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#honestly the whole toy story franchise probably fucked me up
mytastessuck · 3 months
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Starbomb: Starbomb
Eeeeeyup.
So, to ruin my credibility even further...yes, I am a Game Grumps fan. I started watching them out of curiosity in 2016 and watched them on and off for a while until I fell in the trap of those damn Sleeping Aids videos uploaded by their fans and I've been watching them semi-regularly since.
Are they perfect? Fuck no. They suck at games and Egoraptor is the bad Mike Tyson simile of previously problematic content creators. But you already know I'm a NSP fan and I like Danny's singing voice and some of Egoraptor's raps (have fun finding the ones without the n-word!) are pretty skilled and he has a genuine love for the genre and, somewhat more importantly, those games he's bad at. So there, my justification for being a Starbomb fan...despite the fact I've uploaded Starbomb songs before so this really shouldn't have come as a surprise to anyone. Since the album was uploaded for free, I'm going to upload the whole thing below so feel free to read after every song so that everyone can know how to feel after every song. Now...COMMENCE THE CRINGE!
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Intro
God, this whole thing is nostalgic. The guys introduce themselves and Arin does a rather impressive paraphrasing of a Fair Use segment that shows that 1. since this album is a parody and 2. they acknowledge they don't own the characters, they don't technically need to be sued. as of January 12, 2024, Nintendo and others apparently agreed.
Song Score: 7/10
2. I Choose You To Die
This is the gate: if this song turns you off, you're probably going to hate this album. Starbomb doesn't care about canon, your feelings or even making clever jokes about the franchise: they thought it would be funny if there was a story about Ash going around fucking up Pokemon, going to jail, getting bailed out and shot in the sack by Pikachu. Is it funny? By my standards...meh. It didn't really grab me. My own description of the song is honestly funnier to me than the actual song itself. I don't hate it but it's definitely not how I would introduce someone to the band.
Song Score: 5/10
3. Luigi's Ballad
Here we go, the real shit: with special guest vocalist Rachel Goddamn Bloom (Crazy Ex Girlfriend creator and star), we get crassed up versions of Mario, Luigi and Peach as the brothers fight over her in a hilarious ditty. Arin is having fun, Danny is competent and Rachel is perfect, like always...I'm actually glad that Peach didn't pick a brother at the end because, as douchey as Mario was being, Luigi didn't give an actual reason for being attracted to her. Maybe he was just as shallow as Mario only he was more devious about it? Who cares? Peach is going to fuck a mushroom.
Song Score: 9/10
4. It's Dangerous To Go Alone
A bit darker but still a well-done song (Philly shout-out! Woo! We suck less than Raccoon City!). They gave Danny the lead in this and it works, Arin's freak-out at the end as Link is legitimately chortle-inducing. Chortle-inducing I say. Sexual predation has never been (subjectively) funnier.
Song Score: 9/10
5. Mega Martial Problems
Might be my favorite song on the album. Mega Man and his wife (Roll? Some chick? Who cares?) are being given marriage counseling (sex counseling, actually) by Dr. fucking Wily and Mega Man kills robot masters to get toys to fuck his wife with, ending with Zero being killed by his Mega Dick. Arin is a good rapper and Danny manages to sing distinctly as a german doctor and Mega Man's wife (he raps a bit at the end...it's actually listenable). Seriously, if you're not the biggest Mega Man fan and if canon isn't important to you, go check this song out.
Song Score: 10/10
6. Rap Battle: Ryu Vs. Ken
Hur hur, Ryu rules, Ken sucks, hur hur. That doesn't bother me though. What does bother me is the content of Ryu's lyrics: he's supposed to be talking about how badass he is and he keeps going on about his dick? Forget canon character, if he was just some nobody he would sound like he's eight years old! Once you hear it, you won't unhear it. It's just a bit...desperate? And I can't help but feel like I'm supposed to take him seriously. This song is fine for the most part but...yeah, definitely one of the weaker ones on re-listens.
Song Score: 6/10
7. Crasher-vania
Pretty funny song about Simon Belmont committing hate crimes against the creatures of the night having a Monster Mash. Fun fact: I don't know the story behind this but Arin and Danny did a censored version of this song for a MST3K telethon. See it here:
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Song Score: 8/10
8. The Book of Nook
On a re-listen, this is a competently hilariously fucked up song about Tom Nook being a dickhead mafia landlord...but I'm detracting a whole point for the use of the archaic slur "mongoloid". I guess they didn't want to use "retard" and tried to be smart about it. Sorry guys; try harder.
Song Score: 8/10 (I still gave it a high score so maybe I'm part of the problem.)
9. Sonic's Best Pal
Probably my other favorite song on the album. The perfect Sonic darkfic: Tails snaps due to his insecurity (Hey! A canonical character flaw; I'll wave as I see it fly by.), gets on drugs, fucks whores and shoots Eggman. They knew what they were going for and they got it. Kudos, Starbomb.
Song Score: 10/10
10. Regretroid
Emily Hughes (pretty neat singer and apparently a friend of Danny's...I don't know) stars as an understandably grumpy Samus against the Nice Guy (TM) Kraid in this epic star tale. Awesome tune with a hilariously dark ending (I mean...it's not like the puppies were destined for a good life if space dragons were just handing them out in baskets.)
Song Score: 8/10
11. Kirby's Adventures In Reamland
Either this or the Tom Nook song was the first song recorded for the album and, unlike Tom Nook's song, Starbomb hates this one. Me? Another "meh"....it's crass for the sake of crass but the guys are doing that the whole album so I'm not really affected by it. They spitroast Kirby and namedrop Meta Knight and Dedede. That's it. Move along, barely anything to see here.
Song Score: 7/10
12. The Simple Plot of Final Fantasy 7
Ha! Take THAT, convoluted JRPGs! Seriously, this is one of the better songs on the album and I love how they try to turn Cloud into this smooth talking self-aggrandizing asshole (not a far cry from him in canon, mind) and how they didn't call Ryu by name. He's Ninja Gaiden now. Perfect way to end the album.
Song Score: 9/10
13. Outro
Just the guys being dorks and teasing the second album (Player Select; won't be reviewing that one so I'll spoil my opinion for you: it's not as good as the first one.). It was always fun to hear them fuck around. Reminds me a bit of their Sleep Aids.
Song Score 8/10
Album Score: 8/10
Decent album. As we all know, I have shit taste so that makes my opinion superior to yours. Since this was an album review, I'll be taking a week off to unwind and come back next Friday with the typical song a day schedule. See you then.
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just-antithings · 3 years
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underrated ship: Sid Philips x Janie (Toy Story)
djfjsjfjsjf oh my god anon youre valid
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muthaz-rapapa · 3 years
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HealPre Final Review: Not terrible but not entirely laudable either...
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*sigh* Where do I start?
Well, one thing I’m pretty sure of is that COVID definitely affected production somehow. By that, I don’t just mean the show needing to go on hiatus, resulting in a shorter run compared to previous seasons. I’m also talking about any possible changes that might’ve been made to the original narrative, if there was one.
Much like how Suite’s story had to be altered in the wake of the 2011 Tohoku earthquake and tsunami disaster, I believe Heal underwent a similar treatment in response to the pandemic becoming more widespread as 2020 went on.
Especially since it dealt with health and nature, HealPre is probably the season that has come the closest in relevancy to real life events.
Frankly, that can be quite scary because this virus was and is still a fucking nightmare on a massive global scale. From that view, I can understand why the writers/producers would be concerned of the anime hitting too near home. At least for their main demographic’s (children) sake, maybe they were compelled to shift to something lighter and less edgier so that the kids could find some comfort and enjoyment in the midst of the world’s current crisis.
So I can’t fault Toei for that, if that’s really the case. Going through a pandemic is terrifying, infuriating and exhausting and UGH. We could use something that can help ease our worries or momentarily distract us even a little bit. 
Though would it have killed them to dedicate one episode to the importance of wearing a mask or washing hands? (-_- ;;)
HOWEVER! Seeing as I am not a fragile child, I’ve still got several (oho~) criticisms to air out before I put this season behind me. This review isn’t particularly scathing but...there is a lot of discontent so you’ve been forewarned.
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But first, let’s tediously review what structure means in Precure.
We all know that there are certain things that will forever (?) remain fixed in the series formula.
The plot is always going to be “magical girls fight evil doers threatening to ruin the world”.
There are plot points to indicate story progression but in reality, are put there to correspond with toy releases which are usually marked by these five: introductions, first power up, midseason Cure, second power up, and build-up to the climax + finale.
There is usually a specific message (a theme) to be told with every season and motifs (narrative tools) to aid in getting that across. For HealPre, the theme is “living is fighting” and its motifs are “health” and “nature”.
I left out “animals” b/c 1) it didn’t hold as much significance as the other two did, 2) animals are part of nature anyway and 3) let’s be real, it’s just a synonym for “mascots” which we already get every year. :P
Right. I’m probably forgetting something but for the most part, these are immovable pillars of Precure.
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Story, on the other hand, has more variables you can work with.
Story is how you tell the plot, how you convey the message.
Precure, as a tv series, is unarguably carried by its main stars, the Cures. So it only makes sense that a huge percentage of a season’s success owes itself to how much of an impact its characters had on the audience as well as how effective their individual story arcs were as sub-plots tying back to the bigger picture (the message/theme).
Ideally, these arcs would shine the brightest in the filler episodes, where the plot  (“good guys vs. bad guys”) is less of a focus so there is more space for personal development and growth.
Also, not all character arcs have to be directly related to the plot but they ought to be written well in order to support the overarching message (the theme).
Now, has HealPre done that? Has each girl’s story demonstrated a good example of what “living is fighting” means?
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...nnnnnnyyeeee... look, even I can’t give a straightforward answer on that because while technically they did, by virtue of Nodoka’s observance in ep 44 recounting it as such, there’s also actually not enough to make it feel substantial from a viewer’s standpoint.
At least, that’s what I thought while watching HealPre.
With the exception of Nodoka’s, there was a lot of saying but not much doing to convincingly back the other girls’ arcs up. The fillers themselves were very weak, loosely composed in relation to the motifs and, if I may be so blunt, downright boring that if Nodoka didn’t phrase those episodes as things that counted towards the theme, I probably would put up more of a fight on disagreeing. so shoot me, I’m soft for her :P
And I know that sounds confusing right now but I will elaborate as I continue.
Before that though, to be utterly fair, some seasons keep their respective themes shrouded in vagueness until they’re given a more concrete form in words around the finale. So it’s not like we can do much except make educated guesses on what they really are. Most of the time, we’re just measuring everything against our perception of a standard in the fog. Or maybe that’s just me?
Nevertheless, you can just tell, y’know? By simply watching and observing the whole show, you can tell if the characterization, the development, and the outcome (essentially the content given) really live up to what the season claims is endgame.
So let’s go through that first then. The characters, starting with our lead Cure...
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Nodoka being the only Cure in her team to have an arc deserving of the praise “exceptional” should come as a surprise to no one.
She was the most solid in terms of direction on how her story was going to proceed. Out of all the girls, her journey had the greatest connection to the subject “health”, repeatedly delved into it every time the spotlight was on her and fulfilled everything it seemed to promise from her debut in episode 1.
Her struggles on the road to recovery from a long-term illness and the strength she’s drawn from that traumatizing experience as well as her time as Precure did more than establish her as the strongest character in HealPre.
She has also rose to become one of the most memorable Pink Cures in the entire franchise (personally, I rank her in the top 5).
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And it’s not hard to see why she’s earned such high regard in a lot of fans’ hearts.
The writers clearly worked a lot on her character composition to the point where she can pretty much embody the theme of “living is fighting” all on her own.
She came into HealPre fresh out of the hospital and full of earnest desire to make the most of her newfound freedom but she also wasn’t without knowledge on what hardship is. From there, she only got stronger, even when she was stumbling and trying to figure things out along the way. She grew more fortified in her beliefs on what it means to be truly live a healthy life.
She bravely defied the ones who attempted to take advantage of her and twist her cause against her. And she learned that taking care of herself is equally as important as wanting others to be safe from harm.
It was never about winning or coming out on top. It was about protecting a fundamental yet precious truth. That one thing any decent human being should never have to concede: the right to live well.
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Honestly, Nodoka is absolutely inspiring all around, as a fictional character, a heroine and a normal everyday person.
Everything about her arc went satisfyingly right like it was meant to and the best thing is, we don’t need to question it because we saw how it all happened with our very own eyes.
I sincerely wished I could say the same for the others but sadly, they were just too flawed.
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And Pegitan can throw flippers with me all day if he wants but as undeniable as the above statements are about Chiyu, her arc failed to leap over the increasingly mounting disappointment I had with every episode that’s been assigned solely to her.
Two of which weren’t even about Chiyu. One centered on Pegitan’s admiration for his partner and the other focused on her brother, Touji. Which, while nice to give to supporting/secondary characters, is a fat waste of valuable screentime and not what I’m here for.
It also didn’t help that the conflict of her arc (the indecision over choosing between two dreams) started really late in the game and was resolved so quickly within two episodes. There was no time for me to get invested into it, there was no powerful sense of conviction like how Go!Pri or Hugtto handled theirs and really, it just felt like Chiyu was only following what the script dictated for her rather than genuinely awakening to her own competitive passion towards track and field.
It was almost like it didn’t matter. Almost as if the writers procrastinated in thinking up something worthwhile to further her development...but then settled on grabbing an old idea off the shelf without refining it to suit Chiyu when they ran out of time.
This happened similarly with Minami in Go!Pri and Elena in StarPre, both of whom left me angry at how their arcs were executed. Yet theirs don’t compare to how pissed off I am about Chiyu’s. Because while Minami’s took a while to arrive, it wasn’t done poorly and linked back to Go!Pri’s theme well enough. And while Elena’s was over crammed last minute, at least it was unique to her character and had lots of potential ways to play out if they actually started it earlier on in StarPre.
Chiyu’s arc is like a discount version of the former with hardly any of the intriguing qualities of the latter. Sure, she had two early episodes that laid out the two most important aspects of her life (her family inn and her dedication to her sport) but after that, they weren’t brought up again until we were only weeks away from the ending. Y’know, just to fill up episode slots and meet the minimal requirement of saying they did give Chiyu some issue to resolve. 
It was not engaging at all.
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Furthermore, the fact that her arc had very little to no relation with either “health” or “nature” hurt my appreciation of her character somewhat. I just...don’t think her kind of story really matches with the central topics of HealPre?
...but maybe I’m being bitter about this all wrong and that’s screwing up my rational thinking on this matter.
Because Chiyu’s arc is valid under the logic of the overall theme, I would never say it isn’t. And again, character arcs don’t have to be close to the plot nor is it necessary to employ the “suffering builds character” method to make them interesting.
Chiyu always does her best every day. That’s sufficient argument on why her story does fit within the frame of HealPre’s premise.
Guess I’ll just have to wrangle my resistance into acceptance somehow.
...still, her arc could’ve been done so much better than what we were given. Chiyu at least deserved that much.
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Next, Hinata.
Since the beginning, I knew she was gonna be runner-up to Nodoka for having the (for lack of better term atm) “best” arc because it was heavily implied that she has ADHD and therefore, immediately checked off the “health” trait. She was even more obvious about it than Nozomi was.
Difficulty paying attention, hyperactivity, impulsiveness. Hinata didn’t just display all those signs, she also showed how hard it was for her to deal with the downsides to them on a regular basis.
She kept apologizing and put herself down excessively for inconveniencing her friends even though they never blamed her for her condition. Got them annoyed a few times, yes, but didn’t stop them from staying friends with her and definitely didn’t make them hate her either.
Everybody was understanding of Hinata...except Hinata because she always took her failures to heart and considered quitting several times to avoid the crushing dejection of making mistakes over and over again.
She got better, though, and no one could have summed it up more heartwarmingly than Nyatoran with the encouraging words he gave her at the conclusion of her arc. 
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But it still feels like there’s a huge chunk of development missing between the start and finish. Or rather, it seemed like all of it occurred offscreen and we were only informed later that it did in fact, happen.
To recap, iirc, Hinata had around 5 episodes that focused on her (ep 9, 13, 23, 35 and 40). Ep 18 doesn’t count because that was a Nyatoran-centric filler more than anything.
Ep 9 and 13 did their jobs of introducing and highlighting the details of Hinata’s troubles while also suggesting she will eventually learn to overcome her insecurities. The ones after, though? They pushed those issues to the backseat.
In Ep 23, she had to share the (uneven) spotlight with Asumi. Hinata’s improvements were briefly mentioned but the majority of the ep went to teaching Asumi what “cute” meant and how to get along with puppies. I mean, I get that Asumi recently joined the group and bonding with her was mandatory by tradition. But since each Cure only gets a limited number of eps to herself, it would’ve been more beneficial for Hinata if she didn’t have to split screentime with someone else’s growth schedule.
Ep 35 is slightly better but not by a whole lot. Sure, Natasha was able to reconcile with Elizabeth which was very sweet and heck, it was the goal for that episode. But again, nothing was really done or addressed about Hinata’s main conflict. She tossed it back with the rest of her homework to deal with later. ahaha, a TroPre hint
Then ep 40 came to formally close the curtains on her story and apparently, Hinata screwed up lots of times since...whenever but she picked herself up every time after and kept on trying. Awesome. So WHY didn’t we get to see that? 
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I’m not asking for the impossible here. I’m not asking for Hinata to be cured or anything miraculous like that. There is treatment available for ADHD but it is not curable.
Also, forcing Hinata to find a way to get better at studying, the thing she struggles with the most, is not the solution either because that would only make her more stressed and anxious over her own disorder.
What I want is to see how she moved from wailing “I can’t do it! I don’t wanna! I’m so scared of failing so why bother?!” to determinedly declaring “So what if I failed 1 or 100 times? So what if I fail another 1000 times? What matters is that I don’t let that stop me!”
That confidence is not something that can be built up overnight. It’s gradual and it takes numerous tries to reach from where Hinata was to where Hinata is now.
Telling me she grew emotionally stronger can only allow me to believe so much. I need to actually witness the changes as well.
If it weren’t for that, Hinata’s arc would have been a lot more impressive. Shame.
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Finally............... Asumi.
Asumi, Asumi, Asumi, Asumi, Asumi, Asumi, Asumi... *sighs & drums fingers*
...she has no arc, ok? Seriously, what story is there to speak of, much less write a hefty analysis on?
A spirit born for the sake of Latte who just went along with the Precure ride because Latte didn’t want to abandon her duty. She made friends with those who aren’t Latte, extended her knowledge and understanding and gained valuable human experience during her stay on Earth. But ultimately, she will always define her entire existence around a puppy. 
Nothing is more important than this puppy.
...... to be honest, Asumi not having a storyline isn’t what bothers me. It’s her lack of depth that does.
Hell, even the giant burger she ate had more depth than she did!
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Oh, Asumi does have a personality alright. She’s consistently and unfailingly polite, utterly devoted to her raison d’être and in crucial moments, gives pearls of wisdom when the girls are in a pinch. She’s good.
But if that’s all she is, then she’s also painfully dull.
She has nothing to contribute to the discussion of health or nature, despite being created through an element of the Earth so you’d think she’d have an opinion of her own. At least worry about the planet that gave life to her as much as she frets over Latte all the time. But nope.
She shares the exact same face as Teatine’s past Precure partner so you’d think we’d explore that connection to see if it would influence or affect her in any way. But nope.
90% of the time, her role was just being Latte’s constant, fawning satellite.
Not only did that irritate the hell out of me but it just reinforced my stance that this type of character is one of the worst you can ever insert into any narrative.
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Because if someone keeps reiterating how much they’re obsessed with this one thing and seldom talks about anything else without bringing their obsession into it... then what’s so special about them on their own?
You’ve practically surrendered the different qualities you could have had for worship of something else. That’s not a fair trade-in.
Asumi’s character is so packed with Latte-related stuff that there’s not much space left for anything that can be considered uniquely Asumi.
I mean, maybe it’s because I can never see myself or any normal person comfortable with living like that.
Living for the sake of being together with the one you love? Okay. But living with your whole universe revolving around that one thing? Making most if not all decisions based on this one thing?
No. That’s absolutely crazy, alright? Nobody with a healthy amount of awareness and self-worth would live like that.
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And you can counter that Asumi’s just born like that. That she can’t help her origins because Teatine’s wish to protect her daughter is essentially what brought Asumi into existence so of course, her biggest concern would be Latte. At least, she wasn’t forced into it, right? As long as Asumi chose of her own will to follow Latte, it should be fine, right?
You can even use the fact that Asumi isn’t human. That she’s a spirit and we shouldn’t apply our human standards too strictly to her.
Yea, but those are feeble defenses in the face of her being a good main character, a good main heroine. 
There are many ways to make a decent MC. The way Asumi was written proves she certainly does not possess traits that can classify her as true protagonist material. A protagonist has to be more than one amplified feature, which Asumi is not.
For the record, I don’t hate Asumi (she’s not interesting enough to generate a feeling that intense). I'm just severely let down because even if I don’t end up loving the midseason Cure for whatever reason, I can usually count on them to bring something intriguing to the table to dissect and analyze. At least I should find something to care about them.
Didn’t happen with her. :(
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Oh god, I’ve been working on this post for days now and I’ve got a headache and with the baton pass happening in less than a few hours as I type this, I just really need to get it done and over with so please forgive me for speeding up through the rest, I’ll try to keep it as coherent as possible. NYARGH! (@_@ ;;)
Mascots.
Would you be surprised to hear that I’m not surprised that they were actually written very well?
Like I said early on, I suspected the return of fairy partnerships were going to improve the mascots’ significance in the story and, well, I was right. 
This time, they didn’t just fill in the usual expectations of relaying exposition, serving as the Cures’ transformation devices and looking cute for the merchandise. The Healing Animals had to make progress on their own training to become doctors as well.
And they did through their relationships with their human partners.
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It was a refreshing take on the mascot aspect of the series because the friendships felt really symbiotic. When the trainees arrived on Earth, they relied on the girls to help them perform their jobs as well as provide them with shelter, food, the occasional peptalk about their trainee status, etc.
Then as the story continued and they got to know each other better, the mascots were able to return the favor by giving support when the Cures needed it. Rabirin when Nodoka was frightened and confused about how to deal with Daruizen, Pegitan when Chiyu was having trouble choosing between two dreams and Nyatoran who made sure to always lift Hinata’s spirits up when she got upset at herself.
In short, they achieved their objectives of learning what it means to be good doctors by being there for their friends! How wonderful! :D
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My memory for Latte is hazy, unfortunately, since she’s coddled by everyone all the time (can’t blame them, she’s friggin’ adorable! <3) but I’ll never forget how she stood firm on the battlefield to see things through, to fight for the Earth like she promised her mother. She started out so babie but showed us all there was enormous bravery behind her cute face and ugh, we should all be very proud of her! <3
The only major issues I had about the mascots were these:
1) Too many irrelevant fillers went to them. They only needed a maximum of two for their entire mascot group.
2) Latte kept getting sick even after she acquired a Precure partner of her own. I was hoping it wouldn’t hurt her as much as it did before Asumi arrived or that she would build up a stronger immunity but noooo, they insisted on torturing the poor pupper! T_T
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Villains + Finale Battle
Not a lot needs to be said for the first part. We’ve had mediocre antagonists before. HealPre’s just happened to be extra annoying as they were despicable. 
Which is worse because jerks you can just leave in the trash but assholes won’t stop harassing you unless you pummel them into their graves, set fire to their corpses and leave no trace of them behind! >:(
Y’all know who I’m talking about. Opinions on him continue to vary depending on who you talk to and if they’re avid fans of his face or not but whatever. The son of a bitch served his purpose and is dead now. That’s all that matters to me.
Anyway, the King was flat like his two lesser generals. He was neither intimidating nor distinguished enough in the brand of evil to really make us think of him as a serious threat and because of that, it ended up making the boss fight look like any run of the mill boss fight.
I know, they tried so hard with all that shiny animation but it just didn’t have that glorious sense of vindication that previous seasons (or ep 42) gave and I blame it all on this Rumiko Takahashi reject.
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Also, this strategy was pretty useless?
They built it up like Earth was gonna sacrifice herself and die or something (she wouldn’t and even if she came close, deus ex machina would’ve kicked in to prevent that and COVID-induced caution too I guess). 
But there were no signs of pain (well, that’s a relief) after absorbing Shindoi-ne and they really pissed King Byogen off more than they did any damage with the absorbed byo-gen power.
...so yea, this tactic was just to kill some time and budget, nothing more. Meh.
By the way, did Asumi eject Shindoi-ne’s pathogen out of her body yet or did they just leave it in there to bounce around until it eventually dissolves on its own?
Because that’s eww. I mean, it’s obviously not gonna hurt Asumi they can both relate on hyperfocusing their affection for someone so maybe the compatibility helps :P but still, ewwwww.
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Fillers + Underused Motifs
In hindsight, perhaps HealPre didn’t exactly promise the content we I wanted about “health” and “nature” if their objective was to teach that any manner of “fighting” can count towards “living”.
......but fuck you Toei, you’re still cowards! >:/
Fillers will be fillers but it’s always better to try and make some of them as meaningful as possible. And they wasted the opportunity to inform an impressionable audience (during a very crucial period of our time, I must add) on a lot of things related to the HealPre’s motifs. Especially about the environment which for some ridiculous reason, they chose not to touch on for the main stretch of the overall story.
Proper hygiene, good diet plan and sleeping habits, regular exercise (already done by the girls a few times but could use another example), meditation, counseling/therapy (especially for mental health!), etc.
Real life pollution, climate change/global warming (IMPORTANT!!), deforestation, preservation vs conservation, endangered species, recycling, volunteering to clean up your community, etc.
These just came off the top of my head but yes, there’s more and no, I’m not saying that the writers need to cover all of them in extreme detail or replace the slice-of-life episodes.
But they should be able to mesh both serious and light-hearted together in harmony somehow. Like those fillers where the mascots saw people cleaning up littering at the park or that interaction with that arborist who taught them about wild animals and trees when the group went to visit a lake.
For health, maybe let the girls visit patients with chronic illness in the hospital or have them converse with a medical professional on some matter. Particularly if it’s got something to do with mental illness because stigma in Japan on those who are afflicted with such conditions is still prevalent and has caused a number of sad and shocking tragedies that could have otherwise been avoided if people didn’t have such outdated, judgmental mindsets.
That last part might be too dark for a children’s anime but there’s a lot more out there that is doable.
Do that without reducing it into a footnote, Toei. It is so necessary for your target audience to be aware of these issues at the age they are now. You have an almost 20-year old franchise to serve as a very effective platform. Make better use of it if you truly care about the message you’re conveying through your show!
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Also, what the fuck.
The last episode was a mess. Why are you only mentioning this now when the season is already over?
This should’ve been brought up months ago!
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All the things we could’ve seen the Cures done to protect the Earth without magic.
The excuse of “I didn’t know humans were so horrible!” is a shit one because everybody knows humans are deplorable trash when it comes to abusing the Earth. All the more reason why you have to persistently drill it into people’s heads that they should not be like those who don’t care or choose not to care.
One crack episode isn’t going to cut that.
God, I so want to unsee this ep just so I don’t have to end HealPre on a more sour note than it already was. *big aggrieved sigh*
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Lastly (and this really is the end of my long ranting, I promise), the missing undisclosed lore.
There are few Precure seasons without a past lore of its own in the recent years. Is it a wonder, though?
Lore is mysterious and fascinating. If it involves a past Precure, even more so.
Sometimes fans might just hang onto a show because they’re curious about what happened before the main story. We’d never get the full tale of those adventures but at least, it’s fun to imagine the “prequel”.
Also, past Precure are just badass. Fact.
Strangely enough, we didn’t get that for Heal. All we know is that she was called “Fuu” and was very close to Teatine. 
Hmm. Probably one of those changes caused by COVID interference cuz I can’t imagine the writers choosing not to tell her past in the original draft.
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With all that finally off my chest, I’m ready to part ways with you girls until the next All Stars (Nodoka, I’m gonna miss you so much! T_T)
HealPre wasn’t the worst and it was nowhere near the best that it had the potential to be. But it’s passable. At least for those who loved it even with its flaws, I’m genuinely glad it was good for you.
For those who are thinking about picking it up (although why you would read this spoilery post before watching, I have no idea), if you’re looking for a standard magical girl anime to enjoy casually, then this is a safe pick. If you really want to invest your attention and heart into it, though? Then perhaps it would be in your interest to ask someone who saw it already to help you filter out the episodes that are worth watching. You don’t need to worry about the rest, they’re inconsequential. :P
Ok then! Thanks for reading as always, brave souls who have reached this point. 
Stay healthy and safe out there and I’ll see you at the beach next week! Tropic underwater paradise here we coooooommmmmeeeeee!!!!!!!!!!!! xDDD
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just-call-me-sei · 4 years
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This needs to be said:
Build Divers Re:Rise IS GUNDAM!
Holy fuck! This series started off really slow. Little did I know it was all to build momentum. Typically anything from the Gundam franchise with “Build” attached to it’s title is hard take seriously, because at the end of the day they are essentially just toy commercials to promote Gunpla.
What I feel makes them the most enjoyable are the throwbacks, cameo’s, Easter eggs, etc. from the more mainline series mixed in with heavy Shounen anime vibes. Which is great, if you just sit back and enjoy what’s happening on screen. Once you start bringing up the plot points and themes behind the story decision making is where it tends to fall apart. All of the great battles become nothing more than just selling the latest Gunpla model kit, with highly exaggerated reasonings backing them.
They tried to change up the formula by incorporating very cliché anime VRMMO tropes into mix with Build Divers. Where everything takes places in a VR fantasy universe, with furries included. It was not very well received, because you could tell they were just trying to do what was popular. All in all it was poor attempt at trying to copy similar anime stories like Sword Art Online and .Hack. But y’know, with Gunpla/Gundam battles. It all felt very out of place. Don’t get me wrong, it had its moments, but other than those moments. It was easily forgettable.
About a year after the conclusion of Build Divers, they announced that there would be a Second Season. Promising that they wanted to do something “different”. Basically going back to the drawing board with what they were trying to with the original Build Divers series and appropriately attaching Re:Rise to the title to show the change. One of the promises from the new head of the project was a deeper and fulfilling story for fans of Gundam.
So began Re:Rise. A pseudo continuation of the story introduced in Season 1, but with a new cast and different perspective from the major events that occurred. The first thing that most viewers noticed right away was that it was indeed very story heavy. Maybe a bit too much. With the lack of a traditional battle of the day episode/s, it had a noticeably slower pacing. In fact, this one was focused a whole lot more on the characters than the actual Gunpla/Gundam battles right from the get-go. I honestly kept with the story because it was indeed very different, and I was curious on where the hell they were going with all of it.
Then it happened. About a dozen episodes in, basically the halfway point of the series. Things really started falling into place story wise. Everything new they introduced, in addition to tying in the weird plot elements of season 1. They made it work...but then...COVID hit. And the show went on hiatus for a while. I didn’t realize how much of an impact the story had made, until I HAD to actually wait for the next episode to air(which usually released every Thursday). But boy, when the series finally came back to its normal schedule. They didn’t skip a beat, and kept that hype train rolling.
Now after watching the latest episode(with only 1 more episode left, that airs tomorrow at the time of this writing). I find myself hardcore rooting for main cast. Probably more so than I have for any cast of fictional anime characters in a long time. Like hot damn! I’m thankful they decided to throw out the toy commercial aspects and give this series a more dedicated story telling. It’s by far the best decision Sunrise has made for the Build series.
I say this series is Gundam, because it has all of the core elements that every great mainline Gundam series had; Hope. That’s literally what Gundam is. Hope, and the emotional influence behind it and how it effects the characters within it.
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shidoukanae · 4 years
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YGO! Questionnaire
Tagged by @cipher-wise​
Favorite series:
My favorite series based on what I watched and enjoyed would have to be Arc-V!!! It's honestly the series that got me to adore YGO when previously I'd seen YGO as, and I chilidishly quote, "uncool". Everything about Arc-V is pretty much wonderful: Yuya's presence as a "everyone MUST be happy" kind of character in a plot that discusses themes of war, revenge, and despair is absolutely refreshing (especially when Yuya's ideals of happiness are stripped from him and made a mockery of by, *coughs* one of my favorite characters in the franchise *coughs*). 
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I love how the four Yuu boys are a wonderful combination of "protagonists" (/anatagonists) and how they each play off of each other's weaknesses and strengths, often acting as mirrors to each other in their individual dimensions while having amazing interactions (Yugo and Yuri, anyone? Yuri and Yuya?).
I admire how the endgame plot is a perversion of Yuya's ideals: he gets what he wants, showering happiness upon all, but that "happiness" is corrupted into the notion of entertainment. While Yuya seeks to provide people with smiles and laughter, to give them hope to work together through tough times and to stay strong in the face of adversity, his "counterparts" in the endgame are really good at acting as Yuya's mirror: showing that his style of performing can also be used to appease the bloodthirst of one's own self and that happiness can be corrupted into self-deserving power.
...Hard to put that into exact words without spoiling a lot of things but, gosh, let's just say that Yuri and ____ are the perfect mirrors to Yuya in terms of what his entertainment dueling style is meant to be.
The plot over all is pretty good! I won't lie and say it stands strong all the way throughout the story but the first half is amazing and there are some pretty strong episodes in the second half (Yugo and Rin, the parasite episodes in general, Yuri Yuri YURI). I can definitely say that the humor is there, the characters are amazing (if nothing else, watch for the Yuu Boys, the Bracelet Gals, and Shun versus Sora!!) and having come into the show around episode 104, I was pleasantly surprised by the trip Arc-V brought me and how it played with its protagonist, giving him hope, kicking him down, and toying with his mind - just like the way a warzone might to any idealistic individual.
In terms of other series, I like VRAINS but only up to like episode 19 (or the end of the Data Bank arc). It had potential and I kept hoping it would get better but the plot was constantly floundering, there are plot holes abundant (sewer monsters, ugh), character development is inconsistent not to mention very shallow, VRAINS has some of the best side characters but they're kicked to the curb by a bland protagonist and a villain that could've been so much cooler but they made him a sympathetic mess.
...I have a lot of gripes with VRAINS but, if it were to ever be rewritten with clear goalposts and plot twists in mind (not to mention development on ideas like Charisma Duelists because at the end of the show I still have not a fucking clue what a Charisma Duelists is or was) I would say it has potential to become my favorite series but Arc-V clearly beats it for me in every category lmao.
Zexal’s also really good too!!! I don’t get all the hate behind it because it’s actually really interesting and engaging (also IV’s definition of fanservice is literally the only type of fanservice I will ever accept) and I think I’ve even cried a couple of times during the course of the plot which is like,,, shocking considering it’s not a show I thought I’d cry over (I cried in Arc-V too but goddamn does tiny Yuya just want to make you tear up lmao). This show is really good emotionally and it’s literally so stupid how Kaito carries a lot of the early and middle game of the show yet most of the meat of the plot doesn’t begin to unravel until the second season.
Also, if you ever want to watch a show of 100+ episodes that is so masterfully written that there is foreshadowing for stuff in like episode 130+ on EPISODE ONE, please watch this. Literally there are so many hints of what is going to happen in the future in the early episodes and you won’t really be able to tell what those hints are until you’ve finished the show but goddamn when you go back and rewatch things it does indeed feel amazing how much foreshadowing they threaded into the show without you ever knowing...(please don’t search for spoilers if you intend to watch this. I went into the show knowing some spoilers tho not all and, while I was still pleased by what I watched, I honestly can agree the show is A Lot Better without knowing ANYTHING)
Favorite Protagonist: Yuya. For sure, out of all the series, Yuya. 
He’s a refreshing protagonist, especially considering he shines in a world of war and despair. He’s also someone who you empathize with right at the start and want to hope in, especially since he is the “happiness” in a word of “madness” and “sorrow”. He’s not someone out to save the world (not really, anyways), but his actions touch on the lives of others anyways, giving people in a hope in a world that is otherwise cruel and heartless. Also, it really helps that he’s able to pull you into his world of “egaos”, making you believe in him and root for him despite how cheesy his ideals may or may not sound.
Also love how, despite being the centerpiece of “happiness”, Yuya isn’t allowed to always be happy :> Not spoiling plot related things but if you like protagonists going off the rails insane at times, Yuya’s definitely a fun protagonist for that!!!
Favorite Rival:
Kaito Tenjou!!! Literally the best rival in the series that I’ve seen. Everything about him is literally perfect ngl. From the way he’s chillingly introduced, with the spine-tingling whistles and cruel, almost merciless nature, to the way he slowly becomes sympathetic while also remaining a terrifying presence whenever he appears...I love him????
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Favorite BFF:
Does Shoichi count? Because like...he’s Yusaku’s closest friend and ally in the series and I generally don’t pay attention to the other BFF’s in the other series (or at least, the ones I can recall bc I know in Zexal that Yuma has a whole group of friends lmao).
But I like Shoichi!! He cares about Yusaku a lot, is pretty damn cool as a sidekick hacker, his sideplot with his brother was actually honestly endearing and I loved the mystery about him. His early-game jokes w/ Ai to tease Yusaku were also a good laugh.
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Favorite GFF: 
Not a girl friend forever for the main protagonist (although she like...lowkey confessed to him...though that plot really never went anywhere so I still don’t know what the fuck THAT was about) but,,, Ema Bessho,,
If y’all knew me back in my peak YGO days when VRAINS was airing,,, this gal was and STILL is my favorite girl of the YGO series. Even though she was pretty much done dirty imo I still love her (even despite considering she’s been made a damsel-in-distress at least three times, she’s only ever won one duel on-screen despite being supposedly good at dueling, ngl they could’ve done so much more with her but tbh she’s mostly just an asset to solve problems at whim and barely gets character development/does nothing but watch and spectate stuff late-game).
Even though she’s like...the unfortunate side character who’s probably meant to be more fanservice than interesting, in the first 19 episodes (and even the Revolver vs. her fight as well as the one time she meets Aoi IRL early-game) made her out to be a lot cooler and complex than she ended up being. I mean,,, a hacker gal who’s self-serving, cynical, and cold-hearted taking on the tasks of her (potentially ex) boyfriend while being really nice to his sister to the point she baffles even herself,,, we could’ve had a really unique and cool character to play around with here but instead we got...cool-ass character with potential to be something more reduced to a spectator with nothing better to do than idolize the main protagonist and have a plot with her brother that honestly detracted from her character more than it added to it imo.
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Also Ema could’ve been a female Yuri but,,, nope,,, they decided she was better as a background piece instead TwT
Favorite Villain: Yuri.
Literally Yuri.
I could choose the leather jacket w/ fluff boi in a certain series because hot damn was that guy convincing AF that he wasn’t an evil psychopath (and even while knowing that he was, I still got fooled into thinking he was a good guy somehow omg) however,,, I’ve always held a love for Yuri and the way he’s been portrayed.
Despite ALWAYS being the bad guy, the show has always made this purple fucker into the most entertaining character on-screen. He even beats Yuya sometimes in terms of how entertaining he is - that’s literally how good he is,,
Also his facial expressions are amazing, he’s a VERY VALID threat to the main cast (and his creeper levels are not only off the charts but literally called out by the main female protagonist herself lmao), and he acts as the perfect foil to Yuya, battling not to entertain others but to entertain himself.
Also, he likes killing people.
No this is not a joke.
He literally likes killing people. And is pretty sadistic about it, too.
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(^^^^ for those who don’t get the joke, “Fusion” is pronounced “Yuugo” which sounds similar to “Yugo” which is what,,, Yuri is making fun of,,, more context is needed of course but this is a Great Running Gag)
Favorite card:
I don’t know if it actually exists as an actual card but...that crystal dragon from the YGO movie with the glass pyramid. Blue-Eyes Shining Dragon...it’s really pretty...I love it...
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Favorite Episode:
I’m...too lazy to search for names of these episodes but I can give brief summaries of them,,, because I can’t choose,,,
Arc-V: Shun vs. Sora (ALL episodes). Hot damn if you have never watched YGO but want to try and see for yourself why people like it: WATCH THESE EPISODES. I can’t explain how amazing these episodes are and, while I admit jumping straight into them might have you missing out on some important context (such as who Shun is or why Sora’s battle tactics lead to revelation) it’s honestly an amazing fight regardless. The battle starts off plain enough - there’s obvious tension, it seems like a typical fight of a battle royale, etc. - my god does the battle ramp up in emotional tension and promptly kick you in the gut with not only how blindsided you’ve been, but it also showcases just how cruel these “entertainment duels” can really get.
Any episode with Yuri. Literally any episode he’s in. 
I think this is like...episode 8 of VRAINS...but whenever it is that Akira hires Ema to find the reason why Aoi just...straight up got knocked into a coma. Literally this is my favorite episode when it comes to Ema. The way she makes fun of Akira even while aware of his situation,,, her cruel selfishness and desire for money bubbling to the surface, the way she confesses how she can’t be trusted willingly and still asks Akira why he’s hiring her,,, god I love this episode in terms of what Ema could’ve always been.
Episode 13 (/14?) of Zexal!!! This is the episode Kaito appears and when the show REALLY picks up. Kaito is a fun bastard of a rival and tbh I don’t think I’ll ever stop getting chills of him walking in, debris frozen in time all around him, as he approaches his victim, whistling an eerie children’s tune as he gets ready to close in for the kill,,,,
Favorite Deck to Use:
I don’t...really play the game itself but...I have used a couple of decks and I guess you can say I really love Raid Raptors??? First of all, those warbirds make really fun sounds I love ‘em in the anime but they’re also just fun to use in general (even tho I used a,,, very basic deck for them,,, I love them still).
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Fusion, Ritual, Synchro, XYZ, Pendulum or Link:
XYZ bc it’s really the only summoning method I’m used to lol :P. Also XYZ loyalist I guess???? 
Years in fandom: roughly five to six years iirc? I mean, I was a fan of the early day YGO and watched it as a kid but not active enough to be in the fandom for it lmao. Also not in the fandom atm because Sevens lost my attention (it’s a good show!!! I’m just unfortunately more a fan of things with serious plots and darker themes and it’s hard for me to stomach slice-of-life shows that don’t focus on a mature and engaging plot). However, Arc-V and Zexal holds a special place in my heart (as does VRAINS, begrudgingly) and so I occasionally find myself wandering back to these shows like right now,,, 
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broken-clover · 4 years
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Digimon Frontier had the best digivolutions in the franchise. Its also my fav Digimon season. I barely know anyone who likes it as much as I do :D
...Rex you are unlocking my repressed weeb shit. Why would you do this to me.
Ok ok so I positively adore frontier, I haven’t exactly been counting I but I have watched and rewatched it more than any other Digimon season. I know people didn’t tend to like it compared to others because of the sentai elements or because they didn’t like the characters but I could not get enough of it. Still can’t!
Like, yeah, is it flawed? Of course it is, all the seasons had some kind of drawback or two to them. But there’s so many cool things it included!! It may not have managed such a consistent ‘computer’ theme like Adventure and Tamers but imo I think it still had some of the best worldbuilding, and I feel like it did the best job of feeling like a separate world with its own independent society that intermingles with one another. And all the setpieces felt so grand and colorful. (Breezy Village and the Village of Flame are probably my favorites) It all felt like one massive, intrepid adventure with a sense of wonder to it all. And honestly just in general I think they whipped out some really creative concepts compared to other seasons, like the giant toy castle and the Rose Morning Star. Hell, there was an episode on the frickin moon!! And the king of the moon was a star that sounded like Elvis!!
As much as people seem to dislike the season’s concept of actually turning into Digimon, I honestly thought it was a really cool idea? Maybe it’s partly because when I was a kid watching the show I really preferred the monsters over the kids themselves. Sure tamers helped, but they never did the actual fighting. Having the protagonists actually fight gave the show a lot more stakes I think because they were always directly in danger, plus there was a tangible way to show that they were growing more powerful with time, being able to defeat bigger and more dangerous enemies. 
Which brings me to another thing!! Royal Knights Arc!! Spending several episodes showing the protagonists actually lose battles but slowly altering tactics to grow better at fighting and gradually overpowering the enemy, all the while showing off more of the awesome worldbuilding and showing how Digimon society reacts to the possibility of being annihilated and everyone working together to help one another!! The tension of slowly losing more and more land and watching the world vanish but never giving up!! Callbacks to earlier in the series!! The series tone was at its peak during the whole thing
And this is just a personal thing but I think this season scared the shit out of me as a kid more than any of the others. I always hear people say Tamers was the most horrifying season but it never really creeped me out for whatever reason. But like. Ominous creepy demon child monologuing about the end times while trapped in the planet’s core. Knowing that right from the start the world is on the cusp of all-out war/total annihilation of all life following two other massive conflicts. The concept of the edge of the world vanishing and you can literally fall into the endless abyss (less openly terrifying than the others I guess but HOLY SHIT did that concept scare the hell out of me as a kid). Mercurimon’s creepy ass mirror face and the fact that he was able to murder several powerful characters without even directly attacking them. The idea of losing your mind and body to a bloodthirsty creature but also needing to take that risk otherwise the world is 100% fucked, the entire Sakkakumon arc with the combination of forcing middle schoolers to face their deep personal trauma and that horrifying fucking face, culminating with him beating the main protagonist within an inch of his life and nearly snapping his neck and only hesitating for the sake of his own sadistic enjoyment. LITERALLY EVERYTHING ABOUT DUSKMON. LITERALLY EVERYTHING. EYES DO NOT GO THERE. 
And there’s so many other things I could ramble about, like my appreciation for them flipping the basic premise of ‘light=good and dark=bad’ right from the get go by having the wielder of the spirits of light be an asocial asshole and also showing that not everything associated with darkness is inherently bad/evil/frightening, or that when I was little I wasn’t the biggest fan of Junpei but now that I’m older he’s my absolute favorite because I find his story incredibly realistic and relatable. But I think I’ve made my point and then some already. Frontier good. I like a lot. Now I want to watch it again.
Also like I said, Zephyrmon was basically my gay awakening
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the-desolated-quill · 5 years
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Okay, Enough With The Live Action/CGI Hybrids - Quill’s Scribbles
So the trailer for the upcoming Sonic The Hedgehog movie came out...
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Do I really need to say it? Everyone and their mums have already said it. Hell, you’re probably saying it right now.
Sigh. Okay. Fuck it. I’ll say it.
Who the fuck thought this was a good idea?!?!
The trailer itself is shockingly bad. It looks bland and generic with almost nothing in common with the games. The jokes are forced and painfully unfunny (why are the people in the airport more concerned that the ‘child’ in the bag isn’t James Marsden’s rather than that there’s a fucking child in the bag in the first place?!), Jim Carrey is being his usual obnoxious self and is plain and simply a terrible choice for Doctor Eggman (isn’t the whole point of Doctor Eggman that he’s supposed to, you know, look like an egg?), and the soundtrack is utterly cringeworthy (Gangsta’s Paradise? Really?!?!). But that all pales in comparison to by far and away the biggest problem with the trailer. And I think you can all guess what that is. 
Yes I’m of course referring to the noticeable absence of Team Chaotix. An artistic decision so despicable, it’s practically a hate crime. For shame! Everyone knows that Charmy Bee is the best character in the franchise and yet they don’t have the guts to put him in the movie! Fucking philistines!
...
Oh yeah, and Sonic the Hedgehog looks like a monstrous abomination concocted from the fever dreams of Doctor Frankenstein and Walt Disney.
It’s hard to know where to start when talking about just how grotesque and disgusting this CGI Sonic is. He looks like what your computer would produce if it caught pneumonia. What I especially don’t understand is why they veered away so heavily from the original, iconic design. I mean...
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I don’t know about you, but I’d honestly have no problem if the movie just kept this look from the games. Hell, I think even giving him realistic fur would be pushing it. This is perfectly fine. I could totally see this design working in a movie. Instead we get the secret love child of Gollum and Papa Smurf.
He just looks so weird with human proportions. The leg muscles, the two eyes, the human looking teeth. Apparently the filmmakers wanted this Sonic to look as realistic as possible. Because when I pay to see a movie about an anthropomorphic blue hedgehog that can run at supersonic speeds, that’s my first thought. ‘Is it realistic?’
... Jesus Christ.
But of course the main problem with this live action Sonic movie is that it exists in the first place. When it was first announced, I assumed in my naivety that it would be an animated movie. Because that would make sense, right? There have been movie and TV adaptations before and they were all animated. Imagine a big budget computer animated Sonic movie. That would be really cool. But it was not to be. In Hollywood’s infinite wisdom, they decided to go the live action route because... Actually why did they choose to go the live action route? Well that’s what I hope to address in this very Scribble.
Live action adaptations and remakes are nothing new of course. Disney had tried it a few times in the past with movies like 101 Dalmations, there have been other live action versions of animated or illustrated characters such as the Grinch and the Cat In The Hat, Garfield, the Smurfs and Alvin and the Chipmunks, and there was of course the infamous Super Mario Bros movie, which answered the question of what it would be like if the Mushroom Kingdom took place in the same universe as Judge Dredd. But this is the first time live action/CGI hybrids have been huge money spinners. Disney struck gold back in 2010 when Tim Burton’s version of Alice In Wonderland made a billion dollars at the box office and now the company is mining through their back catalogue of Disney classics and giving all their movies the live action treatment. Initially I was okay with this because in the case of Alice In Wonderland and Maleficent they were at least trying to reinterpret the original films and put a new spin on them, but now they just seem to be copying the movies verbatim. Making live action remakes just for the sake of making live action remakes.
Now other studios are trying their hand at, the most notable being Pokemon: Detective Pikachu. Here’s a picture of the original Pikachu:
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Cute, right?
Now here’s a picture of the live action Pikachu:
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Can you see the problem here?
(also why the hell is Ryan Reynolds the voice of Pikachu? I honestly can’t think of anyone more inappropriate for the role. It’s like casting Samuel L. Jackson as a Powerpuff Girl)
The fact of the matter is some things just don’t work in live action. Sonic the Hedgehog and Pokemon work in their respective universes because they’re animated creatures in an animated world, and their anatomy and design fit that world. In the real world, it just doesn’t work. Pikachu looks strange and kind of creepy in the real world. The same is true of the other Pokemon. Jigglypuff looks utterly adorable in the games and animated show with its spherical body and cartoon eyes and you just want to take one to bed with you and cuddle them like a teddy bear, but in the real world it looks fucking scary!
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I wouldn’t want to cuddle that thing! It looks like it would go for my throat given the opportunity!
The same is true of Sonic. Paramount’s attempts to make him look more ‘realistic’ just makes him look incredibly alien and out of place.
Another example I like to bring up is the film Christopher Robin. Now we all know Winnie the Pooh. Silly ol’ bear. Charming, cuddly and endearing, right? Just look at him.
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How can you not fall in love with him?
Now here’s the live action version:
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When I first saw the trailer, I was utterly creeped out. He looks like something out of a horror movie. Add to that that they got the original voice actor from the Disney cartoons to reprise the role, and Winnie the Pooh pretty much became the source of all my nightmares for the next couple of weeks. That lovable voice should not be coming out of that... thing.
It’s a pattern that repeats itself over and over again. Look:
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Charming and lovable.
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Weird and unsettling.
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Creative and fun.
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Photoshop disaster.
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Sweet and likeable.
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Fetch my crucifix and holy water.
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Emotional and expressive.
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So ‘realistic’ to the point where he looks like he has the emotional range of a teaspoon.
Now I recognise this largely comes down to subjective opinion. If you like these CGI redesigns, that’s great. More power to you. But I know for a fact I’m not the only one getting increasingly weirded out by these computer generated demons from Hell.
So why does Hollywood keep making these films. Well obviously in the case of Disney it’s because they’ve ran out of original ideas and want to make a quick buck by exploiting their audience’s nostalgia. (the same can be said of the Star Wars sequel trilogy). But what about other studios? Yes they’re financially motivated too, but there’s got to be more to it than that.
I think it’s largely down to the stigma of animated movies. Animation has become synonymous with children. When you hear the term ‘animated movie’, you automatically associate it with ‘kid’s film’. And ‘kid’s film’ is often used in a negative context. Like it’s somehow lesser than quote/unquote ‘proper’ movies. Live action suggests a certain pedigree. A sense of prestige. But that’s obviously bollocks. The quality of a film isn’t dictated by whether it’s live action or animated. It’s determined by the writing, directing and acting. There have been live action films made for kids and animated films made for adults. And I’m not talking about Sausage Party. I’m talking about Finding Nemo.
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Now I know what you’re thinking. Finding Nemo? Isn’t that a kid’s film? No. It’s a family film. And that right there is the problem. You heard me say Finding Nemo, an animated film about talking fish, and you automatically associated it with a kids film. But the thing is Finding Nemo deals with some very dark and adult themes and its moral message of not being overprotective and allowing children to take risks is intended for the parents, not the kids. Obviously kids can still watch and enjoy Finding Nemo, but it’s the parents who are clearly the target here. The same is true of Toy Story 3. Children can still watch and enjoy it, but the film is clearly intended for people who watched the original Toy Story when they were a kid and are now grown up. When you stop and think about it, it’s really sad that family movies are associated with kids movies. Not that there’s anything wrong with kids movies obviously. But why do people assume that family movies are meant for kids? Why can’t they be adult stories that are also accessible to children? Books have done it. The Artemis Fowl series is kid friendly, but its tone, themes and style suggest the author has an older and more sophisticated target audience in mind. A Series Of Unfortunate Events is popular with kids, but it’s adults that get the full experience because of the way Lemony Snicket uses postmodern and meta-textual elements in the books, which would sail clean over the head of a kid reading it. The idea that a live action remake is somehow more ‘grown-up’ than an animated movie is just absurd. The original Lion King was very grown up, thank you very much. There are lots of bright colours and fun songs for the kids, but it also doesn’t sugarcoat the darker themes such as death, betrayal, corruption and abuse of power. Mufaser’s death isn’t going to be made any more impactful in live action. The animated version was more than heartbreaking.
Shifting the conversation back to Sonic, this is also intrinsically linked with another problem with Hollywood at the moment. Movie adaptations of video games. And again, it’s a similar problem. People, especially critics, view video games as being lesser than movies. Roger Ebert famously said that video games will never be considered art. But that’s nonsense. There have been loads of video games that could be and have been considered art. BioShock, for instance, which scrutinises and criticises both objectivism and capitalism. There’s the Mass Effect trilogy, which is often described as this generation’s Star Wars. The Last Of Us is widely considered to be a masterpiece by gamers and literacy scholars alike. Hell, the fact that Hollywood wants to make movie adaptations of video games at all suggests that games do in fact have some inherent artistic value after all. And it’s not as if I’m wholly against making movies based on video games. There are some games that could translate really well to films, Sonic being one of them. (I personally loved the Ratchet & Clank movie, for example. It’s just a shame nobody else fucking watched it due to the almost non-existent marketing). However there’s an inherent problem with translating video games to movies as opposed to, say, translating books to movies. In book to movies adaptations, studios are adding something. Visuals, sound, performance, etc. In video game to movie adaptations, they have to take things away. The most obvious is interactivity. Unlike movies where nothing is required of the audience other than to just dumbly stare at the screen, video games require the audience to actively control the story. Move the character, kill baddies, solve problems and stay alive. You are an active participant in the narrative. As a result, the emotional connection you feel with both the plot and the characters is often stronger than that in a movie because you have direct influence over what happens. 
Also video games have the luxury of being able to tell their stories over the course of eight to thirty to even a hundred hours of gameplay. There’s no way you could condense something like The Last Of Us down to a two and a half hour movie. There would just be too much lost. Important character moments and plot points that would have to be chucked in the bin. Yes things get lost in book to movie adaptations, but nowhere near at the scale of a game to movie adaptation. A possible workaround would be to make game to TV adaptations instead, but then we’re back to the interactivity problem again. And don’t get me wrong, I’m not saying that movies are better than books or that video games are better than movies. I’m just saying they’re each individually suited to tell their own kinds of stories in their own unique ways, therefore translating from one medium to the other is often difficult. The Last Of Us would never make a good movie, and that’s okay. The game is still amazing and the story is still amazing. Its artistic merit isn’t lessened because it can’t be translated to films, in the same way the merits of a bike aren’t lessened because it can’t fly. It’s just not designed to do that.
I guess the point I’m making is there’s no one way to tell a good story. There are an infinite number of ways it can be done. So lets stop Hollywood’s obsession with pigeonholing everything into one format and actually explore the possibilities, shall we?
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kyurilin · 6 years
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To go off of what @kiwisodaa was saying about Pixar cause I don't wanna hijack their post-
SPECIFICALLY ABOUT CARS AS A FRANCHISE
Recently a guy at work was talking about Pixar movies on break and I chimed in with my undying love for Cars and said I liked Cars 3 a lot and the guy admitted he hadn't seen it yet. So I let him borrow it. And when he finally watches it he says it was probably in his top 5 Pixar movies now, which is phenomenal since that movie means a lot to me and the guy in particular mentioned that while Cars was alright, he wasn't a huge fan of it.
And there was also a post on here recently talking about how the Cars fandom is basically Radiator Springs after the interstate and I know that parallel so well.
I have been a fan of Cars since the very beginning because that world captured me and I have made comparisons of the fandom to the Radiator Springs family as being a second home to me for years but man does @kiwisodaa's message about how the message for Toy Story 3 and Cars 3 hit home with me
Cars 3 is honestly my favorite of the Cars franchise and I cried at that movie 5 times my first viewing of it because I saw myself in Lightning, which as a fan of a character other than Lightning, was WEIRD.
But that movie hit home with me HARD, like shell shockingly so. Back in 2006-2008 Cars fandom, there was a really close knit group of fans that interacted across multiple sites and it was very much one of those groups where people within fandom knew us to the point that even when Cars 2 happened and I wrote fanfic for that, someone reviewed my story and threw in a 'hey, I remember you and your characters!'. So when the gap between 2011 and 2017 set in Cars became so much less for me
But Cars 3? Cars 3 somehow embodied my entire mindset of fear about my current problems with trying to write, which has been a problem since 2014. That's 4 years where I have still been desperately grasping at straws to call myself a writer yet have written maybe 1/20th of my entire library of stories. So I go into Cars 3 expecting- expecting not much.
And instead I am given the story of a character who no longer is the best at what he does and who finds the world crashing down because he may not be able to continue doing that while others tell him maybe it's time to give up what he loves and he just has to fight to do what he's good at again
And that led to the point that I was sobbing before the movie was even half over because I saw myself in that arc, I saw myself in every doubt, in every failure, in every moment of that movie and it fucking hurt but you know what?
Between June of last year and January of this year I once again went into the Cars fandom and found a family and encouraged others to write/draw/bring what they wanted to life, and I found my voice to write again if only for a moment out of time. I found a side of me that NOTHING had been able to bring back until that moment and I am thankful that it both broke me and gave me something to say 'listen, you might not be the best, but you sure as hell can get out there and try'
And I have made wonderful friends through Cars and gotten to share ideas and the fandom as a whole is lovely and if there's nothing else that I can say about Pixar as a whole, it's that they have always inspired me be it through their stories they tell or just the beautiful scenery and characters they create
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groundramon · 6 years
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Homph I finished tri and I wrote down my thoughts as I was watching because I had too many funny shitposts and nobody to share them with bc charlie hasn’t watched tri yet
PS i wont be reblogging tri spoilers (besides MINOR stuff like, digivolutions of already confirmed digivolution lines or non-spoilery shitposts, but I’ll try to tag shitposts as #tri spoilers anyways [digivolutions specific to tri ill tag as well but not ones that were already basically confirmed]) for a while so ur safe here!  I’m just gonna like everything/most things because then I can rb em to hisyaryumon lmao (also u should check out hisyaryumon....its me n charlie’s digimon blog)
EP 1:
- ok. alright. ok. good. they’re dealing with kari’s emotions now instead of just. nothing.  ok. alright. cool.  Still dont like how obscure/”artsy” they’re being with it, this is digimon not kagerou project, but ok.
- Also. I stand by tk and kari being one of the few good straight ships in digimon.  just saying.
- kari: this is my fault... me: god damn it shut up you little brat also me: god relatable ALSO me: ill take whatever display of emotions i can get
- I love how nobody believes tai is dead like.  They’re upset and worried but they’re also like “nah. he cant be. that fucking asshole just left us in our time of need” (actually only matt is the last one)
- Gabumon i would die for you also im crying and I think that’s the first time tri managed to make me fucking CRY
EP 2:
- I had thoughts but then the 02 kids happened and I entered another plane of reality.  I don’t feel real right now
- the only one I can remember is evil!gennai being a dumbass and being like “SUFFER AND SQUIRM YOU PATHETIC HUMANS AS YOU FIGHT OVER THE LAST SEAT” 1. humans are KNOWN for their ability to care for others you dumb obvious fuck and 2. is. is the entire tube going? because that tube can fit too people if they squish.  This isn’t a joke I’m serious it can.
- oh yeah also when i saw whomstever the fuck his name is (adult guy who i love but fuck names) and he was all bloodied i was like “its a cold day in hell when i see blood in digimon” (I think there was blood in an earlier ep but shh idc)
EP 3:
- didn’t nishijima start off as a fucking life coach to these kids.  What the fuck he was supposed to help them find a career not emotionally scar them by bloodily dying in front of one of them
- im realizing that the reason hackmon was always in his cloak, in the shadows, standing still is that they cannot animate him in any normal position for the life of him.  I drew him with better anatomy when i was 14 and didn’t have a tablet.  No seriously, look:
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I didn’t say it wasn’t bad, you guys are just underestimating how bad the anatomy on this poor creature is.  Why cant ppl draw dracomon or hackmon correctly imma cry
- ordinemon has the best reaction faces
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the best part about these two screenshots is that they literally cut one to the other, first the first one to the second one and then it cuts back to the first one.  They were really proud of these stupid ass expressions.
- I started overcoming my dissociation shock from the second episode and my hypercritical mind was analyzing the shit out of everything that happened (it is Not happy) but then evil!gennai called kari and evil goddess and idk if he’s exaggerating to make her feel bad or if she’s literally a fucking god of chaos and destruction and either way im like
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she did kinda like.  Watch wizardmon die, watch tai die, watch gatomon get absorbed.  The dark ocean is just a metaphor for depression and honestly if 02 wasn’t all over the fucking place I think Kari would’ve had some pretty decent development in it.  Actually you know what, I’m using that as an angle to approach Tri at now, wish me luck bc i might actually give it more leeway now
EP 4:
- I’m not dissociating but I forgot to say anything again and I already forgot what happened
- Cant believe mei is fucking dead
EP 5:
- I like to imagine that Tai got there like a few minutes ago, but he was like “well damn guess yall figured it out without me.  alright ill just. see if I need to do anything” and then meicoomon was Still Bad so he waited for when she struck just to make the most badass entrance possible.  Fucking extra ass bitch
- I forgot to write anything again but uhhh I wasn’t satisfied so anyways lets just get into the Juicy Details
Originally I was actually planning to be kinder to Tri than I expected.  Was very invested during it.  ‘Round the end of the last ep I realized hmmm no this isn’t working out.  Where are the 02 kids.  You should’ve brought them in to save the day.  That would’ve been SO cool and SO fun.  Fucking cowards.
god I’m kinda tired so I’m going to address a couple things I still had problems with, note that this isn’t everything it’s just everything I felt comfortable yelling about without rewatching past eps.  Like I forgot nishijima was all bloodied and presumably died in the last part until they brought it up and I was like “????” ALSO DID THE LADY WHO WAS HIS PARTNER OR W/E KILL HERSELF WITH THE GUN SHE FOUND, I JUST REALIZED LITERALLY AS I WAS TYPING THIS THAT SHE FOUND A GUN AND THEN I THINK IT CUT TO BLACK AND I’M
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DID SHE FUCKING KILL HERSELF WHAT THE FUCK
anyways my problems:
1. They did joe. really dirty.  I’ll write a more proper rant on this sometime later (mostly bc charlie is MUCH better at talking about joe than I am) but basically I can tell you that his character development in the movies squandered his OG character development.  He’s basically an entirely different person.  Like Tri joe isn’t bad, besides being largely neglected (yes he has a whole half a movie to himself, no that doesn’t make up for it all), its just...not OG joe.  He’s a fine character just not the same character, and its NOT fine when you put the two together.
2. THEY DID THE 02 KIDS EVEN DIRTIER IM SO BITTER sorry you nostalgia-blind, money-hungry fucks at bandai, but the 02 cast is PART OF THE ADVENTURES UNIVERSE.  The only people who hate 02 are ones who like the characters but hate the mess of the storyline at the end, or are completely irrational and elitist about their love of the digimon series and would greatly re-evaluate their opinions if they watched the original series and 02 back to back.  They couldn’t even show them in some kind of group montage at the end??? Standing in the background when they call Mei???  Why couldn’t they call mei from a home phone also, but that’s a less important problem idc that much.  It was a cute scene besides the lack of 02 characters.  Whatever.  AND THE PROBLEM IS LIKE kari and tk?  This entire time???  Were like “oh they disappeared. oops” instead of being frantically searching for their lost friends???  Like i get tk and kari probably have fucking ptsd and can’t express any emotions because they watched important people die in front of their eyes at an incredibly young age but also 1. they didn’t address the ramifications of ptsd, so fuck that theory/excuse and 2. THAT??? WOULD ONLY MAKE THEM LOOK HARDER??? and put on a brave face as they look, but inside they’re so scared and so worried.  Not just “oh sweet, they were found/saved, theyre in the hospital but that’s fine” like WHAT theyre fucking assholes if that’s what they’d canonically do lmao.  God I am SO bitter over the ENTIRE thing with the 02 kids, it would’ve been BETTER if they were deleted from the fucking canon entirely.  Would I have still been bitter?  Yes.  But at least I wouldn’t be madder at TK and Kari too.
3. I stand 100% by the notion that Digimon is not and will never be cut out to be an adults’ franchise.  It wasn’t designed for adults, and it can’t be skewered towards adults.  These particular characters were designed for kids to relate to and find entertaining.  They do not work when placed into an adult setting.  Like, can you imagine a character like Ed from FMA going to the Digimon world?  I guess in a way that’s just Marcus but like.  Just imagine the FMA cast in Digimon Adventure.  It doesn’t work.  Digimon Tri is basically that except real.  Also Data Squad was darker than Adventure so my joke doesn’t even work.
I guess my primary point is that Tri isn’t mature enough of a setup for an adult audience.  It puts a focus on being “complex” and “philosophical” instead of working within Digimon’s constraints and making something good and adult out of that.  Like!  Digimon is a fucking TOY COMMERCIAL.  Don’t give me messages about the futility of human life.  I want bad puns and emotional characters.  That’s what Digimon has ALWAYS been, and ideally always will be.  Tri could’ve made itself more mature by dealing with the ramifications of the Digital World’s events, how it affected the kids psychologically and dealing with healing old scars.  It would’ve been a more mature take on a story we loved and would use things we loved about the story already - the fact that it took so much time exploring characters’ emotions and was surprisingly mature for the time - to make itself better.  You need to take the aspects that drew adults to the show and amplify them, not just slap on a complex story and unfunny dialogue and be like “oh this is fine, right?”
It’s not that Digimon can’t exist as an adult property, its just that if it repeats what Tri did, it’s got no merit and in my eyes the franchise is dead.  If it survives I guess I’ll be happy that people can still enjoy it but I find it unsustainable and unsatisfying to fans of the older series.  Tri is just a fuckfest of highly specific nostalgia that tries too hard to appeal to old fans without capturing what made the original series so magical, and in part thats because the original series WASN’T FOR ADULTS.  I don’t know about the Digimon Story games, bc they’re T-rated so perhaps they’re a better take on an adult Digimon story than Tri?  But you either need to make your own characters and lore specifically for an adult-oriented Digimon season, or perish.  Also, please make it a series and not a group of movies.  Getting four eps every 6-9 months was hell.
I stand by saying Appmon is a more faithful Digimon season than Tri to Digimon’s original spirit.  I believe it holds more potential for success than Tri and better embodies the spirit of the older Digimon seasons.  It’s dumb, its corny, it has horrible puns, but I LOVE it because it also has a deep dark story and emotional moments.  If you dislike Tri and you agree with things I said that make it unlikeable, I highly recommend giving Appmon a chance - if you watch a few episodes and think “oh yeah, I guess this is decent” you’re going to like it.  It’s everything Digimon has always been and hopefully always will be, just with a different concept.  And hopefully the end of the series doesn’t leave a sour taste in my mouth and I have to redact this statement haha since I’m not done with it yet, but I’ve heard good things about it so I’m hoping not so.
Overall, if you watch Tri, don’t get your hopes up.  It resolves everything okay-ish but it’s a pretty forgettable anime on its own and simply doesn’t work as part of the Digimon franchise.
I am, however, pretty interested in what evil!gennai said at the end about Diaboromon and Daemon.  It raises interesting questions about the timeline too.  We know Daemon is in the dark ocean, so perhaps that’s a hint at a future project?  (They did confirm a future project btw, in conjunction with tri being over)  But what about Diaboromon?  I dont believe that Our War Game (I think thats what its called?) took place after Tri, based on the outfits and ages and stuff, but I also don’t remember the movies that well.  Could Diaboromon still be out there too?  It’s interesting.
However, because of the lackluster performance of Tri, I don’t have my hopes up and I really hope that this “next project” goes in a different direction.  Although I guess if they include the 02 kids, I’ll be somewhat less salty...
Side note, did they ever explain why the gennais went evil?  Like ?  That’s a pretty important thing.  The gennais helped SAVE the human world in 02.  And I get that apparently Tri is ignoring 02′s ending but still.  It’s shitty, because Gennai was still a good guy in the original too (and also they cant just keep is younger look and act like 02 never happened)  MAYBE its something I missed but I dont think so.  God there’s just.  So much wrong with Tri.  I’m very displeased and very bitter and I wanna get back to Appmon asap.
It’s got good moments, its got bad moments, I dont know, I don’t care.  There’s nothing wrong with you if you like it, there’s nothing wrong with you if you don’t, and there’s nothing wrong with you if you flip flop and are split like me.  I just wish Tri fulfilled its potential instead of becoming a boring mess.
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all i know abt transformers is the shia movie and the fact that darren criss plays one in the cartoons i think? should i get into transformers is what i'm asking
Oh god this is my favorite question. I’m not sure how to answer it but its my fave. Pull up a chair. I hope you’ve got some time on your hands.
The short answer: yes. You should at least give it a try. Transformers is a 30+ year old muti-media franchise that gets rebooted almost every 3 years so it basically has something interesting to offer almost any fan. If you end up not liking it that’s cool but there’s a lot to try before you decide.
The long answer is: yes you should and here’s why and here’s a rough idea of all the options you have to sample. I’m about to go on a long rant anon so you can check it out now or later or whatever but I’m just warning you ahead of time.
The basic Transformers plot (which I’m sure you know but I’m gonna go more in depth in a minute) is that a race of giant robot aliens who can turn into vehicles and other things have been engaged in a civil war that has lasted millions of years. This is the basic plot that all tf franchises spawn from although some explore slightly different subject matters. If that doesn’t appeal to you I mean there /might/ be a few other things you might find worth sticking around for because there’s just so fucking much of it, but you’re welcome to turn back now because that’s the basic things tf has to offer: giant robot aliens, cars and planes, fighting, some drama. Those are what tf is best at, with some variation.
It has a very active and long lived fan base and each section of the fan base is interested in different stuff with some crossover. There are people who literally only care about collecting the toys, people who wont try any other series except g1, people who only like the comics, etc. Etc. You’ll probably find people who like what you do pretty readily. If you like the toys there are toy forums and blogs. If you like the cartoons there are forums and blogs made for that too. If you like the comics, same. There’s a pretty active following of the comics and cartoon series on Tumblr alone; I would try searching the #maccadam tag since most tf activity has been moved there since the bay movies came out. Id also use the tf wiki liberally because it has pm all the information you’ll need to know about the fandom and the canon lore. There’s also plenty of fan fiction on Ao3 and ff.net if you’re into that and pm anyplace that hosts fan art has tf fan art.
Now there are several series, including comics, cartoons, the Michael bay films, the cartoon movie, spin off books, and video games. I’m gonna go over my personal favorites because I like and know them best but there are more than these if you’re interested in digging deeper.
(More under the cut)
G1: there are a lot of forms of what fans refer to as Generation 1 or G1 but if you live in the US its likely they’re talking about the very first cartoon series.
Summary: the autobots and the decepticons stripped their planet of resources and went looking for a new planet to continue surviving on. They both crashlanded on earth where they lay dormant for millions of years until conveniently awakened somewhere during the 1980s, where they continue their war all over again
Why you should try it: listen its cheesy as hell and full of nonsense plotlines and animation errors but not only is it good fun but at least watching an episode or two might give you a decent grasp on what spawned this enormous franchise in the first place.
G1 movie: this movie was a game changer. Its technically right in the middle of the g1 cartoon but it works as a standalone film too. while it has many trappings of the cartoon its better animated and has a more consistent and dramatic story.
Summary: Optimus Prime and Megatron fight, OP dies (yes he fucking DIES for the very first time. thousands of 10 year olds bawl their eyes out), Megatron gets mortally wounded, and the Matrix of Leadership (aka an autobot holy item/macguffin [this is the proto-cube btw]) has to choose a new leader.
Why you should try it: decent animation, classics lines, tons of 80s rock music, and it establishes a lot of tf conventions that would be carried over to all series that come after it.
Beast Wars: haha the 90s couldn’t be left out of the transformers fun, now could it? This was one of the first all-cg cartoon series in history and while its not much to look at nowadays, it was a big step in the 90s.
Summary: the series doesn’t center on Optimus Prime and Megatron but their decendants. The war is long over but some factions are starting to clash once again. Several members of these factions do the whole “crash land on earth while fighting” thing except they wake up during times before humans and instead of taking vehicle modes, they take animal forms, thus the name.
Why you should give it a try: it establishes the idea of Sparks for the first time, it has historical significance in the cgi realm, and it has a decent storyline with interesting characters. If you can muscle through the 90s-computer-animation look it might be the show for you!
Transformers: Animated: I dont think its a secret that this is one of my favorite tf series of all times. It was the first cartoon series I ever watched of tf and it also features my favorite toy line.
Summary: Optimus Prime is much less a war hero and more of a ..janitor really. He flunked out of the academy and spends his time repairing space bridges. One time during repairs though, they stumble across the Cube and just their luck, Megatron and some nearby cons are looking for it. They portal away to earth where they, you guessed it, crashland, until they’re awoken sometime in the future and go on adventures in futuristic Detroit.
Why you should give it a try: I like tfa’s art style and story and characterisation best tbh; Optimus is younger and more unsure of himself but also more earnest, with more visible baggage. The rest of his team feel like a ragtag band of misfits (which I have a weakness for no lie lmfao) who are still trying to find their place in this conflict and the future ahead of them. Sari is also one of the more beloved human companions and the show’s take on classics characters feels fresh and interesting, and the interpretation of the autobots and decepticons themselves is surprisingly nuanced.
Transformers: Prime: remember that 90s animation? Kiss that shit good bye my friend. This cgi is some beautiful shit. More than a few fans wish tfp is the art direction the movies had taken, storyline aside.
Summary: the autobots are already on earth, staking it out and fighting a more subdued sort of conflict with the cons. One day they get some human kids involved and stumble across some conspiracy shit and it all spirals out of control from there.
Why you should give it a try: great animation and atmosphere, gorgeous character designs, a solid interpretation go the characters, and it offers a more serious take on the story over all.
Rescue Bots: I’ve noticed this show doesn’t make the list a lot which is a shame? It has a much younger audience than any of then other series but its still quality and one of my fave tf series.
Summary: the ship of four non-combatants who were left in stasis before the war detect a transmission telling autobots to go to earth, so it…goes to earth. There they wake up on some island and are told they’ve gotta start building a repatoire with the native species…but they can’t reveal that they’re sentient aliens yet.
Why you should give it a try: ok ok, most of the series are made for 7-12 year olds with the teen and adult fans sort of in mind, this show…is a show made for pre-K kids, no joke. Its a lot less…murder-y, and this is especially saying something because it came out at the same time TFP did and in fact is supposed to take place in the same universe!
BUT, but it has a consistently well-written story and characterization, it addresses stuff I never thought it would, and its a nice break from the ridiculously high stakes of the other series. Honestly Rescue Bots is great and I wish more people talked about it because its a series totally worth watching, certainly as much as any of the others.
More Than Meets the Eye comics: there are a lot of comic series but so far this is my favorite one lol
Summary: the war is over, Optimus is done with everyone’s shit and splits the matrix in half, giving one to rodimus and they other to bumblebee. And what does roddy do with his newfound matrix half? Decide he’s going on a quest of course! And who better to go with than literally every unqualified misfit the autobot and neutral factions have to offer?
Why you should give it a try: ridiculous shenanigans, horror, drama, intrigue, strong characterisation, and a killer aesthetic. Damn it may not always give me what I want but its got a lot of exactly what I’m always looking for.
There are some video games (Fall of Cybertron, War For Cybertron, Transformers: Devastation), other comic series (Robots in Disguise, G1/UK comics), and the Robots in Disguise cartoon, however I don’t have a decent enough grasp on them to describe them super well I just know they’re pretty good and have had people recommend them to me. You’re welcome to try those as well of course.
Also if you’re into toy collecting or want to get into it there’s a lot of materials you can read and such but my personal advice is pretty simple:
1) go to walmart, target, a store that sells collectibles, a convention, or a garage sale
2) buy a cheap toy that you like. Don’t spend over like $20
3) decide if that was a fun experience or not and if you like having this toy or not
If you liked it enough to keep buying, then congrats, toy collecting might be right for you! Do your research, Don’t blow too much money too quickly, take it easy, have fun.
But yeah sorry this is really long but I do hope you consider giving transformers a try since I know I love it a lot and it really has a lot to offer. I hope this wasn’t like…a crazy response. That a crazy person might give. And that I didn’t scare you away or anything XS
the key is to try some stuff and have fun and if its not your thing that’s cool too! Have a chill night anon
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