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#hope answers
hopepaigeturner · 15 days
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How would you like the writer of Bridgerton to write Bath scene in AOFAG if s4 is going to be Benedicts season
For the most patient nonny who must have waited atleast a year for me to answer this. I present...
An Offer From An Avid Reader: The Bath Scene.
That's right, it's finally here. All 4000 words of it.
NOTE: I do not write smut, however this has some heavy implications of sexy shenanigans so I am rating this a 15+
Right, let's get to it.
✨The Context✨
This is not necessarily a scene, but more the 'bath sequence' as I shall call it for there are some humorous asides that add to the bathroom scene itself.
Also, as in the books, this scene takes place after the jail scene, but there are a couple tweaks:
The bath scene takes place at Bridgerton House not at Benedict’s bachelor lodgings. It takes place in a bathroom that is connected to two rooms that used to be Eloise’s and Francesca’s shared bathroom.
My jail-break scene is split into two so it’s not an info dump. So what’s happened is all the elements of the jail scene: Benophie reunites, the impromptu proposal, Posy swooping in and saving everyone while the magistrate slowly loses the will to live…But no Violet vs. Araminta showdown. Araminta hasn’t been blackmailed—sorry persuaded—to keep Sophie’s heritage a secret or announce her as legitimate.
Therefore, Benophie are still headed towards their original destination—living a modest life after being cast out by polite society, due to the indecency of Sophie’s heritage.
Finally, pre-jail scene, the last scene Benophie would have been in together was the sofa scene (read part 1 here, and part 2 here). They literally haven’t talked since then other than Benedict sending Sophie a letter she never read.
Hence this scene is still romantic, and will get steamy, but also a lot of unresolved conflict will be sorted out. And starting out both Ben and Sophie haven’t really been able to calm down over the last two days…
✨The Scene✨
Kate is the one who finally shoos everyone out of the bathroom after noticing how Sophie is utterly overwhelmed.
Sophie finally shuts the doors and rests her head on them. The viewer sees unshed tears in her eyes as the emotions of the last couple hours—and even the last few days—threaten to burst out of her.
Then she hears a knock from the other side of the bathroom.
“Sophie?”
Sophie almost seems to collapse in relief, instantly drawn to the other side of the bathroom.
“Benedict?”
“I am here.” The camera switches to the other side of the door, where Benedict stands. Benedict puts a hand on the wood. “I do not need to come in, but I just…” he puts his head on the door.
The camera shows both sides of the door, Benophie pressed up against each side in mirror positions--a slab of wood preventing them from resting their foreheads on each other. Just as they were at the end of the sofa scene.
“I just wanted to make sure you were safe…that you were…” Benedict’s voice catches on the thousand scenarios still reeling in his head, “that you were here.”
“I am here.”
“I know. I know.” Ben’s smile is small but fleeting. He takes a shuddering breath. “I shall leave you and give you some peace—”
“Please do not leave me,” Sophie says her voice small, but sure. “Please come in.” And with that she unlocks the door.
Benedict stares at the door. A door that Sophie has chosen to unlock—for him.
With reverence, he walks in to find Sophie some paces away, her dressing gown clutched around her.
For a moment they stare, then they soften. And then there is a blur and they are in each other’s arms, tears streaming down both their faces. With Benedict buried in the crook of her shoulder crying.
“I am so sorry, I am so sorry.”
They separate slightly, foreheads pressed together, eyes still closed.
“No, I should be the one apologising…”
“No, no I must apologise.” Benedict says, his voice clogged with unshed tears, “I told you that I would protect you, I promised to keep you safe and I could not, she…she could have…” he shudders, “I am so sorry.”
“Benedict, Benedict, no.” Sophie cradles his head in her hands, forcing him to look at her. “You came back for me, you rescued me.”
Benedict shakes his head,
“Posy was far more significant in that matter.”
“That is not what I meant.” Sophie takes his hand and places it on her heart. “You saved me here. Your love…your words…your deeds helped me.”
Sophie herself shudders as she recounts,
“Before you arrived, Araminta found me, and she taunted me with all her usual tricks and barbs that she has inflicted upon me since I was a child. And in the past, they have worked…you see, for my entire life, all those who were supposed to love me, would always step away: my father, Araminta and my stepsisters. And I would try so, so hard, but all I seemed to do was make people miserable and I think…” Sophie’s voice becomes clogged, but she continues, “I think I started to believe a long, long time ago that I could not be worthy of love, that I did not…that such things could not be for someone like me.”
“That is not true—”
Sophie puts her fingers on his lips and Benedict stills.
“I am coming to understand that. I am starting to believe so…and part of that is because of you.”
Benedict shakes his head emphatically, Sophie smiles.
“I said part, not the whole. What you did, as you do for so many others, is help me unveil the truth within myself. And the truth within myself is that…” Sophie smiles brilliantly, “I am more than a bastard. I am a woman with convictions. I am a woman who is kind regardless of the consequences or my past. I am a dear friend and confidante. And I am loved. I am loved by Ginny and your sisters and Kate and your mother and the servants like Mrs Gibbons and you…I am loved by you.
You, who has never stepped away from me but always embraced me. You, who loved me in a silver dress and then again in a maid’s uniform. You, who still rushed into a prison even after my cowardice spurned you so deeply. So, when Araminta lashed me with those old insults and barbs, I saw them clearly for the first time—as lies—just as I saw myself as clearly as well. I am Sophia Maria Beckett, the woman who loves and the woman who is loved. And your words helped me come to that conclusion, even if they were only one piece of the puzzle. So, there is no need to apologise, only for you to receive my gratitude and my love.”
She continues to smile, while Benedict gapes.
“You are a marvel,” Benedict breathes, eyes filled with wonder. “And there are so many reasons why I love you. But one of the things I love best, is that you know yourself. You have principles, you have spirit and a strength that is ever so rare.” He touches her delicately, not because she is so brittle that she will break, but because she is the most precious of jewels, “I am sorry for asking you to be my mistress.”
“You have already apologised.”
“Not truly, nor sincerely.”
“And what else was a man of your position to do?”
“While that may be true it was not fair, especially when I was so pig headed at hearing your refusal.  You were correct, I was ignorant of our positions. I would die before sharing you, so why should I have expected you to share me when I was forced to marry?”
“In a perfect world we could have married, we could have just been Sophie and Benedict. But in this world men like you do not marry—”
“None of what I said weeks ago, in my lodgings, have changed. I do not care that we cannot live in London, I do not care what Lady Penwood might spread or what doors are barred to us. Over these past days, these past weeks, the conviction that first whispered on my heart has been carved deeper and deeper; that when I think about what I need in my life—not want but need—all I think of is you. Only you, it always has and will always be, you.”
It is Sophie’s turn to stare, her eyes widening to drink in a new expanse of emotion, just as her heart tries to hold the enormity of his words. But his words are like monsoon rain on parched land, and so, her eyes water.
Benedict softly wipes the tears away and Sophie can smile. 
“Such sentiment explains your little announcement.”
“I know I was presumptuous in the jail, and you deserve much more—”
“Benedict—” She holds his face, “I wish to marry you also. I love you, only you.”
Benedict’s breath hitches, before he sweeps her in his arms.
“I love you, I love you, I love you, so, so much,” he cries as Sophie giggles in his arms. “You make me the happiest man alive.”
Benedict surges up and kisses her and with a final spin they return to the ground. Although they stay clasped together, rocking in the momentum of that joy, the surety of their love finally realised. Benedict buries his nose in the crook of her shoulder, inhaling the presence of her. And as he inhales, his nose scrunches…
“Sophie, I love you,”
“Mhmm.”
“But you do smell.” He whispers, kissing her cheek. Sophie pulls away and sniffs her shoulder.
“Oh gosh, I do! Well, that is what sleeping on the floor for two days does for you.”
At his stricken face she says, a little quieter,
“One day we shall laugh about it.”
“But not quite yet,” Benedict replies softly.
“Not quite yet.” She kisses him softly before extracting herself, looking over to the bath. “Oh, there are bubbles!” she turns to him with a childish awe, “I have never had a bath with bubbles before.”
Benedict smiles. They will probably never joke about her past—but he could ensure that the rest of her life would be full of laughter and love.
Sophie goes up to the bath, her hands fiddling with the tie of the dressing gown. Benedict turns away.
“That is very gallant of you.”
“I am a gentleman.”
“I would not mind; you are to be my husband after all.”
Benedict scrunches his eyes shut and almost groans, his resistance waning. Perhaps the audience might see him mouthing:
You are a gentleman. You are a gentleman.
“This is my mother’s house,” he manages to choke out.
“As you desire.”
He hears the thump of the dressing gown, the ripple of her limbs entering the water and he bites his lips to keep himself in check. But, he cannot restrain his eyes from wandering over his shoulder…
*~*~*~*~*~*~*
“I am glad that all is well,” Kate sighs, resting on Anthony as they stand with the rest of the family in Bridgerton House’s parlour.
“Yes, Sophie is safe,” Anthony replies, fingers idly tracing up and down Kate’s spine. “And they shall be happily married,” he acknowledges Kate’s raised eyebrow. “With the family’s blessing and my own. But we must prepare for the oncoming storm. I doubt Lady Penwood is a woman who enjoys being thwarted nor hesitates from ensuring she has the final word.”
“There must be some way to mitigate the damage…” Kate falls silent for a moment. Then she perks up, her eyes sparkling, “I have an idea—I must go talk to your mother.” She kisses his cheek and rushes over to Violet. Anthony watches on baffled, as his mother and wife start a hushed, but fervent, conversation. In curiosity he walks closer.
Just then a maid, Nadia, enters the room with a gown. Only then does Kate break from the conversation to nod at the dress.
“Very good, Nadia. Take it up to the Lady Francesca’s old room, for Miss Beckett is bathing in the rose bathroom.” The maid curtsies then exits.
“The rose bathroom?” Violet asks, brow furrowed. “Not the jasmine bedroom? Is that not our best spare room?”
“No, Anthony directed the servants to ready a bath in the rose bathroom for some reason…” Kate trails off, then turns to her husband. “Anthony, why did you not send the servants to the jasmine bedroom?”
Anthony gulps.
“I just…it was the first thought in my head,” he rambles.
“And why should Sophie be relegated to the opposite wing of the house?” Eloise pipes up. “She is to be family; it makes perfect sense for her to be in the family wing. I do not mind sharing the bathroom once more, after all, Frannie and I managed for years.”
His mother turns to Anthony with accusatory eyes. A look that was always followed by an admonishing ‘Anthony!’ ever since he could reach his father’s knee. Anthony swallows thickly.
“Come to think of it--where is Benedict?” Colin asks, sharing a conspirators look with his wife.
“I sent him to rest. He has not slept these last two days,” Anthony tries to ignore how pitchy his voice sounds.
“Anthony!” His mother cries.
“Ah a wise decision. I am sure, Benedict is in need of some…relaxation.”
“Colin Bridgerton!” Violet cries.
“All I am saying is that after everything, the poor pair deserve a little…release.” Colin shrugs, getting a muffled scoff from Penelope whose eyes are alit with delight.
“Oh, I cannot believe you all,” Their mother grouses, pulling up her gloves as if going into battle. Indeed, she starts to stalk out of the room.
Thankfully, Kate arrests her before she can exit.
“Violet, you must allow it, just this once.”
“What exactly is happening? Do I need to go and check on Sophie?” Eloise cries, standing to attention.
“There is no use. Knowing Benedict, it would be unwise to appear unannounced,” Colin continues, Penelope barely able to hide her giggles behind her teacup. “Goodness knows what position they shall be in.”
Penelope spits out her tea.
“Colin Bridgerton!”
*~*~*~*~*~*~*~*
Sophie blows softly, and the pile of bubbles in her hand disperses into the air.
“Lean forward, please.” She obeys and allows Benedict to rinse the rest of the soap off her back. Then she hums as his hands start massaging her shoulders.
“Hmmm, this feels wonderful.”
“I am glad. Can I wash your hair?”
“Ofcourse.”
“Dunk please.”
Sophie obeys, eyes shutting, body loosening. She lifts up and Benedict starts to create a lather of soap in her hair, the movement of his hands hypnotic. All adding to the gentle, warm lull of the atmosphere. Sophie takes a sniff of her hair.
“Better than lake water?” Benedict asks with a grin, recalling that day on the lake all those months ago.
“Absolutely—lavender, pretty.” Sophie grins up at him, before dunking her hair and washing the soap from it.
"Your hair used to be longer," Benedict muses, hands running through the wet strands. Sophie closes her eyes and tips her head back into his touch.
"It was, but I had to sell it to a wigmaker."
Benedict's hands retreat. Sophie lifts her head up--slightly bewildered--until Benedict gently turns her face to him, staring deep into her eyes.
"You will want for nothing," Benedict says, as solemn as a vow, and Sophie's throat burns with emotion. Her hand reaches out to trace the curve of his cheek, her own words just as weighty,
"As long as I have you, I will want for nothing."
“You have me, heart and soul.”
“As you have me, heart and soul.”
The solemnity warms until they are smiling sweetly at one another, Sophie gently leans in and kisses him.
“Are you sure you do not wish to get in?”
“Absolutely not, I am quite enjoying myself here.” Benedict grins then returns to his prior position, “I like pampering you.” At this he starts massaging her again, causing Sophie to moan slightly.
“You must be careful, Mr Bridgerton, otherwise I might want such treatment every night of our marriage.”
“And I would gladly do so. But is there anything else you want Mrs Bridgerton?”
“What else could I want? What else could we want?”
“Well…I want to spend an afternoon by a lake. You would be reading, I would be sketching, and whenever we got too warm we would slip into the water to cool off.” His voice pitches low, “then I would carry you from the water and make love to you on the shore.”
Sophie tries to swallow her flush,
“You have given this a lot of thought.”
“I have had a thousand nights of dreams about my Lady in Silver,” he kisses one shoulder, “and Sophie Beckett,” he kisses the other shoulder.
Sophie’s breath catches, her eyes fixed in the distance—as if looking at a shimmering future that she can finally believe is no longer a mirage.
“Tell me more,” she whispers, hoarsely.
“I want to hold your hand in the street and in church, and in the market, where I buy you pretty ribbons for your hair. I want to bring you breakfast in bed.”
“Misshapen eggs?”
Benedict chuckles,
“Misshapen eggs and all.” He replies, then turns a little more solemn, eyes lost in the future he paints with his words,
“I want to go on rambling walks where the conversation never ends. I want us to come home to our little cottage or flat or whatever home we can afford, and dance together in our kitchen,” he swallows thickly, “I want to hold you as the embers die down in the fireplace, and I want to wake up next to you every morning even when we’re grey or we only have a couple moments before our children jump on the bed. I want to love you more and more every day and take care of you and give you anything you want.” His hands tremble with emotion, like his voice. “That is what I want…So, what is it you want?” he kisses below her ear, looking at her.
Sophie’s eyes shiver in the silence, she plays with some errant bubbles floating in the water.
“You have such a way with words and I…” her voice dies down, “it has been a long time since I have been allowed to want, let alone been asked.”
Benedict’s eyes soften with understanding. Gently he tilts her chin up.
“It does not need to be much or many, just whatever is on your heart.”
Sophie lingers in the sincerity of his eyes, far more powerful orators than his beautiful poetry. So, haltingly, she starts,
“I want to be loved. I want to love…I want to wake up in your arms every morning with the knowledge that I am safe. I want to laugh. I want to be held and comforted no matter how violent the storm. I want our children to be smothered in love and never know what it is to be hungry or cold or unwanted. I want to be by your side as your talent grows and love you through all manner of strife. I want a life with you by my side, whether we live in a palace or a poorhouse. I just want you.”
Benedict swoops down for a plundering kiss that spins the world around them. When they break Benedict whispers,
“I will give you all of it.” His voice rumbles against her lips. “You deserve the world, my goddess, my Queen.”
“I do not want the world; I just want Benedict.”
He moans at that, and they kiss once more, Sophie lifting herself out of the bathtub to gain purchase. Both are gasping when they part, and the words fall out of Sophie’s mouth.
“I want you to join me.”
Benedict's eyes darken, his smirk widening as he stands and turns away to strip.
"I would like to watch".
Benedict looks over his shoulder and raises an eyebrow. Sophie swallows, then stares him down with a burning intensity that is starting to settle in her stomach.
"I want to watch you."
So, he turns, and slowly unbuttons his shirt, basking in Sophie’s lascivious gaze as he moves to snapping off his breeches before unthreading the buttons of his breeches. Before the final button he looks at Sophie for permission, she nods.
Then he is bare, and her breath hitches.
“I assume this is the first one you have seen?”
Sophie nods mutely.
“The first you will touch?”
She nods.
“The first you will take?”
Sophie nods, eyes wide.
“As long as it will fit.”
Benedict kisses her gently, and ensures she looks him in the eye when he says,
“You lead, I follow. Whatever you want, whenever you want, at your pace. But I can promise,” a kiss on her jaw. “that on our wedding night,” a kiss on the corner of her mouth, “I will be gentle, so all you feel is exceptional.” Another kiss that turns molten all too quickly. “Now, what is it you want?”
“For the final time, for you to get in the bloody bath,” she huffs, trying to pull him in. He chuckles then climbs in, sitting behind her, pressing themselves against each other.
Sophie’s breath hitches.
“Better?” he whispers.
“Much.”
He turns her chin, so they look at one another. His eyes are blown wide and so startingly blue that they transfix her. Benedict nods.
Sophie raises a hand to link it with one of his. Then, still staring deeply in his eyes, she traces their hands over her body until it cups her breast.
“I want you here.”
He squeezes and she gasps.
“Yes?”
She reaches back once more, for the final hand, lacing their fingers together.
“And I want,” she trails their clasped hands over her stomach until it dips under the water, “you here,” she gasps, eyes drowning in Benedict’s blue ones, as he starts his ministrations.
Yet they do not stop staring, not even when they kiss...
Not as Sophie writhes more and more in his arms, nor as Benedict’s hips start to buck. Even as Sophie turns around to straddle him, they keep their eyes locked together. Even as Sophie braces one hand on his shoulder, the other sinking below to find him in the soapy water. Even when their kisses turn messy and open-mouthed.
“I want you,” Benedict pants as they both start to reach their peak, “I want all of you.”
“I want all of you,” Sophie keens. “And you have me, all of me.”
“And you have me, all of me,” he whispers. “You are mine and I am yours.”
Finally, her eyes close as she shudders from the climax. Benedict surges up and smothers his own releasing moan with her lips.
The water settles, as the couple settle—even though they can barely control their panting breaths or racing heartbeats.
“God, I cannot wait to marry you,” Benedict mumbles.
“How long must we wait?”
“A few weeks—three at the least.”
“So long?” Sophie huffs. Benedict chuckles. “Then I suppose we shall have to make do with moments like this,” Sophie leans forward with a spark in her eye, “I am sure there is much, much more I can learn…”
Benedict leans forward also, a rakish smirk on his face.
“What a wonderful idea Mrs—"
Someone hammers on the door.
“Sophie!”
Benedict and Sophie snap up, eyes wide.
“S—t.” Sophie swears.
 *~*~*~*~*~*~*~*
“Eloise, please—”
Eloise rips away from Kate’s arm to wiggle the lock.
“I must ensure that my brother is not befouling Sophie!” she cries. With a final click, and one final kick, Eloise bangs the door open and strides in.
“Eloise, what on earth?” Sophie asks from the bathtub, where she sits—alone. Eloise strides further into the room, scouting around the furniture, even behind the bath.
“Eloise!” Sophie sinks deeper into the bath.
“I am looking for my infuriating brother! In case he has invaded your personal space!”
“As opposed to you who entered my private space uninvited.”
Eloise stops short, her cheeks flushing.
“Well, I…”
“Eloise, you are being rash,” Kate soothes pulling Eloise back to the door. “You must learn to ignore Colin—he was merely winding you and your mother up.”
Eloise pouts, hands on her hips.
“Well, Sophie, if my brother dares to act in any ungentlemanly way towards you, you must tell me then I can give him a stern talking to.”
Sophie smiles.
“That is very sweet Eloise. I shall endeavour to do so in the future.”
“I am sure Sophie will,” Kate says with a smile. Behind Eloise’s back, Sophie notices Kate push Benedict’s errant waistcoat under a footstool with her foot.
Eloise leaves with a final nod. Kate follows behind and gives Sophie a wink. Sophie turns bright red.
Once alone, Sophie deflates and sinks under the water in relief.
*~*~*~*~*~*~*~*
The camera turns to an empty bedroom—the same bedroom Benedict had frequented before entering the bathroom. All is still.
Then the window slowly judders up and open. One boot drops to the ground, then another. Finally, Benedict clumsily manoeuvres himself from window into the room—sockless, shirt open and braces swinging around his hips.
Once safely inside he silently closes the window and picks up his belongings. Just as he is to leave, he gives a fond smile towards the bathroom door.
Someone clears their throat.
Benedict looks up, like a rabbit in front of a rifle.
His mother leans against the bedroom door, arms crossed, eyebrows raised. Benedict has the sense to look sheepish.
“You have precisely less than a minute to rush into another room and avoid Eloise’s wrath. I shall talk to both you and your brother later,” is all she says.
“Yes, mother,” Benedict starts walking out, avoiding her eye. Just as he passes her, she puts a hand on her shoulder.
“And Benedict,” He turns to find her hard stare. “While the revelations of the past days might have set our world in a tailspin, it does not alter the matter that Sophie is a lady and should be treated as such. Do you understand me?”
“Yes mother.”
Violet narrows her eyes. Benedict gives a tentative smile. Violet breaks and rolls her eyes. “Off you go—shoo.”
She shoos him away, and Benedict obeys—with a quick kiss on her cheek and a smirk on his face.
*~*~~*~*~*~*~~*
Hee hee.
What do you think?
As always, I’d love to hear your ideas/corrections/opinions and always open to chat or requests. So...
Check out the list here, for more of my ideas on S4.
Check out the general arcs of my prospective S4 here.
Or message/reblog/reply to this :)
31 notes · View notes
wof-inbox · 10 days
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peacemaker...
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enjoy
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“This was the most excited I’ve seen him get over something that wasn’t a strawberry! That or he’s either petrified.” -Hope
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callmehopeless · 11 months
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Scribner sorting through the books thay have been returned to find out the karma sutra has been returned with notes about how to better achieve positions were written into it. Who's the culprit?
Everyone thinks it's Garreth Weasley for months. It's the perfect crime, and Scribner is furious. Garreth, of course, denies it vehemently.
It turns out Deek was just trying to be helpful.
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tonystarkstan · 7 months
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do you still like irondad
oh boy i knew i'd get asked something like this when that post started getting reblogs, help 😭 i don't dislike irondad, but it and the fandom are linked to some of the best and worst memories with the best and worst people i've met, and I'm happy to let them rest. also, now that i'm out of the obsession, it's sort of mortifying how strongly I felt about things that just... do not matter in the grand scheme of things lol. i don't dislike irondad, i've just grown away from it.
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bladesandstars · 2 months
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yurileth for the ship bingo? 👀
Ooh yurileth - honestly might be my fave byleth ship tied with edeleth!
It took me a bit to come around because I shipped Yuri with his other wolves so much (mostly Balthus) but this ship has some great fanart, and I honestly think they work really well! Yes they're fwb and also married. Idk it works.
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Thank you so much for asking! Original post and blank are here.
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willgrahamscock · 1 month
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Why bother arguing in support of trans people if you’re not trans?
very simple concept called believing in human rights
36K notes · View notes
aueua · 7 months
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people with siblings: how do you feel about them?
23K notes · View notes
acetrainerhope · 5 months
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That giant school girl art you reblogged is actually ai art btw
Ughhhh that’s unfortunate :(
Thank you for letting me know, though!
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oh,,
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cat's...
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My addition… scooped Michael cat
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bobacupcake · 7 months
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begging... pleading... for a bigger version of that pikachu gif (if possible), i am so utterly enchanted with it its unreal (i have that exact plush in my house!!!)
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hattiestgal · 4 months
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If you don't mind my asking, how do you go about drawing fat? :3
JUST THE EXCUSE I WAS LOOKING FOR
So, for me personally, a lot of the time when I draw fat characters, I'm not looking to specifically capture the specifics of fat as much as the feel of fat. Bulkier, rounder shapes in the right places that has a feeling of weight to em! A lot of that is intuition and simplification at this point, but it all works on the same frame as just any ol' person. Like take this-
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For example. This is the basis for any body shape, not just the more average one that it may imply. Sure- it can be that average body shape:
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But also a fat one too!
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And a big part of that is knowing where fat usually tends to bunch up on the body, so lets take a look piece by piece! (Please keep in mind this is very simplified, and not completely precise in some parts)
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THE FACE: Cheeks (in purple) and especially the chin (in light blue) are the places where a lot of the fat is gonna wanna gather and round out on your face! Additionally, theres a small pocket of fat beneath the cranium on the backside of your head. It's small, but it is there. I believe fat can build up elsewhere like the bridge of your nose and forehead, but generally speaking, you're gonna have a whole lot more buildup in other places first.
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THE TORSO: A lot of the fat built up on the torso is gonna be sent to your tummy. More cushioning for vital organs, mostly out of the way, it just makes sense. Additionally, the lower backs fat builds up and joins with a patch of fat on your sides that forms what is typically referred to as the love handles to make that double belly look. Along with this, the immediate next target for the torso is the breasts, followed by the upper back!
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THE ARMS: For this limb, a VERY notable amount of the fat present builds up on the tricep and bicep areas, lessening once you get towards the flexor and extensor areas. You can almost think of the arm as a sort of triangular shape, wide side starting from the shoulder and tapering towards the hand, which itself mostly builds up fat around the back of the hand and the fingers. The shoulders themselves don't build up too much fat unless you got a lot
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THE LEGS: And finally, you can think of the legs having pretty similar curves to what you're probably already used to thinking. The front of the thighs getting a big buildup, along with the back of the calves, the other parts being flatter in turn. As far as the feet go- similarly to the hands, the top of the feet, along with the heels get most of the buildup, as fat on your soles would impede mobility. The glute, hip and crotch area will also especially build up fat, lending to the same triangular shape that you can see in the arm!
A big thing to note with fat is that it tends to taper off towards joints. Your knees, elbows, shoulders, hips, and all the other places are gonna have significantly less fat so that you remain mobile and flexible, as that's important!
Now that we have an idea of where fat builds up on the body, you might have something that looks kinda like this
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Which yes, does demonstrate a solid understanding of the places fat builds up, lacks the weight you're probably trying to convey, which brings us to out next point! Fat is well... heavy! Gravity is what gives fat much of it's shape, especially as you tread towards larger and larger bodies.
This is demonstrated really well on the arms especially-
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Those big ol' bits of fat'll really start to sag when left hanging, and they will squish like hell if they run into something. I like to think of these bits of fat as big ol' ovals that squash and stretch depending on if there's an obstacle in their way or not
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These are the important shapes to remember when it comes to the weightiness of fat! If you take all of this into mind, you should be getting something a lot closer to that shape you've been after!
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Oh, and always remember that fat bodies come in all variety of shapes and sizes! Play around with a whole lot, and seek out all the resources you can! it'll really lend to your knowledge when it comes to this kinda stuff!
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And as I always recommend when it comes to learning art- look at what your favorite artists do with fat bodies. See what you really like about the fat bodies they draw and try to replicate it in your own work, I promise you it's one of the most helpful things ever.
This is like the most basic of basics when it comes to drawing fat bodies though. If there's any additional thing about fat bodies, or maybe you want clarification on something, don't be afraid to ask! If there's enough to cover, I'll make an addition to this post!
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hopepaigeturner · 7 months
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Eloise is definitely not ready for her season.
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Apologies anon, for not answering this sooner. But I didn't just want to give a short answer like the one above. And over the weeks I've worked out another reason why Eloise shouldn't be S4.
Show Eloise, doesn't have the capacity to emotionally support Phillip and the manifestations of his trauma.
Basically I've been writing this piece about married Benophie that revolves around how Sophie’s trauma manifests itself within their married life, (in big ways and small) and how Benedict copes with this. E.g. Sophie being triggered by dropping something, or her first Christmas with the Bridgertons. For this I’m drawing on my knowledge both personal and professional and something really struck me.
To support someone with trauma you need empathy, patience, emotional intelligence and humility. You’re never going to get everything right, but having such skills will help. (yes empathy/patience etc. is a skill it is not an inherent trait).
You need patience when the one you love is being overwhelmed by their past or their emotions. You need empathy to understand the root to some of their actions, how your loved one might not be lashing out at you but at something that links to their trauma. You need emotional intelligence to work out the best way to emotionally support your loved one. You need humility to realise that you might get things wrong, or that you might be contributing to the problem and need to shift the way you do things to accommodate. And so much more, and in so many other ways.
And bless Eloise Bridgerton—she ain’t got many of these…yet.
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Eloise is intelligent, yes, she is passionate and loyal and protective of her loved ones…but not when it comes to emotions. We actually see a lack of this when it comes to Eloise who is impatient, can’t empathise with other’s struggles and always likes to have the last word.
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Yet Eloise, like Benedict, is going to love and support not only a traumatised man, but also two traumatised children. She ain't ready for that...But she can be.
Giving Eloise two seasons will allow her to soften, not only become a better feminist who respects all women’s dreams, but also to become someone who will be able to support Phillip. She can learn empathy by trying to put herself in Penelope’s shoes in S3. She can learn empathy from Sophie in S4. She can learn patience when she starts publishing her Whistledown column/novel. Purely having two seasons will allow the writers to quietly show Eloise maturing in general, as one does with age.
Ofcourse during her season this maturing comes to the fore when she is faced with Phillip and the twins. Here shall be the biggest learning curve for her, however, allowing S3&4 to build some groundwork for this will help ensure that viewers do not feel as if ShowEloise is being shoved into a role she does not suit.
And meanwhile…
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Benedict has shown emotional intelligence and empathy on the show. Benedict is a classic caretaker-with-a-capital-C. He already has the temperament to help Sophie emotionally heal from her trauma during, and after, their season. Yes, he needs to learn to get into conflict and fight for the one he loves, but ultimately, he’s ready.
So yes, Eloise is not ready for her season because she needs to develop her feminism and to understand the full scale of her privilege. But she also needs to grow emotionally to ensure the viewer can believe Eloise is right for Phillip--and we as a viewer need to be patient for that to happen...
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wof-inbox · 11 days
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Heyyy, Hope, how is Peacemaker doing?
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“The RainWings are, albeit about 75% of them, getting used to him!” -Hope.
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amber-tortoiseshell · 2 months
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I don't understand amber. How does it work? What does it do? How is it different from wide band/golden/ect.? Please explain
Ohoho, you invited me to talk about my favourite gene!
Amber is the mutation of the MC1R (melanocortin 1 receptor) gene. Recessive mutations here are associated with red and yellow color varieties in lots of species: rabbits, horses, mice and humans, to mention a few examples.
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So what does this gene do? Replaces the black pigment with red. That's the gist of it.
The regular orange color of cats is a different gene, but they have similar molecular backgrounds: red and amber are both phaeomelanin-based colors. Phaeomelanin is one of the two most important pigment types in mammals, together with eumelanin. Eumelanin is responsible for black and brown colors, phaeomelanin is for reds and yellows. Black, chocolate and cinnamon are the traditional eumelanin-based cat colors.
Eumelanin-based tabbies have both eumelanin and phaeomelanin in their fur, the alternation of these two pigments make the agouti hairs banded: the lighter bands have only phaeomelanin. Phaeomelanin-based colors have only or overwhelmingly phaeomelanin in both the lighter and darker bands (the difference is probably the amount of pigments).
Now wide band does something different: it extends the lighter bands, so the coloration becomes less eumelanin-dominated (when there's eumelanin present). Thus, yellow cat.
The first figure shows basically the comparison of the hairs of a black and a red or amber tabby, the second is how golden hairs look like:
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That's the difference between amber and golden. One of them changes the color of the agouti bands, the other changes their size.
Here's a red, an amber and a golden cat for comparison:
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The amber tabby in the middle has darker orange tabby pattern, the black golden cat still has a black tailtip, black feet, sometimes even some black markings on the face.
The coolest thing about amber is that unlike red and golden, the kittens born with a lot of eumelanin, and they gradually lose it as they mature. Like this:
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Nowaja (Galaxy vom Ritterclan), amber smoke with white
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tonystarkstan · 12 hours
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i’ve just read make way for tomorrow and i’m absolutely loving it!! also, hope this isn’t too out of pocket but you always put something in your AN about how messy or awful that chapter is so i just wanna say no! it’s fucking great! i read it in one sitting and i have like. no notes. be proud, you’re a great writer :)
this is so nice!!! thank you so much, I'm so happy people are still enjoying it so many years later. it makes me smile. wishing you the best and hope you're well! 💙
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realpokemon · 2 months
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creampuff’s evolution went better than expected but it took a HELL of a lot longer than predicted. moral of the cautionary tale: do NOT everstone a pupal stage pokemon. she’s a bit of a runt of a salamence because her growth cycle was thrown off schedule, but she should continue growing even after she’s evolved so we’ll see how that turns out. she’s currently on a medication to help regulate her growth hormones but there won’t be any definite results for a long while. since. you know. she’s a dragon
and yes, she’s happy and healthy right now
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