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#hope what im saying makes sense
inkskinned · 1 year
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one of the things that i think we should pay attention to, socially, about the disney v. desantis thing is that it is really highlighting the importance of remembering nuance.
in a purely neutral sense, if you engage in something problematic, that does not mean you are necessarily agreeing with what makes it problematic. and i am worried that we have become... so afraid of any form of nuance.
disney isn't my friend, they're a corporate monopoly that bastardized copyright laws for their own benefit, ruin the environment, and abuse their workers (... and many other things). this isn't a hypothetical for me - i grew up in florida. i also worked for the actual Walt Disney World; like, in the parks. i am keenly aware of the ways they hurt people, because they hurt me. i fully believe that part of the reason florida is so conservative is because it's been an "open secret" for years now that disney lobbies the government to keep minimum wage down, and i know they worked hard to keep the parks unmasked and open during the worst parts of Covid. they purposefully keep their employees in poverty. they are in part responsible for the way the floridian government works.
desantis is still, by a margin that is frankly daunting, way worse. the alternative here isn't just "republicans win", it's actual fascism.
in a case like this, where the alternative is to allow actual fascism into united states legislation - where, if desantis wins, there are huge and legal ramifications - it's tempting to minimize the harm disney is also doing, because... well, it's not fascism. but disney isn't the good guy, either, which means republicans are having a field day asking activists oh, so you think their treatment of their employees is okay?
we have been trained there is a right answer. you're right! you're in the good group, and you're winning at having an opinion.
except i have the Internet Prophecy that in 2-3 months, even left-wing people will be ripping apart activists for having "taken disney's side". aren't i an anti-capitalist? aren't i pro-union? aren't i one of the good ones? removed from context and nuance (that in this particular situation i am forced to side with disney, until an other option reveals itself), my act of being like "i hope they have goofy rip his throat out onstage, shaking his lifeless body like a dog toy" - how quickly does that seem like i actually do support disney?
and what about you! at home, reading this. are you experiencing the Thought Crime of... actually liking some of the things disney has made? your memories of days at the parks, or of good movies, or of your favorite show growing up. maybe you are also evil, if you ever enjoyed anything, ever, at all.
to some degree, the binary idealization/vilification of individual motive and meaning already exists in the desantis case. i have seen people saying not to go to the disney pride events because they're cash grabs (they are). i've seen people saying you have to go because they're a way to protest. there isn't a lot of internet understanding of nuance. instead it's just "good show of support" or "evil bootlicking."
this binary understanding is how you can become radicalized. when we fear nuance and disorder, we're allowing ourselves the safety of assuming that the world must exist in binary - good or bad, problematic or "not" problematic. and unfortunately, bigots want you to see the world in this binary ideal. they want you to get mad at me because "disney is taking a risk for our community but you won't sing their praises" and they want me to get mad at you for not respecting the legit personal trauma that disney forced me through.
in a grander scheme outside of disney: what happens is a horrific splintering within activist groups. we bicker with each other about minimal-harm minimal-impact ideologies, like which depiction of bisexuality is the most-true. we gratuitously analyze the personal lives of activists for any sign they might be "problematic". we get spooked because someone was in a dog collar at pride. we wring our hands about setting an empty shopping mall on fire. we tell each other what words we may identify ourselves by. we get fuckin steven universe disk horse when in reality it is a waste of our collective time.
the bigots want you to spend all your time focusing on how pristine and pretty you and your interests are. they want us at each other's throats instead of hand in hand. they want to say see? nothing is ever fucking good enough for these people.
and they want their followers to think in binary as well - a binary that's much easier to follow. see, in our spaces, we attack each other over "proper" behavior. but in bigoted groups? they attack outwards. they have someone they hate, and it is us. they hate you, specifically, and you are why they have problems - not the other people in their group. and that's a part of how they fucking keep winning.
some of the things that are beloved to you have a backbone in something terrible. the music industry is a wasteland. the publishing industry is a bastion of white supremacy. video games run off of unpaid labor and abuse.
the point of activism was always to bring to light that abuse and try to stop it from happening, not to condemn those who engage in the content that comes from those industries. "there is no ethical consumption under late capitalism" also applies to media. your childhood (and maybe current!) love of the little mermaid isn't something you should now flinch from, worried you'll be a "disney adult". wanting the music industry to change for the better does not require that you reject all popular music until that change occurs. you can acknowledge the harm something might cause - and celebrate the love that it has brought into your life.
we must detach an acknowledgment of nuance from a sense of shame and disgust. we must. punishing individual people for their harmless passions is not doing good work. encouraging more thoughtful, empathetic consumption does not mean people should feel ashamed of their basic human capacities and desires. it should never have even been about the individual when the corporation is so obviously the actual evil. this sense that we must live in shame and dread of our personal nuances - it just makes people bitter and hopeless. do you have any idea how scared i am to post this? to just acknowledge the idea of nuance? that i might like something nuanced, and engage in it joyfully? and, at the same time, that i'm brutally aware of the harm that they're doing?
"so what do i do?" ... well, often there isn't a right answer. i mean in this case, i hope mickey chops off ron's head and then does a little giggle. but truth be told, often our opinions on nuanced subjects will differ. you might be able to engage in things that i can't because the nuance doesn't sit right with me. i might think taylor swift is a great performer and a lot of fun, and you might be like "raquel, the jet fuel emissions". we are both correct; neither of us have any actual sway in this. and i think it's important to remember that - the actual scope of individual responsibility. like, i also love going to the parks. Thunder Mountain is so fun. you (just a person) are not responsible for the harm that Disney (the billion dollar corporation) caused me. i don't know. i think it's possible to both enjoy your memories and interrogate the current state of their employment policies.
there is no right way to interrogate or engage with nuance - i just hope you embrace it readily.
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uncanny-tranny · 4 months
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If somebody in your life offers to knit or crochet or, really, create anything for you, please be an active participant in the creation of the piece they are making. I adore making and gifting things, but nothing bums me out quicker than a person who passively just goes "okay," to my ideas about what I'm making them - it can send the message that they won't like it, or that they don't care, even if they're happy about my offering. The back-and-forth feedback is a great way to make sure that you are being gifted something that was truly worth the time, effort, expertise, and money that will inevitably go into the gift!
I know it's really hard to be an active participant, believe me, I'm an anxious ball of horror, but it will only do good for both parties to interact in this situation. It is a big deal to be offered a hand-crafted gift, but it's also something we want you to love and use, and that can only happen if you tell us what would make you fall in love with what we create.
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aropride · 3 months
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frankly people love weird queer people they see as sexually attractive/available and not "cringe" (though they never say that word anymore they just let the implication sit) & the second someone either isn't sexually attractive/available in their opinion they throw it all out the window. you gotta love weird queer people who don't fuck or who you don't want to fuck or else i just don't believe that you love weird queer people
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skrunksthatwunk · 3 months
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thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.
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[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]
saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.
#jrwi fanart#jrwi show#jrwi riptide#gillion tidestrider#GONNA START FORMATTING MY COMICS BETTER. W THE PROPER 'PREV' 'NEXT' LINKS#REALLY DIDNT EXPECT TO CONTINUE THIS SERIES BUT AAAUUUHH MY BRRAAAIN MY BRAIN IS SO IDEASSS. I HAVE 3 OTHER PAGES SKETCHED OUT#NO PROMISES ILL FINISH EM ANY TIME SOON OR EVER. MY WHIMS ARE THEIR OWN BEAST AND I ONLY DRAW ON MY WHIMS#THAT BEING SAID IF U COMMISSIONED ME ILL GEEETT TO YOUUU IM SORRYYYY. ART IS AN EMOTIONAL RELEASE FOR ME N BABY I HAVE EMOTIONS.#ESPECIALLY ABOUT GILLION TIDESTRIDER CHAMPION OF THE UNDERSEA HERO OF THE DEEP.for the desc here i put smth that i typed up in the tags of#another thing i made. i gotta make a proper Baby Gillion tag or smth. eventually.. eventually...I LOVE DRAWIN THIS LIL BABY GUY..#i also LOVE depicting the teachers as just being so fuckin mean. ofc theres variation in that. just like in all things.like the teacher her#idk if itll be mentioned but the octo lady is named Ms Octburn.an octopus pun based off the name of an actual councilor i had#when i was in elementary school i got bullied alot but teachers never did anything. i hated adults and didnt trust them.#but this councilor o mine was so genuinely sweet. i remember spending alot of time w her. she doesnt work there anymore.#but that one school adult that actually earns ur trust and is there for you when they can be.its SO important for a child i think#i hope she knows how much she helped me.youll see in the next page that ms octburn isnt perfect either.but she tries. they all try.somehow.#ALL these comics are gonna be inspired by somesorta experience o mine in the school system. school is so fucked up u ever thing abt that#AND GILLIOOOOONNN IN THE MOST FUCKED UP LITTLE SCHOOL OF ALL. MAINTAINED BY A CULT. CENTERED AROUND HIM. OUR CHOSEN ONE#I IMAGINE ALOT BANKS ON HIS SUCCESS. THIS IS THE WORLD. THE WHOLE WORLD. THE PROPHECY IS GOING TO COME TRUE N UR TELLIN ME#THAT ITS THIS LITTLE IDIOT THATS GONNA BE SAVING US? WHAT IF HE FAILS. IF HE CANT GET THIS RIGHT THEN HE WILL FAIL AND WE WILL DIE#WE NEED TO TRAIN HIM. WE NEED HIM TO LEARN. AND TO SUCCEED. OR ELSE WE'RE DEAD. WE'RE ALL FUCKING DEAD. I IMAGINE THAT MUST BE STRESSFUL#in other news i hope ppl actually giggle when they read these. they ARE intended to be comical. dark humor or whatever. like its also sad#this is intended to be a sad comic series. but a funny one too. does that make sense? god i hope so.saw some1 say they had flashbacks-#-reading this. like YES!! THE INTENDED EFFECT!! YOU GET ME!! i love seeing ppl get upset on this lil baby boys behalf. i LOVE seeing ppl-#-wail n weep n cry in the comments. i LOOOVE seeing ppl RELATE to baby gillion. and i love letting u all know that this wont be a happycomi#gillion gets his happiness arc in the actual show. this series is one of unfortunate events. teehehehe. do u guys remember that show#i keep listening to the lil songs from A Series of Unfortunate Events for inspiration. GOOD STUFF!!#anyway uuhh uhh thats all i got in my brain. for now. feed me ur comments give me ur input i NNEEEEEDD THHEEEMMMM
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collieii · 11 months
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one line in trimax that's always stuck with me is from chapter 65, right after wolfwood's death. when vash is sticking the punisher by his grave and he says "it was part of his life". that phrasing is so interesting to me. the neutrality of it is one thing that gets me, i think. it was part of his life. for better or worse, whatever it was, the punisher was wolfwood's.
It's pretty easy to think that the punisher might represent violence, the eye of michael, the role of assassin that was forced onto wolfwood, the loss of childhood. but it's not really presented that way, not overtly anyways. we never see wolfwood shun the punisher, he's not conflicted by his use of it. he never considers abandoning it for some other weapon. it's his weapon. he doesn't discard it when he eventually decides to take a more vash-like approach and actually let people live. he pretty easily accepts it as his own, a tool he can use. (to be fair, at least part of that is probably because the punisher is a very good gun.)
the punisher can still represent the harsher aspects of wolfwood's character, the violence he's committed, that he's capable of. that's an important part of his life! and the idea of it as representative of his violent adolescence, childhood that was stripped away, goes along with this - it's literally a cross to bear. but besides showing his past as a burden, i think of the punisher as being a cross of responsibility. when you have a gun you have power, agency - you have a responsibility to make a choice. that's what wolfwood tells vash in chapter 4.
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the ability to take a life, the burden of it, is literally his cross to bear. that ability - and that responsibility - was given to him by the eom, literally in terms of the gun, and in terms of his skills. but the eye doesn't think twice about killing people. for them it's not really a choice, a responsibility, it's just a given. but wolfwood can't accept that. he's constantly considering the choices he makes.
so the punisher isn't only a symbol of the eye of michael, of the path that he was forced onto. it's also a way of expressing autonomy. the eye gave wolfwood the gun, but he decides how to use it and what it means. for much of the story wolfwood struggles to decide what to do, he's a very conflicted character. but eventually he resolves to use it against chapel, against knives, to help vash, and protect the orphanage. the gun gives him agency.
so the punisher was part of his life. it was the tool that he used to commit acts of violence, acts that he was forced into, but also the tool he used to break free.
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it's heavy for vash, too. he's not exempt from that idea, the idea of responsibility. as wolfwood said much earlier in the story, vash has always been able to sidestep the question of "what do i choose?", because he's only ever given himself one option - everybody lives. and he's always succeeded. but as wolfwood says, "the day will come when you'll have to choose". one day, it's not going to work.
and of course the story progresses, the stakes ramp up, and vash learns more, goes through more, and is pushed to his limits. i think by this point, by wolfwood's death, and maybe because of it, vash has realized that he might have to make that difficult choice in the near future. that's one reason why he wants to "do him proud". he has a lot of reasons to say this of course - to not let wolfwood's sacrifice go to waste, for example. but if we're thinking of the cross as responsibility, then vash is saying he doesn't want to forget the lessons he learned because of wolfwood. wolfwood has always grappled with responsibility, with what the right thing to do is. and the right thing is often not easy. vash hopes that when the times comes for him to make a choice, he'll make a good one, one that does right by wolfwood's memory.
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eddheadweirdo · 6 months
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SOUKOKU SEASON 5 ANALYSIS
"Dazai never directly says what he wants. He always gets someone else to say it for him." -Kunikida
Very rarely do we ever see Dazai express genuineness to someone he cares about, ESPECIALLY when it comes to Chuuya. The only time Dazai is genuine with Chuuya (excludding post corruption) was when he postponed the end of the world in order to know if Chuuya wanted to know if he was human or not. So, when Dazai learns about Chuuya's vampirism, it's not out of character for Dazai to show him genuine feelings, since Chuuya wouldn't be conscious.
Except... He knew Chuuya was never a vampire.
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So what do these scenes mean?
The genuineness of Dszai's speeches aren't tactically necessary, because he didn't HAVE to act like he cared just to convince Fyodor. Fyodor would have been as convinced if Dazai was also pretendung to see Chuuya as a tool. (Infact, Fyodor might have been more convinced that Dazai was protecting his partner by PRETENDING not to care).
But none of these speeches were for Fyodor. These speeches were too geniune.
Dazai didn't need to have actual flashbacks on their youth just to convince Fyodor. He didn't even have to mention that he and Chuuya, at times, bonded. These lines were unnecessary for their escape.
And then comes the biggest kicker. "Come back to me."
. . .
It's been established that Dazai didn't need to say these things in order for their plan to go well. It also wouldn't make sense that Dazai was saying these things in order to tease Chuuya (He literally reminisced on flashbacks, which Chuuya couldn't know about). The only other option is that he was being sincere.
The issue is, that Dazai never directly says what he wants. "Anything I want gets lost in the end." (Paraphrase)
But based on his actions and speeches, it seems like what Dazai is saying, is that he misses Chuuya.
The line "come back to me" no longer means "come to your senses", but "be apart of my life again."
The sad look he directs at the cieling when thinking about their youth no longer means that he's upset that Chuuya will die, but that he misses what they had.
Other lines like:
"We used to do this all the time." (Helicopter scene) Dazai once more looking back on their past.
"I've spent the past 7 years thinking of ways to kill Chuuya." (He says to Sigma) This line in particular is peculiar because Dazai figured out his weakness ages ago (poison). This just proves that he thinks about Chuuya.
Everything he says is geniune, yes, but has a second meaning to it aswell. Which, again, I highly believe is him saying that he misses Chuuya.
So what is Chuuya's reaction to this? Well, nothing. He treats Dazai the exact same way. Which completely makes sense.
He may be able to figure out Dazai's motives. But when it comes to what Dazai thinks about Chuuya, Chuuya couldn't be more oblivious. This is seen in the 15 arc, where Dazai was manipulating Chuuya to be his dog in the Port Mafia. Later in the dungeon scene when they're 22, Chuuya fell right into Dazai's manipulative trap.
Chuuya's great at picking up ques from Dazai when it comes to fighting an enemy. When Dazai's attention is directed at him, however, he's just as easy to misinterpret Dazai's intentions.
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werewolf-artfriend · 9 months
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safest fox in the world @beastwife <3
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transmechanicus · 4 days
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Really fucked up that two ppl can care about each other and make their best efforts to communicate and still end up hurting each other so badly they cannot stand to be in the same room.
#my stuff#i feel soooo bad talking to my therapist about the same topics over multiple weeks#like i feel like they're sooo sick of it like damn can this bitch get Over It alreadyyyy#hi yes actually can we talk about the near catastrophic sense of betrayal and loss that has haunted my soul for over a month?#can we talk about how I overcompensate for other's possible feelings and emotions to desperately mask my terror at feeling out of control#can we talk about how even when I know ppl acted with logical reasons necessary for their situation it still hurt me?#and that this pain fills me up with so much anger and frustration that I'm powerless to put anywhere that won't hurt someone#so it just cooks me inside and makes me grind my teeth constantly for weeks#im so angry i did not deserve to be treated like this it's not fair and I have no capacity to fix it or control when it feels better#i just have to survive and wait until i forget about it and hope they don't decide to reach out and fuck it all up#cause i can see that happening#i'll finally be free of thinking about them and generally going about my day unbothered and they'll ask to get coffee or something#and I have no idea what I should do in that scenario. because I don't think we can be friends.#and you have not treated me with the compassion and warmth I treated you#i would want to say mean things. hurtful things. I would want to bite back for once.#and that's not me. that's not who I want to be.#i don't wanna see you. go away. don't talk to me if you're not going to make the pain go away.
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maliciousalice · 11 days
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@thresholdbb omg tumblr ate your ask but thankyou for asking!!!!
👕Character whose fashion you like.
Phoar! Startrek really isn't a show I associate with being fashionable. It's very camp isn't it? In theory a lot of the wardrobe is really cool and they wanted to gain that retro-future aesthetic. Did it work? I'm not sure. However it does make a statement. The Startrek aesthetic is really recognizable and that's important! I think that's where modern trek kind of looses the plot. It's not as careful about the unique visual design as a whole anymore and as a result it doesn't settle in our minds. Is it bad artistry? No but it's not as stringent. What I mean by that is older trek cared about nuance. For example every haircut was done the same way on men, or suits were tailored in a way to look sleek but practical (they weren't). Gaudy patterns were important to denote things like status. It looks ugly on the outside but when you're watching the show it envelops you and makes you feel welcomed into the universe.
I digress.
To answer this, the most fashionable character, hands down, is Quark! That mfer always looks good, and has the finest drip in the galaxy. Love that.
🥲 ST moment that makes you cry.
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There are two moments that make me particularly sad. Kate's acting in the climax of Resistance is incredible. I read somewhere she had a special-wink-wink- relationship with the Director in the early seasons and she was being tested by this episode in some regard. I think it paid off. I treasure any time her captain-hood is removed, and the extreme vulnerability of Janeway is on display-MWAH MWAH poignant. This episode is beautifully intimate, particularly this scene. It's overall gorgeous and unique in how she whispers to him, as if there is nothing more important than to secure his peace of mind as he dies, and it's heart rending when it ends with her just crouching there, emotionally alone. I love how Janeway is forced into the father-daughter dynamic between her and Caylem, one that she would ordinarily resist (heh themes) because I think it inherently weakens her status. The back and forth throughout the episode of them taking care of each other's welfare is so it's terribly sad when it's torn down and we discover the truth behind Caylem's family. If you've dug around her character you know that her Admiral-Father has had impact on her life. She's haunted by him in both a figurative way by being a Captain, and literal sense later on in Coda. Much like Caylem, she looses her father in a violent manner that she has to carry around while she forges ahead. It also reflects well on Kate's relationship with her actual father, she recently revealed that she was never able to get him on her page, but in spite that she adore him with all her might. So a scene like this is really revealing-I believe she was able to draw upon those feelings and that's kinda neat to be so raw as an actor. SIGH.
This one just straight up made me cry fr because Prodigy s1 is a really mature, well done piece of (Startrek) media. Holo Janeway has an irony about it where in the end she is program designed to be a teacher, and she didn't expect to develop a strong bond with the crew. Her final moments are of displaying a huge amount of selflessness and courage to help the kids get out of trouble, similarly to how Janeway would approach dire circumstances. The music swelling and the ship activating is just OOOOF!!! I love how it parallels Dal's initiation of the first Protojump in a Moral Star. By that means It suggests how proud she is to get to do this for them. As a character she is really interesting to think about, in a way I can't entirely articulate. A lot of her moments are quite sad in general, she has to keep an active role so she isn't ignored, and help where help is needed, but at the same time she has constraints, one being that she manipulated by the antagonists. And In contrast to that, the kids do their best to help her feel like she is important and more than a command program to be used insincerely. She grew to love the Protostar crew, that's evident in her body language in this scene. She has a lot of depth overall. Equal to the real Janeway she deeply feels love, guilt and pain, but importantly she is transformed by the her time on the Protostar and while active, learns and grows with Dal, Rok-tak, Zero, Jankom and Gwyn. It's REALLY sweet that they care all care about each other.
I love her and I love JANEWAY!!!!
🥹 Favourite behind the scenes picture.
Ooooh I love all behind the scenes stuff. My brother in Christ It's super difficult to just name one thing and I'm very greedy!! I wish we had more BTS content for Voyager but sadly, it's a matter of grab what you can, however you can. Anyway, I have an inherent interest in seeing the cogs behind the wheel. I chose these samples because I think they're charming.
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The continuity polaroid's are so fun and a lost technique, I like to think about assistants having to pull the actors aside and asking them to take those. How daunting! Kate's grin in the one where she is offset is SO cute. So she must have been in a good mood, super Cheeky!
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Following that is a screenshot from a video of her having her makeup done. A rare catch. I like this because she often sooks about how much time hair and makeup was spent on her to become Captain Janeway. I get it's a huge time-sink, but love or hate it, the full irony is that her early season appearance is really iconic and in it's own right adds to Captain Janeway's sensibility. Silly goose Kate! Besides that, she looks hot checking herself out, haha.
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Moreover, I love on-set editorial photos of actors in costume. While we did have heaps of them in the Starfleet uniform, I wish we had a larger collection with clearer releases, it would have given an opportunity to see in things of interest better detail. Particularly the lower half of unique costumes. For whatever reason special outfits weren't often established or framed for us to see the legs in the show, so a nice big photograph would have solved that. Also I love that these style of pictures capture an impression of an episode without giving it away.
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Similarly, fly on the wall on-set photos are cool. They're way more intimate and candid than anything else and it makes me feel as though I am spying on the actors, but they're also a good way to document how things might have been on set.
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The Timeless one is interesting too because it's of a deleted scene, we never see Chakotay look at a dead Janeway (how deliciously macabre!), but at some point in time it was in the script and they filmed it.
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Hmm this bts picture of Janeway in the Cardigan is adorable! I believe it was worn by Kate for a Charity but look how cute she looks? Makes me wish we saw her mess around with things like that more because 7 Years is a long ass time to be in uniform everyday ( coming from someone who went to school in a Uniform and enjoyed it for the most part). Casual Fridays anyone?
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I love this gif. It's from the first shoots of Caretaker and Kate looks so radiant! Her smile is is breathtaking! Whenever I see this gif I get a sense of delight. Poor thing had no idea what she was getting herself into, haha. Really though, check out the original Caretaker photos, they're super-cool. The history behind it is fascinating; I'd love to see more footage from that version of the pilot episode. Unfortunately, it's probably not preserved well, much like lots of Paramount's historical material.
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On a similar trend, it's fun to see this set of pictures too. It's for the First Contact film / maybe the Universal studios ride, when she reprised her role as Vice AdmiralJaneway. Kate was genuinely delighted to do this cameo and it shows. As per her operandum she put her whole self into this small segment and that's so darling. It makes me wish we had more of this Janeway at that point in time. I love post Endgame chubby-Janeway. In a fictional sense it denotes that she is comfortable or stressed to be an Admiral (sadly it's the latter in real life) or whatever and I love that for her.
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These kind of pictures are fun because it's been said that at times it was the most playful set to be on. There are tales that the cast were not that serious all the time. You get that impression here, and it's probably why the majority of them are still good friends to this day. They're like a family bros!!! Having worked in media I know that wrapping up after working on something for a long time is really rewarding and I bet they had a good time at parties.
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Apropos previous, the opposite can be said. While they had fun, the hours were long and the scripts intensive. Kate was around for all of the episodes of Voyager in one way or another, and still managed to bring her A-game each time. She is truly admirable! Seeing her so exhausted is charming. She had a lot of weight to carry for the franchise and did an exemplary job performing her way through 7 years of weird and wonderful material. I wonder how often they fell asleep on set? I know I would. Get some rest queen!
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Finally, I've been following Prodigy bts as best I can, and because of my career in animation I get pretty interested in Production art. I love seeing the fast metamorphosis of a visual style. It's really impressive how much attention they applied to the designs, maintaining the older stuff, while adapting a new frontier. One of the lead artists made some pretty neat observations to get Kate's appearance right. It's so cool that they documented that journey, because from my dabbling I know she has a very beautiful, distinct face that isn't easy to capture.
ANYWAY Thankyou for reading my fat thesis fellas. tl;dr i love this stinky Startrek Voyager and by extension the franchise.
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calware · 3 months
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Look I'm Like 5.5k pages into Homestuck. Reading your blog makes me think I've missed so much depth. I'd restart, were it not for the fact that I'd have to reread 5.5k pages
that's okay! my understanding of homestuck was COMPLETELY different from when i first read it vs my understanding today just by reading what other people had to say and discussing it. for me, a big part of enjoying homestuck was not just reading it, but reading people talk about it and learning from there (and talking about it myself). you can do that too, or go back and reread small parts of it, or do nothing and see what you want to do when you finish reading the comic. whichever is most enjoyable ^^ but you certainly aren't missing out on anything on your 1st read through
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plan-3-tmars · 2 months
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Is this what Happiness is?
- hey so I haven't seen an interpretation of the bar scenes in Half that I fully agree with, so I wanted to throw my own two cents out there into the void and pray that it makes sense !!!
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so, in the bar scenes in Half we see what I interpret as a hangout with old friends (or, hangout with old friend + his wife.) These scenes used to be the biggest piece of evidence for the cheater theory, but now that that's been debunked by the man himself, I have a new way of looking at them
~ before I go any further, I just wanted to say that I'll be calling the brown-haired woman whiskey for simplicity's sake
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In this scene, Kazui turns to look at Whiskey, saying the lyrics:
"laughing together, side by side, this distance in our relationship is misleading me, is this what happiness is?"
With my guess (cuz that's really what it is there's no evidence for it) that Whiskey is the Bartender's wife i think this scene is Kazui being conflicted with what he's been told is true, that marrying Hinako is "true love", versus what he feels is true, that marrying Hinako has brought distance into their relationship.
He looks at Whiskey, a woman happily married, and wonders why his relationship with Hinako isn't like that.
~ shout out to @prisoner-000 for the following screenshot
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in this post he points out that Hinako and Kazui's rings are silver in Cat, not gold like they were in Half, yet Bartender's ring colour stays the same.
For the sake of this writing I'm going to go with the first meaning they put out, that Bartender's ring is gold because his marriage is genuine.
But wait!! I hear you ask. This is Half and Kazui's ring is still gold in Half!! EXACTLY MY FRIEND!!
Kazui's ring IS still gold in Half because at the time of these scenes he's still fooling himself that this relationship is good, that he will eventually garner real romantic feelings for Hianko.
"laughing together, side by side, this distance in our relationship is misleading me, is this what happiness is?"
Remember this lyric that plays during the Whiskey -> Hinako scene. You know what other scene in Half this lyric reminds me of?
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laughing together, side by side,
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this distance in our relationship is misleading me,
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is this what happiness is?
He's beginning to doubt if what he believes is true, he's beginning to believe the feelings telling him something's wrong (and remember, the scene right after this one is when he confesses (?) his secret to Hinako) ARE infact true, and that maybe the logic he's been following for so long has a couple holes in it.
I think these scenes are meant to show Kazui gradually realising that his relationship with Hinako will not work out. It just won't, no matter how hard he tries.
He's able to laugh together and talk with Whiskey because she's his friend, yet he can't do the same with his own wife? Even though, according to his gold ring, their relationship is supposed to be real and true and genuine?
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sea-jello · 6 months
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Day 21/October 21: Day of the Departed || Reminisce (??)
GRAHH ITS STILL THE 21ST SOMEWHERE i’m apparently using morrotober to try new things this one’s a new lineart brush that i’m sorta warming up to and the POSE and the BACKGROUND and the LIGHTING i’m surprised i finished this at all tbh. and also new morro design
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bg lineart and sword vs neither plus the green ghost fog thing i do basically if you zoom in really really close the lines aren’t smooth on the lineless bgs but icba the pedestal can be chipped or something. i kinda like without the sword and fog cause it gives him a more isolated feel yk (that was my original idea lmao)
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this one’s my attempt at funky mannequin hands
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quaranmine · 1 year
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i know tumblr gives us a feeling of safety but it IS a public platform and as such there is literally no reason for CCs not to be able to use it just like we do. they're members of the public. we're members of the public. you see this right?
so i'd like to introduce you to a concept that i've been holding myself to since i made this blog: if you aren't prepared for a CC to potentially see something, don't post it at all!
now, realistically, i still post stuff i would cringe if a CC saw. it's a calculated risk i take, then, when i maintag these, because i count on the statistically low chance they'd see it. i accept that they might see something, and if they do see it or comment on it and i get embarassed then, well, i knew i could never eliminate the possibility completely and still chose to post it.
however, to further break it down--if you reallly don't want a CC to see it, don't main tag it. if you're even more serious about it, block the CC's blog (if it's known) and make sure to do it in blog settings if you use a sideblog. and if you still really, really, really want to be safe from a CC ever seeing it, then don't post it publically at all. dm your friends about it or whatever
idk, man. just control your own online experience. that doesn't only mean filtering/avoiding things you don't like, it also means being conscious of the things you put out into the world as well
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sunflower-cathedral · 2 months
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Lets Talk About The Perception Of Ren This Season.
Going to try say this as politely as possible, this season it just feels like some people are Infantilizing and really boiling down the relationships he holds with certain hermits to something that it's not + turning Ren into a one dimensional person and character.
I wanted to try address a couple things in this post regarding that; How the fanbase has been reacting to how hermits are treating him on camera mainly (Long Post, so it's under Keep Reading <3).
Regarding how the neighbourhood of ministries have been treating Ren;
They are all very close friends. and have been for up to 10 or so years. Please, for the love of everything holy watch old series like Foolcraft, Hermitcraft UHCs, the Renskall Podcast, older seasons of Hermitcraft etc. Hell, even watch my favourite VOD; Sea Of Thieves. You quickly learn the dynamic they have, and the fact they all go off on playful banter (and also re: British Humour/Love that Cleo and False have mentioned off-handedly in streams and videos before being typically brash and sarcastic. Also not to mention how Martyn is British; I'll get to that later though.) There's a really specific dynamic where Iskall, False and Stress are close friends with him and care about him deeply; and Ren has openly talked about how much the Hermits have helped him out during IRL struggles. The roles and performance they put on for the camera is not going to always reflect how they treat each other off camera, let alone show how much they all deeply care for one another. Cleo has outright mentioned how much they care about Ren on stream too even. A lot of hermits have mentioned how much they appreciate Ren, and have complimented him + said affirmations on stream.
Regarding hermits ribbing him/not playing along;
If something happened that was uncomfortable for Ren or Too Much, it would've been mentioned after and not included in anyone's POVs. Ren's whole kinda thing is being a Theatre Kid, his whole thing is being dramatic and taking up roles for the sake of creating fun storylines and contents for the other hermits to either play along with or turn into something else. If a hermit took it a way Ren wasn't happy with He Would Bring It Up To The Hermits Because They Are Adults And Communicate Amongst Each Other. Like I mentioned above, the banter is very much more part of british humour and culture/attitude, as well as their general dynamic going on.
I've even seen concerns of it being bullying, which is far from the case. I think a lot of us longer term viewers have a better grasp of how much they all care about each other and how deep the friendship goes.
The other concern I have is how like, the joke of him being a 'Wet Pathetic Dog' is kind of going a bit overboard to the point where it's the only defining factor people are mentioning about him? and that like, so much so it genuinely feels more like the fanbase is infantilizing him or making him out to be this damsel in distress who needs to be rescued. He's a grown adult man, who can more than easily speak up for himself and advocate for himself. Minimizing him down to this pathetic useless character who can't do anything is just rude and misses the point of the characters he tends to play when doing storylines. He tries his hardest to organize server events and include all the hermits in things, which is both great for content and a great show of how much the hermits are willing to go along with his ideas and either see where it plays out or evolve it further. Mind you there's always MULTIPLE if not ALL the hermits being willing to play along in these events!! from the mining event this season to the king Ren arc last season all the way to log fellas in season 4.
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