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#his whole personality is better in the manga

staenless · 2 days

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Milsiril being postboxed into Kabrus adopted mom whos dehumanising shortlived races by adopting them and infantalising them makes me fucking miserable.

Here is a woman who was bullied her whole life, born in a long line of military hero's who after seeing the oppression of shortlived races by elves as well as the dismissal of their deaths withdraws from her military role, withdraws from her family and dedicates her life to creating a safe and comfortable environment for the shortlived race children who's parents are lost due to the elves inaction and oppression of said shortlived races.

Sure she's not the best at it, yeah she kinda bulldozed whatever the kids probably wanted in favour of putting them in bubble wrap and keeping them safe. But she's clearly trying to give them better lives than the ones they had, which she clearly feels responsible for ruining because of her races actions. When Kabru tells her his honest dream of destroying a dungeon she challenges him, she makes him work to prove himself and then she let's him pursue that dream. She, like every other character in the manga, is flawed in her views and her expression of said views to others, but that doesn't maker her a bad person. It just means she still has some learning and growing to do, and considering how much she still loves Kabru and feels responsible for his safety and happiness I have no doubt post manga she probably will learn to help shortlived races in a more constructive way through her involvement with Kabru in the Golden kingdom.

I think she's a genuinly interesting character and I wish people would take the time to consider her story and it's parallels to the real world (first worlders adopting third world children in hopes of giving them a better life but often inadvertently alienating them from their own culture through their own lack of understanding of those children's pasts and lives. As someone who lives in a third world country talking to people from first world countries is like talking to aliens sometimes and I think the discussion that could be had around Kabru and Milsiril could be genuinly interesting but everyone just wants to hate on her without genuinly considering her character and the impacts she's had on the story and opportunities for further character growth.... Milsiril save me.... Save me nuanced discussion....)

#dungeon meshi #milsiril

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cipheramnesia · 21 days

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The Dungeon Meshi character I think about the most, not love the most but think about most, is Chilchuck. He is much more Some Guy than anyone else, he's got a wife and kids and he's gonna open a store. He's a little dude with sharp senses who knows about locks and traps, and it's all very straightforward compared to like, really anyone else in the manga.

But why I'm fascinated is that his whole core essence revolves around organization and function, around safety not in the sense of cowardice or excess caution, but in the sense of a deeply rooted belief that everyone deserves to live and everything has a place. One day he'll open a shop and retire but right now his people are being exploited and he needs to plan for his future, so he's unionizing half foots and reducing risk and that functions for society because it's dumb using the guy watching your back as bait. It's a broken system he has to fix.

And it's like that with Laios and Senshi and Marcille and Falin. Falin dies, it's a broken system, she was a vital component that kept the group healthy. Eating monsters departs from the system, it's wrong to him, but then he figures out how Senshi has created a new system with better survivability. Senshi interrupts his trap hunting and he goes ballistic because that's not how the system survives. Itzutsumi drives him bonkers because she refuses to be a part of his system. Laios' lack of people skills frustrates him because Laios' charisma has made him a leader. A leader needs to know how to see how people feel, and Laios can't do that.

I think a lot about how his approach and personality are so nicely interwoven with his skill at traps and exploration. Everyone else has big weird personalities, but Chilchuck, well he's not a cool head per se, but his weirdness is less grandiose. He's a puzzle guy, a problem solver, and everyone around him is a moving part he's trying figure out. People ditch the party early on and he's not bothered because that's mechanically sound. Laios and Marcille go back and he has to come too because they're more than friends, they're a part of something that works and survives and even missing a part, he knows he can keep this little machine running. But they won't thrive without him, and he won't work as well alone.

#dungeon meshi #chilchuk tims

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kcrossvine-art · 1 month

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Hi fellow adventurers!! A few weeks ago i caught wind of "Delicious in Dungeon". I'm not really an anime person, but I am a TTRPG, CRPG, and cooking person- . And holy shit. It is so good i convinced my partner to binge read the whole thing. I'm caught up on dungeon meshi, the anime, and just yesterday i also finished dungeon meshi, the manga.

Its rare to come across a serialized story that is so thematically cohesive and knows its characters so well. All of the bonus content like the artbooks and monster tidbits are just the icing on top.

So, inspired by Ryōko Kui's writing and illustration I'm going to attempt to create a recipe for every single Delicious in Dungeon recipe!-

Today that means Huge Scorpion and Walking Mushroom hotpot is on the menu!

(As always you can find the cooking instructions and full ingredient list under the break-)

MY NAMES CROSS NOW LETS COOK LIKE ANIMALS

SO, “what goes in to a Huge Scorpion and Walking Mushroom hotpot?” YOU MIGHT ASKThis is one of the pricier dishes until we get to the kelpies and dragons of the menu-

Rock lobster tail

Porcini mushrooms

Shiitake mushrooms

Snow fungus

Small potatos

Fensi (glass noodles)

Water

OPTIONAL: your choice of dipping sauces

There was a crossover/promotional event in Shibuya which featured various realworld dishes from the series. They had one for Huge Scorpion and Walking Mushroom, but they used prawns. while those cook better in a hotpot, they also didn't look enough like the scorpion for me, they also used udon noodles for the slime and a seaweed/kale(?) mixture for the algae. If you're looking for substitutes due to price or availability i would start with those ingredients.

AND, “what does a Huge Scorpion and Walking Mushroom hotpot taste like?” YOU MIGHT ASKI hope Senshi would forgive me for technically cooking the lobster outside the pot, once he tastes it.

Okay im always partial to veggies but wowowowowowowoowowowow the snow fungus and the mushrooms tasted soooooooooooo good in the lobster stock

A nice delicate layering of different flavors

Try to get a bite with the lobster meat and shiitake together, dip in butter then chili- trust me

Its up to you what texture you prefer if you want to put the noodles in at the end or put them in halfway through the meal. Either way dont go for eating those first as theyre very filling

I think this would pair well with a citrus drink, something light and clarifying

This would also pair well with being extremely high and hungry (if you feel safe cooking while inebriated lol) very calorically dense

For the trial run I did one lobster tail in the pot with everything else, and one lobster tail off to the side to be picked apart. The former is more in spirit with a hotpot, but it got rubbery as the meal went on and lost its nice taste. The latter may be a bit more work but all you have to do still is boil it and set it aside. I found it held up much better. It was also easier to get inside the shell.

. If you have hardshell maine lobster available, i think it would be superior to rock lobster (keep in mind crustaceans will get rubbery if cooked too long in the pot) . Green onions and/or lotus root would make excellent additions

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From getting the ingredients out to sitting down and eating, id say it took maybe 30 minutes max? It'd vary on how fast you can prep vegetables and get the various implements heated.

Hotpots are not something i do very often as i'm usually just feeding myself. I think thats why a hotpot makes perfect sense to start the series off. If you want to set the tone of "take care of yourself, eat food with others, and use what you have" (generally speaking) there is nothing more simplistic, flexible, and defeats-the-purpose-if-you-eat-it-alone than a hotpot. Gather around and let your friends bring ingredients to the pot if you want to fill your heart up extra full <3

I'm doing something different here because unlike previous recipes where i used a bunch of different sources and made my own recipe out of hodge-podging it, or just used another persons recipe entirely if they did it really well, i made this more whole-cloth based off of what i had available, what I could discover through research, and my existing knowledge. Instead of the recipe being 50/50 original, this one is more 20/80. So. I'll pass the final verdict off to you guys :D

What would you rate this recipe out of 10? (with 1 being food that makes one physically sick and 10 being food that gives one a lust for life again.) Did you love it, did you hate it? What're your thoughts on what I could do different, and what would you have done instead?

🐁 ORIGINAL RESIPPY TEXT BELOW 🐁

Ingredients:

2 Rock lobster tails

3 Porcini mushrooms

2 Shiitake mushrooms

Snow fungus (a good handful, should rehydrate in the hotpot)

2 Small waxy potatos

Fensi (glass noodles)

Water/lobster stock

Method:

Lightly rinse all of your vegetables beforehand and let them dry.

Vertically slice the porcini mushrooms. Cut off and dice the stems of the shiitake mushrooms. You can slice the tops if youd like.

Peel and cube the potatoes, roughly an inch each.

For the lobster tails; Boil a pot of salted water. Keep the shell on. Weigh the largest tail and add 1 minute of cooking time for every ounce of weight.

When done, strain the lobster from the water. Pour the water into your hotpot as the base. Serve the lobster on the side so people can pick the meat out to dip into the hotpot.

Bring the hotpot to a simmer. Add the potato cubes, snow fungus, mushrooms, and noodles.

OPTIONAL: this wasnt in the show, but its fun having sauces on the side :) i had oyster sauce, dry seasoned chili dip, melted butter, and soy sauce available

#dungeon meshi #delicious in dungeon #cooking #digital art

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saetoru · 9 months

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✩ ‧₊˚ ✩。what if you’re someone i just want around (i’m falling again)

synopsis. somewhere along the line, you started to hate suguru—that doesn’t mean you stopped loving him too

— word count. 9.5k (i am in misery)

— contents. post canon! au — fix it! (we all need a good fix it fic with suguru don't lie), this fic was started before recent manga chapters so the higher ups are still alive—just go with it ok :,), geto survives + lives free of kenjaku, exes to lovers, kind of redemption i suppose, mentions of blood, injuries, and weight loss (geto), mentions of canon character deaths (nanako, mimiko, nanami), mentions of wanting to raise children with geto and have a family, no gendered terms but reader has a personality and actual thoughts and feelings, references to the hunger games (you have movie night lol), BFF satoru (he is babie), there is a kiss y’all !! (scandalous i know :O)

— notes. i started this fic back in march and i had trouble with it and put it on pause for a while. i’m very glad i finished it in the end. i always like fix it! fics and this is self-indulgent and idk if ppl will read it bc it’s sfw but it’s ok if they don’t, i loved writing it. thank you koi for beta-reading this whole bad boy. mwah <333

the day suguru is declared a free man is actually the day he signs away his freedom for good.

you say nothing, but you know it’s the truth. satoru fights tooth and nail to plead suguru’s case—you think it’s perhaps a little too desperate for it to be in the best interest of suguru and not himself. but satoru has suffered enough, and admittedly—although you deny it—a small part of you does not want to lose suguru twice. you watch as satoru argues that suguru has already died once—surely he can’t die again? and losing control of his body and mind is paying for his crimes enough, is it not? he argues that there are no ideals left for a man like geto suguru to chase after losing himself to every principle he had left.

and then satoru wins.

you expect it, but it doesn’t make it any easier. you watch numbly as suguru is assigned under your watch. you should be happy. you love suguru—you never stopped. but it doesn’t change the fact that he’s not a free man, and now he drags your freedom with his. you’ll never break away from him, never cut through the ropes that tie your hands behind your back and bind you to him—and then you wonder for a moment, unsure if it’s selfish or selfless or some cruel in-between to think this way, if geto suguru was better off dead.

whether that’s for your sake, or his, you’re not sure.

and yes, he’s let off alive, and sure, there’s no real punishment for all he’s done, but you know deep down he’s as chained and shackled as he’s ever been. he’s not allowed to leave the house unless you or satoru are there to chaperone, and it’s never to be anywhere near non-sorcerers. he’s not to live in a place of his own until the higher up’s deem him trustworthy. he has to ask you to buy the things he wants from the grocery store. he can’t even step outside for a smoke unless you’re aware.

for a long time, he doesn’t speak much—can hardly muster a barely audible mornin’ back when you force a smile and greet him cheerily for breakfast. slowly, it turns into half-snarky conversations that get cut short by one of you leaving the room. finally, you’re civil—maybe even friendly. you’re not so sure where you stand with him as of now.

it’s not the same suguru you remember falling in love with, it’s not even close to the version of the man you fell for all those years ago. it’s hard having him here—some days you’re angry and want to throw him out, to scream at him for haunting you again just when you think you’ve moved on from the horrors of your past. some days you want to cry and cling to him, bury your face into his neck and thank him for being here again, for finding his way back to you. and some days you wish you never met him at all, that this would all be easier if it didn’t exist in the first place.

he’s not the same geto suguru you loved, but somehow, because life is as bitter as it is ruthless, you fall in love with this version just as hard no matter how much you deny it.

“i made your favorite,” you smile gently, placing a neat plate of french toast with freshly cut strawberries on the side. you even take great care to get the syrup-to-powdered sugar ratio he likes right, but he doesn’t make a move to reach for the plate. instead, suguru sits at the table stiffly, like he has to be here or there are consequences for that too. it almost makes you sad—even here, he’s not free.

“thanks,” he says quietly, “but i’m not hungry.”

“you said that last night, suguru,” you sigh, “and at lunch. and at breakfast. and at dinner the night before—”

“i’ll eat it later,” he cuts you off, playing with the ends of his hair.

it’s a lot shorter now. it’s you who finds his body battered and bruised after the smoke clears. he’s almost unrecognizable, not the same charming and perfect suguru you’re used to seeing. not the same silkened strands and smooth skin, not the same muscled and toned body, not the same chiseled jaw and soft cheeks. instead, he’s a shell of himself. his hair is matted in knots, his body is almost frail, and you notice the sunken hollows of his cheeks and dark undereyes as you lift him from the rubble a little too easily. but his body is his own—that much you can tell from the way the stitches have disappeared.

it takes shoko a long time to nurse him back to health—it takes even longer for him to open his eyes.

you waited day and night by his side, hand over his as he breathed slowly, unconscious and unsuspecting. it would be so easy, you think one night, it would be so easy to kill him and forget and move on.

you’ve already grieved him once before. you’ve felt and conquered the pain of loving geto suguru and losing him first to himself and then to death. but love is as selfish as it is selfless, and it’s under your mercy that you let him live—yet it’s under your cowardice that you keep him close.

“you have to gain back the weight you lost, suguru,” you sigh, “you’re w—”

“weak?” he finishes for you, eyeing you for a second and then grinning. it’s unsettling, a grin that makes your skin crawl and your heart stop for a moment before he’s reaching for the fork and stabbing into his toast. “is that what you wanted to say? that i’m weak?”

“suguru, you know that’s not how i meant—”

“you’re not wrong,” he hums, chewing on the first bite as he speaks, “i suppose i am pretty weak right now, huh? couldn’t even kill you in your sleep if i tried could i?”

your throat is dry as you shrug, “i suppose not,” you whisper.

“ah,” he grins again, “but that doesn’t stop you from locking your door every night, does it?”

suguru is still healing. his body is weak, and sometimes, he leans against the wall as he walks. his arm is healed—you’re not entirely sure how, but you catch him rolling the shoulder out every now and then like it’s sore and stiff. he’s lost a lot of weight—part of it is from being bedridden for as long as he was, injured and half alive, and part of it is from barely eating—save for the few bites you force into him. you never thought there’d be a day when you could say this—but the odds of you beating suguru in hand-to-hand combat are high, and the reality is an everlasting reminder that he is not who you fell for.

you swallow, letting out a shaky breath as he watches you closely, diligently cutting another bite from the french toast sitting on his plate as he stares you down like he can see past your soul. you don’t know what’s scarier—that suguru can still practically see yours, or that you’re unsure he even has one anymore.

“you tried coming in?” you ask, unsure what else to say. he merely shrugs, takes another bite, and sets his fork down.

“thought i’d check on you,” he pops a strawberry half into his mouth as he speaks.

“is that what it really was?” you raise a brow, “or was i right to lock the door?”

you’re not sure why you lock the door at night. maybe it’s because you don’t trust him, or maybe it’s because you don’t want him near you just yet. you’re not sure. you’re not sure how satoru can go back to his cheery self, how he can step through your door and boom a loud yo, suguru! before settling beside suguru on the couch with his feet on the coffee table as he rambles away. maybe it’s not real—maybe it’s satoru desperately pretending that if he tries hard enough, things can go back to how they were.

but you don’t know how he still has the energy to try, and you don’t know if you have it in you to try anymore yourself.

you and suguru stare each other down like that for a bit, the tension rising with every silent second that passes. you’re sure he doesn’t want to be here as much as you don’t want him around—but you’re also sure he’s glad it’s here with you as much as you’re glad it’s with no one else.

“you tell me,” he smirks after a bit, the hint of amusement making your fists clench. how dare he have the audacity to look at you like that in your own home? like he has the upper hand over you without trying? “what do you think i was there for?”

“i think you should stay in your room, suguru,” you say carefully, “i bought a new bed just for that room.”

“how sweet of you,” he hums. he sips the tea before him—it’s cold by now, but it’s just how he likes it, rose with one sugar. “you must have been excited to have me.”

“hardly,” you mumble bitterly—you can’t help it. you want him to feel hurt, even just a little. you want him to know that just because he’s back, it doesn’t mean you’ve waited all this time for him to be. liar, a part of you says, you’ve always waited for him, haven’t you? but suguru doesn’t seem phased—he doesn’t even blink.

“then tell me, why am i here?” suguru asks, his tone is as casual as ever.

i wish i knew, you want to say. i wish i knew but i don’t.

“because satoru asked you to be,” is all you can say.

he nods, pushing back his plate and standing up, offering you that same grin. “you’re right,” he hums, “that’s exactly why i’m here.”

it hits you why his smile is so unsettling once he leaves—it’s almost genuine, like he’s still loved you all this time. impossible, you tell yourself. suguru stopped loving you a long time ago. and you need to stop trying to figure out why.

————————————————

even despite telling yourself you don’t care what suguru thinks, a small part of you needs to prove to him you’re not scared of him. that you don’t fear for your own safety in your home, and that him being here is not some form of him haunting you. you don’t care. he shouldn’t get the luxury of thinking you care. he can come in and watch you sleep like the creep he is if he wants—you couldn’t bother to give it a second thought.

the first night you take a chance and leave the door unlocked, suguru slips into bed beside you. it wakes you up instantly, and before you can question it, his head tucks into your neck, and his hand grasps your shirt tightly. you notice the panting almost instantly—and then you realize, it must be a nightmare.

you fall into old habits, even after all these years, defaulting to care for him like it’s second nature.

“you’re safe, suguru,” is what you settle for saying after a moment of contemplation. it’s all you can really think to say, so you brush your lips over the top of his head as you murmur, “you’re safe,” over and over again.

as difficult as it is to have suguru around, as painful and cruel and aggravating as it is to be reminded of his distant existence even as he’s two doors down, this part feels natural. it’s almost like you’re back in jujutsu high, waking up to him sneaking into your room as he presses his weight over your body and wakes you with soft kisses along your face.

except this time, he’s not annoyingly demanding cuddles or telling you about his weird dream, he’s not stealing your blanket and demanding you play with his hair. this time, it’s not the same suguru—and this time, it’s not jujutsu high.

it’s your room. the one you got on the other side of town to leave the sorcery world behind, somehow still stuck right in the center of it no matter where you go. and yet, just like all those years ago, your legs tangle, and your arms wrap him up, and you murmur, “you’re safe,” while he catches his breath.

“but they’re not,” he mutters in between labored pants, making you pause.

and then you remember.

faintly, you recall the blonde and black hair from a distance, you remember bitterly wondering what’d it be like watching suguru fathering children of your own as you came to the reality that it would never happen. sometimes, you wonder if you hate nanako and mimiko for existing, for living as the dreams you never got to live through with suguru.

it’s selfish—to hate two children because they are what you do not have.

but then you feel something wet hit your neck, and then you wish they were okay—for his sake. and just for a moment, you’re selfless again.

“they’re not safe,” he mutters, making you sigh.

“they are,” you whisper, hesitating for a moment before letting your fingers slip into his hair. you scratch gently at his scalp, feeling his body melt into yours almost instantly—like it’s a response that’s natural to him. “they’re not suffering. not anymore.”

“is that supposed to make me feel better?” he scoffs. you shrug, letting your cheek press against the top of his head as you sigh.

“it helps me feel better,” you say softly, “‘s just how you learn to cope.”

it’s an understanding you both silently come to. loss on both sides. bloodshed on either ground. defeat no matter which ideal you take. to love is to bear the pain of mortality—it’s a lesson that you never cease to learn until the ends of time itself.

“the jujutsu world is one of suffering,” he grits, sniffling into your neck. you hum, pressing a kiss to his head as your eyes close.

“every world is one of suffering, suguru, you can’t erase them all. the sooner you realize that, the easier you’ll find peace.”

you fall into a slumber after that, faintly aware of the way he shuffles closer to you, faintly aware of the soft kiss pressed to your skin as sleep takes over your body and drifts you out of consciousness.

when you wake up the next morning, suguru is gone, and the door is closed. the blanket is tucked up to your chin, and your neck still tingles from last night.

————————————————

“get up,” you throw a pillow at suguru, waking him up with a start as he sits up. his hair is tousled and messy from sleep—it’s now long enough that he can put it in a bun without strands slipping from the bottom anymore. you chuckle as he glares at you, rubbing the sleep out of his eyes as he groans.

“the fuck was that for?” he grunts, holding the blanket up to cover his exposed chest.

it’s funny that he does that, in a way. it’s not as though you haven’t seen his chest…and then some too. it’s not like you haven’t torn his shirt off to stanch the flow of blood from his injuries before or feel the bare skin with your palm under the pale moonlight as the lingering scent of sex breezes through the room.

but somehow, even though he doesn’t need to cover his chest around you of all people, you’re glad that he does. truthfully, it keeps you slightly comforted to know that he’s aware you’re still technically strangers—no matter how well-versed you are in each other’s pasts. but you don’t ponder on it too much. instead, you grin, shoving aside the visual of the small glance you caught at his pecs, and you clap your hands to motion him to hurry.

“we are going grocery shopping,” you say casually—as though it’s not something to make him raise a brow in shock.

“me?” he points a finger at himself. you roll your eyes, and he challenges you with another raise of his brow. “aren’t i supposed to stay away from civilians?”

“yes, you,” you nod, pointing back at him, “and satoru has worked overtime to get you granted permission to roam around with me. he says you’re welcome, by the way.”

“tell him to go fuck off.”

“that’s ungrateful,” you say flatly, “his feelings will be hurt.”

“his feelings will find a way to cope,” suguru huffs. “i don’t want to be around…them,” he says bitterly.

you suppose it’s wishful thinking to hope suguru has let go of his past beliefs. perhaps he’s long abandoned the possibility of the vision he once planned on bringing to life, but you can’t say you expected him to revert back to the old suguru who fought alongside you and satoru. you yourself certainly have no intention of returning to the sorcery world after all the events, so you can’t say you’re shocked by the lack of change he seems to show. but then again, you suppose suguru has changed. whether he sees it or not.

he stays here and doesn’t put up a fight to leave even though he can now that he’s healed. he eats lunch when you tell him and even washes the dishes. sometimes, when you come home a bit late, dinner is even ready on the table as he sits and stares at you expectantly. his plate is empty like yours—like he’s been waiting for you even though he doesn’t need to. you suppose you can see he’s changed in the way he doesn’t scoff at the tv channels you surf through, he silently sits on the opposite end of the couch now and watches with you, and perhaps if you’re lucky, you’ll hear a light chuckle or a quiet sigh as the scenes roll on the screen.

you suppose this suguru is a step closer to your suguru every day he spends with you, but you don’t know if any suguru is what you need right now. perhaps that name should’ve been buried away as a distant memory, perhaps it should’ve only been something you unlock once every year on his death anniversary—when satoru clambers through your door drunk and unsteady as he clutches the hand that killed his best friend, only to share pancakes with you in the morning and pretend like you don’t notice the dried tears on his cheeks while he acts like he doesn’t catch the way your hand shakes as you cut into your breakfast.

but suguru is here now. whether it’s as geto, one half of the strongest duo in jujutsu high, whether it’s as suguru, the love of your life and the sole reason you exist, or whether it’s as geto suguru, the curse user and mass murderer who haunts your past, present, and everything in between.

so you simply sigh, grab the pillow again, and hit the top of his head before walking over to the door as you call over your shoulder, “i’m gonna wait for you by the door in fifteen minutes. be ready or face the consequences..”

“no thanks. don’t wanna,” suguru grumbles petulantly, frowning at you as you stick your tongue at him, smirking as if you’ve just played your ace.

“too bad,” you sing before swinging the door shut.

he’s at the door in exactly fifteen minutes, like he waited until the last possible second to join you as a move of spite. but you simply gesture him out the door and lock up, taking your sweet time as he stands there with an annoyed face. you stare at the doorknob once you’re done, taking a deep breath before turning to him with your best smile.

“let’s go,” you hum.

“after you,” he mutters.

—

he grimaces as soon as he sees the people going about their business, clearly unhappy with the idea of being around non-sorcerers, but one sharp glare from you has him sighing and trekking along. the grocery store, admittedly, is not as bad as suguru thinks—in fact, there are lots of things he doesn’t realize he misses until he watches you grab a shopping cart.

suddenly, he sees shadows. the silhouette of your figure climbing into the cart, the angry wave of satoru’s hands as he claims it's his turn to be pushed around, the figure of shoko pinching the bridge of her nose in irritation from the back—and then, he sees the dark shadow of baggy pants and a small bun. it’s him. suguru watches himself almost in slow motion through the remnants of his imagination as he gently shoves satoru out of the way and reaches to poke the tip of your nose before he pushes the cart with you in it.

it’s a happy memory—and it’s gone all too soon.

as soon as he blinks, the shadows have disappeared—instead, it’s you waving a hand in his face, concern written on your features as you call his name.

“suguru? hey, hello? are you with me?”

he exhales, pulled from his trance as he gently grabs your wrist from in front of his face and sets it down as he nods, “yeah, i’m fine. just thinking,” he mumbles.

for a second, you hesitate, like you almost mean to say something. but in the end, you only nod before turning to grab the shopping cart. but he stops you—grabs the handle and turns to you with a small smile on his face, making you raise a brow as he gently moves you away.

“what are you—”

“get in,” he grins, making you stare at him in bewilderment.

“what?”

“just get in,” he sighs, “you love it when you get to sit in the cart.”

“i’m not a teenager anymore—”

“get in, will you?” he groans, “always so damn difficult.”

“hey,” you pout, glaring at him with your hands planted at your hips, “that’s rude.” it’s cute. suguru stares at you with amusement in his eyes and a soft look on his face that you don’t think you’ve really seen in years.

“humor me,” he hums, “just get in, okay?”

so you do.

with a huff and a grumble under your breath, you fight back a smile and climb into the damn cart just like old times. you swallow and try not to let it get to you when he reaches over and pokes the tip of your nose and pushes the cart around, letting you name off the things you need from your list while he grabs them. and when he sneaks snacks into the pile, you roll your eyes and glare at him in the way you always did—the one that isn’t actually annoyed. fond. happy to let it slide because it’s him.

“we need candy,” you murmur, “that’s the last thing on the list.”

“okay. what kind?” he asks, turning the cart into the candy aisle and smiling softly down at you.

“doesn’t matter, satoru eats anything as long as it’s sweet. he’s more likely to die from sugar than fighting a curse, i think.”

“you buy candy for satoru?” he asks, making you shrug as you reach over and grab a few bags of candy off the shelves, setting them down beside you.

“he comes over a lot so i learned to keep stuff stocked up for him. you know how he gets when he’s hungry.”

suguru feels something he hasn’t felt since he was a teenager. jealousy—specifically of satoru.

suguru is not foolish. he knows as soon as he meets gojo satoru that of the two, one of them is stronger and it’s definitely not himself. for the longest time, he’s okay with that, okay being the strongest only when alongside satoru—until he’s not. and even if suguru always had a bit more attention in the romance department than satoru, in his head he’s always known that perhaps satoru can keep you safer, more well off, maybe even happier. with smooth smiles and eyes as welcoming as an oasis, gojo satoru would never leave you in the dark pit of misery as suguru once had.

something about the thought of you and satoru keeping each other company through the lonely years, filling that empty spot suguru left behind, sharing moments over candy and empty wrappers makes suguru wonder for a moment if perhaps he’d be happier if he stayed. maybe he could have worn a heartfelt smile in a world that carves them off the faces of sorcerers with bloody knives as long as you were there to wipe the blood.

but before he can dwell on it, you snatch one more bag—this time of his favorite candy, placing it into the cart and grinning gently up at him.

“i haven’t bought this one in years,” you admit, “i almost forget how it tastes.”

“me too,” he says quietly.

“well,” you hum, “we’ll have to have some when we’re home.”

home. you say it as though it belongs to him as much as it does you, and then like you always have, without even meaning to, you wash away the dark stains of his jealousy with no trace left behind.

“yeah,” he chuckles, “we—”

“daddy, look! candy!” suguru is cut off by the gentle pitter-patter of two tiny feet running into the aisle, pointing at a bag of candy as a man follows close behind.

his breath hitches.

she’s small, the girl—she has two pigtails with soft strands of blonde hair falling out of the loosely tied bands. it reminds suguru of the first time he perfected tying up nanako’s hair, the soft giggles behind her tiny hand as she twirled in the mirror.

there’s another girl in the man’s arms—dark hair on her head as she curls into her father’s chest and tucks her head into his neck when she sees you and suguru in the aisle. she’s shy, he realizes, like mimiko, and suddenly he remembers the tiny fingers that used to hook into his pants when she got too overwhelmed by the people around her, waiting for suguru to scoop her into his arms.

perhaps in another life, suguru would redo everything differently—he’d be happy with you and satoru and shoko, and nanami and haibara would be there too, well and alive. but no matter what, he’d never redo nanako and mimiko differently. he’d never change a thing about them, not even the way nanako whines too much about small things or the way mimiko never speaks up even when something is clearly bothering her. he’d never change the way he saved them and took them in at the tender age of eighteen, too lost to be a father but choosing to raise them anyway. he’d never change the feeling of pure joy and unbridled pride when they climbed into his bed for the first time, shushing each other so as not to wake him—even though he’d awoken as soon as the door to his room opened.

because he realized that night that yeah, maybe he’d made mistakes in his lifetime, lots of them too. maybe he’d made a bad choice choosing the path he did, or maybe he didn’t. he’s never been completely sure—just that he had to try at least to make his vision for a different world come to life. but one mistake he never made was his girls. one thing he was always sure about was the soft clutch at his pants and the tiny hands reaching for his own.

suguru wouldn’t change anything about nanako and mimiko—except maybe the fact that they aren’t here, gone because of him.

“suguru?” you ask softly, reaching for his hand as he grips the cart tightly and pulling his gaze away from the family in the distance.

he blinks, meets your eyes, and knows that you know. with one glance at your face, he knows you understand. the world is cruel, one filled with suffering, he thinks. but then he remembers what you said, that every world is full of suffering, not just his—that it’s a truth he has to come face to face with.

but it’s hard. it’s hard when this man has his two little girls and suguru does not—it’s hard to watch someone have what he wants with no worries of losing it, all because of people and their own weaknesses. he thinks for a moment that he’s been right all along—that non-sorcerers are too weak for this life, that the jujutsu world has always suffered so they don’t have to.

but then the man speaks up, catching both of your attention.

“your mother used to love those,” he says quietly to his daughter, a pained smile on his face. instantly, you and suguru both seem to understand the weight of that single sentence.

every world has its own pain, suguru realizes. its own cruelties and unfairness, its own way of bringing suffering in its wake as it rips away the things closest to you from your begging fingertips, leaving them cold and empty and numb from the lost weight underneath them.

“let’s go, suguru,” you whisper, “we have everything we came for.”

“yeah,” he whispers back, clearing his throat so his voice doesn’t crack, “let’s go.”

suguru leaves the grocery store with you after you pay, and for a brief moment, he’s unsure. unsure whether he’s grateful to satoru for fighting for him to be able to come and grateful to you for dragging him along, or if he wishes he died along with the rubble, gone before you could find him and turn him into this.

“before you even think about hiding away in your room,” you say, grabbing the bags from the cart as you put it back where it belongs, “you have to help with putting away the groceries.”

“sure,” he says smoothly. he grabs all the heavy bags from your hand, and you make a move to protest that you don’t need him to take the heavier ones, that you’re fine and can handle them like you’ve always handled them.

but he walks off, and finally, you decide to simply follow.

————————————————

satoru likes to come and visit—you’ve started a routine movie night every week (unless he’s away, of course.) it’s fun, but it also means he makes your veins pop because he’s a headache like that—always makes himself right at home and eats your snacks like this is his place and not yours. he helps himself to your already limited candy and puts his sock-clad feet up on the coffee table no matter how many times you tell him not to.

you try sitting with legs as long as these, he always whines, earning a harsh glare from you as you smack at his shins until he ultimately caves and begrudgingly sets his feet down.

but then they always make their way back up to the coffee table, and you’re too busy enjoying his company to care—although you’ll never admit it.

satoru is endearing like that, swallowing the dark clouds from your shoulders whole and eating up your burdens with that side of responsibility that you don’t think you could ever stomach. satoru is just like that, you realize, taking the brunt of the weight and laughing off every concern until you can’t help but not take them seriously yourself.

it’s hard to remember that sometimes you didn’t just lose suguru, the love of your life, that night. everyone lost something. shoko lost someone to smoke with, yaga lost a student to scold, nanami lost a headache to avoid, and satoru?

well…satoru lost what you think might’ve been the only filled void of his miserably empty life.

it’s hard to remember that satoru lost his best friend—the only best friend he’s ever had (although you like to think of yourself as a close contender)—because he’s so good at letting you forget. he brings you ice cream (that he eats half of because it’s only fair he gets a share), and he sits and hogs your couch (that he argues you don’t really need as much space as him on because your legs aren’t as long), and he watches those stupid sitcoms that are dry with boring jokes (that you used to make suguru watch back in the day).

it’s hard to remember that satoru also lost as much as you because he’s so damn good at making you forget about your own loss, you don’t care to think about anyone else’s for a while. just a short while. just until he’s yawning that obnoxiously loud yawn and stretching those awkwardly long limbs of his before he claims he really should go and that being the world’s best teacher requires as many hours of beauty sleep as you can squeeze in.

and then he’s off. and it’s empty again. and just like that, you’re reminded of why he was there in the first place—to fill in that sick and painful void that geto suguru left in you.

it’s gaping, like he tore a chunk of you right out with sharp teeth, like you’re just a piece of meat for him to get his fill of. if suguru really loved you, would you be so easy to let go of? why couldn’t he smile? because you could—god, you could smile just from the sight of him alone, you realize a long time ago. him with his cigarette tucked between his lips, those death sticks as you called them, hung loosely from his mouth as he gives you a lopsided grin.

geto suguru is enough of a reason to smile. the world could crumble at your feet and leave you with nothing but rubble and dirt, and still, suguru is the core of the earth you’re searching for.

so why couldn’t you be the same? what is it you were missing? what about you was just not enough for him like the way he was enough for you?

it dawns on you one night, through bitter tears and shaky sobs, and that sick, twisted, pleading feeling in your gut that begs the wind to carry him back to you—geto suguru has never loved you the way you loved him.

and for that, you can never forgive him, you don’t think.

“you tryin’ to go bug-eyed?” he asks, settling down on the couch next to you, making you snap out of your trance. you shake your head a little, stare back at him for a moment before putting on that look on your face where you roll your eyes and pretend everything is fine.

“no,” you huff, “i’m just thinking.”

“about…?”

“satoru has rarely ever missed a movie night.”

“maybe he’s sick of you,” he shrugs, grinning slyly at you as you narrow your eyes with a glare, “there’s someone here to keep you company now so he’s probably taken his opportunity to run.”

“you’re hardly company,” you scoff, “freeloader.”

“hey,” he defends, shrugging as if it’s not his fault. you suppose it’s not. “i didn’t ask to be rescued. you can’t be high and mighty and petty. ‘s not how that works.”

“says who? you don’t make the rules. i can be graciously kind and a jerk all at once.”

“complexity,” he nods, “i like it.”

“i’m not as complicated as you might think,” you grumble, crossing your arms as you stare at the time. yeah, satoru isn’t making it—which, he told you as much, but he’s strolled in at the last second too many times to count before. you figure today would be the same. “as long as you don’t skip movie nights with me, i’m pretty simple to keep appeased.”

“alright,” he props his feet up on the coffee table—seriously, what is it with asshole men putting their feet on your table? satoru is a terrible influence. “let’s have a movie night.”

“what?” you blink.

“movie night,” he repeats, “you said you don’t like skipping movie night—”

“well, i meant i don’t like satoru skipping movie—”

“well, it was me before satoru, wasn’t it?” he says with a smile. his eyes are closed, crinkled at the corners, but his voice is carefully neutral—like he takes extra care not to let you see any emotion behind it.

but that only means there is an emotion, isn’t there? is he jealous? does he hate the fact that you and satoru have a routine of your own without him? that you don’t need him to continue living your life?

good. he should be. he walked out on you all those years ago. he killed a village. killed his parents. you never even got to meet them—he never even got to take you home and introduce you to them before he ripped away every fantasy you ever had with him.

and now he’s back—he has the audacity to live, to laugh in your face with his existence that yes, geto suguru is here. and he was supposed to be executed, but your stubborn friend didn’t let that happen. he was supposed to be your husband by now with kids and a happy little home, and you were supposed to be his parent’s new addition to their family that they loved so much. but none of that is even close to happening, and it’s suguru’s fault, and the least he can do is show you some regret and maybe feel just the slightest bit bad that you now have to watch shitty movies with his best friend instead of him to feel normal.

ex-best friend? half best friend? you don’t even know—do they still consider each other their best friends? does anyone consider suguru anything? you don’t know what you consider him. but you think the least he can do is act just the slightest bit pathetic after making you feel so pathetic for so long just to even the score.

he should be a stranger. he feels like an old friend. but either is dangerous.

“alright,” you sigh, “let's bring back movie night. don’t fall asleep.”

“i get plenty of sleep nowadays,” he hums, “i have more than enough free time for that now.”

“how lucky of you,” you snort.

—

picking a movie with suguru is difficult. he actually has standards—satoru watches anything so long as he gets snacks, and he can make anything fun to watch with the way he comments from the side like a critic. suguru, on the other hand, actually cares about the quality of a movie, the metrics that make it good.

so you pick the hunger games just to piss him off.

“seriously?” he raises a brow, “this is your pick?”

“yes,” you grin, “i like these movies.”

“of all movies—”

“my house, my rules,” you grin cheekily, “you can pick the movies as soon as you start paying the bills.”

“wow,” he deadpans, “stooping to use my financial status against me? i thought you were better than this.”

“oh suguru,” you sigh dramatically, grabbing a bag of chips from the table, “you don’t know me at all.”

all things considered, you think it’s a rather enjoyable experience. it’s not as fun without satoru’s stupid comments that you pretend to hate, but suguru provides his own commentary that earns a giggle out of you here and there too—although his are not meant to be funny. but that’s the appeal of it, you think.

“she should have picked gale,” he mumbles. you raise a brow.

“peeta was always there for her, did you miss the rain scene?”

“so was gale,” he says smoothly, grabbing a chip from your bag and making you scowl.

“gale killed her sister,” you point out, “and a lot of other people too. he was ruthless. she needed peeta.”

“gale did what he had to do,” suguru mumbles.

suddenly, it doesn’t really feel like you’re discussing the movie anymore. it feels more than that. it feels sickening—the air is heavy, and your throat is dry and god, you just wanted a movie night and not this heaviness as you talk about stuff from the past without actually talking about it.

you blink before turning to your chips, playing around with the bag as you shrug.

“in the end he didn’t get katniss, did he?”

suguru studies you for a moment, stares a little too deep into you that you start to feel the urge to bolt to your room and go to bed.

“guess not,” he says quietly, “guess that’s the one regret he has, huh?”

you think for a second, as suguru stares at your eyes with something you can’t quite read, that you might cry. you might cry and throw that half-empty can of soda in his face for speaking in codes and making you question what he means and remember your past. you might cry because suguru could’ve always gotten you—in fact, he had you.

it’s not fair. nothing is, but you can’t help but dwell on it.

“i’m going to bed. it’s late,” you mumble after a few moments, standing. he only nods, staring at the tv as the credits roll. when you make it to your room and the door shuts behind you, you debate clicking the lock in place.

in the end, you don’t lock the door. suguru climbs into bed with you once more later that night, shaking slightly from his nightmare but calmer than usual. he’s still gone by the time morning comes, and you still never mention it.

it hits you one night that maybe he still has you—maybe you never let him stop having you, no matter what you say.

————————————————

suguru is good at cleaning while you’re away. you have to go out and do adult things like breadwinning and grocery shopping and bill paying. he dusts and cleans and even takes out the trash when you’re home to monitor him as he steps two feet out of your front door. sometimes, because you like to get on his nerves, you accidentally mess up a corner of the house just as he cleans it, laughing as he shoots you an unimpressed look.

“stop getting crumbs on the floor,” he mumbles, “i just vacuumed.”

“you make a good malewife,” you giggle, “vacuuming and everything. how cute.”

“don’t call me that,” he grumbles, sitting down on the couch.

“but you missed a spot,” you point to the crumbs you’ve sprinkled from your fingers as you snack away, making him glare. “failwife.”

“i’m going to divorce you and take everything,” he snaps, making you snort as you put your hands up in surrender.

“you don’t have to, you know,” you murmur, “clean, i mean. i can handle it.”

“i think i should carry my weight around here,” he shrugs, “since you are basically sugar babying me around for now.”

“dangerous curse user to the world, but sugar baby to me,” you tease, pulling a chuckle out of him as he rolls his eyes.

sometimes it’s nice to have his company. suguru is good with banter like that, he’s not annoying like satoru where you run in circles. suguru makes you laugh from your belly, makes the hiccups catch in your throat as you double over. he’s always been like that, always known how to make laughter pour from your lips and trickle down your chin. it’s comforting to know he still knows how. it leaves a small amount of bitterness that he’s still able to make you feel like this.

“by the way, next time you go shopping, take me with you,” he says casually, “i need to buy stuff for my hair. it’s growing.”

“you’ll finally see the sun just for your hair?” you gasp, “who knew that’s all it’d take?”

despite the playfulness in your words, there’s still shock. suguru is willingly stepping foot outside your house. he’s finally choosing to return to life after living like a recluse no matter how many times you and satoru have tried to beg him to get up and go somewhere. the most you can get out of him is a walk around the neighborhood before he goes back to wandering your home and hiding away in his room.

suguru is returning to life, his life, and you can’t help but wonder where that leaves room for you.

“my hair is my charm,” he reasons, “wouldn’t you agree?”

there’s a smirk on his lips when he asks—it’s like he’s seventeen and teasing you again, giving you that unfairly flirty smile that used to make you stutter as a kid. back when you were hopelessly in love. back when it was you, suguru, and the world in your corner. back when you had dreams of your future, practically giggling as you planned it away in a notebook.

suguru was always perfect like that, the kind of guy you could only dream about. he’s always been handsome—he’s always been the center of attention everywhere you went. you used to huff about it, about all the attention he managed to get from walking into a room alone. but then he’d smile, give you that tender look of his as he’d chuckle, and you’d be hopeless again.

he shouldn’t have that effect on you anymore after over a decade. but he does. it’s cruel, the way the universe works. it’s like there’s a magnet that pushes you together no matter how far you try to go, still pulled by gravity straight into his awaiting eyes and devilish smile.

“i cut your hair off once, i can do it again,” you huff. he laughs, it’s good-natured and kind.

“i was a bit heartbroken when i realized it was so short, i have to admit,” he says, “i didn’t look like me.”

“you looked good,” you say quietly, “i think you’d make anything work, to be honest.”

“yeah?” he grins, “any requests? i might consider it if it’s you.”

“oh shut up,” you roll your eyes, “how about shaving your head bald? let's see how much charm you have without all that hair.”

“i could charm you without the hair still, couldn’t i?” he winks.

it’s unfair how he acts like normal. like a few months in your home undoes everything he’s ever committed, all the atrocities he’s caused. the way he flirts with you feels like you’re his again. the way he’s aged and changed feels like you’re meeting someone new. you don’t understand how suguru is so natural with that—with seamlessly falling back into a rhythm with you like nothing has changed at all.

deep down, you know that suguru is just moving on with his life. he’s making the most of what he can. he can’t die, satoru would never let him have a peaceful death after all this. he can’t go back to the way things used to be, whether that’s his sorcery days or his curse user days, and he certainly can’t start over. so he’s making do with what he has—which is very little in reality.

it’s you, your home, and the biweekly visits from satoru and occasionally shoko. so he weaves you seamlessly into his life and treats you with a sense of normalcy you can’t hope to treat him with. maybe it’s because suguru was actually able to move on after he left.

it’s the part you hated him most for. for building a family with new people. for having two girls that he raised as daughters. for finding people to follow him and trust. suguru, after he walked away from everything he ever knew, actually did something with his life—even if it could hardly be considered good.

you? you fell deeper and deeper into a pit of denial until clawing your way back out was too impossible, until you had to leave behind everything you’ve ever known to get away from the remnants of his existence.

it’s easy for him to weave you back into his life because he chose to cut you loose. it feels damn near impossible to let him weave back into yours after he tore himself from the edges and frayed away.

“don’t do that,” you sigh, making him frown.

“do what?”

“you know what, suguru,” you pinch your nose in frustration, “stop acting like things are normal.”

“things are definitely not normal,” he snorts bitterly, “i think needing your approval to take the trash out is not equal to normal.”

“then why are you acting like…” you trail off, unsure.

“like what?” he raises a brow.

“like we never changed,” you slam your hands down on the couch in exasperation.

he stares at you for a minute, blinks once, then twice, and then furrows his brows.

“well, of course we changed,” he mumbles in confusion, “i know that—”

you shouldn’t have said anything. you quickly realize that. suguru is not trying to act like things are normal—he’s trying to be civil, and you’re just a fool. a fool who looks too deeply into everything and assumes what you want to out of things and god, you’ve embarrassed yourself in front of your one and only ex-boyfriend in over a decade who was once dead and somehow came back to the land of the living.

of course, he knows things are not the same. he doesn’t want what you think he does. it’s been years and suguru has moved on—he had already moved on all those years ago, and you’re the only one here that is still focused on the past. and now he knows it too.

you stand before he can finish, nodding as you stare down instead of meeting his eyes, pretending to adjust your clothes.

“right, of course you do,” you nod, “i don’t know why i said that. just ignore me, i’ll be going to my room now. i have…things to do, so i’ll be—”

“hang on,” he frowns, hand grabbing your wrist, “i don’t mean it like that,” he says gently.

fuck geto suguru for being so confusing and fuck him for being nice about it too.

“you can let go, suguru,” you pull at your wrist, “forget what i said, i wasn’t thinking—”

“i still feel the same,” he cuts you off, making your eyes widen, “if that’s what you mean. i never stopped.”

never stopped—that’s almost worse than moving on. how could he have felt the same all those years and still never come back?

“that does not help even a little,” you swallow the lump in your throat. “that makes this so much worse, do you see that?”

“i know,” he sighs, “i’m sor—”

“don’t say you’re sorry,” you grit your teeth, “we both know you’re not.”

“maybe not,” he admits, “i had to try. and that meant leaving—i’m sorry that’s not what you wanted.”

“it’s not!” you turn around, pulling your arm out of his grasp—suguru, for what it’s worth, takes the shove to his chest like a champ. “of course i didn’t want you to leave and kill a bunch of people and have an execution stamped on your forehead and live your life without me.”

“i know—”

“and now you’re back. back! in my house, eating my food and sleeping in my bed for half the night and i just have to act like this is normal. how is any of this normal?”

“it’s not,” he agrees. he’s calm. so calm, it almost makes you mad. why is he so calm? “nothing about anything in our lives is normal. it never was.”

“you ruined my life,” you blink back tears. he smiles sadly, taking a step closer.

“i guess i can take the blame for that,” he nods, hands finding their way to your hips. against your better judgment, you lean half your weight against his body. this is bad, very bad—but it’s also the best thing ever.

being close to suguru feels like the sun’s heat tearing through your skin—it’s warm. it’s pleasant. it leaves you parched and drained with a dry throat. but still, you need it to survive.

“why did you come back?” you ask tiredly. his hand finds the small of your back, rubbing slow circles.

“i don’t know,” he hums, “i didn’t really get a say. maybe i was always meant to, who knows?”

you look at him at that—tilt your head to get a good look at his features. his eyes are more tired, and his cheeks are a bit more sunken in compared to the youthful flesh you remember him with. his hair isn’t as healthy, and his forehead has the slightest traces of pale marks from the scars. but he’s still suguru—and you have always loved suguru, even if he gives you every reason to hate him.

“you make my life unreasonably difficult,” you mutter.

he hums, smiling. “can i?” he asks breathlessly, pleadingly. you stare at his eyes, he stares at your lips. you know what he wants—but fuck, you can’t let him have it so easy.

“can you what?” you ask, raising a brow slowly.

“are you really gonna make me say it?” he grunts, lips almost curled into a pout. it’s cute, the way he looks longingly at your lips—it’s so cute and beautiful and dangerous all at once, just like suguru.

“yes,” you say, “yes i am. i deserve to hear it suguru, after everything you put me through. you…you left me. i wasn’t enough for you. i mourned you. i grieved a body i never even saw. do you know what that does to a person? to lose them not once but two times? the least you could do is tell me what you want,” your voice wavers just a little.

it shakes for the lost time. for the moments you’ll never have. for the memories you lost. for the past that’s tainted. time is cruel like that. but that’s the beauty of it all—the fragility. it’s like sand falling through the cracks of your fingers, every grain slipping from your reach but still soft and soothing against your skin as it falls. everything fades over time, everything starts to hurt one way or another. but it stops. it heals. it starts over. the sand fills the cup of your palms again, warm and delicate and just as beautiful as before it crumbled.

“can i kiss you?” he asks desperately, “please?”

“kissing me is not a temporary thing,” you shake your head, “not anymore. it’s for good. only for good.”

“i want to kiss you for good,” he nods, hands digging into your hips impatiently. you’re close. you’re too far. he can feel you, smell you, hear your unsteady breaths. but it’s not enough. he needs to devour you, taste you on his tongue, and melt you with his touch. “i won’t stop this time,” he promises.

“you better not,” you sniffle, tears blurring your vision. you hated suguru for leaving you. you hated him for coming back to you like this. you never stopped loving him, never will stop loving him—and maybe that’s what love is. when the darkness is worth trekking through for the afterglow of the light. “if you fucking leave me again, you’re dead to me. i don’t care how many times you come back to life. you’re dead to me.”

“okay,” he agrees through a shaky chuckle, “i suppose i deserve that. let me kiss you, yeah?”

“yeah,” you breathe.

he kisses you—years too late, he kisses you. it feels like you’re teenagers again. it feels different and foreign. you know this feeling like the back of your hand. you don’t understand what this sensation is anymore. it’s new. it’s old. it’s perfect. it hurts. suguru is here. he promised not to leave—you don’t know if you believe him, but you’re going to trust that finally, for once, you are enough.

you’re enough to make him happy. to give him a sense of purpose. to keep him swimming when his limbs start to sink.

finally, for once, you’re enough.

“i love you,” he whispers against your mouth, breathing the words into you like he’s offering you the air from his lungs, “i never stopped. i promise.”

“you don’t deserve to hear it from me,” you murmur back, panting against his lips, “not yet.”

“fair enough,” he chuckles, “you sure know how to leave a guy waiting.”

“i learned from the best,” you shoot back.

he grins—suguru smiles, heartfelt and real. life is full of misery, it’s painful, and nothing fucking makes sense. everything is cruel. everything dies no matter how carefully you water the roots. there’s always something, someone, ready to tear it from the earth. but if you keep planting the seeds, suguru will keep watering.

maybe something kind can bloom from that, something big enough for him to hide under the shade when the scorching heat of tragedy becomes too much.

in this world or in the jujutsu world; in this life or in the next. suguru is yours.

“why am i here?” he asks gently, his face digging into your neck. you hold him, cradling the back of his head as you hum.

“because i need you here. will you stay?”

“yes,” he murmurs, “i think i’ll stay.”

hi. i have been working on this since march. its still not how i envisioned it to be originally but that's okay. i had fun writing it and it means a lot to me even tho its kind of. well....cliche LMAO like everything i write. but. i enjoy the cliches okay ?? i do. kxljchskdf hope u guys didn't hate it </3

also the fic banner is …. not the greatest. just ignore it ok

#teepods.writings #fics.#geto x reader #geto x you #geto fluff #geto angst #jjk x reader #jjk x you #jjk fluff #jjk angst #geto suguru x reader #geto suguru x you #geto suguru angst #geto suguru fluff #jujutsu kaisen x reader #jujutsu kaisen x you #jujutsu kaisen angst #jujutsu kaisen fluff

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creatingblackcharacters · 2 months

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Lesson 1: "White Man Painted Black"?

Okay, I recognize that this is a strong foot to step off on! But! If you learn nothing else from this series, if you decide for whatever reason to forsake me: this is the ONE perspective I'd like you to take away!

You may have heard this quote before, when Black fans deride a character design as 'a white man with the brown bucket tool'. On its face, it means exactly what was said. But specifically, what it means is that we recognize that whomever designed the character drew the way they normally draw for a 'default' character in their mind- default usually meaning White/Eurocentric features- and they added a shade of brown within the line art to make that character now 'Black'.

Now if you're feeling defensive, wait just a moment! This discomfort is not inherently a bad thing!

I'm going to use both a 'real world' example first, to show you what your Black fans and peers are seeing, and perhaps you will also understand our discomfort!

(if anyone was curious, my folder for this lesson is titled 'brad' lmao and you'll see why)

(I'll have y'all know that I actually worked very hard to make Blackface Brad look mildly presentable lmao I'm sorry, I'm wheezing, I can hardly breathe looking at him 🤣)

You see how, despite knowing where this was going, and using one of the darkest shades of brown in my Skin Tones arsenal, you still know that that's Brad Pitt? That nothing about his hair texture, his lips, his nose, or really anything other than the palette change... changed? And you can still see that?

It's incredibly hurtful to be told that that's supposed to be you. You know it's not, you know why it's not, but rather than hearing how it makes you feel unseen and what they could do to be better (since they wanted to draw a Black character!), the artist lashes out at you.

And as an artist, you might have worked VERY HARD to do this! That might be a real handsome guy you drew!! But... is he really Black? Did you walk into it with the intention, that you were drawing a Black Character, or did you draw a character that just happened to be Black? It seems like a silly thing, but it matters!

Okay. I just finished laughing over Brad. Now let's get into some more perspective changes:

Now, imagine you drew a character. You want to make her Black, so you change the hair and skin colors. All right! You have your Black character... right?

Changed ONE feature about her? (You should obviously change more than one feature, but let's just go with the simplified example.)

What if, instead of just changing her palette, we changed her:

Hair?

There isn't nearly enough time in the world, let alone in this little scribble and blurb, for me to describe the IMPORTANCE of Black hair in Black character design. There are so many ways to do curls, afros, braids, twists, locs, SO MANY HAIRSTYLES!! Get used to searching in the 3C-4C hair textures!!!! I plan on doing an entire lesson or two on hair alone, but suffice it to say, Hair Texture is thee BIGGEST giveaway that you 'painted a white person Black'- from cartoon styles to realistic! It reveals itself in your writing as well- just based on how your character takes care of their hair, how your describe the texture, how other people might perceive it... it lets me know just how much research was done. Because we can have straight hair! But again, that's a conversation for a whole 'nother lesson so- come back later 👀?

Lips?

I love our lips, I really do. There's a long history of shaming Black women in particular for the way our lips look. So when I see them done in all their glory, it makes me very happy. Two-toned lips vary in shade and intensity, so make sure you're using references if you want to be 'realistic', but it doesn't have to be that hard. Even a little subtle shift like this in the design/story description lets me know that a creator was thinking about me.

Nose?

One thing I've noticed ever since I starting drawing is that... people in a lot of mangas/manhwas barely have noses! I admit, out of all the features on the face, the nose isn't the most important. I think they should be, especially when you want to emphasize that your characters look different! People have different types of noses! I especially want to gear this towards those with a goal of drawing realistic portraits and the like- there, the nose is ANOTHER dead giveaway. There are Black people with aquiline and straight noses- we aren't a monolith- but is that why you drew it? Consider why you went for that nose specifically. That's part of the intent, in all this!

Now, you might be looking at me and going "Ice... this is just character design". To which my answer is: Yes! It is! It feels so basic, and yet if you ask your Black friends/peers how often they've come across this feeling of not being properly drawn/written, from fanart to professionally produced works, it's unfortunately common despite how simple of a concept it is.

I hope that you can walk away from my first lil lesson with new eyes. Remember, it's the thought that counts, but the action that delivers!

#creatingblackcharacters #black characters #black artists #black writers #black art #character design

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lovelybrooke · 7 months

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Yandere Gojo and Getou x reader headcanons

I haven't completely finished the manga, very far behind in fact (Chapter 93), so please no spoilers. But I wanted to write something about these two because they are so yandere coded its insane (also because I wanted to see something involving them that wasn't smut). I'm letting you guys decide if this is platonic/romantic.

Masterlist

Gojo and Getou believe they are better than everyone else, they're stronger than everyone, smarter than everyone. It was a well-known fact that both of them thought this way. So, it's why so many of their peers thought it was weird their best friend wasn't a sorcerer.

You were a pretty normal person. You went to a normal school, had a normal part time job, even had a pretty normal family. In truth, neither of the two could remember how they met you. It's almost like they blocked out their life before all of you were together. Maybe it was when you were their server at a cafe they loved to frequent after missions. Or when you bumped into them while trying to get to school on time. Or when they were hanging around your neighborhood for what they said was "work." Either way, what's obvious is the two can't get enough of you.

When you officially become their friends, they both make the decision not to tell you about their lives as sorcerers. They know you'll probably resent them for it in the future, but it's the best way to ensure your safety. They couldn't risk you getting mingled in with any potential curses that would want to get at them. Even if anything tried to kill you, they'd obliterate them without a second though.

You sometimes question how they both know so much about you, and they honestly think it's the cutest thing ever. Neither of them tries to hide their less savory tendencies, why would they? You're their best friend, of course they'd want to share clothes with you, and go to school events that they weren't invited to with you, and bad talk your other friends right in front of your face. It's what comes with being friends with them, you should expect it by now.

While both of them are similar in many ways, there are aspects that each of them has that are purely their own. Gojo is mysterious in a lot of ways, acting dumb about a lot of things only for his demeanor to instantly change if you or Geto are threatened. You don't know if you should be afraid of him or not, but something about Gojo says it doesn't really matter.

Getou, on the other hand, is sometimes less scary than Gojo. He teases you less, doesn't agree with Gojo's ridiculous ideas as often, and, at least for a while, is more emotionally available than Gojo. It's not that Gojo doesn't care about you, but he isn't as good at dealing with emotions when compared to Geto. However, it sometimes feels as though Geto sees right though you, right into your soul. Even when you try your best to hide something from him, he knows what you are really feeling, sometimes a little too well.

Gojo and Getou don't always see eye to eye about you. Sometimes, especially after though missions, arguments spark up about you. The more obsessed he grows, the more Gojo wants to tell you about curses and Jujutsu sorcerers as a whole. Getou doesn't think this is safe however, believing that it instantly put you at risk. Gojo says they can protect you, while Getou reminds him you're weak, and they you'll always be at risk if you know the truth. Their arguments never lead everywhere, it only leads them back to you.

After the situation with Riko, you notice a large shift in your relationship with the two. You no longer see them as much, but when you do, they're rarely together. In a way, it's like their personalities swapped. Gojo became more reserved as Getou became more hateful. He suddenly started talking about people like they were a disease, not even trying to hide it from you. It put a huge strain on your relationship, even when he'd hug to tight and swear to you that you were different from them, you were better.

Getou disappears soon after that. Gojo becomes closer with you, often to the point of feeling suffocating. You've always had a feeling that Gojo knew what happened to his dear friend, and chose to keep it from you, for whatever reason. But regardless, you both feel the strain caused by Getou's absence, and it damages the last bit of a friendship you had with Gojo. After graduating, you left, needing to leave, needing a break. Gojo tried to convince you to stay, but you had your mind set.

Today, you were much older, both of you were much older. You don't remember much from your time with Gojo, but oh boy, did he remember you. He often when though his favorite moments with you in his head, whenever he needed a moment of peace. He regrets letting you leave. So, when he hears you're moving back home, he couldn't be happier. He won't let you leave him this time, he stronger now, he can protect you better.

When you do move back home years later, you meet up with Gojo. It's fun, he's happy and boisterous, and you don't think you've laughed as much as you did when you first back up with him. Though, you couldn't help but feel like someone, or something, was watching you. It was familiar, but terrifying at the same time.

---

A/n: Sorry that the ending sucked I didn't know how to end this. I would love asks for jjk but just keep in mind that I'm not that far in (chapter 93)

#yandere x reader #soft yandere #platonic yandere #yandere gojo satoru #yandere gojo #yandere geto suguru #yandere geto #platonic yandere jujutsu kaisen #platonic yandere jjk #yandere jujutsu kaisen #yandere jjk

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courtmartialme · 30 days

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some examples i can think of brotherhood crimes of doing riza(and royai) dirty in my opinion that's the absolute truth in the universe. consciously excluding stuff i think are minor but annoy me just as bad or else this post would be too exhausting:

being ugly in general

not including her time travel joke from when they learn that the elrics are kids and not adults on their way to recruiting them

not including the scene where roy meets her after she calls him when she meets barry the chopper and threatens to burn him out of jealousy

changing the dialogue after roy saves her from gluttony from:

to:

LIKE...... if brotherhood has the habit of cutting off scenes to make it shorter then WHY they would change this scene to become BIGGER AND WORSE. the dialogue in manga is a clear example of their trust and wordless care for each other. while in broho it's just ?????? roy being an asshole????? to his wife?????? whom he just left his post running for bc he sensed she was in danger???? whoever chose to change this dialogue. kill yourself

riza being nice to alphonse when they are at 3rd laboratory:

not including the only time in the whole series roy calls her by her first name only:

the WHOLE ishval arc. riza telling ed about ishval lasts a whole ass volume while it's barely an entire episode in anime like... hm.. for starters the way roy and riza meet again there is different. in manga she saves roy and hughes from a surprise attack, and only realizes it's roy when she sees him through the scope. then hughes tells roy that they brought a talented sniper from the academy and goes after her to thank her for saving them. in anime riza suddenly shows up to roy when he was talking to hughes and like... not necessarily a bad thing i guess but...... yeah.... also this whole conversation is cut off if i remember right.. among a lot of other things LOL i hate how ishval arc is played down in BH

riza being funny and cute not being included again

this scene when they reach 3rd lab again in promised day and roy jokes about wanting to see her honest tears again and riza replies saying water makes him useless BUT in manga she's all cute and blushy while in anime they make her be all # girlbaws about it because that's all brotherhood riza is about lmao they took away her moeness...crime

in manga, after roy gives up killing envy upon realizing it would lead to riza shooting him then killing herself, it shows him lowering her gun without the glove he previously had on. symbolizing that he lowered his weapon before he could lower hers. in anime he still has his gloves on

EDIT I FORGOT THE MOST IMPORTANT PANEL OF THEM ALL!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

RIZA BEING INSUBORDINATE AND A BRAT SHE'S SO CUTE THIS PANEL IS WHAT INSPIRED MY USERNAME... SHE'S SO CUTE...... brotherhood is so scared of letting riza be cute and moe because she would be too powerful if they let her

EDIT 222222 BECAUSE I WOKE UP IN COLD SWEAT AT REMEMBERING I FORGOT THIS TOO

roy visits madame christmas' bar looking down and she asks him why doesn't he and elizabeth go someplace fun... we all know who elizabeth is right... and he says miserably that another man took elizabeth away from him(referring to riza being kept hostage by bradley) and at that the other girl asks if that means she has a chance with him now. everyone knows that roy is so wifepilled he won't look any other way if riza is in the picture lmao also how embarrassing it is that even your mom knows you're fucking your subordinate

i'm convinced somebody at BH staff hated riza's ass because of how often riza and royai scenes are changed or ignored... i know it's common for anime adaptations to cut off moments from manga but for an anime that whole premise is to be The Better Adaptation, doing it so often makes it bad to me. if you repeatedly exclude scenes that tell more about the characters because they're "not relevant to the plot", eventually there will be no actual personality left, only characters that are plot props

THERE'S A LOT MORE i wanted to include but this is already long enough and i got tired LMFAO a lot of things(most not included) are non issues because are mostly about riza being a bit silly, or showing more expression than she does in anime in a scene that otherwise doesn't change anything. but they still annoy me because by repeatedly excluding and changing these moments add to the view people have of her being nagging and stoic, at an attempt to make her a cool flawless Good Woman Character. what for.

#tecotalk #fma #riza hawkeye #throwing in the tag because fuck it #not hiding anything under the cut everyone will be subjected to this

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imamuzansimp-oldblog-seoseoya · 21 days

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types of kisses the uppermoons would prefer from this list

cw: kissing, fluff, morning kisses, forehead, nose, cheek, neck, lip kisses, pda, pinning against wall, jealousy (if u squint), lap, slight suggestive (mostly in muzan and dōma’s part), slight ooc (especially for muzan but it’s my hc muzan in private that we should all be well acquainted with), simpery bc have you met me, manga spoilers for dōma

a/n: this has sat in my apple notes app for wayyyyyyyy too long now

the list (creds to a tumblr i forgot the name of i saved this a long time ago):

Kibitsuji Muzan

5, 1, 4, 7, 10, 13

5 (in secret kiss): this is muzan we’re talking about. no way is he showing you his affection in public. i know i have my whole ‘softie in private™️’ muzan thing (really have to think of a better name), but key word: private. the day he shows affection in public is the day i stop liking kpop (jk i’ll never stop).

1 (good morning kiss): since muzan is a softie in private™️, he will gladly shower you with good morning kisses as soon as he wakes up. if you are asleep it does not matter, he’s waking you up.

4 (kiss on the neck): he’s a demon, who i believe has a side of him that’s very flirty and spicy. if you’re a human and you give consent, he’s kissing, biting, licking your neck and feeding off the blood from there. if you’re a demon, he’s still going to kiss, bite, lick, and suck your neck. he is not picky

7 (against a wall kiss): muzan + secretly very into steamy stuff + very dominant = muzan who loves a place where he can cage you in and watch you get flustered

10 (jealous kiss): as an extraordinarily possessive person, muzan would get jealous A LOT. which leads to a lot of jealous kisses.

13 (lap kiss): especially when he’s jealous or horny. let’s be honest we all know he’d do this if you were an actual object of his affection.

Kokushibo

3, 5, 7, 8

3 (kiss on the nose): let’s be honest, besides lip kisses, this is the only place on his face that you can kiss. his forehead is almost nonexistent and his cheeks are just eyes, unless you’d like to kiss those.

5 (in secret kiss): i feel like since kokushibo is so loyal to muzan, he wouldn’t want to kiss you in public since he’d either be in front of muzan or in the human world. besides, he’s more introverted and a demon so i don’t think he’s big on kisses in public for your reputation especially

7 (against a wall kiss): i don’t even know why, i just feel like he’d like to flex his height on you if you’re shorter than him (which is likely, he’s 190 cm/6’3”). since he’s so tall, why not flex the height while making it intimate?

8 (top of head kisses): again, on his head there are only so many places to kiss since you miss two facial features. he’d like kissing your head, but since he’s likely so much taller it makes him feel secret butterflies when you manage to kiss his head

Dōma (istg i hate this man yall dōma simps better be glad im writing for him)

i’m tempted to include everything but i’ll just put: 4, 7, 10, 12, 13

4 (kiss on the neck): this guy is the most thirsty demon (second only to karaku obvi) and we all know it. he’d probably get grumpy if he couldn’t kiss ur neck at least 10 times a day (separately. the 20 something neck kisses he gave when you woke up only count as one).

7 (against a wall kiss): dōma is��…… well it’s dōma, the same guy who says akaza might get stronger if he eats women, the same guy who wanted to make inosuke’s mother his wife, the same guy who forms a crush on the people he kills. using that logic he will gladly pin you up against the wall and kiss you until you’re essentially a tomato. he will not stop even then, he won’t stop unless a

pressing matter appears (aka nothing).

10 (jealous kiss): he gets jealous easily, so why not kiss you out of jealousy too?

12 (accidentally witnessed kiss): using the same logic as 7, he loves showing you off, unlike the previous two demons. he will “accidentally” leave the door wide open when he pins you on the bed and kisses the breath out of your lungs (a common occurrence) and sucks a lot of the blood right out of your veins (another common occurrence. did you ask/want/let him? i don’t know, but i doubt it. sorry)

13 (lap kiss): do i need to explain more?

no.

will i?

yes.

this man… chances are he’s not keeping it in his pants for that one.

Akaza (ITS THE BASKETBALL! *said with love*)

2, 8, 9, 13

2 (forehead kiss): since he actually has one (looking at you koku), he’s kissing yours and you’re kissing his. that’s how it’s going to work and chances are he’s going to be a blushing mess because he is weak to even a woman’s glance *watches him sip respect women juice*

8 (top of head kisses): idek why i just feel like he’d enjoy them.

9 (shy kiss): he’s shy boi with women. we all know this. when you two are in private and he’s not busy punching dōma’s face off (i love it when he does), he is with you. with you while somehow being shy even though ur dating

13 (lap kiss): he’s a respectful demon, so he’s not going to drink your blood, but he is going to act like it with the way he’s kissing your neck roughly

Sekido

4, 6, 7, 10

4 (kiss on the neck): let’s be honest, his name means accumulated anger and he quite literally has anger written on his tongue, he’s being rough with his kissing and trying (and failing) to let off some steam. absolutely the roughest out of every uppermoon, if you thought muzan and dōma were biting a lot get ready to meet this guy. he will not stop until your neck is quite literally all red. props to you for not passing out, although you probably already did

6 (public kiss): he is angry in public, and he will kiss you to try and calm down (not like it works)

7 (against a wall kiss): probably pushes you a bit too hard since he doesn’t know his own strength.

10 (jealous kiss): i don’t think i need to explain, just look at 6

Karaku

4, 7, 12, 13

4 (kiss on the neck): ……… if it’s not obvious i’m sorry for you. the kanji on his tongue is literally pleasure

7 (against a wall kiss): again, i don’t need to explain

12 (accidentally witnessed kiss): like with dōma, the kiss is only “accidentally” witnessed. he totally didn’t leave the door wide open as he pinned you up against the wall

13 (lap kiss): ………………………….. YES

Aizetsu

5, 8, 9, 12

5 (in secret kiss): shyer than akaza 🥹! (he’s so precious im sry) every single time he kisses you it’s a shy kiss.

8 (top of head kisses): chances are he’s taller, so he kisses your head when he feels lonely. most of the time you’ll also be cuddling in bed

9 (shy kiss): just read 5

12 (accidentally witnessed kiss): unlike dōma and karaku, it is a genuine accident. he didn’t mean to leave the door open when he wanted to cuddle with you and shower you with kisses, he just did

Urogi

1, 6, 7

1 (good morning kiss): loves these. more specifically, loves receiving these. he doesn’t necessarily need sleep, but when he does wind up falling asleep, it’s next to you. you’ll usually wake up before him and wake him up with the good morning kisses he adores so much

6 (public kiss): his name means sky joy and ur telling me he wouldn’t get so happy he starts making out with you in public? he also just likes lowkey showing you off

7 (against a wall kiss): signature move: gets so happy he pins you against a wall and makes out with you

Gyutaro

2, 3, 4, 11

2 (forehead kiss), 3 (kiss on the nose), 4 (kiss on the neck): please give this poor man some love. he grew up only living for his sister and everyone else turning up their nose at him. forehead, nose, cheek, neck, everything kisses are a must

11 (first kiss): your first kiss with him was magical, whether it was also your first kiss is up to you, but it was definitely his and he relished in every moment of it.

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powerfulblob · 3 months

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puts on my clown hat

behold, as requested: The Trans Franky Essay. Like most of this is still jot notes and I wrote this when half-asleep so like. I don’t know

Please don’t shoot me.

Section 0: Most importantly...

Due to the Somerton stuff, I really am trying my best not to plagarize.

Unlike TikTok user @theyboss._.franky, I’m not planning to talk about if he’s trans based on physical features, personality, etc.

I’m here to talk about the narrative in particular, and allegory.

also kudos to @punkitt-is-here

[ID: A screenshot of an X post by @punkittdev that reads “this is also partially why i am a franky one piece trans man truther” It features Franky, a cyborg with a shirt that reads “I HRT”.with a sun between the words “I” and “HRT” Franky is a tall man with tan skin and blue hair, and has part of his arms replaced with blue metal with a star at the end. end ID]

Section 1: Cyborgs are inherently trans

I’m literally just going to link The transgender cyborg: an inexhaustive primer because the article does a much better job than I can, but to summarize:

Trans people are not only cyborg-adjacent because of the transphobes who call us that, but primarily because we are used in the same way cyborgs are in text: As a talking point, a disruptive metaphor about humanity as a whole.

That brings us onto the next place...

Section 2: Cyborgs are extra trans in this case.

The reason why I latched onto this in the first place is this character’s backstory.

Franky, who eventually becomes the Straw Hat’s shipwright, starts as a joke character in the Water Seven Arc.

He’s a 40-ish year old man who runs around in a speedo and shoots lasers at people, making a living off of dismantling ships.

However, as more information is revealed, the story starts to humanize and give him a backstory.

quotes from Chapter 358:

“My body got wrecked and parts of it weren’t working anymore... So I transformed myself using scrap metal. It’s how I survived!”

“Waste wood, scrap iron... I fit right in. First I’ve got to... ... Do something about this useless body of mine!”

What do these have in common? Retrofitting the self, and rebuilding the body. I think there’s something trans there but IDK

Deadnames (partially joking here): As said by another character “Cutty Flam of Tom’s Workers is dead. As long as you don’t use that name... ... There’s nothing connecting us” (for context, Franky was changing his name to evade government capture, but shhh let’s just pretend we’re talking about deadnames)

Actual Section 2: The Boats are trans now

speaking of the self as a construct...

I think it would be giving Oda too much credit for doing this on purpose.

But, he also accidentally created one of the best analogies I’ve ever heard for gender identity and against gender essentialism:

And of course, it has to be boats.

chapter 353: “Franky, there’s no such thing as blueprints for a pirate ship!! If the sailors who board that ship run up a skull-and-crossbones, then it’s a pirate ship. If they fly a seagull flag, it’s a navy ship. Build whatever you want to build, Franky.”

Like again: It’s the idea that there’s no instructions for a person, it’s what you decide to create out of oneself?

Alright. So, in terms of most manga, he actually does a rather good job. One Piece is primarily a series about misfits and outcasts: The series is goofy and over-the-top as a rule. So, one could argue the extreme way in which he portrays trans people up until the Wano arc is just a part of the series.

yeah idk

#franky #one piece #I guess #i don't know what the fuck I’m doing with this I hope it's good #will probably edit this later

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