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#hilary mantel
wolfhalledits · 2 days
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'WOLF HALL' RECAP — 1x04 'The Devil's Spit' air date — 11 February 2015 dir. Peter Kosminsky
In 1533, Anne Boleyn has given birth to a daughter, much to King Henry VIII's disdain. As Anne's paranoia over her inability to produce a son grows, Thomas Cromwell tries to convince Sir Thomas More to show approval for the royal marriage.
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firstfullmoon · 11 months
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anne boyer “the harm will come: it never doesn’t” / julia armfield “to watch a horror movie is to know that something bad is going to happen. to have a body is really the same thing” / hilary mantel “we don’t have to invite pain in, it’s waiting for us: sooner rather than later” / marie howe “you know how we’ve been waiting for the big pain to come? I think it’s here. I think this is it. I think it’s been here all along” / gregory orr “I want to go back to the beginning. we all do. I think: hurt won’t be there. but I’m wrong” / toni morrison “the hurt was always there” / torrey peters “pain that had to be endured, withstood, pain that was the same as being alive, and so without end”
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papillon-de-mai · 2 years
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"As soon as we die, we enter into fiction. Just ask two different family members to tell you about someone recently gone, and you will see what I mean. Once we can no longer speak for ourselves, we are interpreted."
— Hilary Mantel, from Reith Lectures, Resurrection: The Art and Craft
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sprachgitter · 9 months
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on storytelling and repetition
“...the secret of the Great Stories is that they have no secrets. The Great Stories are the ones you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They don’t deceive you with thrills and trick endings. They don’t surprise you with the unforeseen. They are as familiar as the house you live in. Or the smell of your lover’s skin. You know how they end, yet you listen as though you don’t. In the way that although you know that one day you will die, you live as though you won’t. In the Great Stories you know who lives, who dies, who finds love, who doesn’t. And yet you want to know again.”
— Arundhati Roy on Indian mythology and folklore, in God of Small Things (1997)
“It was only once – once – that an audience went to see Romeo and Juliet, and hoped they might live happily ever after. You can bet that the word soon went around the playhouses: they don’t get out of that tomb alive. But every time it’s been played, every night, every show, we stand with Romeo at the Capulets’ monument. We know: when he breaks into the tomb, he will see Juliet asleep, and believe she is dead. We know he will be dead himself before he knows better. But every time, we are on the edge of our seats, holding out our knowledge like a present we can’t give him.”
— Hilary Mantel on Shakespeare’s Romeo and Juliet, in “Can These Bones Live?”, Reith Lecture, 2017
“So what makes this poem mnemonic is not just repetition. Rather, it’s the fact that with repetition, the repeated phrase grows more and more questionable. I’ve remembered “Come on now, boys” because, with every new repetition, it seems to offer more exasperation than encouragement, more doubt than assertion. I remembered this refrain because it kept me wondering about what it meant, which is to say, it kept me wondering about the kind of future it predicted. What is mnemonic about this repetition is not the reader’s ability to remember it, but that the phrase itself remembers something about the people it addresses; it remembers violence. Repetition, then, is not only a demonstration of something that keeps recurring: an endless supply of new generations of cruel boys with sweaty fists. It is also about our inability to stop this repetition: the established cycles of repetition are like spells and there’s no anti-spell to stop them from happening. The more we repeat, the less power we have over the words and the more power the words have over us. Poetic repetition is about the potency of language and the impotence of its speakers. In our care, language is futile and change is impossible.”
— Valzhyna Mort on Russian poet Yevgeny Yevtushenko, in “FACE – FACE – FACE: A Poet Under the Spell of Loss”, The Poetry Society Annual Lecture, 2021
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sageandscorpiongrass · 7 months
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A web weaving of codependency plsss
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'To death do us part' in the most literal sense
... I hope you weren't wanting something more romantic, aha. 'This is not a love poem' and all that.
Wolf Hall, Hilary Mantel | The Body, Stephen King | Iain S. Thomas | Wuthering Heights, Emily Brontë | Crescendo, Becca Fitzpatrick | Kin, Maya Angelou | 2 Truths and a Lie, Angelea Lowes | The Love of the Wolf, Hélène Cixous | Beau Taplin | No Exit, Jean-Paul Sartre | The Sea, the Sea, Iris Murdoch
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oldshrewsburyian · 4 months
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From behind the papist virgin with her silver shoes there creeps another woman, poor, her feet bare and calloused, her swarthy face plastered with the dust of the road. Her belly is heavy with salvation and the weight drags and makes her back ache.
The Mirror and the Light, Hilary Mantel
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sashayed · 4 months
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every page of hilary mantel's memoir has at least one sentence in it that makes me want to stuff the whole book in my mouth and gnaw it like a bone
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mysharona1987 · 2 years
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gwydpolls · 4 months
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Lucian's Library 3
Feel free to suggest never written books you wish you could read.
Option slightly shaved to fit the format.
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hairtusk · 2 years
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Most of you, by now, will have read about the sudden and unexpected passing of Hilary Mantel; a writer who I've come to admire enormously in recent years. I thought I'd collect together a masterpost of my favourites among her shorter essays, that you can read for free online:
No Passport Required (2002) - on nationality and identity
Written On Our Bodies (2003) - on female infertility and medical misogyny
Holy Disorders (2004) - on anorexia and sainthood
'Every part of my body hurt' (2004) - on endometriosis
Author, Author (2008) - on Virago Modern Classics, publishers of neglected women's fiction
Night Visions (2008) - on dreams and writing fiction
'Looking for female role models in nineteenth century novels' (2009)
The Shape We're In (2009) - fatphobia in relation to feminism and capitalism
The War Against Women (2009) - on 'A History of Women' by Marilyn French
Women Over 50 - The Invisible Generation (2009) - on aging and womanhood
Anne Boleyn: Witch, Bitch, Temptress, Feminist (2012)
'You have to experience it to know what fat is like' (2013) - on fatphobia
Hilary Mantel On Grief (2014)
'Endometriosis took my fertility, and part of my self' (2015)
Elizabeth Jane Howard: Hilary Mantel on the Novelist She Tells Everyone to Read (2016)
The Princess Myth (2017) - on Princess Diana
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cinemaocd · 5 months
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This Week In Rylance Land: So um guys Wolf Hall fucking started filming...
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Wordy addendum to this post, here.
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wolfhalledits · 7 days
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'WOLF HALL' RECAP — 1x03 'Anna Regina' air date — 4 February 2015 dir. Peter Kosminsky
In 1531, King Henry VIII has proposed a bill which will make him the head of the Church in England and allow him to marry Anne Boleyn. However, his plans are met with a series of complications.
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lillyli-74 · 7 months
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I have never understood where the line is drawn between sacrifice and self-slaughter.
~Hilary Mantel
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semperintrepida · 10 months
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If you think of any worthwhile novel—its intersecting arcs, its intertwined themes and metaphors—no one is clever enough to do it. When you have crammed your head with data, you have to take your hands off and see what shapes the story forms. You must trust the process, and that can be difficult, because you have to quell anxiety; the task is to get out of your own way. I think this is true for all worthwhile fiction, not just historical fiction. At the centre of your work is an act of faith in the novel form. You employ what Keats called "negative capability"—you must endure doubt and follow paths without signposts.
—Hilary Mantel, in an interview with The Guardian
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dxcstrange-stuff · 5 months
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'I used to have a magpie when I was a child. I caught it myself.'
She says, 'I cannot imagine you as a child.'
He thinks, neither can I. I cannot picture myself.
- The Mirror and the Light, Hilary Mantel
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katharinepar · 1 year
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anne boleyn in wolf hall | favourite costumes.
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