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reireichu · 7 months

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If your OC was canon, how would the fandom treat it? - For Sophie

So, I basically had to wait to finish writing Part VI before I could actually answer this question.

Welcome to the giant essay on the Honourable Miss Sophia Catherine Devereaux that absolutely no one wants.

Up until Part V, I would say that fandom's opinion and treatment of Sophia wouldn't be great. Sophie is exactly who she appears to be; beautiful, rich, inaccessible, perfect. She keeps it that way, she likes it that way, she puts on the mask and keeps it on for as long as she can. The little slivers of Sophie, who she is, it starts slipping out all the way through Part I to V. But most of fandom for Part I to V would find her incessantly frustrating, good, and empty and unapproachable--which is, you know, a very deliberate writing choice.

There might be a good amount of Sophie apologists, especially as parts of her get revealed. The hints of her eating disorder, the ambiguous reference to something that happened in her childhood, the slow revelation that she either has been pushed into being exactly like her mother or the opposite of her mother. I think there's a good amount of fandom who would be on the Sophia Devereaux Deserves Better train, because Sophie is very much, deep down, a broken, traumatised girl who has spent her life being repressed and manipulated by every single person around her.

Aegon and Sophie's relationship is probably polarising, because it's a slow burn that isn't very exciting, and the moment they fuck, she pushes him right away. She incites his jealousy by flirting with Rhaenyra. She basically activates Daemon's Creepy Batman mode. Why does she need all this when she has Aegon? This would probably be one of the most frustrating things for fandom, either the people who WANT her with Aegon, or the ones who want 'better' for Aegon. Honestly, it's easy to paint Sophie as a bit of a bisexual bicycle slut, considering that it's hinted that she and Cassandra Baratheon had also been a thing.

Sophie's beauty is something that would also have this great discourse in fandom--is Sophie more than her physical asset, which is her beauty, or is she just this shallow vessel that people project their desires onto? Who the fuck is Sophie fucking Devereaux and why does everyone want to fuck this girl who doesn't give anything away except a witty remark and a dry laugh. She's a projection of ideal feminine beauty, with modern career drive. She's nice and compassionate, she can be a judgement upper class bitch--she's been raised that way, she's a sheltered and manipulated trauma victim--she would inflame a lot of hatred and love. I also think that for some people, she's boring or she's annoying. And then for others, they might identify in her traits about themselves that is a reaction to trauma in their own lives, or a projection of how they react to society--some of this might or might not be writer projection, la la la.........

Fandom's favourite thing for Sophie would basically with a generational comparison to Alicent. Deliberately set up, Alicent and Sophia--two white, wealthy, well bred girls who are being hunted by Targs left and right. Alicent and Rhaenyra in their girlhood versus Sophia and Cassie in theirs. Rhaenyra and Alicent versus Rhaenyra and Sophie. Alicent's distance to Aegon versus Alicent's distance to Sophie. Their physical appearance--although, Alicent has distinctly auburn hair, she and Sophie both have very big big eyes that emote their every thought. It's revealed that Dalton's nickname for Sophia is 'puppy' and her eyes are the reason for that. Those big big eyes, which actually was one thing that Aegon subconsciously draws comparison to his own mother about. The parallels are all there, setting up Sophia to be preyed upon and targetted and ruined by a Targaryen man (or woman), and then...

HELLO THE GHOST OF HAMLET'S FATHER IS HERE TO SUE ME FOR CREATIVE LICENCE.

Enter, Cathy fucking Devereaux.

The ghost of Cathy Devereaux running around like a demented version of Hamlet's dead dad is the best thing about this fic, and I won't hear otherwise because Cathy brings me too much joy as she has singlehandedly devastated every man I put in her fucking path.

The parallels of Sophie and Cathy take over slowly, the shift around Part IV. There's a lot of Cathy in Sophie's memory, even though Sophie stated in Part I that Cathy died when she was ten years old from a sailing accident. It's a throwaway line, drawing this comparison of her and Aegon's relationships with their mothers that then does this face turn, and that's when I think fandom gets really either frustrated as fuck with Sophie or actually want to just put her into therapy. Cathy is this phantom looming over Sophie's shoulder. The beautiful dead girl, the one and only late Catherine Devereaux who Sophie bears a strong resemblance to--I would live for the fucking gif comparison for these two. But to basically be a projection of her mother's memory, I think that's where there's this concern for Sophie. It's taken a toll on her mentally for her whole life--she's described herself as having 'battled nature in my own heart', which is a key thing: is she battling being like Cathy or being the opposite of Cathy? Which is it? How confusing would that be? Who the fuck wants to spend their entire life being compared to the one who came before? I think that's where the fandom view of Sophie slowly slips a bit, they'd honestly either love or hate the amount of influence Cathy has over Sophie even though she's been absent for most of Sophie's life.

Part V, aka the Daemon interlude because how the FUCK did Daemon get his own fucking chapter (I cannot even, I still cannot even--you know what, fandom can either be outraged or happy, I don't fucking know. Daemon's fucking interlude exists bc Hamlet's father deemed it worthy); you start seeing hints of Sophie from a lens that isn't Aegon's or her own. Albeit a Cathy fogged lens, but you still Sophie and Daemon talking, you see how she pushes and pulls a person away with such nonchalance, but you also see that Sophie deliberately plays with fire.

There's going to be one small part of fandom that would gif the fuck out of 'Sophie's staring at someone' to discern whether she's thinking of ruining their whole career. I would again live for these gifs. I will also live for the comparison of them to Alicent and Cathy.

Fandom would also have a blast discussing the Sophie - Alicent - Rhaenyra - Cathy - Laena soft power versus hard power. I wish I could touch more on Laena's divorce, but that's not happening due to the narrative (or for now, because let's face it, I want to see her obliterate Daemon and call him out for being a crappy dad). It adds into the viewpoint of how women either have to push or manipulate and the way they do it. IDK, to me, I would be fascinated over that sort of thing.

Okay, so all of this builds until Part VI where for one gloriously horrid scene that had so much fucking dialogue I wanted to punch every single man in the room (hey Larry!), Sophie's attractiveness, her charm, her appeal, her standoffishness ruins her in the eyes of the viewers and in the eyes of Aegon. A man killed himself over her! She fucked her teacher! She broke up a marriage! She's had an abortion! She's done this to so many people, she's fucking Rhaenyra, she saw you and put you in her crosshairs.

Sophie is a wicked bitch.

She's her mother's daughter.

Beautiful, selfish, wicked.

She's slept around on them, she'll sleep around on you, Aegon. She's the cold perfect bitch you knew she was, and you fell into that trap anyways. Fuck her.

Why is it that Aegon can't have nice things. Did he do this, does he just keep choosing shitty people? He did coke off his brother's fiance's D cups, he drives his lambo into hospitals. Aegon isn't a saint, he's down in hell, but she fucking knew he was damaged and she still decided to toy with him.

And then well.

It makes you wonder, how many people forget the thing that made Rhaenyra worthy of protection, how many people forget that just like her, Sophie was just a girl as well. Alicent was just a girl. They were just young girls in a world where the wolves feast on girls lost in the forest of old country estates.

Fandom, I think, would have no idea what to fucking do about Sophie at this point, because dear readers, no one ever really knew Cathy. She was a beautiful ghost.

Her daughter is exactly the same.

Okay fine, I was being dramatic as fuck.

I think by the end of Part VI, fandom will erupt into two camps where you will either love her or hate her. You can believe what was said at the intervention, or you can question it. How much of it was true? How much of it was real? What part of her 'relationship' with Aegon so far has been real? And then, and be united in the question of "what the fuck happened and what truth are they hiding?" and also united in the camp of "alicent's marriage makes me want to commit violence" and many other things. I'm firmly in the "raise your hand if you've been personally victimised by Cathy Devereaux" camp because I'm writing the whole fucking thing.

Some of the things they said about Sophie at the intervention was true. I won't tell you what was true, you can work it out yourself.

Yes, Sophie has been seeing Rhaenyra since the benefit, one and off.

Aegon, the inflamed little hypocrite, has been fucking Cassandra. I like to think that this is equal opportunity sluttiness for them both.

But, there is something that I think fandom can appreciate about Sophie in a way. I think that Aegon's compassion towards Alicent, how he says to her what Sophie said to him, seeing him lost and broken, the first compassion he's shown to his mother in a long time, I think that some of fandom will appreciate the fact that this was something Sophie has influenced. She's never tried to fix Aegon, but there is an influence there. She's not going to tell him to stop being a trainwreck--she's a bit busy, being haunted by ghosts, being a doctor, telling Jace and Hannah off for being so cute together--but she has gotten through to him without forcing it onto him. It's a rare thing, but it's one of the parts of the story that I've been trying to build towards.

Also, in other breaking news, I now have to write the rest of this fucking melodrama, so excuse me as I go fling myself into the lake with the exiled Russian prince's drowned wife.

Stay tuned for another episode of meta and insight no one asked for, next week featuring the rom-com known as Jace Velaryon and Hannah Kim and how Jace mispronounced bulgogi!

#asks re we’ll forever have the scars #the noble and most ancient house of devereaux #sophia catherine devereaux #aegon x oc fic #aegon x oc #aegon ii targaryen #character meta #wip re we’ll forever have the scars #the ghost of hamlet's father i mean cathy devereaux made me write this #alicent hightower deserves better #get you a wingman who drives your love life from the grave #spoiler alert yes the russian prince did drown his wife #viserys was so punchable in all of part vi #daemon targaryen is his own warning #rei fic #we'll forever have the scars #devereaux cinematic universe

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quixotic-gray · 8 months

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sneak peak of my play: this scene starts with our cast of Marcellus, Bernardo, and Horatio on guard at night and the king's ghost appears, so they run around the corner to hide.

Bernardo begins to draw his sword and Horatio slaps it away saying "stop that!"

Marcellus: "Behold, lo where it doth make its appearance once more-- of our humble number this night, one of us must needs make contact with it."

Bernardo: "verily, there is valor to thine suggestion, Marcellus."

Marcellus: "Thou art a scholar-- speak to it Horatio."

Horatio, stepping from around the corner and facing the ghost: "Hello. I'm Horatio. Where art thou from? Originally."

#from percy with love #ghostbusters #classic lit #shakespeare #hamlet #ever since i saw ghostbusters the first time i wanted to do a hamlet concept where instead of vengeance he busts his fathers ghost #btw probably the most important part of it is that laertes is based on walter peck in my design

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antimonyantigone · 2 years

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Hamlet Sees the Ghost of his Father Eugene Delacroix 1843

#hamlet sees the ghost of his father #eugene delacroix #delacroix #1800s art #hamlet #shakespeare #literary art #1840s art #romanticism

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bethanydelleman · 4 months

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Everyone, we can fix Hamlet and Romeo & Juliet if we just switch the leads.

Romeo wakes up in Hamlet's body and meets the ghost of "his" father telling him to kill his uncle. So if course Romeo just fucking does it, because he never considers consequences, and then gets onto more important shit, like romancing Ophelia, political fallout be damned! But given that he's the son of the murdered king, he'd probably end up on top.

Hamlet wakes up as Romeo and is told that he can't marry the love of his life because his family hates her family. Instead of killing Tybalt and getting Merucio murdered, he's planning elaborate meet-cutes for the two warring families. He's putting on plays about blood feuds and how to overcome them. He either succeeds in bringing the families together or bores Juliet enough with his indecision that the glow wears off and she moves on; both positive options. Everybody lives.

#romeo and juliet #hamlet #i fixed it #everyone is happy we can go home #i don't know if Romeo should be king but he'll figure it out #i mean should Hamlet be king either?#monarchy problems #Shakespeare

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yilune · 1 year

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i bring a sort of “hamlet haunted by his father’s ghost” vibe to the interim ceo role that other people don’t really like

#sorry for drawing kendall crying in almost every post i’m a triple water sign i can’t help it #kendall roy #logan roy #succession #artists on tumblr #my art

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shakesqueers13 · 9 months

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I heard Ethan Hawke talk about his interpretation of Hamlet, and something he said is that at heart, Hamlet is just a kid who wants to make his dad proud. He said that in the scene where his father's ghost appears, Hamlet is more surprised that his father chose him to appear to than that his father's ghost is there at all. He said that the way he sees it, Hamlet's father never had time for him in life, and that when Hamlet's dad gives him this task, it's Hamlet's last chance to make his father proud of him, and that's why he tries so, so very hard to do right by his father's memory.

And I LOVE that interpretation. It adds SO much to Hamlet's character. It's crazy to think that Hamlet is used to being ignored and left to his own devices by his family, so even from the very start when Gertrude and Claudio take an interest in him in the beginning of the play, he's surprised that they even noticed he was sulking.

Hamlet's parents don't know him. They never bothered to know him until they needed him. His misery puzzles and annoys Gertrude. She doesn't understand why he can't just be happy, and normal, but at the same time, she only makes time for him when she needs something from him, or when his actions threaten her own happiness.

And this adds crazy layers to Hamlet's relationship with Ophelia and Polonius. I think someone could easily argue that the fundamental difference between Hamlet and Leartes is a loving father; Hamlet sees the way Polonius cares for his children, and is offended by the false way Polonius tries to be kind to him. He wants that kind of father, but he knows he can't have it.

Hamlet sees right through everyone's ulterior motivations in the play because he's used to them ignoring him and he doesn't trust the sudden rush of attention towards him. He isn't surprised that people are lying to him; he knows they wouldn't be this concerned about him without an ulterior motive.

The only person he does truly trust is Horatio, who has always been his friend and confidant. Horatio is probably the only person in the play who doesn't change after Hamlet's father dies.

So basically, I think if you view Hamlet as a young man only barely entering adulthood, who spent his entire childhood feeling like he was letting his father down and only wanting to win his affection, it's a different, better play. Hamlet isn't a good person or a bad person, he's a kid at a crossroads, and he feels like the only way he can prove himself as a man and give his life meaning is by making his dad proud of him. When his father died, Hamlet likely thought he had lost the chance to ever bond with his dad, but now, he's gotten one last chance. So of COURSE he clings to it. Of course he descends into a terrified, paranoid spiral of wrongdoings and mistakes. He wants his dad back, and he wants his dad to love him. He got a task, and he's damn well going to do it, even if it kills him.

And the real tragedy in it all is that he fails. Hamlet's father begs Hamlet to remember him, and with Hamlet's death (and those of everyone around him) the memory of his father is lost, beyond the trivial knowledge that he existed. At the end of the play, there is no one left to remember who Hamlet senior truly was. In this way, Hamlet fails to carry out his father's last wishes, and dies knowing that everyone was right about him, he couldn't prove himself, he couldn't make his dad proud.

However, left behind is Horatio, the only person who ever cared about Hamlet beyond the scope of his father, and his depression, and his desperation for revenge. And in this way, Hamlet is remembered properly, even if his father is not.

#hamlet #shakespeare #william shakespeare #hamlet x horatio #hamlet 2000 #ethan hawke #academia #dark academia #if we were villains #the bard

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girlfromenglishclass · 1 month

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#Hamlet #Shakespeare #polls

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straightplayshowdown · 2 months

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Rosencrantz and Guildenstern are Dead: Rosencrantz and Guildenstern have been summoned to Elsinore by the king, Claudius. He and Queen Gertrude, wish for Rosencrantz and Guildenstern to glean what sudden sway of madness has affected Hamlet. The duo sets out to achieve their task, meeting a ragged troupe of players along the way. Brief glimpses of scenes from Hamlet show the trials and tribulations of the royals; our two heroes are largely left in a state of waiting. They pass the time playing games, posing questions, and tossing coins, until they gradually realize that their fates have been taken out of their own hands. They are merely characters in a larger story in which they have no say.

Hamlet: Hamlet is home to mourn the death of his father. He is disgusted by the marriage of his mother to his uncle, Claudius, who now has the throne. The ghost of his father reveals to Hamlet that Claudius poisoned him in the ear. Hamlet vows to avenge his father’s murder. Hamlet’s sanity begins to be questioned by all. He accidentally kills Polonius, thinking it was Cladius. Ophelia has gone mad with grief over the death of her father. Claudius suggests that Laertes duel with Hamlet. From there, the play ends in tragedy.

Propaganda under the cut!

Rosencrantz and Guildenstern are Dead:

what if we were both minor characters in Hamlet forced to die over and over again in a timeloop and we were both guys 😳. basically one of the only modern straight plays i know and its just so good!!!!!!!! Rosencratz's death monolouge gets me everytime

This play is for people that love Shakespeare, but also love weird shit. It somehow offers really insightful commentary on stories and fate and purpose while also feeling like a fever dream.

an existential and brilliant deconstruction of hamlet

it’s good

Hamlet fanfic involving the game of questions and frequently not being on boats.

No, I'm tired sorry

waiting for godot meets hamlet. best of both worlds

A heartbreaking examination of the archetype “tragedy” — the knowledge that, essentially, the characters are doomed from the beginning, and cannot escape their fates, the inescapable feeling that they’re simply characters in a story. RAGAD treats the genre with comedy and makes two seemingly meaningless characters into an everyone’s favorite duo.

what if we were doomed by the narrative and flipped coins and licked feet and hid in barrels and hung out with a suspicious actor troupe who eventually turns against us and also we have to figure out what's up with hamlet because claudius told us to? and we were both boys? just kidding! ....unless?

I know the whole thing off by heard and I’ve never been in it. Does that count. Also it deserves to win because of what the awful awful film did to it.

Hamlet:

its hamlet. do i need to say anything more?

i mean. it just is the best play of all time. like it almost sucks that we peaked 400 years ago but it is the best play ever written and there's nothing you or i can do about that

it’s THE play

ghosts! revenge! madness! murder most foul! how could you possibly ask for more?

What a heartbreaking exploration of grief…

#rosencrantz and guildenstern are dead #hamlet #hamlet prince of denmark #round 3 #the straight play showdown #polls

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cynassa · 8 months

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Auden thinks 'Hamlet' as a play is a failure because you can't logic your way out of it, it doesn't make sense that Hamlet feels so betrayed by his mother, by Ophelia, and it doesn't make sense that he believes a ghost which could be his father's ghost or could be a spirit lying to him and it doesn't make sense that Hamlet can't decide whether to avenge his father or not and he sets up elaborate plans that might not come to fruition

And I'm just screaming softly into my hands like grief doesn't make sense and loss doesn't make sense and other people moving on when your whole life is broken apart and you won't have the future that was promised to you (a loving father a perfect mother the woman of your dreams the throne that's your birthright except it isn't anymore) doesn't make sense

#wh auden #hamlet #Shakespeare #cyn talks

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theofficialpresidentofmars · 1 month

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y’know I find it so interesting that often in adapted versions of Hamlet that shorten/change the play extensively, Horatio is usually among the first things to go.

The Lion King, Rosencrantz and Guildenstern Are Dead (to an extent), heck even the Simpsons, all manner of adaptations long and short all without any substitute/notable role for Horatio or a suitably similar character. And I get why. He doesn’t do much on his own that impacts the plot, meaning that hardly any of the actual story beats are missed without his interference.

But I think that just provides a really interesting insight into what his character stands for in the most meta sense of his writing, to be honest; Horatio is necessary, despite being unnecessary. He’s the one who writes the story down in the first place, it’s his to tell- the very first scene starts not with Hamlet’s father’s death or even with Hamlet himself, but with him, Horatio, and at the end once everyone is dead, he’s the only one left to tell the tale.

He’s also the only one who ever sees the full picture. He sees the ghost firsthand, he’s the one to tell Hamlet about it, and in return Hamlet tells him everything. His thoughts, plans, and murder-y boating escapades, Horatio is the only other person to ever know about it all. At the same time, Hamlet hardly ever seems to stick around to see the consequences of his own actions- and it’s Horatio who witnesses them instead. Horatio is the one to take care of Ophelia when she goes mad, the one who sees just how deeply Hamlet has wounded her in his quest for a ‘just revenge’. Horatio is the one to hear Hamlet recount the deaths of his childhood friends to him with something that sounds uncomfortably like pride.

Horatio is the one that’s told by Hamlet that he’s held in his ‘heart of hearts’, the one who’s at the other end of Hamlet’s flattery and admiration, all the while witnessing what becomes of Hamlet’s previous closest companions. His lover. The two men, of whom no other living people he adored more. Supposedly Hamlet held these people closest to his heart, but Horatio is the one to see how Hamlet treats his ‘closest friends’, all while being told by the prince he’s one of them. He wonders what will become of him, surely. He loves the prince, but he can’t help but consider the whole ‘cornered animal’ mentality to be a bit unreliable when he’s seen what he does to the innocent. What Hamlet himself never seems to see, always being off on some boat, or dying, but never sticking around to comprehend the consequences. That’s not his job.

Horatio is the audience. Let in to the most private thoughts, into the sympathetic tendencies of the prince, all while seeing the true and unsavoury parts that keep us from ever truly committing ourselves to the same cause. That keeps us from thinking of him as a good person, despite the fact that we love him regardless. Or maybe we don’t, but we’ve been in too deep for too long to do anything about it.

When Horatio is removed, not much changes. Hamlet loses a confidant, and maybe his mind a bit sooner, but the story still plays out. When he dies, there is no one to hold him as he goes. No one to tell his story as it truly was. Except there is, because we’ve just seen it. In that sort of way, Horatio can never really be removed, only brought offstage. But if the story is told, and if there’s a crowd to view it, Horatio will always be there, somewhere in the audience. Watching. (It’s all he can seem to do.)

#hamlet #shakespeare #hamletposting #horatio #hamratio #rosencrantz and guildenstern are dead #the lion king

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nobodyfamousposts · 10 days

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How would Littlebug react to characters like Doofenshmirtz? Or Jack Fenton?

(In Doofenschmirtz's living room...)

(Doofenschmirtz and Littlebug are having tea.)

Doofenschmirtz: …all that to say, I am kind of off the market for an arch nemesis, though I do appreciate the offer! But I promised Perry the Platypus that I wouldn't take on another arch nemesis and then I promised my daughter, Vanessa, that I would stop my acts of villainy after she made me see that it wasn't actually healthy or what I really wanted in life. And now I'm helping out at OWCA, supporting my daughter, and sharing my non-evil inventions meant to help the world instead of trying to settle petty grudges. So I am sorry, but I hope we can still be occasional rivals or maybe allies?

Littlebug: (Confused)

Littlebug: (Looks down at List)

Littlebug: (Looks up at Doofenschmirtz and points to name on the List)

Doofenschmirtz: (Looks at the name) Oh! I see where the mixup is! I'm Dr. Doofenschmirtz! Mr. Doofenschmirtz is actually my father!

Littlebug: (Tilts head)

Doofenschmirtz: Well you see, a lot of my villainy has been related to my backstory…backstories. You see, back when I was…

(15 Minutes later.)

Doofenschmirtz: (Still going)

Littlebug: (Eye twitching)

Doofenschmirtz: And then there was the time I was shamed for not jumping off the high diving board and—wait, where are you going?

Littlebug: (Leaves)

Doofenschmirtz: Okay! Well feel free to drop by again sometime! What a strange girl.

(Suddenly, Perry the Platypus bursts in.)

Doofenschmirtz: Perry the Platypus! I'm not evil anymore! What are you doing coming in through my window?

Perry: (Chitters and pulls up a screen showing Littlebug)

Doffenschmirtz: Oh, the little living doll thing. Yes, she just left.

Perry: (Looks around warily and chitters)

Doof: What? No! She was perfectly nice!

Perry: (Gestures to Doof)

Doof: Oh, it turned out she actually wasn't looking for me, she was looking for my father.

Perry: (Worried)

Doof: What? What harm could she do?

TV Announcer: This just in! An attack in Gimmelshtump as an elderly citizen is being dangled from a rope off the condemned diving board at the old community pool.

Doof: (Eyes widen) …oh.

-----------------------

(In another universe, in the Fenton household...)

Jack: (Going to the kitchen when he sees a piece of fudge on the floor) Floor fudge!

(As he picks up the fudge, he notices another piece on the floor and proceeds to pick that up as well.)

(Then he notices another piece.)

(And another.)

(He follows the trail of fudge all the way into the basement and leading to the Fenton Stockades.)

Jack: And that's the last piece! (Picks up the piece inside the Fenton Stockades)

(The door slams shut on him, trapping him in the Fenton Stockades.)

Jack: HEY! Who's there?! Let me out!

Littlebug: (Nods resolutely and marks Jack Fenton's name off The List and starts to leave the Lab)

Voice: Ahem?

Littlebug: (Turns)

(Danny is standing there.)

Danny: You're not another ghost sent by Vlad to kill my dad, are you?

Littlebug: (Shakes her head and shows him her Bad Dad List)

Danny: Why is my dad on this list?!

Littlebug: (Gestures to the Fenton Stockades with a flat look)

Danny: Okay, I know that looks bad. But he's a good dad, really!

Littlebug: (Frown)

Danny: Look, I know he's fought me, but that's only because he doesn't know I'm half-ghost. And the times he found out, he was pretty supportive. I mean, there were situations going on at the time, so we didn't really get to talk it out, but he still seemed to care about me. Even in an alternate reality where I accidentally erased my existence.

Littlebug: (Uncertain)

Danny: If you want to look for bad dads, you should see Vlad Masters. He keeps wanting to kill my dad, marry my mom, and make me his son like some sort of twisted setup of Hamlet.

Littlebug: (Eyes widen)

Danny: So yeah, there are already enough plots against my dad, so I'd really appreciate if you—wait, where are you going?

Littlebug: (Holds up The List, now with Jack Fenton scribbled out and "Vlad Masters" written in on it)

Danny: ....you know what? Have fun.

(They leave.)

...

Jack: Hello? Anyone?

#ml crack #ml crossover #multi crossover #littlebug #dolls au #bad dad hunt #no one is safe #though she does at least recognize levels of badness #and certain persons take priority #yes Jack gets out eventually

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frownyalfred · 7 months

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I'm immune to all sad Bruce immortal content, because I remember it being somewhere that Jason Todd is immortal, so all I can picture is like 5,000 years later Bruce is having a pity party about how he outlived everyone he knew, and Jason just walks by in the background eating Cheetos. Probably quoting Hamlet at him

even better, Bruce is so deep in his woe-is-me dramatic cups (or messed up from being brought back by Clark) that he thinks immortal Jason is just a hallucination his brain has created to cope with the reality that he's outlived his children and will never see them again.

meanwhile, Jason just visits him periodically to fuck with him (perpetually munching on a bag of hot cheetos and making fun of him) so it's not even that much of a stretch to think he's some sort of ghost or figment of his imagination. conversely, Jason secretly finds much joy in "haunting" his immortality-addled father figure.

#asks #anon #jason todd #bruce wayne #clark kent #superman #dc #dc comics #batman #red hood #immortality

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nipuni · 1 month

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Happy finishing Dr Who!

I saw you've been watching other David Tennant things - have you seen his and Catherine Tate's version of much ado about nothing? Very good chaotic vibes and I highly reccomend. It's on the internet archive.

Do you have any favourite dr who eps?

Thank you so much!! 🥰 We have and we love it! So far from his filmography we have watched: Taking Over the Asylum, Blackpool, Casanova, Einstein and Eddington, Hamlet, Much Ado About Nothing, Richard II, Decoy Bride, The Escape Artist, Broadchurch, Mad to be Normal, Around the World in 80 Days, Inside Man, Good Omens and Doctor Who of course 😊

As for favourite DW episodes ooohhh there are so so many, let me pull up a list so I can go in season order 😆

S1: Father's day, The empty child/The doctor dances, Bad wolf/The parting of the ways

S2: The Christmas Invasion, New Earth, The Girl in the Fireplace, The Impossible Planet/The Satan Pit, Army of Ghosts/Doomsday

S3: Gridlock, 42, Human Nature/The Family of Blood, Blink, Utopia/The Sound of Drums/The Last of the Time Lords

S4: Voyage of the Damned, Fires of Pompeii, The Doctor's Daughter, Silence in the Library/Forest of the Dead, Midnight, Turn left

Specials 2008: The Next Doctor, The Waters of Mars, The End of Time I and II

S5: The Beast Below, Vincent and the Doctor, The Lodger, The Big Bang

S6: A Christmas Carol, The Impossible Astronaut/Day of the Moon, The Rebel Flesh/The Almost People, The Girl Who Waited, The Wedding of River Song

S7: The Rings of Akhaten, Hide, The Name of the Doctor, The Day of the Doctor

S8: Deep Breath, Listen, Mummy on the Orient Express

S9: Last Christmas, Under the Lake, The Zygon Inversion, Heaven Sent, The Husbands of River Song

S10: The Pilot, Oxygen, The Pyramid at the End of the World, World Enough and Time/The Doctor Falls, Twice Upon a Time

S11: It Takes You Away

S12: Spyfall part I, Fugitive of the Judoon, The Haunting of Villa Diodati

S13: The Halloween Apocalypse, Eve of the Daleks, The Power of the Doctor

Specials 2023: Wild Blue Yonder

and if I had to pick my most favourites I think they would beeee The Empty Child/The Doctor Dances, Doomsday, The Family of Blood, Blink, Silence in the Library/Forest of the Dead, Midnight, The waters of Mars, The End of time I and II, The day of the Doctor, Heaven Sent, The doctor falls and Wild Blue Yonder 🥰

This ended up being so long I'm so sorry 😭 AHH we are already rewatching and loving it even more the second time so this list will just get longer over time lmao

Thank you for the message!! I had so much fun answering this 😊❤️

#doctor who #david tennant #nips replies #dw report

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isan0rt · 8 months

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I feel like I haven't really seen the fe3h fandom talk too much about how clearly Azure Moon is an adaptation of Hamlet. Like not even subtly Hamlet (like, see, he's the lion king, get it, haha, because... It's Hamlet).

Dimitri is obvious; he's the prince whose uncle has become king, due to a conspiracy he's trying to uncover, spurred on by his murdered father's restless ghost. Pursuing this vengeance drives him mad, and he becomes increasingly erratic as vengeance continues to escape him.

Dedue is Horatio; Hamlet's best friend (but one he met more recently than his other friends), always at his side and loyal no matter how far Hamlet falls, but formal with him right up until Hamlet dies for his revenge. Crimson Flower Dedue practically delivers the "Goodnight, sweet prince" line in the game if you defeat him before he can transform himself.

The rest spends a lot of effort making subversions; Rufus is Claudius, and this is played straight in Three Hopes, where Dimitri gets justice before he loses his mind and so he never reaches the depths of despair he does in Azure Moon. But in Three Houses this gets subverted; Rufus is still actually the Claudius, but Dimitri has miscast Edelgard in the role. This also allows Patricia to serve as Gertrude, forcing Dimitri to grapple with whether his (step)mother was complicit in his father's murder and whether she has more loyalty to the murderer than to him. Rufus then shifts into the Polonius role, as it's after his death (allegedly at the hand of Dimitri himself) that everything starts going to shit.

Felix, meanwhile, I think is Laertes (with Glenn and Rodrigue serving as Ophelia and Polonius for him (side side note I personally think Glenn was one of Dimitri's first crushes but that's neither here nor there)). The death of one curdles Laertes's positive childhood friendship feelings towards Hamlet (and Felix towards Dimitri) and then the death of the second fully solidifies Laertes's feeling that Hamlet must be stopped.

In Azure Moon, this gets subverted, in that Dimitri reverses course here, where Hamlet doubles down. As a result, Laertes turns his sword against Hamlet, while Felix returns to a shaky companionship with Dimitri. But crucially, if Felix does get recruited to other routes and turns his sword against Dimitri, he basically cannot have a happy ending - the same way Laertes dies for turning against Hamlet.

I don't have a snappy conclusion or anything (are Ingrid and Sylvain Rosencrantz and Guildenstern? Unclear) but I think it's fascinating.

#fe3h #fire Emblem Three Houses #azure moon #dimitri alexandre blaiddyd #blue Lions #spoilers for Hamlet ig

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