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#horned horse
bumblehaven · 1 year
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progress on an experimental project for school. I'm tentatively calling it Heritage for the moment, but we shall see if that holds. This work is meant to explore cultural symbols significant to me and my ancestry while playing with colour, shape, and technique along the way.
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whywishesarehorses · 2 years
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cracklewink · 2 months
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Part 4/5 of my MLP Infection AU!!
This was the part I was most excited for, I literally drew this whole thing just to explain my fan pony species lol
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bananasmores · 1 year
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maybe my most specific pet peeve with fandom is the tendency to cast 'The Dumb One’ as this card when they’re doing fandom tarot decks. anyway
(based on the Rider–Waite tarot deck)
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staff · 8 months
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tumblr tuesday: yeehawgust!
Gee up! We’re already halfway through this year’s Yeehawgust, but there’s still time to take part. Did you know cowboys would move cattle roughly 15 miles in a day so as not to wear their charges out or make ’em too skinny? Did you know the all-important camp cook was sometimes referred to as the “biscuit shooter,” “belly cheater,” or “bean master?” Did you know cowboys would often sing to their sleepy cattle to soothe them at night?
Whether you’re the strong and silent type scanning the horizon or the joker of the group perpetually playing pranks and your harmonica by the fire, strap on your chaps, tilt your hats just so, and swing yourselves into your saddles. This is your Yeehawgust roundup.
@dropkickslurpee:
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@ajartanddesign:
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@slippy-socks:
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@artemetto:
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@calathazar:
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@nws-art:
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@bigbighouse:
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@skidar:
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@cowboypunkcolt:
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@amberspacedf:
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@studiorat:
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@feelindrawy:
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@vanamation:
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@snommie:
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anthonyspage · 2 years
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🌌🌕🌊🦄✨
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amielot · 6 months
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Bonus: Have a deleted shot! I changed it in favor of the angle that looks over Dreams shoulder. Giving the sense that the viewpoint is Hob looking in on something he isn't supposed to.
I still thought the original angle was cool though so here it is in full as a bonus. :)
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poorly-drawn-mdzs · 11 months
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In the equineswap au does everyone know that wwx lost his magic bc his horn is gone or does he pretend it's there somehow?
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Wen Qing casted her scotch tape spell
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pazzesco · 6 months
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⚞Chief Red Shirt⚟
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Chief Red Shirt - Oglala Sioux
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Red Shirt (Oglala Lakota: Ógle Ša in Standard Lakota Orthography) (1847–1925) was an Oglala Lakota chief, warrior and statesman.
Chief Red Shirt camped with Crazy Horse and the rest of the Oglala at the Little Big Horn. The Oglala camp was next to the Cheyenne camp near the bottom of what is now known as Last Stand Hill. Red Shirt supported Crazy Horse during the Great Sioux War of 1876-1877 and the Ghost Dance Movement of 1890, and was a Lakota delegate to Washington in 1880.
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Dakota delegation to Washington, D.C., Left to right, Red Dog, Little Wound, John Bridgeman (interpreter), Red Cloud, American Horse and Red Shirt. June, 1880
Chief Red Shirt wore his hair to represent peace and war. One side of his hair was wrapped to indicate he was ready for peace, the other side was worn loose indicating his readiness for war. This was done when he traveled with Chief Red Cloud to Washington D.C.
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Red Shirt surrendered with Crazy Horse in 1877. After the surrender he moved to an area that is now known as Red Shirt, SD. Red Shirt was one of the first Wild Westers with Buffalo Bill's Wild West and a supporter of the Carlisle Native Industrial School. Red Shirt became an international celebrity Wild Westing with Buffalo Bill's Wild West and his 1887 appearance in England captured the attention of Europeans and presented a progressive image of Native Americans.
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Red Shirt in Buffalo Bill's Wild West Show
On March 31, 1887, Chief Red Shirt, Chief Blue Horse and Chief American Horse and their families boarded the SS State of Nebraska in New York City, leading a new journey for the Lakota people when they crossed the ocean to England on Buffalo Bill's first international to perform at the Golden Jubilee of Queen Victoria and tour through Birmingham, Salford and London over a five–month period. The entourage consisted of 97 Indians, 18 buffaloes, 2 deer, 10 elk, 10 mules, 5 Texas steers, 4 donkeys, and 108 horses. Buffalo Bill treated Native American employees as equals with white cowboys. Wild Westers received good wages, transportation, housing, abundant food and gifts of clothing and cash from Buffalo Bill at the end of each season.
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Photo from London - Red Shirt was lionized by the British press and his handsome features and stately bearing caused reporters to hang on his every word. Queen Victoria adored Chief Red Shirt and reportedly said after meeting him, "I know a real prince when I see him."
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William F. "Buffalo Bill" Cody, Rosa Bonheur, Chief Rocky Bear, Chief Red Shirt, William "Broncho Bill" Irving, Roland Knoedler, and Benjamin Tedesco in front of Cody's Tent at the Paris Exposition Universelle - 1889
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Another photo of Red Shirt - this time with Cody's company somewhere in Italy, 1890. Front row: No Neck, Rocky Bear, Black Heart, Georgie Duffy, Cody, Bessie Farrell, Annie Oakley, Red Shirt. Others in back row: Buck Taylor (fifth from right), Johnny Baker (fourth from right), Carter Couturier, advertising agent(?) (second from right), Has No Horses (far right)
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Chief Red Shirt's rifle & scabbard.🔼 - Details 🔽
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Chief Red Shirt was a Wild Wester for over thirty years - St. Louis World's Fair, 1904.
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Chief Red Shirt (Ógle Ša) - 1847–1925
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loki-ioki · 30 days
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Finally got around to finishing my Sada and Turo horses.
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saturnvs · 1 year
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hormse……with wings..
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I'm just loving how an ancient symbol of magic & purity (unicorn) is literally just. horse with a weapons upgrade
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ex0skeletal-undead · 2 years
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Works by Lenka Simeckova
This artist on Twitter // Instagram // Tumblr (inactive)
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hoofpeet · 10 months
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SORRY OKAY SO you made a tweet about how you thought itd be painful for unicorns to nurse bc of the horn and immediately my brain went "." like. there what if there was just a bump there right? hear me out. baby bumb pforehead... is the base of the horn but since im assuming the horns would be made of like keratin wouldnt it just grow with time?? so like... infant unicorns just have this like. mump. and it gets sharp cause they do some haxorus shit or something. im very tired
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Yeagh... Unicorns having little horn buds my beloved
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sbzbrainrot · 11 months
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drew these babies because i wanted to practice drawing al-an's weird centaur body in a position other than standing :P
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drconstellation · 5 months
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Lifting the Veil on the Bentley
Because I’ve been talking about the Bentley being Crowley’s black horse of late, I’ve had a nudge to talk about the number plate. I know it’s explained as an easter egg in relation to Monty Python, but I think we can explore it a bit further than that.
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It’s worth having a quick look at this older post from @fuckyeahgoodomens where they explain the inspiration was from an animated scene from Monty Python's Meaning of Life .
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The following is from the linked article.
As a nod to Terry Gilliam, who once tried to do a movie version of Good Omens, Gaiman and Mackinnon threw in a little reference to Gilliam’s origins doing animation for Monty Python. “The license plate of Crowley’s Bentley is ‘Curtain’ backwards,” Gaiman said, because of the writing on the mausoleum in the suicidal leaves section of Monty Python’s The Meaning of Life. “Curtain backwards, like it’s the final curtain,” Mackinnon explained.
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Before I get into all the connotations of “curtains,” there should be two things you notice about the “CURTIN” written on the mausoleum. The first is the spelling itself. It’s shortened to look like the Irish surname Curtin, so the mausoleum appears to belong to a real person. Curtin is an anglicized version of Mac Curtain, which means Son of the Crooked, or Son of the Harp, as the ‘crooked’ refers the hunchback shape of the Irish harp. I wouldn’t read too much into that, its probably more just a way of getting an actual curtain reference into that scene.
The other thing is that is not just backwards, it is mirror-image, as if you are looking at it from the other side of the mirror. So we should ask ourselves – which side are we looking from? And why does this matter?
While director Mackinnon mentions it referring to the “final curtain,” we need to start even further back than that to understand what the final curtain is, because even that has two meanings, even if only in a general sense. But because this is the GOmens AU, you can guarantee we’re going to find out there is more to it than that.
We need to go beyond the veil.
To go “beyond the veil” has become a euphemism for passing into death, or that unknowable place people go once they die. It was originally a figurative reference to the area in a Jewish Temple that was separated from the main body of the Temple by decorative curtains, called veils. The veils were specially woven, often with the image of a Cherubim woven in by a skilled worker; it was not allowed to be sewed on or added later. Each panel of the veil would display a different face of the Cherubim, such as the lion on one side, an eagle on the other, and so on. Only the priests could go past the veil into the most holiest of places. The veil was symbolic of separating men and their sins from the glory of God.  
The word ‘veil’ can be translated into English as ‘curtain,’ so the two words are almost interchangeable in respect of this discussion. I was interested to see that the word veil comes from the Latin word velum, which also means ‘sail,’ as in “to move, to drive a vessel or vehicle forward.” I have previously commented that the Bentley should probably be a “she,” as traditionally all ships were female, and that’s a tradition we still see carried into the modern day, thousands of years after its origin. I’ve even seen modern day space probes – little ships sailing the solar system – referred to as she! But I’ll not be pedantic about it, don’t worry.
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Keep your hands off my bitch, bitch.
So the curtain, or veil, is the boundary between life and death. Only – we are seeing it from the other side. And in the GOmens AU this “other side” is very real, and one Aziraphale and Crowley walk through with both ease and without much thought. They are agents of those on the other side of the veil, yet they walk with Humanity in a solid reality on the surface of the Earth. They know the other side is real. When wee Morag complains about Elspeth’s body-snatching activity that the ones she digs up and sell won’t be able to go to Heaven because they will be cut up, Aziraphale tries to tell her it’s not like that, but she's not listening:
WEE MORAG: Aye. Tell that to the poor souls who will not get into heaven 'cause their bodies are all chopped into wee pieces. AZIRAPHALE: Well, that isn't how it actually… CROWLEY: Heaven isn't all it's cracked up to be, you know. WEE MORAG: It's no right. I'm telling you. CROWLEY: Yeah.
For humans, though, there is supposed to be no return once you cross that threshold.
When we, the viewer, see the two worlds meet, it's usually signaled by the presence of fog, mist or smoke. When Lesley the delivery driver meets Death, the fog arrives, as he is no longer in the living world. When Aziraphale and Crowley leave Tadfield Manor, we have smoke telling us we are seeing two different times and places at once - the past and the present are overlaid on one another.
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The Bentley must exist in both the Human and subliminal worlds at the same time - how else can it drive like it does? It doesn't really need Crowley's hands on the wheel to guide it. It couldn't have started out like that - it was made by humans, but we all know the Bentley is more than just a car now.
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It chooses the music to play on its radio, it refuses to speed when taking Aziraphale to Edinburgh until Crowley yells at it, it tries to follow the angel after he gets out at the end of the journey. How it got like this we will probably never find out, but we figure its become an extension of Crowley by close association, much like Aziraphale tends to influence the world around him without effort as well.
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In terms of it being a black horse - well, now we get into some interesting stuff!
Horses have been companions to humans for longer than cars have been around, so there is lots of lore and symbology associated with them. Previous metas around S2 have focused on "dark horses," as they were specifically mentioned twice in the script. But a dark horse is not necessarily a black horse, and vice versa, so lets look at some of the aspects of black horse symbology in particular that could be relevant to the Bentley and it role in traveling between worlds.
Horses were the original vehicle of the ancient world. While Famine was supposed to ride a black horse (the others were white, red and pale green for pestilence,) the black horses could also be messengers of death, a demon bringing death or a guide to the afterlife. In the Illiad, Achilles sacrifices four horses on the funeral pyre to accompany Patroclus to Hades.
[Edit: I've just put myself through the pain of watching S2E6 again, for reasons, and realised why the ethereal lift is in the entrance to the Dirty Donkey - because a black horse is a guide between worlds! Of course!]
They became associated with the Devil during the Middle Ages as the church tried to break the link to old pagan rites. The broomsticks witches ride are supposed to represent horses. And then there is the sexual connection to horses...which leads in a round-about way to the practice of nailing horseshoes up for luck and protection. Although perhaps the burning horseshoe on Jasmine Cottage is more directly linked to the story of St Dunstan tricking the Devil and making him promise he would never cross the threshold of a house that had a horseshoe nailed to the door.
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Our favourite Bentley has been beyond veil and returned. Though it was kept valiantly alive through the sheer will of Crowley to escape the unnatural flames of the Sigil of Odegra, it expired at the Tadfield airbase once Crowley arrived and finally released it. It was only appropriate that Crowley took a moment to acknowledge its service.
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Then Adam restored it the next day. Resurrected it, one could say.
Time for the "final curtain" to wrap this meta up.
To "face the final curtain" is another euphemism for facing death, or at least an ending. It's the final curtain of a theatre show, after the encores are done. Its the final fall of the curtain at the end of a run. Sometimes we might say its just "curtains" for something or someone, meaning it will be ending, as a shortened form. But both Aziraphale and Crowley knows death isn't the end; its a beginning as well. Its just matter of perspective to them.
I've seen other writers associate this final curtain with the first Armagedon't, and now we appear to maybe be facing the "big one" in S3 - the Second Coming. I think that is too simplistic an association, especially for GO. The reversed side of the veil could be so many things: the final battle, the ability of our ethereal heroes to move between worlds, it could even be Crowley returning from the "death" of being one of the Fallen. As always, the meaning will be need to be considered within the context of the scene, and which side of the curtain we are looking from.
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