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rodyaklv · 3 days
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- You said he doesn't bite - Well, he doesn't bite ME
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I am participating in Chosoyuki Week 2024 on Twitter Here's the theme for Day 1: Garuda
Follow me on Twitter, where I post more frequently: twitter.com/katenikii
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koyoriin · 9 months
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blood for the blood queen garuda prime // warframe
https://twitter.com/koyoriin https://patreon.com/koyorin https://instagram.com/koyori_n https://www.pixiv.net/member.php?id=125
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vikcleonaturin · 18 days
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Garuda
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telomeke · 4 months
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THE SIGN – CULTURAL REFERENCES, MYTHOLOGY AND META
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This post comes on the heels of the one by @respectthepetty about mythology and meta of The Sign, linked here. 😍👍 If you've not read it yet, I recommend you do before watching any more of this series, because it will help things make more sense (especially if you're not familiar with some of the cultural references thrumming in the background).
Anyway, I'd previously done some research on the legend(s) of the Garuda and the Naga in Southeast Asia, and so I'm writing this post to share what I've found because it does have relevance to at least some of what we're seeing onscreen in The Sign, and elaborates on @respectthepetty's post.
The Garuda and the Naga are mythical beings with origins in Indian mythology that have been transposed into cultures across Southeast Asia.
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In Hinduism, Garuda is a single deity, depicted in either full-bird form or part-bird and part-human, and is the king of birds and also a divine sun-bird (with physical attributes similar to an eagle's). His elder brother, Aruna, is the chariot driver for Surya the sun-god, while Garuda himself is the mount of Vishnu.
In Buddhist mythology, the garudas (sometimes also spelt garulas) are a society and race of gigantic predatory birds, sometimes also depicted as part-human in form. The garudas are intelligent, social and blessed with might and magical powers.
Thailand may be predominantly Buddhist, but it has also been strongly influenced by ancient Indian culture and Hinduism, and thus both the concept of a single deity Garuda and the race of garudas co-exist in Thai mythological beliefs.
The nagas on the other hand, are snake-like or dragon-like creatures, whose realm is the water world. (The word naga is derived from Sanskrit and is also etymologically related to the English word snake.)
In mythology nagas and garudas are perpetual enemies, although neither side is actually identified with good or evil – they are simply two groups eternally at war with each other (so occidental-leaning minds should dispel any preconception that the water serpents are necessarily the bad guys in The Sign, even though the narrative seems to be tilting in that direction).
When borrowed into popular culture (as has been done for The Sign) you may sometimes see influences of Chinese dragon and phoenix mythology (as Chinese cultural influence is also present in Thailand, and the dragon/phoenix motif of Sinitic culture nicely parallels the naga/garuda conflict pairing). And because of Garuda's association with the sun in Hinduism, and a parallel with the fiery phoenix of Western mythology, you may sometimes see garudas portrayed as aligned with the sun and/or flame as well.
There are some hints of these in The Sign. The naga that Phaya encounters while struggling underwater during the open sea training challenge in Ep.1 is very Thai in appearance (especially with the curved, forward-pointing crest, making it look much like the nagas that adorn Thai temple architecture). But the array of pronged, backward-pointing horns and trailing antennae appear to be a design nod at Chinese or Japanese dragons (East Asian dragons are also strongly identified with the watery realm, by the way). And in the graphics of the series (e.g., in the poster at the start of this post), the sky (the realm of Garuda) is suffused with sunlight and speckled with what look like drifting sparks, referencing sun and flame.
Because of the wings tattooed on his back and his time in the air force, Phaya is most likely the reincarnation of a garuda in human form (and this is why he struggled with the water challenge, as he was completely out of his element).
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This is also possibly why we see him smoking early on in the series (because of the alignment of Garuda with the element of fire), and significantly he does this while Naga Tharn (irked by Yai's teasing at the dining table) seeks refuge in the washroom (which is ห้องน้ำ/hong naam in Thai, literally water room):
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‌Billy also describes Phaya's character in the promo video for the series (linked here) as being "like fire, always hot and burning... quite hot-headed." 👍
Elsewhere in the same promo video (linked here), Tharn's good friend Chalothon is explicitly identified as the reincarnation of an important naga, which immediately signals that he and Phaya will be at odds in the series:
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The water deity that saves Phaya during the open sea challenge – Wansarat, whom he drew in his sketchbook – is not just Freen Sarocha in a fancy scuba suit. 😂
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If you look at her arm and hand when she reaches out to save Phaya (before she turns into Tharn) the green scales meld into the skin of her human wrist – they're part of her natural covering, and she's really a nakhee/nagin/nagini, a female naga, appearing in human form to save Phaya.
The narrative has made it strongly obvious that Phaya is a reincarnated garuda, while Tharn is the reincarnation of Wansarat, from the lineage of the nagas. And the teaser-trailer (linked here) tells us that Phaya and Tharn/Wansarat are lovers bound to each other through time:
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However, the special promo video (released 24 November 2023) also tells us (in Heng's interview linked here) that Chalothon and Wansarat were lovers in past lives, even while it is Phaya and Wansarat (reincarnated as Tharn) who are paired by fate in The Sign.
And as the nagas and garudas are bitter enemies, the love story between Phaya and Tharn/Wansarat that transcends time and reincarnation cycles is also one that must have been (and will continue to be) forbidden by their respective naga and garuda tribes (especially since Tharn/Wansarat also used to be naga Chalothon's lover), and will undoubtedly be a source of conflict in the series. This is way beyond the Montagues and Capulets! 😍
So with this as the base, I took a look at the characters' names, and those belonging to Phaya, Chalothon, Tharn and Wansarat especially also reflect their garuda/naga origins. 🤩
Phaya's name (พญา) means lord, king or leader. While it can be applied to the nagas (พญานาค/phaya naak refers to the King of the Nagas) it is also used for Garuda (the Thai national symbol) – พญาครุฑ/phaya khroot, or Lord Garuda (and is what his name references in The Sign).
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(above) Billy Patchanon as Phaya
Chalothon's name (ชโลทร) is rare, but it is derived from Pali/Sanskrit and means river, sea or body of water, reflecting the watery homeland of his naga persona.
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(above) Heng Asavarid as Chalothon
Tharn's name (ธาร) also has a connection to his water-dwelling naga roots. Tharn/ธาร is short for ลำธาร/lam thaan and means stream, brook or creek (and he is thus a naga nong to Chalothon's phi).
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(above) Babe Tanatat as Tharn/Wansa
However, Tharn is his chue len. His formal name is Wansa, and is the same Wansa in Wansarat (which the narrative lets us know at Ep.1 [3‌/4] 9.35).
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(above) Freen Sarocha as Wansarat
Now Wansarat is spelt วรรณษารัตน์ in the subtitles (at Ep.1 [3‌/4] 9.02), and I can't find any translation of it that makes sense in the context of The Sign's world-building.
But Wansarat's name is spelt differently elsewhere on the Internet (on Thai drama websites, and movie databases, etc. like thaimovie.org), and I assume they've all based it on official releases from Idol Factory because the spelling is consistent across these other sources – it's วรรษารัตน์ there.
And Wansa/Wansarat spelt this way also reflects the nagas' dominion over water, because วรรษา/wansa (an archaic word, referenced in an older dictionary but not newer ones) means rain or rainy season (from the Sanskrit varsha) – in Thailand the nagas are also associated with rain control, and prayers are offered to them for timely and abundant rainfall when it is needed. (The -rat part of Wansarat is a feminine ending meaning jewel or gemstone, and may echo with meaning for speakers of Indian and Sri Lankan languages, since it's derived from the Pali/Sanskrit ratna).
Just out of interest (because nobody asked 😂) some of these naga/garuda elements were also present in the early episodes of KinnPorsche – the den of the Theerapanyakuls (nagas, wealthy beings of the underworld) was full of watery elements (e.g., the waterfall, the various pools, and Tankhun's carp – which in Chinese belief are the original, natal form of dragons). The -nak in Kinn's formal first name Anakin (which is not a traditional Thai name) is also a nod at the word naga. Porsche had the tattoo of a fiery phoenix on his back, and was out of his element whenever water was concerned (e.g., his failed pool challenge, the mermaid costume punishment, his misadventure with the sprinkler when he tried to smoke in the store room – water vanquishing the flame). Kinn was unable to make fire when they were trapped in the forest, despite claiming to be friends with the flame, while Porsche could immediately do it.
But I didn't see the KinnPorsche narrative taking the naga/garuda themes much further than these random nods in the earlier episodes. Maybe it did (like Kinn and Porsche could be seen acclimatizing to each other's realms more), but I just couldn't be bothered to look at the show more closely since it didn't really stand up to deeper scrutiny, and after the first few episodes I just went along for the exhilaration of the ride instead. 👍
Anyway, I'm totally bedazzled by the level of world-building going on in The Sign and look forward to more from the series. If the first episode is anything to go by, I think Executive Producer Saint Suppapong may be on to something! 😍
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ltorekdraws · 4 months
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HAPPY FU HUA GARUDA DAY EVERYONE❗❗❗❗❗
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knifefightandchill · 9 months
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FINAL FANTASY XVI
➳ GARUDA
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tinderet · 4 months
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BENEDIKTA HARMAN / DOMINANT OF GARUDA
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ibumuc · 11 months
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Garuda and Kullervo
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haund15 · 9 months
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crimson-sun · 9 months
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Haven't talked much about this one, but here's a nice collection from the FF Oracle deck currently in progress. A bit different from the others, but lots of fun, and hopefully very versatile not just for divination but just to have and hold.
As always, any amount you can spare to support the project is greatly appreciated! Rewards on Patreon start from a single dollar a month but the more you pledge the more there is.
Deck should be ready to go by September!
Previously: FF playing cards | FFVII playing cards | FFXV Tarots | FFVII Tarots | FFXV Playing cards | FFVII Full Tarots | FF Hanafuda deck
Patreon | Twitter
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cute-sweet-corgo · 5 months
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SHE'S CRAZYYYYY CRAAAAAAAAAAAAAAAAAZY
Explodes
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7nessasaryevils · 13 days
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Them: how obsessed are you with The Sign?
Me: yes
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schmooplesboop · 5 months
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frostynovaprime · 16 days
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gawooda
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telomeke · 3 months
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THE SIGN EPISODE 3 – NONG KHAI, NAGA FIREBALLS AND THE DANCE OF ADVERSARIES
Only watched Ep.3 last night and it was a trip in more ways than one; this is another one of those BLs where the hand of the Tourism Authority can be seen heavily pulling the strings, and in this episode it was plugging for Nong Khai – which is especially relevant to the naga mythology underlying The Sign.
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The province of Nong Khai is far to the northeast of Thailand, separated from Laos by the mighty Mekong River; its capital city is also called Nong Khai.
Nong Khai is famous for a number of festivals, including the Rocket Festival and the Naga Fireball Festival. The Rocket Festival is referenced in the subtitles at Ep.3 [2/4] 14.41 but this is incorrect, because Tharn's grandmother mentions the date as "the 15th day of the 11th waxing moon" (the Rocket Festival takes place earlier in the year).
This date (a full moon night) is actually the Naga Fireball Festival, when the phenomenon of fireballs launched from the Mekong is supposedly at its peak. (There is as yet no formal scientific explanation for the fireballs, and locals believe they are spat out by the great naga or Phaya Naak who resides in the Mekong.)
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‌This is of course the same festival that Phaya, Tharn, Yai and Sand go to watch at Ep.3 [3/4] 2.18 .
And this date (วันออกพรรษา/wan ok phansa) is also the last day of the three-month Buddhist Rains Retreat (พรรษา/phansa, sometimes also called Buddhist Lent). The first day of Phansa (in the eighth month), marks the official start of the rainy season – Phansa is the Thai version of the Buddhist celebration known more generally as Vassa elsewhere, and the word is derived from the Sanskrit varsha (which means rain).
In The Sign this celebration of Phansa is significant because the word is a cognate with the วรรษา/wansa of Tharn's formal first name Wansa and the name of his previous female naga self Wansarat, which are both also derived from the Sanskrit varsha (see this link here for more elaboration). 👀
Anyway, this means that kid Phaya was actually drawn to the Naga Fireball Festival (not the Rocket Festival) and was presumably called into the Mekong by a naga. And he was saved from drowning by a reincarnated naga (Tharn) on the last day of the season that shares Tharn's name.
And thereafter, Phaya would always dream of Wansarat on the date of the Naga Fireball Festival (the 15th day of the waxing moon in the 11th month, also the last day of Phansa/Wansa).
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This is why his visit back to Nong Khai coincided with the festivities we see onscreen – he was there to investigate these links to the date and festival.
So far The Sign has been fairly faithful in its visual nods to the naga and garuda mythology that underpins the narrative. There's been a lot of blue and green (very marine colors) associated with nagas Tharn and Wansarat. And there are references to red and the element of fire calling out to garuda Phaya. This scene is an example:
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In the scene above the red light on one side is contrasted with the blue-green one on the other, and mirrors the dance of the fiery garuda and the water-dwelling naga. Phaya has just been rescued from the Mekong by Tharn, and he is shivering in a blue-green t-shirt (which is the naga's color, not his).
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(above) Sparks erupt behind the garuda Phaya as he seeks to recover his life-force after his near-drowning; the light on his person (as he is facing naga Tharn) is of a cooler tint though
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(above) Naga Tharn is also sopping wet but totally at ease; he is also bathed in warm tones as he faces the flaming presence of garuda Phaya
This scene after Phaya's near-drowning is also one of several where we see a swing (e.g., Ep.3 [2/4] 17.02, Ep.3 [2/4] 19.02, Ep.3 [3‌/4] 10.03 and Ep.3 [3‌/4] 11.07). I may be over-reaching here, but for Thai people this may be calling to mind the Giant Swing in front of Bangkok's Wat Suthat, which was once used in an annual Hindu Brahmin ceremony (now discontinued) that was held to mark the moment when the nagas of mythology abandoned their mountain stronghold on land (their coils maintaining stability) and moved instead to their permanent, watery homeland.
Noting that the nagas are shapeshifters, the green-eyed Wansarat enticing Phaya into the water is also likely to be a malevolent naga that has assumed Wansarat's form, seeking to drown Phaya (we've seen glowing green eyes before, on the naga that Phaya saw when he struggled with the Ep.1 water challenge, and also in the greenery of the garden at the bar/restaurant where the boys go to drink).
And in another nod at the naga/garuda conflict, when the abbot Luangpor lights two candles at Ep.3 [2/4] 28.36, the rumbling stormclouds outside (that are harbingers of rain) promptly extinguish the flames before speaking ominously with him.
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Nagas, because of their association with all things water, are also custodians and dispensers of rain in Thai mythology. Thus the voice that speaks to Luangpor from the clouds must be that of a vengeful naga, and he has underscored his displeasure with garuda Phaya by snuffing out the flames of the candle (fire being associated with garudas in The Sign).
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So one more little salute to the naga and garuda can possibly be read in the matching shirts that Phaya and Tharn don when they visit Wat Phra That Bung Puan at Ep.3 [3‌/4] 11.13:
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The warm tones (garuda colors) of the matching shirts contrast with the blue-greens (naga colors) of their shorts/jeans. Meanwhile, the swirling graphics on their tops are likely a reference to the naga fireballs, which reminds us that even though the nagas and garudas are supposed to be at odds, the fireballs are one area of overlap with the flames of the garuda – a kinship also echoed by the matchy-matchy going on with the outfits here (and the premise that Tharn and Phaya are a forbidden but fated naga/garuda pairing). 😍
The culture of Nong Khai also explains why there is so much naga imagery in this episode – a lot of it is to do with the festival of the Mekong naga and its fireballs. But the garuda (Phaya's earlier incarnation) is still referenced in the visuals of Ep.3 – directly at Ep.3 [3‌/4] 15.08, but more indirectly elsewhere.
The many establishing shots of the temple finials called chofa (e.g., at Ep.3 [2/4] 8.19, Ep.3 [2/4] 19.53, Ep.3 [2/4] 23.10 and Ep.3 [3‌/4] 6.52) are actually a visual reference to the garuda:
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This kind of chofa (with the curved profile reminiscent of a raptor's beak) is called the pak kruut or garuda tip chofa. There are several other kinds, including a naga finial, but the ones we see here in the establishing shots of the abbot's temple are of the garuda type and are a sly, less in-your-face wink at the garuda (at least compared to the abundance of naga imagery).
Anyway the trip ends with Tharn attempting to distance himself from Phaya because he doesn't want to jinx another of his loved ones (although what that means for Yai and Sand seemed a little rude for Tharn to suggest! 🤣).
True to his naga form a lonely Tharn seeks refuge in the watery realm – his condo pool:
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But the flaming red swim briefs about his loins are in the color of the fiery garuda, and belie his divided loyalty.
So when Phaya goes to confront Tharn at the rooftop gym, the dance of the naga and garuda, historical enemies, goes into full swing. Unlike their other physical encounters down at sea level (e.g., the open water challenge of Ep.1 and the Mekong rescue) here garuda Phaya is up in the sky, as close to the sun as he can be, and here he's in his element.
And when the two tussle (as would be expected of a naga and garuda), of course it would be Phaya coming out on top. It's his realm, and his turn, after all:
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The naga and garuda are ever-present in The Sign. I'm sure there will be more of this to come!
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countlessvisions · 9 months
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Final Fantasy XVI: official character artwork collection.
Clive Rosfield — Ifrit
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Joshua Rosfield — Phoenix
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Jill Warrick — Shiva
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Cidolfus Telamon — Ramuh
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Benedikta Harman — Garuda
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Dion Lesage — Bahamut
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Hugo Kupka — Titan
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Barnabas Tharmr — Odin
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