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#he's just a little too in love with the wang philosophy for me to see him just saying 'i'm out' purely for pragmaticism
xcziel · 3 years
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a selection of smirky smugness courtesy of Wang Can:
"You had better not try any tricks"
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"What're you doing? We're on the same team!" - Wang Can is outraged at Li Cu
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"He's on my team - I'm not gonna let you pay him back for that" after Li Cu snatches the token for XiaoYuan (what he doesn't add: because that reflects back on me)
I just love this little illustration of Wang Can's philosophy - orders are orders, if orders say we're on the same team then that's it. Anyone who steps out of line is going down, even if we were on the same side once - a "loyal soldier"
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hellyeahheroes · 5 years
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In celebration of Superman Smashes the Klan #1 premier, here is Gene Luen Yang TEDx talk. And bellow is part of his Interview for POCCulture.
POC Culture: Switching gears to Superman Smashes the Klan, a really unique and timely project. You mentioned that you were reluctant in terms of taking it on, where did that come from and why did you ultimately decide to do it?
GLY: For this project I put in a proposal for it with DC Comics, but shortly after I did, I did feel kind of freaked out about it. It deals with a lot of subjects that are touchy in modern day America. It’s about racism – the fundamental question behind it is whether or not a multicultural country can work. It was a question that was around after World War II ended, which was when the original story came out, and I think that question has reared its head again in very intense way. And it’s not just in America, the question of multiculturalism has reared its head all over the globe right now. As someone who grew up in the 80s and 90s, it’s really unexpected.
Q: The book is inspired by the Superman radio story Clan of the Fiery Cross, which itself is credited with subverting some of the KKK’s efforts in the 40s. What is the message that you’re hoping to get across?
GLY: I went into the project wanting to learn myself. I wanted to learn about the 40s and what America was like after the end of the war. After doing my research, this is what I came away thinking – before World War II there had always been two streams in America: One stream that was “All human beings are created equal” and then there was another stream that was “These particular people are worth 3/5ths.” And these two streams were competing. Then in World War II, America went across the ocean to fight these Nazis. but really a big core of the Nazi philosophy was centered around Madison Grant, who was an American. He was an advisor to President Theodore Roosevelt. He was a conservationist but also a pretty intense eugenicist and deeply racist. He wrote this book called The Passing of the Great Race and Hitler called this American book his Bible. So in some ways, as an American, you can see World War II as our country going across the ocean to face ourselves, or the worst version of ourselves. And when the war ends and the American troops come back, I think they saw what one of the streams of American history led to – it leads to concentration camps, it leads to genocide – so there was this embrace of the other side, at least in these really big and influential corners of America. It wasn’t 100%. It was an imperfect embrace, it was incomplete, but there was this sense that we saw what that other way of thinking leads to and we don’t want that. I think we’ve forgotten that. Whatever we learned by fighting the worst version of ourselves in Europe, we’ve forgotten.
I think that Superman radio show, it came out a year after the end of the war, in some ways you can see a crystallization of what America learned in World War II.
Q: Backing up a little bit, how familiar were you previously with this radio show and where did the inspiration come from to propose it to DC Comics?
GLY: I learned about it the same way a lot of other folks learned about it, I read Freakonomics and they devoted an entire chapter to this. After I read that, I told my son about it and talked with him about it. Then I found this middle-grade book called Superman versus the Klu Klux Klan by Rick Bowers and it goes into detail about the creation of Superman and the Klan and how they eventually came to a head in 1946. So it was always in the back of my mind. Then after I began working for DC Comics, I was at a book conference, I had breakfast with a couple of the editors at DC Comics and we were talking about this and this project came out of that conversation.
Q: I’ve heard you say that Superman is a symbol of American tolerance and his story is, at its core, an immigrant story. How much of that do you get to tackle in this book?
GLY: When I first signed on to do Superman, I did 10 issues beginning in 2015, that was my connection point with the character. I had always thought of Superman as this dweeb and kind of a square. That flipped for me when I realized the reason he’s a square is the same reason my parents are square – it’s because they’re immigrants. They know they’re foreigners and they know that there’s a part of them that’s deeply threatening to the people around them. So they gotta hide it under this perfect facade. They have to be the perfect citizens because if they’re not, people will start questioning their citizenship. That same dynamic is there for Superman. So that was my connection point and that’s kind of what I wanted to talk about. Writing mostly superhero comics is really crazy! I had a great time doing it, but at the same time, I felt like I never got to explore that core of the character and that’s what this is. This is me being able to talk about that.
I actually think that’s one of the big differences between Batman and Superman. Batman dresses up to be scary. Batman’s a WASP! [laughing] He fits right in! There’s nothing scary about him. If things had gone the way they were supposed to go, if his parents were never killed, he’d probably be like some kind of politician or something. You know? Everybody would love him. He’d go to these fund raising galas. He’d become the mayor of Gotham. But Superman, deep down inside, is legitimately scary. He’s this foreigner, he’s an immigrant, he’s from this completely different culture. So I think he wears these bright colors so people don’t freak out about him as much.
Q: Wow. I love it but after this interview posts, you’re going to get Batman stans all up in your mentions! [laughing]
GLY: [Laughing] Yeah sure. That’s fine!
Q: I love it because it’s so true to my own immigrant experience. Growing up, my parents were always like “Don’t make too much noise at home. Don’t play your music too loud because you’re going to bother neighbors.” So that experience of needing to be so perfect so others don’t start questioning whether you should be here is so true but I don’t think anybody has talked about that with regards to Superman.
GLY: I think that’s exactly it. He’s the boy scout because he has to be. He’s trying to get people not to question whether he should be a citizen.
Q: Prior to this you created and wrote Kenan Kong and the Justice League of China, which is one of my favorite stories ever. I know you initially had some reluctance to do that project and Jim Lee encouraged you. Looking back now, what was the highlight of that project and is there anything that you wish you had gotten chance to do?
GLY: That was super fun. I’m really glad I did it even though I was very hesitant at the beginning. I was hesitant because they didn’t want a Chinese-American Superman. I felt like I could’ve done a Chinese-American Superman. They wanted a Chinese Superman living in China. I’d never lived in China before and I’d only visited twice. I just felt like I didn’t have the insider’s knowledge to do it right. Ultimately I had to make peace with that. I had to make peace with the fact that this was going to be an American take on a Chinese superhero. To anybody who lives in America, I’m sure it feels very American. Have you ever heard of this comic called Lucky Luke? It’s a French comic set in the American West. It’s like a Western with cowboys and high noon shootouts but it’s done by a French cartoonist. It’s set in America but it feels very French but I still think it’s an awesome comic. I was hoping that’s what this was going to be like – it going to feel like an American comic that’s set in China. So once I got over that hurdle, I started working on it. In the end, I think I feel like my favorite part of that project was being able to do a chubby Chinese Batman (Wang Baixi). I’m super proud of that!
Q: [Laughing] And he was great too! What’s amazing is that at first you think “What in the world? Is this a parody?” but you made his character awesome!
GLY: Well thanks! I wanted to play with this trope. It’s like a kung-fu movie trope where you have this chubby guy come on screen and everyone laughs at him and he just whoops everybody’s butt. He turns out to be the best out of all of them. I think there’s a subversiveness to that in kung-fu movies, where it’s a warning to not judge people by appearances and I wanted to play with that too with Batman.
Q: Sammo Hung fans agree with you!
GLY: [Laughing] Exactly! Sammo Hung is Batman!
Q: You mentioned that you would’ve been interested in doing an Asian-American version. That’s the tension right now. China is a huge market that everyone wants to tap into, but there’s also this Asian-American market that’s very hungry. Do you want to do more Asian-American characters and stories. Is there anything like that on the horizon for you?
GLY: Yeah I absolutely do want to do more Asian-American characters and stories. There’s nothing…concrete yet but that’s definitely on my to-do list.
Q: Kenan Kong and the Justice League of China, are we going to see them again soon?
GLY: I hope so! There’s nothing concrete yet but I would love to do more stories. I feel like the Asian corner of the DC universe in general has plenty of material there that ought to be fleshed out. And hopefully we’ll be able to see that happen soon.
Q: Agreed. Whenever there’s a new diverse character that’s created, there’s always the conflict of whether they should be given a wholly new identity and try to build them up, or should we allow them to share an iconic mantle like Kenan and Superman. Not promising anything but what would you like to see in terms of the next evolution of Kenan Kong and any of the others?
GLY: We did talk about giving Kenan his own identity apart from Superman. We didn’t get to that point of the series where we were able to introduce that but that was something we definitely talked about. In terms of diversity, I think you need both. You need characters that take on established legacies and you also need characters that establish new identities and new legacies. When you have something like a Korean-American Hulk, or Miles Morales, you’re tapping into a name recognition that I think is really important for visibility. But at the same time, as popular as Miles Morales is, Spider-Man is still going to be Peter Parker first for most readers. So the way to overcome that is to also have characters of color establish new stories and identities.
Q: There’s a significant burden that comes with being one of the primary Asian-American writers in comics. How do you manage that?
GLY: I’m interested in doing that. Maybe it would be different if I didn’t want to write Asian-American characters, but I really want to write Asian-American characters, so I don’t know if I even think of it as a burden. It’s just something I’m naturally interested in. It’s actually something I want to do. Even if they didn’t pay me, I would being doing this. Even when I was losing money in comics, I was doing this.
Q: I love that you embrace that. Going back to Jeremy Lin, he’s talked about how at first he didn’t know that he wanted to be the Asian-American standard bearer, but he’s come to embrace that. You’re the Jeremy Lin of DC Comics!
GLY: [Laughing] I don’t know about that! There’s Greg Pak, though he hasn’t written in DC in a long time. There’s Amy Chu. There’s a lot of us.
Here is first part of that interview
- Admin
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sinunamor · 5 years
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An @aphsecretsanta gift for @52px !! Sorry about the late submission! Happy New Year!
Pairing: Ancient Rome x China (romechu)
Prompt: Long distance relationship, modern au
I do not celebrate Christmas, but I have an online friend who does.
Warmth seeped through his porcelain mug. Tired, lithe fingers curled around its smooth surface. A gentle press of lips, a small careful sip and the warmth spread through his chest. The morning fog rolled over the cluttered streets of San Francisco. His window presented him a view of Chinatown rising. Mr. Huang sweeping the front of his herbal shop, Ms. Zhou flicking on a neon light reading “welcome” and a “Merry Christmas” in English and pinyin for her bakery. Around them, the Christmas lights, candy canes and snowflakes signaled the end of another year.
He sighed heavily after the sensation passed, shuffling in his slippers towards the desk stationed in front of his window. Picture frames and assorted souvenir figurines decorated the corners of the mahogany desk. One frame pulled a little closer to his laptop than the rest. Wrinkled brown eyes flickered towards that wide spread of lips, those impossibly straight teeth, that youthful glint of mischief in his eyes. He sat back of the chair and took another sip. Jasmine green tea. The warm herbal scent carried many memories. He set the mug down carefully next to the frame and opened the laptop. He’ll enjoy the view better here. It must be nighttime in Italy.
***
He is the festive sort, that does not surprise me. He finds comfort in the company of others. He would send me photographs, selfies, of his travels and home in Italy. His apartment was so little, such home would be filled with many guests, neighbors, young and old. And he, the center of it all. I wonder if he would enjoy celebrating Lunar New Year with me. He’d enjoy the noise. It would be nice to see him happy.
***
He was half expecting it, Romulo wasn’t online. They did stay up particularly late last night chatting about Christmas plans in broken english and the occasional Italian. Yao briefly looked over last night’s exchange.
RV: nd you? you would be spending Christmas alone?
WY: Alone, yes, i’ll vidchat with Chen and his family...you? You would be throwing a ball
RV: Haha not this year. Decided to keep it small Just me nd my boys and my boys boys’ nd my little girl
WY: very small party so unlike you, i’m Concerned
RV: now you know how i feel!! Im always concerned when i hear you spend holidays alone
WY: i’m alright
RV: i know, i jus wish i can go over there nd spend it with you :(
I haven’t felt my heart pulse an ache in a long while. I do wish that could happen, but there is a half a world between us.
***
My name is Wang Yao, I have seen 48 springs pass me by. 48 years of hardships, blessings and everything in between. I have one son, of which I am very proud. Chen is his name, stayed in China and started his life there. He has his mother’s adventurous spirit, he attended San Francisco State. I admit, he was part of the reason why I came to California at all, but I suppose fathers are mostly protective of their children. While he studied, I was the roommate that cooked for him. But I understood fully that sons needed to make life without their fathers. When time and he graduated with a degree in Travel and Tourism, he and his then girlfriend moved back to the mainland.
So mostly, I was alone. I was too old to fully appreciate the costal nightlife and too young to play mahjong with the elders in the afternoons. An unfortunate generational circumstance of a part-time professor whose social life revolved around attending tai chi group in the mornings, afternoon chats with storefront owners and a dull lecture or two in Mandarin in the evenings.
My son worried for me. He does not see as old, he wanted me to find a friend, a “someone” as he put it, with whom to share interests and hobbies with. To attend events and explore San Francisco for no reason other than to have carefree fun.
***
“It sounds like you want me to find you another mother,” Yao joked over video chat one night.
His eldest son, Chen, laughed heartily. On his lap, an 8 month old daughter gurgling happily and wiggled closer towards the phone lens. Yao was very happy he managed a screenshot of her rosy cheeked face.
“Any partner will do,” Chen teased back. “Your children know you were never particular to any sort.”
Yao let out a frustrated sound, his hand twitched as if he could really swat his son a Pacific Ocean away. “You speak without saying anything!” he reprimanded, holding a glint in his eye.
“We just have your best interests in mind,” Chen smiled. “Ay baba, there are how many people in this world and you cannot befriend one?”
“Well, give me a phonebook of all the people in this world and I shall start inquiring,” Yao half-scoffed.
Chen pursed his lips, his baby babbling, “Yi yi yi!”. Yao cooed and sang at her, wanting so much to reach out and hold her.
“How about a forum instead?”
***
And that was how I met him. The world forum website. Chen had discovered its existence through one boring weekend spent on his school campus. It was a language learning forum but it was no secret that it also served as a dating site as it had the option to state that one was looking for a romantic relationship.
Of course what I had to offer was Mandarin, a fluent grasp on English, and some Cantonese. Yet, I did not feel like connecting with people from the mainland or the United States. The forum listed many, even unheard of languages, but none that held my interest for long. I wanted something simple yet unique, something uncommon but had a significant influence throughout human history.
I remember reading “Italian” and remembering how at one point in my life was enamored with the history of the small Mediterranean peninsula. Of all its accomplishments and failures, the dialects, the influence on art and politics. Of all the love and admiration for Italy as a whole.
It felt childish at first, but I was soon focused solely on the Italian threads, trying to start conversations with others within my age range. It was frustrating to find that it was never as easy as it sounded. Some seemed unreachable or plain dull and there was a great imbalance sent to my inbox from men than women. At first it was amusing, sending them off with an “Thank you for your kind compliments, as a man, I am very flattered” but as I was weeding out the active few with other intentions, there was not much left. I was soon logging in less and ignoring the few notifications I receive over the span of the week.
Until a “ciao bella ;)” reached me.
I do not know what intrigued me, it was not much different from the others that were sent and ignored. Perhaps I was in a good mood, perhaps I was in fact in a very bad one. Perhaps his profile did lure me in, as he claims to this day, but I responded:
“Wrong gender, it would be ‘bello’ not ‘bella’”.
Not even a minute passed before my computer alerted me of a new message.
“ciao bello ;)”
***
His name is Romolo Vargas and he is 4 years my junior. He wants to see the world, and he has been in half of it. He has 3 children, two sons and one daughter of which he is very proud. Unlike me, he is divorced and was spending his free time going to places he had longed to go as a child. He has been to Greece and Thailand, France and Estonia, countries whose name I cannot begin to pronounce. At first, I had thought I was an outlet for him to brag about his travels, about the women he wooed, but then he was always asking about what I done, how my day went, and how I felt. As if I was the most interesting man in the world.
Then the first Christmas came and he was insistent on sending me a gift.
***
“Baba, we are glad you found that friend,” Chen said over the phone. “But you never know this man’s true intentions. How do we even know a Romolo Vargas exists?”
“I’m well aware,” Yao muttered, feeling a tinge of annoyance course through him. “I’ll admit he’s a little flirty, but he never gave me reason to doubt his sincerity.”
“It hurts me to say this, truly it does,” Chen muttered. “But what if Romolo is just leading you on? What if this is a game that he plays?”
“On older men and women? Yes, I know,” Yao frowned, his tone a little harsher than intended. “Thought you had said I wasn’t that old to begin with.”
***
They would never understand the late-night conversations I had, of philosophy and bao recipes. While he was rising, I was preparing for sleep. We managed a balance of work and chat. We began to send each other pictures, photographs of our homes, what we see throughout our day and ourselves. There was never pressure or qualm to keep our discussions going, we just carried on naturally.
Then Chen suggested I should get a P.O. box instead. Bright boy.
His first Christmas gift was a small painted black rooster from Portugal, a few collected postcards from previous travels and a 3 page handwritten letter explaining the story of the little rooster, of his New Year plans and his gratitude of meeting me. I never felt so close and intimate to him before. I felt young again.
We carried on, occasionally sending each other trinkets and tokens of a blossoming friendship. I sent him tea leaves, recipes, inkstones and brushes, a book on tai chi and bonsai training. Soon my bamboo plant and bonsai pot was inhabited with little figurines from the entirety of Europe and western Asia.
The next Christmas we gifted each other the trust of each other’s phone numbers. The first video chat on our phones. When we saw each other on our screens, we laughed.
***
“I’m telling you, you look younger than you say you are! Are you sure you 46?” Romolo grinned. His backdrop was his gardens overlooking the coast. His curls, touched with glints of silver and gold lightly kissed his flushed cheeks from a chilled breeze.
“The sunlight suits you,” Yao admitted without another thought.
A soft, silent smile. Yao felt his heart caught in his throat.
“And I bet you capture it beautifully with your eyes,” Romolo muttered.
Yao wanted to hide behind his sleeve like a flustered schoolgirl. It was a sincere compliment, nothing that implied a growing love for him, no matter how he wished for it to be true.
***
This Christmas would be no different. We had agreed on only sending each other a letter as we haven’t been writing to each other lately. Yet, I had sent his favorite box of tea along with a translated poem I wrote in simplified pinyin. A silly little poem about the love of two birds on seperate nests with a grand river in between, using the strengths of their songs to communicate in new echoing melodies. He always expressed his admiration for Chinese calligraphy. I wonder what he will think of the poem. I wonder if he’ll attempt to read the characters himself before reading the translated bits.
I wasn’t so sure Romolo was going to send me something as well but I did not want to anticipate a gift. I’d prefer to be pleasantly surprised.
***
Yao opened another tab on his computer to check on his email, the local news and weather. Another chilly day as expected in San Francisco Bay. He silently debated going out to pick up groceries at the local market. He already gave himself a bread by sleeping in and missing his Tai Chi session. He stretched his lower back until he felt relieving pops. He sighed heavily, eyeing the little black Portuguese rooster. He reached out to grab it from its place between a figurine of the Roman Colosseum and a windmill figurine from the Netherlands. Yao smiled, running his thumb over the painted wing. The shine was mostly gone, but the sentimental par of him will forever remember the first intimate contact they had with one another. Gingerly, he placed “Little Romolo” back in its place, and stood up to make a light breakfast.
The lone click of chopsticks and the drone of a Chinese reporter from a streamed video on his phone were the only sounds disturbing the calm silence of his studio apartment. The cloud filtered sunlight bled through the curtains, casting greyer shadows in the dimly lit corner of his dining area. Yao rested his head on the heel of his palm, his leg crossed over the other, softly flapping his slipper against his heel. It would be nice to share the silence with Romolo. The reporter’s voice would be replaced with that of his low rumbling chuckles and gentle teases.
Yao’s lips curled up in a soft smile. Christmas would be lonelier this year.
He perked up to the sound of his phone buzzing to life. He turned his attention back to his phone and felt his heart leap. It was a message from Romolo.
RV: check yor PO box >:)
His lips spread into a wider grin. Of course the fool sent him something anyway.
Yao lightly brushed his hair and slipped into a light jacket, scarf and boots. He locked the door behind him with a an eager well-meaning click.
He strode down the hills with purpose. Simple, passing thoughts went through him. What if he gotten him a much larger present? A more expensive one? A painting? Yao chuckled at the thought. Romolo was more than capable for pulling such a stunt.
As expected, the post office was moderately busy. People in hoodies, beanies, scarves and the like made lines to send last minute gifts. Yao made his way towards his box, a small sized thing yet perfect for letters and small paintings.
Something caught his eye. His P.O. box had a note on it. Yao furrowed his brow and neared it. The note was in flowy cursive so he took some time to decipher what it said.
Look behind you <3
Yao’s eyes widened, turning around slowly before his gaze focused on a man that no longer blended with the crowd. That spread of lips revealing impossibly straight teeth and a youthful glint of mischief in his eyes. His brown curls stuffed under a beanie, still showing glints of gold and silver. A spread of lips so handsome, it made joyous wrinkles appear around his eyes.
“Romolo?” Yao whispered.
Romolo nodded.
Yao rushed into the man’s open arms, earning the stares of a few curious strangers.
It was him, physically, it was his scent, his arms, his hair, his breath. His voice. “Merry Christmas,” he muttered, wrapping his arms tightly around him in turn.
He must be dreaming.
***
“So I have my hotel room and everything, don’t worry!” Romolo explained quickly, his arms moving about the more he got excited. Yao found it endearing. They had stopped by a bakery to grab a sweet bread to commemorate the moment.
“I realize how it might have been an inconvenience for you, or perhaps,” Romolo chuckled nervously. Yao noted he looked a little older than he last saw him on video chat. He must be jet lagged. “A little strange since I did not tell you beforehand, er, outright.”
“It is a surprise,” Yao said. “But a welcomed one.”
Romolo nodded, his shoulders laxing in relief.
“How long will you be staying for?” Yao asked.
“A week,” Romolo sighed, placing his hands on the table. “I cannot stay out for too long during the holidays.”
Yao felt a hint of disappointment. There was no possible way Romolo will be back in time for Lunar New Year.
Yao eyed his hands and made the first hesitant slow reach for Romolo. Perhaps if he did not stretch it too far, he could pretend he was stretching his arm.
But he felt his fingers get caught. Pale, longer fingers were soon in between darker, thicker ones. They did not say a word, their touch molded around each other, feeling every callous and muscle. The strength of their knuckles and the softness of their pads. Romolo smiled softly at Yao, it wasn’t flirty nor teasing. Sincere. Like they have done this before.
“I’m glad,” Yao muttered.
He’ll save up to surprise him for next Christmas.
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mumbleybummie-blog · 7 years
Text
Fic Recommendations
This is a list of all the fics that I recommend. I will be continually adding to this list as I discover new ones that I enjoy reading. I hope you all find some entertainment in reading the fics I have suggested. 
Got7 
All
Smut
- A Theory by @maknae-unnie
Excerpt: “Okay so I have this…theory I’m testing. And I need your help. But you all have to agree, okay? Can you do that?” I questioned.
Bambam, Youngjae and Jackson nodded immediately. JB just raised an eyebrow. Yugyeom looked a little concerned but only Mark and Jinyoung had the sense enough to ask “What?”.
Mark Tuan
Angst 
- Things Never Changed by @sugasgrowl
Excerpt: There’s an old philosophy that says “absence makes the heart grow fonder”. The sentiment seems beautiful. Poetic, even. The thought that your absence from someone’s life will be an ever-present hollowness that makes it nearly impossible to complete simple daily tasks–the constant memory of the one you love dancing along the edges of your mind, just barely out of reach from your shaking and nostalgic fingers. The deep and meaningful love a connection that is blatant and comforting and unwavering, even with thousands of miles of ocean separating you. Poetic, indeed.
But it’s just not realistic.
- Seeing another member kiss their S/O (Mark) by @kpopersanonymous
Fluff
- Morning with Markson ft. Jackson Wang by @idolimagines
Summary: Sweet morning with your boyfriends, Jackson and Mark
Smut 
- Better as Three  ft. Im Jaebum by @yg-got7scenarios
Summary: Because of that one rebellious, drunken night, Jaebum and Mark decided to punish you silently by ignoring you and not being affectionate towards you and you are about to burst a nut if this continues.
Im Jaebum [JB]
Angst
- Sooner or Later by @parkjinyoungology
Excerpt: Jaebum stands outside the bathroom door and taps his toes as he waits for me. “Anything?”
I twist the door open and shake my head with a crestfallen face. Tears well-up my eyes when I see that he too is disappointed in the results. Jaebum sighs as he tilts his head back.
“I don’t know why, Jaebum—”
“It’s been 4 years,” He cuts my sentence. “4 years of trying to conceive.” Frustration echoes from his voice.
- Who Are You? by @imsarabum
Summary//Request: You know that Jaebum is cheating on you - so you follow him to a bar where you catch him in the act.
- Seeing another member kiss their S/O (Jaebum) by @kpopersanonymous
Fluff
- Teaching by @ahgaseposts
Excerpt: “Jaebum? Can you help me with my Korean again?” 
- Sleepy Jaebum by @aragyeom
Excerpt: Even though the tiredness was still creeping through your bones, waking up was never a bad thing, every time you saw this boy’s beautiful face waiting on the other side of the bed.
- Did you say something? by @defsoulmx
Excerpt: Getting an unsettling feeling of being watched, you raised your head to meet Jaebum’s gaze. You took your headphones completely off and asked: “Did you say something ?”.
- Missing You by @50shadesof-kpop
Summary: JB is going on tour and he comforts you when he notices you feel uneasy about it.
- Mockery by @princechimchimm
Request: I was wondering if you could do a fluffy senario when the boys notice that the reader makes jaebum all soft and they end up together at the end.
Smut/Suggestive
- 10 Minutes by @btsreactionsandtexts
Jaebum x Chic GF 
- A Fan-Sign To Remember by @imsarabum
Summary//Request: You decide to pay Jaebum a sneaky, surprise visit to one of GOT7′s fan-sign events. However, after teasing and torturing him past the point of no return - Jaebum decides to teach you a lesson or two once everyone leaves.
- Better as Three ft. Mark Tuan by @yg-got7scenarios
Summary: Because of that one rebellious, drunken night, Jaebum and Mark decided to punish you silently by ignoring you and not being affectionate towards you and you are about to burst a nut if this continues.
- Fun ft. Park Jinyoung by @yg-got7scenarios
Summary: You are happy that Jaebum is your boyfriend because he is the best that you ever had; however, you cannot help but be attracted and have lustful thoughts about his best friend, Park Jinyoung.  What if one of the finds out about your secret desires and plans on something you never thought would happen.
- “Baby, I’m on the phone”. by @the-porcelain-doll-xo
Excerpt: He was finally home. It had been a long and lonely couple of weeks without him while he toured. You were so anxious to feel him hold you close.
You had spent all day making the apartment ready for his return. It was clean, there were candles lit all around, you even wore his favorite matching set of lingerie. You planned on a long night of passion, to make up for lost time.
You heard him fiddling with the keys before turning the knob and pushing the door open. Your heart pounded with pure excitement.
- Fetish ft. Park Jinyoung by @the-porcelain-doll-xo
Excerpt: Jaebum. His name reverberated through your mind as you felt every glorious inch of him enter you again.
Sometimes you wished you could cry out his name, but you knew Jinyoung wouldn’t approve. It was one of the only rules in this situation.
- The Things a Dress Can Do by @ahgasgay-baby
Excerpt: “You better not being wearing that short dress tonight” 
- Switch ft. Kim Yugyeom by @noonachronicles
Excerpt: “Kitten.” You heard from behind you. 
Wide eyed you pulled your hands away from Yugyeom and stepped back like you just realized he was an open fire. 
“Sorry baby.” You mouthed to him and turned around looking innocent instead of in command like you had been. “Yes, Daddy?”
Jackson Wang
Angst 
- Seeing another member kiss their S/O (Jackson) by @kpopersanonymous
Fluff
- Dateless And Single by @tora819 
Excerpt: “Would you two shut up already, you been going at it for three hours.”
“Not until I win!”
“Then you two will be here all night! There is no way you are going to beat her Jackson. I would just give up now.“
- Together by @darlingjbum
Summary: Your lovely morning routine with Jackson that he wants to make a little more permanent.  
- Morning with Markson ft. Mark Tuan by @idolimagines
Summary: Sweet morning with your boyfriends, Jackson and Mark
Smut/Suggestive 
- Whoops by @geeohtee7scenarios
Summary: The Wang’s walk in on something unexpected.
- Forever by @ars-ahgase
Excerpt: You leaned in to plant a small kiss on his lips, but you should have known that wouldn’t be enough. 
- Just The Three Of Us ft. Park Jinyoung by @kpopyourcherryy
Summary: So the boys just got back from being in Canada, and of course, immediately asked you to come hang out with them, but while the others decided to go out for a while; Jackson, Jinyoung and you stayed behind. Still, it appears as if you were about to have lots of fun with them, or should I say they were about to have lots of fun with you.
Park Jinyoung
Angst 
- Seeing another member kiss their S/O (Jinyoung) by @kpopersanonymous
Fluff
- A chance meeting in the bookstore by @yoonseoksofty
Summary: Perhaps a chance meeting with a stranger, as is often the case, would drastically change the course of his life. For the better, even. Jinyoung could only dream.
- Foreign by @jj-nyoung
Summary: You’re supposed to meet your boyfriend’s parents, but you’re a foreigner and you start freaking out, so your boyfriend comforts you.
- I Live Alone by @ahgaseposts
Request: Hiii, I hope you feel less stress with the end of your exams admin!! Can I request for a scenario where jinyoung appears in a show called I live alone (it’s a show that shows the life of celebrity living alone) and like during the show his girlfriend comes over for like date night and fans get to see how their dates are like? I hope it’s not too much to ask (bonus that his girlfriend is wearing his hoodie please) thank you so much! Happy writing! 😄😄
- Soft Sheets | 09 by @yoongitalks
Excerpt: “you are very endearing when you are half-asleep.”
Smut/Suggestive
- Fun ft. Im Jaebum by @yg-got7scenarios
Summary: You are happy that Jaebum is your boyfriend because he is the best that you ever had; however, you cannot help but be attracted and have lustful thoughts about his best friend, Park Jinyoung.  What if one of the finds out about your secret desires and plans on something you never thought would happen.
- Hold It In by @yg-got7scenarios
Excerpt: “You are so fucking tight, baby.”
- Fetish ft. Im Jaebum by @the-porcelain-doll-xo​
Excerpt: Jaebum. His name reverberated through your mind as you felt every glorious inch of him enter you again.Sometimes you wished you could cry out his name, but you knew Jinyoung wouldn’t approve. It was one of the only rules in this situation.
- Just The Three Of Us ft. Jackson Wang by @kpopyourcherryy
Summary: So the boys just got back from being in Canada, and of course, immediately asked you to come hang out with them, but while the others decided to go out for a while; Jackson, Jinyoung and you stayed behind. Still, it appears as if you were about to have lots of fun with them, or should I say they were about to have lots of fun with you.
- Full Bodied. by @the-porcelain-doll-xo
Excerpt: “Not to worry, I’m more than happy to negotiate with you after our tour,” the stranger chides.
If your breathe hadn’t already been taken from the views, he would be in possession of it. His strong broads shoulders, sharp jaw and full lips leave you feeling just as floored as you were moments ago. A beautiful man in a beautiful setting.
Choi Youngjae
Angst 
- Seeing another member kiss their S/O (Youngjae) by @kpopersanonymous
- She’s a Monster by @noonachronicles
Excerpt: Biting her lip, she grinned, “Do you have time for more?” 
Youngjae sucked his fingers clean of her and pulled his phone from the back pocket of his jeans. He sighed, “No, the others will be here soon. I want to see you tomorrow night though. We can finish what we’ve started.”
- With or Without You by @ars-ahgase
Excerpt: Now, all his bags were packed and he was ready to head off to school in Seoul. Starting over was exactly what he needed after the disaster of highschool romance. He wasn’t going to just be here waiting for her.
He promised himself that at his new school, he was going to focus on what he loved most. Music. No superfluous girls to distract him from his true calling.
Smut
- “I also needed you” by @justtextmeoppa
Plot: You’re Youngjae’s girlfriend and he “welcomes” you after three weeks away from each other.
- Aftertaste by @ars-ahgase
Excerpt: “They can’t hear us baby” He assured as he quickened his pace slightly, still making your first time together as sensual as possible.
BamBam
Angst 
- Seeing another member kiss their S/O (BamBam) by @kpopersanonymous
Smut
- For Our Eyes Only by @kpopyourcherryy
Excerpt: Lowering his camera slightly, your boyfriend’s darkening gaze locked with yours as he climbed onto the bed. “You know..” He replied, wedging himself between your legs. “Since you seem to be my… muse, at the moment- I think I want to film you while I fuck you.” 
- Safe in His Arms by @artificialskyway
Summary: All your boyfriend, BamBam, wants is to come home and take a nice hot shower after dance practice. That is, until he sees you already undressing for one yourself. Why waste an opportunity, right?
Kim Yugyeom
Angst 
- Seeing another member kiss their S/O (Yugyeom) by @kpopersanonymous
- Try by @jae-bummer
Request: Can you do #6 with Yugyeom please? ^^ Maybe angst but ends fluffy?
Fluff
- Approved by @ahgaseposts
Request: Could u please do a scenario where u go ur family reunion w/ yugyeom and ur there fr a while and ur cousins(younger, about 9) come and judge yugyeom as ur bf. The reader says that he had to be approved by them to date her and so yugyeom starts playing with them and looks super cute! -Thanks
Smut/Suggestive
- Half an Hour by @aragyeom
Summary: Shortly before going on stage, Yugyeom can’t seem to swallow a certain longing for (Y/N).
- Clean by @tabswritings
Excerpt: He resumes attacking your neck, slipping one of his fingers inside, your moan fogs up the mirror in front of you, “You’re so hot.” he takes away his fingers, causing a whimper. “But I’d rather use my cock to please you,” you groan at the loss of connection, “Still want me to go the showers?”
- Phone Call by @redgyeomie 
Summary: A phone call is all it takes for the rest of the members of Got7 to find out about you and Yugyeom. 
- Spiteful by @kreatingkpop
Plot: You had learnt all of your daddies rules, expect there was one you unknowingly broke from time to time - never make daddy jealous.
- Switch ft. Im Jaebum by @noonachronicles
Excerpt: “Kitten.” You heard from behind you. 
Wide eyed you pulled your hands away from Yugyeom and stepped back like you just realized he was an open fire. 
“Sorry baby.” You mouthed to him and turned around looking innocent instead of in command like you had been. “Yes, Daddy?”
- Not Safe For Work by @greasygyeom
Summary: He decides to play with you at work and you make him wish he hadn’t.
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love-god-forever · 5 years
Text
Knowing God’s Sovereignty, I Am No Longer Upset at My Short Stature
By Wang Ting
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I am short in stature, and this once upset me most greatly. When others’ funny looks and sarcasm came upon me, my self-esteem plummeted, and I could only live in my place agitated, suffering and struggling. Until one day, I encountered the omnipotent God. His words of life opened the mysteries that are unknown to man, guided me to shake off the shadow of being short, and lighted up my new life.
In my childhood, I hoped that I would be taller.
When I was young, because I was shorter than other children of my age, I was placed at the head of the file or in the front row in the classroom. Especially when our teachers asked us to write or do exercises on the blackboard, only when I stood on a small stool could I reach the blackboard. This brought about mockery from my classmates. I felt very ashamed, and envied those taller ones from the bottom of my heart. But I was proud and wasn’t convinced. I often thought: “Though I am less tall than you are now, I will be taller as I grow older.” And so as not to be looked down on me because of my height, I silently made a resolution: “I must surpass you in study.” So in class I listened attentively; outside of class while my classmates were talking, laughing and jesting, afraid of being laughed at, I never joined them but just buried myself in my study. Finally, my hard work paid off—my grades were outstanding, and my teachers and classmates thus paid special regard to me. But yet ridicule could not be escaped. My young heart withstanding such mockery, my personality was becoming solitary and unsociable, and I was unwilling to play with other children.
In my teenager years, I was always troubled because tall stature was out of reach for me.
As time went by, I grew older, yet I didn’t grow much taller. Among all sisters, I was the shortest; such was the case among the girls in my age group in my village and even those a few years younger than me was taller than me. My short stature became a headache for me and so I often sighed silently. Every time when I heard my classmates discussing the subject of height, I would pretend not to have heard or find some things to do to cover up my sufferings.
There was one time when a tall middle-aged woman came to find my mother. As she saw me, she looked me up and down in complete amazement and said, “All your other sisters are very tall, why are you so short?” Hearing this sarcastic words, my face flushed bright red and I could not wait to find a place to hide away immediately. I felt overwhelmed and thought, “You are just tall. What’s the big deal? Your height entitles you to tease me? As the old saying goes, ‘As a tree lives for its bark, a man lives for his face.’ You know clearly I’m short, but still say like this. Aren’t you deliberately taunting me? Who don’t want to be tall?” I was eager for her to leave quickly and didn’t want to see her again. All day I did not feel good and the more I thought about it, the more distressed I was. So I accused my parents, saying, “I am so short and it’s all your fault. If I could be taller, even just one or two inches, I wouldn’t be taunted like this.”
Later on, I encountered my deskmate. She, who was nearly as the same height as me in primary school, had grown to 1.6 meters within several years. I envied her very much and at the same time was disheartened about my height.
After getting married, I suffered snubs from my husband.
After reaching adulthood, in order not to be a laughingstock to others or be looked down upon by them, I contacted people as little as possible. Whenever I went outside, I would wear high heels and only then could I get a little confidence back. Though wearing high heels was exhausting and my ankles even got sprained several times, I was willing to do so in order not to be looked that short. So high heels of various styles became my beloved things. When buying shoes, others focused on whether or not they were comfortable while I paid no attention to that but just focused on whether or not they could make me look taller and more beautiful. After a day’s walking, my feet were often swollen and even my shoes rubbed and gave me blisters, but I could do nothing but endure the pain with secret tears.
When I reached my marrying age, considering my degree and job, I originally planned to find a better partner, but because of my short stature, I had to compromise, lower my standards and marry my present husband. Unexpectedly, he resented me for my height too. In front of the others, he never walked side by side with me but just stayed ahead, because he thought that I was undeserving of him and embarrassed him. Following behind him, I felt extremely miserable. I kept sighing and thought, “I am so short. Before, when I was in my family, I was discriminated against by my villagers. Now, I am married but still avoided by my husband. Why is my life so hard?”
After accepting God’s gospel, I recognized that my height originated from God’s predestination.
Just as I was afflicted by the torment, one of my own family told me about God’s gospel of last days. I saw these words of God, “Since the creation of the world I have begun to predestine and select this group of people, namely, you today. Your temperament, caliber, appearance, stature, family in which you were born, your job and your marriage, the entirety of you, even the color of your hair and your skin, and the time of your birth were all arranged by My hands. Even the things you do and the people you meet every single day are arranged by My hands, not to mention the fact that bringing you into My presence today is actually My arrangement. Do not throw yourself into disorder; you should proceed calmly.”
God’s words allowed me to recognize that whatever family we are born into, whatever kind of appearance we have, and what height we have are all predestined by God; that they cannot be chosen by us humans, nor can they be decided by our parents. Recalling these years, I always felt inferior and pained because of being thought less of by others for my short stature, so much so that I complained to my parents that my height was their fault, complained about others’ mockery, and complained about how my husband treated me and made me unable to raise my head among people. And I stayed away from other people and enclosed myself. Now I knew that my height and appearance are arranged by God, that despite my short stature, God didn’t turn His back on me but instead chose me and made me come before Him and allowed me to see His love for me. Because God’s words comforted me, my heart began to have a feeling of joy and the frustrations and pain of all those years decreased a lot.
Through my contact and living the church life with my brothers and sisters, I found that they were enthusiastic about and full of love for me and never revealed any degradation or contempt. As long as there were things I did not understand, they always were very patient in fellowshiping God’s words with me and wouldn’t stop until I understood. Also, they told me that in the interactions with each other, brothers and sisters all treat others justly based on the word of God, and they encouraged me to fellowship more, and open up about whatever thoughts I had so that we could seek the truth to resolve the problem together. This truly made me feel the love from God. I, who was inferior, finally found the courage to raise my head and speak.
Through seeking the root cause, I knew my inferiority came from my fallacious thinking and perspectives.
God’s words cured the pain in my heart. Then I thought, “My short stature is predestined by God. So why did I feel inferior?” One day, I read this passage of God’s words: “Born into such a filthy land, man has been severely blighted by society, he has been influenced by feudal ethics, and he has been taught at ‘institutes of higher learning.’ The backward thinking, corrupt morality, mean view on life, despicable philosophy, utterly worthless existence, and depraved lifestyle and customs—all of these things have severely intruded upon man’s heart, and severely undermined and attacked his conscience. As a result, man is ever more distant from God, and ever more opposed to Him.”
What God’s words revealed made me understand that we live in a filthy world that has been corrupted by Satan, that the cultural knowledge and traditional ceremony accepted by us were all influenced and infected by the philosophy of Satan. Our views on life and values have been seriously distorted. We have no truth, so we do not know what is good and what is evil, and we will use Satan’s viewpoint of “people need face like a tree needs its bark” to judge things to be good or evil, beautiful or ugly. Not only do we compare ourselves to others, seek to distinguish ourselves and to make others look highly upon us and admire us in our job and career, but even our appearance that we are born with are judged. The tall and good-looking are welcome and looked upon while the short and ordinary are disparaged and rejected and thus suffer harm and pain. I thought of how because of my short stature, I was unable to show off in front of others or take the stage, others took digs at me and even my husband looked down upon me. All this gave me a sense of inferiority and I lost my hope in life. Then to protect my self-respect, I shut myself off from everyone and didn’t dare to go out, as if I had done something shameful. My sense of inferiority reached a certain point that I felt my life had no meaning. I also thought of how there were many people just like me, all of whom are discriminated against by society because of their height and appearance, lead a difficult life that they even lose the courage to live. Thus, I came to know that what living by Satan’s philosophies and views brought us was only harm. Only by accepting the guidance of God’s word can we possess the right outlook on life and values, break free of Satan’s prison and harm and live a free and liberated life.
I understood that everything God created is good and my heart was unchained.
Once, I went to visit one of my colleagues at her home just when she was arranging her clothes in the closet. She said thoughtlessly, “Because of my physique, finding a dress in my size is easy and I’ll look good in whatever I choose. Considering your height, it seems that finding one in your size is difficult. Maybe every pair of pants you buy needs some alterations….” Though she didn’t really intend what she said, I took her words to heart and felt somewhat awkward because what she said was true. I am short, so finding the right size is indeed difficult and I look bad in anything. If this had happened before I believed in God, I would have heavy hearts and even not want to go out anymore because of my inferiority. But at that moment I realized that my wanting to do that way was a desire to protect my own face, so I hurried to pray to God, begging Him to keep me from being toyed with by Satan.
After returning home, I read these words: “In the thoughts of God, He intended to give each and every appearance, and all sorts of functions and uses, to the various living things He created, and so none of the things God made were cut from the same mold. From their exterior to their internal composition, from their living habits to the location that they occupy—each is different. … In short, when it comes to all things, man should defer to the authority of the Creator, which is to say, defer to the order appointed by the Creator to all things; this is the wisest attitude. Only an attitude of searching for, and obedience to, the original intentions of the Creator is the true acceptance and certainty of the authority of the Creator. It is good with God, so what reason does man have to find fault?” True. God’s words are spoken very well. God has created everything differently, and whether good-looking or ugly, they all have their individual uses, and within them lies God’s wisdom. Just as among billions of people, there are no identical persons; no matter whether man is tall or short, fat or thin, and good-looking or ugly, everyone is special. They all come from wise hands of the Creator, and in God’s eyes, they are all good. I am no exception. Despite my short stature, I clothe myself, eat, sleep and dwell normally, and I live and work normally. In God’s eyes, I am good; God is not biased against me. So instead of complaining about God, I should submit to God’s rule and arrangements, and play my role. This was the direction of life I should pursue. God’s words unchained my heart and I calmly accepted my height. I thought, “Even though I am short, I will still worship God and glorify God.”
From then on, under the guidance of God’s words, regardless of the circumstances that I spoke or did things in, I was no longer constrained by my short stature, nor did I feel lonely or inferior, but instead I got along so well with others and felt so liberated. God’s words have driven my vexation and I finally can raise my head and conduct myself. Now I am actively preaching the gospel and bearing witness to God, so that more people can be released from Satan’s bondage, say farewell to their painful lives, find a true home for their souls and pursue the most meaningful life.
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supaliaxpress · 7 years
Note
Hey! I was wondering if you could please explain goblin ep 16 timeline, it got a bit confusing towards the end for me. Thanks ❤️
No problem Anon! ^^ It did get a little confusing in the last 10-15 minutes. 
I hope you understand the beginning of episode 16: Shin proposed to Eun-Tak, Eun-Tak reunited with her ghost friends, and Shin got ‘jealous’ so he quickly sped up the marriage (lmao). It was also the last time we saw Deok-Hwa as he had a very touching conversation with CEO Kim about growing up and adulthood. Sunny submitted her goodbye to Eun-Tak’s radio show and GR found her at the bridge... where they first met and where they separated... exactly what a bridge symbolizes: life & death, new beginnings & separation, challenges & success. GR was depressed, but he couldn’t do anything about it, because it wasn’t meant for them to be together in this lifetime due to him being a grim reaper and Sunny making the decision of moving on; while Shin tried to cheer him up (he cut the apples into bunnies T.T like GR did for DH). Eun-Tak’s Aunt was finally able to go to the afterlife with the help of her longtime ghost friend (this was really touching and sad T.T) and Eun-Tak still thanked her Aunt for raising her (Eun-Tak is such a wonderful person). As a wedding gift for Eun-Tak, GR gave her a bouquet of Buckwheat flowers while Eun-Tak also told GR her philosophy on life, “To live each day as if it were your last.” Shin and Eun-Tak got married!!! They celebrated with their friends while almost giving CEO Kim a heart attack, lol. But their happiness was short-lived as Eun-Tak sacrificed herself to save the children on the bus. Eun-Tak promised Shin that she will return and she will find him... so he must promise her to live his life well and wait for her. 
So here’s the first time skip: Shin was trying to live his life well a year after Eun-Tak’s death (shown by the 4 seasons changing) even though everywhere he went it reminded him of Eun-Tak, then 30 years later... 
GR was released of his duty as a grim reaper and received his last job: Sunny. Thanks to @iroasenai’s translation, Sunny died of sickness at at the age of 68 and was greeted by GR where they finally made amends (him giving her the ring). Shin didn’t come inside to say goodbye to her because, once again, his sister chose Wang Yeo/GR over him, but he was content to see her happy, even in death, with her lover. 
Here’s the second time skip: another 30-40 years later... (totaling about 60-70 years after Eun-Tak’s death) 
Mr. Kim (sandwich guy) helped Shin by giving him advice to stay strong (read here for my theory on Mr. Kim) while in return, Shin pointed him in the direction to help Chairman Kim with his broken car (Chairman Kim looks about in his 90′s considering a total of 60 years have passed). Since he is now referred to as Chairman instead of CEO... perhaps this suggests that DH has taken over the company now? I’m not too well versed in company hierarchy. That’s when Shin saw the reincarnated Sunny and Wang Yeo (in about their 30′s); this suggests that Wang Yeo and Sunny were reincarnated immediately after their deaths. Then Shin moved to Canada where he finally met a reincarnated high schooler Eun-Tak who was on a field trip from Korea. This suggests that Eun-Tak purposely came on this trip to find him because Shin was no longer living in Korea and the only other place he’d be at was Canada. Eun-Tak looked around the same age as when she first met Shin -- 19 years old. So the reason why she probably couldn’t find Shin immediately was because she was most likely born during the 20 year span in which Shin moved to Canada and she had to wait until she was of legal age to get a passport. Why didn’t she just summon him?? Because she promised to be the one who would come to him this time... not him coming to her even if it meant having to wait a while longer for them to reunite. Also, I think them reuniting in Canada makes sense because Canada is a land of openness and acceptance which shows that, no matter what age or time they reunite, they will love each other for who they are. 
I hope this helps you a little bit to follow the time skips of the last 10-15 minutes! ^^ I hope you enjoyed Goblin as much as I did :D
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jeremystrele · 5 years
Text
A Day In The Life Of Benjamin Law, Writer
A Day In The Life Of Benjamin Law, Writer
A Day In The Life
by Sally Tabart
One of the first thing’s Benjamin Law does every day is clear out his inbox before 9am. Photo – Alisha Gore for The Design Files.
Bits and bobs from Ben’s house. Photo – Alisha Gore for The Design Files.
‘You’re allowed to say “no” and you don’t have to give a reason. Simply say you’re unavailable and unable. This is a much better alternative to saying “yes” just to get someone off your back, and making your future self furious at you,’ says Ben. Photo – Alisha Gore for The Design Files.
Spending a lot of writing time alone, Ben tries to leave the house at lunchtime. Here he is at Boon Cafe in Haymarket. Photo – Alisha Gore for The Design Files.
Usually Ben eats his breakfast with green tea, or sometimes a Virgin Mary – hot and spicy V8 juice with squeezed lemon. Photo – Alisha Gore for The Design Files.
Photo – Alisha Gore for The Design Files.
Ben exercises after 5pm most days, either swimming or yoga. He loves swimming at The Prince Alfred Pool in Surry Hills. Ben at Photo – Alisha Gore for The Design Files.
The first person in Speedos on TDF! Photo – Alisha Gore for The Design Files.
Writing about a writer is one of the most daunting tasks for… a writer. I’m always worried about doing something sloppy, like repeating the same word three times in one sentence (see: previous sentence). It’s especially nerve-wracking when the subject is as prolific as Benjamin Law, one of the defining voices in Australian culture over the past 10 years.
Ben grew up on the Sunshine Coast, to Cantonese parents who migrated to Australia via Southern China (Ben’s Dad) and Malaysia (Ben’s Mum), via Hong Kong. Based in Sydney, Ben describes himself now as pretty much the same as when he was a kid: ‘obsessed with sex, annoyingly attention-hogging, insatiably curious but could be immediately reduced to silence if you put a good book, movie, TV show or magazine in front of me.’ Only these days, he’s the one writing the material.
In 2010 Ben published the hilarious, poignant memoir, The Family Law, and then in 2012 a travel book exploring the queer experience in Asia, Gaysia: Adventures in the Queer East. Both were nominated for Australian Book Industry Awards, and the former was later adapted into a groundbreaking TV series on SBS. He’s written more books, countless features and worked on film and television projects. He’s also working on a play – because clearly, he doesn’t have enough going on right now!
Next week, Ben’s latest endeavor – a documentary called Waltzing the Dragon – will premiere on ABC, where Ben travels with his parents from remote Northern Australia to Chinese megacities to explore the overlap in cultures. ‘On one level, it’s a history of the Chinese in Australia – a history that pre-dates the First Fleet and white arrival on this continent by centuries – but it’s also a massive road-trip with my um and Dad to find our own roots,’ Ben explains. ‘Some of the stuff we unearth will completely up-end your understanding not just of Chinese-Australian history, but Australian history in general.’
No two days are ever the same for Ben. ‘I don’t really have anything resembling structure nowadays’, he admits. In lieu of regular programming, he has a ‘some habits and ground rules’ to keep it all together – showering first thing, clearing out his inbox before 9am (‘it’s like a healthy little mind audit before the workday starts’), exercising and at the end of the day, truly switching off and decompressing with his boyfriend.
Ben is a wealth of wisdom when it comes to carving out space for himself in the midst of a sometimes chaotic, always random routine. From scheduling his iCal ‘down to the minute’ to stopping all things digital by 10pm, Ben shares how he gets it all done.
FIRST THING
I like the idea of getting up by 6.30am because I enjoy the feeling of having a headstart on everyone else, but it’s usually 7.30am. I like reading before bed and I usually do that until midnight, and I need exactly 7.5 hours sleep. It’s like my body’s finally said, ‘It’s non-negotiable.’ I’m also a super-deep sleeper. Waking up is like trying to exhume something dead from an oceanic trench. But for the last few years, I’ve used an amazing app called Sleep Cycle, which both monitors your sleep and ensures you wake up at a point in your sleep where it’s not jarring and horrible. I love it so much.
My boyfriend is usually up before me and he’s usually watching ABC News Breakfast while reading the news; I tend to prefer having ABC RN Breakfast on the radio with Fran Kelly or Hamish MacDonald.
I do a poo, have a shower then clear my inbox. Sorry: is that too graphic? Basically, it’s a lot of purging and cleansing from when I wake up until 9am.
MORNING
Breakfast often makes me gag, so it’s usually something light, like miso soup and fruit, or toast with butter and vegemite, and crunchy peanut butter with honey. And it’s usually with green tea, or sometimes a Virgin Mary – hot and spicy V8 juice with squeezed lemon.
Then I work: whether that’s doing interviews for Good Weekend, prepping Stop Everything – the ABC RN pop culture show I co-host with Beverley Wang– or just writing for a deadline or project.
If I’m about to launch into writing that requires proper focus, I forcibly disable the internet by activating Freedom on my laptop and Forest on my phone.
LUNCHTIME
On writing days, it’s common that I won’t even leave the house or have any human contact until 5pm – and perhaps a bit disgustingly, I don’t actually mind that at all. But sometimes I’ll pop down to Spice Alley – which is super close to where we live – for a cheap and cheery lunch.
AFTERNOON
It’s usually just writing, meetings and admin all arvo – a big happy horrible mess. My iCal is colour-coded within an inch of its life for this reason. Basically, my work is kind of like triage all day, and then I try to ensure the bleeding stops by 5pm.
EVENING
I try to finish by 5pm. It’s tempting for freelancers to keep working, but unless I’ve got a deadline in the next hour, I tell myself to stop. Because there’s always more work that could be done. It’s really important to me to sound boundaries nowadays.
After 5pm, I try to take a break – check the mail, do some housework, laundry, clean the kitchen, meal prep for dinner – then either swim laps, go to the gym or do some yoga with this great app called Pocket Yoga, which I prefer to classes.
I then make dinner, catch up with my boyfriend Scott, decompress, watch the news and Leigh Sales on 7.30, then it’s whatever we’re watching. Some of the stuff we’ve loved this year have included Pose, Stranger Things, Fleabag, Catastrophe and Game of Thrones. And RuPaul’s Drag Race, obviously.
LAST THING
Work-wise, I always give my inbox a little late-night purge again, if possible. Then I go into iCal and I plan the next day right down to the last minute, including breaks, exercise and social stuff with mates. If I have to be my own boss, I figure I can ride my own arse. And there’s no white space in the iCal, because if there is, I know my instinct is to fill it with work. So I trick myself by scheduling my breaks.
Over the last year or so, I’ve kept to a new habit: around 10pm, I set my phone’s alarm clock (via Sleep Cycle), switch on the Do Not Disturb mode and have it lying face down. Then I have a shower – as if to wash off the day and my digital reliance – and come into bed to read a book. Sometimes it’ll be The New Yorker, but it has to be on paper. I’ve gotten my boyfriend into the habit too, and I think it’s actually my favourite part of the day: feet tangled under the doona, each of us immersed in something.
Ben working from his standup desk at home. Photo – Alisha Gore for The Design Files.
Right now I’m listening to/watching/reading…
Music: Mark Ronson’s Late Night Feelings; Gabriel Kahane’s Book of Travelers; and new tracks Washington (Megan Washinton, who’s a mate of mine) has been working on.
Podcasts: Internationally: Fresh Air, Still Processing, Nancy, Touré Show, New Yorker Radio Hour. Australian: The Signal, Background Briefing, Conversations, Ladies, We Need to Talk.
Reading: A combo of Vicki Laveau-Harvie’s The Erratics, Deray McKesson’s On the Other Side of Freedom and Ocean Vuong’s On Earth We’re Briefly Gorgeous. The last few books I’ve really devoured have been Rebecca Makkai’s The Great Believers and Max Porter’s Lanny.
One important thing I do every day is… Move my body.  And decompress with my boyfriend.
I get my best work done when… I’m able to give it the time it warrants. It’s better to allocate the right amount of time something needs – and breathing room in case it goes wrong – rather than constantly being a deluded time-optimist.
A philosophy I live and work by is… When deciding on projects, Laurie Anderson says it needs to fulfill two of the following three criteria: it has to be fun, it has to be interesting and it has to make money. It can’t just tick one box: only two or more. Similarly, I need projects to be fun, challenging, make money and I need to have the time.
My productivity tip/tool is…
If you need time away from the internet, install Freedom onto your computer and Forest on your phone. Forest is an app that’s like a Tamagotchi: you plant a virtual cartoon seed for a set time. If you check another app in that time, your plant dies and you have a dead forest. It’s a surprisingly emotional experience!
Another big breakthrough I had is with transcribing interviews. Traditionally it took me about 120 minutes to transcribe a 30-minute conversation. It’s so painful. And all the voice transcription software I’d ever tried over the past decade has been shit. But my boyfriend and some mates put me onto Otter recently and it’s been life-changing. I almost get emotional about it.
Finally: all huge tasks are like bricklaying. You’ve got to break down big goals. Don’t just have ‘write book’ or ‘write play’ as your daily task, otherwise, you’ll intimidate and scare the shit out of yourself. Break it into monthly goals (eg. finish chapter), and break those into weekly goals (eg. complete key interviews) and break those into daily (eg. 750-1000 words) then hourly goals (125 words per hour doesn’t seem that intimidating, suddenly). It also means you have closure on the day and feel like you can reward yourself.
Something I learned the hard way is… You’re allowed to say ‘no’ and you don’t have to give a reason. Simply say you’re unavailable and unable. This is a much better alternative to saying ‘yes’ just to get someone off your back, and making your future self furious at you.
Tune into the first episode of  Waltzing The Dragon With Benjamin Law this Tuesday, July 30th at 8.30pm on ABC, or catch it later on ABC iView!
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Donnie Yen: The Martial Artist Who Brought a Wing Chun Legend to Life in 3 Ip Man Movies
Donnie Yen first appeared on my radar 25 years ago, when his name often graced the pages of martial arts periodicals. I learned that Donnie Yen, the son of Boston-based wushu pioneer and Black Belt Hall of Famer Bow Sim Mark, stood out from his peers because of his strong stances and aesthetic postures, which helped him dominate the competition at martial arts tournaments.
In part because he longed to follow in the footsteps of Bruce Lee, Donnie Yen decided to try his hand at action films. Like Bruce Lee, he opted to return to southern China, where he found work as a stuntman in Hong Kong. Donnie Yen quickly leveled up to starring roles, commanding the screen opposite Jet Li in Once Upon a Time in China II (1992) and as hung gar kung fu master Wong Kei-Ying in Iron Monkey (1993). (The movie found U.S. distribution in 2001 thanks to Quentin Tarantino and Miramax.)
With hit after hit under his belt, Donnie Yen built himself into one of Asia’s most bankable actors. In 2008 he landed what would be his heaviest role to date: playing wing chun grandmaster Yip Man in Ip Man. (The Chinese family name Yip can be Romanized as Yip or Ip. In this article, I will use “Ip Man” to refer to the movie and “Yip Man” to refer to the man.)
Portraying the martial artist who was Bruce Lee’s master didn’t come without immense pressure and criticism, but the movie’s box-office performance and the rabid following it generated online proved the naysayers wrong — and set the stage for two sequels.
When the publicity tour for the latest film, Ip Man 3, brought Donnie Yen and co-star Mike Tyson to Los Angeles, I got an opportunity to interview Yen and hear about the struggles, triumphs, insights and visions that make up his life. Bearing a gift from my teacher, Black Belt Hall of Fame member Dan Inosanto, I entered the room, hoping for a good conversation. What I got was a great interview with a man who’s humble, hardworking and still hungry for higher achievements.
***
It’s an honor to finally meet you. I have a gift for you from someone you might have heard of: Dan Inosanto.
Donnie Yen: Wow! Thank you so much. I’ve heard so much about him and followed his career for years, but I never had the opportunity to meet him in person. Please thank him for me.
I spoke to him just before coming here, and he’s a huge fan of yours. Not only does he love your movies, but he also had high praise, saying that Bruce Lee would’ve been pleased with your work had he lived to see it.
Donnie Yen: That’s overwhelming. Please thank sifu Inosanto for me. [He tells his wife and his manager excitedly in Cantonese that Dan Inosanto was the training partner, best friend and top student of Bruce Lee.]
Go to Amazon now to get your copy of the Bruce Lee classic Tao of Jeet Kune Do: New Expanded Edition!
I always wanted to study Filipino kali from him. I’ve been a Bruce Lee fan ever since I was a kid, and as you probably know, I did an homage to him by reprising the role of Chen Zhen (whom Lee portrayed in Fist of Fury) in a TV series and feature film.
Absolutely. Your performance in Legend of the Fist is one of my favorites.
Donnie Yen: It’s funny … people asked me whether I knew that Bruce Lee had already done that role. The whole point of me doing those movies and playing those roles was out of respect to Bruce Lee — as a way of showing how much he inspired me in my career.
I could never be Bruce Lee. Nobody can. Nor could I imitate him in a way that would do him or the role justice. But just paying tribute to him with those roles was huge for me. I’ve always said that if Bruce was still alive, I’d have become his most devoted student.
How did that weigh on you when you were offered a chance to portray Yip Man?
Donnie Yen: The pressure was huge, and it came from a variety of angles, too. Let me share a bit of background with you. The first time I got a call to play the role of Yip Man was a couple of decades ago, but that movie never got made due to problems with the film’s backers. Years later, I was at a press conference in Beijing and got another call from a producer, saying that they’d spoken to grandmaster Yip’s family, gotten their blessing, were going to make a movie on him and wanted to cast me in the lead.
But there was already a film about Yip Man (The Grandmaster, starring Tony Leung and Zhang Ziyi) that the famous director Wong Kar-Wai was going to direct. I asked about that, but the producer said not to worry since Wong has a reputation for taking his time on projects. Even though we were going to involve the same namesake character, they would tell their story and we would tell ours.
When the public got word that we were going to do Ip Man, people in the entertainment industry started drawing lines and picking sides. Critics claimed that our director Wilson Yip wasn’t qualified to direct a project of that magnitude. At that time, I’d just finished police movies like SPL: Kill Zone and Flash Point, which had a ton of over-the-top action sequences and MMA-based fight choreography. Those movies and Special Identity were the first Hong Kong action movies to take MMA grappling techniques and communicate them in a cinematic language. So critics also said that I wasn’t suitable for the role of grandmaster Yip or to showcase wing chun cinematically.
All this even before you started shooting?
Donnie Yen: Yes. I never expected there to be so many doubters, even though I knew this to be an iconic role.
Preparing for a role like that must have been different, considering your extensive martial arts background. What was your foundational training in with your mother? Was it modern wushu?
Donnie Yen: No, it was traditional Shaolin kung fu and then tai chi, but my tai chi is a little different. My mother’s master Fu Wing-Fay had a different style, and I’ve added my own flavor to my tai chi.
Growing up in Boston, did you get to experiment with different martial arts?
Donnie Yen: When I was a kid running around Chinatown, hung gar was really big, really popular. I used to study the old Lam Sai-Wing books on hung gar with the line drawings and practice those stances and postures. But back then, I was so curious and excited to learn martial arts from any source, regardless of style. I just wanted to absorb as much as I could. I’m still that way when I see something I like.
Wang Bo, formerly of Shaolin Temple, is the featured instructor in an online kung fu course from Black Belt. Titled Tree of Shaolin, it streams video lessons to your preferred digital device. Sign up here and start your journey along the 1,500-year-old Shaolin path!
Did you get any formal wing chun training back then?
Donnie Yen: Unfortunately, I did not. But there was one kid that knew a little bit, and we’d skip school and train in the park together, sparring and practicing techniques on each other. Back then, I was just trying to learn moves from the different styles and systems, including taekwondo — not just Chinese martial arts.
You mentioned Bruce Lee as a source of inspiration. Did you watch other kung fu flicks?
Donnie Yen: Oh, yeah. I was a big fan of those movies as a kid. I’d see some move that I thought was cool or some character that inspired me, and I’d try to imitate them physically or philosophically.
When it came time to prep for Ip Man, I understand that you spent time with both of Yip Man’s sons.
Donnie Yen: I actually spent a lot of time studying Yip Man’s personal story in terms of his history and background, not just studying wing chun. To get as close as I could to the source, I spent time with his sons, listening to them talk about their father, their family life and their art. I even went to Futsan (Foshan, China) to see where he lived.
Were the Yip brothers your technical trainers for the movie?
Donnie Yen: I actually had a bunch of different wing chun trainers to help me learn the forms and the basic drills, like the lap sau and chee sau (sticky hands) drills. The big thing they helped me with was learning the forms. I didn’t have three years to devote to mastering wing chun, so I could only try to embody the mindset and philosophy.
So there wasn’t just one master who oversaw all your training?
Donnie Yen: No. I didn’t want to try to be a clone of any one sifu. I knew that I could never imitate grandmaster Yip Man perfectly. I could only do the role justice by offering my interpretation of his philosophy in movement. Actually, studying the old black-and-white films of grandmaster Yip was very valuable. If there was one source that I tried to draw on most, that was it.
I also tried to get a sense of Yip Man’s movement and personality from his students outside the family. I actually used social media a lot to see how the different groups interpreted wing chun. It was very interesting. It gave me a chance to see how different wing chun people expressed the system physically and strategically. From the super-traditional to the more modern and aggressive versions, I wanted to get a broader view of what direction people were taking the art. All that figured into how I moved and how I portrayed the character. Luckily, the public reacted well to it.
There seem to be some signature moves in the fight scenes throughout the Ip Man franchise.
Donnie Yen: You see a lot of the mun sau posture from Yip Man because it fits [him]. He was originally from a well-to-do family, scholarly, very reserved. Wing chun is also a physically conservative style. You’re not going to see a lot of flash or wasted movement. So making the action exciting meant that the fight scenes had to educate the audience in a way that made those more efficient movements visually appealing.
The Ultimate Guide to Martial Arts Movies of the 1970s: 500+ Films Loaded with Action, Weapons & Warriors, by Dr. Craig D. Reid. On sale now at Amazon!
In Ip Man 3, as in the two previous movies, there’s a strong thematic element of family. There’s a push-pull that’s evident between Yip Man and his family in which he’s pulled out of involvement in some aspects of the martial arts while being motivated to accomplish more as a martial artist because of them. Is this a bit of art imitating life with you?
Donnie Yen: Absolutely! As you can see, my wife Cecilia is here in the room with us, as she’s also my business partner, but I absolutely know how that goes. Luckily, my wife sees everything I go through. She understands me and what I need to do.
For an actor to really nail the character, he has to live through something similar to be able to call on that kind of emotion and bring it to life for the camera. If you’ve never been through something, you won’t have the same depth of experience to be able to share on-screen.
What’s smart about Wilson Yip, the director of the Ip Man movies, is that he not only understands filmmaking but he understood what kind of stages I was going through in my personal life. So he wasn’t just creating another role for me to play. He made it so that I could bring something special to the character as it was written and the character would allow me to express those aspects of myself, as well. I can’t tell you how precious that kind of work environment is in acting.
After you did Ip Man and Ip Man 2, did the wing chun world give you any special status?
Donnie Yen: Look, I come from a traditional martial arts household, so I know how it goes with status. [chuckling] I don’t care about seeking status in martial arts from my films. Like if you asked me to teach you wing chun, I’m not the guy who’s a wing chun master. There are many other people who’ve devoted their lives to learning, researching and developing wing chun. Those are the wing chun masters, not me.
Silat for the Street is the title of an online course from Black Belt Hall of Famer Burton Richardson and Black Belt magazine. Now you can learn the most functional silat techniques whenever and wherever you want on your smartphone, tablet or computer. Get more info here!
What’s important to me is that authentic, traditional martial arts were overlooked for years in favor of making more exciting action films. But now that audiences are more educated and can recognize traditional martial arts, it’s more important than ever for me to portray these arts and the personalities around them with a certain dignity that’s appropriate. The fight scenes have to convey a sense of realism, as well as communicate the principles of the styles that are portrayed.
When the movie does well and inspires people to do more with their lives, that’s the reward for me. With the Ip Man movies, it’s not about what I did for wing chun; it’s about focusing on a character that inspires people. It’s not about wing chun versus this style or that style anymore.
Last question: I heard a rumor that you were phasing out martial arts films. What’s the scoop with that?
Donnie Yen: I’m human. Sometimes we say things in the heat of the moment. For me, there have been days when my body is just tired of the beating that I put it through in a high-powered, high-intensity action flick. But at the end of the day, if I sit down and watch TV or see an action sequence on the screen and think, “Oh, come on! That’s it? I can do better than that!” then it stirs that competitive spirit. I’m an actor, but inside I’m also a fighter.
As for kung fu movies, I don’t really have as much motivation to conquer anything more, especially after doing roles from Guan Yun-Chang in The Lost Bladesman to the Ip Man franchise. But especially when it comes to contemporary fight scenes, I feel like there’s a lot of knowledge about using martial arts and cinematic techniques in harmony that I still have left to show, that I still want to show.
Dr. Mark Cheng is a Black Belt contributing editor and doctor of traditional Chinese medicine. In his free time, he teaches shuai chiao, tai chi and kettlebells.
Photos Courtesy of Well Go USA
from Black Belt» Daily » Black Belt http://ift.tt/2ntC3Ef via Michael Chin Worcester Systema
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johnbattlesca · 7 years
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Donnie Yen: The Martial Artist Who Brought a Wing Chun Legend to Life in 3 Ip Man Movies
Donnie Yen first appeared on my radar 25 years ago, when his name often graced the pages of martial arts periodicals. I learned that Donnie Yen, the son of Boston-based wushu pioneer and Black Belt Hall of Famer Bow Sim Mark, stood out from his peers because of his strong stances and aesthetic postures, which helped him dominate the competition at martial arts tournaments.
In part because he longed to follow in the footsteps of Bruce Lee, Donnie Yen decided to try his hand at action films. Like Bruce Lee, he opted to return to southern China, where he found work as a stuntman in Hong Kong. Donnie Yen quickly leveled up to starring roles, commanding the screen opposite Jet Li in Once Upon a Time in China II (1992) and as hung gar kung fu master Wong Kei-Ying in Iron Monkey (1993). (The movie found U.S. distribution in 2001 thanks to Quentin Tarantino and Miramax.)
With hit after hit under his belt, Donnie Yen built himself into one of Asia’s most bankable actors. In 2008 he landed what would be his heaviest role to date: playing wing chun grandmaster Yip Man in Ip Man. (The Chinese family name Yip can be Romanized as Yip or Ip. In this article, I will use “Ip Man” to refer to the movie and “Yip Man” to refer to the man.)
Portraying the martial artist who was Bruce Lee’s master didn’t come without immense pressure and criticism, but the movie’s box-office performance and the rabid following it generated online proved the naysayers wrong — and set the stage for two sequels.
When the publicity tour for the latest film, Ip Man 3, brought Donnie Yen and co-star Mike Tyson to Los Angeles, I got an opportunity to interview Yen and hear about the struggles, triumphs, insights and visions that make up his life. Bearing a gift from my teacher, Black Belt Hall of Fame member Dan Inosanto, I entered the room, hoping for a good conversation. What I got was a great interview with a man who’s humble, hardworking and still hungry for higher achievements.
***
It’s an honor to finally meet you. I have a gift for you from someone you might have heard of: Dan Inosanto.
Donnie Yen: Wow! Thank you so much. I’ve heard so much about him and followed his career for years, but I never had the opportunity to meet him in person. Please thank him for me.
I spoke to him just before coming here, and he’s a huge fan of yours. Not only does he love your movies, but he also had high praise, saying that Bruce Lee would’ve been pleased with your work had he lived to see it.
Donnie Yen: That’s overwhelming. Please thank sifu Inosanto for me. [He tells his wife and his manager excitedly in Cantonese that Dan Inosanto was the training partner, best friend and top student of Bruce Lee.]
Go to Amazon now to get your copy of the Bruce Lee classic Tao of Jeet Kune Do: New Expanded Edition!
I always wanted to study Filipino kali from him. I’ve been a Bruce Lee fan ever since I was a kid, and as you probably know, I did an homage to him by reprising the role of Chen Zhen (whom Lee portrayed in Fist of Fury) in a TV series and feature film.
Absolutely. Your performance in Legend of the Fist is one of my favorites.
Donnie Yen: It’s funny … people asked me whether I knew that Bruce Lee had already done that role. The whole point of me doing those movies and playing those roles was out of respect to Bruce Lee — as a way of showing how much he inspired me in my career.
I could never be Bruce Lee. Nobody can. Nor could I imitate him in a way that would do him or the role justice. But just paying tribute to him with those roles was huge for me. I’ve always said that if Bruce was still alive, I’d have become his most devoted student.
How did that weigh on you when you were offered a chance to portray Yip Man?
Donnie Yen: The pressure was huge, and it came from a variety of angles, too. Let me share a bit of background with you. The first time I got a call to play the role of Yip Man was a couple of decades ago, but that movie never got made due to problems with the film’s backers. Years later, I was at a press conference in Beijing and got another call from a producer, saying that they’d spoken to grandmaster Yip’s family, gotten their blessing, were going to make a movie on him and wanted to cast me in the lead.
But there was already a film about Yip Man (The Grandmaster, starring Tony Leung and Zhang Ziyi) that the famous director Wong Kar-Wai was going to direct. I asked about that, but the producer said not to worry since Wong has a reputation for taking his time on projects. Even though we were going to involve the same namesake character, they would tell their story and we would tell ours.
When the public got word that we were going to do Ip Man, people in the entertainment industry started drawing lines and picking sides. Critics claimed that our director Wilson Yip wasn’t qualified to direct a project of that magnitude. At that time, I’d just finished police movies like SPL: Kill Zone and Flash Point, which had a ton of over-the-top action sequences and MMA-based fight choreography. Those movies and Special Identity were the first Hong Kong action movies to take MMA grappling techniques and communicate them in a cinematic language. So critics also said that I wasn’t suitable for the role of grandmaster Yip or to showcase wing chun cinematically.
All this even before you started shooting?
Donnie Yen: Yes. I never expected there to be so many doubters, even though I knew this to be an iconic role.
Preparing for a role like that must have been different, considering your extensive martial arts background. What was your foundational training in with your mother? Was it modern wushu?
Donnie Yen: No, it was traditional Shaolin kung fu and then tai chi, but my tai chi is a little different. My mother’s master Fu Wing-Fay had a different style, and I’ve added my own flavor to my tai chi.
Growing up in Boston, did you get to experiment with different martial arts?
Donnie Yen: When I was a kid running around Chinatown, hung gar was really big, really popular. I used to study the old Lam Sai-Wing books on hung gar with the line drawings and practice those stances and postures. But back then, I was so curious and excited to learn martial arts from any source, regardless of style. I just wanted to absorb as much as I could. I’m still that way when I see something I like.
Wang Bo, formerly of Shaolin Temple, is the featured instructor in an online kung fu course from Black Belt. Titled Tree of Shaolin, it streams video lessons to your preferred digital device. Sign up here and start your journey along the 1,500-year-old Shaolin path!
Did you get any formal wing chun training back then?
Donnie Yen: Unfortunately, I did not. But there was one kid that knew a little bit, and we’d skip school and train in the park together, sparring and practicing techniques on each other. Back then, I was just trying to learn moves from the different styles and systems, including taekwondo — not just Chinese martial arts.
You mentioned Bruce Lee as a source of inspiration. Did you watch other kung fu flicks?
Donnie Yen: Oh, yeah. I was a big fan of those movies as a kid. I’d see some move that I thought was cool or some character that inspired me, and I’d try to imitate them physically or philosophically.
When it came time to prep for Ip Man, I understand that you spent time with both of Yip Man’s sons.
Donnie Yen: I actually spent a lot of time studying Yip Man’s personal story in terms of his history and background, not just studying wing chun. To get as close as I could to the source, I spent time with his sons, listening to them talk about their father, their family life and their art. I even went to Futsan (Foshan, China) to see where he lived.
Were the Yip brothers your technical trainers for the movie?
Donnie Yen: I actually had a bunch of different wing chun trainers to help me learn the forms and the basic drills, like the lap sau and chee sau (sticky hands) drills. The big thing they helped me with was learning the forms. I didn’t have three years to devote to mastering wing chun, so I could only try to embody the mindset and philosophy.
So there wasn’t just one master who oversaw all your training?
Donnie Yen: No. I didn’t want to try to be a clone of any one sifu. I knew that I could never imitate grandmaster Yip Man perfectly. I could only do the role justice by offering my interpretation of his philosophy in movement. Actually, studying the old black-and-white films of grandmaster Yip was very valuable. If there was one source that I tried to draw on most, that was it.
I also tried to get a sense of Yip Man’s movement and personality from his students outside the family. I actually used social media a lot to see how the different groups interpreted wing chun. It was very interesting. It gave me a chance to see how different wing chun people expressed the system physically and strategically. From the super-traditional to the more modern and aggressive versions, I wanted to get a broader view of what direction people were taking the art. All that figured into how I moved and how I portrayed the character. Luckily, the public reacted well to it.
There seem to be some signature moves in the fight scenes throughout the Ip Man franchise.
Donnie Yen: You see a lot of the mun sau posture from Yip Man because it fits [him]. He was originally from a well-to-do family, scholarly, very reserved. Wing chun is also a physically conservative style. You’re not going to see a lot of flash or wasted movement. So making the action exciting meant that the fight scenes had to educate the audience in a way that made those more efficient movements visually appealing.
The Ultimate Guide to Martial Arts Movies of the 1970s: 500+ Films Loaded with Action, Weapons & Warriors, by Dr. Craig D. Reid. On sale now at Amazon!
In Ip Man 3, as in the two previous movies, there’s a strong thematic element of family. There’s a push-pull that’s evident between Yip Man and his family in which he’s pulled out of involvement in some aspects of the martial arts while being motivated to accomplish more as a martial artist because of them. Is this a bit of art imitating life with you?
Donnie Yen: Absolutely! As you can see, my wife Cecilia is here in the room with us, as she’s also my business partner, but I absolutely know how that goes. Luckily, my wife sees everything I go through. She understands me and what I need to do.
For an actor to really nail the character, he has to live through something similar to be able to call on that kind of emotion and bring it to life for the camera. If you’ve never been through something, you won’t have the same depth of experience to be able to share on-screen.
What’s smart about Wilson Yip, the director of the Ip Man movies, is that he not only understands filmmaking but he understood what kind of stages I was going through in my personal life. So he wasn’t just creating another role for me to play. He made it so that I could bring something special to the character as it was written and the character would allow me to express those aspects of myself, as well. I can’t tell you how precious that kind of work environment is in acting.
After you did Ip Man and Ip Man 2, did the wing chun world give you any special status?
Donnie Yen: Look, I come from a traditional martial arts household, so I know how it goes with status. [chuckling] I don’t care about seeking status in martial arts from my films. Like if you asked me to teach you wing chun, I’m not the guy who’s a wing chun master. There are many other people who’ve devoted their lives to learning, researching and developing wing chun. Those are the wing chun masters, not me.
Silat for the Street is the title of an online course from Black Belt Hall of Famer Burton Richardson and Black Belt magazine. Now you can learn the most functional silat techniques whenever and wherever you want on your smartphone, tablet or computer. Get more info here!
What’s important to me is that authentic, traditional martial arts were overlooked for years in favor of making more exciting action films. But now that audiences are more educated and can recognize traditional martial arts, it’s more important than ever for me to portray these arts and the personalities around them with a certain dignity that’s appropriate. The fight scenes have to convey a sense of realism, as well as communicate the principles of the styles that are portrayed.
When the movie does well and inspires people to do more with their lives, that’s the reward for me. With the Ip Man movies, it’s not about what I did for wing chun; it’s about focusing on a character that inspires people. It’s not about wing chun versus this style or that style anymore.
Last question: I heard a rumor that you were phasing out martial arts films. What’s the scoop with that?
Donnie Yen: I’m human. Sometimes we say things in the heat of the moment. For me, there have been days when my body is just tired of the beating that I put it through in a high-powered, high-intensity action flick. But at the end of the day, if I sit down and watch TV or see an action sequence on the screen and think, “Oh, come on! That’s it? I can do better than that!” then it stirs that competitive spirit. I’m an actor, but inside I’m also a fighter.
As for kung fu movies, I don’t really have as much motivation to conquer anything more, especially after doing roles from Guan Yun-Chang in The Lost Bladesman to the Ip Man franchise. But especially when it comes to contemporary fight scenes, I feel like there’s a lot of knowledge about using martial arts and cinematic techniques in harmony that I still have left to show, that I still want to show.
Dr. Mark Cheng is a Black Belt contributing editor and doctor of traditional Chinese medicine. In his free time, he teaches shuai chiao, tai chi and kettlebells.
Photos Courtesy of Well Go USA
from Black Belt» Daily » Black Belt http://www.blackbeltmag.com/daily/martial-arts-entertainment/martial-art-movies/donnie-yen-the-martial-artist-who-brought-a-wing-chun-legend-to-life-in-3-ip-man-movies/ Donnie Yen: The Martial Artist Who Brought a Wing Chun Legend to Life in 3 Ip Man Movies published first on http://thrandythefabulous.tumblr.com
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thrandythefabulous · 7 years
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Donnie Yen: The Martial Artist Who Brought a Wing Chun Legend to Life in 3 Ip Man Movies
Donnie Yen first appeared on my radar 25 years ago, when his name often graced the pages of martial arts periodicals. I learned that Donnie Yen, the son of Boston-based wushu pioneer and Black Belt Hall of Famer Bow Sim Mark, stood out from his peers because of his strong stances and aesthetic postures, which helped him dominate the competition at martial arts tournaments.
In part because he longed to follow in the footsteps of Bruce Lee, Donnie Yen decided to try his hand at action films. Like Bruce Lee, he opted to return to southern China, where he found work as a stuntman in Hong Kong. Donnie Yen quickly leveled up to starring roles, commanding the screen opposite Jet Li in Once Upon a Time in China II (1992) and as hung gar kung fu master Wong Kei-Ying in Iron Monkey (1993). (The movie found U.S. distribution in 2001 thanks to Quentin Tarantino and Miramax.)
With hit after hit under his belt, Donnie Yen built himself into one of Asia’s most bankable actors. In 2008 he landed what would be his heaviest role to date: playing wing chun grandmaster Yip Man in Ip Man. (The Chinese family name Yip can be Romanized as Yip or Ip. In this article, I will use “Ip Man” to refer to the movie and “Yip Man” to refer to the man.)
Portraying the martial artist who was Bruce Lee’s master didn’t come without immense pressure and criticism, but the movie’s box-office performance and the rabid following it generated online proved the naysayers wrong — and set the stage for two sequels.
When the publicity tour for the latest film, Ip Man 3, brought Donnie Yen and co-star Mike Tyson to Los Angeles, I got an opportunity to interview Yen and hear about the struggles, triumphs, insights and visions that make up his life. Bearing a gift from my teacher, Black Belt Hall of Fame member Dan Inosanto, I entered the room, hoping for a good conversation. What I got was a great interview with a man who’s humble, hardworking and still hungry for higher achievements.
***
It’s an honor to finally meet you. I have a gift for you from someone you might have heard of: Dan Inosanto.
Donnie Yen: Wow! Thank you so much. I’ve heard so much about him and followed his career for years, but I never had the opportunity to meet him in person. Please thank him for me.
I spoke to him just before coming here, and he’s a huge fan of yours. Not only does he love your movies, but he also had high praise, saying that Bruce Lee would’ve been pleased with your work had he lived to see it.
Donnie Yen: That’s overwhelming. Please thank sifu Inosanto for me. [He tells his wife and his manager excitedly in Cantonese that Dan Inosanto was the training partner, best friend and top student of Bruce Lee.]
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I always wanted to study Filipino kali from him. I’ve been a Bruce Lee fan ever since I was a kid, and as you probably know, I did an homage to him by reprising the role of Chen Zhen (whom Lee portrayed in Fist of Fury) in a TV series and feature film.
Absolutely. Your performance in Legend of the Fist is one of my favorites.
Donnie Yen: It’s funny … people asked me whether I knew that Bruce Lee had already done that role. The whole point of me doing those movies and playing those roles was out of respect to Bruce Lee — as a way of showing how much he inspired me in my career.
I could never be Bruce Lee. Nobody can. Nor could I imitate him in a way that would do him or the role justice. But just paying tribute to him with those roles was huge for me. I’ve always said that if Bruce was still alive, I’d have become his most devoted student.
How did that weigh on you when you were offered a chance to portray Yip Man?
Donnie Yen: The pressure was huge, and it came from a variety of angles, too. Let me share a bit of background with you. The first time I got a call to play the role of Yip Man was a couple of decades ago, but that movie never got made due to problems with the film’s backers. Years later, I was at a press conference in Beijing and got another call from a producer, saying that they’d spoken to grandmaster Yip’s family, gotten their blessing, were going to make a movie on him and wanted to cast me in the lead.
But there was already a film about Yip Man (The Grandmaster, starring Tony Leung and Zhang Ziyi) that the famous director Wong Kar-Wai was going to direct. I asked about that, but the producer said not to worry since Wong has a reputation for taking his time on projects. Even though we were going to involve the same namesake character, they would tell their story and we would tell ours.
When the public got word that we were going to do Ip Man, people in the entertainment industry started drawing lines and picking sides. Critics claimed that our director Wilson Yip wasn’t qualified to direct a project of that magnitude. At that time, I’d just finished police movies like SPL: Kill Zone and Flash Point, which had a ton of over-the-top action sequences and MMA-based fight choreography. Those movies and Special Identity were the first Hong Kong action movies to take MMA grappling techniques and communicate them in a cinematic language. So critics also said that I wasn’t suitable for the role of grandmaster Yip or to showcase wing chun cinematically.
All this even before you started shooting?
Donnie Yen: Yes. I never expected there to be so many doubters, even though I knew this to be an iconic role.
Preparing for a role like that must have been different, considering your extensive martial arts background. What was your foundational training in with your mother? Was it modern wushu?
Donnie Yen: No, it was traditional Shaolin kung fu and then tai chi, but my tai chi is a little different. My mother’s master Fu Wing-Fay had a different style, and I’ve added my own flavor to my tai chi.
Growing up in Boston, did you get to experiment with different martial arts?
Donnie Yen: When I was a kid running around Chinatown, hung gar was really big, really popular. I used to study the old Lam Sai-Wing books on hung gar with the line drawings and practice those stances and postures. But back then, I was so curious and excited to learn martial arts from any source, regardless of style. I just wanted to absorb as much as I could. I’m still that way when I see something I like.
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Did you get any formal wing chun training back then?
Donnie Yen: Unfortunately, I did not. But there was one kid that knew a little bit, and we’d skip school and train in the park together, sparring and practicing techniques on each other. Back then, I was just trying to learn moves from the different styles and systems, including taekwondo — not just Chinese martial arts.
You mentioned Bruce Lee as a source of inspiration. Did you watch other kung fu flicks?
Donnie Yen: Oh, yeah. I was a big fan of those movies as a kid. I’d see some move that I thought was cool or some character that inspired me, and I’d try to imitate them physically or philosophically.
When it came time to prep for Ip Man, I understand that you spent time with both of Yip Man’s sons.
Donnie Yen: I actually spent a lot of time studying Yip Man’s personal story in terms of his history and background, not just studying wing chun. To get as close as I could to the source, I spent time with his sons, listening to them talk about their father, their family life and their art. I even went to Futsan (Foshan, China) to see where he lived.
Were the Yip brothers your technical trainers for the movie?
Donnie Yen: I actually had a bunch of different wing chun trainers to help me learn the forms and the basic drills, like the lap sau and chee sau (sticky hands) drills. The big thing they helped me with was learning the forms. I didn’t have three years to devote to mastering wing chun, so I could only try to embody the mindset and philosophy.
So there wasn’t just one master who oversaw all your training?
Donnie Yen: No. I didn’t want to try to be a clone of any one sifu. I knew that I could never imitate grandmaster Yip Man perfectly. I could only do the role justice by offering my interpretation of his philosophy in movement. Actually, studying the old black-and-white films of grandmaster Yip was very valuable. If there was one source that I tried to draw on most, that was it.
I also tried to get a sense of Yip Man’s movement and personality from his students outside the family. I actually used social media a lot to see how the different groups interpreted wing chun. It was very interesting. It gave me a chance to see how different wing chun people expressed the system physically and strategically. From the super-traditional to the more modern and aggressive versions, I wanted to get a broader view of what direction people were taking the art. All that figured into how I moved and how I portrayed the character. Luckily, the public reacted well to it.
There seem to be some signature moves in the fight scenes throughout the Ip Man franchise.
Donnie Yen: You see a lot of the mun sau posture from Yip Man because it fits [him]. He was originally from a well-to-do family, scholarly, very reserved. Wing chun is also a physically conservative style. You’re not going to see a lot of flash or wasted movement. So making the action exciting meant that the fight scenes had to educate the audience in a way that made those more efficient movements visually appealing.
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In Ip Man 3, as in the two previous movies, there’s a strong thematic element of family. There’s a push-pull that’s evident between Yip Man and his family in which he’s pulled out of involvement in some aspects of the martial arts while being motivated to accomplish more as a martial artist because of them. Is this a bit of art imitating life with you?
Donnie Yen: Absolutely! As you can see, my wife Cecilia is here in the room with us, as she’s also my business partner, but I absolutely know how that goes. Luckily, my wife sees everything I go through. She understands me and what I need to do.
For an actor to really nail the character, he has to live through something similar to be able to call on that kind of emotion and bring it to life for the camera. If you’ve never been through something, you won’t have the same depth of experience to be able to share on-screen.
What’s smart about Wilson Yip, the director of the Ip Man movies, is that he not only understands filmmaking but he understood what kind of stages I was going through in my personal life. So he wasn’t just creating another role for me to play. He made it so that I could bring something special to the character as it was written and the character would allow me to express those aspects of myself, as well. I can’t tell you how precious that kind of work environment is in acting.
After you did Ip Man and Ip Man 2, did the wing chun world give you any special status?
Donnie Yen: Look, I come from a traditional martial arts household, so I know how it goes with status. [chuckling] I don’t care about seeking status in martial arts from my films. Like if you asked me to teach you wing chun, I’m not the guy who’s a wing chun master. There are many other people who’ve devoted their lives to learning, researching and developing wing chun. Those are the wing chun masters, not me.
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What’s important to me is that authentic, traditional martial arts were overlooked for years in favor of making more exciting action films. But now that audiences are more educated and can recognize traditional martial arts, it’s more important than ever for me to portray these arts and the personalities around them with a certain dignity that’s appropriate. The fight scenes have to convey a sense of realism, as well as communicate the principles of the styles that are portrayed.
When the movie does well and inspires people to do more with their lives, that’s the reward for me. With the Ip Man movies, it’s not about what I did for wing chun; it’s about focusing on a character that inspires people. It’s not about wing chun versus this style or that style anymore.
Last question: I heard a rumor that you were phasing out martial arts films. What’s the scoop with that?
Donnie Yen: I’m human. Sometimes we say things in the heat of the moment. For me, there have been days when my body is just tired of the beating that I put it through in a high-powered, high-intensity action flick. But at the end of the day, if I sit down and watch TV or see an action sequence on the screen and think, “Oh, come on! That’s it? I can do better than that!” then it stirs that competitive spirit. I’m an actor, but inside I’m also a fighter.
As for kung fu movies, I don’t really have as much motivation to conquer anything more, especially after doing roles from Guan Yun-Chang in The Lost Bladesman to the Ip Man franchise. But especially when it comes to contemporary fight scenes, I feel like there’s a lot of knowledge about using martial arts and cinematic techniques in harmony that I still have left to show, that I still want to show.
Dr. Mark Cheng is a Black Belt contributing editor and doctor of traditional Chinese medicine. In his free time, he teaches shuai chiao, tai chi and kettlebells.
Photos Courtesy of Well Go USA
from Black Belt» Daily » Black Belt http://www.blackbeltmag.com/daily/martial-arts-entertainment/martial-art-movies/donnie-yen-the-martial-artist-who-brought-a-wing-chun-legend-to-life-in-3-ip-man-movies/
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