Queerness and the Power of “Subtext” in Sound! Euphonium & Liz and the Blue Bird
Sound! Euphonium drew an audience of sapphic women due to the heavily implied romantic relationship between its two leads, Kumiko and Reina, but the show’s endgame saw them drifting apart as Reina confesses her love to an older male teacher and Kumiko becomes dedicated to her upperclassman friend Asuka.
The subtext between the characters has been enough for a small fandom to sustain itself for years, but the actual show ultimately failed to deliver. Years later, however, the spin-off film Liz and the Blue Bird, centered around side characters Nozomi and Mizore, provides audiences with the explicit queer representation many Euphonium viewers found themselves lacking.
Sound! Euphonium premiered in April 2015. Produced by Kyoto Animation, it exploded in popularity after a ship between the two female leads garnered attention online. The series is told through the eyes of Kumiko Oumae. A somewhat directionless young woman when we meet her, she is haunted by the final competition of her middle school band, when she unwittingly insulted a fellow classmate. The series follows her joining the newly rejuvenated concert band at her new high school and rekindling a connection with Reina Kousaka, the girl she drove to tears in middle school.
Even before any of their romantically coded interactions in the show itself, “Tutti!”, the ending theme for Euphonium’s first season, features a shot of Kumiko and Reina standing in a field, backs to each other, as a long red thread connects them. It’s the “red string of fate,” one of the most instantly recognized symbols of destined lovers.
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