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#god and generals
beebundt · 2 months
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im busy with an art trade but wanted 2 share some recent scraps of charlie. i haven't posted abt her in years oh my god
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mylordshesacactus · 2 years
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So my family has a Gay Pirate Plate.
Stay with me.
We do not know how the hell the Gay Pirate Plate was first acquired. This being a point of contention is actually pretty plot-relevant; the saga of the Gay Pirate Plate began with my grandmother and her sister, who, for some ungodly reason, both BADLY wanted the Gay Pirate Plate and believed it to be rightfully theirs.
I should back up, firstly, to establish: The Gay Pirate Plate is the cheapest, tackiest, ugliest plate in existence.
It is in no way a collector’s item. It is physically impossible for it to complement anyone’s decor, because the colors in it are garish. It’s just a ceramic plate with a gay pirate painted on it, and the painting is, this cannot be emphasized enough, extremely bad.
(How do we know the pirate is gay if he’s just posing on a plate? Listen. Fully 100% to stereotype, but he is. He is gay. There’s an energy. That pirate is a flaming homosexual. That pirate has sex with men and does it frequently. That pirate is fucking gay, all right, he just is.)
Anyway. The point is that this is an extremely cheap and ugly plate with a poorly-executed painting of pirate on it who is like a nine on the Kinsey scale.
My grandmother and her sister fought a blood feud over this plate for their entire lives. It would be on the wall in my grandma’s house, and then her sister would visit, and then it would be gone. She’d visit her sister and the plate would be on the wall and her sister would pretend it had always been there. She would steal it back, hang it up, and, when her sister visited, pretend it had always been there. This continued for DECADES.
When the sister died, the Gay Pirate Plate lived triumphantly in my grandmother’s house. And then my grandmother died. And my aunt, who had lived with her and been her carer throughout her life, rightfully inherited their house.
We visit my aunt after the funeral and stay with her for a week or two.
Me, my sister, and our dad. Her brother.
The three of us look at each other. We don’t say anything. We studiously avoid making eye contact with the Gay Pirate Plate mounted proud and ugly on the wall. We notice one another studiously avoiding looking at it. We notice one another noticing. We say nothing. We come to a silent consensus. We pack up to leave. We get in the van. Our aunt comes out to say goodbye. I loudly announce I need to use the restroom before we leave. She obviously stays outside to continue talking to my dad.
I take down the Gay Pirate Plate, stuff it under my oversized sweatshirt, go outside, and get in the van. She happily waves goodbye as we drive off.
Two days later my dad gets a phone call that opens with hysterical laughter and “You FUCKING ASSHOLE did you seriously STEAL THE PLATE--”
Anyway. The gay pirate plate lives in my dad’s house currently.
But he’s trying to get me and my sister out to visit him. And plate mounts are cheap.
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This week's Discord Prompt!
JJK X OHSHC
Find @cocoabell drawing here
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ewwww-what · 1 month
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Average fig post on crystalbook or whatever they call it
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gravesyart · 16 days
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sorry my first dunmeshi post is so out of left field but i was rotating some ideas about how izutsumi would be in a timeline where she was adopted early on by senshi (inspired heavily by @dunmestuffy’s art!) and thought others might enjoy it
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beescake · 4 months
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im a sollux kinnie and ur art is great. like a delicious meal. 1 million courses. my compliments to the chef.
AOGHHH TYSM I REALLY APPRECIATE IT
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in gratitude i present a little guy doing setup for the first time 🐝
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riacte · 7 months
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carefully traversing through decked out 2 (tumblr) with a compass in hand (a renchanting post), trying to avoid the unavoidable clank (posting shit in martyn’s tag). i drop the compass (press post on tumblr), find the precious artefact (notes on the renchanting post), and try to make my way out alive. heartbeat racing, clank accumulating, hazards shutting down my path— and then BOOM a ravager jumpscare (martyn has reblogged your post). i am instantly killed and scurry back to the lobby (private discord server) like a scared animal
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ash-and-starlight · 5 months
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one day, in a thousand years
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couslande · 1 year
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if only the inquisitor going into the fade and discovering that their actions didn’t have divine legitimacy actually held any narrative weight
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cuddlytogas · 1 month
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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fuckyeahisawthat · 1 month
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something something Paul the son who was supposed to be a daughter, supposed to be the mother of the apotheosis and not the apotheosis himself, a prophecy fulfilled but just slightly to the left
something something Alia the daughter who should have been, except she came out Wrong, her mind playing host to generations of women and also her weird dead grandfather for some reason
something something siblings who get described as two halves of the same person, who could communicate when one of them was still inside the womb, both of them arrived before their time and not what anyone expected
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time-woods · 2 months
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queercosmicentity stuff
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son1c · 10 months
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so, the thing about the megaflora in boscage is that, even though it’s incredibly strong, it’s not particularly smart. they’re plants after all, and so their “thoughts” mainly just consist of violence in service to obtaining food, and violence for the sake of violence. that changes when shadow shows up though.
through their shared black arms dna, the plants are able to connect with him, and they start poking around inside his brain. they see all his thoughts, all his memories, learn what he learns, know what he knows… and suddenly, the megaflora is extremely smart. smart enough to realize that having a mobile unit, not tethered to roots, and with a mouth that can speak for the collective, would be beneficial. so they smother shadow into submission. there’s just too many of them to hold back, once they decide they want him.
once he’s assimilated, they continue to learn more from him, and one thing in particular stands out: the creation of their world. through the eyes of shadow’s memory, they see sonic shatter the paradox prism, and thus, create boscage maze, and therefore the megaflora themselves. this leads the megaflora to the conclusion that their true creator is not gerald, the loathsome traitor who abandoned them, left them to starve, and now seeks to destroy them with project halcyon, but instead sonic.
the megaflora get a sort of reverence for him… “shadow” tells sonic that he forgives him for shattering the prism. tells him it was a good thing, actually. and that’s when sonic starts to clue into something being seriously wrong. frankly, he liked it more when shadow was upset with him... because at least that was really him :(
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ex-jock-enthusiast · 4 months
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Happy Holidays everyone!! To kick off what I hope will be a festive boom, please check out the phenomenal @huggernaut90 on instagram and tumblr. Their account is relatively new, but trust me when I say I think they're going to be huge - no pun intended of course 😉
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w0lfwren · 11 months
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i adore the meta interpretation of genloss because of what it does to NIKI’S STORY. like oh my god she was SOBBING on the carousel until it was her turn to talk then she put on a smile and all she could say was that she was “nice”. THAT IS HOW NIKI HAS BEEN VIEWED FOR HER WHOLE ONLINE CAREER. people who hate her call her overemotional and then people who “like” her can only ever come up with Oh she’s so nice or Oh she’s so encouraging. then she’s just DISCARDED, just as she was during You Know What, and shot OFF SCREEN. showfall didn’t care about her because the fucking audience never did.
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zingaplanet · 6 months
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Owen Wilson AKA chaotic gay southern middle-aged man just trying to score dammit.
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