Imagine Feyd with that typical fashionable jewellery-adorned headdress in the Dune universe. I'M FROTHING~
Source: V Man Austin Butler F/W 22 Digital Cover
Credits for this picture: Austin Butler (Model), Collier Schorr (Photographer), Stephen Gan (Editor), Gro Curtis (Fashion Editor/Stylist), Johnnie Sapong (Hair Stylist), Holly Silius (Makeup Artist), Greg Krelenstein (Casting Director)
Brands in this picture: Ludovic de Saint Sernin
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Curious Ming Dynasty Hairpins in the shape of two shrimps. Found on a gilt silver hair cover excavated in a tomb in Shanghai. Exhibited at the Shanghai Museum of Art.
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So, I continue the series of Ukrainian
headdresses!
This time I drew an "namitka"💖
This is the traditional headdress of married Ukrainian women. The fabric itself reaches a length of up to 5 meters, and thanks to this lenbgth, Ukrainian women could come up with a lot of new images with it)
There were up to 30 ways to tie them on the head, and each one is charming in its own way❤️
also, I made a video of making this illustration (partially I had to draw it in a bomb shelter, because of russian missile attacks)
you can watch it on my Instagram
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Alphonse Mucha (1860-1939) ~ A model in Mucha’s studio on the Rue du Val-de-Grâce, dressed in a traditional Bohemian folk costume, circa 1900 | src Mucha-Museum Prague
view more on wordPress
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Full-color character commission for CodyMacArthurFett!
We started with the idea of "what kind of Chinese-inspired dress Nora would wear to her wedding with Lie Ren". And it escalated quickly! Designing these outfits turned out to be a tricky task too. So tricky that Cody decided to turn two of three options into finished pieces 😄
For both outfits, it's the color combination of Ren's green and Nora's pink color. The cloud embroidery is supposed to allude to Nora's theme and Semblance (thunder and lightning). Adding the dragon image was suggested by Cody, and I think it's very appropriate for the RWBY universe, keeping in mind the two Gods who created Remnant. The hair jewelry includes various lotus variations (Ren's symbol) and the first one also includes hearts (Nora's symbol).
Form-wise, the first dress is inspired by Chinese qipao, but with a more "fantasy" rendition. Eventually, we came to the thought that it can fit into the "fancy going out dress" narrative more. The second is inspired by one of the hanfu types, also known as qiyao ruqun (waist-positioned dress). And it has a wedding headdress.
Well, that's enough of my obscure chatter!
Let me and Cody know: which outfit do you like more and why? We're collecting statistics at this point! 😁
P.S. With Cody's permission, I published all the sketches for this commission on my Boosty: https://boosty.to/rainbowzebra
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Send me anything you want to break my mind and me into your slut sissy girl 😍😍
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Street style at the Santa Fe Indian Market, photographed by Shayla Blatchford
Check out the source for article, more photos, and names of designers!
Another Vogue article on artists and designers at the Santa Fe Indian Market.
More images below the cut!
^ Natasha Ashley Brokeshoulder
“Natasha Ashley Brokeshoulder, for instance, who is Diné, wore a wing dress created by her father-in-law, while her breastplate was assembled by her husband. “I got the right to wear the regalia that I have from my husband, who is Absentee Shawnee from the Southern Plains,” she said, adding that it is respectful to gain permission from other tribes to wear their specific styles of garment.”
^ James Budday
^ Sharon Brokeshoulder
^ Zeke Arjeanas
‘Others chose a more historical approach to fashion. Zeke Arjeanas, who is also Diné and won first place in the men’s category, referenced the Long Walk of the Navajo (the 1860s deportation of this indigenous tribe from their native land) for his traditional Clothing Contest outfit. “What I’m wearing is a blanket—not a Navajo blanket, but an army-issued blanket that was issued to the Navajos [at that time],” he said. “With the army-issued blanket, it’s a lot thicker and scratchier versus a Navajo textile blanket, which was more fine, lightweight, and waterproof.”’
^ Two looks from Korina Emmerich with jewelry by Tania Larsson
“...the new collection of the New York–based designer Korina Emmerich (Puyallup), whose asymmetrical vests and graphic wool coats offered a modern interpretation of her tribe’s punchy aesthetic. She also used Gwich’in-inspired jewelry by Larsson, mentioned above, in the show. “What I admire in Korina’s work is her modern, impeccable cuts,” Larsson said. “There is a traditional element that is inherent within my work because of the materials that I use and through the process that they are acquired, such as trade and through community exchanges.””
^ Phillip Bread in a Matthew Charley squash blossom necklace
^ Marcus Winchester
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