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#hallie speaks
clairelutra · 7 months
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hear me out: superhero deconstruction-deconstruction. not a reconstruction of superhero tropes, but specifically a deconstruction of why the gritty ""realism"" isn't actually realistic at all. the world is filled with pain but also with healing. there is almost always a sympathetic take and altruism isn't as rare as you think. lots of people out there are just plain silly. love is the answer, actually. you get it?
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ask-hallie-monkey · 2 years
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"Welcome back to Tumblr! It's nice to see you again!" -N
Hallie: “I…I never thought you would talk to me again.”
powerprimate: “Hey, tell your creator to add me on Discord so I can rejoin the Hyper Server!”
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kermakatti · 11 months
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I found out that my music got featured on an IGN Japan article in November 2022 by looking at my Bandcamp statistics, it's now the 2nd biggest source of embedded player plays my music has after the Tumblr dashboard
Also the way they describe my constant genre-swapping is hilarious
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mosswolf · 5 months
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ive had a bad run recently with reading indie books that i really wanted to enjoy conceptually by the writing style and characterisation just felt terrible to me which is so disappointing BUT i just read twelfth moon by halli starling which was a really fun collection of snapshots and thank god. breath of fresh air!!!
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birthclod · 8 months
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im not making an oc for vb for reasons (<- is absolutely making an oc for vb for reasons)
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alastors-radioshow · 1 year
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It was commonly know that Alastor used music to express himself. His moods, good as well as bad. This night was no different, as he opened his frequencies.
 A modern tune, but he.. Did change it to be a little softer, less.. Electronic in nature. Changed it to a more acoustic arrangement. But.. The lyrics spoke volumes.
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“ And I'm awarе that you were lying in the gutter 'Cause I did everything to be there by your side-ide So, when you tell me I'm the reason I just can't believe the lies And why do I still wanna call you?
So, what do you wanna do, what's your point-of-view? There's a party, screw it Do you wanna go? A handshake with you, what's your point-of-view? I'm on top of you, I don't wanna go 'Cause I really wanna stay at your house In the palace, it all works out But you know how much you broke me apart I'm done with you, I'm ignoring you I don't wanna know
Oh Oh-oh, oh-oh-oh I don't know where I’m going..
So, get away Another way to feel what you didn't want yourself to know And let yourself go You know you didn't lose your self-control There’s no end of the rainbow Turn away Another way to be where you didn't want yourself to go And let yourself go Is that a compromise?
So, what do you wanna do, what's your point-of-view? There's a party, screw it Do you wanna go? A handshake with you, what's your point-of-view? I'm on top of you, I don't wanna go 'Cause I really wanna stay at your house In the palace, it all works out But you know how much you broke me apart I'm done with you, I'm ignoring you I don't wanna know..”
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sleepsart · 10 months
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What the fuck do you Mean "I hope you're still there at the end." "They'd have to kill me first." "I hope you make it." dnd is going to literally kill me. And you need to know that seconds after this we went "damn if this was a podcast, we would have to do SO much editing" because everyone kept cutting out and the dm was in a car for half the game it was so fun
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mvsicinthedvrk · 2 years
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@tragcdysewn​ sent: ∗ 13﹕ sender  takes  a  picture  of  receiver . ( pippin and hallie )
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“Hey, make sure it looks like he’s sitting in my hand!” he says, from where he’s holding his hand out on the steps of the Lincoln memorial, with the tiny statue of Lincoln sitting in his chair far in the background. Pippin’s never gone around to take the tourist-y sort of photos before, so he’s fairly enthusiastic about the whole thing.
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plutoniuminjection47 · 3 months
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Unsure if anyone sent the ask to see if your dms got fixed :((
I think it might just be a glitch, it says there's four now (meaning this one too) but it only shows this. Thanks for helping though !!!
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hexenhausen · 3 months
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CRIT, MOTHERFUCKER!
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farmverse · 6 months
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me milori and jack ready fr it to get colder
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clairelutra · 1 year
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i can't read this passage without crylaughing. toptier fave. frame it and put it in the louvre. give it a nobel peace prize. fuckin'
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ask-hallie-monkey · 2 years
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Update
Neither I or my creator @powerprimate have been on in forever due to so many things happening in both of our lives. We will try to be more active on here for now on!
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countdown-if · 7 months
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"Countdown" is a slice-of-life inspired by "Gilmore Girls," and is rated 18+.
Three months ago, life took a sharp turn. Your mother found herself entangled in a situation so bad, she couldn't dig her way out of it, like usual. This time, the hole was way too deep. She needed help, and the only people capable of aiding her were the same ones she had vowed never to allow back into her life, let alone introduce to you and your younger sibling.
Who were they?
Your grandparents—a powerful and well-established duo.
In short, they did manage to help your mother back on her feet, but not without strings attached—never without strings.
Now, you're facing a senior year in a private school, fully funded by none other than grandma and grandpa, dearest. The only task at hand: do what your mother couldn't—graduate.
Form relationships, pursue your passions, burn bridges etc.,—the decision is entirely up to you.
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🍁 Customise your MC (gender, style, personality etc...).
🍁 Choose 1 out of 3 part-time jobs (p.s. 'if you can't stand the heat, get out of the kitchen' and pursue another in your new school!)
🍁 Choose your path. Are you aiming for a top Uni like Harvard next? Or maybe you'll step foot into the world of music? Rumour has it 'Crimson Haze' is looking for a new addition. What will it be?
🍁 Romance 1 out of 6 love interests.
🍁 A lot more in store!
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Casey Decker (m/f) 🍁 [profile page]
Your friendship goes way back to the nappy days. With both of your mothers on the younger end of the spectrum, it’s no surprise you grew to be close too—'best friends' type of close.
Casey is a ray of sunshine, full of life, and quite possibly the jelly to your peanut butter. They’re sweet like that—they can be, at least. But best friends should be just that: best friends. Besides, as of recently, Casey is taken.
Appearance: Medium-length, straight, golden blond hair covers the nape of their neck. They have slightly tanned skin, a sprinkle of freckles across their nose and cheeks, and grey eyes.
Lake Aydin (m/f) 🍁 [profile page]
Lake has just started working at the grocery store nearby your house. High-school dropout, you assume. They don’t talk much…to you. Kind of a mystery, that one. Their social media confirms just that—there's not much to go by. 
Also, your first meeting wasn't the greatest or smoothest. But one thing's for sure: you'll be around there a lot, so you might as well get talking in the meantime, right?
Appearance: Dark brown eyes, pale skin, and short, straight black hair for m!L. For f!L, it's medium-length black hair. They wear glasses whenever they remember.
Harry/Hallie Johnson (m/f) 🍁 [profile page]
H doesn't actually go to your school, but events are often organised as a collaboration between a handful of private schools, both of yours included. So yeah, you might see them around.
H is good at all of that—the networking, the galas, the fundraising, and public speaking part. They know what they want, and they have a resume to show for it. H is CC—charismatic and confident. They're who parents wish their kids would bring home, so needless to say, they've got your grandparents' stamp of approval.
Appearance: Deep brown skin, short tightly curled black hair for m!H, and a little longer than shoulder-length, tightly curled black hair for f!H. They have light brown eyes.
Santiago/Samara Garcia (m/f) 🍁 [profile page]
S is an academic with tunnel vision for success. They're consistently at the top of the class, leading the ranks, and on a mission to become valedictorian.
What sets S apart from the majority, you might ask? They're one of the only two people who got into the private school solely based on merit. No mommy's or daddy's money, none of that. It's all about brains and drive.
And what about you? Are you a high achiever? If yes, expect a somewhat healthy rivalry. Heads up, though—S doesn't fail. If no, they'll look down on you, and they won't make any effort to hide that. It's a double-edged sword.
Appearance: They have wavy brunette, borderline black, nearly shoulder-length hair, tan skin, and hazel eyes. They also have three beauty marks: one above their left eyebrow, one right below the left corner of their lip, and one on the tip of their nose.
Riven/Raven Rodrigo (m/f) 🍁 [profile page]
R is destined to be a superstar. Three years ago, R and 3 of their friends formed a band called 'Crimson Haze,' and it seems like all their hard work has finally paid off this summer. They've had a couple of gigs overseas, and they've done really well. They're on their way to major stardom, but first, they need to figure out a few things. Something's missing—perhaps a fifth and final member?
R is a passionate musician, a reckless friend, and a nonchalant lover. Music is their life. However, their love life is...unsteady. They don't do distractions, aka relationships; only fun.
Appearance: They have dyed jet-black hair, short messy waves for m!R, and long messy waves for f!R. They also have amber eyes and olive skin.
Nolan/Naya Brown (m/f) 🍁 [profile page]
N is the star athlete and the school's pride and joy. They have a lot of eyes on them, watching and expecting big things to come. On the court, they're a beast, but in class? Not so much. Their grades are below average, and if they want to keep competing for that full-ride scholarship, they need to bring their grades all the way up.
N is a typical cool and popular kid—playful, funny, and well-liked around the school. Whether they remember it or not, you share a history. You used to know N. FYI, they've been in a committed relationship for the past two and a half years.
Appearance: They have light brown skin in the winter and medium-brown skin in the summer. Their hair is dark brown, with short and loosely curled hair for m!N, and long and loosely curled dark hair for f!N.
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DEMO TBA | FORUM
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That Ned’s ghost and bones are in a constant state of restlessness after his death is so interesting to me. We haven’t heard much of Ned’s bones after Lady Catelyn sent Hallis Mollen north with them, but then Barbrey Dustin in ADWD says that she intends to block them from reaching Winterfell, and the reason for doing so is tied around her husband dying at the Tower of Joy and not returning home.
But what is more revealing is immediately after his death, Ned’s ghost gets to the crypts and wanders about restlessly, which is felt by the three Stark boys who have the power of prophetic dreams: Jon who constantly looks for his father in this “underworld” is pulled into searching for Ned before his execution, Rickon is called to the crypts and has a mysterious conversation with Ned where he promises to come back (but how will he be back if he’s dead?), and then there’s Bran who gets to have a more substantial conversation with his dead father’s ghost as he speaks sadly about Jon.
We know that even before death, Ned was surrounded by a sense of guilt and shame because of Jon, and he even expressed a deep desire to speak with the boy. Accounting for all these, it starts to look like Ned’s restlessness, dead or alive, is deeply rooted in the secret of Jon’s parentage and can only be alleviated once he confronts Jon about this truth. That might explain why Jon is constantly looking for Ned in the crypts and why he’s afraid of what he might find down there (and not who). So perhaps Ned’s bones can only be laid to rest once his ghost sets things right with Jon.
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venus-haze · 10 months
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Girls on Film (Mickey Altieri x Reader)
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Summary: As a film studies major at Windsor College, your junior year is proving to be an eventful one as the eponymous Ghostface begins targeting fellow students, some who you consider friends. You try to focus on your classes, mainly the short film project you’re working on with Mickey Altieri, who your professor inexplicably paired you up with despite the two of you having almost polar opposite views on the medium. 
Note: Female reader, but no other descriptors are used. You’re also into gross out movies because I wanted a strong contrast to Mickey’s “blame the movies” thing and also irony…as you’ll see. This is an extremely dark fic, so look at the warnings before deciding whether to read this. Also, you know and I know that Mickey didn’t kill Randy, but in the context of the fic, the reader-character doesn’t know that. Do not interact if you are under 18 or post thinspo/ED content.
Word count: 4k
Warnings: One-sided rivalry (Mickey hates your guts). Discussions of “gross” movies and themes. Descriptions of violence. Major character deaths. Sexually explicit content which involves non/dubcon, knifeplay, bloodplay, sadism (slight masochism). Do not interact if you are under 18.
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Film Theory went from okay to off the walls when Mickey Altieri decided to make the argument that movies could be responsible for people’s actions. Using the brutal murders at the early Stab screening in town as an example was in poor taste when it had just happened the night before. It wasn’t even that you disliked Mickey, having met him in your Introduction to Film History course. He was pretty funny, and the two of you had a lot of the same classes together, moved in the same social circles. 
He’d expressed similar views before, but never so egregiously. You couldn’t believe a fellow film student would have such a regressive view of cinema. It was asinine to even entertain the idea, but you couldn’t let the conversation go on without giving your two-cents to your peers. 
“CiCi’s right. That exact thinking is what led to the Hays Code.”
“Bonnie and Clyde was one of the first post-Code movies to make it big. It showed there’s profit in glorifying crime and violence,” Mickey said. “The decade after it came out was the golden age of serial killers.”
“Oh sure, I watched one too many John Waters movies, and now I’m having sex in confession booths,” you said, earning snickers from your classmates. 
“Thank you,” Randy said. “I don’t think anyone was eating dog shit after watching Pink Flamingos.”
“Maybe Ghostface got the idea for the phone calls from Serial Mom,” one of your classmates quipped.
“Kathleen Turner’s character in that was inspired by serial killers. She read true crime books and collected paraphernalia,” Mickey argued.
“I’ll do you one better and raise you John Waters himself,” you said. “The guy has a morbid fascination with the Manson Family to the point where he incorporates references to them in almost all of his movies. He hasn’t committed any mass murders.”
“No, he just makes movies that make people wanna puke,” another classmate said.
Mickey opened his mouth to speak again, but was interrupted by Sidney and Hallie rushing to the classroom door, looking for Randy. Unable to keep the class’s attention after that, your professor dismissed everyone. 
CiCi made her way over to you, giving you an exasperated look. “Reagan-era politics have really poisoned some of these people’s critical thinking skills.”
“Tell me about it,” you agreed.
CiCi had been in a lot of the same classes as you your freshman year, and the two of you became fast friends over your similar taste in movies and distaste for closed-minded people. She was a big Lee Grant fan, wanting to make candid documentaries about tough social issues too.
You had some time to kill before your next class, so the two of you made your way to one of the empty picnic tables outside and continued the discussion, which had quickly turned into mutual ranting. Her point about the Slumber Party Massacre movies being directed by women was cut short when you realized you’d have to book it across campus to make it to Film Production II in time.
It was one of the higher level courses for film students who were looking to make feature films rather than focus on screenwriting or making documentaries. Among the prerequisites for Film Production II were Screenwriting I and II. In theory, everyone in the class would have two or three short film scripts ready to be adapted for an advanced Film Studies class. Few films were ever solo projects, so you weren’t surprised when your professor told everyone on the first day of class to prepare to be partnered up for the project, which would count for most of the course’s grade.
When you walked into the classroom, your professor handed you a slip of paper with two names on it. Yours and–of course. You almost had to laugh at the irony. Mickey. His attitude toward you could be unpredictable. Some days would be fine, and others it was like the two of you were about to bite each other’s heads off. 
Speak of the devil. You watched his reaction to the slip of paper when he walked in. Unreadable, even when his attention turned to you.
“Is Sidney okay?” you asked when Mickey sat next to you.
“As okay as anyone can be in this situation. That cop from Woodsboro’s here—Dewey, he’s keeping an eye on her.”
“That’s good.”
“So, let’s get started on this thing I guess. Any ideas?”
“Okay cool. I’ve been thinking about it for a while, and my strongest script is ‘The Tongue Remembers’.”
He scoffed. “The one about the cannibal girl who gets lobotomized?”
“Well, we could take the easy route and make a porno,” you snapped. “Not that it’d be very long.”
“Knowing you it’d be snuff.”
“Whatever. We’ll do one of yours, but I get to do casting and set design.”
“Easy enough, ‘Stakeout’ has four characters,” he said, digging through his backpack for a copy of the script.
You flipped through the script, scanning the first few pages to jog your memory. An action-comedy about a group of criminals who knew that they were being staked-out by undercover cops, unaware that one was within their midst. Mickey’s comedy writing was fast-paced and genuinely funny. You’d told him so in your peer review of his script in Screenwriting II. The reviews were anonymous, but the effort was still there.
Most of the reviews for ‘The Tongue Remembers’ were positive, with criticisms of some minor plot points that helped you make the whole script stronger in the long run. The review you appreciated most tore the damn thing apart, but gave detailed explanations for the suggestions given, all of which were so good you almost wanted to seek out who the source was. A handful of people didn’t care for your script at all, objecting to the plot altogether. You quietly suspected Mickey was one of them. 
You tried to shake the tension that had settled over you and Mickey following the exchange just a few moments prior. At least it’d be good experience for dealing with inevitable assholes as you worked your way up in the film industry. It was tough to make it without connections, and even tougher for women.
By the end of class, the two of you agreed to meet in the library the next day and start planning casting and a general production schedule. Mickey had more editing experience than you did, but you wanted to sit in on the process after initial production of the short film was over. He begrudgingly agreed, and you left the classroom for the dining hall in a sour mood. 
When you walked into the crowded dining hall for dinner, you spotted Randy and rushed over to join him. More often than you’d like, he’d have to be the mediator when you and Mickey would really get into it. At least he seemed to find it amusing.
“Hey, is everything alright?” you asked.
He handed you a plate that already had two slices of pizza on it and grabbed one for himself. “Besides the whole ‘Ghostface is back and people are being murdered’ thing? Can’t complain. How about you? Get your partner for Production II yet?”
“Yeah. Mickey.”
Randy laughed. “Nice. I’m sure that won’t be a disaster.”
“I don’t want it to be! I even said we could do one of his scripts.”
“Which one?”
“That action-comedy he wrote, ‘Stakeout’,” you said as the two of you sat at an empty table. “It’s a good script. He’s a great comedy writer. I’m just pissed he wouldn’t even consider ‘The Tongue Remembers’.”
Randy nodded in acknowledgement. “I liked that one. You did a good job of making the cannibals sympathetic. Strong ending too. I’m not so sure it’d go over well at Windsor’s student film fest. Lotta weak stomachs.”
“Last year’s winner was a fucking romcom.”
“So you give the cannibal a love interest. Go a little further than Texas Chainsaw 2.”
“I’m not trying to win awards. I wanna make art.”
“You gotta sell out before you can make art. That’s the industry, kid,” he said, patting your shoulder sympathetically. “Are you gonna be at the Delta Zeta whatever party tonight?”
“Delta Lambda Zeta? I don’t think so,” you said. “I gotta find people to be in this movie.”
It turned out to be one of the best decisions you could have made, because you ended up with a list of people interested in a role in ‘Stakeout’. More pressing, however, was the news that Ghostface had made an appearance at the party, after killing CiCi in the Omega Beta Zeta house. Your stomach dropped at the news. Just a few hours before her death you’d been talking to her. It didn’t matter that she wasn’t connected to anyone from the original Woodsboro killings, the students who were killed at the Stab premiere hadn’t been either.
In a small college like Windsor, news traveled fast, and by the time you finished eating breakfast, you’d heard that Sidney, Randy, Hallie, Derek, and Mickey had all spent the night at the police station following the attack. 
You didn’t want to ask Randy if you were a suspect. Your film taste alone would put you at the top of the list by default. As much as you understood the reasoning considering the last Ghostface duo’s obsession with horror movies, it didn’t mean everyone who watched them would be inclined to commit murder, despite what Mickey thought. Besides, who would your accomplice even be? Derek or Hallie would be too obvious. Gale Weathers was cutthroat, but not in the literal sense. Randy or Dewey would be a devastating twist if the goal was to mess with Sidney that much more. You felt bad. This type of thing was fun in the movies. You couldn’t imagine it being your life. 
Making your way to the library, you weren’t sure whether or not Mickey would actually show up after spending all night in a police station, but it didn’t hurt to go anyway and get other work done.
To your surprise, he sat down across from you a few minutes after you’d agreed to meet. He was wearing the same clothes as the day before, dark circles under his eyes.
“Jesus have you even slept? We can do this another day.”
“Spare me your concern.”
“Look, I don’t want this project to be miserable for either of us,” you said. “Between Film Theory and Production, I was kind of being a bitch yesterday.”
“It was really that porno comment that hit me deep. I’m no two-pump chump,” he said with a smile.
“Alright, alright. I’m sorry,” you laughed. “Oh, I have some people interested in three of the four roles for ‘Stakeout’.”
“Already?”
“I wanted to make it up to you.”
He was silent for a moment, placing a hand on your arm and squeezing gently. “I’m sorry about CiCi. I know she was your friend.”
“Thanks,” you whispered, trying to keep it together. The last thing you wanted was to break down in the middle of the library.
The two of you planned to do a test shoot in one of the theater’s empty practice auditoriums over the weekend. The main stage was being used for the theater department’s annual play, but Mickey pointed out that ‘Stakeout’ mostly took place in one room anyway. You went ahead and booked the auditorium on the library computer for about three hours, just to give enough time to work out any kinks and not worry about being interrupted.
While Mickey was going to spend the following couple of days getting props together and making any last minute changes to the script, you would finalize the cast since he approved of your choices, surprisingly. At least, you were going to, until Randy ended up dead not long after CiCi. 
You spent a day locked in your dorm room, partially out of paranoia and also in the depression of losing two of your close friends within days of each other. It was getting serious. Randy had survived Woodsboro. If he wasn’t off limits to Ghostface, no one was. 
By Saturday, you’d debated bailing on Mickey and not bothering to show up for the test shoot. You decided against it. Moping wouldn’t do you any good.
He looked shocked to see you when you walked into the auditorium. You felt bad your progress on casting stalled. His friend had died too, but he had his shit together enough to bring a box of props and the camera.
“Are you sure you’re good to shoot today?” Mickey asked from behind the camera, set a few feet from the stage.
“Yeah, I’m fine,” you said, your voice cracking a bit. “Really, it’s all good.” 
“We don’t have to–”
You shook your head. “Let’s do this.”
“Alright,” he said, though he didn’t sound convinced. “You mind locking the door?”
“Okay.” You walked back to the door, locking it. “I got two of the leads for ‘Stakeout’ down, Frank and Alex. I know Frank wasn’t our first choice, but Greg backed out.”
“No problem–shit, I forgot something in the props box over there,” he said, adjusting the settings on the camera. “Could you get it while I finish setting this up? You can’t miss it.”
“Sure,” you said, making your way over to the cardboard box Mickey had brought with him. It took a lot to rattle you, but as soon as you looked in the box, your skin crawled. The Ghostface mask stared back at you, eyes empty black holes. The same ones your friends saw before they died. “Mickey? This better be some kind of stupid joke.”
You turned around to find him less than a foot behind you. Camera set to record. Knife in his hand. Dangerous gleam in his eye as he took a step toward you.
“Last minute change—unprofessional, I know—but I decided to go in a different direction for our short film,” he said, a sadistic grin spread across his face. “You’re gonna be the star. Too bad you won’t be able to see it.”
Just as you began to scream, he put his hand over your mouth, holding the knife to your throat. “Don’t be a diva on me now. You just say what I tell you, okay?”
You nodded frantically, vision blurred by the tears that flowed freely from your eyes. In your desperation, you accidentally nicked your own skin against the knife, whimpering at the small cut you’d self-induced. Mickey snickered, his gaze shifting from you to the camera lens.
He moved his hand from your mouth, though his thumb rested on your lower lip. Slowly, he pushed it between your lips. Fuck this. Fuck him. You bit down until you tasted copper, earning a sloppy slash across your chest that made you cry out in pain, releasing his thumb. 
He looked at his hand in disbelief and then at you, a grin spreading across his face. “You’re gonna fight back, huh? You wanna play that game?” he said, an unnerving laugh escaping his lips.
Feeling bold, you spit his own blood in his face. In his moment of distraction you grabbed the knife, managing to pull it from his hand. You stumbled back, holding out the knife with a shaky hand. 
Despite you having the weapon, he still seemed smug, amusement in his eyes as he lunged toward you. You wildly swung the knife, cutting his abdomen as you crashed to the ground. He climbed on you, grabbing at your flailing arms as you tried to keep him away with the threat of being cut again.
“I’ll kill you! Fucking bastard!” you screamed. “You killed my fucking friends!”
“Do it!” he taunted. “C’mon, I wanna see you try.”
In your struggle to stab him, you lost your grip on the knife, and it slid across the stage. The both of you froze. You used this moment to push him off of you, scrambling to retrieve it. He threw a punch to your back. The wind knocked out of you, violent coughs clawing their way out of your lungs. He took the opportunity to stand up as you lay on the ground in pain.
Still, with the adrenaline pumping through your veins, you grabbed for the knife, hissing as your fingers wrapped around the blade and cut deep into your skin. It didn’t matter. You had to do the most with it while you had it in your grasp.
You held the knife up in a weak defense as he kicked your stomach. When he moved to kick you again, you slashed his leg, pulling the blade from his flesh and watching as blood quickly stained his pants. 
The wild look in his eye intensified, and he dropped down, his hips straddling yours. You could feel his hard cock press against your core as he shifted. And he said you got off to fucked up shit. 
With one hand, he applied pressure to your throat as the other held down the arm you were holding the knife with. You released your grip on the knife as black spots clouded your vision. You could vaguely hear it fall to the ground when his hand released your throat, and you sucked in a much-needed breath. He picked up the weapon, a triumphant grin on his face. You were fucked.
He sat up, lazily dragging the knife down from your chest to your hips. “You probably should’ve killed me.”
“You think I wasn’t trying?” you wheezed.
“You put up a good fight. I’ll give you that.”
“Don’t act like you don’t love it.”
“And you don’t? I saw the thrill in your eyes every time you raised this at me.”
“It’s self-defense!”
“You tell yourself that, babe,” he said, leaning down to kiss you, only for him to stop to whisper, “Try something, and I swear to god I’ll knock your teeth out.”
You were having trouble breathing. He probably crushed part of your trachea. At least you put up a good fight. You lay still as he kissed you, not making an effort to kiss him back until he pressed the blade against your throat. Even then, you let him take the lead, your lips passively responding to his as he deepened the kiss, slipping his tongue into your mouth. He wasn’t a bad kisser. Shame he was a serial killer. It took everything in you not to bite down on it like you had his thumb. You didn’t have the energy to fight back. Knew he wasn’t bluffing about your teeth either.
He pulled away from you, a string of bloody saliva hanging from your lips that he swiped with his injured thumb. Bringing the digit to his mouth, he licked it. You grimaced at the sight.
“C’mon, babe, I thought you were into this kinda thing,” he teased.
“That’s all pretend. It’s not real,” you argued softly.
You gasped as he cut through your top and bra, digging the blade into your abdomen. He traced the tip of the knife around your breasts, watching in amusement as you began to cry. The cool air in the room and metal brushing your nipples made them hard. He used his free hand to pinch and pull at one, eliciting pained whines from you. Your teary gaze was fixed on the knife, though.
“Why don’t you give me a big smile for the camera and tell me how bad you want me to fuck you?”
“Screw you!” you shouted hoarsely.
He scoffed, pulling the knife away from your breasts and holding the blunt side between his teeth as he unzipped your jeans. You squeezed your eyes shut as he pulled the denim down your limp legs, leaving you in only your panties. His index and middle finger pressed against the cotton, rubbing a bit at the wet spot in the fabric.
A pleased noise came from his throat. “So you are into this kinda thing.”
He snapped the elastic waistband against your hips. You moaned. Your eyes shot open, face heating up in embarrassment. 
The knife was back in his hand, though the gleam of the blade lowered, down, down, until you felt it pressed against your inner thigh. He dragged the blade across your sensitive skin until the only thing between it and your pussy was the thin fabric of your panties. You felt like your heart was going to explode from your chest.
“Stop. Mickey, please don’t—oh my god—“ you babbled. “Please—Mickey, I’m sorry—“
“You gonna do what I say?”
“Please fuck me, Mickey. I want you to fuck me so bad.”
“That’s better, baby,” he cooed mockingly.
You heaved a sob of relief as you felt him pull the knife from your panties. Closing your eyes again, you reckoned your impending doom with yourself, trying to ignore the sound of his zipper. The rustling of fabric. The air on your bare pussy.
“Time for the real show.”
Mickey played with your clit while he leaned down to kiss you again, devouring your involuntary moans with a triumphant smugness. 
“The rest of them were messy and painful, just like in the movies,” he said softly, confusing you for a moment before you realized he was talking about his other victims. “I didn’t hate them, though, so I’ll blame this one on violent porn.”
“Mickey, I won’t tell anyone,” you tried. “This can be our secret. I—I like it, really.”
He groaned, pushing his hard cock between your folds. A pained cry escaped your lips as his length filled you. He hardly gave you any time to get used to him inside you as he began thrusting at a brutal pace.
“Keep going,” he hissed through gritted teeth.
“You feel so good, Mickey. Your cock is so—fuck—I don’t want anyone else.” You struggled to get words out, your brain overrun by the pain and pleasure that competed to cloud your senses. 
“You’re not getting anyone else.”
Your eyes drifted to the knife in his hand as he pounded into you, nervous about what he was going to do with it next.
“Look at me, baby,” he ordered. 
Your fearful gaze snapped to his, cruel and unforgiving. He kept rubbing circles on your clit, so fast it was almost too painful. That’s what he wanted, though. For you to hurt. Made him feel better, get off quicker if you hurt. It was almost too easy for him, the way your body betrayed you so quickly, wet with slick so he hardly had to do a thing before claiming your cunt. 
Your pussy squeezed his cock, a silent encouragement with each thrust against your will. His breathing was heavy, sweat dripping from his forehead, yet he showed no signs of letting up on you. Bleeding, aching, you weren’t sure how much longer you could take the abuse. 
“I want you to ruin me, Mickey.” You meant it. If this was how you were going to meet your end, it might as well be as brutal as the dark scenarios your mind sometimes wandered to after watching a particularly bloody film. Maybe he was right. Maybe the movies were to blame. “Fucking wreck me.”
He shuddered, his thrusts getting sloppy. “Fuck–Jesus fucking–”
His grip around the knife handle tightened as he came, knuckles white as he stabbed it into the floor, mere inches away from your face. You jolted, fear and adrenaline sending you over the edge. Your orgasm wracked through your body, muscles tensing, the sensation pulsing through your wounds, making them feel like they were on fire.
You nearly blacked out, but you held on long enough to feel him bottom out inside you. His head hung over yours as he caught his breath. Tilting your head up a bit, you kissed him. Softer, more intimate, hopefully enough to throw him off.
You reached for the knife next to you, but he pulled it out of the floor before you could.
“Nice try,” he said, breaking the kiss.
He stood up and walked away. For a moment, you thought he was going to just leave you there. You weren’t so lucky. He returned with Ghostface regalia in hand, looking down at your bloody body beneath him with a grin.
Mickey brought the voice modifier to his mouth. “Now, who wants to die for art?”
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