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#hamlet play
mysticalasduck · 1 month
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So in the production of Hamlet I’m in, the person who’s playing Laertes is this goth senior with their roots died purple and they’re always wearing this awesome outfits and recently we’ve been blocking the fight between Laertes and hamlet and its really fun to watch them and honestly I would kind of love it if they didn’t give Laertes any costumes and just let this person dress themselves cause it’s awesome.
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writtebycamus · 4 months
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from a Prince to a King; David Tennant in Shakespeare plays throughout the years
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Hamlet (2009) // Macbeth (2023)
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..and he wrote them for David Tennant
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queenklu · 2 years
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I was so confused during today’s Drac Daily about this part in particular
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Because that??? Bro, that ain’t Hamlet.
I went digging and found someone attempting to explain it:
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If it is referencing this scene then it’s the part in the play where Hamlet says he’s going to throw everything off the table of his mind and focus only on revenge (this does...not work out for him).
BUT THEN
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SO BASICALLY
B A S I C A L L Y
Stoker’s dumb acting friend MISQUOTED SHAKESPEARE loudly and often enough that it wound up in this novel????????
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Ok but consider: A production of Hamlet that starts with the last scene and then Horatio has to play his role in the rest of the play, but he’s still completely dissolved in tears. Everyone else is oblivious and he has to keep it together for the sake of storytelling, but his voice cracks as he says “I think I saw him yesternight”, regret filling his tone, and he frantically holds on to Hamlet as he begs him not to follow the ghost; he practically chokes on his words as he shouts, “Be rul’d!” And he knows it’s no use, but he’s so reluctant to play his part in this and he can barely keep his emotions at bay. And then the end of the story draws nearer. He takes longer and longer to say his lines. He hesitates, tries to stretch out the little time he’s got left with Hamlet. He doesn’t want to be in this narrative, but he is. Until finally, as Hamlet decides to duel Laertes, Horatio simply gives up. Reluctantly, but knowingly, he accepts the fact that there’s nothing he can do but play his part and relive it all, just to honor Hamlet’s legacy and story. And Hamlet dies in his arms a second time.
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nwarrior777 · 3 months
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making Hamlet fanart in 2024, slapping Juicy (main hero of Fat Ham, a modern play, Hamlet version, played by black fat queer person) on char design i saw in old b&w film while listening MCR playlist was an experience
highly recommend. also pls watch/read Fat Ham upd: image description added! (in alt text, but also under the cut)
(Image Description: List of sketches with 3 drawings. The textures used here are elegant looks-like photo silk (for clothes), soft shades and gradients. Shapes are sinking in each other depth. No color, black and white
It's fanart depicting Hamlet character being combination of different versions of him from different media: fat black queer masculine person being elegant, wearing mascara and lipstick (took from modern play Fat Ham) wearing vintage royal clothes (took from old classic film). The narrative of sketches also mixed of modern play (Fat Ham) and classic one
There are 3 sketches:
First one. It's the character described above (TC in text further) sitting in side view. His eyes is closed and face has melancholic emotion. TC is holding a scull. There is a simple-shaped silhouette of crown above his head. This image represent classic play melancholic vibes of character fused with modern play appearance
Second sketch. It's TC singing, while holding white pigeon in hands. It had previous classic-modern fusion vibes + a little vibe of disney princess song (because of bird and emotion expression similar to disney musicals). By left side of this sketch is stylized speech babble with music notes symbols and deformed text, visualization of singing. The text saying: "I want a perfect body", quoting singing of TC from modern play. By the right side of sketch there is arrow pointing at character with text "has most perfect body ever".
Sketch Three. It's dynamic sketch of TC in a duel (opponent is out of the frame), waving a thin sword (idk how it in eng, in my first it's шпага, a sword but specific type of it). From the chest of TC it's going steam, like character is heated mechanism pushed to limits. The face of TC is strong and determined, with mouth wide open trying to catch breath. Near this sketch is text: (text starts here) "He is fat and scant of breath" - original play quote. i know Fat Ham message. this one [the sketch with duel] here for slay jpeg reason (text ends here).
End of Image description)
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aregebidan · 3 months
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Val cannot possibly be growing angry over something like this. How could she? The hypocrite.
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I love Shakespeare, and I love Hamlet, compound that with the fact that they had Aziraphale and Crowley at the Globe Theater while they were playing Hamlet put me over the moon.
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What I find most amusing, is that both Michael Sheen and David Tennant have both played the part of the Danish prince.
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So we have our favorite angel and demon, meeting at the Globe because of their new "arrangement" to do miracles or temptations that are just plain and simple, a pain in the ass to do, but management wants them to do anyway.
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They also discuss the fact that if either one of their sides knew about the "arrangement" it would be abysmal for them. We know what eventually happens to Crowley later on in the future, when he saves Elspeth from attempting to take her life.
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I think the one thing that is key with this part of their history, is how much concern Aziraphale has started to show for Crowley. Even though he denies ever knowing Crowley, he is nonetheless worried about his wellbeing. These are the early stages of their relationship, with Aziraphale voicing his distress at the possibility of Crowley being destroyed if caught by his superiors.
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During their conversation, Hamlet is playing on stage, and Aziraphale loves this play. Unfortunately, it's not that popular and it concerns him very much. They then have their coin toss to see who get to do the good and bad thing in Edinburgh.
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Poor Aziraphale loses that toss and get stuck having to go there. At this point, Aziphale hears Shakespeare bemoan the fact that no likes Hamlet. This is where Aziraphale gives Crowley the, what has been called, his "heart eyes" looks. I call it the, "oh please my dear, can you do this for me?" look and Crowley just can't say no to him.
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It doesn't even take him a second to agree to his angel's request, so much for putting up a fight. He never has a chance, Crowley already has it bad and doesn't even know it.
I will say, that to me, Crowley fell in love first with Aziraphale. The debate is, when, at Eden or during Job minisode? We can debate that forever, but in the end, he is already in love.
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I adore how happy it makes Aziraphale, when his demon capitulates to his wishes. Look at him, he is beaming with happiness, how can anyone not love him.
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Crowley makes it like, yea, whatever, but you can't tell me he wasn't smiling as he walked away, knowing that he made his angel happy.
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Anyway, I love this whole minisode as I said earlier. It is adorable in their interactions over one of my favorite plays. Plus, Elizabethan Crowley is just gorgeous!
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hamletthedane · 8 months
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*laying on my floor staring at the ceiling, completely distraught* I mean, what even is Horatio’s role in the play??
“Horatio, Friend to Hamlet.”
Horatio, stranger, young student, trusted confidant and friend of Hamlet, trusted aid to everybody else in Elsinore, advisor, assister, orator, oracle, Cassandra, mourner, witness to all events unfolding, lingerer in all scenes with no dialogue, more an Antique Roman than a Dane, thou that he knowest thine, the sole survivor of tragedy, the audience itself-
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me personally I like to imagine Claudius killed his brother in the first place because he came across a group of witches who told him that he’d be king someday and he took it from there. I also like to imagine that there’s just a coven of witches that hangs around Europe telling unstable and violent men in positions of power that they’re soon to be king just to see what happens. they’re pot stirrers
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isan0rt · 9 months
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You know, when you consider Azure Moon as a self-contained narrative, the use of ‘unanswered questions’ and ambiguity as a reinforcement of the themes of the route are really effective. I honestly think having the route not address the Slithers was the best narrative choice IntSys could possibly have made given the themes of Azure Moon.
Like. The developers didn’t really expect people to actually play all the routes; they designed the game so ‘everyone would have a different experience.’ As a result, all the routes have very different themes and scopes. Azure Moon is the tightest, most character-driven narrative despite not being the shortest route.
And Azure Moon is about grief.
Grief hangs over the entire route; except for Mercedes, every single one of the Blue Lions is haunted by the Tragedy of Duscur and the unanswered questions surrounding it. Felix loses his brother directly, and his worldview and best friend to the aftermath. Ingrid loses her fiance, but also her sense of security; without Glenn, her people may starve, and her personal future is now uncertain. Sylvain and Glenn were the same age, so we can assume they were friends, though his loss is less direct; Sylvain is surrounded by people broken by loss, including his own father. Annette’s father leaves her family in disgrace over being unable to stop the tragedy. Ashe loses his foster brother to the aftermath; and later his foster father as well. 
Dimitri and Dedue lose everything.
All of them spend the whole route wanting to find answers and some kind of closure for this event. It drives the entire narrative for all of the Lions actually from Faerghus. Mercedes, meanwhile, stands as an outside observer to that tragedy - but she is also dealing with her own personal tragedy and unanswered questions about her brother, and that drives her during Azure Moon.
And the thing about grief is that sometimes you never get closure. But you still have to move on, anyway.
That’s the whole point of Azure Moon. Dimitri has to move on. All the Lions have to move on. 
Mercedes cannot regain her brother, whether you find out his identity or not in the route. She has to move on anyway. Dimitri cannot reconcile with his family, not with Rufus (Did Dimitri kill him? We the viewer can never really know for sure) and not with Edelgard. He never finds out whether Patricia wanted to kill his father, or whether she loved Dimitri at all (and we the viewer don’t, either). He has to move on anyway. The Lions never find out the cause of the tragedy.
They have to move on anyway.
Involving the Slithers at that point would not only add a bunch of last-minute narrative complications that aren’t necessary in Azure Moon, it would undermine the emotional impact of the route (in much the same way the last map of Verdant Wind does, honestly). The themes of Azure Moon not only don’t need to answer the question of the Slithers; not answering that question is the point. Bringing up the Slithers at that point would take all the air out of the personal drama the route takes its entire runtime addressing.
Dimitri hesitates at the end. He stops, and tries to look back, and Byleth stops him. He has to move on. He can’t keep looking back at Duscur. He’s got to walk forward. 
And that means leaving his questions unanswered. 
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antisisyphus · 11 months
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had a weird dream where ophelia got stuck in a timeloop that restarted every time hamlet died & she killed herself to get out of it but then the narrative passed the timeloop onto horatio & he realized that there was an audience/god that loved hamlet to ruin
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emotinalsupportturtle · 3 months
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Who wants to get in a time machine and go tell him?
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from that 2005 R&J essay by David Tennant
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straightplayshowdown · 2 months
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Rosencrantz and Guildenstern are Dead: Rosencrantz and Guildenstern have been summoned to Elsinore by the king, Claudius. He and Queen Gertrude, wish for Rosencrantz and Guildenstern to glean what sudden sway of madness has affected Hamlet. The duo sets out to achieve their task, meeting a ragged troupe of players along the way. Brief glimpses of scenes from Hamlet show the trials and tribulations of the royals; our two heroes are largely left in a state of waiting. They pass the time playing games, posing questions, and tossing coins, until they gradually realize that their fates have been taken out of their own hands. They are merely characters in a larger story in which they have no say.
Hamlet: Hamlet is home to mourn the death of his father. He is disgusted by the marriage of his mother to his uncle, Claudius, who now has the throne. The ghost of his father reveals to Hamlet that Claudius poisoned him in the ear. Hamlet vows to avenge his father’s murder. Hamlet’s sanity begins to be questioned by all. He accidentally kills Polonius, thinking it was Cladius. Ophelia has gone mad with grief over the death of her father. Claudius suggests that Laertes duel with Hamlet. From there, the play ends in tragedy. 
Propaganda under the cut!
Rosencrantz and Guildenstern are Dead:
what if we were both minor characters in Hamlet forced to die over and over again in a timeloop and we were both guys 😳. basically one of the only modern straight plays i know and its just so good!!!!!!!! Rosencratz's death monolouge gets me everytime
This play is for people that love Shakespeare, but also love weird shit. It somehow offers really insightful commentary on stories and fate and purpose while also feeling like a fever dream.
an existential and brilliant deconstruction of hamlet
it’s good 
Hamlet fanfic involving the game of questions and frequently not being on boats.
No, I'm tired sorry
waiting for godot meets hamlet. best of both worlds
A heartbreaking examination of the archetype “tragedy” — the knowledge that, essentially, the characters are doomed from the beginning, and cannot escape their fates, the inescapable feeling that they’re simply characters in a story. RAGAD treats the genre with comedy and makes two seemingly meaningless characters into an everyone’s favorite duo.
what if we were doomed by the narrative and flipped coins and licked feet and hid in barrels and hung out with a suspicious actor troupe who eventually turns against us and also we have to figure out what's up with hamlet because claudius told us to? and we were both boys? just kidding! ....unless?
I know the whole thing off by heard and I’ve never been in it. Does that count. Also it deserves to win because of what the awful awful film did to it.
Hamlet:
its hamlet. do i need to say anything more?
i mean. it just is the best play of all time. like it almost sucks that we peaked 400 years ago but it is the best play ever written and there's nothing you or i can do about that
it’s THE play
ghosts! revenge! madness! murder most foul! how could you possibly ask for more?
What a heartbreaking exploration of grief…
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(pt 1)(pt 2)(pt 3)(RESULTS+superlatives)
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