Me: Look, you know you're wildly sympathetic and like exploring the complexity of "villainous" characters in particular, but this fic is already enormous and you hate this guy, do you really want to expend the mental energy on making him into something else?
Also me: Hey, Disney was wrong about a lot of shit but he was fucking right when he said that a story is only as interesting as it's villain, and no matter what kind of monster they are, they also have to be appealing and interesting to watch. Tweaking this asshole to have some actual depth and sympathetic reasoning is solid storytelling.
Also Also Me: If I Doofenschmirtzinate the shitty little ICP wannabe war crimes "scientist" Mayuri it'll hurt more when I kill him :)
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Here’s a question, if Papyrus where to be refused to all of Wing Ding’s fragments and retain his memories (despite how impossible it would be), would he be Wing Ding with all of Papyrus’s memories, or Papyrus with all of Wing Ding’s
Aka if Steven Universe/Dragon Ball fused would it be Pap or WG?
He would remain more Papyrus :] !!
Papyrus with Wingdings memories
Papyrus is someone who we could say is a natural progression towards something better
With a desire to better himself and also one of helping others better themselves
Of course he struggles and has a long way to go in lots of areas, but he's not giving up on himself or anyone else
It would be weird to make a character like that reverse to an old identity, someone who just ended up destroying himself (both metaphorically and physically)
So he would definitely stay Papyrus
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So. Magic.
[Text of an AO3 comment, cropped to leave out the writer: "I finally got a chance to finish S2 (unspoiled!) and came directly to this document after to devour its contents. But by the very first chapter I was taken aback by the concept that anyone in the world thinks Izzy's death is permanent. Did we even watch the same show? You can ignore literally every excellent piece of analysis here if you want - the fact remains that Buttons turned into a bird, through magic, in the third(?) episode, it never got mentioned again beyond maybe one throwaway line, and then that bird returns to Izzy's grave marker in the very last scene (other than the end stinger). There is zero reason for that to happen other than foreshadowing for Izzy/Buttons/magic/resurrection stuff to occur in S3 (if it hasn't already). What, do they think that Buttons was just super sad and paying his respects? I have like less than zero media analysis skills, I noticed basically nothing of what you pointed out in this entire document on my own, and yet I STILL picked up that there's more going on here."]
The thing is.
The thing is.
IS magic real in the world of OFMD?
I believe in my heart of hearts that Buttons is a seawitch who transmogrified himself into a seagull and I believe that cunty suit was cursed as heck, but I don't think that magic is strictly, technically, literally meant to be understood as real in OFMD.
(I know there are a few posts about the show's magic, so apologies if I rehash a half-remembered idea. Feel free to leave a link if you have any of those posts handy!)
OFMD's world is full of little magic. The Caribbean is easily traversed; people can find each other with no real issues (or avoid detection when that suits the story better); time and space are all hand-wavey. The world operates on vibes and convenience. If something needs to happen for the story's sake, it just does. Don't worry about it.
The show's big magic works the same way: we can analyze and try to parse out how stuff happens, but we're not asked to. Is the suit cursed or is Frenchie just allergic to peanuts? Did Stede bring Ed back to life or was Ed in a head injury-induced coma? Did Buttons turn into a bird or did an addled Ed lose track of Buttons in the woods? It doesn't matter, don't worry about it! What matters is that Stede (kind of) learned a lesson about listening to his crew and respecting their beliefs. What matters is that Stede's presence gave Ed the push he needed to save himself. What matters is the message behind Buttons' transformation: people can change.
The show's magic has some rules. When it comes to the big magic, there's always a logical out -- a way to explain it away and keep the story more-or-less grounded in reality. OFMD isn't going to give us some big, literal, onscreen magic act. It's not going to tell us that the Gravy Basket is an actual metaphysical location that souls swing by and anyone can be called back from. It's not going to show Izzy mystically resurrected after we saw him die a bloody death right in front of us.
Let's look at Buttons' transmogrification.
It's important that Ed is the only witness to his change because Ed is explicitly set up as an unreliable POV character in S2E4. We are told, in three different ways, that we can't trust what he sees (and what we see through him).
First: Roach, the closest thing we have to a medical professional, says that Ed is half-dead and brain-scrambled. His mind isn't right.
Second: Buttons says that Ed has one foot in the Gravy Basket and isn't entirely present. (Side note, but I don't think that Buttons using the term "gravy basket" is meant to establish it as an actual place. I believe this line is just meant to set up Ed as witness to the transformation; we don't need to read too much into Buttons, the character who Knows Things when convenient, saying it. Or, if you want to ground this in reality, you can assume that Buttons has talked about the Gravy Basket before and Ed subconsciously picked up on it.)
Third: Ed refers to a rabbit as a wolf, confirming that, yeah, he's having some issues with reality. Like, we don't really think that Ed can't identify a rabbit, right? I know the guy spends his time primarily on the ocean, but he's a genius who does, sometimes, set foot on land.
So Ed's out of it, and not even he has eyes on Buttons when the transformation is meant to occur. One minute we have a chanting Buttons, the next we have a seagull flapping around his transmogrification vessel. We all know that seagull is Buttons and he's off to make sweet love to the sea, but also... do we?
What matters is that Ed believes he saw a man turn into a bird so he could better love the sea. That's it! Ed, someone who desperately needed proof that people can change -- that he and Stede can change -- has that proof and can truly start healing. It's beautiful and I love it, ten out of ten, five stars, no notes.
If we're lucky enough to get a season three with Ewen Bremner in it, I fully expect a butt-naked Buttons to show up with absolutely no explanation. Maybe we get a few little wink-wink nudge-nudge moments hinting to his time as a seagull, but straight confirmation that magic is real would break the rules the show has established.
Anyway. All of this is really just my way of saying that Izzy's dead and it'd be extremely fucking weird and world-breaking if he crawled out of his grave thanks to bird magic.
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So this is going to be a very reactionary, emotional post, and I hope I’m proven wrong, but I need to talk about it.
I do not fucking understand what the point was of killing Bakugo if Deku is not the one that saves him.
And before anyone jumps down my throat, no it’s not because I’m a BKDK shopper or because I think Deku is the only person ALLOWED to save Bakugo. It’s because, unless Hori pulls some crazy ass bullshit, nothing narratively can top a pro hero literally sacrificing himself by folding into a heart to keep Bakugo alive.
The narrative has been set up from chapter 1 that Deku wants to save Bakugo with his own hands. Time and time again, Deku is either unsuccessful in rescuing Bakugo or has to have assistance (and yes I count chapter 1 as well, All Might saved them both from the sludge villain). This is the final arc, so logic would dictate that to fulfill this character arc, Deku would finally save Bakugo just like he tried to do all those years ago at the river. It sates Deku’s need to be a hero and also means Bakugo has grown enough as a person to let himself be rescued.
But now? What the fuck is gonna top this?
And why even do this now? There has to be something else going on, cause otherwise this is so frustrating. Bakugo would be miserable to find out another person essentially gave their life for him, and it would be super weird if he just walked around with Edgeshot as a heart from now on. Also, Bakugo just decided in 362 that he HAD to fight AFO even though he was injured. He basically died because the plot said so, and none of his friends were around to eve REACT to it
If THIS is all we get out of it then I’m gonna be majorly disappointed.
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modern got au in which asha is a "teen parent"
or more accurately, asha and theon have a much larger age gap, 10/15-ish years, type of age gap (she's at least 18/19 and theon's only like 4/5), and in a series of freak events, their lives are turned on its head.
their brothers were dead. their mother and father were ruled incompetent, the former left a shell of herself after the loss of her sons, no longer able to care for her remaining children, the latter was never a father to begin with and he didn't seem to have any wish to become one now.
she was an adult by law, meaning she was free from the hell that was the system. her kid brother - the one who smiled at her for seemingly no reason, the one who crawled into her bed when thunder rattled the house, the brother who held her hand on their rare family outings - was not.
she couldn't leave him there, even if she wanted to, even if it would make her life so much easier. she wouldn't abandon him like the rest of their shitty family. he was blood for fucks sake, she'd die before she let's him get taken away from her and given away to strangers to be used and exploited or treated like a shelter puppy to be pitied and fawned over.
cue asha fighting for custody of her baby brother, doing whatever it takes to be deemed a suitable guardian, and the two of them taking on the world together.
more thoughts:
they have to find an apartment cause they can't afford to keep their family home. moving into the cheapest place they can find with only the stuff they can fit in asha's truck, sharing an air matress and eating off of a coffee table while watching movies they rented from the library.
asha cleaning her brother up before his first day at his new school, trying to get him to look suitable, but not really knowing what suitable means for a kid going into kindergarten/first grade
theon comforting his sister when she gets overwhelmed with it all, doing his best to ease her tears. the night ending with them both curled around each other, just two scared little kids trying their best.
asha fighting anyone she has to to keep custody of theon, whether it be the social worker, the judge, people who called cps to report her. she doesn't care, no one will take away her baby brother.
asha taking theon to work with her (she works in a boat shop cause she already knows what she's doing) and having to keep him entertained while she works so they don't get sent home.
their first christmas/birthdays by themselves. theon putting together gifts at school (finger paintings or paper mache or something of the like) and asha cherishing it forever. asha spending all the money left to her name each time to get him something nice so eh can feel like a normal kid.
theon doing sports in school (little league or something) and asha making sure she goes to every damn game, being the loudest in the stands.
asha getting more and more used to being physically affectionate with her brother at time goes on. before everything she'd tense up when he'd hug her legs or hold her hand, but now she scoops him up like a rag doll, ruffles his hair, kisses his forehead, without a second thought.
{I'm so normal about them I swear}
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