I'm trying to tease out why I love this little sequence so much, which starts with Anne eavesdropping while Louisa tries to persuade Henrietta to make amends with Henry Hayter. I think it's the stealth protagonist energy that it gives the Musgrove girls while Anne lurks in the bushes. The actress who plays Louisa in particular feels so right - she's fresh-faced and strong-minded (and I keep trying to pick out whether or not it's really her in the Mad Men pilot too? - she has so few credits), but not silly or callous.
I love that the film lets these scenes just kind of roll out of their dynamic. Louisa advocates for Henrietta and her happiness - which no one (Elizabeth...) ever did for Anne - but of course her success means that Wentworth is left for her. The two pairs of sisters in the scene have their own particular dynamics of dependence, dysfunction, control, and care.
I keep reading that Persuasion is impossible to translate to a modern setting because Anne doesn't have agency and seems passive. (Especially sketchy after reading critical interpretations of how Austen purposefully wielded *Wentworth's* inaction and passivity in the Bath chapters!) But imo it's more interesting to think about Anne's agency in relation to how Louisa acts, that they are stretched along an axis of what was possible for youngish women of their station at the time, along with Henrietta, Mary, and even Elizabeth and Sophia, along with all of us. We catch Anne at a particularly low point, but we see how Henrietta is influenced first by Mary, then by Louisa, until it's not certain what she really wants - echoes of Anne's story and how it's not always possible to *know* what the outcome of a choice will be. I think what we (the modern 'we') don't like to engage with, is the idea of Anne's seemingly lost window of opportunity to make her life what she wants, because it still applies more than we like to acknowledge in our era, although it wasn't and isn't absolute.
On top of that, the walk to Winthrop contains a reveal of Anne's agency to Wentworth. Her refusal of a highly respectable match with Charles is a huge strike in favor of herself and her own interests - the core question of the life she wants and the choices she is willing to live with. Anne does not say anything so dramatic here as the speeches Louisa makes to Wentworth, but her choice says, "I'd rather risk living in genteel poverty than commit myself for life to a man I don't love and close off any hopes of my own." (It's the beauty of the storytelling in the novel that we don't know what Wentworth makes of this revelation - whether he takes the Musgrove supposition about Lady Russell to heart or understands that there is more to Anne's choice - until the end of the book, where we learn that he has been living with that very question.
Thank you to Louisa for planting that seed.) So in this, Anne and Louisa are actually more alike than not, like the dark side and the light side of the moon.
I really like the sense of Anne in these scenes as one among many, playing against the ways she stands out to the reader and the moments when Wentworth singles her out with his attention and later with his praise. It brings out the romance in the story - that it's not necessarily virtue or character in the end that is the key to Anne moving on from her situation, she's not being rewarded for anything and there's no moral victory in it, it's just love and communication.
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advice i think we should tell children is that when adults say stuff like ‘now that i’m an adult i get really excited about stuff like coffee tables and bathrooms and rugs etc’ they don’t mean ‘and now i don’t care about blorbo and squimbus from my childhood tv shows anymore’ bc your average adult still loves all the same pop culture stuff they always did; they just have a greater appreciation for the mundane as well. growing up just means you can enjoy life twice as much now. you can get really excited about a new stuffed animal AND about a new kitchen sponge. peace and love
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The last character you drew/wrote about is now stuck in the last game you played. How screwed are they?
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So earlier in art class today, someone drew a characters hands in their pockets and mentioned that hands are really like the ultimate end boss of art, and most of us wholeheartedly agreed. So then, our teacher went ahead and free handed like a handful of hands on the board, earning a woah from a couple of students. So the one from earlier mentioned how it barely took the teacher ten seconds to do what I can’t do in three hours. And you know what he responded?
“It didn’t take me ten seconds, it took me forty years.”
And you know, that stuck with me somehow. Because yeah. Drawing a hand didn’t take him fourth years. But learning and practicing to draw a hand in ten seconds did. And I think there’s something to learn there but it’s so warm and my brain is fried so I can’t formulate the actual morale of the lesson.
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guys I had this realization the other day that Redwall works really well for reading aloud, and kinda half-remembered something about the author reading to kids? So I looked it up to see if I had made a connection.
And it turns out, yes, actually, because he read aloud to kids at a school for the blind. But all the books they gave him to read were depressing. So he wrote Redwall, a story about heroism and courage and making it through struggles, and filled it with so many sensory, visual details so he could give them something better and I just-- that's so wholesome-- help
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“How is 12 year old Annabeth head of the Athena cabin??”
1. Demi gods have the life expectancy of a lemming.
2. Gifted kids often burn out by age 16 & I doubt any of the Athena teens have the energy or desire to argue with their little sister who willingly takes care of all the family paperwork.
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i can't wait to be 30+ and still in fandom and i can't wait to be 40+ and still in fandom and i can't wait to be 50+ and still in fandom and i can't wait to be 60+ and still in fandom and i can't wait to be 70+ and still in fandom and i can't wait to be 80+ and still in fandom and i can't wait to be 90+ and still in fandom and i can't wait to look back on my life and know that i loved things deeply and passionately and was inspired to create and was part of communities with incredible people from all over the world brought together by the stories that touched us
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This is a super super gentle reminder not to put your favorite authors on a pedestal. We're real people living average lives and not trying to be influencers. We criticize ourselves enough and we don't want to be held to an invisible standard (we start to worry we fail to exceed our own selves) or compared to other writers (we are not competing) or tailor our craft to cater to a wider audience (the right people will find you).
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