round up // JUNE 23
The best things come in pairs in this Round Up. A few repeat offenders this June:
Jason Schwartzman
Harrison Ford
Brad Pitt
Pixar
Archeological digs
Sports stories
1943 musicals
Tap dancing
‘80s pop-rock records
Two Tales of Cities
And, as always, Crowd and Critic are best when they’re in tandem. These are my top picks for June 2023 in the order I experienced them:
June Crowd-Pleasers
1. Shooting Stars (2023)
As a sports dilettante, I knew nothing about LeBron James’s pre-NBA life. (Full disclosure: I don’t know much about his post-NBA life either.) This sports drama probably sands off some edges (James produced this movie based on a book he wrote), but it hits its marks. It’s inspirational but not schmaltzy, and thanks to great performances (including an always stellar Caleb McLaughlin and I’m-always-glad-when-he-pops-up Dermot Mulroney), this story of five basketball-obsessed kids growing up is much better than you’d expect for a direct-to-Peacock movie. Crowd: 8/10 // Critic: 7/10
2. Elemental (2023)
Pixar is back to basics with Elemental. In the best way, that means Pixar is up to their old shenanigans, but in another sense, it means this movie is, well, basic. Read my full review at ZekeFilm or watch my segment on KMOV to give you an idea on whether Pixar’s latest is for you. Crowd: 8.5/10 // Critic: 8.5/10
3. Flamin’ Hot (2023)
What Flamin’ Hot lacks in heat it makes up for in heart. With its relatable stakes and the comedy it finds in skewering corporate culture, this kind-of-true story of the creation of the Flamin’ Hot Cheeto (yes, really) is about as good as it could be. Read my full review at ZekeFilm. Crowd: 8/0 // Critic: 7/10
4. Coco (2017)
Finally watched after being one of my top “oops, I haven’t seen this yet” titles for years. Yes, Pixar did make me sob again. Crowd: 9/10 // Critic: 9/10
5. Indiana Jones and the Dial of Destiny (2023)
Do you love to feel nostalgia or to be surprised? Do you like old school action or newfangled special effects? Do you enjoy historical adventures or stories about modern issues? Then the fifth Indiana Jones episode is for you! Literally the only thing this needed to achieve was to surpass the quality of Kingdom of the Crystal Skull, but why settle for that when you can make an action-packed adventure better than most summer blockbuster fare? Given that Raiders of the Lost Ark and Indiana Jones and the Last Crusade are two of the best adventure movies (or perhaps, just movies) of the 20th century, it’s no insult to say The Dial of Destiny ranks third for me in Indy’s canon with Temple of Doom and Crystal Skull following in distant fourth and fifth places. Crowd: 10/10 // Critic: 8.5/10
6. Bananarama-thon + Bangle-mania + Go-Go-palooza
What says “summer” more than 1980s girl pop-rock bands? (Or really, 1980s pop-rock period?) Bananarama, The Bangles, and The Go-Go’s made excellent summer soundtracks with their respective albums Deep Sea Skiving (1983), Bananarama (1984), and True Confessions (1986); All Over the Place (1984), Different Light (1986), and Everything (1988); and Beauty and the Beat (1981), Vacation (1982), and Talk Show (1984). Also, does Bananarama’s debut album have the greatest cover art of all time?
7. Sports Night (1998-2000)
My binge of short-lived behind-the-scenes shows continues! Clearly Aaron Sorkin and pals like Tommy Schlamme were still learning the ropes of TV, and they were not helped by the fact that premiering in the ‘90s mandated a laugh track in the first season. But the bones of Sorkin’s future are there: Josh Charles and Peter Krause’s bromance feels like laying the track for some of the best of The West Wing, and Felicity Huffman is one of his iconic strong female leads. Robert Guillaume’s elder statesmen of TV (both in front and behind of the camera) is the glue that holds the show together, and the show’s love for sports is so infectious it draws in non-sporty girlies like me.
8. Legal Eagles (1986)
A legal dramedy starring Robert Redford directed with the light touch of Ivan Reitman? This art heist murder mystery co-starring Debra Winger and Daryl Hannah is a hidden gem of the ‘80s...and also an addition to my Favorite Tap Dances list on Letterboxd? Crowd: 9/10 // Critic: 7.5/10
9. The Stone Roses by The Stone Roses (1989)
A Rolling Stone article I shared last month got me curious about this band (whom I know nothing about beyond that article), and this album has been scratching The Smiths itch that lives in me.
June Critic Picks
1. Spider-Man: Across the Spider-Verse (2023)
It’s a visual wonder with stellar voice work, especially Jason Schwartzman’s clever villain, and once we get to the Nueva York universe, everything flies. But boy, does it take a while to get there. I normally reserve my Round Ups for praise, but since Across the Spider-Verse’s nearly universal acclaim won’t be tarnished by my critique, the spirit of transparency compels me to complain this film is at least 30 minutes too long. When you’re trying to be both a Gwen Stacy movie and a Miles Morales movie, the somber first hour slows down even more and delays revisiting the stuff we loved most in the first film. The kids next to me were antsy well before this was over, my dad fell asleep in the middle (which he never does), and then it rivals Lord of the Rings for fake out endings. Here's hoping Spider-Ham and Spider-Man Noir get to make up for their lost time in part 3! Crowd: 7.5/10 // Critic: 8/10
2. Ninotchka (1939)
When Soviet Greta Garbo travels to Paris on Communist Party business, can she resist the city’s charms? She and her fellow comrades find themselves succumbing to the amenities, champagne, and romance they can’t find in Mother Russia. An Ernst Lubitsch-directed rom-com co-written by Billy Wilder can’t miss! Crowd: 8.5/10 // Critic: 9/10
3. Little Women (2017)
Another Round Up, another version of Little Women. I immediately pushed this PBS miniseries to the top of my watchlist when I dug into Little Mermaid star Jonah Hauer-King’s past filmography and discovered he performed alongside Angela Lansbury (!!!). Though I expect the budget was smaller than a big screen feature’s, the extended runtime allows for moments we haven’t seen depicted on film before. The cast of ringers includes Lansbury as a delightfully cranky Aunt March and Hauer-King as a lovelorn Laurie, as well Maya Hawke as Jo, Kathryn Newton as Amy, and Michael Gambon as Mr. Laurence in an 1860s Concord as bucolic as ever. Like a warm, encouraging hug!
4. Past Lives (2023)
This bittersweet romantic drama makes me want to call up my boyfriend who moved away the summer after 7th grade and the guy I never dated in college who studied abroad and then transferred and that boy I met at a party a few years ago who said he was moving next week to sail boats in Delaware and then be disappointed none of them are as I remember or imagined who they would become. The best film of the year so far? Crowd: 7.5/10 // Critic: 10/10
5. Double Feature - Silly 1943 Musicals About Marrying for Money: Du Barry Was a Lady + Higher and Higher
Movies today should try being as weird as ‘40s musicals. In Higher and Higher (Crowd: 7.5/10 // Critic: 7.5/10), a one-time millionaire tries to marry off his maid to a wealthy bachelor, though she may prefer to romance Frank Sinatra (playing himself!) instead. In Du Barry Was a Lady (7.5/10 // 8/10), Lucille Ball is trying to snag herself a rich guy, though she may prefer to romance Gene Kelly instead. (This is a much more obvious addition to my Favorite Tap Dances list on Letterboxd.) Both are silly, but when you’ve got Sinatra singing or Kelly dancing to Cole Porter songs, you’ve still got wow moments. More movies today should detour into 18th century dream sequences!
6. Valley of the Kings (1954)
Robert Taylor and Eleanor Parker go on a high-stakes archaeological dig in the early 1900s set in front of gorgeous photography in Egypt. A fun prototype for Indiana Jones and The Mummy! Crowd: 7/10 // Critic: 8/10
7. Asteroid City (2023)
Something Wes Anderson does not get enough credit for: The man has never made a film longer than two hours. This spring’s trend of Wes Anderson-inspired social media may have brought attention to the previously unacquainted, but it took only a few of those superficially xanthic posts to exhaust my Instagram feed. Most social filmmaking is ugly and chaotic, but Anderson’s attention to detail when blocking his troupe of players in the golden ratio, designing perfectly-shaped mushroom clouds, and using color theory to select his palette doesn’t just hold up on a big screen—it deserves it. Read my full review at ZekeFilm. Crowd: 7/10 // Critic: 10/10
8. Double Feature - ‘90s Brad Pitt: Legends of the Fall (1994) + The Devil’s Own (1997)
In Legends of the Fall (Crowd: 8/10 // Critic: 8.5/10), Brad Pitt’s nonconformist Tristan upends the lives of his family members (including Anthony Hopkins and Julia Ormond) as they strive to keep their Montana estate through World War I, Prohibition, and the Great Depression. In The Devil’s Own (Crowd: 9/10 // Critic: 9/10), Pitt’s IRA terrorist Rory upends the life of the family who takes him in (including Harrison Ford) when he escapes to America. One is a soapy historical epic, one is a gritty police thriller, but both show the promise of Pitt’s career.
9. A Tale of Two Cities (1935)
A pretty good adaptation of one of my favorite high school English class reads. Though the nuance and depth of the Mr. Charles “I Get Paid by the Word” Dickens novel can’t be captured in just two hours and the portrayal of Lucie is, well, a lot, Ronald Colman’s Sydney and Blanche Yurka’s Madame De Farge are pitch-perfect, and it’s as moving as its source material. Crowd: 7.5/10 // Critic: 8.5/10
10. Good Reads
The incessant onslaught of more-TV-than-can-possibly-be-watched is reaching critical mass:
“The Idol and Our Backlash Times,” NYTimes.com (2023)
“‘The End of Peak Television:’ Has the Era of Prestige TV Just Ground to a Halt?” TheGuardian.com (2023)
“Peak TV Is Over. Welcome to Trough TV,” slate.com (2023)
“From Warrior Nun to Three Women, TV Shows are Being Cancelled. Yet Somehow Emily in Paris Lives On,” TheGuardian.com (2023)
“Media's Succession Obsession,” axios.com (2023)
Thoughts on our moment in diversity in TV and movies:
“Box Office: Early Summer Tentpoles Cash In, Fueled by Diverse Stars,” HollywoodReporter.com (2023)
“‘Why is Bridgerton’s Race Twisting Acceptable?’ The Real Problem With the Show’s Black Fantasy,” TheGuardian.com (2023)
The Hollywood Reporter continues its impressive breadth of Writer’s Strike coverage:
“Tom Hanks, Baby Jessica and Lessons from a Three Strike Writer,” HollywoodReport.com (2023)
“Guest Column: If Writers Lose the Standoff With Studios, It Hurts All Filmmakers,” HollywoodReporter.com (2023)
And a grab bag of pieces on baseball, basketball, and Beyoncé:
“The Team Trying Very, Very Hard to Be the Worst in Baseball History,” slate.com (2023)
“Beyoncé Caused Sweden Inflation Bump, Expert Says,” politico.eu (2023)
“The 100 Most Significant Political Films of All Time,” NewRepublic.com (2023)
“The Flash Was Never Going to Run Away From Its Problems,” TheRinger.com (2023)
“Employee of the Month Rewarded With More Work,” vice.com (2023)
Also in June…
I’m processing a lot of emotions about what’s going on at Turner Classic Movies, and I’ve yet to figure out how to put them into words. Until I get there, I’m constantly adding to my list of movies I’ve watched thanks to the people who work there, and you can see the almost-350 of them on Letterboxd.
Until the end of July, you can see what I’m watching in real time on Letterboxd. Yes, I’ve seen Mission: Impossible - Dead Reckoning Part One; no I can’t talk about it until after the review embargo lifts on July 5th.
Pending Twitter doesn’t self-implode before you read this, you can also find me there.
Photo credits: Bananarama, The Stone Roses, Good Reads. All others IMDb.com.
4 notes
·
View notes
Hey so remember how grocery prices suddenly jackknifed during lockdown and never went back down?
Well turns out the companies would have done that shit either way and had been steadily price-fixing for the last decade!
Washington State Attorney General Bob Ferguson just announced more than $40 million in court-ordained Fuck You money from massive swaths of food production companies are to be paid out to households earning at or below 175% of the federal poverty level ($25.5k for 1 person, $34.5k for 2 people households) before Dec 31st of this year. Happy Holidays.
"The bottom line here is that my legal team took on two large corporate price-fixing conspiracies that increased the cost for groceries for Washington families. We've prevailed, and as a result, we are sending checks to over 400,000 Washington households."
Cannot stress enough the extent of the conspiracies he's talking about here. 15 out of the total 19 chicken producers got nailed in this lawsuit. Not the total number of conspirators, mind, just the ones who left enough evidence for the AG to kick their ass in so expedient a manner. Make no mistake, all 19 were in on it. The court case against the rest of them has been delayed until October of next year, though. None of them are making it out unscathed.
Tuna didn't escape antitrust horseshit either, because the CEOs of Starkist, Chicken of the Sea, and Bumblebee Tuna had a fucking group chat where they complained that the price of tuna was "too low" and they agreed to artificially inflate the price.
“What’s so maddening about the conduct of these companies is the reason that they engaged in this price-fixing conspiracy was greed. They wanted to make money."
So anyway the AG who nailed their asses to the wall and continues to do so is running for governor. If you live in Washington, could be worth your vote when primary season rolls around.
21K notes
·
View notes