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#green loki icon
lokiszn · 6 months
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⋆ .ೃ ࿔* :・
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𝚊𝚕𝚕 𝚝𝚑𝚎 𝚕𝚒𝚊𝚛𝚜 𝚊𝚛𝚎 𝚌𝚊𝚕𝚕𝚒𝚗𝚐 𝚖𝚎 𝚘𝚗𝚎
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⋆˖⁺‧₊ ☽◯☾ ₊‧⁺˖⋆
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thebritishnerd · 5 months
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Loki profile
Please credit if you use this profile
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armasbw · 5 months
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⠀⠀⠀⠀⠀ㅤ⠀⠀⠀⠀⠀ㅤ⠀⠀⠀⠀⠀ㅤ⠀⠀ㅤ⠀⠀⠀⠀⠀ㅤ⠀⠀
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⠀⠀⠀⠀⠀ㅤ⠀⠀⠀⠀⠀ㅤ⠀⠀⠀⠀⠀ㅤ⠀⠀ㅤ⠀⠀⠀⠀⠀ㅤ⠀⠀
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⠀⠀⠀⠀⠀ㅤ⠀⠀⠀⠀⠀ㅤ⠀⠀⠀⠀⠀ㅤ⠀⠀ㅤ⠀⠀⠀⠀⠀ㅤ⠀⠀
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chxrgebqlt · 1 year
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ֶָ֪֪֪֪ ֹ ㅅ 🌱 ִ ๑ Loki : green theme
𓈈 𔒱 ݂ ꒷ © chxrgebqlt / 𝙼𝙸𝙳𝙽𝙸𝙶𝙷𝚃𝚂
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chilledagridolce27 · 1 year
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Loki is Scar in Lion King but with a redemption arc
think about it
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visionsofmagic · 2 years
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"We may lose. Sometimes painfully. But we don't die. We survive." - Loki
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               **✿❀ marvel’s loki moodboard in green theme ❀✿**
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stellarhistoria · 1 year
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roleplaying is a kind of chaos though so kudos to the new brand of devotion to loki that i didn't consider
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brutal-out-here · 1 year
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Remodeling my writing blog currently
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joyful-enchantress · 5 months
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Loki’s costume at the end of S2E6 was perfect.
Yes, every part of it, down to those slippers.
And here’s my unsolicited (and delayed) thoughts on the matter.
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First, let’s talk about his robe. Not only was it utterly beautiful, down to the draping and the deep, rich shade of green (and I mean come on, would we expect anything less?), its style was incredibly symbolic.
If you look at previous Loki ensembles, especially the ones that include a horned helmet, there is an air of grandeur and finery about them. The exquisitely stitched, buttery leather; the shiny gold trimmings and metal armor accents; the dramatic, billowing capes and overcoats. Even the silhouette of these looks is broad and structured — one might even say severe. Everything about these past looks screams “Look at me; I’m important” and reinforces Tony’s own observation in The Avengers that Loki is a “full-tilt diva” — he longs for the respect and attention that he deserves (and has been denied almost all of his life) and that longing is reflected in his clothing. They are reminiscent of the royal palace in which he was raised. They allow him to be battle-ready, because he’s had to fight and claw for every scrap of love and attention he’s managed to get. They represent a broken prince. A warrior cloaked in royalty. A would-be-king.
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Now, compare that to his robe in Loki S2E6. It isn’t flashy. It has a soft silhouette. The shade of green is deeper and richer than we’ve seen; more earthy. An earthy shade of green which, in my opinion, is a nod to Yggdrasil, the cosmic tree that he will weave the branches of the multiverse into. The gold trimming across the front is subtle and understated - I even missed it at first and didn’t realize there was any gold trimming on the robe at all until I got a closer look later. It is simple. The draping is reminiscent of the robes worn by Buddhist monks. His robe reflects a Loki that has more wisdom and humility, and who has realized that being a good king — a proper god — means he will spend his life in service to others. It is the robe of a man who is confident and self-assured and knows exactly what kind of god he needs to be.
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Now let’s talk about the slippers. I noticed that they got quite a bit of flack immediately after the finale aired. And I get it — they’re an odd choice, especially when we are so accustomed to the dramatic boots and finely-crafted and statement-making dress shoes he typically dons. For similar reasons as the robe, they are symbolic and fitting for Loki’s development into a wiser, more humble character. Don’t get me wrong, these loafers are still impeccably stylish, and no doubt they are of the finest craftsmanship, because this is still Loki we are talking about here. But they have a purpose, and that purpose is to get him to his final destination. These simple slippers barely even protect Loki’s feet, showing us a kind of vulnerability that we’re unaccustomed to seeing from Loki. He isn’t guarded in this moment; he’s open, connected to his purpose, and sure of himself. The shoes aren’t for battle; they aren’t meant to impress. They are meant to serve.
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Now, about what is, quite possibly, my favorite feature of the costume. The horns. These iconic horns which we’ve associated with Loki from the very beginning take on an entirely reimagined look in the finale. First of all, they are bigger than any set we’ve seen resting upon Loki’s brow. So big, in fact, that they weren’t actually a physical part of the costume Tom Hiddleston wore. So big that they would likely hinder his performance if he actually had to bear their weight on his head.
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In addition to their size, the horns are made of the same temporal-infused material from which both HWR’s talisman and the citadel at the end of time are constructed. Gone are the opulent golden horns that glisten and shine with the grandeur of royal finery. These horns are dark and heavy. They symbolize the unfathomable weight of the burden that Loki bears in his godly endeavor to save the multiverse. The golden temporal material that runs throughout the horns like veins is reminiscent, to me, of Kintsugi, the Japanese art of mending broken things with gold. And in a way, Loki is a broken thing that has been healed and mended throughout his personal journey of self-acceptance and friendship, and is now more beautiful than he ever has been. More humble. More selfless. More godly.
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In addition to the horns, the cape, too, is the largest we’ve seen Loki wear. And while at first, this dramatically oversized cape may seem to stand in opposition to the humility that the rest of the outfit encapsulates, it works. It works because, like the horns, it is symbolic of the burden Loki has chosen to bear. This cape would be unbearably heavy; it would make even the most basic movement difficult. And on top of its sheer size, his cape even becomes torn into strips that are woven into the timelines themselves, literally securing his burden — his service to the multiverse — around his neck.
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Lastly, I want to talk about the way this outfit manifested. There’s been a common thread throughout this discussion about the humility and selflessness that this ensemble puts on display. And while that’s true, we’re talking about a relative level of humility and selflessness, when compared to Loki’s previous tendencies. This is still Loki we’re talking about here. He’s got a flair for the dramatic. He’s nothing if not intentional about the way he presents himself. And the way he marched down that gangway like it was his own personal runway, while his clothing fell away in shreds and tatters to reveal this completely fresh but familiar look, was completely on-brand for him. It was theatrical. It was glorious.
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His outfit at the end featured accessories that were heavy and larger than life. Those parts were a burden.
It wasn’t short on the style and drama that we’re so accustomed to seeing from Loki. It was glorious.
And every part of it, down to his humble shoes, was fit for purpose.
One look at this finale costume and you know, without doubt, that Loki is burdened with glorious purpose.
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A/N: If you’ve made it this far, thank you for reading my unsolicited thoughts on this beautiful piece of costume design! Also, apologies for the delay in posting. I know some of you have been told this post was coming since the night the finale aired, weeks ago. Thank you for your patience with me as I gathered my thoughts and found the time to organize them and type them out.
🏷️ @peachyjinx @acidcasualties @muddyorbsblr @lokischambermaid @lokisgoodgirl @mochie85 @tallseaweed @give-me-a-moose @fictive-sl0th @coldnique @maple-seed @loopsisloops @gigglingtiggerv2 @simplyholl @superficialdomina @mischief2sarawr @ijuststareatstuffhereok89 @wheredafandomat @liminalpebble @ladyofthestayingpower ++
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basket-of-loquats · 4 months
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Loki pride icons (free to use with credit)
(green background here)
[image description: two digital drawings of Loki from the marvel cinematic universe wearing a black suit and tie. In the first image, the genderfluid pride colors are behind him, and in the second image the bisexual pride colors are behind him. End ID.]
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katieskrsgard · 6 months
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🎃 TJ MIKELOGAN'S HALLOWEEN 2023 EVENT 🎃
DAY 26: Witches
ICONIC WITCHES, MAGIC USERS & GODS
Bette Midler as Winifred Sanderson in Hocus Pocus (1993) dir. Kenny Ortega
Robin Tunney as Sarah Bailey in The Craft (1996) dir. Andrew Fleming
Charisma Carpenter as Cordelia Chase in the Buffy-verse (1997-2004) creator Joss Whedon
Holly Marie Combs as Piper Halliwell in Charmed (1998-2006) creator Constance M. Burge
Tom Hiddleston as Loki Laufeyson in Loki (2021-) creator Michael Waldron
Fairuza Balk as Nancy Downs in The Craft (1996) dir. Andrew Fleming
Elizabeth Olsen as Wanda Maximoff/The Scarlet Witch in Doctor Strange in the Multiverse of Madness (2022) dir. Sam Raimi
Amber Benson as Tara Maclay in the Buffy-verse (1997-2004) creator Joss Whedon
Anya Taylor Joy as Thomasina in The Witch (2015) dir. Robert Eggers
Neve Campbell as Bonnie Harper in The Craft (1996) dir. Andrew Fleming
Emma Watson as Hermione Granger in Harry Potter (2001-2011)
Sandra Bullock as Sally Owens in Practical Magic (1998) dir. Griffin Dunne
Cher as Alexandra Medford in The Witches of Eastwick (1987) dir. George Miller
Sarah Jessica Parker as Sarah Sanderson in Hocus Pocus (1993) dir. Kenny Ortega
Miranda Richardson as Lady Van Tassel in Sleepy Hollow (1999) dir. Tim Burton
Rachel True as Rochelle Zimmerman in The Craft (1996) dir. Andrew Fleming
Rene Russo as Frigga in Thor: The Dark World (2013) dir. Alan Taylor
Shannen Doherty as Prue Halliwell in Charmed (1998-2006) creator Constance M. Burge
Alyssa Milano as Phoebe Halliwell in Charmed (1998-2006) creator Constance M. Burge
Sophia Di Martino as Sylvie Laufeydottir in Loki (2021-) creator Michael Waldron
Michelle Pfeiffer as Sukie Ridgemont in The Witches of Eastwick (1987) dir. George Miller
Alyson Hannigan as Willow Rosenberg in the Buffy-verse (1997-2004) creator Joss Whedon
Kathy Najimy as Mary Sanderson in Hocus Pocus (1993) dir. Kenny Ortega
Christina Ricci as Katrina Van Tassel in Sleepy Hollow (1999) dir. Tim Burton
Kathryn Hahn as Agatha Harkness in WandaVision (2021) creator Jac Schaeffer
Rose McGowan as Paige Matthews in Charmed (1998-2006) creator Constance M. Burge
Cate Blanchett as Hela Odinsdottir in Thor: Ragnarok (2017) dir. Taika Waititi
Susan Sarandon as Jane Spofford in The Witches of Eastwick (1987) dir. George Miller
Eva Green as Angelique Bouchard in Dark Shadows (2012) dir. Tim Burton
Nicole Kidman as Gillian Owens in Practical Magic (1998) dir. Griffin Dunne
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fireflysummers · 2 years
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Exclusivity for the Loki @variant-zine has ended, so now I present to you my son boy!
I have a backlog of zine illustrations that I have consistently forgotten to upload to any social media... so maybe expect more art in the near future?
Image ID:
Kid Loki sits on a pile of rubble and concrete, apathetically sipping on a juice box while staring apathetically off to one side. He is an early teen child with wavy, shoulder-length black hair, fair skin, and green eyes. He wears a golden circlet with his signature v-shaped symbol on the front, and wings flanking the sides. He wears a layered outfit primarily of green, black, and gold--a tunic with pants, boots, and gloves mixed with a more modern “hoodie” aesthetic. His symbol is emblazoned on the chest.
At his feet scatter several weapons or possessions iconic to the Avengers--Iron Man’s face shield, Captain America’s shield, Black Widow’s belt buckle, Wanda’s crown, Nick Fury’s eyepatch, and a Pym Particle Disk. Behind him sits Mjolnir, and and the shaft of a Dora Milaje spear can be seen. In the foreground, Hawkeye’s arrows can be seen in silhouette.
All around is chaos in a muted gray. Cement, rebar, wood, and other rubble is strewn about, while any remaining buildings are broken and leaning. In the distance, the silhouette of a city of broken skyscrapers can be seen, the sky a reddish-brown implying the presence of smoke, fire, and dust.
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theapollus · 6 months
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I can’t not stand to be more then 2 minutes logged on twitter anymore
Everywhere I go there’s some stupid fuck who can’t interpret anything beyond the obvious saying we’re forcing anything more than a platonic relationship between Mobius and Loki.
I know I probably said that like a hundred times, I’m getting tired of repeating too but it’s just so… tiring.
You all have to understand that everything in a audiovisual production is planed, scripted, not accidental, it has to be just so everything can work out smoothly.
Examples:
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That lighting, greens and gold, it’s not by accident honeys. It was edited that way deliberately. I don’t really care if anyone thinks otherwise because that’s the stuff I study in college babes… i know what I’m talking bout.
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Poor old Mobius leaving the TVA (his “life purpose”) behind but not knowing how to proceed with his life now… lost.
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Well I don’t need to describe it, it was the last scene… if you watched it you know what happens there.
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Could it all be just a beautiful friendship? A shiny, sparkly, platonic brotherhood?
Yeah you could say that. The point is that it could be BOTH platonic and romantic but while some of the fandom has no problem with it being platonic even if we see it other way, some others will only accept it as platonic and nothing more because, apparently to them, two people who are not a boy and a girl cannot have romantic feelings towards each other, even going as far as to ignore the fact that Loki IS a gender-fluid bisexual god, stated by himself and his file.
And that is all on the industry for continuously writing queer characters in a way that makes them ambiguous or even “straight”, like Tony Stark, a Bi icon who is now an idol for incels and other adjacent tipes of straight men.
Imagine the pandemonium that the marvel fandom would turn into when they find out…
Anyway.
Stay safe and open your minds.
🧚
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baby-bingo · 6 months
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Some Loki agere icons! Planning on making matching Mobius and Loki ones sometime soon too :))
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Image ID: Green background with an image of Edward Teach from Our Flag Means Death. Text reads, "Edward Teach protects this blog. DNI if; NSFW, proship, transaid or SH/ED blog. This is an agere blog :). I block liberally" end image ID
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the-maidofmischief · 5 months
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Could you please make some Sylvie from Loki Season Two icons with the Pansexual flag colours as background and ones with a green background?
sure!
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Please like or/and reblog if you take any!
made by the-maidofmischief
200x200 px
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loki-who-remains · 6 months
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The soundtrack for season 2 is unbelievable. I thought nothing could beat season 1 music, but Natalie Holt did it again. I’m in awe. I can't wait for Vol.2.
I’m not a musician, I don’t really distinguish different instruments apart from general terms, but for myself I summarised that strings mainly belong to Loki and Sylvie, the theremin to TVA and Mobius, chorus/voices to HWR and Victor Timely. And again, it comes in three.
Burden of Wisdom
This is the first track for season 2 and it actually starts with the same whispery voices that can be heard in He Who Remains, which is the last track for season 1! I recommend listening to both in chronological order. The contrast between them, the character and gravity they convey. Ugh!
Theremin, chorus and strings are intertwined in a heartbeat-like sound. In this track you can actually hear a bit of the TVA theme but performed on Loki’s strings, as if he's accepted his fate paved for him and Sylvie by HWR. It does sound like a burden.
One Shot
It’s complex music with a lot of drama, hope and despair but also a happy ending. And it is a complicated sequence when Loki time slips to the future, is pruned and gets back to the present. The harp and chorus sound almost asgardian. It’s very stringy, and there are Sylvie’s strings this time too, and an epic, heroic build-up and Loki’s iconic fanfares when he is pulled from the time and soft lands on Mobius. To me personally this is very Sylkius somehow
Temporal Loom
It is the hard of the TVA, so the music sounds like a heartbeat, slightly irregular, quickening by the end. The whispers, and then the epic chorus. You can clearly see a small fragile man on the gangway against this monstrous merciless machine.
Zaniac
This is a banger. 70s disco beat, something from a James Bond movie. But if you listen closely, you can hear strings from Loki Green Theme in the background. They sound ominous but not loud enough for Brad to take it seriously just like he underestimates his opponents just a moment later. Loki’s strings and TVA’s theremin make pretty damn good combo, I love it I love it I love it so much.
Delivery
Such hopeful, pensive music. You know the history was altered that very moment and can’t be undone, this boy will change everything for better or for worse. In the end, the ultimate power in the universe are books in right (or wrong) hands. Chorus is there and is very prominent, not a whisper but almost angelic choir.
Time to Go
I looooove how this one starts so non-HWRy! Very playful, funny and slightly chaotic which suits Victor’s luminary persona that he puts on to hide his vulnerable soft self. It also has Loki’s iconic fanfares, performed by a woodwind this time. It doesn’t match with Loki’s appearance like in One Shot, but still is a really nice touch. And then it’s calm, pensive and somehow lonely. And that’s how Victor is, really.
O. B.
OB’s theme sounds like something from the future. His main notes are simple, optimistic tones arranged with electronic background. It stands out from all other TVA personnel related music. Just like him: a genius unstoppable engineer, alone in his department who won’t hold a grudge for this, always busy, always happy to see his colleagues and work in a team
Your Girl
Hauntingly beautiful and tragically romantic, but with undertones of static, Jaws and a villain theme from a horror movie.
I don’t wanna stop but I will because I feel like I’m starting to repeat myself and don’t have enough words to describe music. No, no, okay, one more
Tricks
The thrill of the chase. Brad's personality aside, it's terrifying to be chased by someone you can neither outrun nor outtrick. Makes you think what would happen if Loki suddenly changed his mind and turned into a full mode villain. Q&A has a similar vibe but with far more dark undertone.
okay I really need to stop here
All I wanna say is, Natalie Holt knows how to convey the essence of a character through music
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