sometimes i feel like the teen in charge of saving the world trope is too overused but i feel like it works so perfectly in atla. the way they utilize it for character/story purposes as well as to teach lessons to their young viewers is so great
yeah like it’s obviously a pretty necessary convention of the genre, that a children’s fantasy adventure narrative requires child protagonists that the primary audience can relate to and identity with. and usually they’re orphans and ontologically special in some way, so as to justify their role in these magical shenanigans, since it’s fundamentally unrealistic for a bunch of tweens to be saving the world. and there’s pretty much always an in-universe explanation as to why it has to be children specifically for all of these various works, either because children stumbled upon a magical teleportation device by chance and now they are tasked to complete The Prophecy (eg, narnia, amphibia, etc), or because they are in some way The Chosen One (eg, harry potter, atla), or because the stakes are so high that they need to risk their safety to go on this quest (eg, a wrinkle in time, also atla).
i think revolutionary girl utena and neon genesis evangelion both do an excellent job of deconstructing this trope from within their respective genres (the works themselves functioning as deconstructions of their assumed narrative functions). like, the reason these kids are the ones tasked with shouldering these unique burdens is actually because they are being exploited by the adults in power. the fact that they are orphans (especially in the case of the eva pilots, but also in utena’s case) makes them especially viable to these modes of exploitation (spoilers: they need to have a dead mom so that they can be piloted, utena needs to be an orphan so that she can idealize the illusory promise of family and something eternal).
so in the case of atla, it’s not as overtly deconstructing these tropes, but the stakes do feel sufficiently heavy and tragic (if you choose to read into the underlying implications). aang should be an old man, if not dead by now, but due to his temporal displacement, he is now forced to carry a weight that is unfathomable to anyone, let alone a child. as he says, “i’m just one kid.” katara is similarly forced to carry a burden due to being the sole remnant of the systematic extermination of her people. sokka, like aang and katara, is also alone in his own way, and must grow up too fast to compensate for the devastation his people have suffered. zuko was disfigured and banished by his abusive father at the age of 13 specifically to emphasize the extent and depth of his cruelty. azula was raised as a weapon by the same man, and her friends taught themselves to be weapons from a young age for similar reasons. suki is a kid who sees other kids her age travel the world and attempt to save it, and is inspired by their courage to leave home and help out in any way she can, only to end up in a maximum security prison. toph isn’t directly affected by the war, but she nonetheless chooses to join the avatar because of her status as a child being denied autonomy by her family. yue is barely sixteen, and thus deemed old enough to marry, and is essentially sold off against her will. jet and his freedom fighters are so young, and yet have no choice but to fight because their families and homes have been destroyed.
the point atla is making is that in war, children are forced to grow up too quickly and become the kinds of people who must make ruthless, impossible decisions. we see katara and toph fight like sisters over meaningless, trivial bullshit, and then episodes later risk their lives to fight the fire nation. we see sokka awkwardly try to woo the girls he has crushes on, only for him to lose them in horrific ways. aang and sokka fight over whether killing is necessarily wrong, sokka already too jaded to understand aang’s point of view. killing is second nature to him by now. he’s barely sixteen. aang is twelve. as a kid, seeing kids your age or older fight evil is awesome. as an adult, seeing children forced to sacrifice everything to resist against the imperialist forces that have destroyed their lives is devastating.
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So my writing blog is and always has been a chill space for me to write want I want to read from my own brain, shoot the shit and share thoughts with peoples, and just... Be a fuckin respite, but I want to make something crystal clear:
Don't turn a blind eye to Palestine.
Don't turn a blind eye to Congo.
Don't turn a blind eye to Yemen.
I go about my day to day life the best I can, but if I sit and think about the state of things in the world for too long it fucking SHATTERS me. And it disgusts and freaks me the fuck out that people can disregard human beings going through crisis after crisis and LITERAL GENOCIDE with fucking platitudes, clutching to ignorance, and circlejerking apathy.
You don't have to be mother Theresa, but it costs you nothing to actually give a damn about humanitarian crises happening around you and to know that it's wrong and fucking abnormal.
I've been taking a simple break from writing mainly unrelated because I just wanted some time to myself regardless, but also because I couldn't just immediately go back to lighthearted shit with everything going on.
People with common sense would understand and probably wouldn't even question that, but hey, common sense isn't that common and people are fucking weird.
I'm not gonna stop writing, but I need y'all to understand that I'll post what I want on my own time and I'll have a fuckin heart first. Some of you should learn that lesson too.
I'm not mentioning anyone cuz at the end of the day I'll side eye whoever I want and I'm not the Morality Police, but what'd Renee Rapp say that one time? "If the shoe fits, lace that bitch up and run."
Not a single person free until we all are, it's that simple to understand.
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This is madness
Hear me out, this was what my head canon was for new Willy Wonka:
Willy Wonka is played by Ben Affleck
Ever since he inherited the factory from the previous 'Willy Wonka' he has been on a downward spiral of hell. Trying to get a new 'Willy Wonka' to take his place is impossible in this modern era because children suck, and each year he attempts a 'golden ticket' tour to the factory in hopes that one day he can fucking retire by finding the perfect child to con into taking on the business.
Harrison Ford is Charlie's grandpa.
I don't remember Grandpa's name, so we're going with Grandpa Ford.
~Charlie has no other grandparents because they're all divorced or dead.
~Charlie (I don't know child actors so pick whatever you want) sometimes visits Grandpa Ford but not super often which spurs Grandpa Ford to want to plan a fun trip to bond with his grandson.
~Grandpa Ford thinks the Willy Wonka Chocolate Factory is super cool and so he keeps buying candy bars until he gets the Golden Ticket.
~Scene where Ford is like 'Charlie, look, we get to go to the Chocolate Factory!' but Charlie is on his iPad screaming about Roblox. By the time Charlie hears him, he's like 'Grandpa, that's so unkewl, why the heck would I want to go to a factory? Can't you just give me money for Robucks?" (Is that what it's called? Lol)
~Charlie is forced to go
~WonkaFleck has everyone sign papers. There is at least 1 parent who is trying to read through it all, but their child is throwing a tantrum so they end up saying 'fuck it' and signing it.
~The whole group of odd people have their mini solo scenes including:
-Kid who is allergic to Blue Dye 4000 and like, totally eats something very artificially blue because their parent is too busy on dating apps to pay attention. This kid doesn't make it far. They balloon up so much kid would need like, 20 epipens or something. WonkaFleck like 'not my problem you signed the papers saying you would be responsible for your own actions here'
~Kid who literally touches everything. EVERYTHING. EVERY. THING. You? Touched. Food? Touched. Machine? Touched. WonkaFleck gets kind of rage-y and tells this kid 'NO. STOP.' But kid's mom is a tiger mom and she jumps in and rips into Wonka about "we do not use the word 'no' in our household" and "how dare he think he can parent her child?" They do not last.
~One kid who stands uncomfortably close to people and stares. STARING. And everytime you try to speak to them they don't talk back, they just stare harder. Unblinking. WonkaFleck does not think he can withstand that level of terror in his life, so when the lights flick off (which is actually quite common in this facility) he boots the child into a candy flattener and we all know where that's going.
~We discover that Grandpa Ford is incredibly useful in the tour because he is one of the few people who can read things in cursive.
~At least 5-10 of the kids go around with phones and ipads taking FaceTimes of all the trade secrets and business practices.
~Wonkafleck trying to stop them by putting a ban on electronics, but they don't listen or they steal back their phones/items and their parents are like 'lol kids will be kids, am I right?'
~Grandpa Ford is at least respectable and had forced Charlie NOT to bring any electronics on the trip. The child cries like, 99/100 times the other kids have their electronics out, though.
~Wonkafleck finally destroys all electronics in one of his many rooms of weird shit.
~Grandpa Ford is incredibly good at storytelling, conversing, and trying to help resolve the problems of the children even though their problems are incredibly petty. Wonkafleck is undeniably sad that Grandpa Ford is pushing 90s or he would have forced him to take over the factory.
~Oompa loompas are actually regular people just wearing bright orange haz vests because gotta practice safety, yo
~But also they realize the factory is like, 4 million degrees in some spots and WonkaFleck is like 'sorry, this is a big place, I can't afford air in here'
~Also one room a chocolate "water tower" breaks because of these bad safety protocols and takes out half the tourist group but WonkaFleck is like 'do I look like I give a damn?'
~Grandpa Ford and Charlie do get into a little trouble by taking some candy, but it's because Grandpa Ford wants to 'take a little piece with him' to remember the trip by. Charlie just like 'uh huh, okay grandpa.' Doesn't question it.
~By the end, everyone be dead but Charlie and Grandpa Ford. But Wonkafleck is like 'you guys stole shit.'
~Charlie, realizing he means the candy, takes it out of his pocket and gives it back to Wonkafleck and is like 'here you go, mister.'
~Wonkafleck, totally moved by the fact that this child did something respectable, decides this is it. This might be the child to take over the helm of the factory. He's like "Charlie, since you were honest I'm going to give you a wonderful deal. Take this factory from me. You can inherit everything."
~Grandpa Ford like "oh wow, factory" totes bamboozled
~Charlie like, "No thanks, mister, I don't want it."
~Wonkafleck, almost loses his shit, barely holding on by a thread, is like "what you mean you don't want this factory???"
~Charlie says "I don't really like candy. I like energy drinks. And Robucks."
~Everyone is like 'flmlenwgngegbagbwgeljage'
~Grandpa Ford says, "Charlie, you can buy those things with the money you make from the factory."
~Charlie gives grandpa a weird look. "Why would I want to work for money when I can just ask for it??"
~Wonkafleck woes his fucking life. He rages a bit, then motherfuckin' skips outta the scene and jumps into a hot air balloon to reach the highest peak of the city so he can scream for all eternity.
~The End
What I actually thought after I saw the real trailer for Willy Wonka:
Wow I am totally off, lol.
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Dyou think the pheonix lore about being reborn from their own ashes applies to Arthur Parnassus? Dyou think at a ripe old age (probably having outlived Linus, given that he seems to be supernaturally youthful) he'll pass on from this life in a ripple of flames with Zoe standing vigil at his bedside, and she'll look down at the ashes to find a baby crying where her old friend was just lying? Dyou think she'll pick him up, bring him to see his kids -- the ones who are all grown visiting when they heard he was sick, the others still children all these years -- and they'll be sad, then confused, then happy because he gets to come back. And Sal will say it's their turn to look after him, now, and Talia -- still just a child by gnome standards, basically a moody teen -- will will take her turn holding the baby with utmost seriousness, because it's not every day you lose a dad and get him back as a baby brother but she won't let him down. Dyou think they'll wonder if they should even call him Arthur, maybe he'll be completely different this time around, but stick with it anyway -- if he wants to be someone different, they'll support him, but he should get to choose that for himself. Dyou think decades and decades after the first time, some other girl working her first summer job at the ice cream parlour will be scooping cherry flavour for a messy haired little boy with colourful socks once again.
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