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#he truly isn't human i see
iniziare · 1 year
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Muse Aesthetic / Feelings
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𝐇𝐀𝐏𝐏𝐈𝐍𝐄𝐒𝐒.  being unable to stop smiling. laughter. bear hugs. happy tears. waving arms around. dancing. contently sighing. eyes twinkling. laughter lines. childlike playfulness. skipping. talking more. affection. cracking more jokes than usual. gesturing more when talking. higher pitched voice. squealing. jumping around. clapping.
𝐒𝐀𝐃𝐍𝐄𝐒𝐒. tearing up. self-hugging. one-arm cross. an aching chest. scratchy throat. a runny nose. turning away. deep breaths. quivery smiles. crying. infantile sobbing. hands gripping each other or an object. covering mouth. puffy eyes. eyes appear red. voice breaking. a distant or empty stare. monotone voice. asking for comfort. faking a smile. crumbling. shaking. whimpering. depression. abusing an unhealthy habit (excessive training). withdrawing from others. big teary eyes. doing something even if it could hurt them.
𝐀𝐍𝐆𝐄𝐑. furrowed brows. baring teeth. passive-aggressive comments. avoiding eye contact. sarcasm. headache. sore muscles. hiding clenched fists. irritability. jumping to conclusions. raising voice. going silent. demanding immediate action. keeping it all in until exploding. body tensing. making risky decisions. middle finger.
𝐅𝐄𝐀𝐑.  wanting to flee or hide. what-ifs. images of what-could-be flashing in mind. uncontrollable trembling. rapid breathing. screaming. a skewed sense of time. irritability. keeping silent. denying fear. turning away from the cause. pretending to be brave. nail-biting. lip-biting. scratching skin. a joking tone but a voice that cracks. fainting. insomnia. panic attacks. exhaustion. substance abuse. tics. rushing adrenaline. face draining of colour. hair lifting on the back of the neck. feeling rooted to the spot (!!!) making body as small as possible. staring but not seeing. crying. a shrill voice. whispering. gripping something or someone. stuttering. flinching at noises. pleading.
𝐄𝐗𝐇𝐀𝐔𝐒𝐓𝐈𝐎𝐍.  constantly yawning. blurring words together. dark circles or lines under eyes. mood swings. hallucinations. calling people by the wrong name. dizziness. denying they’re tired. slow blinking. trouble concentrating. stumbling. leaning on a doorframe for support. sluggish movements. falling asleep someplace that isn’t a bed. becoming irritated by the smallest things. “i’m awake, i’m fine.” shaking so bad they spill their drink. fall asleep in their clothes. lay their head on the table because they’re so tired.passing out.
Tagged by: @militus an age and a half ago 🤍 Thank you, I had fun! Tagging: /cracks knuckles. @sicsemper (Gee, I wonder who), @rcdfcxr (initially I wanted to request just Rufus, but I'm really interested in Reno as well, so both!), @inventorem (@aworldofyou because I don't know if you'll see this otherwise), @svnsworn (Jessie), @blitzrod, @tscng, @sentmail (I'm on the 'Lemme learn about Kunsel' train, shh), @lionfated (I've been missing Leon, pretty please), @annjiru (I also am on the Angael train still), @cwarscars (I need you to envision me as a koala very dramatically clinging to your leg), @spynorth (if you tell me you've done it already Lucas, it doesn't matter, do it again and again!), @trickstercaptain, @freedomhasfangs, @lighthouseborn (I can never have enough Henry Turner in my life, ever), @weaponiised, but also— @liifestreams (please give me Reeve, the novel is killing me slowly and he killed me a little). And anyone else? Steal it, I'm sure I've forgotten people and it's nothing personal whatsoever!
#[ tifa lockhart. ] she had buried the twinges of guilt beneath the narcissism of self-sacrifice. beneath the belief of 'the greater good'.#[ tifa lockhart / et cetera. ] but i work for shinra. i'm the enemy. / i don't care. i don't want anyone to die. please!#[ tifa lockhart / meta. ] people have many things pent up inside of themselves. so many things they can never forget. strange isn't it?#[ it has been years and i still never can decide what to 'file' this stuff under. probably just a me problem. ]#[ it's not quite meta because i didn't write it-- it's also not 'relevance' because-- well. not using it for this. ]#[ any way-- this was /very/ fun actually. and i sat here in contemplation for a few of them. ]#[ this actually puts into perspective; again; why i love the nuance of animation that remake gives tifa. ]#[ the voice and animation definitely added to just about anyone; i always want to point out how much of tifa is in the subtleties. ]#[ the clenched fists-- the self-hugging. the doubt that lingers within regardless of anger. and how it's shown even in little gestures. ]#[ like when she suggests going out on the town with cloud and he questions her for half a moment-- she folds back in on herself. ]#[ same thing with the train for example-- literally rooted in place. and it's not taking away from the bravery she holds on many levels. ]#[ it's the nuance of bravery-- that it isn't black or white. you can have doubt and i think the remake did a chef's kiss job with that. ]#[ because we're so immensely layers as human beings-- so it's incredible to me to see a game reflect on that so heavily. ]#[ that game is incredibly human. it's an incredibly good depiction of human nature and reactions. ]#[ and god-- the VAs add to that magnificently. truly. ]#[ i literally cannot praise britt enough. she was so nervous and she aced it. they all did. ]#[ god; all i can think about (especially) is the 'what-ifs'-- literally. doubt. /doubt/. and that is what makes her so good. so real. ]#[ i'm gonna ramble a little more; excuse me-- can we talk about how realistic that is? no one who's brave won't doubt their actions. ]#[ tifa has lost everything to shinra-- sephiroth is shinra 'gone wrong'. she lost everything at his hands and no one could stop him. ]#[ not even shinra itself and that's very important. there's so much anger there that drives her to do selfish things. ]#[ and i note selfish because on the way to a smile has touched on this magnificently as i'd hoped it would. ]#[ she wants them to pay-- she wants her revenge. but she; arguably more than anyone; is aware of what that costs. ]#[ if avalanche goes through with this-- and she helps-- AND SHE DOES. she is responsible for people losing... ]#[ what she once lost. ]#[ and that is /so important/ to her character. before that happens; she is riddled with doubt. before she boards the train-- ]#[ when she's boarded the train and needs to jump off. that moment is /the/ moment where she makes a huge decision. ]#[ because look at how she is once she's jumped off. that entire chapter. she's relatively certain. she's going through with it. ]#[ no way back. ]#[ and then the plate falls not long after. /and then the plate is dropped/. yep. ]#[ ... i'm about to hit tag limit; don't worry-- i'll type about this soon. it's in my onenote! ]
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heirbane · 3 months
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Like I earnestly believe that for all he's known for, gaius DID look at the black rose project and put his foot down and did his best to make it impossible to proceed. Even earlier on, before Werlyt, we were seeing glimpses of the cracks in how far he was willing to go for Garlemald. How is that overlooked? How do people see that and blanket him as a bad person? Like, he IS - but there's hope there.
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karinyosa · 11 months
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i was going to capitalize jesus' and god's pronouns throughout the essay as a visual demonstration of the way some of the stories juxtapose christian divinity with other things so there's something reinforcing the discussion other than dense repetitive text, but the thing is. jcs jesus is not a He/Him. that's a he/him. am i wrong??? i feel like that's the whole point. so now i am going to add some kind of note somewhere to clarify why and when i address him as which. so basically i am making jesus a pronoun carrd
#i think that like you could argue that jcs jesus' divinity comes from being a pop culture/religious icon rather than god or like his soul#but like jesus is not god in jcs#god is almost as much a mystery to jesus as all the other apostles#whereas the other works that do use jesus as a vessel for christian divinity blur the line between himself and god much more#jcs jesus isn't even that omniscient he doesn't even know he's going to resurrect. and he DOESNT resurrect#i feel like the whole idea is that they are all victims of the divine/the process of becoming icons#once they die they are truly dead which is why jesus doesn't come back#he IS dead. the MAN is dead and replaced by the neon led cross and the classical paintings#and judas is killed in the name of constructing a larger than life traitor figure#to me.#anyway the point is jesus theoretically BECOMES a He/Him after jcs has ended#but only because jesus the man has died. to become that kind of icon you must revoke your humanity#i dont even go into this that much in the essay because it's not about jcs it's about judas' function as a motif in various Medias i like#but i touch on the themes of jcs and He/Himming jesus in that section would confuse that discussion . i think#like last days jesus is definitely divine. you see why He/Himming would add something there yes??? jcs has a diff relationship w the divine#college tag#judas essay#THE COLLEGE EXPERIENCE??#me.txt#god i dont even know if i want people to see this i just had to let someone know#another essay in the tags
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foxstens · 1 day
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kevin day deserves more love
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severepink · 3 months
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Observing Adam
Where I go way too deep into something that probably isn't that deep. It's long, it's long as hell.
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Okay, so you'd think with how Adam talks he's just a typical misogynist, right?
This man worships pussy. So much so, he's named a whole ass angel, one of his best, Vagina. You'd say that he objectifies them and thinks of them as being lesser, but I don't think that's the whole story. In fact, I think he might be the original simp.
All of these exorcists so far have been women. All of them. He refers to them as ladies or bitches interchangeably, he sees them as being completely capable of absolutely decimating leagues of some of the most vile beings who have ever existed, and they have, to the point it was only after thousands of years that there's been a risk to this hierarchy.
He's a self-centered, egotistical, loud-mouthed, arrogant asshole, no doubt about it, but I'm beginning to suspect something now.
If Adam and Lilith were created from the same dust, if they were created as equals, I am more than willing to bet... Lilith is also a self-centered, egotistical, arrogant asshole. But, she's likely far more intelligent, composed, and duplicitous.
Lilith was allowed to refuse Adam and leave of her own free will and garnered her own independence. A new wife was created for Adam, she was replaced. My guess, is she thought Adam wouldn't be able to live without her, to come back and find herself replaced entirely, she was enraged.
I believe both Adam and Lilith were both incredibly dominant individuals who fought over ideas, thoughts, and ultimately in the bedroom as well, if we take into account the creationist stories.
I'm willing to bet she likely manipulated Lucifer into twisting humanity against its original concept. What if Lucifer's intention truly was to just spark something within Eve, like independence and thought and creation, but it was Lilith's poison within the fruit that tainted her, then subsequently Adam, with sin.
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Lilith thrived in hell, while Lucifer's dreams of creation were dashed. She didn't suffer as he did, instead the power of her voice grew with hell. Her voice grew so powerful that heaven found it to be a threat, her actions instigated the beginning of exterminations.
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Charlie said that when she was a little girl, she didn't know Lucifer at all. I don't think this was because of Lucifer, he's seen here, picking her up, inviting her to share in his thoughts and dreams, showing her something wonderful. Something she could see within herself.
Charlie says that it's this moment that sparked her will to fight for her dreams. Which is strange, because at the very beginning of the story, Charlie says it was her mother's dream that was passed down to her.
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Lilith took Charlie away. In this scene, Lucifer wasn't done showing Charlie his thoughts and dreams, he's still yearning to show his daughter these things at this point.
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Lucifer loves his daughter. He loves Charlie so, so, so much. So why wasn't he allowed to build a relationship with his daughter for the longest time? He was waiting for the opportunity to get to know her, but with how much he adores her why didn't he do it sooner? He didn't comment on 'It took you a while-' he just said he missed her smile. They don't want to be pulled apart, again.
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Now, we know Vivziepop has said that Lucifer and Lilith love each other, but Lilith 'wears the pants' in the relationship. We see all of the pictures all over the walls of a supposedly happy family. I don't think the relationship was as loving as originally portrayed and Lilith is a woman who desires control above all else. She likely tried to mitigate what influence Lucifer had over their daughter when she thought his angelic thoughts and behaviors became more than what she approved of.
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Lets take it back to Adam and Lute for a moment. Again, Adam is a loud mouthed idiot, he's a jerk. The moment he realizes there are demons in heaven, he's ready to go on the attack. It's only because of Lute that he didn't end up doing something absolutely idiotic.
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I gotta say, Lute and Adam's relationship is an absolutely fascinating one. He's a disrespectful dick head in how he talks, but how he acts is a different story. He allows Lute to man-handle him. He does listen to her, even if he's a whiny bitch about it.
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Look at him, this is the face of a man listening, a dumb one, but a dude listening all the same. He doesn't manhandle her back, he doesn't even pull away until she lets go of his collar. Of all the shit he complained about, between being grabbed and being told what to do, his biggest complaint is that she's telling him to shush.
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We know that Adam is the one who suggested the exterminations to begin with, so Sera says, and this was because of the power that Lilith was amassing. To him, Lilith is a threat. Even when he was willing to move on, to go to another wife when Lilith didn't want him or want to submit to him (fair babe, he's a bit of an idiot), she came back with an angel and proceeded to manipulate his new wife Eve. This is the supposed progenitor of man-kind, the original dick (hilariously enough), the reason civilization even exists at all. He and Eve had to fight for their lives after being tempted with the fruit. They had immortality, they had no ideas of shame, they were supposedly 'innocent' creatures before Lilith and Lucifer came along. He and Eve had to fight tooth and nail to survive after being cast from Eden. I think it shows in how willing and ready he is to take lead and do what he believes needs to be done, now out of a need for entertainment rather than a need to defend or protect. But, he still stopped to listen to Lute's advice. In the mythological story of Adam and Eve, Adam is the one who has to tell Eve that god said don't eat the fruit. Eve never heard god speak to her, so she was vulnerable to the snake's manipulations. She will now die because she ate it, and because she did not want Adam to take another wife, convinced him to eat it unknowingly. Funnily enough, Adam tried to explain to god that 'she lied to me and gave me the fruit' and in this actual mythology, Adam was punished for listening to his wife. Even without mentioning Lilith in the original mythology, Eve didn't want Adam to take another wife, so when we consider it within the context of Hazbin Hotel, it may be likely that's how it went down. Eve knew of Lilith, knew that she could be replaced, and decided that she would take Adam with her.
I believe that Adam does and did rely on the women in his life to help him with direction. I think Adam knows he can be an idiot and is willing to listen, even if he doesn't agree with what he's hearing. He did listen to Charlie in the beginning, he just didn't believe in her, like everyone else and he, out of anyone there, probably had the most reason not to. Cain and Abel were his and Eve's sons, his own child became the first murderer. Out of jealousy, the same kind of jealousy that no doubt has caused Lilith to act how she did. Adam isn't going to have empathy for sinners. His family, his legacy, were filled with the original sinners. He probably had to kill his son Cain in hell during the first exterminations. What do you think he would have had to feel, if it came to be a fact that sinners could be redeemed? That maybe his son, could've been redeemed? Or any of his progeny for that matter? How did it feel when his sons, his progeny, weren't given the same mercy as the Hellborn that Lucifer managed to keep protected through some deal with the angels or god? Not to mention that Charlie could've been his daughter. Charlie is the product of the people who completely and totally destroyed the paradise he'd been born into. She's the daughter who is protected and immune from the slaughter while all of his sons and daughters are judged and killed. I believe, even though he was a dickish prankster to Charlie, he was surprisingly patient and even somewhat amicable, willing to even ask her how her weekend was like he was just trying to get to know her.
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Adam could just see all of the angels under his employ as being disposable. He doesn't have to name them, or think about them in any individual fashion. But, he knows Vaggie, recognized her instantly. Thought she was badass. Lute's the one who saw her, tore her wings off, and walked away. I'm surprised they even let her live, because this just goes against everything they're doing. They're an army and they saw one of their own showing empathy to the enemy.
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Look at this dumb ass. He's being a shit-head, a dick, a bastard. But, he admires Vaggie's ability to pull Charlie, congratulates her, this dude isn't even judging her for being a lesbian. I don't think it's because he objectifies women, this dude loves women, he just does. He respects fellow vagina lovers. I don't think he respects liars in the slightest though. He's being underhanded, he's trying to be manipulative (he's not very good at it). I think he's brutally open and honest about everything and that's probably one of the reasons he's such a bastard anyways, because sometimes you just need to shut-up and he's not good at that.
I don't think he respects Sera for that either, he's more than willing to let others know what the hell he's doing, but under Sera's lead, he can't be open about it. I don't think it's his jam to act this way, it's why he sucks so bad at it and I think that's why Lilith is so antithetical to him. I also think that's why he's possibly even being manipulated.
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It's kind of crazy that Adam is the only one who tries to come up with what allows someone to get into heaven. So here's his list: 1. Act Selfless: Maybe at one point he was! He had to have been, to be one of the progenitors of mankind, he would have had to work, sacrifice, and give to his wife and children for them all to survive. Eve would have had to do the same, no doubt. He may not seem selfless, due to his raunchy behavior, but he's served heaven since he's been there. He's served humanity in some kind of facet. 2. Don't Steal: Considering the only other humans are his spawn, he likely had to try and get them to not steal from one another for them all to have an equal opportunity of survival. He and Eve likely both knew they would need to work together to survive.
3. Stick it to the man: This, however, is interesting. Who is 'The Man' he speaks of? God? The only other people over him or were equal to him were women. He speaks like a rocker, and I think in this case he's using the term 'The Man' in a gender neutral way. I think he allowed some amount of Authority to Lilith when they were supposed to be seen as equals, it comes so naturally to him as a character when it comes to the other women he's been interacting with. I think she is the 'man' that he's been sticking it to- Pun somewhat intended. ((This third one may also simply be a tongue in cheek reference to when Alex Brightman played Dewey in School of Rock on Broadway! Thank you to the user who brought this to my attention!))
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Adam is a bit of a hypocrite, isn't he? He likes to fuck, he's made that abundantly clear. Full of lust you could say. It was his original purpose after all, and he is judging Angel Dust for something he probably would've done himself at one point or has considered doing (maybe not the having sex with men part). Angel Dust does all of these things, Adam doesn't even deny it. He even looks nervous. He's angry, but doesn't deny that Angel has done those things. He doesn't explain it away or try to lie or move the goal posts, he's just asking what is an actually very valid question.
Why isn't Angel Dust there if he can do things equal to what Adam himself hasn't done? Serenity continues that line of thought. It isn't until Charlie is realizing no one knows what it takes to get into heaven.
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Adam is more than willing to let Lute take the lead here, he's willing to give her the stage to clap back, he's giving her back-up antics. By all means, they could be pushing and fighting one another, there could easily be body language expressing something other than their general comfort around one another. They aren't fighting for a spotlight like you'd expect Adam to try and do considering his egotistical attitude.
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Adam fucking sucks at keeping his mouth shut and he sucks at lying. He nearly blew the secret out of the bag once, this time, Sera is the only one who tries to stop him and to be honest? Lute looks a bit too thrilled at it. He knows he fucked up, but he doesn't think it's a big deal that anyone would know. For fucks sake, they've already condemned souls, his progeny, to suffer. What's the big deal if he kills them?
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I have to re-iterate what's happening here. Charlie is proud she caused this chaos, that she caused these angels to fight amongst themselves, even if in this case it's a good thing. But, this is like history repeating itself to Adam, the reflection of his ex-wife, entering his domain, causing strife among his people, being happy about it.
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And the venom he expresses when it comes to the 'liar' portion, god Alex Brightman destroyed when he got to this portion specifically. There is some vehement disgust in his tone when he says liar.
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Adam isn't a good person now. But, I think he used to be a good person. By all means, Adam himself could've been the first murderer when his wife made her mistake. He, at one point in time, had to have been good enough to foster civilization itself with Eve. Both good and bad. Adam's original purpose was to be fruitful and multiply. Ordained by god (or maybe just angels) himself, divine power directed and created him to fuck. He didn't chase his ex-wife down, he was given a new one, Lilith was allowed to leave. When he left things alone, when he tried to move on, his ex-wife and a scorned angel destroyed the paradise he was in with Eve. He had to struggle and toil, he had to feel shame in his own body. He had to find out his first born son was the first murderer. His second son killed. We don't know if this is going to be canon in the story, a lot has changed, and if Adam is the first soul who reached heaven, then what did happen to Abel? Was Abel considered a sinner? Or did Cain kill Abel after Adam had passed? Either way, he had to witness his children kill, he had to watch his descendants behave in a range from saints and monsters. He's seen genocides, he's seen famine, war. Adam is desensitized to the plights of his descendants. Maybe he even saw it as a duty to cleanse the universe of their existence at one point, because they were his responsibility.
At the end of this episode, he is properly scolded by Sera and does seem ashamed of himself. He isn't huffy, he is reminded that he should be ashamed of acting that way.
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I love Lute's enthusiasm, she's absolutely brutal when talking about Vaggie and with how she handled Vaggie. I think it's funny that Lute is so brutal she's even made Adam uncomfortable. It's cute that he's made uncomfortable by the excitement and all he does is tell Lute, the premier hype woman over here, to chill. She's so proud of herself too, look at her.
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He fully expects these exorcist bad bitches to go in there and fuck shit up. But, you know it's hilarious that he's throwing horns? This dude, this angel. First human soul in heaven, loving rock n' roll, the devil's music, and throwing motherfucking horns. It's poetic really. I think we can probably assume where things are going.
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Now, this is the first point we've seen Adam being a real piece of shit to Lute. I don't think Adam likes it when people think he's too dumb to notice something, especially something so damn obvious. This is such a drastic moment of vitriolic, uncontrolled anger directed towards Lute. Adam knows he isn't the brightest tool in the shed. He likely knows he's obtuse and misses shit. It's why he sucks at lying, he knows he's not smart. That is why I think he's afforded women opportunities to direct him without fighting back against their advice and their choices. I'm sure Lilith made it obvious how dumb she thinks Adam is. I'm wondering if this might be where their ground breaking fight might've come from. Who's to say he didn't allow Lilith to take the lead, or listen to her like he's done with Lute here and now? Perhaps to an even greater point? He listened to Eve and ate from the fruit of knowledge and he was punished for it. Being seen as so dumb he can't formulate a simple fact is a sore spot for him.
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Adam is incredibly powerful. It took a bit out of him to exercise that power, probably because he's out of practice just like Lucifer said. At one point, he probably wasn't so sloppy and weak willed. He's gotten lazy. Sloth like.
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I think it got real personal here. How viscerally and personally he attacked Charlie. No one but Charlie truly thought sinners could be redeemed, or that they were even worth it. Not even one of the original sinners. Maybe he never considered the possibility, maybe what happened really did make him see the world as black and white to cope with that happened to him, his wife, his children. Charlie's desire to fight this idea would destroy the foundation for all of his coping through the years. He stopped seeing them as family, even though he's grandiose about his founding role in humanity. Does that itch the guilt that may lurk under the surface?
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I don't think Adam thought much of Charlie at all. I don't think he had any intention of coming to kill her in the beginning, despite seeing her, despite who her parents were. But, I think with the constant push, with how eager she was to disrupt the pre-conceived idea of order, it reminded Adam and reflected her parents so much, he was eager to kill her for revenge against them. I think this electrical interference on the mask is a direct reflection of sin. Namely, wrath, in this moment.
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Now, this. THIS. Is something that made me want to write this whole fucking essay. Is Lucifer implying that he not only gave Eve the Fruit from the tree of knowledge, but FUCKED HER TOO? Homies, I'm sorry but holy shit. That is some hydrating tea. I'd be pretty pissed too, fucked over twice by women who were supposed to be literal soul mates, who you were made for, who were made for you?
I knew he would have a goatee, I could almost hear it. I gotta say, I'm a sucker for how he looks. I think he's hot. He is a bastard, but so are a lot of the hot dudes in this show. It's just a theme.
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This exact series of lines prompted so many of the thoughts that I had about Adam and why he thinks or acts the way he does. At one point, Adam did have to work himself to the bone and learn to survive from scratch alongside Eve. He isn't entirely without cause to not think that he deserves some respect or recognition from his descendants.
But, that doesn't give him the right to act like god himself. It's... well... Blasphemous. Isn't it? One of the worst sins is to think yourself to be worthy of worship, as if you're a god.
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This is the moment that gave me empathy for them both. You could probably see the kind of loving person Adam could have been at one point with how he looks at Lute, even as he's laying there, dying. He's not crying like a bitch, just looking at Lute softly. Lute screaming for him, screaming his name. They cared for each other deeply.
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And this... and this.... and this. WHAT DEAL DID YOU MAKE, LILITH? Did you make it with Sera? Did you make it with Adam? Did you make it with Lute? Did you really just want a little 'vacay' away from the hell you helped create? Left her husband, depressed and lonely. Left her daughter without any care or guidance. Maybe Alastor was sent in her place, perhaps? Seven years since he was seen after all, but why wouldn't he show up sooner if Lilith did care? Did she make a deal with Lute and Adam? Did she let Adam smash it so she could stay in heaven? Did Lute let her stay in exchange for getting Adam out of a position of power? Or was it maybe Sera who commissioned Lilith with a deal? Either way, I'm in full belief that it wasn't Adam's idea to move the extermination day up. I think he's a patsy, a scapegoat. I think Lute may have been manipulated, potentially, into manipulating Adam into this position. Was it even really Adam who came up with the idea to do the exterminations? Or was he the one who simply decided to fight originally because he was told heaven was at risk due to Lilith's rising power? The Road to Hell is Paved with Good Intentions. I think it could be any number of these. Either way, Lute certainly does think she had authority over Lilith. Is it Lute just having hubris? Or is Lilith truly bound, just like Alastor, Husk, and Angel Dust?
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Of course, now that we know a soul can be redeemed... and we certainly know that angels can fall. I don't think this will be the last we see of Adam.
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ozzgin · 1 month
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More of the yandere monster???? Like their married life, him being such a cutie cutie and the reader is a willing person to his yandere tendencies. Like him physically fighting someone for flirting with her for .01 second and her just being 😍🥰
Alright anon, seeing as this has once again resurfaced, I'll cover a little bit of marital life as per your suggestion. (I'm hoping you're referring to the older sibling monster)
Yandere! Monster Husband x Reader
A little change of plans and the wedding you've been kidnapped for continued without a hitch, except you married the monstrous sibling instead. Made for an awkward celebratory dinner, but no one dared to oppose the Beast.
Content: female reader, monster romance, mildly NSFW, saga of the monster hoe reader continues
[First part]
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The next family dinner was quiet. You couldn't help but wonder if your horniness had gone too far, slowly chewing your food and occasionally peeking at the ex-groom with remorseful eyes. Poor guy, you thought. "Well, it's quite convenient, isn't it?" he finally said, breaking the silence. The cutlery sounds paused, and you lifted your gaze again. The man flashed you a radiant smile, which emphasized his handsome features even more. "I mean, we weren't sure we'd ever find a wife for my brother. He has a bit of an attitude, and even monsters are afraid of him. The only marriage attempt-" his speech was interrupted by a grunt, and you turned towards your monstrous boyfriend. The older sibling was frowning, visibly embarrassed. "Oh, I remember!" the mother of the siblings, a halfling herself, suddenly chuckled into her glass, taking a generous sip before continuing: "We'd arranged for a fellow monster to meet him, and the poor soul got so frightened she blended in with the background! Took us two days to find her! She came from a chameleon family, I recall."
Everyone at the table began to laugh and you joined, although with a mild annoyance tinged into your voice. So what, there was no reason for you to be plagued by guilt? You even refused a night escapade with your boyfriend until things "settled", as a way to be respectful towards the cucked party. All for naught. At least now you could be ravaged without further consequences. When the mother in law had pulled you aside hours earlier to make sure you weren't coerced into this arrangement, you had to hold back from crassly confessing you'd slurp her son empty of fluids at any hour of the day. Some things are better left untold.
Unfortunately, one detail couldn't be changed in time: the guest list. As this had been an event meant to strengthen the ties between humans, no one outside of the immediate family graced the venue with their monstrous presence. Many guests were intrigued by the outcome of the affair, terribly curious to see the famed wife-to-be of the gruesome, feared Head of the royal army. Even more so once they discovered it was a regular human by all means. "Fascinating!", the old ladies would occasionally cry out, clutching the plump, expensive pearls adorning their necks. You had to frequently excuse yourself in order to dodge the rather indecent questions regarding your relationship. Except when you did manage to sneak away, one of the younger men of names and titles you never registered would approach you for a dance. "Truly a pitiful matter", they'd whisper much too close to your ear. "You would've made a lovely bride for a fellow human."
"You're unexpectedly calm about this", the prince mentioned to his older brother at some point during the wedding night. "Are you not bothered by all the acquaintances flocking to your bride?" The monster shook his head with a sigh. He hadn't known you for that long yet, but one thing he was certain of: it's not humans he needed to fear.
Indeed, having a wife with a monster kink is particularly challenging when most of the husband's work involves similar creatures. The first months after the marriage were stalked by the insidious doubt that his luck was just that: mere coincidence. Would you have displayed the same interest had he not been the only beast at the table? Would you still pick him in a room full of monsters? Such questions followed him each day, feeding into an ever-growing jealousy.
"What are you doing here!", he exclaimed in despair once he noticed your arrival at his training camp. "You forgot your lunch", you explained, eyebrows raised in confusion. Oh, for fuck's sake. He quickly pulled you away, glaring at the subordinates startled by the commotion. They must've been eyeing (Y/N) like rabid dogs, he thought. Next thing you know, you'll be scooped away by some horned scoundrel. He can't have that.
Initially, the rage-filled, obsession-driven fuck you'd receive almost daily was welcomed with shameless begging. The way your monster husband would pin you down under his claws and thrust into you so hard, you could see its movement in waves across your stomach. The way he'd forcefully spread your legs, hungrily sinking his nails into the soft flesh of your thighs and gnawing your shoulders in delirious need. The tears that sheepishly formed in the corners of your hooded eyes would only incite him more. "Bite onto my hand if you can't take it anymore", he'd coo without stopping. As much as you liked to be left a limp, drooling mess, the soreness grew unbearable. Enough was enough when you found yourself carrying a cushion to sit down on any surface.
"Listen, we need to have a talk." You greeted him solemnly once he returned from his military duties. Oh, no. Absolutely not. The monstrous husband bit his lips in panic, immediately going through a mental list of all his subordinates. Or was it someone in the family that slithered their way into your heart? Is that what it was about, that you'd found a different creature? No matter, you weren't going anywhere. "I don't want to hear about it", he declared dramatically. "I have a bruised cervix!" you shouted in disbelief. "Huh?" He stared at you. "It hurts even when I lay down, man. You have to tone it down. At least for a little while."
Ah. Awkward. You noticed his flinch, and patted the empty seat next to you. "What did you think I was going to say?" The bench groaned under the weight of his gargantuan body. Hands folded in his lap like a punished schoolboy, your husband began to narrate the tale of his seething envy and frenzied passion for you. You must understand, he's never cared for anyone as much. To hell with duty and honor, he would kill his own father if his touch on you lingered one second longer than permitted. "Alright, but you must control yourself a little", you reminded him gently. "Never, my urge to obliterate any threat in my path is insatiable", he concluded with vehemence. "Yes, yes, that I understand. The sex, I mean", you gesticulated. "Of course. My apologies, I got sidetracked."
Somehow, he didn't expect to leave this conversation with a cathartic approval of his possessiveness. "Surely you must be upset by my fanatical behavior", he suggested meekly. "Oh no, it's part of your charm", you reassured him with a smile. "It's just not that sustainable in bed without the occasional break." You pat your stomach to express your misfortune.
Sadly, your monster fucking dreams must adhere to the laws of biology.
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roeverthemoon · 1 year
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#i'm sad; one i love does not have the awareness to know they maim my memories with free-spoken thought that etches its darkness into my mind#roe post;#family trauma#one meant to love me maimed my mind similarly; purposefully. i find the love he should have given me within myself.#i am… soft in the heart. for the one who doesn't mean harm; whom of which wouldn't want to see me anguish over these memories.#i am yet alone in my own memories and my own comscious being#i must find a way to dissuade my mind from settling on these morbid thoughts; they do not serve me#nor do they serve anybody in my vicinity. i am trying. i don't want to feel despair. truly.#i must learn when to- politely- tell another: I am not comfortable.#i do think i've been getting better with my boundaries. ah. i guess it isn't the present that gets to me; rather the past that escapes me#it is the anxiety i need to master. the worries the same that happened to them will happen to me.#i hold such an ability that allows me to get into another's feelings; too much empathy; i also possess a changing empathy issue; it is ASD.#or so i believe it to be. alas. this ability consumes me at times; like a curse. i cannot escape others' dark frames of mind.#as if it is trying to tell me something. as if it is a survival instinct. maybe. but there is no epiphany to come of such misery. only dread#dread steals the lovely parts of my humanity more than anything.#i resolve: i will banish thoughts of dread with the gratefulness of living. that is all there is to do; dread cannot help me.#the joy of life is not about preventing the harshness of reality from crushing me; it is cherishing what graces me.#i will be resilient. i *am* resilient. this is just a new way of healing- of being. i am more than ready to embrace it. i am tired of fear.
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yawnderu · 3 months
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Monster fucking, tentacles, non-con/rape, mind break, unrealistic sex (womb fucking), breeding, oviposition.
Monster!König is a patient man. He'd wait a century for you if it's necessary, yet much to his excitement, it only took a year for you to trust him enough to get into the water with him.
He was barely able to contain his excitement, tentacles aching to touch you as he watched you slowly get into the water, weary eyes looking at him while he fought the urge to pull you inside.
''I don't bite, prinzessin.'' He lifts his hands as a display of submission, showing you he's not going to harm you— and truly, he's not planning to harm you. He knows you want this as much as he does, always noticing your eyes linger on his tentacles. Surely it wasn't because he's a freak and you were still weirded out by him, no, that couldn't be. You're absolutely in love with him, he's sure of it.
You swim slowly towards him, looking back at the shore and almost regretting your life decisions as soon as you notice his eyes narrow, not wanting you to leave.
''Come closer.'' He pleads, not able to hide the longing and whine in his tone, trying his best not to show how much his body is quivering with pure need for you. You sigh softly, hesitantly swimming closer and closer until you're right in front of him, moving your legs around the water to keep floating.
You never noticed the size of him until he fully stands up, his feet planted firmly on the ground while you crane your neck up to look up at him, mouth slightly ajar as the feeling of dread courses through your veins, fight or flight triggered when you see the predatory look in his eyes.
His instincts get triggered the moment you try to swim away, thick tentacles wrapping around your body and keeping you in place even when you scream and kick, unable to do anything else other than thrash in his hold.
As much as he loves it, your screaming is making his ears hurt. One of his tentacles sneaks up, tracing your soft body slowly before it's plunged into your mouth, successfully pacifying you.
''Quiet.'' He hisses, not even noticing the warm tears running down your cheeks as you struggle to fit his thick tentacle into your mouth, saliva dripping down the corners of your pretty lips. His hands find place in the curve of your hips, keeping you in place while his bare cock rubs up and down your back, too excited to even think about your clothes until the rough material of your jeans hits his sensitive tip.
''Scheiße.'' He complains with a small grunt, strong tentacles already working on ripping the clothes off of your much smaller body, finally able to feel your bare skin. So soft, he realizes. Much softer than the rough skin of his hands holding you in place as his tentacles keep your legs open, some sneaking up to get a good feel at your tits as his cock starts rubbing up and down your folds, not bothering to prepare you before he's forcefully sinking into you.
König has no idea on how the human body works. He's wondering why you're screaming in pain, struggling as much as you can against his tentacles, yet still feeling so tight around his cock. Shouldn't this feel good for you? He's seen humans have sex, this is where you should be moaning and enjoying yourself, isn't it? He's utterly confused, yet he starts fucking into you faster, forcefully stretching you until you're able to take half of his meaty cock inside you.
''That's it— you're doing good, baby.'' He coos, the sweet words leaving his lips not matching his actions at all as he starts being more forceful, wanting to shove every single inch of his cock inside you while being stopped by your cervix.
It's not his fault he's a filthy virgin, is it? He just wants to make you feel good like you deserve, a reward for being such a brave girl and getting into the water with him. His tentacles move on their own, slowly teasing your puckered hole before forcefully going inside, giving you time to adjust to the double penetration before they're slipping in and out of you, their own lubrication helping ease into you.
He grunts from behind you as he struggles to make you take him deeper, your cunt slowly lubricating to minimize the damage being done by the intruder— yet to you, it's betraying you. A muffled scream comes out of your lips when you feel his cock break you from within, managing to invade your fertile womb, finally able to stuff you with all 10 inches of veiny, thick meat.
His tentacles move deeper down your throat, the suckers sticking in your throat and letting go with painful, loud pops, trying to reach as deep inside you as possible despite your gags attempting to push them back. The tentacle in your ass is smaller, yet just as needy, moving in and out of your tight, puckered hole.
“Gonna make you have my babies.” He whispers into your ear, a small whimper escaping his lips when he feels you tightening up around his hard cock, a dreadful pit in your stomach as he starts to fuck into you harder, more brutally, driven purely by the primal need to breed.
He stuffs your tight cunt full, the angry red tip of his cock slamming harder and harder into your womb, keeping it open for him before his arms tighten around your body, emptying his balls right into your fertile, needy cervix. You can feel the tiny embryos within you, thousands of eggs stretching you open and inflating your tummy. Your body betrays you as you can feel him thrusting into you, making sure every single egg stays within you, your cunt tightening up around him as he forces an orgasm out of you.
He slowly pulls out of you, making his tentacles slowly come out of your tired, fucked-out body, one of them cupping your wet cunt to make sure his eggs stay inside you.
You'll be the pretty mother of his unnatural abominations, and he knows you'll come around eventually, wrapping his tentacles around your tired body and dragging you deeper into the water, about to take you to your new forever home, a cave big enough to keep you safe and entertained under his obsessed eyes.
He's not entirely bad— he gathered cute and shiny things for you, building you a small nest so you can sleep peacefully. That makes up for all of it, doesn't it?
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yoakesan · 6 months
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Hear me out: I'm sure seeing Durge covered in blood head to toe & sometime treating them as his attack dog does something to Gortash's loins, but above all, I think Durge and Gortash fell in love with each other because of how brilliant they were.
We know Durge needed a butler 24/7 because they had a tendency to disobey, and that Gortash made them stray from "virtue" even more. In their letters, they repeatedly say that they admire Gortash's genius.
On the other hand, Gortash flatters Durge by telling them they're lethal and fearsome, but above all he insists on how smart their plan was; how efficient they were together; and he says that what he disliked the most about Orin was her inability to control herself.
Also, if Durge refuses Bhaal, Gortash is surprised and appears cautious at first, but in the end he reassures them saying that now they're free and he will never treat them as a servant. They were chosen by gods, they were supposed to raise above humanity — but Gortash doesn't care, he just wants Durge by his side.
So, *lets out an enamored sigh*, I think Gortash was starting to see who Durge truly was, and he was drawn to that person, not simply to the murderous mess that Bhaal made them. Of course, ambition and disdain for the weak were still a big part of their relationship, but it breaks me a little to imagine Durge surrounded by their companions, recognising Gortash post-tadpole, and thinking: Gods, isn't he the first person who saw me?
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yandere-romanticaa · 2 months
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An idea that I really like is Ratio falling for someone who is his complete and total opposite in every way imaginable.
He is the kind of person that operates on pure cold logic and facts. He believes in what he sees in front of him with his own two eyes and yes, while it may be fascinating, perhaps even a little entertaining, to philosophize about various unimaginable concepts they are all indeed just that.
Concepts. Ideas. Things made up from the bottom of the bored human psyche.
Veritas Ratio is a man who is able to grasp many, dare he say, possibly every concept he has ever encountered. He loves a challenge but hardly anything is challenging to him because he is such a genius. He devours books that are over a thousand pages long, the most complicated equations of any science are finished by his hand with such ease that many people might mistake him for a machine rather than a man of flesh and blood.
That's what makes it so fun to see him fall for an airhead. A person who probably doesn't care, or doesn't have the mental capacity to care about such things. This person would rather spend their days dallying away, picking flowers, baking, just doing things that are so mundane and plain (to him). If they do decide to read, it is some trashy romance model, maybe even just straight up written porn if they're just that shameless.
And this is the person who has Ratio grabbing his head in frustration.
He's shaking with anger in his room, golden eyes wobbly as he watches you walk up and down the space ship. You got lost, again. How much of an imbecile are you? Do you truly need someone to guide you through everything? With a huff, the scientist grabs his head made of plaster and makes his exist. He puts the mask on and in no time finds you, all lost in the hallways. You hear his upcoming footsteps before you see him and once you turn around, you are greeted with that bizarre mask you've grown so accustomed to.
You greet the man cheerfully, to which he just huffs. With his arms crossed, Ratio gives you a long and detailed lesson on how you ought to be more careful and aware of your surroundings, that this kind of behavior will not be tolerated. You are not a child and should stop acting like one.
Tears swell in your eyes but none are shed as the two of you turn back, him being a few steps ahead of you. Two pairs of footprints sound incredibly loud in this long and dark corridor. Veritas hears you quietly weeping and he feels the slight inkling of guilt pulling his heartstrings.
... Perhaps he was a smidge too harsh with you.
You are a clueless creature, sure. But maybe, he sometimes reveled in that fact. It was wrong and he would never admit it out loud but his heart whispered it clearly to him - you like this.
Veritas watched you carefully through the reflection of the window, the plaster head concealing the expression on his face. With your lips in a full pout and eyes watery like fresh morning dew, he couldn't help but to be just slightly charmed.
He scoffed to himself as he pressed onwards. He figured he had better standards for himself but that was not the case, clearly.
And just like that, he had escorted you back to your room. He could hear you mumble out a quiet thank you, which he acknowledged with a polite nod with his head.
He's not that cruel. Or rude for that matter!
With the situation now swiftly dealt with, Ratio figured it was high time he went back to his studies. He has already wasted far too much precious time on this, he isn't even sure when he'll finish that -
His train of thought is broken when he feels a pair of arms gently embrace him from behind, the warmth welcoming and dare he say sweet.
Veritas stilled, his body like the statue which some saw him to be. You still could not see his face but his anger could still be felt.
"Just what do you think you are doing?" he spat at you, his tone cold but venomous.
He felt your face being pressed against his broad back, fat tears caking his fine clothing. Just as he was about to pry your hands off him, he heard you finally speak:
"Thank you for helping me. Really..."
Your tone was soft and remorseful. You did not want to disturb him but despite that, you did just that. He was willing to accept your apology and have this situation be over with but what you said next simply knocked all of the air out of his lungs.
"You see, I... I wasn't sure how I could get your attention. I just wanted you to notice me, to talk to me..."
.... Goodness.
He was used to people trying to get his attention but to act like such a pathetic damsel in distress was new. He had to give you credit for your creativity, at the very least.
"I want to be your friend. I also want you to teach me all sorts of things-"
Ratio stopped listening to you mid sentence, his mind running hundreds of laps in thought. Perhaps you weren't the idiot he saw you as. Your little ploy worked, clearly. And if he took you under his wing, who knew what would become of you.
He could turn you into a diamond with his own two hands.
It was embarrassing just how giddy the thought made him.
The shadows of curiosity and some other emotions took over his mind as he analyzed the situation. There really was no harm in taking you all for himself.
Besides, if you were capable of this deceitful plan, who knew what else you could do?
He was eager to find out.
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caxycreations · 6 months
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Okay, I've been nerd sniped, I'm sorry
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NOTE: If you're going to reblog just to say "not reading that" or some other rude shit, DON'T. I've seen so many notifications of people just saying they couldn't be bothered to read it. I don't know if it's just that they don't see how incredibly rude and disheartening that is or if they know and don't care, but either way it really hurts to see, so please don't reblog if it's just to tell me you won't read it.
So let's go through the canonical likelihood they could each beat Goku. For the sake of keeping canon, we'll keep groups/pairs together if they would never reasonably be apart for something like this. Long post below the cut.
So first up are the ones I see that would, without a doubt, beat Goku.
Saiki K
Saiki is an omnipotent psychic/psionic with quite literally every single possible power out there. Now, this on its own isn't enough to beat Goku. Versatility doesn't mean everything, but Saiki is also powerful enough to rewrite the genetics and reality of everything within range, and his range is, so far, "Earth".
So this, on its own, would allow him to rewrite Goku's biology to make him Human. Bye bye zenkai boosts, bye bye Saiyan transformations. And Saiki, with his powers, has no trouble beating a Human of any caliber if he truly wanted to. And for those who ask "Why would he ever fight Goku?"
One simple reason: Goku would sense his immense power, and be excited for a fight. Goku is respectful enough to not force one if he's refused, but he's persistent enough to badger Saiki until he's given a chance. And Saiki, being Saiki, would simply take off one of his limiters, or both, and rewrite reality as such: "Being an alien isn't possible", thereby making it effective immediately that Goku must be lying/insane, and he is, in fact, Human. Easy win for Saiki.
And for those who would argue against this, bear in mind, the funniest way to beat Goku in this instance would be to simply make him weaker than Saiki, and Saiki is a gag character from a gag series, and it's already been shown in the world of Dragon Ball, and again in Dragon Ball Super, that Goku is incapable of defeating a gag character regardless of that characters canonical ability.
Saiki could win without gag character status, but even in the instance of Goku "beating" him, the gag would turn out to be that Saiki only pretended to get beaten, and is actually entirely unharmed because it was the easiest way to get Goku to leave him alone. Followed by a reveal that Goku will still show up now and then to ask for sparring matches, to drive the point home.
Popeye
Gag character. Would get beaten handily, crawl his way to spinach, and then be exactly as strong as he needs to be to take Goku down in however many hits is funniest.
Bugs Bunny
The gag character to end all gag characters. Someone on this hellsite once described Bugs as a "Trickster God who traps us in our own societal expectations" or some such. Like convincing Thanos to remove the Infinity Gauntlet by establishing a security checkpoint with a metal detector and shaming him into cooperating by telling him there's others waiting.
He could beat Goku in a billion ways, and each and every one of them would involve some shenanigan like Goku throwing a spirit bomb, Bugs showing up behind him holding it, saying "Ehhh, can you hold this for a second?" and as soon as Goku takes it and Bugs is off-screen, it would explode and Goku would be a pile of ashes with blinking eyes. Bugs would win because Bugs' gag is that...well, he simply can't be beaten.
The Warner Trio
Gag trio. Yakko, Wakko, and Dot would snark, sass, and sarcastic-joke their way into the scene, and they would spend the entire time poking fun at him, roasting his look, being unfazed by his attacks because "Nice laser show but we didn't bring our glowsticks." and just being too unbothered to care.
They would undoubtedly annoy Goku into admitting defeat simply to get away from them.
Road Runner
Gag character. Would force Goku to chase him, Goku would fire some blasts, chase him around, and inevitably be led right into the path of a blast he fired earlier to be disintegrated by it.
Pop Team Epic
I know nothing about this series except that it is a gag series. They are gag characters. That means Goku is inherently incapable of beating them.
ASDF Guy
Gag character. Could beat Goku with a simple "Hello, Mine-Turtle!" or "I like Trains."
Heart Diagram
Goku was literally killed by a heart virus in Future Trunks' timeline. This is one that has actually canonically already killed Goku.
Chowder
Gag character. Would likely be after S-Cells for some recipe and need to take Goku's as he's "The only Saiyan in this episode!" or some such, thereby ending the fight with a shot of Chowder wearing Goku's Gi for comedic effect while Dahl stirs raw Super Saiyan aura in a pot to hint that Chowder killed Goku for his S-Cells.
Force Ghost Trio
Gag versions of serious characters, and also ghosts. Goku is canonically unable to beat ghosts or gag characters, and these guys are both.
Those are the ones that would, without a doubt, beat Goku.
Now, let's go over the ones that could, potentially, be it likely or unlikely.
Kirby
Kirby is often considered a gag character, but he isn't. He has a very specific level of power, even if that level of power is "fuck you" levels of power. Kirby has beaten Gods, but so has Goku, even more often and with greater ease. However, Kirby has absorption and power-theft. Kirby could, potentially, absorb Goku (he isn't the brightest and Kirby has his unassuming appearance on his side) and take on his strongest form, including its powerup, and given Kirby in base form is likely more powerful than Goku in base form (Goku needed SSJ to scare Supreme Kai, Kirby beats Gods in base), it's possible Kirby would be more powerful than Goku with the same power up.
Kevin McCallister
Okay, hear me out.
Kevin is technically a gag character, BUT. He is not TRULY a gag character. He just happens to be a comedy character.
So he isn't guaranteed to win, but he could still possibly do so. How you ask?
Goku has been somewhat injured or lightly shaken by the following: planet-shattering attacks. Punches that rock the universe. Energy blasts so potent they would destroy entire galaxies.
Goku has been rendered inconsolable from the pain of the following: chest pain and a half-heartedly, boredly tossed pebble.
It is canon that when Goku and the other fighters in the series are expecting an attack or primed for battle, they are protected by their ki, like armor. It's how they're able to knock away attacks that would destroy planets, or put their "bare" hands on plasma energy that would normally burn the skin off you from a mile away let alone touching it.
This is why when Krillin threw the rock at Goku, it left him in agony and bruised him despite Goku being in Super Saiyan form at the time. This is why Chi-Chi is able to injure Goku regardless of how strong he gets.
So, how does this relate to Kevin being able to beat him? It's everything. It's critical information.
Kevin McCallister's entire M.O. is unexpected attacks. You open a door, you see a bucket fall, think it's over, turns out no, second bucket pulled by the first, second bucket is full of paint and open, you're blinded, you get your bearings, you take a step and feel cars, you smirk and step over them only to find marbles, you slip, you land on the cars which turn out to have been rigged to break easier to let loose a single thumbtack which is now firmly stuck in your back or butt. You bolt upright only to slam your head on a 2x4 that was rigged to hang down from a rope when you fell because your impact shook things enough to make it fall from a precarious perch above.
You get the idea. Every time you think it's safe to let your guard down, that's when the next wave hits. So you say "well he would stop letting his guard down" right? You fool. You know nothing of Goku. He would never put his guard UP. This is a human child, Goku can sense his pitiful power level. His strength? His speed? His ki? Weak. Pathetic. Nothing. A scouter wouldn't even register his power it's so low.
Goku never raises his guard to Chi-Chi, or to Bulma, or to Hercule. He does not raise his defense against normal, powerless, non-combative humans.
"BUT KEVIN IS COMBATIVE" No. He isn't. Goku can sense intent, power, and location. But Kevin isn't actively intending to hurt Goku. He's intending to protect himself and his home. He's not actively wanting to hurt Goku, he's just wanting Goku to leave. He doesn't have power to threaten Goku with, so Goku won't pick up on any threatening aura. And while Goku could simply instant transmission to Kevin and do what he will, we're not talking about how Goku could win, we're going over the fact Kevin could POSSIBLY win.
Enough injury and Goku is down for the count. Otherwise, Goku leaves to avoid further injury, and thereby admits defeat. Both cases, Kevin wins.
Shedinja
This one took me...quite a while. I had to do a lot of extra research for this. So, my immediate thought was Shedinja is a Ghost type, so ghost rules, right? Nah. Bug and Ghost type, and they are the physical shell left behind that has been reanimated. So they very much are physical beings, and given their ability to faint in the games and show they are capable of being physically damaged.
But There's a real case to be made for Shedinja beating Goku.
It can learn Ghost type moves, which operate on ghost-logic, and therefore are a canon weakness Goku is known to have. So things like Shadow Ball, Hex, Curse, and the like would all effect Goku regardless of Ki or form.
It also has access to Wonder Guard, which renders it "immune to all damage types that are not Super-Effective". For those unaware, we can actually attribute Typings to Goku's moves based on attributes and traits they share with Pokemon moves. His melee is, by nature, Fighting type, which Shedinja is immune to. In fact, Shedinja is immune to ALL attack types except Flying, Rock, Ghost, Dark, and Fire type moves, which are all Super Effective.
Goku's most common methods would actually fall under Fighting and Normal type attacks. "But his Ki blasts-" would be Normal type moves. You want proof?
Focus Energy is Normal Type. Quick Attack is Normal Type. Self Destruct is Normal Type. Techno Blast is Normal Type. Tera Blast is Normal Type. These are all energy based moves similar to ki blasts. Know what other energy based move is Normal Type? Hyperbeam. Which is almost identical to the Kamehameha and every other beam attack in DBZ.
Those few attacks Goku has that aren't going to be Normal Type will be Fighting Type.
Shedinja is Immune to all Normal and Fighting Type moves. Goku literally can not damage Shedinja, but Shedinja can damage Goku through Ghost Type moves. Shedinja can beat Goku. But why is it not "absolutely will" beat him? Because Goku can also transform his Ki and if he finds out Shedinja is vulnerable to fire, he can and will use that to his advantage.
That's who could potentially beat Goku. Here's who absolutely could not.
Saitama
I forgot to go over Saitama originally so here's the edit that features that analysis. Bear in mind I am saying this as someone who has seen Seasons 1 and 2 of the show AND is aware of some of the events of the manga.
A lot of reblogs over Saitama claim he is a gag character. But there is a case to be made that he is NOT. What is that case you ask? Well, for the sake of fairness, here is how I am handling gag characters: if their gag is in effect in 100% of all cases (such as looney tunes like Bugs or Road Runner) or if the gag is triggered in 100% of all cases (such as Saiki K or Chowder) then they are a True Gag Character and will insta-win.
However, if their gag has failed (such as Wario, or, yes, even Saitama) in ANY case, then it CAN fail again, and the fairest fight is one against two non-gag characters, so we can safely apply non-gag Saitama here since his gag has failed and Goku meets the conditions to cause it to fail again, which I'll explain.
So, first off, how does his gag fail? Well, his gag is that he kills everything instantly in one hit, unless he actively chooses not to. So we can safely say his gag fails if any of the following are true: he fails to instantly kill an enemy with a single hit while intending to do so, OR if he fails to kill an enemy with a serious hit intended to kill.
He meets both of these conditions. Boros survived for several seconds AFTER Saitama hit him with a Serious Punch. It was a single hit that intended to kill...But he didn't kill Boros INSTANTLY with it. Another example of his gag failing, if that doesn't satisfy, is Garou. Garou, in the manga, has survived MULTIPLE Serious Punches with intent to kill. This, on its own, is proof Saitama's Serious Punch does in fact have a limit to its output. It also proves his gag can, and does, fail against certain opponents.
So the next thing we need to look at is similarities between Garou and Boros to identify what they share that could possibly allow them to get around Saitama's gag, or to nullify it entirely. First similarity is that both are determined to have a good, satisfying fight. Boros crossed the stars seeking one, and Garou sought to become a true Monster powerful enough to force every hero, every do-gooder, to unite under one banner just to take him down. They both seek a battle to end all battles, even if Garou's intention is to end it in his favor, not simply enjoy the fight.
The second similarity is that they have incredibly unique circumstances, even by OPM standards. Garou is a man who has always felt love for the bad guy, he looks to the monsters as inspirations, as the misunderstood and the victimized by those claiming to be heroes. He's trained by an S-Class hero, and has developed into a being of unimaginable power in the pursuit of his dream. Very much a true foil to Saitama, who looked to heroes in comics as inspirations, as the righteous and unshakably moral, self-taught through and through and developed into a being of unimaginable power in the pursuit of HIS dream. Garou is, in this way, a reflection of Saitama, the Tails to Saitama's Heads, the dark to his light.
Boros on the other hand is an alien, forced to become strong by his homeworld's unforgiving conditions, developing a level of power necessary to survive and then some, and on realizing he was far too powerful for his own good, he sought purpose, meaning, and when he heard he may find a worthy opponent, he did everything he could to achieve that future, to realize his dream of facing a foe that would give him a true challenge.
So what are the similarities we can identify? Notably unique circumstances even by OPM standards, sharing strong similarities to Saitama's desires or dreams (Garou dreaming of becoming the greatest Monster vs Saitama dreaming of becoming the greatest Hero, Boros feeling lost in life and seeking a worthy foe vs Saitama feeling bored with living and wishing for the sensation of a real fight again), and the desire for a serious and ultimate battle.
Goku fits ALL of these conditions. He is an alien sent to Earth for his protection, grew up in hostile conditions (surviving on his own for most of his childhood, constant battles with Nation-level threats throughout his teen years, constant battles with world or universe-level threats throughout his adulthood), trained extensively until he was the best of the best, has the ultimate dream of a truly satisfying battle (a dream he routinely seeks out by facing down powerful foes), and being entirely bored with mundane life because there's absolutely no challenge to it, not to mention the fact he has the ultimate dream of becoming the strongest, something he shares with Saitama's pre-OPM self.
Since Goku fits ALL the conditions needed to make this battle exempt from the gag, we will NOT be considering it, as Saitama is not a True Gag Character, and Goku fitting conditions for nullifying it means we can assume actual power limits and such.
So let's look at feats of power. Saitama's Serious Side Hop technique allowed him to create AT LEAST 60 after-images (based on the manga panel) which, when compared with Sonic's 4, means Saitama was moving 15x faster than Sonic in that moment (bare minimum). An afterimage like that is created by moving at least 572mph, stopping in each position for at least 1/255th of a second (any less and the human eye can't pick up on it), so by moving from position A to B for 1/255th of a second and back to A, going 572mph between the two, you create the afterimage.
Sonic creates 4 simultaneously, meaning he needs to move to 3 positions and then back to starting position, or go from A to B, B to A, A to C, C to A, A to D, and repeat.
This means Sonic, to move into each of these positions in less than 1/255th of a second, would need to be moving ~4x faster than the speed for one afterimage. That puts him as moving at 2,228mph while creating those 4 afterimages. Given he is capable of Mach 5 speeds (he's said to be hypersonic) this feat is easy for him, as Mach 5 is 3,805mph. I assume, just as it's easier to move at top speed in a straight line than at sharp turns for a normal person, it's likely more difficult to create such consistent afterimages and so the difficulty that makes it his best attack is from the technique and reaction involved, not the speed itself.
In any case, if Saitama made at least 60 afterimages, putting him at 15x faster than Sonic's speed while creating 4, that puts Saitama's speed at 33,420mph just to account for the 60 we can count in the manga panel. This means 33,420 is the MINIMUM speed we can assume for Saitama's max ability. To be generous, given he wasn't winded after doing that and given he was able to react incredibly easily to the near-instant directional changes, I'll be kind and put his maximum speed at 10,000x this number.
That puts Saitama's speed at 334,200,000mph, or 49.8% the speed of light. We'll be kind again and say 50% the speed of light, round up that last .2%
So we have a speed value for Saitama. Now what about Goku? Well, let's look at Goku on Namek, for a moment. Base form Goku, at the start of his fight against Freeza. Goku, BEFORE his super saiyan transformation, was moving at 3.26 (we'll round down to 3) times the speed of light. How do I get this number? Buckle up, it's involved.
The Namekian ship Bulma, Krillin, and Gohan took to get to Namek made it from Earth to Jupiter in "seconds". That means less than a minute, so we'll say it took them 1 minute just to lowball it and to have a solid starting number. Jupiter, when the two planets are at their closest to each other (assuming shorter distance for slower speed, another lowball), is 365,000,000 miles from Earth. This means the Namekian ship moved 365mil miles in 1 minute.
That puts the Namekian ship at a speed of 21.9 billion miles per hour. They made it to Namek in 30 days of travel. The ship Goku took to Namek made the trip in 5 days. That means Goku's ship is 6 times faster than the Namekian ship. Don't worry, the ship speed DOES matter in this, I promise you.
So Goku's ship moves at 131,400,000,000mph. That's 131 billion, 400 million miles per hour. Or 195x the speed of light.
Why does the ship speed matter so much, you might ask?
Because King Kai could visually keep up with the ship. He was able to track Goku's progress with ease, and could see his ships movements without problems. This means King Kai's eyes and brain are capable of perceiving and processing things that move at 195x the speed of light.
Why does that matter? Because Super Saiyan is canonically a 50x multiplier to ALL base ability. Strength, speed, durability, etc.
And Goku, in Super Saiyan, was moving so fast King Kai stated he could no longer keep up. King Kai, capable of seeing and processing the input of vision on a ship moving 195x the speed of light, could not see or process the input of vision on Super Saiyan Goku.
We'll lowball it, and say Goku only needed to move 1 mph faster than 195x the speed of light for King Kai to lose track of him. So whatever value we get, we'll add 1mph to for Goku's base form speed.
So 195x the speed of light +1mph. 195/50=3.9x the speed of light. That's 2,616,900,000mph, adding in the extra mph makes it 2,616,900,001mph. So Base Form Goku moves at ~3.9x the speed of light, ON NAMEK. Super Saiyan is a 50x multiplier, putting him at ~195x the speed of light. Super Saiyan 2 is a 100x multiplier to Base, so 390x the speed of light. Super Saiyan 3 is a 400x multiplier, so 1,560x the speed of light. Super Saiyan God is a 20,000 multiplier so 78,000x the speed of light. Super Saiyan Blue is a 1 million times multiplier, so 3,900,000x the speed of light. And lastly, Mastered Ultra Instinct is a 300 billion times multipler, so 1.17 trillion times the speed of light.
Why did I bother going through all those multipliers? He wins in Base as of Namek saga lol. Anyway, continuing on to strength now that we've established Base Goku on Namek could move 3.9x faster than the Speed of Light while Saitama could only move at 0.5x the Speed of Light.
Strength. Okay. This one is harder to gauge, but we CAN gauge it. We'll go in terms of level of damage, so human level (would be on-par or less than peak human ability), town level (small towns), city level (large cities), nation level (an entire nation, less than a continent), continent level (one or more nations that span an entire continent), world-surface level (the surface of an Earth-sized planet), Planetary (capable of destroying an entire Earth-sized planet), Solar (capable of destroying a solar system), Galactic (capable of destroying a galaxy), multi-galactic (capable of destroying many galaxies), Universal (capable of destroying an entire universe), Multiversal (capable of destroying multiple universes).
We'll start with Goku this time. Goku's punches are, as of the Battle of Gods arc, strong enough to match Beerus perfectly to nullify the shockwaves of Beerus' attacks. Mind you, the mere shockwave of Beerus' attacks are enough to rip and tear the fabric of the universe itself, as stated by Elder Kai. This puts Goku's punches as being powerful enough to tear the fabric of the universe in when he first obtained Super Saiyan God. Why does this matter for Base Goku? Because Base Goku retained his SSJG power, as stated by Beerus.
So Goku in Base, post-battle of gods, is physically capable of punches that can tear apart the universe from the aftershocks alone. This is important to note because Elder Kai could physically feel the shockwaves from the World of the Kais. This makes Goku Universe-level in strength. This means Goku, post-BoG, in Super Saiyan is 50x stronger than what's needed for Universal, while Goku, as of current manga canon (assuming he didn't actually get any stronger since BoG and is simply more powerful due to new transformations) is capable of a form (Mastered Ultra Instinct) that puts him 300 billion times stronger than minimum Universe level strength.
And Saitama? Where does he fit here? Well, I thought this gap would be bigger honestly? But after researching, it seems the gap isn't all that big. Saitama has, canonically, with a Serious Punch, snuffed out an entire cylinder of stars and presumably every planet, moon, asteroid, and more, at a distance surpassing that of our solar system, and with a diameter surpassing it as well. This puts Saitama's power (if we lowball it MASSIVELY) at Solar. He could, in a single punch, destroy our entire solar system, and he wouldn't even need to be serious to do it. It's worth noting this is coupled with Garou's own Saitama-level Serious Punch, so we can assume this level of power is double Saitama's own.
So how do we determine the specifics? Well, he cleared an area large enough to cover, presumably, half the area of stars destroyed in the path of his and Garou's serious punches.
Through future revelations in the series we learn they didn't "destroy" every star in that path, but likely only several were destroyed, and possibly a galaxy, while the remainder of the void left behind was from the shockwave forcing every other star within range into a new position, creating a void in space that all stars had been moved from, save the few that were in the DIRECT path of their attack.
Another theory is that the Serious Punch^2 simply distorted the photons in the area, resulting in the appearance of a massive void, and this theory is based on the angles in the manga and comments made by other characters that paint Earth as the only thing in real danger from the power of the attack.
To be fair to Saitama, where we would lowball Goku, we'll highball Saitama, and say the Serious Punch^2 outright destroyed every star in the area. That level of power would, naturally, have shockwaves that push nearby stars out of the way AND distort photons in the area, resulting in a massive cone of destruction surrounded by a large cylinder of force.
This puts Saitama at, quite easily, multi-galactic level of strength.
But why did I say this gap isn't as big as I expected? One simple thing. Saitama has canonically punched his way into a different dimension in the manga. That means he's capable of brute-forcing his way out of the bounds of his universe. He is capable of physically destroying the fabric of the universe.
Meaning Saitama's strength is, bare minimum, Universal in close proximity. That puts him, strength-wise, on par with Goku, who through training has become stronger than Super Buu (who was so strong he could shout his way out of the Hyperbolic Time Chamber, a dimension separate from our own), meaning Goku is also Universal in close proximity.
So...while I expected Saitama to be ~Planetary, MAYBE he'd be Solar at most...Research indicates he's actually Universal, or near-Universal, meaning the fight may not be too far a gap after all.
Goku may have Saitama beat on speed (given recent manga events in OPM, I'm willing to allow that Saitama is faster than light speed, but Goku having as many forms as he does (Kaioken, which he can combine with other forms and can hit a multiplier of x100 on top of whatever power he currently has, SSJ1-3, SSJG, SSJB, MUI) means even if Saitama matches Base Goku, he's likely not going to stand up to his stronger forms).
But on strength, I'd wager they're close enough for this fight to be one hell of a battle.
What about Durability? After all, all the strength in the world won't save you if you're as easy to kill as a simple bullet to the head, right?
Goku has withstood universe-ripping punches (from Beerus, the God of Destruction, and based on comments in the manga he's one of the stronger Gods of Destruction too), dimension-tearing attacks (from Goku Black, pre-Fusion), energy blasts that even the Gods of Destruction were nervous of (from Jiren during the Tournament of Power), and he survived multiple blasts from Granolah post-wish buff, who was renowned for his sniping power pre-wish, and post-wish was as powerful as he would be if he had spent every single second of the next 147 years training non-stop with the absolute healthiest amount of rest and physical care, making him, presently, as powerful as he would be at the END of that time, with the price paid being that he only had 3 years to live as he lost 1 year of his lifespan for each power boost.
It was also clear that Granolah was the strongest in the universe...at the time of his wish. Goku and Vegeta, who were already on their way, were not as powerful as Granolah even with their transformations. They became stronger during their fight with him, and stronger still during their fight with Gas (who was more powerful than Granolah after Gas transformed and mastered his transformation).
So we can safely assume Goku is Multiversal in Durability, as he himself was able to output Universal damage with each punch, and he was able to survive hits from beings drastically stronger than himself.
What about Saitama? Well, Saitama was able to survive the force of the Serious Punch^2 and he was able to casually bust his way into another dimension. So his Serious Punch, if he wanted it to, could easily destroy the barrier between universes or dimensions.
And given he survived the force of two of them impacting each other, I would put Saitama at, bare minimum, Universe-level durability. But given he was able to survive prolonged battle against Garou, who is a Power Mimic and has shown Saitama-level strength, we can safely assume Saitama is BEYOND Universal-level durability, and so we can put him right there with Goku at Multiversal durability.
So what do we have so far?
Goku has speed equal to, in Base Form, 3.9x lightspeed, and 1.17 trillion times lightspeed in his most powerful form.
Goku has Universal level strength in Base Form, 300 billion times that in his most powerful form.
Goku has Universal durability in Base Form, Multiversal durability in his most powerful form (300 billion times his Base Form's durability).
Saitama has speed equal to, at minimum, 0.5x lightspeed, and at maximum, if we highball it, 2x lightspeed.
Saitama has Universal strength.
Saitama has Universal durability at minimum, and Multiversal durability at maximum.
At this point, I'm convinced the speed difference between Base Goku and Saitama means nothing. Saitama's durability means even with Base Goku moving at his top speed, his impacts won't be enough to beat Saitama. At top speed Base Goku may be putting out Universal damage, but he's not putting out enough to actually BEAT Saitama. Only injure.
Making me rethink my "Goku wins in Base lol" claim earlier, how dare you!
Anyway, at this point, Goku would HAVE to transform to beat Saitama. His ability to sense power and Saitama's evident inability to suppress it (as evidenced by multiple characters sensing his ungodly power even while Saitama is completely relaxed) would mean Goku would know, right away, he needs to transform for the fight.
Saitama's durability means Goku would likely need Super Saiyan 2 or 3, or, more likely, SSJG. Super Saiyan God's multiplier to Granolah-arc Goku, after all of his training with Whis and Vegeta, would most likely be enough to beat Saitama. And given SSJG is enough to "most likely" beat him, then Super Saiyan Blue (aka Super Saiyan God Super Saiyan, the form above SSJG) is surely enough, and Mastered Ultra Instinct (a form drastically more powerful than SSJB) is absolutely more than enough to beat Saitama.
And given Goku's mastery over the Kaioken technique, and he's been shown to enter Kaioken x 20 while in Super Saiyan Blue for fair amounts of time as of the Moro saga, meaning even if SSB wasn't enough, given MUI is overkill, it's possible SSB x10 or x20 would be.
The point being, Goku wins this fight due to a combination of technique, experience, and power from his transformations. Given Goku is faster than Saitama and would sense his power as Saitama doesn't know how to suppress it, nothing Saitama could do would be a surprise attack to Goku, meaning Goku would have ample opportunity to react to everything Saitama does.
And given the relatively similar strengths the two bear, Goku would recognize he needs to transform to beat Saitama's output.
And given Saitama's greater durability than Base Goku, and greater durability than even what Saitama himself can put out, Goku would see he needs to transform to have enough of his own output to beat Saitama's durability.
Conclusion: Goku would absolutely win this fight, BUT...I'll give Saitama credit where it's due.
Out of everyone on the entire list, Saitama is the fairest matchup here, and the one most likely to give Goku a truly satisfying fight, given it would be a battle on par with those Goku has enjoyed most.
Kingdom Hearts Mickey
K.H. Mickey has a clear power limit and ability set. He is not strong enough, fast enough, smart enough, or durable enough to beat Goku, but he is just enough of a threat for Goku to actually put his guard up, which is why K.H. Mickey would lose; Goku would see it as a fight, unlike with Kevin.
Crash Bandicoot
Crash isn't nearly powerful enough to be a threat to Goku, but he IS insane enough to push Goku to hostility. Goku would feel the need to put effort into getting him away and that is his downfall.
Hatsune Miku
Goku would assume she is a Red Ribbon android and fight her on assumption she's trying to kill him or bring harm to Earth. He would hit her full force expecting her to tank it and she would keel over dead instantly.
Wario
Everything he could possibly do, the Red Ribbon Army has tried and done better, and they've never beaten Goku. Neither would he.
Sans
Lost to a child with slightly above average human determination, and standard human strength and speed. He does not beat Goku.
And just because you specifically told me not to @ you, have this :)
@that-one-enby-onyx
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iniziare · 1 year
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/breathes calmly. Tifa—
#[ tifa lockhart. ] she had buried the twinges of guilt beneath the narcissism of self-sacrifice. beneath the belief of 'the greater good'.#[ one day i will go at that water tower scene one line at a time on here rather than in discord. ]#[ and i'll do so coherently and logically. ]#[ touching on the word choice of teenagers-- their physical reactions. these voice actors' performances of these lines. ]#[ gestures-- everything. there is so much here but it infuriates me because so much is overlooked. ]#[ and then i'm asked to look at an analysis and i truly feel like i'm told to walk through a dense set of woods with two lit matches. ]#[ or like twenty. ]#[ i've been listening to a tower; a promise for the last hour after having watched the scene for almost 2 hours on the 2nd monitor. ]#[ feral. /feral/ i am about this scene. square enix is nothing short of incredible at depicting human nature. ]#[ the spot where she chooses to sit; what not seeing his facial expressions is indicative of. ]#[ when we keep in mind that they haven't actually genuinely spoken before that moment-- ]#[ like remember-- nojima specified (i will find this back i swear) that cloud's recollection of even younger tifa... ]#[ going 'are you ignoring me?!' during that flashback? is not a genuine memory. it didn't happen that way. ]#[ can we stop forgetting that cloud is an /unreliable narrator/? ]#[ but any way-- /stop forgetting they don't know each other/. not beyond being familiar faces. ]#[ but even just in the moment. she can't see him and /he can't see her/. ]#[ can we talk about how... her 'sadness' initially isn't just aimed at cloud leaving? she specifically says 'all the guys are--'. ]#[ i can touch on every line but lemme focus on a few here-- cloud's little attempt at getting a reaction from her... ]#[ 'yeah. so i won't be back for a long time.' the cool guy. not only does it fail-- 'guess not'. immediate. no thought. no hesitation. ]#[ and then immediately goes to 'think you'll be in the papers?' ]#[ this is the first moment she smiles. you can see it amidst the blur but you can especially hear it in her voice. her tone brightens. ]#[ she looks up; wistful. and it's still there when the camera focuses on her and she mentions the wish. ]#[ and her phrasing is interesting-- 'and when you're a famous soldier'. that on its own can be seen as just phrasing but... ]#[ the inclusion of 'please? just once'. just once. it's not about cloud in specific. it's about being saved. ]#[ and ALSO; can we talk about how it isn't cloud who talks about SOLDIERs being heroes? ]#[ she talks about a 'hero'. not him. he doesn't mention heroes at all; can we talk about that for a second? ]#[ u g h. tag limit again-- i keep counting. don't mind me. i'm not saying tifa is 'selfish'. but i'm saying tifa is being selfish. ]#[ and that makes her an increeeeeedibly interesting character. but i need people to realize and talk about this? u g h. ]#[ also-- ALSO-- did this scene even happen this way? nOMURA AND NOJIMA?? ]
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zillychu · 11 months
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Trigun fucking destroys me, okay.
It's about persisting through the most horrific obstacles imaginable, and never losing hope for yourself and others. It's about the fruit your efforts bear, but it doesn't ignore the ugliness of the suffering you endure. It doesn't sweep it under the rug to give you a happy ending.
As a jaded millennial, I get a bit tired of stories where everything turns out fine because the heroes tried hard. Most stories gloss over the repercussions of failure. They tell us it's all simply a means to an end, and that end is what matters. Overcoming your obstacle matters. Winning matters.
Trigun doesn't do this.
Vash gets hurt (gross understatement). He's ostracized, bullied, threatened, haunted, forced to see the darkest underbelly of humanity. He's subjected to the worst parts of life that are grotesquely ruthless, unforgiving, hopeless. He's forced to reconcile a lot of his goals (like never killing anyone), but not the core of his beliefs.
Not once does he falter in his trust that people are capable of good, that we all deserve that chance to be. He never has a revelation that shakes his faith in humanity, despite constantly being given every reason to. He's the irritatingly optimistic anime protagonist who looks at impossible odds and says "everything will be alright", the way no one can in real life because it never works out that way for us.
And it doesn't for him, either.
Vash does his best, believes in himself, and fails. over and over and over again. He loses everything--loved ones, memories, autonomy. He loses constantly. He's your unrealistically positive hero, being dealt realistically unfavorable hands.
And still, he persists. He never truly wins. Because we never truly win. Life has no happy ending like a story does.
He never truly wins, and yet, he can still find happiness. He meets friends, enjoys good food, watches people love fiercely in both blessing and hardship. He hits unbelievable lows that don't keep him from finding highs. Because he never stops trying to be the best of what he sees in humanity. Because every little bit counts. He never stops believing in humans--believing in you.
Trigun grabs you by the face and stares directly at you. It says "I see you, I see your pain, how much you struggle. I see how sometimes no matter how hard you try, things don't work out. Life isn't a fairy tale. I see how your kindness can come back to hurt you, hurt others. I see you, and I'm proud of you. Life is worth living with love in your heart not because we win, but because we try. We all try. Never stop trying to be kind."
Trigun shows you the cruel reality of life, and leaves you feeling good about it.
I don't know a single piece of media that's able to do that.
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luveline · 8 months
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WOULD LOOOVE to see badass reader get jealous over someone flirting with spencer
ty for requesting ♡ —spencer reassures you when he catches the eye of a receptionist at the ocean city precinct. fem!reader, 1.3k
Hotch lives on coffee lately. Any type from any source, he doesn't care what it tastes like so long as it keeps him awake. You're similar, in that even if you hated it, you'd keep it to yourself. 
But you're frowning in disgust at your cup. Eyebrows wrinkled, lips in a fierce line. Hotch sighs and puts his hand on the back of your chair. "Are you alright?" he asks. 
You've never told him otherwise. "Fine. Thank you." 
"There's water in my bag," he offers. You won't meet his eyes. You probably have a headache. "And aspirin." 
For as long as he's known you and worked with you, you've been as you are now, quiet, stern, with little sense of humour at work and not much more outside of it. The only evidence of your soft heart is how you work like a dog, and how you treat your coworker, Spencer. He's your achilles heel, your tender spot in all the tough scarring. Hotch knows there's nothing anyone can do to make you feel better if they aren't him. 
Hotch turns on the spot to look for him. The case you're working on here in Maryland has hit a lul, and exhausted faces peek out from behind their desks at Hotch's looking. He searches for the short mop of brown hair that's required and finds it in an unusual place. 
Spencer has been waylaid by a receptionist. Glimmering eyes, shiny silver fingernails that tap the desk in front of her as she speaks, the receptionist clearly has Spencer hanging on. He takes a step back and she doubles down, her storytelling audible from across the room. 
"You'll have to see it for yourself, Dr. Reid, it's a sight!" 
Hotch looks at you from the corner of his eye. "I see." 
"Don't know what you're talking about," you mutter. You stand and tip your coffee into the bin, letting the cup fall in after it morosely. 
"Why don't you go and help Reid?" Hotch asks. 
"Help Reid what?" you ask. Your tone betrays you —jealousy, sure, that slight crisp to your words that must hurt on the way out, but worse is the weakness as your sentence ends. You're jealous, and it's upsetting you. "I don't think I want to help him with that." 
Derek swings into the sequestered space you've been using to operate and beams at you like he knows exactly what you're thinking. 
"Isn't it surprising how quiet he can be? Years of catching bad guys and he can't say no to a pretty woman," Derek says, giving you a knowing look.
You and Derek have a half-hearted rivalry in that he loves to flirt and you disapprove. Your soft spot extends solely to Spencer no matter how hard Derek tries to sway you, though as you and Spencer have gotten closer, you've softened.
Hotch thinks that Derek's teasing might erase any progress that's been made. 
"Morgan," he says reproachfully. 
Derek makes a who, me? face but quickly gives in. "Why don't you go save him?" he asks you. 
"He doesn't need saving. Spencer is a grown man who can make his own choices," you say quietly. 
Hotch bites his tongue. Thankfully, Derek speaks up, without any teasing. "Spencer's been expected to  know how to do things without any help since he was a kid. I really think he just doesn't know how to walk away." 
You look down at your hands. Hotch has been doing his job for a long time, and he can guess what you're thinking from a misaligned finger. You don't feel like you measure up to the woman at reception. You're insecure about Spencer's affection for you, because you can't understand why he likes you so much to begin with. Hotch has thought it about Haley, Derek of Savannah. It's a very human doubt.
"Spencer tends to stand straight," Hotch says, bringing the lip of his paper cup up. "Right now, he's leaning away." 
It's in as simple terms as he can put it without outright telling you that he really, truly believes that Spencer wouldn't bother with anyone who isn't you. That Spencer loves you in the young, all encompassing way, even though neither of you seems to have realised the depth of it yet. 
Confident, no air of the girl frowning down at her hands, you leave the nook to approach Spencer from behind. 
"Hi," Hotch hears you say, "you okay?" 
Spencer visibly relaxes. "Hey, I'm fine. Uh, Y/N, this is Anabelle. Annabelle, this is my partner, Y/N." 
"Partner?" Derek asks. 
It's news to Hotch. Perhaps news to you, if the way you take his hand is any hint. It's like you've never held it before, and Hotch knows you have, he's seen you linking pinkies under tables. 
You strangle his fingers with yours. Spencer doesn't move an inch.
"She was just telling me about the sightseeing you can do here. Have you ever seen the world's longest worm on a string?" he asks you. 
"Hi, Annabelle," you say, turning to Spencer with poorly masked whiplash. "We're gonna try narrowing the search radius." 
"Oh, right." Spencer lets go of your hand in favour of putting a hand behind your shoulder, saying his thank yous and goodbyes to Annabelle before guiding you back to the makeshift BAU base camp. "What took you so long?" 
"What took me so long?" you ask.
"I thought you liked me!" Spencer says, teasing, his voice pitching higher. "I didn't know how to tell her I've already read the pamphlet she was quoting. She seemed nice though, right?" 
"She seemed nice, Spence," you agree, a little wobbly still but a thousand times less sullen than before. "I– of course I like you, you know I like you. Right?" 
Hotch is proud of Spencer for how remarkably he responds. Spencer puts his body between you and Hotch and Derek where they're standing to offer you the privacy you prefer, dropping his voice to match your tentativeness. "Yeah, I know. I was kidding. I think they'd have to reassess my position on this team if I didn't know that." He grabs your arm, thumb pressing into the crook of your elbow. "Are you okay?"
"I thought maybe she was flirting with you." 
Spencer shrugs uneasily. "Maybe. It wouldn't make a difference to me. Do you know that?" 
Your head dips down. Hotch can't hear what you say, honestly, he doesn't want to know. Eavesdropping on the people he cares about in their unhappy moments isn't something he makes a habit of, but it's hard not to hear Spencer's response. "Don't say that," he murmurs. "That's not true… We'll talk about it later, okay?"
You clear your throat. "Yeah. Whatever you want."
Derek doesn't hide that he's been listening very well, pulling a crime scene document up to his eye line as you and Spencer pull apart. Your eyebrows furrow into a glare, but it's Spencer who says, "What?" 
Hotch bites back a smile. Derek grins and holds his hands up in surrender. 
"Just nice to see you taking care of my favourite girl," he smarms.
"Stop. You're extremely unprofessional," Spencer says, helping you into your seat unnecessarily.
"And you're not?" Derek asks, gesturing to his hand where it lingers behind your shoulders. 
You finally chip in, apparently back to your regular self. "Only one of us was responsible for a unit wide HR mandate about inappropriate behaviour." 
"You cannot keep bringing that up." 
"Why not?" 
Hotch takes a sip of his tepid coffee. He'd rather not get involved. 
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thethingswedotomorrow · 5 months
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Crowley has been with humanity since the beginning. The original serpent of eden, he is the first "monster" in humanity's bedtime stories. He is the figurative and literal demon on human's shoulders, always there to guide them one way or another. He's weaved through history itself, and prides himself on an impeccable track record of demonic activity throughout the last 6000 years.
But, naturally, after 6000 years, Crowley finds that he's spent more time pining after a certain Angel than doing any sort of work. Like, an extreme amount of pining.
And it isn't until after the notpocalypse that Crowley realizes that, entirely accidentally and very embarrassingly, he may have accidentally made his pining very, very public.
One of Crowley's favorite ways to waste a day is to take Aziraphale to different museums around the world and watch as the angel wanders around and points out all of the inaccuracies
"Good Lord Crowley, have you seen this painting? Portraying you as a dragon is a tad dramatic, I think. All we were doing were having a picnic. And I have never had my hair looking like that, thank you."
"I don't know Angel, they've got your wings spot on. Wa-Hang on, have they added horns to my head?"
"Oh, I see, suddenly it's only inaccurate when they've got you wrong."
The museums always seem to be miraculously empty, and whenever Crowley mentions this, Aziraphale suddenly finds a new, very interesting piece of art to admire
Crowley admires the lengths Aziraphale goes to to hide the small miracles he's done for Crowley's sake
As if Crowley wouldn't move literal mountains for the angel
*He did, actually, do that once.
In the 12th century, they were having a lovely evening together with multiple caskets of wine, up until Aziraphale complained about the amount of light in his eyes
"Honestly Crowley, all this sun and no shade, it must truly be awful for the humans around here with no shelter. It's a tad much, even for me."
Crowley, even then, immediately recognized this off-hand comment as an underhanded complaint, and knew that would not stand
When the small earthquake passed, Crowley claimed that the nearby church was on a fault line and he was simply doing his demonic duty by damaging holy goods in the area
If Aziraphale realized that the mountain range in the distance suddenly provided much more sun coverage, he never mentioned it.
Currently, however, Crowley follows Aziraphale around, wandering behind him and never truly looking at the things in the museum
In every single place they've ever gone together, there was only ever one thing that deserved Crowley's attention
And it certainly was not an inaccurate model of a 18th century tea set
But when Aziraphale wanders into a hall titled 'Love of the Past', he starts to panic. Just a very tiny amount, basically none at all. A small enough amount of panic that he could deny it, even to himself.
He thinks about the past, towards the beginning, back when Humanity was still getting it's footing and figuring out how to have governments and societies and (the most important part) figuring out the whole alcohol situation
Throughout the years, especially towards the beginning, Crowley began to resent any time not spent with Aziraphale
Everything seemed small and dull when compared to the way the Angel smiled when he saw new type of human dessert, or the way he laughed when Crowley managed to work out a clever comment
And once Crowley experienced those things, he never wanted anything else
He had seen the poetry the humans had written, how much emotion they could pour into a simple piece of parchment or a clay tablet
He never cared for written word, but he was shocked at just how much feeling the humans could manage to pour into words
So after Aziraphale left Rome (after the oysters and the wine and the smiles, for somebody's sake the smiles), he went due east for a new miracle on another continent
Crowley stayed and got well and truly drunk. As he did best.
He had spent a few weeks around the other drunks around the area, most poverty stricken and saddened with some sort of grief of one type or another
It wasn't until a group of poets wandered into his dark corner of the pub that he started to considered writing
Obviously nothing anyone would ever read, he'd ensure that. Every scroll or parchment that he'd touch with a quill would be burnt with hellfire before it left his sight
But, as many of his worst ideas started, he had nothing better to do and too much time to think
So he wrote. He wrote letters, first addressed to nobody, about random thoughts that would pop into his very intoxicated brain. Whether humans would ever find traces of the unicorns they lost on the ark, whether he would ever find a way to count just how many scales he had, whether he would ever reach a point where he didn't have to cover his eyes every day
Slowly, the letters started becoming addressed to 'A'. Whether he was conscious of this or not, he'd never admit.
But he wrote. He wrote to A about Hell, the jobs they required of him, the things they'd have him do. He wrote of the way humans had beaten him to the punch 90% of the time. How they would do things worse than Satan himself could imagine, and they'd never blink an eye while doing it.
He wrote of the way the sun darkened each day that passed without his Angel, the way his wine never seemed to have enough flavor when he was alone.
He wrote of the ways he imagined he could orchestrate an elaborate reunion, a convoluted mess of too much demonic activity in a small area that just happened to have a wonderful new tea, or so he's heard, and wouldn't it be a shame to leave the town without tempting the angel to try it?
He wrote to A about how he was sure he had no heart, no emotions. He was a Demon, for somebody's sake, he certainly had no need for stupid things like that, and so the ache in his corporation's chest when he sees the Angel had to be some sort of malfunction.
Anatural function, surely, that could be fixed with the right amount of aloofness and strong liquor
He wrote of the way the sun always seemed to hit the Angel's hair just right, and Crowley had no faith, he had no God.
But in those moments, with a halo around the angel and that smile aimed towards him, he might consider praying now to a different source altogether, a closer source. One full of life and light and actual proper goodness, not that fake advertised bullshit they plaster on church walls in pretty paintings and sad songs
Crowley wrote for a long while, and found that the writing helped the pain.
Even if only because it brought on memories of Aziraphale, and that was enough to hold him until they met again. It had to be, he had no choice in the matter.
And he wrote so often throughout the ages, and often while he was drunk. And he was so sure, so positive that he had burned every trace of his heart and emotion out of existence.
He had to be. The danger those words could put Aziraphale in was far too great. He couldn't be bothered to care of the danger to himself, but the fact that the very hint of any emotion could come close to hurting his Angel was enough to ensure that they would never come across another being's eyes.
He destroyed every letter and word that described his desire, his pain, his greed. He ripped the words he created out of reality as easily as he had written them. Every time, he burnt the parchment, and every time, it burnt a part of him with it.
And then the Apocalypse had happened. Or, well, didn't happen, he supposed. Really, he wasn't entirely sure if there was a difference.
Because everything had changed, even if the rest of the world hadn't noticed. And he was suddenly allowed to see Aziraphale with no excuse, no half-hearted reasoning behind it. He was allowed to want, and to crave, and he relished it.
And he was allowed to take the angel to museums to watch him fuss over small mistakes humanity had collected throughout the ages
Until he realized that they had, in fact, also collected HIS mistakes.
In a hall. A whole bloody hall. A hall, dedicated to and full of stupid parchment and sappy letters and wine stains over words written so long ago
And honestly who gave them the right? Leave it to the humans to collect other people's belongings and put it on display as their own
And he knew, from the moment Aziraphale read the first page on display, he just knew. This was it. All of it was ruined.
All because Crowley had gotten so drunk and passed out in his room above the pub, and when they'd thrown him out in a drunken stupor, they'd collected his belongings to sell afterwards. And he'd never even realized, so concerned about the next meeting, the arrangement, concerned about anything and everything except the one thing he forgot about and could end them both.
Any moment now, Aziraphale would look up at him, with disgust and confusion and all those emotions that he'd really rather not see on his face, preferably ever, but especially not towards him.
But Aziraphale never looks up. He reads the first page 5, 6, 7 times, being sure to capture every single word. Every wrinkle in the paper, every crease.
Then he moves to the next, and then the next. He repeats this process. Every page, he scours each and every page. Searching and scanning, analyzing every word.
Crowley is frozen at the entrance of the hall, too terrifed to say a word, but too hopeful to leave. He stands there, suddenly feeling the same feeling in his chest that he felt so many years ago, in the corner of the pub, sitting in the dark, wishing for the light that he knew would never come.
He's so panicked, that he doesn't notice Aziraphale finishing the last page, and wiping the tears from his eyes. He startles when he accidentally meets his eyes, and prepares a number of excuses and deflections, all to preserve this shred of peace and safety they had carved out for themselves.
"Angel, I- you really- ngk- humans are so rid- are you hungry? I could eat, I've heard they've got a killer bar around here, and we cou-I can get us there in 10 minutes, ngk actu- scratch that, we could be there in 5, I bet. Museums aren-angel?"
Crowley finds himself stopping the random stream of words coming out of his mouth, when he notices tears in Aziraphale's eyes
"Angel, I-"
That's all Crowley can get out before Aziraphale is walking towards him with a purpose
And suddenly Aziraphale is very close to him
Very very close
And suddenly Aziraphale's lips are on his, and Aziraphale is holding onto Crowley's jacket, and Crowley's hands are just waving in the air back and forth while he processes the last .5 seconds.
By the time he realizes what is actually happening, Aziraphale pulls away just enough to rest his forehead against Crowley's, and laughs.
He laughs. Laughs. Aziraphale is laughing and it's a wonderful, beautiful noise and Crowley doesn't quite understand why, but then he's laughing too and then they are both standing there, arms around each other, laughing and Crowley realizes now that all the words he's written, all the praises he sang of his Aziraphale, the way he wished and prayed for his heart and laugh and love
Not one bit of it is at all comparable to the real thing.
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wordstome · 4 months
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kosovo maiden (könig x reader)
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Well, I did it again, gang. I wrote another story based on a painting. This one is by Uroš Predić in 1919, and was posted to Tumblr here (thanks to arcana-imperii for posting!)
I don't know anything about Kosovo, so the reader here isn't explicitly Serbian ;; please forgive me. Also, apologies for possibly inaccurate ambiguously late-1800s setting, medical information or German. Please enjoy!
2.2k words
There are soldiers in the field.
You heard the sounds of battle early in the dawn, the piercing explosions of gunfire and cannons ringing out as the sun rose. You weren’t concerned at first: it was far enough away that you felt safe enough to carry on as usual. But the gunfire drew closer and closer, and by noon you could hear the shouting and the battle cries, driving you trembling into your attic with terror. Mercifully, the fighting peters out as the sun sinks lower in the sky, but when you finally work up the nerve to peek out of your window, you find to your horror that the grassy field adjacent to your humble little home is littered with the bodies of dead and dying men.
Without a single further thought to your own safety, you grab a lantern and a pitcher of water and rush into the night.
It’s awful. Most of the men left behind are already cold, some whose eyes you have to shut yourself. The ones who were able to be saved were likely evacuated by their comrades, so the only ones left to face the cruel nighttime are the ones who won’t see the morning after. A few are still conscious when you find them, but you have little more to offer them than a gentle touch and one last drink of water. Their eyes are what will haunt you most after today: slick with tears as grown men weep, all semblance of courage and proud masculinity stripped from them as they face down their imminent demise. It’s terrible, heart-wrenching, but you can’t bring yourself to stop. You’re the only living thing left that can offer them comfort in their last moments.
The jug of water dangles from your hand as you trudge through the field, looking for anyone at all that you can provide help to. You’ve long abandoned any hope of finding someone you can save when you come across him: the giant in the grass.
It’s well and truly nighttime at that point, your lamp the only source of light upon what seems like a sea of human misery. The light hits his face, and you gasp. Your first thought is of how huge he is, at least 200 centimeters if he were standing. Your second thought is of how handsome he is…
You jolt to attention as he shifts and groans. He’s alive! Shaking some sense into yourself, you don’t hesitate to rush to his side. Your hands roam across his body, assessing the severity of his injuries. To your surprise, he doesn’t seem to be mortally injured. They’re severe, to be sure—he won’t be able-bodied for weeks. But he’s far from at death’s door, only confused and dazed…had his comrades only left him due to his sheer size?
Using your hand to support the back of his head and neck, you tip some water into his mouth in an attempt to revive him. The man cracks an eye open, regarding you with feverish wonder.
“Ein Engel…” he murmurs. You’re too elated that he’s alive, so you don’t actually properly hear what he said. With light, deft fingers, you tear strips of his tattered shirt and use the cloth to wrap up a scrape on his arm and stem the flow of a very nasty-looking wound up along the broad plane of his torso. To your alarm, however, the man seems to slump, his head laying back as if he’s about to lose consciousness.
“No, no,” you cry in panic, shaking him without heed of his injuries. “Sir, you cannot sleep here, I am unable to carry you…you will die out here!”
He mumbles something inaudible, and you breathe a sigh of relief. He hasn’t passed out on you yet, but you have to act quickly to properly care for his wounds. You shift your body so you can maneuver his uninjured arm onto your shoulders. Luckily, he seems to comprehend what you’re trying to do, and manages to stumble to his feet while leaning his weight on you.
It’s an awkward, fumbling dance, considering your earlier assessment of his height was correct—he’s a huge man, and his torso alone nearly dwarfs your entire figure. But with a good measure of patience, you manage to get him moving towards your house. It’s high time you returned home, as well: your stomach roils as you remember what happens to corpses left outside for scavengers to find.
The two of you stumble through the doorway of your home, you murmuring soft affirmations and encouragement to the man. He makes no indication that he understands what you’re saying, but he’s nodding along, responding to your gentle tone. You guide him to lay on your bed, his body visibly relaxing as he sinks into the mattress.
You bustle around, lighting candles, stoking your fireplace, and rummaging around for medical supplies. You return to him with a basin of warm water, a cloth, and some bandages—before stopping dead in your tracks.
In the low lamplight out in the field, you hadn’t noticed the color of the man’s uniform, much too preoccupied with his signs of life. But now the truth is laid bare in front of you as you take in his attire, eyes traveling over his broad body—
You’ve just taken in an enemy soldier.
The man has seemingly fallen asleep, likely exhausted by the battle and the effort it took to get into your home. That does nothing to assuage your fear, though: what are you going to do if he passes away right in your bed? Even worse, what are you going to do if he wakes? Will he be hostile? Will he attempt to take you as a hostage to secure safe passage out of his enemy’s territory?
It's clear to you, though, that if you don’t help this man, he will die. His wounds could easily turn septic, and then he’s a goner. You steel yourself and approach him, kneeling at his bedside.
You work slowly and carefully to reveal his injuries, wincing when they’re completely exposed. He’s no longer bleeding profusely, but he will absolutely need stitches. For now, you settle for cleaning them with a damp cloth, trying to keep infection at bay.
He must be well and truly knocked out, because he doesn’t even stir as you wrap his arm securely with clean bandages. You’re much more hesitant to deal with his chest wound: if he wakes and struggles, he could make it much worse. But his unconscious state affords you the best opportunity to stitch him up…
You furrow your brow and go to find a needle.
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You’re awoken by a gentle touch on the shoulder.
You stir from your sleep, wondering what your mother could possibly want at such an early hour. At least she put the fire on—you can hear the crackling. But why is your bed so hard? Did you fall asleep on the floor? Actually, now that you think about it, you do recall dozing off on your sheepskin rug last night, because—
Your eyes shoot open to see a huge, hulking figure standing over you.
The soldier startles when you scream, scrambling to move away from him. He cuts an intimidating figure in the early morning light: he towers over you in a state of undress, the bandages you put on him last night splotched with rusty dried blood. But you calm down as you realize he means you no harm, his hands outstretched in front of him as a show of peace: no weapons.
“Wo bin ich?” he asks. You squint at him. That sounds like German, but you can’t speak a word of it.
“I don’t speak German,” you try. He tilts his head, looking as puzzled as you feel right now.
“Never mind all of that,” you say, shaking your head and pushing yourself to your feet. “You shouldn’t be out of bed!” The soldier watches with amusement as you press your hands against him, careful to avoid touching his chest where you know his wound lies, in an attempt to get him back into bed. He allows you to do so, lying back down like an obedient dog.
“Muste pissen,” he murmurs as you fuss over him. You shoot him another confused look as you check the stitches you put in his chest wound. All seems well, you note with relief.
“What?”
He huffs a sigh. He gestures towards the door, and then then to his…oh.
“I see,” you say, cheeks feeling hot. You can’t bear to look at his face, but when you do, you find he’s watching you with amusement.
You tap his chest with a finger, then mime a sewing motion. “Don’t get up on your own from now on, you could tear your stitches,” you tell him, pointing to the door and then to patting your own chest. “I’ll help you.”
He snorts, but nods. You start to unfurl the bandages on his arm, heart twinging with sympathy as he grits his teeth in pain. You bite your lip in chagrin as the wound is revealed. It was much less severe than the one on his chest, but it’s doing much worse: pus and fluids are leaking everywhere, and to your horror, you think some parts of the torn flesh might actually be turning green.
“Es sieht schlecht aus?” he asks, concerned. You put on a smile you hope is comforting and rise from his bedside to go downstairs and rummage through your cupboards.
You return to him holding a bottle of liquor, the strongest you could find. He seems to realize what you intend to do, and shifts slightly to allow you better access to his arm.
“I’m sorry,” you whisper to him. “This is going to hurt.” Without further warning, you dump a good amount of alcohol on his wound.
“SCHEIẞE!” The bellow of pain that rips out of his throat seems to shake the very foundations of your home. You wince as he hollers and lays back heavy against your poor little bed, forehead covered in a sheen of sweat. That can’t have been pleasant…
“Das tat schlimmer weh, als die verdammte Wunde überhaupt zu bekommen,” he grits. You give him a sympathetic little pat before withdrawing to get the bandages.
He’s calmed down by the time you return to him. He watches you curiously as you wrap him up nice and snug, then turn your attentions to his chest wound. The stitches are still in place—it seems he was careful when he relieved himself—but you still need to clean and dress the wound. He lets out a sigh of relief when you opt for a clean cloth to dab away the dried blood instead of the liquor bottle.
You work quickly and efficiently, worried about him catching a cold with his chest out like this. You also can’t deny that the whole situation is starting to make you a bit shy—a foreign man, and an attractive one at that, is in your bed, shirtless, and you’re all but sprawled out on top of him to get up close to his injury. By the time you’re done, you’re fully blushing at the closeness of the contact between the two of you.
“You should be alright, it’s a good sign that you lasted through the night and haven’t developed a fever yet,” you tell him as you gather up the soiled bandages to be washed. “You’ll need to stay in bed so I can keep an eye on you—”
You’re drawn up short when you look up to see his face. Far from the angry scowl he wore when you disinfected his wound, his expression now is almost…admiring? You shift slightly, caught off guard by the adoration in this stranger’s stare, and your arm brushes against something solid and warm.
You stand up as if burned, turning to see what you just touched. To your chagrin, you find that the soldier is…well, he’s hard.
You whirl around to fix him with an outraged look, but he only laughs at you with obvious delight. What a pervert! You’re so flustered you don’t know what to do or where to look, but you’re stopped by the sensation of him reaching up and pressing a hand to your face.
You stare at him, wide-eyed, as he strokes your cheek with a sort of reverence that stops you in your tracks. “Mein Retter…” he murmurs. “Entschuldigung. Ich konnte nicht anders.”
You huff, recognizing that he’s trying to apologize. “You don’t act like an injured man at all,” you complain. A spark of mirth comes into his eye at your pouting tone as he just chuckles at you. You turn to walk away, yelping when you feel his hand brush against your bottom. You shoot him with a deadly look as he laughs again.
You scurry away, feeling awkward and hot all over. You had been so concerned last night about whether you should stay in the same house as the potentially dangerous soldier, pacing the floor and biting your nails as you pondered whether you should give him up to the local authorities. In hindsight, you’re glad you didn’t—they would surely have locked him in a cold cell with nobody to look after that festering gash on his shoulder, to say nothing of his chest wound. It was worth it to risk waking up to a man angry and spitting hatred at you, if you could save his life.
But now you’re realizing that you hadn’t considered the opposite possibility: that the soldier might like you a little too much.
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ein Engel = an angel Wo bin ich? = Where am I? Muste pissen = had to piss Es sieht schlecht aus? = Is it bad? Scheiße = shit Das tat schlimmer weh, als die verdammte Wunde überhaupt zu bekommen = That hurt worse than getting the damn wound in the first place Mein Retter = my savior Entschuldigung. Ich konnte nicht anders = I'm sorry. I couldn't help it
Once more, I wrote this in a frenzy akin to being possessed, so it's a little short. But there will definitely be more! Thank you for reading <3
@kneelingshadowsalome @danibee33 @crowbird @poohkie90 @cumikering @iytatsworld @papaver-decervicatus @anxietyrain @riotakire @ax0lotly @cookiepie111 @kacchasu @no1runawaymilkdad @chthonian-spectre @backwards-readings @yxllowtxpe @garbau @hexqueensupreme @queenthorin1 @violetstyless @her-majesty-theking @vegan-peppermint @peonytarian @ghostslittlegf @euuuuuuun @e1x03 @kokonoiwife @deaddainish @dragonfang @teehee-47 @catluvwr @keiva1000 @waves-against-a-cliff @channelsoph @cutiecusp @itsagrimm @dins-riduur-anthe @mantishymns @lexuria @complexivelovely
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