isnt this whole wilbur thing a huge warning sign against getting too attached to ccs, because we can never truly know them? why are we celebrating a few fans putting /150/ dollars + whatever the commission fee for the artist was into a birthday present for a guy who just.. doesnt know them? its not like merch or supporting a creator, its literally money in the wind. between this and merch dropping like clockwork but sapnap being the only one actually doing content (and hes clearly just doing it for the kick quota.. sorry but the streams are so lackluster), im getting really disillusioned with the dream team. theyre literally just coasted by because of a hyperdedicated fanbase they dont really seem to give a shit about. people talk about how amazing and kind they are but are they really? we dont know. why are we monetarily supporting millionaires its literally just charity but for rich people at this point, they dont provide any value in exchange. i think people should really consider why theyd rather drop ~180 dollars on a billboard for a rando instead of charity or buying something they want or need. sorry idk i just feel fed up with how much time and money and love i poured into these guys and in response were getting nothing. sapnap didnt even bother to denounce the abuser he used to interact with. i could have donated and actually helped someone instead of buying a fucking hoodie i cant even wear to school because id get bullied.
I don’t think there’s anything wrong with a little wake up call. They are just some guys that stream and make videos. You’d think the last few Situations™ would teach people to simply not put cc’s on pedestals and expect perfection from them.
But you must realize that if you’re going to argue against people giving cc’s money, then you need to go all the way back to every single sub and donation they’ve gotten through twitch as well. It’s always been a luxury some choose to do because they get something out of it. They were never forced or tricked into doing it. And I don’t know how the Sapnap billboard was funded, but I donated to the George b-day billboard. Gave up $5 because I thought it was a fun community idea, and it did not impact my ability to donate or buy things I needed. It doesn’t need to be any more complicated than that.
It’s not a streamer's fault that you chose to spend money on them instead of donating.
If you’re upset by the lack of content, then entertain yourself with something else. People have been saying that for ages. If you think their intention is to continue promising content and never delivering just to squeeze money out of fans, then leave. I personally don’t believe that.
Dream believes he does owe us content, but we don’t get to decide when it comes. And you don’t have to give them a dime for it.
38 notes
·
View notes
work brainworms activated
Still rolling why Akari might've been yoinked in my head (mistaken for Dawn? From a wealthy family they ran away from? Clones of former hisuians that escaped and are wanted? Upset a stalker on the subway?) but Rei was with her when it happened since they live together. Akari manages to get Rei to escape with their pikachus (they both have pikachus. Twin pikachus? Maybe.) but gets grabbed as a result. Rei is obviously a wreck and tries to chase after whoever took his twin, but they vanish like dust in the wind and he's left standing in the middle of the street with two upset, sparking mice. He manages to eventually get to the authorities to report her abduction and their home turns into a crime scene. He has to stay at a hotel and he's so dumbstruck by the night that he passes out.
Neither of the younger twins show up in the morning which throws the whole gear station groove off. They've called out sick before, sometimes one and sometimes both, and they've run late, but they've never just not shown up. And never neither of them completely ghosting the station. Everybody is concerned, especially when their phones can't be reached, so someone from the station cuts early to go check on them. And then they call Ingo or Emmet frantic bc the twins' home is a crime scene??? What if they're dead???
Emmet starts blowin up Akari and reis phones while he and Ingo run out bc holy shit the babies??? The kids??? The CRIME SCENE??? They're nearly at the listed residence when Rei picks up, groggy as fuck and voice hoarse. Emmet starts demanding to know what happened and Rei just breaks down into tears, explaining that the home had been broken into the day before and Akari had been taken, had pushed him out of the way so he'd escaped. He's practically hysterical as he goes over it again until Emmet promises that they'll come pick him up and he can stay with him or ingo so he's not alone. Ingo sends a message to the group chat that Akari's been kidnapped and everyone is demanding to know WHAT THE FUCK??? WHAT THE FUCK!!!
Rei gets picked up by the twins and it's weird for all involved that there is one set of twins and not the other. There's a weird empty space by Rei's side even though both shoulders hold a Pikachu. Ingo & Emmet silently guide him out, they go and pick up some of his stuff (clothes, cause he's still in his PJs, tooth brush & tooth paste, etc) and they go to the apartment where Ingo and Emmet live. They don't technically live Together, but their rooms are right next door to each other with a connecting door. They are, after all, Grown Ass Adults who need their own space as much as they're a set. Ingo is the only one with a spare room so Rei settles his stuff there, and then he crashes again while the twins try to figure out what they're going to do (bc like hell are they going to let this go unchecked and let the authorities handle it on their own??? Fuck no, that's their family, their employee, their kid. They're gonna get her back.)
20 notes
·
View notes
just got emotional thinking about what hjw might've had to go through in the year away from manyang, he was probably pestered by medias, having to deal with the trials and all the talks and whispers behind his back or even straight at his face. If i got the context right betraying his father was abig deal, yes many would praise him but many would shame him for being disrespectful and not filial. I'm sure hkh had big supporters in the force, corrupted people that wanted influence, power and wealth, they probably got mad at hjw for cutting short their connection and the future career advancement. All this might have reminded hjw how his life was before everything happened (my god something like "good things aren't bound to last") but after the time spent in manyang he changed, he got to experience love and closure, a found family and going back to his old habits might have felt so alienating now? he'd realize how cold and lonely that life was and struggling all the more due to it. I'm so glad he managed to fight his anxiety and fear and return to manyang + I'm fairly sure that once he saw that the people there still love him and welcomed him with open harms, he'd go back to stay. sorry if i wrote a lot but i wanted to share my feelings with someone who could understand and loves hjw too❤️
yeah, i was always incredibly fascinated by what might have happened in that year han joo won was away, and why i also just. think that han joo won probably really couldn't show his face not just because he probably felt a lot of shame, but also like. i dunno. my personal thought is that he was a fuckign mess for a little bit--like, the man you're in love with is also the man that you arrested, and the little community of people who cared about you can't possibly still love you now, not when you're the reason why their favorite person is going to go away . . .
and i feel like there definitely were a lot of people who probably looked askance at joo won to be like "how could you do that to your own father" or maybe other people who tried to swoop in and promote joo won for the sake of saving face, and i like to think that joo won was just like. blank-faced through it all. and just like, the thought of him running away from seoul and trying to go to a place where no one knows him is. yeah.
and also, i forget who might have said it, but there's also some speculation about whether joo won's the one turning down promotions or maybe joo won just never gets a promotion because maybe his name's also lowkey blacklisted since everything that happened with his dad. i like to think that it's joo won who keeps turning down promotions--maybe he's terrified that he'll ever really turn into his dad, because i don't think he ever will, but i do think that a small part of joo won will always still think about what greed and power can do to people, and he probably doesn't want even the littlest taste of that. (granted. han ki hwan was always a bad person, i think--you don't clamber up to the top with that kind of attitude unless there's already something broken inside of you, but i think. joo won would still. try to run from it.)
(especially since like. i think a lot about joo won hearing han ki hwan's conversation, what with han ki hwan being like "oh, joo won wants to think he's like me, but he's actually more like his mom", and seeing the fury but also the genuine pain on joo won's face because. yeah. as much as joo won scoffed at the mention of his dad even in the beginning, i think. it's the curse of certain children--the only child, the eldest child--to be like the father, especially when the mother is deemed weak or just out of the picture. little boys and little girls want to be the behemoth of a man that their father is; they want to be cold, logical, infallible. and i think as much as joo won hated talking about his dad, i look at how, esp. in the beginning of the show, he tried so hard to project that kind of attitude, with the whole "i don't need friends / i don't trust anyone / you have to be logical" when we so clearly see. how lonely he is and how he. still trembles a little bit when his dad yells at him and how he peers in through the windows of the shop like he's an alien. or maybe a very curious, kind of timid cat.)
so all that to say: yeah, i feel you anon. i love han joo won so much, and i love how beyond evil is just as much a story about joo won learning to fall into this beautiful (but slightly broken) community, and how i think. he must have healed along the way :'))
36 notes
·
View notes
@snowshinobi Hiiiii :3 I'm responding to your tags on a new post and not the original since the original was already somewhat lengthy, and I plan on being LONG and RAMBLY, but I have sooo many thoughts on what you said and I'm going to say them. Also my browser crashed TWICE (TWO TIMES. 2) when trying to write this post so I'm really fighting for my life out here to get my silly little OC posts done. Also it's under the cut because it's looooong as hell LMAO
Firstly, you're so nice to me forever <3 Secondly, I think you've basically hit the nail on the head. The majority of the issues Maggie has coming back from death and her 9 years gone are really tied almost exclusively to her close family, because she... never really had anyone else. While in-universe it's only 9 years, realistically the jump in technology and culture is around ~20-30 years (Maggie died in the 90s/early 2000s essentially, and wakes up in a just barely futuristic city), but... the most jarring thing to her in terms of what she missed out on is just. Flipphones are no longer popular. Other than her family, she's only close with one other person... who just so happens to be a ghost, and therefore both 1. Wouldn't change much over the timespan due to how long she's been a ghost and 2. Unlike her family, was aware that something happened, since she could see the ghost-of-a-ghost Maggie left behind (The ghosts name is Opal, she positions herself as a sort of "guardian angel" figure, though she's not actually, and serves as just another parental figure for Maggie while also getting after the ghosts that constantly harass her to pass on messages to the living). Maggie has no real relationships outside of her family, and while her relationships with her family are massively impacted by her unknowing death, other than that... the timeskip itself doesn't weigh on her because she had no one regardless. Her struggle to adjust to everything thats happened would've happened regardless of the timeskip for her, because she was such an isolated shut-in that it's the same whether it happened the next day, or nearly a full decade later
So another very interesting thing is that you've actually completely seen where I was going with everything, in spite of everything I said being very surface level and not actually delving into the plot at all. I completely skimmed over Jenna (She's very important to the plot, but she's by in large a regular person as opposed to Maggie's... everything), but for some additional context, Jenna has a horrendously shitty homelife, so her moving in with Maggie is both a gradual process (It goes from spending time there, to spending nights, to eventually just never going back home and moving in fully), and also serves as an escape for her. Part of that is also, so vitally, the food aspect. For some additional additional context, souls essentially serve as a persons lifeforce, practically every bodily function is improved by a soul that's stronger, though the "strength" of a soul is essentially entirely random, and not dependent on the individuals actions of any kind. Maggie had a generally weird soul before (Seeing ghosts inherently means she has to have something going on with her soul), but when she wakes up after her death, her soul is now even weirder, and part of that is that it essentially lets her get away with bad habits she absolutely should be seeing more consequences for. She barely eats, and when she does, it's basically exclusively crackers and whatever other safe foods she has around the house, because actually making food is a level of care and effort she just... doesn't give to herself in the slightest. Part of Jenna staying with her is that Jenna, without really discussing it, entirely takes up the mantle of caretaker of the apartment, with the biggest task being food prep, Jenna sees Maggie's unwillingness to take care of herself and silently steps up and starts making her actual meals so she's eating properly.
The problem is is that this also kinda... just straight up sucks? Jenna doesn't think much of it, it's something that needed to be done so she's doing it, she wants Maggie to be well fed even if she won't do it herself, and she's already been responsible for making all of her own meals for years prior anyways, so it's just another thing she does. Except that's shitty! Maggie's seen firsthand how terrible her homelife is, and it really weighs on her how even in her escape from that, Jenna's still being put in a position where she feels like she must care for her or else she just won't eat properly. So food is such a massively important thing to both of them, it's this symbol of love for both of them, it's love on the part of Jenna, for stepping in and taking care of Maggie when she can't do it herself, and it's love on the part of Maggie, for realizing how her own bad habits impact the people she cares about and wanting to lift that weight by taking care of herself better. It's also very vital for Maggie because she just... doesn't... have hobbies. Learning how to cook becomes really her only hobby and she puts all of her love and care into it, because for the first time in a long while she's actually passionate about something!
...Unfortunately she also is very very bad at it. She's inventing new dishes like "Burnt Salad" and "Please Help I Fucked Up Kraft Mac N Cheese" and still having to have Jenna come in and help her. But it's the thought that counts, and it'll only be a matter of time before she can make something vaguely edible.
And finally, the stuff about names! I didn't post it here, but while idly talking about her in a Discord server I'm in, I definitely think that had I made Maggie like even a few months later than I would've done she would've been nonbinary. As it stands right now though, I'm saying she's probably some form of genderweird but too busy trying not to die to think about it <3 Growing up knowing that ghosts are real and routinely being shut down by authority figures in her life about it has made her very aware of how bullshit a lot of things are and how the people who claim to be knowledgeable tend to not know what they're talking about (Beyond just the "people don't think ghosts are real", she's also got ghosts willing to tell her when people are lying because they've got nothing better to do than just gossip) , so if she spent even just a moment thinking about gender as a social construct she'd instantly recognize that and probably take up some form of genderweird label, but as it stands she's just too stressed with Being The Protagonist to think about that
Now, the thing with Margaret. I'm not even going to lie to you, I think you made a better connection to how a name connects with community in terms of the narrative themes than I did. The thing with Margaret denying the name "Maggie" existed for two reasons, the in-universe explanation is that, with the little scrap of soul Margaret has leftover from Maggie, it's essentially working overtime just to keep her vitals working, it can't dedicate time and energy to making her an individual with preferences and a personality, so part of that is that she doesn't respond to "Maggie" because ultimately, that is not her name. Her name is Margaret and she's not going to respond to "Maggie" because "Maggie" isn't her name. Of course, out of universe the reasoning is that I wanted an easy way to distinguish between Maggie as she is the protagonist, and the version of her that lived in the years she was gone, so different names makes the most sense.
I think your connection to how name relates to community genuinely works on a level I hadn't fully pieced together myself yet and I really love that because I think that absolutely works with everything. One of the main conflicts of the plot is how Maggie is entirely disconnected from her family thanks to the years she was gone, with Margaret having no priorities beyond "survive", she basically never spoke with her parents or brother for years. While her family tried to reach out to her repeatedly (Especially given that, while they're unaware the truth of what happened the night Maggie was murdered, they do know something happened, and they believe that whatever it was severely traumatized her, and that's where the sudden and drastic shift in personality came from), there's a point where they just... gave up. She wasn't trying to talk with them or contact them in the slightest, so around a year or two after Margaret moved out, her parents gave up on her. Her brother would still be there a bit, but he also didn't really... try... anymore.
When Maggie wakes up, she tries to call her parents... and they don't pick up. They'd grown resentful over the years, and now that Maggie wants to talk to them, they don't forgive her for the years of not speaking to them, and aren't interested in whatever she has to say after nearly a decade of trying to reconnect with her and being met with nothing. It's her insistence that she wants to be called Maggie that actually gets her brother to realize she's telling the truth and that something happened. She shows up at his door, already something that Margaret wouldn't have done, and that combined with her being visibly upset when he calls her Margaret and tells him that's not her and that she's Maggie, it signals to him that whatever's going on is real (...though he would've figured this out eventually, given that she also literally 17 again and not in her mid-20s, and has a giant glowing stab wound in her chest). I think it works absolutely perfectly as being a symbol of community, her disconnect from her community is what led to her being called Margaret, and her desperation to be returned to that community is when she's Maggie again. So uh. Congrats on getting the themes of my OCs better than I did <3
And uhhhh closing thoughts! I honestly did still skim over the majority of the plot (Literally never even mentioned Eli or what's going on with her stab wound </3), but I think you reeeeally hit the nail on the head with everything I'm kinda getting at with these OCs, which is... frankly wild given how little main plot I actually got at. Basically everything I mentioned in my original post was the setup, not the main plot. But waaaaugh thank you for being so niceys to me and also giving me another excuse to ramble endlessly <3
5 notes
·
View notes