Ok ok… here me out for a second…
Thenamesh Addams Family AU…
The Lee Family: business associates of Father's who were coming to meet with them over real estate (or some such). Mister Lee dealt in property, and also possessed quite a lot of the railways, according to Father. Missus Lee was as much of a matriarch as Mother, although they were going to talk about their poison gardens, or some other such.
Thena stared at the family standing in the foyer. They were like the picture perfect opposite of herself and her own family. They were dressed entirely in black, even the son in a smart black suit. They had mild expressions but warmer seeming eyes, all a gentle brown.
Mother and Father had perfectly sculpted smiles, but eyes as cold as the tundra. They were dressed in all white, just like Thena was, with her white-blonde hair braided over her shoulder.
"Mister and Missus Lee," Father greeted them with a falsely warm tone. Before they had arrived, he had said that they were horrid people to do business with, despite his very warm tone.
"Such a pleasure," Mother purred as she exchanged air-cheek-kisses with Missus Lee. She had said that she would rather let Theseus - the young iguana currently hiding in Thena's room - sit on her lap than align herself with 'Mister Lee's wife'.
Such walking contradictions her parents were.
"This is our son," Mister Lee smiled more genuinely, putting his hands on his son's (broad) shoulders. "Gilgamesh."
"Pleasure to meet you." He had a soft voice.
Thena stared at the young man. He was big for their age, with a young moustache coming in on his upper lip. Thena's lips twitched; it suited him, in a funny sort of way.
"Gilgamesh," Mister Lee clapped his hands on his son's back as the parents began moving into the drawing room, "greet the young lady properly."
Not that they stuck around to see that it happened.
Thena looked at the young man again, extending her hand, her palm facing the floor. Her face was still impassive, and she hadn't said a word, just like Father always taught her.
Gilgamesh looked at her with some intrigue in his eyes, bending further than he needed to as he accepted her hand in his. He bowed his head completely, nothing short of reverent as he said, "my pleasure."
Thena tilted her head as he kissed the back of her hand. It was gentle, and he even held it softly with his other hand as his lips touched her knuckle. She smiled; she could feel his moustache tickle her skin, "enchante."
"Bless you," he extended a handkerchief.
Thena laughed before quickly raising her hand between her mouth and his eyes. She was forgetting her etiquette with their guest; Mother would be furious.
"What, are you not allowed to laugh?"
Thena looked at him again, and, without his parents to loom over him, Gilgamesh seemed more relaxed. His shoulders were still wider than any she had seen, but they were slouched, his hands in his trouser pockets. She had never seen anyone look so comfortable in their own skin before.
"It's okay," he shrugged as he smiled, attempting to encourage her into doing the same, "I won't tell."
She almost - almost! - let another laugh escape her before fixing her lips into a perfect smile. It was rigid and hard to maintain, but it was the only one she knew how to do. "I thank you for your consideration."
"So, uh," Gilgamesh leaned back just for a second before walking closer to her, away from the doorway where their parents' business mutterings were happening. "We're supposed to...talk, I guess?"
"Indeed."
"Okay," he looked at her, hands still in his pockets. His eyes ran over her, and Thena briefly forgot what she had put on that day (Mother always picked her clothes for her anyway). "What do you wanna talk about?"
Thena blinked. She had read about trains and business economics and stock options all night in preparation to meet the magnate's son. And he was asking her? "Me?"
"Yeah, you," he smiled, even more naturally than before. He had a nice smile. "What do you like to do?"
What did she like to do? What was she allowed to do? Her days were filled with lessons, and then after that, she was left to her own devices. "Sometimes Mother lets me assist her in the poison garden."
"Oh yeah, Ma has the same kind of thing at home," Gilgamesh made a face that betrayed his lack of interest in the topic. "She just gets mad when I'm outside because she always thinks I'll step on it, though."
Thena felt her lips twitch, aching to leave the practised posture of the smile she had on. "Mother is similarly protective of ours. She gets furious when Theseus crawls around in the soil."
"Who's Theseus?"
Again, Thena felt caught off guard by the question, even though they were the only ones speaking. She wasn't used to being asked so many questions that weren't on a preordained subject. "Theseus is my iguana."
"You have a pet?" Gilgamesh beamed, so utterly delighted by even the idea of having an animal companion. He stepped closer to her, "can I see him?"
"I-I suppose," she uttered before she had a chance to think better of it. Was this what she was supposed to be doing? She was told to be hospitable to the Lee Family et al, so surely that included indulging Gilgamesh too...right? "Come with me."
"Allow me," he smiled, holding out his hand for her.
Thena paused just for a moment before slipping her hand into his, the way she had seen Mother do when Father held her hand as they walked the halls of their cold and sprawling estate. The way a gentleman did with a lady.
Gilgamesh held her hand so gently she felt as if she would collapse.
Thena looked down at the steps as she lead him upstairs, opting to walk to the left first. "Mother and Father have been anticipating your visit for quite some time."
"My folks too," he concurred, in much more casual phrasing. He looked around as they walked, his other hand still in his pocket. "They're all excited for it, and yet they keep saying what a drag it is."
Thena smiled as much as she was able without practising, "my parents are the same. I haven't the faintest idea why they insist on referring to things they claim are good to be so awful."
"They're funny like that, huh?" Gilgamesh looked away from the family portraits lining the upper walls to her again. "Should I have said it was quite awful to make your acquaintance?"
Thena let another tiny little laugh escape. She peeked at Gilgamesh, just to make sure he didn't mind. But he was smiling right at her. "Abysmal to meet you as well."
"See?" he grinned so freely, so uninhibited by the gilded cage around them. "Maybe that should be our code for things. If they're going to pretend shit it so great, then we can say just the opposite."
They reached the top of the staircase, where it split from its other half. Still, he didn't let go of her hand, waiting for to lead him wherever they pleased.
"Then I am having," she paused, her lips pressing together in threat of another smile, "an awful time."
His hand squeezed around hers faintly. But it was nice. "Me too."
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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