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#gabriel chanel
fhuzee · 2 years
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Chanel Haute Couture F/W 2013/14
Please please tell me you remember this show it’s just so special !
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mote-historie · 3 months
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Chanel (Gabrielle Coco Chanel) Art Deco Celeste brooch in white gold, diamonds and pearls, 1932.
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newestcool · 7 days
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Chanel f/w 1993 rtw Creative Director Karl Lagerfeld Model Yasmeen Ghauri Newest Cool
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brian-in-finance · 7 months
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Remember when Caitríona attended the Private View before the first UK exhibition dedicated to the work of French couturière, Gabrielle 'Coco' Chanel, charting the establishment of the House of CHANEL and the evolution of her iconic design style which continues to influence the way women dress today?
Exhibition website
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aliciasgard · 7 months
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Keira Knightley at the opening of the 'Gabrielle Chanel. Fashion Manifesto' exibition in London at Victoria & Albert Museum.
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dozydawn · 1 year
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i’m aware we hate coco chanel here but i think polish expressionist feliks topolski (1907-1989) really hit on something with his sketch “madame chanel” c. 1950
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alisaasblog · 5 months
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coco chanel 🎀💋🖤🪽🕷️
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theseimmortalcoils · 10 months
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Gabrielle Chanel photographed in her apartment in 1937 byHorst P. Horst.
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desimonewayland · 10 months
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José María Sert (1874-1945)
'Vision de Naples'
An eleven-leaf screen, circa 1923
Giltwood and black glaze; decorated with scenes against the Bay of Naples, 390 x 800 cm.
Sotheby’s
Catalogue Note:
José Maria Sert (1874-1945), the "Tiepolo of the Ritz", is part of the closed circle of the great society artists of the 20th century. He married the famous Misia Godebska whom Forain introduced to him, better known as Misia Sert, a central figure in artistic and literary Paris at the end of the 19th century and between the wars. Muse successively of Mallarmé, Vuillard, Renoir, Proust, Diaghilev and Cocteau, Misia was also the confidante of Gabrielle Chanel for whom Sert created this screen.
Undermined by the Parisian avant-garde, he is part of a primarily decorative painting tradition influenced by Goya, Manet and of course Tiepolo. In his studio in the rue Barbet de Jouy, Sert created a grandiose decor in the image of his painting, mixing baroque furniture, gilded bronzes, crystals and Coromandel screens. Gabrielle Chanel retained this lesson in decoration and applied it in all her Parisian residences thereafter, as her apartment on rue Cambon still testifies. Sert held a salon there where he received the entire Café Society of the time, who commissioned him for multiple projects. Specializing in very large wall decorations and screens, he went from polychrome painting to monochrome painting on a gold background, which better suited his exuberant style. He received important commissions at the turn of the century throughout Europe and more particularly in England (between 1914 and 1915 for Lady Ripon at Combe Court and Sir Philip Sassoon at Lympe and between 1918 and 1919 for Sir Saxton Noble at Wretham Hall). He received his first commission in the United States in 1924 for Mr. Joshua Cosden's music room in Palm Beach. An exhibition in New York at the Wildenstein Galleries completed his launch across the Atlantic. He then undertook grandiose projects such as an entire room at the Waldorf Astoria in New York in 1930, and the entrance main building of Rockefeller Center, built in 1933.
"Art loses the last representative of great painting", wrote Paul Claudel in Le Figaro on 14 December 1945, on the death of his friend José María Sert. The monumentality of his work and the power of his personality made Sert an artist unanimously admired in his time.
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𝐌𝐚𝐝𝐞𝐦𝐨𝐢𝐬𝐞𝐥𝐥𝐞'𝐬 𝐂𝐡𝐚𝐧𝐞𝐥 ༺ 𝐏𝐚𝐫𝐢𝐬 𝐚𝐩𝐚𝐫𝐭𝐦𝐞𝐧𝐭 𝐭𝐨𝐮𝐫
𝐁𝐢𝐨: 𝐚𝐟𝐭𝐞𝐫 𝐡𝐞𝐫 𝐝𝐞𝐚𝐭𝐡 𝐢𝐧 1971 𝐦𝐚𝐝𝐞𝐦𝐨𝐢𝐬𝐞𝐥𝐥𝐞 𝐞𝐬𝐭𝐚𝐭𝐞 𝐰𝐚𝐬 𝐥𝐞𝐟𝐭 𝐭𝐨 𝐡𝐞𝐫 𝐬𝐮𝐫𝐯𝐢𝐯𝐢𝐧𝐠 𝐤𝐢𝐧 (𝐡𝐞𝐫 𝐛𝐫𝐨𝐭𝐡𝐞𝐫'𝐬 2 𝐬𝐨𝐧'𝐬 {𝐧𝐞𝐩𝐡𝐞𝐰𝐬} 𝐹𝑜𝑟 𝑚𝑜𝑟𝑒 ℎ𝑖𝑠𝑡𝑜𝑟𝑦 𝑔𝑜 𝑡𝑜 𝑙𝑖𝑛𝑘 𝑏𝑒𝑙𝑜𝑤
https://bbc.com/travel/article/20230914-the-true-story-of-coco-chanels-childhood-
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𝐞𝐢𝐠𝐡𝐭𝐞𝐞𝐧 𝐚𝐧𝐝 𝐞𝐢𝐠𝐡𝐭𝐲~𝐭𝐡𝐫𝐞𝐞 ~
𝐧𝐢𝐧𝐞𝐭𝐞𝐞𝐧 𝐬𝐞𝐯𝐞𝐧𝐭𝐲~𝐨𝐧𝐞 💔𝐑𝐈𝐏
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theluckiestlb · 2 years
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Can you post the pride perfume image from the social media au?
😌 As previously mentioned, ZAG should hire me to do their in-universe ad campaigns because their version (specifically the bottle, not our bby Adrien) is lackluster.
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mote-historie · 4 months
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Julie Haase-Werkenthin, The New Fashion Line, Fashion drawing depicting av woman in afternoon dress "à la Chanel". Die Dame Magazine, October 1926.
Julie Haase-Werkenthin was part of a group of female designers and artists including Martha Sparkuhl, Erica Mohr, Hanna Goerke, Gerda Bunzel and Steffie Nathan, who created illustrations and layouts for the German women’s magazine Die Dame. (x)
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newestcool · 2 months
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Kate Moss at the Carousel du Louvre in Paris, France for the Chanel f/w 2003 rtw show Newest Cool
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brian-in-finance · 7 months
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Remember Gareth’s welcome return from NYFW?
New York Fashion Week
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lounesdarbois · 7 months
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Reportage de 2005 avec une ouvrière en passementerie qui fournit Chanel en galons tissés main depuis 1947. Très célinien.
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