I’m sorry to inform you, but jay has literally the impending status of a werewolf. cut your losses and keep a closer eye. you can either weaponize this ability or go fuck yourself. - 🐇
[ ALEX: ... I really, really hope you're wrong.]
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The next morning is nice, Quackity’s good mood from the night before carrying over to today as he makes breakfast on his rare day off.
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No hobbies, Sale? Just work?
Damn. Well. If you’re ever looking for a bit of q break, come find me. I’ll teach ya to play knucklebones. Or war. Or something. It’ll be fun! (:
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i. i just realised something about the kiss.
the way when aziraphale puts both of his hands on crowley's back, you can see them kinda shift so aziraphale isn't leaning. he held onto crowley for stability, and leaned in. pushed closer to him. he leaned forward. anyone ever says he didn't want the kiss im going to hunt you down because HE HELD CLOSE!!! HE KISSED BACK!!!!
EDIT: also im like WELL aware he kissed back i was even when i first watched it like its not a big revelation, its just that SOME people☠️ on TIKTOK☠️ KEEP SAYING HE WAS DISGUSTED BY THE KISS???? like i swear some people are watching a different show entirely
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One thing for those who have watched The Boy and The Heron or will watch it. The Japanese title for it is How Do You Live? And Miyazaki stated he was leaving it for his grandson, saying, "Grandpa is moving onto the next world soon but he is leaving behind this film".
The deaths of contemporaries and friends such as Satoshi Kon and Isao Takahata and also the expected successor of Yoshifumi Kondo were things that have always weighed heavily on the back of Miyazaki's mind.
He recognizes the industry and the occupation for how soul crushing it was, grinding up either the spirit or the physical body of those who work in it. He loves and hates the industry he stands on the peak of and fully recognizes how it will probably be the death of him. And he knows it'll leave him unable to say a lot of things to his Grandson.
So How Do You Live? is a lesson. For his grandson. For himself. For his two sons. And probably for anyone else willing to pay attention.
Hayao Miyazaki is a flawed man that makes things so important to so many people. And I think more than any other film of his, in this you get to pull back the curtain a bit and see him at work. And what should be this giant unblemished titan can be seen for what he is, a sad old man who had higher hopes for himself and has even higher hopes for the people he makes his work for.
It's a beautiful thing to see another's humanity in their work. To look past the artifice and glam of commercialized art and find humans behind it. And humans willing to show their humanity and mortality is even rarer. And something to be celebrated. So when you watch it. Or if you've watched it already. Understand that this film is Miyazaki kneeling down, weary after years of weaving dreams and making mistakes, reaching out and saying to you that he hopes you can do better. It's an old man who's made all the mistakes of the world passing it on to you, hoping you do better, and making sure you know it's okay if you don't.
How do you Live? By making mistakes. By messing up. But still moving forward. And still reaching out.
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One of my favorite things about the game's writing of Alhaitham and Kaveh:
The basic game text goes out of its way to convince us that the house is Alhaitham's--it is literally called "Alhaitham's Home" even during Kaveh's hangout.
But in-universe, we never see Alhaitham in his house unless Kaveh is there.
Throughout Sumeru's archon quests, we run into Alhaitham practically everywhere: in Port Ormos, in Aaru Village, in the Akademiya, at the Grand Bazaar. But never, despite the fact that the story wants to sell him as a homebody, in his own home. In fact, the only references we have to Alhaitham's house at all throughout the entire lead up of the archon quests are mentions of Kaveh.
Alhaitham doesn't suggest going there, doesn't ever go home himself (at least that we're explicitly told about) until the end of the archon quests, and has no cutscenes in his own house until Kaveh returns from the desert.
Then, all the sudden, Alhaitham literally can't wait to go home and walks off in the middle of a conversation.
From that point on, every time we're permitted to enter Alhaitham's house, in story quests, the hangout, and the event, it's either when he and Kaveh are together or with Kaveh alone.
Even during Alhaitham's birthday skit of all things, they went out of their way to tell us that Alhaitham's home, so of course Kaveh is there:
The map tag tells us the building is Alhaitham's Home, but the story reinforces a different idea:
It's Alhaitham's home when Kaveh is in it.
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getting emotional over footage of an amateur scuba diver interacting with a coelacanth. they are hunted by large deepwater predators, and here comes a large creature bearing the brightest lights it's ever seen, making strange noises, but it does not shy away. it hovers, calmly, as the diver reaches out and trails a hand down its back. im strongly against the anthropomorphizing of real life animals but the stupid emotional part of me loudly insists this is because it recognizes us, the alternating movements of its four paired limbs matching the diver's four paired limbs, & it is thinking, "hello, cousins, we missed you these 66 million years, it's so good to see you again. welcome back, welcome home."
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Croissant did NOT like that sub.
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[[ All Croissant Adventures (chronological, desktop) ]]
[[ All Croissant Adventures (app) ]]
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