I think I genuinely did peak at art when I was 14 like what is that shading why was I so good at traditional
Maybe digital art isn't for me /hj
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He doesn't even know that victim doesn't know it's him. When he realizes he has kind of an "oh shit" moment of panic because now victim does know.
YEAH... THIS POOR DUDE HAS NO IDEA THAT VICTIM GENUINELY WANTS TO LIKE, TORTURE HIM.
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That new drawing challenge video is the proof that Esteban and Fernando share a single braincell because everything on the board was positively unintelligible yet they knew exactly what everything was
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man michael really aged poorly (faul trutherism for scale)
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you would not believe the amount of website development css bullshit i had learned in the process of wanting to format those fake android text message screenshots exclusively through code and not an image, while also!!! having it look readable with the custom css disabled. (as it would be when the fic is downloaded etc etc).
plus, you know. im a huge stickler for accessibility. and you can't ctrl+f an image.
speaking of: theres not a single image involved! even the icons are shaped exclusively through css code, something that i previously didnt even know was a thing. i discovered that working on this, and it seems like a weirdly pointless option especially in a world where you can just embed an icon sheet and use that, BUT it is extremely handy in restrictive environments like ao3 that only allow limited html/css.
im not a huge fan of using external links in fics... as a longtime internet user, linkrot is a real problem. which means im not a big fan of using images in fics. its... just... its not very archival!! and i think that defeats the purpose of the whole dang place!!!! (this is my Hot Take, and also a Hill I'd Die On)
anyway big ups to mimzy for entertaining my complaints about embedding screenshots into their fic and using fancy css workskins instead. and also writing a good fic in a unique semi-meta POV.
the hard sell rules which is why i went through all this trouble, if you are a fic-reader consider reading this mjf and max caster fic.
since im an image-person who likes posting images here is a screenshot of my test environment with placeholder text (very in character) and also what it looks like with creator styles turned off
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Here’s a quick guide to how I use digital patterns while lacking a printer. It’s best if they aren’t overly-complicated and detailed (i.e. this won’t work for cross-stitch patterns but really anything else will be fine), and you will need a basic knowledge of a photo-editing software.
So I take my pattern into a photo-editing program and add a coloured translucent layer the size of a sheet of printer paper. Really you could use any size of paper for this, so long as you are consistent the entire time. I’ll stick with printer paper for this example though. I overlay another translucent layer with a grid of inches. I then lay out copies of the coloured original layer on top of the pattern until the pattern is covered. Usually some are vertical and some horizontal, whichever arrangement will save space. It’s important that each coloured layer have one corner fitted directly into the corner of an inch square on the grid layer. There will inevitably be areas where the layers overlap each other because of this, so just make sure the entire pattern is still covered. You’re now done the digital part!
Next you get out a piece of printer paper and starting from one corner, make a mark every inch, then make that into a grid. I recommend doing this in Sharpie or something equally dark so it shows through another piece of paper on top of it easily. Flip the page over and trace that grid onto the other side. This means that no matter what corner you placed the coloured layer on in the computer file, you will be able to use the same piece of paper. You then find the corner of the grid your first coloured layer is lined up with and place that in the corresponding corner relative to you (upper/lower right/left). You might have to flip the grid paper over to do this. Now take another piece of paper and place it on top of your paper, lining it up exactly with the other piece. You then find the lines of your pattern on the computer and where they overlap with the grid, and mark out each intersection on your plain paper with little dots. So maybe one line goes through the one-inch over, two-and-a-half inches down point. Add in any little notes like notches or grain lines as needed. Continue like that until every intersection on the current coloured layer is finished. Trace connecting lines between each point on your paper. Use a ruler for straight lines and a French curve or freehand for curves. Set this paper aside and align a new paper for the next coloured layer and repeat. It can help to number your layers and pieces of paper if you have many similar-looking pieces, or if you are bad at puzzles or don’t feel like doing one now. It’s easy to mix up which piece is which or which direction should be up for each one, especially if you have mixed horizontal and vertical. Repeat until you have a piece of paper for each layer, then (making note of the areas that overlap and by how much) tape everything together and then cut out your pattern. And voila you are done. You can hang on to your grid paper if you plan on ever repeating this method.
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i am cringe and that’s ok
anyways my doodle is turning out sort of ok just done half of it and will continue sketching it tomorrow
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