High Noon Caitlyn + High Noon Tahm Kench
Her eye tracks movement, like a hawk’s might, but with no moon and the stars hidden by clouds, it’s hard to say if what draws her gaze is a possum or a rat or just a tumbleweed. But there is something out there. Just not where she’s looking.
It’s a distraction.
The sheriff of this little town feels the sweat on her, beaded on her brow and damp between her neck and her long loose hair. She has stopped walking, looking over the rough stone walls to the spread of the dusty prairie beyond. She had heard something. She had been waiting. Listening. Her eye pulls away from the movement, just in time to hear the sound again.
There is a man sitting on a rock outside the walls. His coat is dusty, his hat soaked with sweat, his travel pack sunk from lack of supplies. He looks up at her, and removes his hat and holds it over his heart.
She says nothing.
“Evenin’,” the fellow calls. His voice is rich like honey, like mahogany, like brown glass bottles filled with the finest of serpentine oils. “A man counts himself mighty lucky to be out on a night like this, if it means he can see a lady finer’n the queen’s silk pyjamas lookin’ back at him.”
She says nothing.
He puts his hat back on his head, and looks hopefully at the gate. “I see y’all’ve locked up for the night. But these ol’ feet o’mine are so dreadful sore. Don’t s’pose you could open it up an’ offer a poor wanderer a place to rest his head for the night?”
The wall is barely two feet high. The gate barely keeps the cattle in.
“Why don’t you come in?” She asks.
The figure takes a step forward, but stops as he finds the silk-soft woman has a rifle in her hands. A rifle which is, at this moment, pointed in his direction.
“That was a question,” she says, “Not an invitation.”
She should not have been able to see the dust on his coat or the pack on his back. There is no moon, no stars, no light. But she could see him, which means he wanted to be seen. And she sees now the way his charming drifter’s smile twist into a ‘tch’, can see those eyes narrow, and see his restful pose shift to something more alert.
She has sharp eyes. But this is something else. He is letting himself be seen.
“Why,” she asks again, “Don’t you come in?”
And he won’t say anything, because there’s power in words. He knows it, and so does she. The wards laid out by her mother still work, still keep this place safe, and that’s a small relief. But if this drifter is who the sheriff thinks he is, then there must be a gap. He’s picking. He’s scratching. He’s looking for a way in.
“The river’s gone dry,” she tells him. She flicks the end of the rifle towards the road, a short gesture to indicate the drifter should get a move on. “There’s nothing here for you.”
“Oh, well, now...” The drifter - still looking like a handsome man, for the moment - glances at the empty riverbed, then back at her. He smiles, so wide, so charming. “That is a right shame, ain’t it? A town built by a river but with no water to its name? Ain’t right, miss, it ain’t right at all. Maybe I might be able t’do somethin’ ‘bout that. Why don’t you let me in so we can talk it over...?”
She keeps her gun levelled steady at him. There are wells in the town but they’re dry despite their depth. This little frontier town is all dried up. It won’t be long until the buildings are husks, and fall back into the desert... unless the people do something to turn that around.
That’s why she’d been watching. She’d known someone like him would come along.
“You seem like a charmer,” she says. “Maybe you should go tell some stories to the frog. Make him laugh.”
Something about that makes the drifter smile wide, far too wide. It’s a smile of greed and hunger. “Now, well, ain’t that interestin’? A frog, you say? I think I heard that story, a long time ago, ‘bout the frog that drank the whole world dry. Holdin’ all that water in until someone made ‘em laugh the waters back out int’the world again. Good story.”
She feels the sweat on her hands, on her brow, on the back of her neck and soaked into her hair. The heat on this place is unrelenting, even with the sun long set.
He continues, sly, mouth curving in a smirk, eyes gleaming from under the brim of his hat. “Not a story told by your people, though. No no no, darlin’, that’s a story told under smoke an’ tradition an’ faces painted white, an’ not the white fresh as lye that goes all swiftly-peelin’ under the sun’s gentle kiss.”
She adjusts her hold on her rifle. She comes out at night to avoid the risk of sunburn. It’s a barb that hooks true and she has no reason to be angry about it.
“Aww,” the drifter says. His shape is changing, no longer human, growing in the dark, though her ability to see him is fading. He is just a shape, and eyes, and a broad toothy smile. “Did I hit a nerve, sweetheart? You hate to hear how your ancestors came here, breakin' promises and breakin’ necks in equal measure? The land’s cryin’ out from the curses you put on it, for the sake of gold and steel, and stolen gold, an’ now you’re high an’ dry.”
Many of those men and women are still alive today. Their names are on the buildings, the cornerstones set in stolen land and their fences and maps parcelling up what should never have been laid claim to. Those words are true. The sheriff of this little town adjusts her hold on her rifle, holding it steady. The wards are true. She will not let him in. But she has nothing to say.
She’s never broken a promise, or a neck, or stolen anything. But this town wouldn’t be here for her to be sheriff of, if the demon was lying.
“Haw.” He barks a laugh, brays it, and the empty plains ring with that mirthless merriment. “Fine, fine. I know where I’m not wanted. Jus’ thought you might wanna...” He slides off the rock, his massive bulk rasping the stone and displacing the saltbrush. “Do things the civilised way. One fine fella to one fine filly. But it’s alright. There’ll be others that’ll come to call, lil missy. And you can be sure they won’t all come callin’ to you.”
He tips his hat. She loses sight of him, in the dark. The prairie is wide, and dry, and there is sweat on her skin.
3 notes
·
View notes