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#hope you enjoyed!
visionsofmagic · 6 months
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day 15: steve rogers [face sitting]
࿓ synopsis • after caps shaves his beard a question pops into your mind – how it would feel to sit on his now clean face?
―❦ nsfw, licking, f!reader, cum, oral > f receiving, choking, pet names, begging, slapping, hair pulling, fingering, ordering, a bit daddy like steve, ‘is all! • 0.9k • CAN IMAGINE NOMAD!STEVE OR TWS!STEVE. we can agree that every version of steve rogers is breathtaking, so, I wanted to write something breathtaking as well, including him. so, enjoy! [kinktober m.]
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“you gotta be joking!” you said when you saw his face after he took a shower, went in with a beard, and came back with a clean face – shining in pure attractiveness, mesmerizing you enough that the words came out of you without your control, “I wonder how it will feel sit on your face.”
the next you know is that you are sitting on his face, the way you wanted it to be, as he lies down on the bed, hands gripping your ass, pushing your soaking pussy onto his face further, humming in response whenever he gets the chance to lick you, eat you, bite you – simply tasting you as if you’re the sweetest thing his tongue has ever tried.
“cmon princess,” he says, looking at you from below, eyes sparkling with the delight of seeing you in such a position – breasts bouncing, eyes blurry, mind dizzy, hands on his hair to pull and hold to stay still as you beg for more – close to the edge yet your face is full of heat, eyes avoiding to meet with his blue ones that give you weakness on the knees because of how beautiful he’s looking at you right now. 
he gets that you’re shy – can’t let you go, sit on his face completely and ride him as you get the pleasure your pussy seeks with the help of him and his warm tongue inside your folds. “don’t be shy,” he adds, smiling – ensuring you that it’s okay for you to put pressure on your weight, “sit on my face. you were the one who asked for it, weren’t you?” he teases, earning a low moan – both annoyed and excited tone can be heard.
“steve!”
he chuckles, kissing your inner thighs, looking at your face still in a way that can make you cum without even fucking his mouth. “okay, okay. no teasing. just sit on me doll, I can handle it.”
you know he can handle it! the captain has a strength that makes you a lightweight compared to it, yet, you don’t want to hurt him because you know how much you want to do it – how much you will break and use his mouth without thinking about anything else.
however, your indecision comes to an end when he spanks your ass, making your body jolt to the front, pussy travels on his clean face, earning a louder moan from you. eyes shut, you hold his hair tighter. his fingers join his tongue on your folds, then, slowly, ending your core, burning there. “sit on my face.” he orders, sounding hazardous, bringing his captain persona into the bed – the one you like to have whenever he fucks you good.
breaking into pieces, the last crumbles of dilemma disappear, leaving the lust behind.
looking at his eyes, you sit on his face entirely after saying, “y-yes, captain – ooh – cap!”
he wastes no time when he has you, tongue entering into you deeper, fingers join to it, both go in and out in sync, one after another, leaving you no time to adjust – to relax, no, he wants to make your legs shake, and he successes a few minutes after he continues doing the same thing – pussy is filled – is full with both his fingers and mouth, eyes on you, pride and enjoyment are visible on his face.
moaning his name in repeat, “steve – aggh – oh my! steve, ‘s so good, a – and, ohh, so much!” your hips move on their own, going forth and back on his face, nose touching your pussy too, making the pressure go higher – all the sense of your body appears on your lower part from the abdomen, making you go crazy as eyes roll back – the only thing you want is to cum – right into his open mouth and face, and it’s exactly what steve wants as well.
gripping you from the back of your inner thighs, he makes you sit onto his face further as if it’s possible, fingers leave your abused clit, only tongue remains – effective as ever, it sends pleasure to your body, licking it from the bottom to top, biting the flesh a little.
you – making a mess on him, don’t have no idea you’re coming until you reach the highness and slowly coming to your senses after he commands, “cum onto my face pretty, wanna taste it.”
legs get weaker each passing time because of the exhaustion hitting you, collapsing onto his chest, hands on his shoulders as you breathe deeply. his chest too – rising up and down, rapid breaths, shining lips, half of his face getting dirty with your cum. 
his hands hold you from the waist, raising your body up like its weight means nothing, then, putting you down on his lap after getting up, leaning on the headboard of the bed. pride’s marks on his smiling face as he hugs you from the back, pulling you closer to his chest.
he caresses your face and lets you clean his with the towel you brought before.
“so,” he says, playful tone in his voice, “how it felt?” 
shaking your head, you chuckle, “always such a teaser captain,” putting a kiss on his lips, you wink at him, “it was good.” a total lie – it was magnificent, yet, you decide to tease him, see if he will break and prove himself more – about how he can be the best, not just good. “is that so?” he asks, playing your little game – pushing your body onto your back, he hovers above you, a hand goes to unzip his pants as he looks at you – dominant. “then, let me do my best for my pretty greedy girl.”
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❦ tagging: @lilvampirina & @snowprincesa1 & @dookiemeshibear @chloee0x0 *lots of kisses!*
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lena-in-a-red-dress · 29 days
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Alt Assistant Pt 7 (finale)
Kara reflexively keeps her distance from Lena, for all of two days, until she realizes that while respecting Lena's boundaries is important, she does not have to respect any boundary set by Lex.
She comes to this conclusion late Sunday night, and makes a point to be in the office early to make her point. She's lucky Lena's already there, plugging miserably away at a spreadsheet R&D had sent to her the Friday before. Kara plunks down her boss's coffee of the desk, nearly sloshing it, and scowls when Lena turns her gaze up at her.
"You don't have to do everything your brother tells you," she says, far more scathingly than she intends. It backfires when Lena interprets her tone as petulance.
"I hardly think two days without sex warrants a tantrum Miss Danvers," she responds coolly. Her gaze returns to her computer. "Nor do our trysts qualify you to pass judgement on my relationship with my brother."
"I know you better than you think," Kara snaps. "And living under Lex's thumb isn't a good look on you."
At that, Lena's gaze snaps back up with razor sharp precision, skewering Kara to the spot. Her jaw tightens. "My respect for my brother--"
"Isn't respect!" Kara bites back. She knows she skirts the limits of Lena's goodwill, but she can't help the anger and resentment that bubbles up. "It's control, and you know it."
At that, Lena's scowl deepens, but her focus skitters away, proving the veracity of Kara's accusation.
"You are your own person," Kara pushes. "And you're capable of making your own decisions."
Lena's moment of concession evaporates with a scowl. "Get out."
It's enough to make Kara see red, but she manages to keep her temper in check.
"Fine," she clips out. She turns on her heel and marches towards the door, only to pause with her fingers wrapped in a fist around the handle. "And maybe you should think why Lex has such a problem with you being fucking happy for once."
With that, she yanks the door open and all but slams it shut behind her when she leaves.
----
Prepping a charity gala isn't easy-- or fun-- when they can hardly stand to be in the same room together without snapping. It involves a lot of "fines"s and "just get it done"s and "yes, miss luthor"s, but it eventually culminates in a lavish, extravagant affair that the guests seem to enjoy.
Kara hovers in her floor length gown that snugs in all the right places, yet leaves her arms bare to give her room to actually work during set up, and now cools her down as she takes a moment to breathe.
She knows Lena is here, by way of a curt text received an hour ago, but has yet to actually see her in the throng of well-dressed patrons. She does see Lex though, who somehow manages to look smug even as he glowers at her. It's nearly halfway through the night when Kara finally catches a glimpse of her boss.
Her mouth promptly goes dry.
Lena's dressed in a black chiffon dress that hugs her hips. When she turns, Kara sees the thin straps that leave the ivory skin of her back largely bare-- and the long silver chain that dangles against Lena's spine.
The vision is so distracting that it takes Kara a long moment to notice that Lena had turned towards a tug on her wrist, and that it was Lex who now gripped it tightly.
Kara watches their heated exchange of hissed words until Lena finally wrenches her wrist free of her brother's grasp. Lex's features darken as he issues what can only be a final warning before taking his leave. Lena watches him go for a long moment before finally turning.
Their eyes lock.
In that moment, Lena is laid bare-- Kara can see the shock of their unexpected connection (Lena has been avoiding her), and registers the brief up-and-down of Lena's gaze as she's scanned by wide green eyes. Then, Kara sees that dreaded word again: don't.
Only this time it's not directed at Kara, but rather inward, a silent scold towards Lena herself, combating the flush of desire written clear across Lena's cheeks. But then, almost as soon as it appears, it's eclipsed by a sudden hardening of Lena's gaze, now resolute as Lena comes to a conclusion known only to her.
Kara stares as Lena marches towards her, determined and unflinching. She barely has the time to grin before her arms are full of Lena, and warm hands sandwich her face fiercely as she's kissed long and deep.
When Lena comes up for air, breathless words come tumbling out.
"You're fired," she says. Their foreheads rest together, and Lena's hands have yet to move from where her thumbs rub gently against Kara's cheeks.
Now, Kara does grin.
"About time," she growls, and pulls Lena into another searing kiss. Kara senses the eyes on them, but doesn't bother to look to see if Lex's is among them.
Screw them, Kara thinks, savoring the taste of Lena's lips and the glide of their tongues together.
Screw them all.
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chio-chan2artbox · 4 months
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Minutes later…
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Take the Leap - Part 5 (End)
Part 1, Part 2, Part 3, Part 4
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stsgsk · 6 months
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Thinking about Satoru With A Short(er) S/O
Fem Reader | Fluff | Sorceress Reader | ~2940 words
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To the surprise of a grand total of zero people, Satoru teases you. To make it worst, it's nothing original either.  
Example 1: 
"Where's my S/O gone?" He asks, like you're not literally standing in front of him. But it's not his fault. If he look straight ahead, his eyes totally misses you. 
Example 2: 
"How's the weather down there?" He proceeds to bend down on your level and look around. "Yeah, this kind of sucks. You should try my altitude sometime. Sun feels a lot better" 
He ignores the heat from your glare. 
Example 3: 
He's also tried using you as an arm rest. Emphasis on tried.  
"Your crotch is literally within my punching range" you tell him once, and only once.  
He doesn't use you as an arm rest anymore.  
Ironically enough, he'll shut down anyone else teasing you, especially if it makes you uncomfortable. Teasing you is an S/O only privilege, exclusive to him.
Oh, and of course he has all sorts of nicknames for you. He tried 'knee-height' once, and you kicked him in the shin.
He has you saved as 'Shortie' on his phone. You saved him as '10-tier drying rack'. 
If you're on the quieter side, you've definitely scared him at some point. Sometimes, he's genuinely not aware you're there and looks down and just sees you down and actually gets a mini heart attack. 
"Oh crap!" He says after he's jumped back a good few feet, clutching his chest. "How long have you been there for? Are you trying to scare me or something?" 
No. No, you weren't. You had literally been standing next to him for at least ten minutes.
Even worse, sometime he just straight up walks into you because he's not paying attention to where's he's going and just straight up walks into you, sending both of you toppling over. 
"We've got to stop meeting like this" he says, smirking as he looks down at you. You're lying on the ground, and he's on top of you. 
"Satoru. This so the fifth time this week. Get off me right now" 
He gets better though! Don’t give up on him!
So, about you two walking.  
It really didn't work out for a while 
His long longs meant he walked faster and in longer strides. Your shorter legs meant the exact opposite 
At one point you actually gave up walking together for some time because it was a genuine piss-take. Satoru would be walking and talking and he'd asking your opinion only to realise you were still 5 traffic stops behind him 
You used to try jogging to keep up with him but that also took the piss because you didn't ask for a work out 
So after convincing you to give it another go, you and Satoru tried again and worked on it.  
He started walking a lot slower for you. It was definitely awkward at first, uncomfortable even since it really wasn't his normal walking pace. 
But when he saw how happy you were you two could actually have a conversation while talking, that you were no longer just staring at his back as he spoke and you could actually see his facial expressions and he could see yours, he decided it was worth it. Soon enough, it became second nature. 
Of course, you contributed to this effort too. You did work on your walking, getting faster too. Satoru assured you that you didn't need to go too fast or anything, since he didn't want you worn out, so you got to a faster speed you were comfortable with. 
So you two just walk and talk together a whole bunch now. Honestly, every time you two walk alone together is a date at this point.
Speaking of dates, he loves taking you out to the city because it’s bustling with so much life. But of course, there's the issue consisting of your height, crowded places, and you two get separated the first time you have a city date 
He’s so dramatic when he loses you in crowded places. It was inevitable, given you two were literally in Tokyo. But he is actually panicking. Like, he lost you. He actually lost you.
He's so silly, he's calling out your name and showing a picture of you (his lock screen) to every stranger he comes across in hopes of finding you. 
There's obviously no need for him to worry, you're a very capable sorceress, and a very capable person.  
What happened is either: 
a) You call him and ask him where he is. You literally told him you were going into that store on the left three stop lights ago.
It’s not his fault he's so tall, and Tokyo is so loud that he couldn't catch what you were saying. He probably didn't even know you had been talking to him 
"Well, if you grew like an extra few inches, I definitely would have heard you" 
You punched him in the arm for that 
Or b) you really did fall behind and swept away by the busy Tokyo people, and you only end up finding him because he's causing a big scene and kind strangers directed you to my boyfriend 
"Satoru, I'm here" You say, waving at him as you approach. “We’re such idiots. We should have just called each other-“ 
"Oh, thank goodness." He embraces you in a bone crushing hug. "We're holding hands from now on, every time we're in public. I'm not losing you again" 
And if you're fine with it, you two really do end up holding hands whenever you're in public. It's nice, holding his hand. 
Speaking of hands, the size difference? Satoru can't get over it. He gushes over it every time. He'll just come up to you randomly and stick his hand forward, your queue to press your hand against his. He'll slip his fingers between yours, give you a gentle squeeze, and won't let go. 
He laughs when you mention how you're starting to get neck pain from looking up at his face all the time 
So he starts to get down in that silly goofy pose he does for Megumi so you can look down at him. 
"Looking up, looking down, it'll balance out that neck ache of yours" 
He really didn't mind doing this for you. He actually enjoys it. He loves seeing your face when he’s looking down at you, and when he’s looking up at you. He’s notices difference things when he’s in these different position, the crinkle of skin around your eye when you laugh when he looks down at you, the way your lips stick out when you’re annoyed when he looks up at you. He really is enamoured by you.  
But when you two started kissing and hugging, he started to understand your point when he has to bend down to kiss you. 
Don't get him wrong, he loves you and loves kissing you, but it's really not ideal (and he's starting to get some of that pain you were talking about) 
So he comes up with a solution: His infinity! 
He uses it to get you to float up, so you're at a much nicer height for both of you to kiss. 
This is different to when you two kiss standing with him bending down to kiss you.  
It's the way you're eye level that makes both your stomachs flutter in a new way. It’s the way your nose brushes against each other in this slightly different angle that makes both your breaths catch. It’s the way your lips meet, as you drape your arms around his neck and he wraps his arms around your waist and holds you close that makes both your hearts race. 
Yes, this becomes the new norm.  
Ah, he also loves kissing you when he's sat down, and you're standing. Oh, and when you're sat on his laps and kissing him? Or, even better, when you're both laying down and kissing? He’s excited to kiss you every time. 
One time, Satoru wants to take you out on a shopping date. He think it would be cute to pick out clothes for each other. He expects you to agree, and is surprised when you turn it down. 
You explain how hard it is to but clothes and shoes because of your height. It's either too long, too tight, too ugly, or just not right for you and shopping really was a pain for you.  
As soon as you're done ranting, he's already looking for a personal seamstress and shoe maker for you. 
"What?" you ask, incredulous as he explains to you what you’re doing. "Baby, no. There's no need for that." 
"Baby, yes" he corrects you. "There is literally every need for that" 
He's not taking no for an answer. You deserve to find the right clothes for you as much as anyone else. You shouldn't have to settle for what fits, you should be confident and happy to wear your clothes. 
Besides, he has lots of money. It would make sense to spend it on his S/O 
So yeah, all your clothes fit now, and you're seriously grateful. You tell Satoru all the time, but he can tell even without you telling him. The way you seem so much happier in the clothes you've always wanted to wear makes it obvious.  
And Satoru makes sure to go all out. Its way better quality than any other clothes you have. It will literally last over a life time  
Satoru also takes this as an opportunity for you two to match outfits and he absolutely loves it.  
It's literally a requirement for you two to match and look good. He makes sure to text you when you two are going to hang out to make sure you're both coordinating. 
Satoru: So it's yellow today, right? 
You: Yeah. You pick mine, I'll pick yours? 
Satoru: Deal 
And yes, you two are very stylish. Fashion icons. Couple goals, but that was already a given even before the matching outfits.
He loves to grab things for you. Will tease you a little about it, but he does enjoy doing things for you. If you'd rather be more independent, he'll offer to use his infinity to give you a leg up of sorts, or you'd use a stool or climb on something he'll make sure you don't fall 
"Is that really safe?" he can't help but ask, making sure to be alert in case you even wobble slightly on the stool.
You wave off his concerns. "It's fine. I'm basically a pro at this" 
Satoru also reaches for your clothes at the bottom of the washing machine and the ice cream at the bottom of your freezer for you, because he’s seen the Olympic level gymnastic just to reach them and is both impressed and concerned you'll hurt yourself somehow. 
If you need a leg up somewhere but you want to be independant and you two are in public, he will let you use him as a stepping stool. He will get on all fours so you can step on his back and do what you have to do. It's fine though, His infinity means you’re not actually touching him it's not like his clothes will get dirty so don’t worry, and he doesn't feel you stepping on him. He promises its no big deal.
He got you an oversized teddy bear this one time. It's literally the size of you, if not bigger. He was really proud of himself for getting it for you until you started cuddling it more. 
"Come on" he pouts. "I'm literally right here" 
If you don't give into his demands, he'll whine and whine until you do. He loves to cuddle you. He loves wrapping his arms around you, and holding you close. As he keeps you warm ans safe in his hold, he can't resist the urge to give you a flurry of kisses on the face. He's a weak man when it comes to you.
And if you decide to be the big spoon? He sometimes gives into the urges to pinch your cheek. It's just really cute to him how you want to hold him despite being the shorter one. Bonus points if you're the big spoon. Either way, he's a very happy man when he's with you like this.  
If you're mad at him, either he gets down on the floor or you get a chair piled with pillows so that you're looking down at him as you do and then start scolding at him. If you’re extra mad at him, you do both.  
If he's mad at you, he's going to be so petty. 
He'll pull a: "what? I can't hear you from up here" 
Or worse, if other people are there, he’ll turn to them and be like: "You guys hear something?"     
He always make sure you’re at the front of group pictures so you're actually in the shot. If you'd rather not be, he'll either use his infinity to make you float so you're seen in the picture, or if you want, he'll sit down with you as everyone else stands so you’re not the odd one out. 
When you're sitting down and your feet don't reach the ground, you can use his legs as a leg rest. He doesn't mind, he wants you comfortable. 
Or you can lean on him when you're tired, and he wraps an arm around you and keeps you in a secure hold.
"I've got you" he says to you quietly. He always treats you tenderly when you're worn out. "You can rest now." He says, kissing the top of your head.
If you let him, he'll carry you bridal style. Or any style.  
He also loves giving you piggy back rides. Especially when you’ve both got to get somewhere faster. 
"It's faster babe" he says, as though he literally couldn't just teleport you both instead or at least get there a lot faster with his infinity. He's just using it as an excuse to hold you, because he loves holding you. 
You two tried sharing blankets once, and you didn't do that again for a long time. The blanket distribution did not work between you both because of your height differences. Plus, if either of you tugged on the blanket, the other was missing out.  
But then he once saw you could wrap your blanket around yourself multiple times like a cocoon. 
Firsts thought: 'Aww, so cute' 
Second thought: 'Wait, this is possible?' 
He's forgotten you could actually do that, he's been tall for that long.  
So he buys a gigantic blanket so he can cocoon himself into too, so now you're both two cute caterpillars cocooned up together.  
This blanket was also big enough for both of you, so you finally did manage to get to share a blanket. It was definitely one of you two's favourite memories together, and became a thing you two did often. 
One time you both went on a date and came across a Face In Hole board. Unfortunately, you couldn't reach to get your face in because you weren’t tall enough. 
Whether you expressed or not, Satoru knows you're disappointed. And Satoru is not going to have a disappointed S/O on his watch 
He buys the necessary supplies, and works to create a face in hole board for you both, one that works for both your heights. 
And when he shows you, you're so touched.  
He painted on the board two silly looking curses with the hole the right height for you both. When the photos were taken and you look back at them, you could really tell he put a lot of work into and you made sure he knew how much you appreciated him.  
That became you're new lock screen.  
He laughs when you're too short for shade board in the car so it can't block out the sun for you and you're just keep getting attacked by sun rays. So, he lends you his sunglasses, and always does so when you need them.  
When public mirror are too high up for you so you can't check your reflection, you rely on Satoru to help maintain you’re appearance. 
"A little smudge here" he says, wiping it away with his thumb. "And you've got a few hair out of place. It's cute, though. I think you should keep it that way. No? You want me to fix it? Got it." 
When there's some sort of crowd and you can't see what everyone's looking at because everyone's too tall and all you can see is their backs, Satoru lets you get on his shoulder so you can both see.  
You know those couple pictures where it just shows their shoes? Satoru posted one once of you both. However, given how your large height difference translates into your shoe size difference, the comments go like this: 
Sh0k0: Is that a child? 
You: . 
Satoru: No, it's y/n >:(  
Sh0k0: I am so sorry 
Suguru: help i cant stop laughing  
There was one time you came back from a mission. Satoru heard that you failed. Thinking the worse, he came rushing to find you. You were in one piece, but clearly down. He asks you what happened, and he expects, well, something serious, he supposes. 
He didn't expect to be bursting out in laughter when you tell him you tried exorcizing a weak curse, but the curse got on a higher ledge and you couldn't reach him 
He laughs so hard it was basically an ab workout. 
After he recovers from his laughing fit (he actually never did, he bursts out giggling every few minutes as he remembers), he goes back with you back to the place your mission was 
But not to exorcize the curse for you. No, he knows you can do that by yourself.  
He uses his infinity to jump onto the ledge where the curse still was, proceeds to kick the crap out of the curse, knocking it off the ledge and send it tumbling on the ground in front of you. 
"You've got it from here, babe" 
And that's how you completed your mission that day. Yes, you wrote that, word for word, in your report. You felt bad for whoever had to wrap your head around your report, you really did. 
Satoru hates it when people underestimate you as a sorceress or as a person because of your height. And he's livid if someone puts you down for it.
He's your biggest cheerleader and you're biggest defender. He'll always be the first person to vouch for how amazing and strong you are.  
Because you are, and he makes sure to tell you that every day. Whether you're insecure about your height, or you don't give it a second thought, not a day goes by he makes sure to tell you how valuable you are as a person, and how much you are worth. 
TLDR: Satoru is absolutely in love with you. That's all there is to it. 
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What's the average language like?
This will be a giant of a post, because this is a subject that I really like. So much of what we think about language just isn't true when you look at the majority of them and I'm not even going into how the languages themselves are constructed, only the people speaking them, if that makes sense. It will make sense in a moment, I promise
First, let's discuss assumptions. When you think of the abstract idea of a language, what do you imagine?
How many speakers?
Where is it spoken geographically?
Do speakers of the language only speak that language or do they speak at least one other language? How many more languages?
Is the language tied to a state/country?
Is the language thriving or endangered?
In what domains is the language used? (home, school, higher education, administration and politics, in the workplace, in popular media...)
Is the language well documented and supported? Are there resources like dictionaries to look up words in, does google translate work for it, does Word/google docs work etc?
Is the language spoken or signed?
Is the language written down? Is it written down in a standardised way?
Do you see where I'm going with this? My perspective on what a language is has completely shifted after studying some linguistics, and this only covers language usage and spread, not how words and grammar work in different languages. Anyways, let's talk facts. (if no other sources are given the source is my uni lectures)
How many speakers does the average language have?
The median language has 7 600 native speakers.
7 600 people is the median number of speakers. Half the world's languages have more, half have less.
Most languages in this tournament have millions of speakers. But maybe that's relatively common? After all, half of the world's languages have more than 7 600 speakers. No.
94% of all languages have less than a million speakers.
Just so you know, big languages are far from the norm. There are 6700-6800 living languages in the world (according to ethnologue and glottolog, the two big language databases. I've taken the numbers for languages having a non-zero number of speakers and not being classed as extinct respectively. Both list more languages).
6% of 6700-6800 languages would be around 400 languages with more than a million speakers. Still a lot, but only a (loud) minority. It's enough to skew the average number of speakers per language upwards though. Counting 8 billion people and 6800 languages, that's almost 1.2 million people per language on average. The minority is Very loud.
Where are most languages spoken?
First of all, I'll present you with these graphs (data stolen from my professor's powerpoint) which I first showed in this post:
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49% of all languages are spoken in Africa and Oceania, a disproportionately large amount compared to their population. On the other hand, Europe and Asia have disproportionally few languages, though Asia still has the largest amount of languages. Curious, considering Europe is often thought of as a place with many languages.
Sub-Saharan Africa is a very linguistically interesting place, but we need to talk about New Guinea. One island with 6.4 million people. Somehow over 800 languages. If you count the surrounding islands that's 7.1 million people and 1050 languages. Keep in mind that there are 6700-6800 languages in the world, so those 1050 make up more than a seventh of all languages. The average New Guinean language has less than 3000 speakers. Some are larger, but still less than 250 000 speakers. Remember, this is a seventh of all languages. It's a lot more common than the millions of speakers situation!
So yeah, many languages both in and outside New Guinea are spoken by few people in one or a few villages. Which is to say a small territory. But 7600 speakers spread over a big territory will have a hard time keeping their contact and language alive, so it's not surprising.
Moving on, lets talk about...
Bilingualism! Or multilingualism!
Is it common to speak two or more languages? Yes, it is. This is the situation in most of the world and has been the case historically. Fun fact: monolingual areas are uncommon historically and states which have become monolingual became so relatively recently.
One common thing is to learn a lingua franca in addition to your native language, a language that most people in the area know at least some of so you can use it to communicate with people speaking other languages than you.
As an example, I'm writing this in English which isn't my native language and some of you reading this won't have English as your native language either. Other examples are Swahili in large parts of eastern Africa and Tok Pisin in Papua New Guinea (the autonomous state, not the entire island).
Speakers of minority languages often have to learn the majority language in the country too. It's difficult to live somewhere where most daily life takes place in one language without speaking at least some of it. This is the case for native people in colonised countries, immigrants and smaller ethnic groups just to mention a few situations. All countries don't have majority languages, but some are larger, more influential and used for things like administration, business and higher education. It's common for schooling to transition from local languages to a larger language or lingua franca in countries with many languages.
Another approach than the lingua franca is learning the language of villages or towns surrounding you, which is very common in New Guinea and certainly other parts of the world too. It's not unusual to know multiple languages, in some places in sub-saharan Africa people speak five or six languages on a village level. Monolingualism is a weird outlier.
Speaking of monolingualism, let's move on to...
Languages and countries
This is a big talking point, mostly because it affected my view of language before I started thinking about it. First of all, I'm going to talk about the nation state and how it impacts languages within it and the way people view language (mostly because it's a source of misconceptions which fall apart as soon as you start to think about them, but if you don't the misconceptions will stay). Then I'll move on to countries with lots of languages and what happens there instead.
So, the nation state
The idea is that the people of a nation state share a common culture, history, values and other such things, the most important here being language. We can all agree that this type of nationalism has done lots of harm to various minorities and migrants all over the world, but it's still an idea that has had and still has a big impact on especially the western world. The section on nation states will focus on the West, because that's the area I know enough about to feel comfortable writing about in this regard.
How do you see this in common conceptions of language? It's in statements and thoughts like this: In France people speak French (but what about Breton? Basque? Corsican? Various Arabics? Some of the other 15 indigenous and 18 non-indigenous languages established in France? What about people speaking French outside of France?), in the US people speak English (but what about the 197 living indigenous languages? Or the 34 established non-indigenous languages? And the many extinct indigenous languages forcibly killed by the promotion of English?).
In X country people speak X, except for the people who don't, but let's ignore them and pretend everyone speaks X. Which most might actually do if it's the single national language that's used everywhere, it's common to learn a second language after all.
This is of course a simplified (and eurocentric) picture, as many countries either have multiple national languages or recognise at least some minority languages and give them legal protection and rights to access certain services in their languages (like government agency information). Bi-/multilingual signage is common and getting more common, either on a regional or a national level. Maybe because we're finally getting ready to move on from one language, one people, one state and give indigenous languages the minimum of availability they need to survive.
I wrote a long section about how nation states affect language, but I realised that veered way off topic and should be its own post. The short version is that a language might become more standardised simply by being tied to a country and more mobility among the population leading to less prominent dialects. There's also been (and still is) lots of opression and attempts to wipe out minority (often indigenous) languages in the name of national unity. Lots of atrocities have been comitted. Sometimes the same processes of language loss happen without force, just by economic pressure and misconceptions about bilingualism.
What does this have to do with the average language?
I simply want to challenge two assumptions:
That all languages are these big national languages tied to a country
That it's common that only one language is spoken within a country. If you look closer there will be smaller languages, often indigenous and often endangered. There are also countries in the West where multiple languages hold equal or similar status (just look at Switzerland and its four official languages)
Starting with the second point, let's take a look at how Europe is weird about language again
Majority languges aren't universal
I'm going to present you with a list of the 10 countries with the most living languages, not counting immigrant languages (list taken from wikipedia, which has Ethnologue as the source):
Papua New Guinea, 840 languages
Indonesia, 707 languages
Nigeria, 517 languages
India, 447 languages
China, 302 languages
Mexico, 287 languages
Cameroon, 274 languages
Australia, 226 languages
United states, 219 languages
Brazil, 217 languages
DR Congo, 212 languages
Philippines, 183 languages
Malaysia, 133 languages
Chad, 130 languages
Tanzania, 125 languages
This further challenges the idea of one country one language. Usually there's a lingua franca, but it's not always a native language and it's not always the case that most are monolingual in it (like the US or Australia, both of which have non-indigenous languages as widespread lingua francas). Europe is the outlier here. People might use multiple languages in their day to day lives, which are spoken by a varying number of people.
In some cases the indigenous or smaller local languages are extremely disadvantaged compared to one official language (think the US, Australia and China), while in other places like Nigeria, several larger languages are widely used in their respective areas alongside local languages, with English as the official language even though it's spoken by few people.
It's actually pretty common in decolonised countries to use the colonial language as an official language to avoid favoring one ethnic group and their language over others. Others simply don't have an official language, while South Africa's strategy is having 12 official languages (there are 20 living indigenous languages and 11 non-indigenous languages in total, and one of the official ones is English, so not all languages are official with this strategy either). Indonesia handled decolonisation by picking a smaller language (a dialect of Malay spoken by around 10% at the time, avoiding favouring the Javanese aka the dominating ethnic group by picking their language), modifying it, and started using it as the new national language Indonesian. It's doing very well, but at the cost of many smaller languages.
Going back to the list, it's also interesting to compare the mean speaker number (if every language in a country was spoken by the same amount of people) and the median speaker number (half have more speakers, half have less). The median is always lower than the mean, often by a lot. This means that the languages in a country don't have similar speaker numbers, so one or a few languages with lots of speakers drive the average upwards while the majority of languages are small. Just like for the entire world.
The US and Australia stand out with 12 and 10 median speakers, respectively. About 110 languages in the US have 12 or fewer native speakers. The corresponding number for Australia is 113 languages with 10 or fewer speakers. There are some stable languages with few speakers documented, but they have/had between 40 and 60 speakers, so those numbers point towards a lot of indigenous languages dying very soon unless revitalisation efforts succeed quickly. This brings us to the topic of...
Endangered languages
This is an interesting tool called glottoscope made by Glottolog which you can play around with and view data on endangered languages and description status (which is the next heading).
I'll pull out some numbers for you:
Remember those 6700 languages in Glottolog? That's living languages. How many extinct languages are listed?
936 extinct languages. That's ~12,5% of the languages we know of. (Glottolog doesn't include reconstructed languages like Proto-Indo-European, only languages where we either have enough remaining texts to conclude it was a separate language or reliable account(s) that conclude the same. We can only assume that there are thousands of undocumented languages hiding in history that we'll never know of)
How many more are on the way to become extinct?
Well, only 36% (2800 languages) aren't threatened, which means that the other 64% are either extinct or facing different levels of threat
What makes a language threatened? The short answer is people not speaking the language, especially when it's not passed down to younger generations. The long answer of why that happens comes later.
306 languages are listed as nearly extinct and 412 more as moribound. That means that only the grandparent generation and older speak it and the chain of transmission to younger generations has broken. These two categories include 9,26% of all known languages.
The rest of all languages either fall into the threatened or shifting category. The threatened category means that the language is used by all generations but is losing speakers. The shifting category refers to languages where the parental generation speaks the language but their children don't. In both of these cases it's easier to revive the language, since parents can speak to the children at home instead of having to rely on external structures (for example classes in the heritage language taught like foreign language classes in schools).
Where are languages threatened?
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This map is also from glottoscope and can be found here. I recommend playing around with it, you can zoom in and hover over every dot to see which language it represents. The colours signify threat level: green for not threatened, light green for threatened, orange for shifting, red for moribound and nearly extinct, and black for extinct. I'll come back to the shapes later.
As you can see, language death is more common in certain areas, like Australia, Siberia, North America and the Amazon, but it's still spread over the entire world.
Why are languages going extinct?
There are two important dimensions to the vigorousness of a language: The first is the number of speakers who claim the language as their own and speak it with each other. No speakers means no language. If all speakers move to different places or assimilate by shifting to a dominant language in the area (sometimes for work opportunities or for their childrens' future work opportunities. Sometimes because of which language(s) schools are taught in or disinterest from the children in the language and culture. Sometimes migration of an ethnic group for various reasons leads to language shifts. There are many complex reasons to why the link of transmission can break)
The other dimension, which ties into the first one, is the number of situations in which a language is used. There are many domains a language can be used in, like at home, in school, in the workplace, in politics and administration, in higher education, for international communication, in religious activities, in popular media like movies and music etc. When a language is no longer or never used in a particular domain, it might lose the associated vocabulary. When it becomes confined to a singular domain like the home, the usage goes down. The home is usually the last place an endangered language is spoken.
Usage in a domain is a reason to speak or hear the language. It's a reason to keep it alive. People also forget or get worse at languages they don't use. That's why a common revitalisation tactic is producing movies, radio programmes, news reporting, books and other media in a dying language. It gives people both reason and opportunity to use their language skills. Which language is used in schools is also important, as it keeps basic vocabulary for sciences and explaining the world alive. Another revitalisation tactic is making up new words to talk about modern concepts, some examples are the Kaqchikel word rub'eyna'oj from this tournament or creating advanced math vocabulary in Māori.
What does endangered languages have to do with the average language?
Trying to get this post back on track, these are some key points:
64% of all documented languages are either extinct or facing some level of threat. That's the majority of all language
Even excluding the extinct languages, the majority of languages are threatened or worse
This means that the average language is facing a loss of speakers, some more disastrous than others. Being a minority language in an increasingly globalized world is dangerous
Describing a language
Are you able to look up words from your native language in a thesaurus or a dictionary? What about figuring out how a certain piece of grammar works if you're unsure? Maybe you don't need that for your native language, but what about a second language you're learning?
If your native language is English, there are lots of resources, like online and book dictionaries/thesauruses or an extensive grammar (a book about how English grammar works). There's also a plethora of websites and courses to learn English, and large collections of written text or transcribed speech. If a linguist wants to know something about the English language there's an abundance of material. If someone wants to learn English it's easy and courses are offered in most parts of the world.
For other languages, the only published thing might be a list of 20 words and their translation into English or another lingua franca.
Let's take a look at the same map as earlier, but toggled to show documentation status in colour and endangerment status with shapes:
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Here, the green signifies a long grammar and the light green a grammar. Both are extensive descriptions of the grammar in a language, but they differ in length. A long grammar has to contain over 300 pages and a grammar over 150. Orange is another type of grammar, namely a grammar sketch. Those are brief overviews of the main grammatical features or features that may be of interest for linguists, typically between 20 and 50 pages. The purpose isn't to be a complete grammar, only a starting point.
The red dots can signify a lot of things, but what they have in common is that there's no extensive description of the grammar. In those cases, the best description of the language might be a list of which sounds it contains, a paper about a specific feature, a collection of texts or recordings, a dictionary, a wordlist (much shorter than dictionaries) or just a mention that it exists.
Why are grammars and descriptions even important?
The better described a language is, the easier it is to learn it and study it. For a community facing language loss, it might be helpful to have a pedagogical grammar or a dictionary to help teach the language to new generation. If the language becomes extinct people might still be able to learn and revive it from the documentation (like current efforts with Manx). It also makes sure unique words or grammatical features as well as knowledge encoded in the language isn't lost even if the language is. It's a way of preserving language, both for research and later learning.
What's an average amount of descripion then?
36,2% of all documented languages have either a grammar or a long grammar. That's pretty good actually
38,2% of all documented languages would be marked by a red dot on this map, meaning that more languages than that don't have any kind of grammar at all, maybe only as little as a short list of words
The remaining 25,6% have a grammar sketch
So as you see, the well documented languages are in minority. On the brighter side, linguists are working hard at describing languages and if they keep going at the same rate as they have since the 1950s, they'll reach the maximum level of description by 2084. Progress!
Tying into both description of languages and domains where language is used...
What about technology and language?
There are many digital tools for language. Translation services, spelling and grammar checks in word processors, unicode characters for different scripts and more. I'm going to focus on the first two:
Did you know that there are only 133 languages on google translate? 103 more are in the process of being added, but that's still a tiny percentage of all languages. As in 2% right now and 3,5% once these other languages are added going with the 6700 language estimation.
Of course, this is for the most part a limination with translation technology. You need translated texts containing millions of words to train the algorithms on and the majority of languages don't have that much written text, let alone translated into English. The low number still surprised me.
There are 106 official language packs for Windows 10 and I counted 260 writing standards you can use for spelling checks in Word. Most were separate languages, but lots were different ways to write the same language, like US or British English. That's a vanishingly small amount. But then again:
Do all languages have a written standard?
No. That much is clear. But how many do? I'll just quote Ethnologue on this:
"The exact number of unwritten languages is hard to determine. Ethnologue (25th edition) has data to indicate that of the currently listed 7,168 living languages, 4,178 have a developed writing system. We don't always know, however, if the existing writing systems are widely used. That is, while an alphabet may exist there may not be very many people who are literate and actually using the alphabet. The remaining 2,990 are likely unwritten."
(note that Ethnologue classes 334 languages without speakers as living, since their definition of living language is having a function for a contemporary language community. I think that's a bad definition and that means it differs from figures earlier in the post)
Spoken vs signed
My last point about average languages is about signed languages, because they're just as much of a language as spoken ones. One common misconception is that signed languages reflect or mimic the spoken language in the area, but they don't. Grammar works differently and some similarities in metaphor might be the only thing the signed language has in common with spoken language in the area.
Another common misconception is that there's only one sign language and that all signers understand each other. That's false, signed languages are just as different from each other as spoken languages, except for some tendencies regarding similarity between certain signs which often mimic an action (signs for eating are similar in many unrelated sign languages for example).
Glottolog lists 141 Deaf sign languages and 76 Rural sign languages, which are the two types of signed language that become entire languages. The difference is in reach.
Rural signs originate in villages with a critical amount of deaf people (around 6) that make up a fully fledged language with complete grammar to communicate. Often large parts of the village learn tha language as well. There are probably more than 76, that's just the ones the linguist community knows of.
What's called Deaf sign languages became a thing in the 1750s when a French guy named Charles-Michel de l'Épóe systematised and built onto a rural sign from Paris to create a national sign language which was then taught in deaf schools for all deaf children in France. Other countries took after the deaf school model and now there's 141 deaf sign languages, each connected to a different country. Much easier to count than spoken languages.
Many were made from scratch (probably building on some rural sign), but some countries recruited teachers from other countries that already had a natinonal sign language and learnt that instead. Of course they changed over time and with influence from children's local signs or home signs (rudimentary signs to communicate with hearing family, not complete languages), so now there's sign language families! The largest one unsurprisingly comes from LSF (Langue des Signes Française, the French one) and has 63 members, among them ASL.
What does this have to do with average languages? Well, languages don't have to be spoken, they can be signed instead. Even if they make up a small share of languages, we shouldn't forget them.
Now for some final words
Thank you for reading this far! I hope you found this interesting and have learned something new! Languages are exciting and this doesn't even go inte the nitty gritty of how different languages can be in their grammar, sounds and vocabulary. Lots of this seem self evident if you think about it, but I remember how someone pointing out facts like this truly shifted my perspective on what the language situation in the world truly looks like. The average language is a lot smaller and diffrerent from the common idea of a language I had before.
Please reblog this post if you liked it. I spent lots of time writing it because I'm passionate about this subject, but I'd love if it spread past my followers
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mintcrash · 2 months
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Nightwing Fancomic : ROOFTOPS (Part 4)
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Final part! Thanks so much for reading my first (ever) comic!
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kodared · 11 months
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☆ Welcome home Neighbor~! ☆
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Human Reader x Welcome Home!
The fight begins, but doesn't quite go as planned.
Chapter 11/?
Word Count: 3,255 out of 35,282
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The plan was supposed to be simple, Barnaby and Howdy distract Home, while the others grab Y/N and get out of there. If Howdy had any say in the matter, he would do much worse to Home than only distract them. 
                     Howdy and Barnaby went to Home first while the others prepared, as the two moved closer they could see the eyes that were once in Homes curtains now eerily shut. They had never seen Home without their eyes open, it sent chills up both of their spines.
…Barnaby's paw hadn’t even reached the door before it flung open, revealing Wally leaning on the doorway as if he had been expecting their arrival. 
                      “Barnaby! To what do I owe the pleasure?..” 
    Howdy walked behind Barnaby, placing a consoling hand on his shoulder. Howdy knew this wasn't Wally, and Barnaby knew it as well. 
So with a deep breath, Barnaby let a small snarl take hold of his face as he spoke to Home. 
“Where's Y/N?…”
Home let out a laugh as Barnaby continued to snarl, a faint growl kicking up in the back of his throat as Howdy pulled him back by his shoulder. Clearly not want a fight between the two breaking out before they could save Y/N. 
“My my!... Whats gotten you so upset Barnaby?...” 
Barnaby wasn’t one to calm down easily, and if Howdy wanted any chance of saving Y/N he would have to distract Home. 
         Howdy pushed his growling friend behind him as he stepped forward, putting himself between the two as he tried to make his tone non-confrontational despite how angry and anxious he truthfully was. 
“...We only ask because... We need them for Sallys' play!.. You of all people should know that Wally, you suggested it to happen tonight,” 
Howdy could feel a cold sweat forming on the back of his neck as Home looked up at him, Wallys' wide eyes looking into his very soul as if they could see through his lie so clearly.
           Howdy knew he had to keep a convincing face, so he tried his best to put on a compelling smile as Home began to let out a stoic laugh. 
“HaHaHa, Of course, how could I forget. Well, I hate to say it but Y/N is not here.” 
Howdy held his breath at Homes blatant denial. He and everyone else knew for a fact Y/N was in there, but without Homes confirmation, he and Barnaby would have to distract Home in another way. 
“...Well that's a darn shame, say Wally whaddya say we head down to Sallys right now!.. I'm sure they could use our help with somethin,” 
Howdy unclasped his hands that were once behind his back to make jazz hands, intentionally bumping Barnaby a bit to get him to help persuade Home into leaving with them. 
They both knew this wasn't Wally. But if they got Home away for long enough, they could restrain him and get more time to save Y/N. 
Barnaby gave Howdy a confused look before quickly picking up on the plan to get Home away from the location. Barnaby gave a small smile to Wally despite the way his eyebrows continued to furrow in anger. 
“Yeah..! C'mon bud it'll be fun, an’ it would do ya some good to get out of the house today.” 
Despite the narrowed eyes, Wally gave Barnaby for the comment of getting out of the house, he seemed to let out a sigh and step out of the House. 
“I suppose it would do some good to Get out, Lead the way!..” 
The smile that Wally wore looked strained. As if there was something nagging and chipping away at the back of his mind, and as Howdy looked at him, he knew he was worried about Y/N escaping. 
And he was right to worry. 
…As the Trio walked away, Frank watched from his window as the group approached Sallys house. Frank quickly motioned for Sally to go out the back and help them distract Wally while they got Y/N out safely. 
Sally gave a determined nod before heading out, and once Frank saw all four enter her house without issue, he began Phase 2. 
Frank grabbed the notepad that Y/N had written on and skimmed it over one final time before heading out with Poppy, Julie, and Eddie. Frank couldn't help but feel his anxiety begin to brim in the back of his mind before he pushed it away with a deep breath. 
He couldn't afford to let his own anxiety get in the way. 
They all approached the front door of Home, Frank turned around and gave a final nod of confirmation before opening the door. 
The inside of the house was dark, it felt a little… Damp as well. Frank didn't know what to think before he turned around and went to motion for the others to follow. 
…But there was no door behind him anymore. 
He almost let out a yelp at the sight of the missing door and wall before stopping himself. Frank also could no longer see any windows. The dampness in the air made his throat feel tight, but he had to keep going. 
Frank turned around and walked forward with his hands slightly out in front of him, he had half a mind to begin calling out for Y/N until he heard a small noise nearby. 
If he hadn't been on such high alert he may have brushed it off to be a mouse or even just the building settling, but despite this, he still found himself confused. 
The noise had echoed. Which was something not feasible with the sheer size of Homes interior, or at least he thought he was inside Homes interior. He had been over to visit Wally a few times, and in all of his memories, he didn't remember it being this… Spacious. 
Frank also had no recollection of the ceiling being as high up as it now was. Frank could see the faintest of outlines of what appeared to be overhead lights that stretched higher than he could see. It reminded him of studio lighting that Sally often used. 
He shook his head and continued in the direction of the noise, his shaky breath echoing through the large building as his dress shoes clacked against the hard floors beneath him.
Frank in his fear didn't think to check where he was walking, and as he progressed he felt himself trip on something with his hands taking most of the damage as he fell forward. 
He groaned as he turned to look behind himself to see what he tripped on, and of course, he couldn't see for shit. 
Frank let out a groan as he sat up and felt around the floor, if he couldn't see he might as well try to feel what he tripped on. His hands met a Cube cardboard texture, Frank was confused before it clicked he tripped on a box that was filled with some items. 
Frank pulled the box closer to himself as he tried to pry it open, and after a few moments, he successfully ripped the tape and put a hand in. 
Frank felt past all of the packing peanuts and finally touched a few plastic boxes that were hidden beneath.
The items inside felt like they were individually wrapped, so without much thought, he opened one of the packages.
It felt cylindrical in Franks hand as he held it, his other hand pushing away the bigger box and the now ripped-up packaging. 
He felt a button on the side and clicked it, Frank foolishly had it pointing towards himself and was met with a blinding light. 
Frank was startled for a moment before he moved it away from his face and realized he somehow found a flashlight, which was going to prove to be useful to him, especially in this dark building. 
After a few seconds of blinking away the small tears that formed in his eyes from the bright light, he finally collected himself to look at the appearance of the flashlight and what else was in the box he tripped on. 
The box had a sun and moon logo Design on the side, most definitely a company. As he investigated more inside the Box he saw it was filled to the brim with flashlights. 
…All of which are customized with different artworks of his friends' faces.
He felt unnerved, to say the least. 
Taking a shaky breath Frank finally stood on his wounded ankle, which became twisted after he tripped over the box. 
Frank was able to see the exact flashlight he was holding now in the light that reflected, and he could see it was orange with small envelopes decorating it. Most definitely an Eddie-themed flashlight, it provided him a slight amount of comfort. 
Pushing forward to what was more important he looked ahead and was able to confirm his suspicion that he was no longer inside Home. 
The walls of this building appeared to be worn and aged with time. Various papers littered the floor and posters that used to have designs on them now hung sadly from the concrete walls. 
It all was much too creepy for Frank, but he had to persist to save his friend and find his other friends that he lost somehow by entering Home. 
He walked forward, his shoes that once clacked against the floor now deafened by the number of papers that littered the floor. Frank took care to not trip again on the boxes that were scattered about in no particular manner, the place looked abandoned. 
Frank heard the small noise again to his left and quickly pivoted on his heel to see what caused it, his ears rang as he focused all his attention on the silence to see if he could pick up any other noise. 
…And after a few moments, he heard it again. 
The noise that followed this time was much louder than expected. It sounded as if a chair had fallen over, with something attached to it.
Without missing a beat Frank sprang into action, quickly running towards the noise with little to no consideration to his own wellbeing. The items on the floor also changed on the ground below him as he continued in the large warehouse, he could see the scattered papers become less and less frequent as he continued.
In Frank's haste, he didn't see the large filming camera on the ground, and he found himself falling for the second time today, he was starting to feel like Eddie. 
….Maybe it was the flashlight. 
Frank's funny thought was stopped quickly as he looked up from where he had tripped, and he was horrified at the sight in front of him. 
He was met with a replica of Home perched in the center of the room atop a metal stand. It make Frank freeze for a moment till he realized it wasn't actually Home, it was only a fake. 
The eyes that he could only assume once opened were now rusted over, from what he could only assume was from years of abandonment. Large puppeteering cranks were positioned off to the side, which again he guessed operated it, like a puppet.
This place held a strong sense of deja vu for Frank that he couldn't quite place… Almost as if he had heard about it before. 
Pushing through his sense of deja vu, he stood and lightly brushed himself off before warily pressing an open hand to the worn-down door. He had a feeling the noise came from inside, and now he could confirm his suspicions. 
—------------------
Eddie watched as Frank disappeared into the darkness of Homes interior, he couldn't reach a hand to stop him before the door slammed shut. 
Poppy was the first to speak after they watched him disappear, Julie was much too frantic to get a coherent sentence out. 
“Oh, I just knew this would happen!.. We should have left it be, Franks now who knows where and..!” 
Eddie knew Poppy was just worried for Frank, but it made Eddie feel a twinge of anger that Poppy would insinuate they should have left it alone. 
“They’ll be alright Miss Poppy, if I know anythin’ it's that Frank is strong, and will save them.” 
Eddie took a deep breath as his hand fidgeted with his wedding ring, he hoped Frank would be okay, actually no, he knew Frank would be okay. His husband was anything but weak, and he had all the faith in the world that he would get through this. 
“Now… I do believe we should be headin’ over to Sallys. They could surely use our help keepin’ Home distracted.” 
Eddie turned to look at Julie who was still shaking like a leaf before his eyes, he put a comforting hand on her shoulder and gave it a squeeze, trying his best to ground her back to the situation at hand. 
It worked to some extent, Julie still looked terrified but as she met Eddie's eyes he could see the familiar determined spark that both her and Sally shared. 
Eddie led the group to Sallys' house, and as they approached Poppy couldn't help but have her feathers ruffled at the sounds coming from inside. 
From outside the neighbors could hear something crash and shatter. 
The Shining Stars door was locked, despite this Eddie continued to rattle the handle in a panic. After a few seconds, the door opened to reveal Wally standing in the doorway with his head cocked to the side. 
“Ah, Hello neighbor! You're just in time for the play.” 
Eddie was at a loss for words, this was very clearly not the same Wally he knew and cared for. This Wally spoke more eloquently and more stuck up than the humble and mellow Wally he was used to calling his friend. 
“You're not Wally.” 
The words flew out of Eddie's mouth like venom. The memories and pain of Homes resets stabbing and plunging into his chest like a hot knife.
“And youre off script.” 
Eddie froze at his words and immediately regretted his immediate anger at Home as he felt something melding into his wrist with a burning hot pain, he looked behind him only to see Poppy and Julie wrapped in the same Thread as him. 
“I think its time I fix this Neighborhood.” 
—---------------
Frank's open hand shook as he applied pressure to open the door but to no avail. The rusted door clearly was not going to open without the assistance of something stronger than him. 
He shined his flashlight around the open space to get a better view of what he could use to pry the door open, where his eyes caught something that was hung on the wall. 
Frank's shoes clicked against the concrete floors as he walked to the cement wall with a paper taped to it, his eyes staring in amazement at the poster. 
It was a small article, but it was for some reason taped right in the center of the wall, almost as if it was trying to encapture his attention as he read….
‘Head Producer of Welcome Home missing Overnight!
The PlayFellow Studios' one and only Mr. Domum is nowhere to be found as we approach the busiest season of the year, Many are asking if the supposed Haunted Dolls had anything to do with it! To which we have brought a special guest, Please welco..-!’ 
…Frank couldn't read anymore before he heard something clatter to the ground and shatter inside the replica Home, Frank quickly went back to the task at hand and scanned the area for anything to help him. 
He couldn't find anything, so without a moment to spare he quickly ran to the side window of the house and raised his flashlight, muttering quick apologies to anyone who owned the property before putting his whole body weight into shattering the glass. 
Frank felt the glass give way underneath his light and quickly shined it inside as he pushed the many curtains out of the way. 
“Y/N?!.. Are you there?!..” 
Frank waited for a second in eerie silence as he listened, hearing something slam against the floor with a quiet thump before he decided to go in. 
He carefully grabbed ahold of the shattered frame and hoisted himself inside, he could feel the pressure on his palm as he felt glass go into his hand, but that didn't matter right now. 
Frank made his way quickly to the back room of the house, he knew the layout pretty well seeing as it was almost a direct replica of the Home he's grown to know. 
He could see Wallys' iconic chair sitting in the center of the room turned on its back, and as he shined his light on it he could see torn threads on the arms of the plush recliner. 
He cautiously stepped forward before freezing as he heard a noise coming from the kitchen nearby. It sounded like someone was struggling to stand, and as he slowly turned his flashlight to look at the figure approaching him, he felt his stuffing run cold. 
It was so painfully you, it was you in the flesh. 
And that's why he was so afraid. 
He could see exactly where Home had wrapped their threads into your arms, and precisely where they ended. Thankfully, the red strings stopped as they reached your shoulders, if they had reached any closer to your brain your memories would be good as gone. 
“Y/N!.. Oh thank goodness,” 
Frank quickly walked over to you and helped you stand, he could clearly see you were disoriented and tired. Homes threads act like venom, and he knew it all too well. 
“I know it seems scary, but everything is going to be okay. Just sit for a moment,” 
Frank gently guided you to sit down on the wooden floor as your legs shook, Frank quickly walked to the kitchen and went to look for any sort of scissors to get you out of the situation you were in. 
After finding a decent pair of kitchen scissors he walked back over and propped the flashlight on the floor, he untied his tie and handed it to you as he spoke.
“I want you to bite on this okay? It's going to hurt, but it has to be done, I promise ill be fast unstringing you,” 
Frank spoke with delicate caution as if he had done this before, he hoped you would trust him and not put up a fight with him, and thankfully you where smart enough to know to trust Frank. 
You took the tie in your mouth as Frank positioned himself to snip the first thread that poked out of your skin, you braced and the initial pain didn't come, Frank looked up at you sympathetically. 
“It'll be over fast,” 
He didn't give you time to brace as he quickly pulled out the snipped thread from your skin, an icy hot pain shot through your spine as it unstrung from your very being. You didn't know anymore where Home began and you ended in your mind, you feel as if you've been here for so long. 
Like a puppet loosely strung, you slumped against the wall as you let Frank unthread you, you knew by the end of this you owed him an explanation. 
And oh boy did you have one hell of a story to tell him. 
-------
I hope you enjoyed!! Again sorry this took so long to get out and published! Hopefully since things have slowed down irl i can get some more writing done!
As always i have a Ao3 Where i post too! Feel free to look over there as well!
Koda out<3 ʕง•ᴥ•ʔง
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lilacthebooklover · 6 months
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An Analysis of the Choreography and Physical Acting in the "Nerdy Prudes Must Die" Song
the choreography in this song is exquisite (lauren lopez, you never cease to amaze), and the use of physical skills in jon and will's acting is absolutely phenomenal. here, i'm going to explain why.
first of all, the facial expressions. will pulls off max's rage and loathing flawlessly, down to way his face scrunches up and his lip curls at the start of the song as he walks through the audience. the movements are jerky, his head tilts and the broad gestures of his hands showing both how confident and furious he is. richie seems terrified, the way he crosses his arms over his chest and backs away at the start of the song showing just how scared he is- the actions look almost involuntary. he's shaking, and looks like he's on the verge of tears.
max is confident as ever, believing himself to be invincible. he bares his teeth like a predator on the hunt, and richie runs like his prey. this is a game to max, that much is obvious. he has full control here- richie tries to run behind him, but max holds out a hand to his chest and turns his head, and richie cannot move. his chest heaves and he hunches in on himself, petrified, after max moves away again. even the little things, like max shaking his hand as though disgusted after touching richie as he walks away, have such a cool effect on the performance.
as max talks about the smoke club, he adds their special hand gesture- he knows who they are, and could quite possibly have been a part of them at some point. then, he forcefully throws his arms to the side, glaring out at richie.
after that is one of my favourite bits of choreography in the scene: the levitation segment.
max steps forward and lifts his arm as though holding something up, and richie rises too, head tilted away, back arched away, neck exposed. then, max throws his arm down, therefore throwing richie down, and jon pulls off the fall perfectly. the syncronisation is on point, and that tumble looks painful.
the power max holds over richhie is clear even from afar. this works not only in conveying his control and the fruitlessness of richie's attempted escape in this scene, but also works as a metaphor for the control he's had over the cast throughout their school years. pete's afraid to talk to steph because max forbids it, richie's afraid to make friends because max has branded him as a loser. there are so many layers to the effect his bullying's had on pete, richie and ruth, and him quite literally controlling richie without even touching him works excellently to demonstrate this.
richie runs off, scrambling to his feet and towards the audience, where max came from. max doesn't pay attention to him, caught up in imagining the aftermath of the victory he knows is coming. he looks out to the audience at "the jock you demonised", then turns to richie, addressing him again. richie looks over and sees that max is watching him, freezing for a moment before running again, quicker than before. but max just raises his arms, and richie startles at the exit to the theatre; it seems like max has been able to lock them in using his lovely new ghost powers.
at "buried and left me", max moves closer to the floor, almost reenacting what happened. with each new accusation, he moves closer to richie, then points at "you pushed me off the edge": he's blaming richie for what's happening.
max's tongue sticks out in apparent disgust at the next segment, even the flouncy hand movements he uses mocking how "well-behaved" the world is. the next gesture he does is condescending too, like he's explaining to richie that he's "too weak to be enslaved".
most of the next chorus just seems like dancing, but that in itself holds a message. max is having fun with this. again, it's all a game; he's toying with richie, with everyone, high on power. he speaks to someone who isn't there, vividly envisioning his dreams.
at "expose the bloody lines", his hands move out slowly, being exposed to the audience. then, max looks at them, literally saying that the blood will be on his hands. he plans to kill every "nerd" at hatchetfield high, imagining doing so with vigour.
i believe that the line "watch me spawn/ and prey upon/ you anti-socialites" could have a dual meaning. the first being that he is, again, a predator, and the nerds are his prey. the second, however, could be "pray upon", tying into his god complex- he's still addressing the nerds, telling them to watch & pray upon him. here, he does a classic, monster-style pose; the very opposite of a god, but an excellent callback to 'literal monster' earlier on.
he doesn't even look at richie as he runs past, max just raising his arm and easily throwing richie to the floor. the use of levels here is phenomenal; it's a perfect way of showing that max is the one with all the power here, richie completely at his mercy, and max has none.
as max walks away, richie can be seen trying to crawl away in the background, only to freeze when max turns around again and focuses on him, knowing there's no way of escaping. he's curled in on himself and trembling, but he stays where he is, still looking like he's about to start sobbing.
max's face softens, looking almost sympathetic at the line "who will pray for me". it's a sharp contrast to the order from seconds before, and richie hastens to follow it, slightly delayed as he sits up and discreetly tries to continue crawling back. max's face hardens again at "when i'm gone", and while richie continues moving back, he's focused now, arm shaking as much as his voice.
at "or until another richie comes along", max leans over him, back to being as intimidating as possible. richie sits up further in alarm, looking like he's about to run for it and stretching a hand out as he asks max to repeat himself.
where richie is weak, barely able to move, max is still full of energy, his movements much more fluid now that he's used to this form. up until them, they've been jerky and sharp- a nice nod to the dismemberment of his limbs in the waylon house- but now, they're even stronger than before. he's putting his all into this, because if he's going out, he's going out with a bang.
he's not talking to richie anymore when the chorus repeats. "is this the eternal dark without a dawn?" shows that clearly enough. he's wondering who will pray for him when he's gone, and the answer is no-one. he's seen how things have changed, and in the grand scheme of things, it's clear max meant nothing, not even to the place he had such an influence on. and that affects him more than anything- he sees himself as a god, and does not appreciate people preferring richie lipschitz of all people to him.
he turns back to richie, pointing at him again as the chorus repeats, his movements once again giving the impression that he's envisioning what's about to happen. the other cast members march in like soldiers, oblivious to what's happening to richie as they focus on their own lives and social statuses, characters like grace and pete obvious amongst them- neither of whom had too large of a reaction to richie's death, too busy running from max and the police. meanwhile, richie himself is forcing himself to do what max says, face scrunched up like he's bracing for an attack.
at "i'm not a loser", he leans forward, eyes tightly shut as he tries to hold onto the reality he's formed for himself since max's death. he's losing everything fast, but by defying max's order of repeating after him, he holds onto a shred of that newfound confidence and social standing.
at the same time, max's stance is broad, his fists coming down as he blames richie for both of their deaths, trying to make richie believe that too. it takes him a moment to realise richie isn't copying him anymore, but when he does, he turns to him furiously with a yell, glaring spitefully. the lighting change here is also very effective (creating a more solemn atmosphere and plunging the stage into much colder, foreboding colours than the anger and tension of what had come just before), but i won't go too deeply into that since this is an analysis of movement.
as richie begs for max to not kill him, he shakes his head quickly, panting as he stays below him, unable to defend himself. at his second "i'm not a loser", his mouth twitches into something akin to a smile, because richie isn't a loser, not anymore. he's found his place, he's well-liked, he's worthy of being friends with, and he won't let max convince him otherwise anymore. so instead, he tries to convince max that he's right. and max does not appreciate it in the slightest.
he shifts back into his jock persona, straightening up and using the same condescending voice and jerks of his chin as he did before his death. he wants to intimidate richie, and by using that familiar attitude and approaching him slowly, max wipes the half-smile off of richie's face. richie jerks, falling a little as he tries to get to his feet. it's an excellent echo to the earlier hallway scene between him and max; he's reverting back to that state of powerlessness and terror again, but now, it's further exemplified by the threat on his life.
max comes to a stop in front of richie, placing the audience's focus on himself as richie looks up at him desperately. he's in power, he's above richie, and he demands attention as he looks down on him.
pete, steph, ruth and grace stand behind him in the shadows, steadfast and stoic as they look straight ahead, not at richie or max. they don't seem to care about his death, and have hidden max's, and they're not there to help him get away, no matter how much he wishes they could.
max makes himself seem larger, looking at his hands and holding them out like claws, seeming like the true image of a monster. he stands directly over richie as the lights dim, richie pleading and curling in on himself more with every second that passes. just before the blackout, max dives down and grabs richie by the throat, a sweeping motion that seems almost inhuman.
to conclude, this song is a masterpiece, and lauren lopez is a genius at choreography. i might edit this later, it's around 1am and i am very tired, but i'd love to hear your thoughts in the replies/reblogs! i'll probably also do an analysis on this song based more on the vocal acting and lyrics themselves because i've been listening to it non-stop this past week- maybe i'll add some elements of lighting in too; it's very effective in this scene, especially at the "who will pray for me" part. thanks for reading!
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nev3rfound · 9 months
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few more hours? : w.m
with wanda heading out on another mission, the pair of you decide to make the most of the night you have (just fluff my friends) 1k wc
masterlist / permanent taglist / etsy shop
feedback is appreciated!
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“Are you sure you have to go?” You pout, hearing Wanda chuckle to herself whilst she finishes plating dinner for you both. “I mean, Tony already has Steve with him, does he really need both of you?” You continue with your weak argument, knowing it was futile. 
Turning around with a frown, Wanda places the dishes in front of you both. “Y/n,” She trails off as you lower your gaze, nodding before she can finish her sentence. 
“I know, I know.” You mutter, Wanda squeezes your hand lightly, the cool feeling of her rings into your palms soothing your thoughts temporarily.
“I just miss you when you have to go on these missions, that’s all. They just seem to be more frequent than before.” You shrug it off, not wanting to make a big deal of it, especially not tonight. 
Resting her hand on your chin, she lifts your head up to meet her gaze. “Hey,” Sadness tinges her voice as her eyes meet yours. “I’ll be gone for a week, that’s all.” She tries to assert, watching you nod. “But I’m here tonight, so let’s make the most of it, yeah?” 
You smile half-heartedly, unable to stay sad for too long when she’s around. “Alright, I’ll find the facemasks.” Sparing her a kiss, you rush off to find the resources you'll need, leaving Wanda to shake her head at your antics.
*
"And you like things like this? Singing and dancing?" Wanda tries to furrow her brows, though the mask sets them in place whilst the film plays on. "I just don't get the appeal, my love." She huffs.
Rolling your eyes, you remove yourself from her embrace. "Well, I grew up on these kinds of films, just like you did watching sitcoms, you know?" You explain, yet Wanda still remains unconvinced. "You know, I think I still remember a dance or two," With a smirk, you rise to your feet despite Wanda's protests.
"It's okay, I believe you." She protests, but you simply shake your head and stand alongside the screen as the film comes to the final scene.
"I might be a bit rusty, so don't judge." Wanda squirms at your stretches, and without warning, you start to dance along to the end sequence; evening going as far as to sing along. "-all in this together." Your voice croaks, nothing quite like the in-tune version from the screen.
Standing up, Wanda tugs your hand, bringing you into her lap back on the sofa.
Puffing lightly, your eyes gleam up to her. "So, whatcha think of that?" You ask, trying to hide your growing smile at her evident disdain.
"That was certainly," Wanda pauses. "something." She nudges your side, feeling you squirm beneath her.
"You know, when we first met I thought you were, well, intimidating." Now, looking up into her eyes, all you see is the joy she radiates. To think how far from the truth you originally were. "I'm pretty sure Clint had to force me over to at least say hi." You groan, thinking back to that memory.
Bringing her hand to your cheek, Wanda laughs quietly at that memory. "I remember it a little differently," She shrugs. "but I am glad you did say hi all those years ago, darling." Leaning in, her lips brush over yours sweetly, trying to memorise every movement.
Patting your thigh, you moan in annoyance as she pulls away. "I wanna take this off," She motions to her face, the mask how having cracked in several places. "so we can get back to that."
"I won't argue with you there, babe." You reply, following her into the bathroom.
Returning to the sofa, Wanda opens her arms for you to curl into her embrace as she drapes a blanket over you both. With a hum, you bury your face into her chest, blissfully ignorant to the film having restarted whilst you were out of the room.
Running her fingers through your hair, you're unable to resist the lull of sleep coursing over your eyes.
Sensing you're drifting off, Wanda hums quietly. "You know, when I first saw you, I thought 'How can something be so beautiful in real life'." Reminiscing, Wanda glances down, hearing you snore lightly. "And it's something I still wonder to this day, even if she snores."
The musical continues to play on in the background as Wanda's eyes begin to grow heavy and eventually rests her head on yours, sleep overcoming her.
*
Yawning loudly, the warmth across your back causes you to stir. "Wan?" Lifting your head up, you wish your phone was within reach as Wanda's mouth hangs wide open whilst she remains asleep. "Babe, what time is it?"
Without warning, Wanda wakes up on high alert. Such high alert that she shoves you off of her and only realizes at the sound of a thud below her. "Shit, Y/n, you okay?" Quick to help you up, Wanda peppers kisses across your face.
"That's one way to wake up." You respond, reaching for your phone, eyes widening causing Wanda to tense. "Now I don't want to panic you," You trail off, too late to stop Wanda from grabbing your phone.
Swearing profusely, Wanda begins to rush around the room, collecting her belongings. "Tony is going to kill me." Wanda yells, frantically redressing which you have to admit, is an amusing sight.
The redhead furiously flips her hair out of her face with a huff. "Wan, it's fine, I'll text Tony, and say you overslept." You reason, but Wanda shakes her head.
"I'm never going to live this down." She groans loudly, now having gathered her items she hurries back to your side.
Bringing your arms to wrap around her neck, you allow Wanda a moment to catch herself before kissing her. Your lips mold together, a sense of longing interlacing into both of you before you pull away first. "I'm gonna miss you." You admit, resting your forehead against hers.
"You better keep out of trouble 'til I get back, okay?" Wanda jokes, squeezing you tightly, wishing she didn't have to let go.
"I can't make any promises. But stay safe, and keep Tony in line." You add, giving her one last kiss before she rushes for the door, hearing her phone ringing as she departs.
Now standing alone in the absence of Wanda, your gaze catches sight of her hoodie over the back of the sofa.
Picking up the soft fabric, you slip it on over yourself, wrapping your arms tightly before curling back up on the sofa. With a content sigh, you can't help but wish Wanda was the one holding you in her arms, rather than her hoodie.
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callsign-bunnie · 1 year
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I always happy to oblige! Rodolfo is my baby boy, I have adopted him as my son.
--
-Has a reputation for being easy to push around. Is very much not, but he also doesn’t like to make a big show of it. -Occasionally has to give punishments for recruits. Is always very creative with them, to the point that the recruits all but pray for Alejandro, instead. -Despite being in the military, he has no taste for violence. He tries to solve things diplomatically instead. -Don’t be mistaken, though, he will knock your lights out if necessary. -Doesn’t mind doing the paperwork at the end of the day. Alejandro hates it, and no one has to know it’s him doing it. -Scary good memory. Everyone knows not to try to gaslight him because of it. It just does not work. -The higher ups have given up on trying to tell Alejandro to leave him at the base during meetings and missions. He will always come along. -Still enjoys his personal time. -Pretty much lives with Alejandro as he doesn’t have an apartment off base, never bothering to get one. -Can’t read for shit. If it’s longer than 10 chapters, he just will not pick it up. -Doesn’t prefer movies though. He listens to audiobooks. -Autistic, don’t question it. -Drives better than Alejandro, but doesn’t have a license. Alejandro does NOT know. -Seems like an open book, but he’s actually fairly private. -Clumsy but he’s managing it. -Head a minor head injury that he claimed was because his helmet got shot. Actually because he tripped on a rug and hit his head on a door knob. -Alejandro knows, because he laughed and bandaged him up, afterwards. -Nobody really messes with him, at this point. Whether it’s Alejandro you have to deal with, or Rodolfo himself, it just never ends well for you. -People still, however, mess with Alejandro. 2 or 3 people have gone missing, that Rodolfo claims to know nothing about. He knows, though. He knows. -Was secretly super pumped to throw C4 at Graves. Was disappointed Soap got him, first. -Closer friends with Soap, than Ghost, but he’s one of the few who can tell Ghost what to do. -(Ghost is secretly a little afraid of Rodolfo, but will take that to his grave.) -One of the aforementioned people definitely did not go missing because they threatened to kill Alejandro and Rodolfo told Ghost to take care of it. (He gladly did, always looking for an excuse for murder.) -Everyone answers to Alejandro, but Alejandro answers to Rodolfo. Not on Rodolfo’s terms, but Alejandro is a simp for him because who could not be?? Look at him!! -A romantic. He loves fancy events. His favorite mission was going under cover at a gala. -Will hold his height difference with Alejandro over his head until he dies. -Wore lifts in his shoes one time to make it even more extreme, causing Alejandro to cuss him out. -It was playful, don’t worry. He keeps them in case Alejandro needs to be humbled. -Was Originally offered Alejandro’s station. This isn’t to say Alejandro is not qualified but of the two of them, Rodolfo was considered more levelheaded. -However, Rodolfo turned it down because he didn’t like calling the shots. -He did not, however, tell them to choose Alejandro. Alejandro was naturally just the second choice, and Alejandro holds no grudge over this. In fact, he tried to talk him into taking it, anyway. -Will one day leave the military (he will not. Alejandro gets into trouble too much.) -Terrified of fire, now, for obvious reasons. -Has had far too many near death experiences and my mans is tired of it.
--
@itssmichaela​
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mxliv-oftheendless · 2 years
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Pretty Cute
Morpheus (Dream of the Endless) x male!reader
So I noticed there was a CRIMINAL lack of male!reader fics for Morpheus, and that’s just a travesty if you ask me. So as the saying goes, when you want something done, you do it yourself. To all my lovely mlm brothers/siblings in the Sandman fandom, this is for you! Love you, dearies. *blows kisses* Now enjoy! 
(If it’s unclear, you work at a library at the circulation desk)
Since you’re dating the King of Dreams, your relationship with him is very private. And you like it that way... but you’d like it more if your fellow library employees weren’t so obsessed with learning more about him. 
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There were many things you loved about Morpheus. He was a sweet, loving man behind the cold front. He cared so deeply, despite initially being guarded, not wanting his heart crushed by the person he felt so strongly for. You felt honored, almost, that you got to see this caring side of him. Yes, you loved Morpheus.
The only thing you didn’t love about being with Morpheus…
“Soooo, any plans with your boyfriend tonight?”
… was that your co-workers had become obsessed with him.
Don’t misunderstand, you loved your library job. After a string of jobs with terrible work environments and even worse co-workers and bosses, the library was heaven. Good hours, good pay, and you had become friends with all the other people that worked there. You’d subjected Morpheus to countless regalements of your job, whether it be about the kids you met, your co-workers, or the antics of patrons, and he always listened with a sweet smile.
Your co-workers meant well, you knew that (or at least hoped). You also hadn’t dated anyone in a while before meeting Morpheus, which meant they were overjoyed for you. But that also meant they were curious about the man who, as Tracey the romantic put it, had stolen your heart and carried it with him.
“Don’t you have to go do book drop?” You asked Katie rather than answer the question.
“Caroline’s doing book drop. Now answer the question!”
You sighed. “Yes, we do have plans. He’s going to take me back to… to his place.” You weren’t entirely sure how to say he was going to take you to the Dreaming.
“Oooh, Y/N’s gettin’ some action,” Bek crowed from where they were processing books.
You could feel your face turning red. “Shut up, Bek,”
Bek laughed. “Okay, okay, I’m sorry. I’m sure it’ll be the kind of disgustingly romantic date you deserve.”
“Is Y/N going out with his boyfriend tonight?” Caroline popped up from coming back from shelving books. “Does this mean we’ll get to meet him finally?”
“No, I’m supposed to meet him when I get home,” you replied. In all honesty, you were glad Morpheus never showed up to your job. You could handle your nosy co-workers, but they would definitely ask him millions of questions and you weren’t sure if he would be ready for that.
“Are you going to have a movie night or something?” Caroline asked interestedly.
“That is classified information,”
“Y/N, when are we going to meet him?” Liv asked as they perched on a surface with their water bottle. “Does he have social anxiety? ‘Cause that’s totally valid.”
“Well… sort of…”
“Ohhh, does he just hate people?” Your hesitant silence seemed to answer their question. “Hey, I totally get that. I hate talking to people I don’t know.”
“But we’re Y/N’s friends,” Bek said as they cleared their workspace. “He’s going to meet us eventually, right?”
“Not if Y/N keeps being so secretive about him,” Katie teased. “We don’t even know his name or what he does.”
“I bet he’s secretly a psycho,” Liv stated as they hopped off the desktop. “Like, he killed a bird once and it released so many endorphins that he’s always wondered how to make it happen again.”
“How cheerful, Liv,” you said dryly. “And no, he’s never killed a bird. He loves birds, actually.” You wondered what would happen if Matthew heard Liv say that. 
“Oh, sweet,”
“So does he work with birds?”
You sighed exasperatedly. “No, Katie. He just likes them.” Before she could say anything else, you stopped her. “Don’t you have MelCat holds to trap?”
“Oh yeah, I actually do. I forgot about them.”
You watched in relief as she went off to take care of the MelCat holds, and went back to checking your email. The Circ Two desk was usually slow around this time of day.
“So… is he a writer?”
“Katie!” You threw your hands up in frustration and turned to look at where she sat at her desk.
“I’m just asking!” Katie defended herself. “From how you describe him, he sounds like a writer!”
“No, he’s not a writer,” you said firmly. “Just like how he’s not secretly a psycho.”
“Hey man, he could be,” Liv argued from where they had replaced Bek processing books. “Or maybe he’s a writer AND a secret psycho like Ric Madoc. You guys hear what happened to him?”
You only knew his name from how many holds had been placed on his books. They were pretty popular. “No, what?”
“Guy had a meltdown at a book reading and wrote on the walls with his own blood, then told someone he had a woman locked up in his house.”
You couldn’t help balking at that. “Jesus Christ, seriously?
“Okay, to be fair, they didn’t find anyone when they searched the house, but still. Crazy. You sure your boyfriend’s never written with his own blood?”
“I’m sure we all want to know more about Y/N’s partner,” Sara suddenly appeared, much to your relief, “but he’ll tell us when he’s ready to.”
“Thank you, Sara,” you said gratefully, nodding and gesturing to her. “That’s exactly what I’ll do.”
“… But it would be nice to know his name,”
You turned to give her a look of utter betrayal. “Et tu, Sara?”
Sara have you a sheepish smile. “Sorry, Y/N. You don’t have to tell us his name if you really don’t want to. It’s your life, not ours.”
It wasn’t just that. You weren’t sure if you even could explain Morpheus to them. How could you say to your fellow human co-workers that you were dating the personification of all their dreams?
“Listen,” you said, trying to be as gentle yet as firm as possible, “I know you guys mean well, and I know you want to look out for a friend, but Sara’s right. I like my privacy, and my partner likes his privacy too. I’ll tell you more about him when he and I are ready to. But I’m happy; I swear, I’m probably the happiest I’ve ever been with him. He’s… incredible. Just amazing.” You didn’t realize that a smile was forming on your face as you thought of Morpheus. “Okay?”
Your co-workers were quiet for a moment, then Katie sighed. “Okay.” She smiled at you. “I’m glad you’re happy, at least.”
“Yeah, you deserve it, man,” Liv agreed, nodding.
“Absolutely,” Caroline echoed.
Your smile widened at their response. You really did love this motley bunch. “Thank you, guys,”
“You’re always welcome, Y/N,” Sara said with a kind smile. “Now Caroline, I think you’re supposed to do the book drop?”
~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~
And with that, your work day continued. You went on your lunch break, shelved some books, manned the front circulation desk, and eventually returned to the back desk. The whole time, your mind was on thoughts of Morpheus and your date tonight. You missed him… even though you’d seen him a few days ago. But you couldn’t help missing him when he got so busy ruling over the Dreaming. Maybe over the weekend you could visit Lucienne and catch up with your favorite librarian (not that you told the librarians at your job that).
You couldn’t help wondering how he’d react if he knew of his popularity with your co-workers. He no doubt knew who they all were from their dreams. Would he be amused, or annoyed? You felt like he’d be annoyed.
It was the last hour of your shift when it happened. Liv was up at the front circulation desk, while you were once more at the back desk, going over your assigned reports and grumbling about how that damn library was dragging their feet putting the stupid book in transit.
“Hi there!” You heard Liv chirp as they usually did when a patron came up to the desk. “Is there anything I can help you with?”
“I am looking for Y/N L/N.”
You froze. No… that wasn’t… why was he here?
Your heart began to quicken in pace as you got up from your chair. He’d never come to the library while you were working before.
To Liv’s credit, they didn’t realize who it was at first. “I’m sorry, who?”
“Y/N L/N. He works here.”
“Um… I’m sorry, but I don’t—”
“It’s okay, Liv,” you interrupted as you walked out to the front desk. “I know who he is.”
And sure enough, there he was, standing at the desk in a black pea coat, black clothes, and presumably his black combat boots. Morpheus. He looked up, and his face immediately softened when your eyes met.
Your heart raced even faster, and you smiled back. “This is a surprise,” you couldn’t help saying.
Morpheus gave a tiny shrug.
Liv was looking between the two of you in confusion… then realization dawned on their face. “Is he…?” They pointed at him.
You sighed and nodded. “Yes, Liv. It’s him.”
A grin of pure excitement crept onto their face as they turned back to Morpheus. “It is so great to finally meet you!” they exclaimed. “You’re pretty famous around here! We’ve been dying to know about Y/N’s boyfriend that hopefully treats him like the king he is.”
You had to fight back a laugh at the blank look Morpheus gave them. He blinked once. “I…” he awkwardly trailed off.
“Liv,” you came to his rescue and tapped them on the shoulder, “I think you’re overwhelming him.”
“Oh! Oh, sorry,” they apologized. “Actually, I think that guy over there is coming back with some donations, so… I’ll just. Go. Do that.” They awkwardly waved at Morpheus. “Nice to meet you.”
Morpheus dipped his head at them. Liv respectfully didn’t say anything else and went to go get the mentioned donations.
You stepped closer and gave Morpheus a loving smile, wishing you could kiss him right there in the library. “You’re early,”
A smile appeared on his handsome face. “I missed you,”
“I missed you too. But… why are you here?”
“Do you not want me here?”
“No! God no, I am so happy to see you. But you’ve never come to the library before. I thought you were going to meet me at my house.”
“I was.” Morpheus leaned in closer. “But I missed you too much, my love.”
Your heart fluttered in your chest. “You are amazing, you know that?”
Morpheus’s smile widened affectionately. Then he glanced over your shoulder. “Is it true what Olivia said?”
“What?” You turned around to see Liv’s silhouette in the tinted window that showed the back room. Katie and Corey’s shadows were there too, and Liv was waving their hands around in the animated way they did when they got excited. “Oh,” you sighed sheepishly. “Yeah, they… they’re really curious about you. They get really nosy sometimes, probably more so because I never tell them anything. I’m sorry Liv said that to you.”
“Why have you not told them anything?”
“Well, I know you like your privacy, and I didn’t want you to get overwhelmed by them.” You couldn’t help laughing softly. “They’ve got a million questions about you.”
“Perhaps one day…” Morpheus mused.
You blinked in surprise. “Really?” You couldn’t help the delighted smile. “Great, because I have wanted to brag about my amazing boyfriend for ages now.”
“Is that why you are with me?” Morpheus said in a teasing voice. “For the bragging rights?”
“Well, not the only reason,” you chuckled. You gave into temptation and leaned across the counter to kiss him on the cheek. “I am also madly in love with you.”
The widest smile you’d ever seen so far graced Morpheus’s face. “As I am with you, my love,”
You blushed happily… then remembered where you were. “W-Well, listen, it’s,” you looked over your shoulder to check the clock behind you, “4:40 right now, so I get off in twenty minutes. Do you want to sit and wait until then? Or you can go back to my apartment and wait there.”
“I will wait here,” Morpheus decided. He gave you a soft smile that made you melt. “For you, I would wait for hours.”
“G-Great,” you managed through your wide grin. “Th-The, uh, the mystery section is over there.” You pointed in the direction of the mysteries. “Th-The fiction is before it.”
“Thank you.” He gave you one last beautiful smile. “Perhaps I will ask for a library card.”
You managed a breathy laugh as he turned around and headed for the mystery section.
When you returned to the back desk, you were met with Liv, Katie, and Corey, who all had eager smiles on their faces. “Soooo?” Katie asked.
Your face turned red. “Shut up, Katie,”
“Aww, he’s so red!” Corey teased. “I understand why; he’s cute.”
“Can all of you please stop?” 
“So you admit that he’s cute,” Liv said smugly.
“You know what…”
You trailed off, then turned to look out the tinted window in the direction Morpheus had gone. You smiled, and turned back to your endearingly nosy friends. “Yeah. He is pretty cute.”
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Headcanon Request: Gray worrying about the END markings wrapped around Lucy's heart
I can't believe they didn't have any lasting side effects from Lucy playing with END
Gray does not want Lucy to be alone after that. At least not until he's for sure she's 100% okay
It was easy the first couple days, most of Fiore was trashed. Everyone was camping out together so Gray had a good excuse to stay by her side
He watches her like a hawk. Even going so far as to stay awake while Lucy is asleep just in case something happens at night
Lucy can tell he's worried about something but didn't realize it was her until she asked him what was up
Lucy assures him she feels okay but Gray is skeptical
Lucy is not okay btw. Her skin still burns sometimes, it hurts to breathe, her muscles feel too tight. She's all out of sorts but Lucy doesn't want to worry her friends
Gray can tell she's feeling side effects. He's hyper aware of every wince
He can barely sleep. Every time he does, he has a nightmare about her dying and him being the reason because he didn't get her help soon enough
It takes Gray waking up screaming from a nightmare in front of her for Lucy to realize just how worried and stressed he is
She tells him her symptoms and promises to go to Wendy
Lucy starts getting regular treatments and makes sure to tell Gray when her symptoms lessen and keep him updated
They effects never truly go away but it gets a lot better with only occasional flare ups
Gray still worries but is a lot more comfortable with Lucy and Wendy keeping him updated
He's always there to cool her down when she has flare ups too
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time-eatingnoodle · 9 months
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Tumblr media
"Do you see them?"
-sigh- "...I sure do. Let's get this idiot out of there."
~~~
Ao no Summer 2023 - Day 7: Bonfire
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omvimo · 1 year
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now that both shelby and katherine’s episodes are out its time to share my amazing headcannons that half of them have zero proof
everyone is under here if you want to read it’s probably long though lol
shelby
-started working out only because she saw katherine do it
-is besties with sausage and oli
-first started dying her hair all different colors and even had orange for a while before just letting it stay white
-has ptsd dreams about the fog and sculck
-she has a little garden for flowers at her house
-sometimes she calls joel to ask how to use her powers
-she is biromantic with preference for women
-at first she thought she had a crush on joey but nope she just really wanted to be friends (100% not me)
-every so while, her grandmother has to replace tortoise with a frog that looks exactly the same and she never knows (this was inspired by shelby’s qna and how she accidentally killed tortoise then replaced him)
-she loves reading so much that she would just stay up reading
-as a kid, she was bullied up into witch high school where she basically just beat them up and nobody bothered her since
-She is genderqueer and uses she/they pronouns
katherine
-she is 100% transfem and you cannot tell me other wise
-she tried to be goth in princess high school but just couldn’t get rid of the pink
-she can do eyeliner in one fast swoop
-shes trying to get into making her own armor but keeps burning herself
-She is a horse girl
-she really wants to get into painting but isn’t very good
-she is demiromantic lesbian
-she is 5’11 but wears like 4 inch heels anyway
-she still sleeps with her stuffed animals
-she is only productive at night
-the curse represents depression (i could write so many essays about that)
-She is best friends with Lizzie
Both!
-Katherine has to pick Shelby up so they can kiss
-Shelby took Katherine to a flower garden for their second date
-Shelby will stop at nothing to sit in Katherine’s lap
-Katherine makes Shelby watch sitcoms and Shelbt doesn’t have the heart to say no
-One time, Shelby was on Katherine’s shoulder and everything was great and then Katherine walked through a doorway and Shelby hit her forhead
-Lizzie and Oli are the biggest shippers of them
-During witchcraft they are dating and Shelby proposes when she comes back
-Shelby often falls asleep at her telescope and Katherine carries her to bed
-Neither one of them is the big spoon, Shelby just uses Katherine’s chest as a pillow
-Katherine often surprises Shelby with her favorite flowers
-Sausage started asking “whens the wedding?” just after their second date
-Joel married them in the cathedral of Saint Pearl
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dust-to-dustier · 3 months
Text
POISON AND ROT
Something’s rotten in the world
Some twisted sickness has spread
It creeps upon the unsuspecting
The innocent, the downtrodden,
And tears from them all colour
All freedom to create
And rips from them their choices,
Their childish wonder.
And when the poison of it all spreads
And children see no point
In little games and funny jokes
And adults can’t see colour
Cannot pick up a pencil and create
When a mere doodle becomes history 
And a tune is naught but heresy
And questions are a sin,
We will walk the barren earth
Which they salted with our tears,
And gaze upon the sky,
The stars they have long taken,
And the fires spread
As they always should
And the shouting starts
As it always should
And the people gather 
as they always should 
And we will fix it.
They want your curiosity dear,
Your very desire to know,
They want the eyes so full of stars
Empty like the void.
They want the child’s colours gone
Replaced with harsh monochrome-
From the shadows they can rob us better.
They want to take and take and take
With greedy hands and rotten hearts
They poison us
They poison us
They poison us 
They are a plague upon us,
This shadow and its allies
And all the many duplicates
And all these cruel fates
And all these many monsters
And all their many faces.
For all the eyes they have
For all the ways they watch,
Crucially they seem to miss
The sparks that burn
With their fuel of apathy
Fire that will consume them.
Something here is rotten
Something here is twisted
Something here is diseased-
But with careful hands
And burning water
Rot can be removed.
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For the Zutara prompt:
Riding a rollercoaster for the first time.
“Come on, Zuko, it’ll be fun!” she called after him, running towards the machine. He hesitated. 
“I don’t know Katara, are you sure it's safe?” he eyed the strange contraption suspiciously. Katara rested a hand on his arm. 
“Don’t feel any pressure to go. You can always wait here and watch our things if you really don’t want to go on it. But I’m sure it's safe, or they wouldn’t be allowed to put it up.” he opened his mouth to answer, when he was nearly knocked over by Aang and Sokka who were wasting no time getting in line.
“This’ll be just like Omashu!” They could hear Sokka exclaiming excitedly as they hurried to get a good seat. Toph sauntered up, making a show of looking between the two of them in mock curiosity. 
“Sparky, don’t tell me you’re scared?” Zuko sighed. 
“I’m not scared, I just-” Toph cut him off, lowering her voice to an oddly accurate imitation of his voice. 
“Oh I forgot,” she rasped. “Dying on a whatchamacallit,”
“A rollercoaster?” Katara offered, quirking her lip in that way that always made him soften. Toph nodded. 
“Yeah that thing.” She resumed her Zuko impression. “Dying on a rollercoaster has no honour! I must die with honour!”
“Very funny.” Zuko shook his head, smiling. “I’ll go on it, but we’re sitting as close to Aang as possible.” Katara chuckled slightly, squeezing the hand he’d slipped into hers. They began walking towards the coaster.
“Aren't you coming, Toph?” Katara asked, turning to see the younger girl kicking it back in what was practically a throne made of earth.
“Nah, are you crazy? I don’t wanna die! Even with my metalbending, I’m staying right here, where I can see.” Zuko facepalmed, and Katara laughed gently. 
“C’mon guys! It's about to start!” Aang called from the front of the coaster where he and Sokka were sitting, eagerly awaiting the start of the ride. Grumbling loudly, Zuko allowed himself to be dragged by the hand to the last two available seats, right in the middle. As the ride began, Katara slipped her hand into his, and he squeezed it gratefully, scowling down at where Toph and Momo relaxed in identical stone thrones. The ride unexpectedly jolted into action, causing Zuko to let out an involuntary gasp. Katara giggled as the coaster began its climb. 
“You’re adorable.” she laughed, leaning over to kiss him on the cheek. “If we fall, I have enough water to ice-slide us back down to the ground. And who knows? Maybe Toph would catch us.” She seemed to notice his worried face, and hastily added “Not that I think we’re going to fall. Listen, Zuko. I’m so sure this is safe that if we do fall or something goes wrong I’ll eat an entire pouch of your fire flakes. That's how sure I am.” Zuko laughed, clutching her hand even tighter as the roller coaster neared the top of the track. 
“You and your weak little taste buds,” he teased, and she laughed. 
“It's not my fault you hotheads over in the fire nation like to put so much spice in your food that smoke comes out of your ears!” she retorted, nudging him in the side. He opened his mouth to respond, when all of a sudden the coaster reached the top of the hill and began speeding up and down the track with what Zuko considered not enough regard to gravity. He swore, gripping Katara’s hand so hard he could hear the waterbender beside him gasp slightly. He loosened his grip, mumbling an apology as the ride began its slow ascent to the second and final loop of the ride. She squeezed his hand back, pressing another kiss to his cheek. “That bad?” she asked, peering over at him with a slightly guilty look in her eye. He shook his head.
“No, I think I may have overreacted slightly.” he admitted sheepishly. “It really isn't much different from riding Appa when he’s tired.” Katara laughed, and Zuko felt a familiar fluttering in his stomach, which was quickly replaced by a large swooping feeling as they hurtled down the track. Zuko forced himself to open his eyes, allowing himself to appreciate the view. The rest of the festivities in the surrounding town, Toph and Momo surrounded by small children, Sokka and Aang up at the front with their arms in the air, and finally, Katara beside him, her hair billowing behind them as she whooped. He enjoyed the second loop much better, once he’d gotten over his initial skepticism. That didn’t stop his legs from shaking as he stepped off the ride, or the rush of relief he felt as his feet made contact with the ground. “That was actually kind of fun.” he admitted to Katara as they made their way towards Toph and the small crowd she’d somehow drawn. 
“Does that mean you wanna go again?” Katara laughed, as he shook his head firmly. 
“Absolutely not. Never again.” Zuko chuckled, leaning down to steal a quick kiss.
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