slasher genre
the final girl grown up: representations of women in horror films from 1978-2016
all the things I wish I’d known as a beginner horror writer
queer temporalities in the horror genre
lady and the vamp: roles, sexualization, and brutalization of women in slasher films
do you want to watch? a study of the visual rhetoric of the postmodern horror film
film, fear and the female: an empirical study of the female horror spectator
queer and evil: the representation of lesbian identities in western horror film
bricoleurs in preschool: girls poaching horror media and gendered discourses
why i write horror
the female horror film audience: viewing pleasures and fan practices
the suspense of horror and the horror of suspense
women love horror too: film adaptation of pet sematary suggests why more women should get a chance to scare us
vocabulary words for writing scary stories
female leads: negotiating minority identity in contemporary italian horror cinema
can horror movies induce ptsd like syndrome?
the influence of dracula on the lesbian vampire film
male monsters still stalk, yet more violent: a comparative analysis of original slasher films and their remakes
the slasher, the final girl, and the anti-denouement
elements of horror
contextualizing carmilla: bridging the gap between the gothic,
the lesbian vampire, and fanfiction
human decomposition:
the odor of death: an overview of current knowledge on characterization and applications
differential decomposition patterns of human remains In
variable environments of the midwest
determining the time of death (warning! graphic imagery)
decomposition of juvenile-sized remains: a macro- and microscopic perspective
the environmental variables that impact human decomposition in
terrestrially exposed contexts within canada
comparative decomposition of humans and pigs: soil biogeochemistry, microbial activity and metabolomic profiles
correlation of age, sex and season with the state of human decomposition as quantified by postmortem computed tomography
variation in decomposition stages and carrion insect succession in a dry tropical climate and its effect on estimating postmortem interval
the effect of various coverings on the rate of human
decomposition
a comparison of human and pig decomposition rates and
odour profiles in an Australian environment
the living dead: bacterial community structure of a cadaver at the onset and end of the bloat stage of decomposition
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aesthetic - horror academia
the bitter taste of instant coffee, too many notes crammed onto too little paper, rustling pages and the buzz of electricity, a pool of lamplight in a dim windowless room, ink-stained fingers, nightmares you can’t remember, revising flashcards while resisting the urge to look over your shoulder for something you know you won’t see
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