Tumgik
#have i reread or editing this
sysig · 4 months
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Two skeletons in a trench lab coat (Patreon)
Bonus:
Tumblr media Tumblr media Tumblr media
He’s very careful! Everything was fine before you interrupted!
#Doodles#Handplates#UT#FJdlsafjdsf Handplates fuzzes my brain#I cannot tell you how weird it feels to draw Gaster with the Lost Soul head after all this time away haha#It drops me back into the person I was when I first read Handplates - for better or for worse. It's a very strange feeling#Even drawing Sans and Papyrus again sends me back! Not as strongly but certain little details stand out#Sans' eyes especially... Very strange feeling#Anyhow! Since Fellplates sent me back down the rabbit hole and I've gotten back into rereading lightly - still not a full commitment!#Maybe soon tho 👀 I feel like I always say that haha#But in the meantime thinking of the pre-Plates Handplates time period <3 Since that's the one I'm still most familiar with haha#I love when they're still growing and learning ♪ Scaffolded baby talk! Twin language! Love 'em ♥#And fearless* mischievous little troublemakers hehe#They're so cute <3 I love the little ways they interact as young'uns - like when Papyrus will just lift Sans by his arms lol#I'd been thinking about and then had to go read the one of Sans as a the blanket/coat tickle monster and then - this ✨#''Excuse me sir I'd like One Ticket to the R Rated movie I am an adult Monster'' lol#Probably another one of those moments where Gaster is just *nervously sweats in Dad* lol - stop being so cute!#Also there's no particular meaning to when I use WingDings for his text :P Just convenience and if I remember to lol#Comics where he talks a lot are not convenient XP I have enough trouble editing on this paper ugh I will Not miss it when it's done#Even attempted this comic in as few pencil strokes/erasing as possible and it was still a pain to work with! >:0 Rude#Doubly so that I've had a Handplates comic idea for past like - year lol - and /this/ was the first one I finished pfftbl#To be fair to the other I do want to at least attempt making it a look-alike hehe ♪ You know how it is with Ideas™#I can't be too mad about it haha ♫ It did turn out quite cute after all :3
711 notes · View notes
fumifooms · 3 months
Text
Tumblr media Tumblr media
Chilchuck analysis speedrun: As a hardworking half-foot who grew up poor and discriminated against and had his gullibility taken advantage of multiple times in his early adventuring days, Chilchuck thinks optimism is a dangerous flaw. He’s stressed and strict all the time because his job is noticing details like traps that could get everyone killed before anyone knows it, he takes the lives of everyone to be on his shoulders, and with the way he speaks about it that probably partly reflects how he felt about taking it upon himself to provide for his family too. His life’s always been pretty centered around work and has become even moreso now that his wife left and everyone is independent, and due to past events he’s very iffy with bonding with coworkers. He thinks feelings and job are a disaster mix. Like with his wife or with parties hiring him as sacrifice, being open or having good faith is vulnerability which can get you hurt, so he processes and shows all his stress as anger instead of worry. Doing strict dieting probably isn’t helping the irritability what with hunger, and on top of being a hunger suppressant alcohol might be the main stress reliever he has.
His grey hairs are so earned
Tumblr media Tumblr media
#Chilchuck tims#dungeon meshi#analysis#HAPPY CHILCHUCK DAY#You know what yeah understandable have a good day#Alcohol be a ticket straight to chilling out town I suppose#Spoilers#dungeon meshi manga spoilers#Thinking on if I should split my family masterpost into diff posts for max reach hmm#Anyways I’m def editing in the second page into that post that “I’ve got three people to think of here” sounds sooo much like that’s#How he’d think about it in a family setting as well. He works so hard for them 🥺#I could have put 100 pics on this post to justify everything I mentioned but this is a speedrun for a reason. I’m planning so many#Compilations rn i need a break from rereading lol#He’s just here to do his work!! He just wanna do his work!!!#I’m always rotating him in my brain like rotisserie chicken :( Hopefully this doesn’t sound disjointed or insane to average readers#He’s always on his guard so he has a short fuse and his type of humor & liking for snarky remarks doesn’t help#Also bc he knows nothing lasts he has a very work hard play hard mentality where ‘dying doing something you love. Like drinking’#Is nice in his opinion#This post makes it all sound so dry. Chilchuck is so messy thinking about him is thrilling I swear. This is concise but at what cost…#OH ALSO he has weird self-hate issues where he really values his skills but devalues himself on a personal level.#‘I am a coward. I only care about myself. I cheated on my wife (lying for no reason)’ etc etc#Can’t disappoint people and make them leave you if they already have no expectations and esteem of you 😏💡
473 notes · View notes
coquelicoq · 7 months
Text
what i like especially about the pronouns in the goblin emperor is that this language doesn't just have the T-V distinction (aka informal vs. formal second-person pronouns, in this case 'thou' vs. 'you'), it also has informal and formal first-person pronouns. having BOTH of these distinctions in the same language lets you fine-tune your tone by mixing and matching. with only one axis of formality, when you use informal pronouns, are you being familiar in an intimate way, or in an insolent or dismissive way? when you use formal pronouns, are you being polite or standoffish? you can't tell just from the pronouns; there's ambiguity. but a language where you can use a formal first-person pronoun in the same sentence as an informal second-person pronoun allows you to distance yourself (via the formal first) while also being familiar (via the informal second), thereby achieving the conversational tenor known to linguists as Fuck Thee Specifically.
#just kidding i don't know what linguists call that tenor. or any tenors. i'm not totally positive what a tenor even is#but i can't let that stop me from writing a jokey post on tumblr dot com#register is a very interesting area of linguistics that i know very little about#so i'm probably revealing the depths of my vast ignorance here to all the sociolinguists who surely hang on my every word#but i've always thought of the formal/informal pronoun thing as being about two things: intimacy-distance & rudeness-politeness#and of course you can usually tell from context whether a formal pronoun is meant to indicate distance or politeness#(plus distance and politeness are related to each other (to various degrees depending on culture))#but it seems like it would be cool to have a built-in alignment chart of sorts just for pronoun combos#instead of prep jock nerd goth...why not try intimate self-effacing polite superior?#the goblin emperor#pronouns#register#sociolinguistics#my posts#f#anyway i know i said i wasn't going to reread the goblin emperor...but guess what. lol#and i edited my tags on that earlier post but fyi the language DOES distinguish between plural and formal singular pronouns#i had said i thought it used the same pronouns for plural and formal but i just wasn't paying close enough attention#so anyway i just reread the part where maia is talking to setheris in formal first and informal second#and you can see setheris going ohhh shit. oh shit oh shit oh shit#i'm in biiiiiig trouble#you sure are dude. that's the Time to Grovel signal#it's interesting because at the very beginning of the book when i first saw the formal first used i just thought it was the royal we#because i knew the main character was supposed to be royalty#but then EVERYONE was doing it. so it's not the royal we it's just the formal we#however. this does make me realize that the way the royal we would function in a language that retains the t-v distinction#is the same way i'm describing here. it's just reserving that particular tone (i'm better than you and am displeased with you)#for royalty only. which makes sense given royalty's whole deal
804 notes · View notes
orcelito · 11 months
Text
ok, i cant resist the urge to make a post about it after all, especially since it's related to a post i made prior
one of my favorite moments in trimax is By Far this part in chapter 35
Tumblr media Tumblr media
[ID: Two pages from Trigun. The first starts with Wolfwood thinking, "Now that I think 'bout it, it may be one of the major differences between our species." That deep rooted dear I felt on the ship…" He thinks of Vash crying blood and, swearing, wonders, "Is he the one who can save humankind? That monster?" Wolfwood is briefly shown in resolution before someone calls, "Hey, Wolfwood!" and he looks up with surprise.
Vash sits with a smile at the edge of a rooftop, backed by the Fifth Moon and its prominent crater. Vash asks with a smile, "Just coming back now? You're a bit of a night owl, huh?" Wolfwood looks taken aback and wary. End ID]
Right Here. Vash is just sitting there, smiling like normal, but he's got the backdrop of the damage he caused on the moon set Perfectly behind him. it's a glaring reminder to Wolfwood of who exactly he's dealing with here, and that TERRIFIES him.
& the fact that Wolfwood still remembers that moment of crying blood as a moment of true fear. because for all the cheer Vash shows in the average moment, Wolfwood just recently saw him nearly lose control Again (at the Dragon's Nest). the second time he witnessed it, & the third time he would know about.
Vash is a walking atomic bomb with multiple charges. even with how cheerful & kind he is, he's shown Multiple Times that he does not have full control. he is decidedly something different, something Hazardous to humans, and Wolfwood knows this very very painfully.
for all that Wolfwood loves Vash, he is also terrified of him. and at this point in the story, that terror is potent enough to nearly eclipse his affection for Vash.
leading to some of the next most iconic pages:
Tumblr media Tumblr media
[ID: The next page starts with Wolfwood standing behind the sitting Vash, his expression hard and the moon bright behind him. Vash seems sad and has one eye open. A close-up focuses on Wolfwood looking down.
Wolfwood thinks, "So easy to pull the trigger. So easy to remove half the problem." Another close-up with bright lighting obscures his face but for one eye. Then Vash turns around curiously and asks, "What's up?" Wolfwood sits behind him and says "Nothin'. Come on. Let's go." Vash seems surprised as Wolfwood scolds, "Don't get yerself tangled up in every little skirmish ya see. It'll be pointless if ya get yerself killed before ya meet him." End ID]
the manga frames it like Vash doesn't know Wolfwood was pointing the gun at him, but I think he did know. he's freakishly perceptive over and over again throughout the story. he HAS to be in order to survive like he has. he'd hear the movement of the gun & sense Wolfwood behind him...
he'd know. i really think he knew.
but he doesn't do anything about it. there is zero fear in his face. he turns to look at Wolfwood curiously, a bit confused, but not afraid. he never once thought that Wolfwood would shoot him. there's full faith and trust there in that moment.
Wolfwood pretends that nothing happened, & Vash lets him. they both move on, not talking about it, because they never talk about Anything of substance like this (not until much, Much later).
overall, it's just such a great example of their relationship's development. Wolfwood's fear & Vash's trust that he won't act on it... it's just. Man.
(EDIT: people have made some good points about how Vash's expression when Wolfwood points the gun at him shows that he probably did know and YEAH that's a good point! & probably why I was so certain he knew lol, I just hadn't realized it myself)
1K notes · View notes
cringelordofchaos · 15 days
Text
Tumblr media Tumblr media
// for even if I'm far away, I hold you in my heart //⟩ 💙💜
190 notes · View notes
daigah · 5 months
Text
"I would've gone with you to the end, into the very fires of Mordor."
Tumblr media
210 notes · View notes
jamietwat · 4 months
Text
Jamie would 100% make Roy a dating app profile sometime after the Keeley rejecting both of them thing to try to help him move on and meet people when clearly he’s refusing to get back out there organically and he’d think he’s being so helpful and generous and the best wingman ever. He’d handpick what he considers the sexiest pictures he can find and put a bunch of shit Roy would never say thinking he’s being accurate and helpful and not even taking the clear opportunity to make a joke account to embarrass him or anything when he easily could have just made fun of him and chosen the worst pictures possible instead
And then he would be SO offended when it doesn’t go well when Roy finds out about it and is not properly appreciative at all
Roy thinks it’s Jamie’s account when he starts showing Roy girls like what do you think of her and asking him way too many questions when Roy has no interest in participating and has no idea why the fuck Jamie seems incapable of swiping without trying to get Roy’s opinions first. Meanwhile, Roy’s giving one word answers at first and then increasingly trying to brush him off when he doesn’t stop and then he’s just flat out like “Choose your own dates and leave me the fuck out of it” and Jamie’s like “Nah, this is your account. You should have a say” and instead of being grateful and appreciative and thanking Jamie for being oh so generous with his time and energy, Roy just scowls at him and growls out “You did not make a fucking Tinder profile for me” and Jamie just smirks and decides now is not the right moment yet to mention that he actually made him accounts on like three different apps because he wasn’t sure which Roy would like best
Roy barks at him to delete it and Jamie’s all whiny like “Come on, I spent a lot of time on these and you haven’t even considered it. Plus, even if you’re not ready to date someone yet, you’d still be less miserable to be around if you at least found someone to shag in the meantime”
And Roy’s like “Delete it. I don’t want a fucking Tinder profile.” And Jamie looks at him confused for a moment and then seems to have an epiphany as he goes “Oh, do you want a Grindr one instead? Hold on a second” and he flips to a different app and Roy’s too busy being baffled by the fact that Grindr is already on Jamie’s phone and that he’s having to sign out of his own account to try to make one for Roy to even stop him before he’s already trying to sign up for a new account and Roy goes “That’s not what I meant. I don’t want any dating app”
And Jamie pauses his typing and turns and looks at him so skeptically and so judgily and suddenly somehow Roy is trying to fight for his life trying to defend why he’s not looking for some random stranger to date or fuck around with
159 notes · View notes
zephyrine-gale · 1 year
Photo
Tumblr media Tumblr media
adamlyle | ginger soda
Tumblr media
476 notes · View notes
gojonanami · 2 months
Text
me: I think fake dating gojo will be long but not super long
*almost 16K later*
me: well that was a lie
137 notes · View notes
thatswhatsushesaid · 8 days
Text
man, but like.... why is there a contingent of jiang cheng stans who are incapable of stanning their special guy (totally justifiably! i support you!!) without shitting on jin guangyao in the process? why are these fans capable of doing deep narrative dives to understand and contextualize jiang cheng's justifiable actions re: wei wuxian and the wen remnants pre-timeskip, who write thoughtful screeds in defence of his feelings of anger and betrayal vis-a-vis the golden core reveal, but lose that capability entirely the second jin guangyao shows up?
is it because jin guangyao is mean to jiang cheng while trying to not get murdered as his whole life collapses around him? jiang cheng is a big boy, jin guangyao's carefully calculated spiel to provoke him during the guanyin temple confrontation doesn't even make the list of top ten most traumatic things to happen to him, he'll be fine.
feral jc stans should be friends with feral jgy stans because nobody else likes us 🥲
91 notes · View notes
not-poignant · 15 days
Text
today I have:
edited two chapters (8k in words)
stuffed 7 hooves with soaked kibble, mashed banana, and yoghurt and put in freezer
stuffed 5 Kongs and put in freezer
did one session of relaxation protocol (task set 2 modified)
did pattern games with Toby
did walk / loose leash walking training
groomed Toby (he needs this every day in the two weeks leading up to his actual groom)
put away grocery shopping
marked some art as posted (i sold some art! yay!)
...ate quite a few Maltesers as well
63 notes · View notes
suckishima · 3 months
Text
Tumblr media
"A level-headed, disciplined shield, and it's best possible partner, one that makes its decisions easy, a sharp spear."
111 notes · View notes
so-very-small · 6 months
Text
if you’re ever writing and thinking “maybe I’m making the height difference too gratuitous here” that’s the devil talking and you should ignore him. double the size and try again
129 notes · View notes
coquelicoq · 10 months
Text
justice of toren collecting songs and one esk/breq constantly humming/singing them is such a good detail and ann leckie does so much with it. an incomplete list:
justice of toren's eager collection of songs is part and parcel of its violent destruction of cultures: these songs are cultural artifacts that it only learns because of its presence on those worlds during their conquest, and in many cases breq is the only one to remember them because their people have died out due to that violence. JoT preserves cultural artifacts for its own use at the same time it directly contributes to the need for that preservation in the first place.
the matter-of-fact way in which this is narrated to us gives us information about JoT's stance on respect and imperialism - that is, contrasted with other characters who look down on the conquered cultures, JoT does actually seem to appreciate their value. and yet it communicates to us no sense of remorse over its role in their genocide.
singing can be a communal activity. this allows us to feel the difference between one esk's multiple bodies singing together in harmony/in a round vs. breq singing alone. this has emotional weight, is an evocative image, and illustrates quite nicely some of the logistic considerations of having one vs. multiple bodies.
the constant humming/singing is extremely notable and idiosyncratic according to other characters, which is a dangerous combination for someone who's supposed to be undercover, so it adds a lil bit of fun suspense for us.
the fact that no one ever figures out breq's identity despite this giveaway tells us something about the other characters' attitudes towards artificial intelligences (though see below about seivarden).
the fact that it's so idiosyncratic also tells us something about the ability of individual AIs to have personalities that distinguish them from other AIs, and the fact that one esk sings constantly but two esk doesn't tells us something about the ability of different ancillary decades that are all part of the same AI to have distinguishing characteristics. this is very relevant to, and illustrative of, the series' thematic throughlines around identity, personality, continuity, etc.
the fact that breq personally has a bad voice also serves multiple purposes. because breq and seivarden both believe that the medic could have chosen a body with a good voice if she had wanted to, we can infer something about how ancillary bodies work, how much the AI (and, by extension, its medics) knows about the individual capabilities of those bodies while they're in suspension, and what kinds of things the AI can and can't control once it has unfrozen and taken over a body.
we can also draw conclusions about the medic that chose that body and about intracrew relations on that ship.
breq's bad voice creates moments of humor and irony in the narrative, such as when breq's constant singing - aka the most obvious clue that she is one esk - is precisely what makes seivarden so sure that breq can't be one esk, because no esk medic would use a body with a bad voice for an ancillary.
constant singing/humming imposes itself on the shared soundscape, meaning other people can't easily avoid it and it has the potential to annoy them, especially if the voice itself has annoying qualities. the reactions of other characters to the frequency and/or quality of this verbal tic tells us something about the level of affection those characters have for one esk or breq.
because singing involves words, the meaning of the lyrics being sung can be used to advance the plot, communicate things about specific characters, create irony in juxtaposition with what's happening on the page, etc.
i especially like what's done with the lyric "it all goes around". it's woven throughout the story in such a way as to manifest its own meaning (the repetition of "it all goes around" is, itself, an example of something going around). by repeating the lyric, breq is the one making it true, and i would argue that her repetition of this particular lyric about things orbiting other things contributes to, and/or is a sign of, her growing understanding of the necessity/reality of interdependence and her place in that framework/her role in constructing it, or in other words, the extent of her own agency and the rights and obligations it confers upon her.
because the singing/humming is a constant, background, automatic action, it only ceases when breq is experiencing a strong emotion. from this we are able to infer things about the emotional state of our famously-omits-details-about-her-emotional-state narrator based on other characters' comments about whether or not she is currently doing this thing.
we also aren't even aware that breq is doing it constantly until another character says so. on a narrative level, this serves the dual purpose of making sure we know about how much she hums AND of reminding us that she's not telling us everything.
the humming is not mentioned constantly even though it is happening constantly - this helps us forget in between mentions that it's going on while also simultaneously reinforcing just how constant it must be, so constant that to mention it every time it happens would be like narrating every time she breathes in or out. whenever someone brings it up, we are reminded anew that something has been happening all along that we forgot about. this means that ann leckie is able, by leaving information out, to hammer home to us how much we are not being told.
through this one character trait, ann leckie efficiently and elegantly communicates not just aspects of character but also of setting, plot, tone, theme, and narrative. there's no extraneous exposition just to tell us about the song collection or singing; everything that tells us about it is serving other functions in the narrative as well. the ways in which she manifests this one character trait in the universe and in the narrative contribute to and exemplify both the story itself and the method of its telling.
504 notes · View notes
invisiblemonstrosity · 5 months
Text
Tumblr media
pathetic polite - from grit by silas denver melvin ( @sweatermuppet) // photo by michal macku // photo by rusty1
108 notes · View notes
beanghostprincess · 4 months
Text
Zolusan (more Lusan than anything tho. Was supposed to be Lusan but my hand slipped) one-shot finished. 21544 words of Sanji having a whole breakdown over being in love with Luffy (and Zoro) and fearing not being human enough, and Luffy basically going: "You're an idiot. I love you. Zoro loves you too. Get loved, idiot".
Tumblr media
65 notes · View notes